#how do people do line less art so fast

[kitten-bri]

merry early christmas!!!! im not waiting til tomorrow to upload this

[tangibletechnomancy]

The reason I took interest in AI as an art medium is that I've always been interested in experimenting with novel and unconventional art media - I started incorporating power tools into a lot of my physical processes younger than most people were even allowed to breathe near them, and I took to digital art like a duck to water when it was the big, relatively new, controversial thing too, so really this just seems like the logical next step. More than that, it's exciting - it's not every day that we just invent an entirely new never-before-seen art medium! I have always been one to go fucking wild for that shit.

Which is, ironically, a huge part of why I almost reflexively recoil at how it's used in the corporate world: because the world of business, particularly the entertainment industry, has what often seems like less than zero interest in appreciating it as a novel medium.

And I often wonder how much less that would be the case - and, by extension, how much less vitriolic the discussion around it would be, and how many fewer well-meaning people would be falling for reactionary mythologies about where exactly the problems lie - if it hadn't reached the point of...at least an illusion of commercial viability, at exactly the moment it did.

See, the groundwork was laid in 2020, back during covid lockdowns, when we saw a massive spike in people relying on TV, games, books, movies, etc. to compensate for the lack of outdoor, physical, social entertainment. This was, seemingly, wonderful for the whole industry - but under late-stage capitalism, it was as much of a curse as it was a gift. When industries are run by people whose sole brain process is "line-go-up", tiny factors like "we're not going to be in lockdown forever" don't matter. CEOs got dollar signs in their eyes. Shareholders demanded not only perpetual growth, but perpetual growth at this rate or better. Even though everyone with an ounce of common sense was screaming "this is an aberration, this is not sustainable" - it didn't matter. The business bros refused to believe it. This was their new normal, they were determined to prove -

And they, predictably, failed to prove it.

So now the business bros are in a pickle. They're beholden to the shareholders to do everything within their power to maintain the infinite growth they promised, in a world with finite resources. In fact, by precedent, they're beholden to this by law. Fiduciary duty has been interpreted in court to mean that, given the choice between offering a better product and ensuring maximum returns for shareholders, the latter MUST be a higher priority; reinvesting too much in the business instead of trying to make the share value increase as much as possible, as fast as possible, can result in a lawsuit - that a board member or CEO can lose, and have lost before - because it's not acting in the best interest of shareholders. If that unsustainable explosive growth was promised forever, all the more so.

And now, 2-3-4 years on, that impossibility hangs like a sword of Damocles over the heads of these media company CEOs. The market is fully saturated; the number of new potential customers left to onboard is negligible. Some companies began trying to "solve" this "problem" by violating consumer privacy and charging per household member, which (also predictably) backfired because those of us who live in reality and not statsland were not exactly thrilled about the concept of being told we couldn't watch TV with our own families. Shareholders are getting antsy, because their (however predictably impossible) infinite lockdown-level profits...aren't coming, and someone's gotta make up for that, right? So they had already started enshittifying, making excuses for layoffs, for cutting employee pay, for duty creep, for increasing crunch, for lean-staffing, for tightening turnarounds-

And that was when we got the first iterations of AI image generation that were actually somewhat useful for things like rapid first drafts, moodboards, and conceptualizing.

Lo! A savior! It might as well have been the digital messiah to the business bros, and their eyes turned back into dollar signs. More than that, they were being promised that this...both was, and wasn't art at the same time. It was good enough for their final product, or if not it would be within a year or two, but it required no skill whatsoever to make! Soon, you could fire ALL your creatives and just have Susan from accounting write your scripts and make your concept art with all the effort that it takes to get lunch from a Star Trek replicator!

This is every bit as much bullshit as the promise of infinite lockdown-level growth, of course, but with shareholders clamoring for the money they were recklessly promised, executives are looking for anything, even the slightest glimmer of a new possibility, that just might work as a life raft from this sinking ship.

So where are we now? Well, we're exiting the "fucking around" phase and entering "finding out". According to anecdotes I've read, companies are, allegedly, already hiring prompt engineers (or "prompters" - can't give them a job title that implies there's skill or thought involved, now can we, that just might imply they deserve enough money to survive!)...and most of them not only lack the skill to manually post-process their works, but don't even know how (or perhaps aren't given access) to fully use the software they specialize in, being blissfully unaware of (or perhaps not able/allowed to use) features such as inpainting or img2img. It has been observed many times that LLMs are being used to flood once-reputable information outlets with hallucinated garbage. I can verify - as can nearly everyone who was online in the aftermath of the Glasgow Willy Wonka Dashcon Experience - that the results are often outright comically bad.

To anyone who was paying attention to anything other than please-line-go-up-faster-please-line-go-please (or buying so heavily into reactionary mythologies about why AI can be dangerous in industry that they bought the tech companies' false promises too and just thought it was a bad thing), this was entirely predictable. Unfortunately for everyone in the blast radius, common sense has never been an executive's strong suit when so much money is on the line.

Much like CGI before it, what we have here is a whole new medium that is seldom being treated as a new medium with its own unique strengths, but more often being used as a replacement for more expensive labor, no matter how bad the result may be - nor, for that matter, how unjust it may be that the labor is so much cheaper.

And it's all because of timing. It's all because it came about in the perfect moment to look like a life raft in a moment of late-stage capitalist panic. Any port in a storm, after all - even if that port is a non-Euclidean labyrinth of soggy, rotten botshit garbage.

Any port in a storm, right? ...right?

All images generated using Simple Stable, under the Code of Ethics of Are We Art Yet?

[luulapants]

25 ways to be a little more punk in 2025

Cut fast fashion - buy used, learn to mend and/or make your own clothes, buy fewer clothes less often so you can save up for ethically made quality

Cancel subscriptions - relearn how to pirate media, spend $10/month buying a digital album from a small artist instead of on Spotify, stream on free services since the paid ones make you watch ads anyway

Green your community - there's lots of ways to do this, like seedbombing or joining a community garden or organizing neighborhood trash pickups

Be kind - stop to give directions, check on stopped cars, smile at kids, let people cut you in line, offer to get stuff off the high shelf, hold the door, ask people if they're okay

Intervene - learn bystander intervention techniques and be prepared to use them, even if it feels awkward

Get closer to your food - grow it yourself, can and preserve it, buy from a farmstand, learn where it's from, go fishing, make it from scratch, learn a new ingredient

Use opensource software - try LibreOffice, try Reaper, learn Linux, use a free Photoshop clone. The next time an app tries to force you to pay, look to see if there's an opensource alternative

Make less trash - start a compost, be mindful of packaging, find another use for that plastic, make it a challenge for yourself!

Get involved in local politics - show up at meetings for city council, the zoning commission, the park district, school boards; fight the NIMBYs that always show up and force them to focus on the things impacting the most vulnerable folks in your community

DIY > fashion - shake off the obsession with pristine presentation that you've been taught! Cut your own hair, use homemade cosmetics, exchange mani/pedis with friends, make your own jewelry, duct tape those broken headphones!

Ditch Google - Chromium browsers (which is almost all of them) are now bloated spyware, and Google search sucks now, so why not finally make the jump to Firefox and another search like DuckDuckGo? Or put the Wikipedia app on your phone and look things up there?

Forage - learn about local edible plants and how to safely and sustainably harvest them or go find fruit trees and such accessible to the public.

Volunteer - every week tutoring at the library or once a month at the humane society or twice a year serving food at the soup kitchen, you can find something that matches your availability

Help your neighbors - which means you have to meet them first and find out how you can help (including your unhoused neighbors), like elderly or disabled folks that might need help with yardwork or who that escape artist dog belongs to or whether the police have been hassling people sleeping rough

Fix stuff - the next time something breaks (a small appliance, an electronic, a piece of furniture, etc.), see if you can figure out what's wrong with it, if there are tutorials on fixing it, or if you can order a replacement part from the manufacturer instead of trashing the whole thing

Mix up your transit - find out what's walkable, try biking instead of driving, try public transit and complain to the city if it sucks, take a train instead of a plane, start a carpool at work

Engage in the arts - go see a local play, check out an art gallery or a small museum, buy art from the farmer's market

Go to the library - to check out a book or a movie or a CD, to use the computers or the printer, to find out if they have other weird rentals like a seed library or luggage, to use meeting space, to file your taxes, to take a class, to ask question

Listen local - see what's happening at local music venues or other events where local musicians will be performing, stop for buskers, find a favorite artist, and support them

Buy local - it's less convenient than online shopping or going to a big box store that sells everything, but try buying what you can from small local shops in your area

Become unmarketable - there are a lot of ways you can disrupt your online marketing surveillance, including buying less, using decoy emails, deleting or removing permissions from apps that spy on you, checking your privacy settings, not clicking advertising links, and...

Use cash - go to the bank and take out cash instead of using your credit card or e-payment for everything! It's better on small businesses and it's untraceable

Give what you can - as capitalism churns on, normal shmucks have less and less, so think about what you can give (time, money, skills, space, stuff) and how it will make the most impact

Talk about wages - with your coworkers, with your friends, while unionizing! Stop thinking about wages as a measure of your worth and talk about whether or not the bosses are paying fairly for the labor they receive

Think about wealthflow - there are a thousand little mechanisms that corporations and billionaires use to capture wealth from the lower class: fees for transactions, interest, vendor platforms, subscriptions, and more. Start thinking about where your money goes, how and where it's getting captured and removed from our class, and where you have the ability to cut off the flow and pass cash directly to your fellow working class people

[meanbossart]

Do you have any advice for people looking to learn how to do color like you? I've been drawing for nearly 13 years but I've never been good with color and feel like my pieces always look rather over blended or that I can't pick good color pallettes.

Just to preface: coloring was fairly new to me just up until recently. I've always done color here and there but it was never my favorite (I very much felt like I had the same problem you're describing) and for a long time my style was largely based around grayscale because of it. When I started doing BG3 art it kind of felt like a necessity to learn, though, since its such a colorful game. So, take my advice with a grain of salt!

My biggest struggle with color was that the style I wanted to do never seemed to match my lineart. I eventually realized that was because my style itself wasn't done with color in mind at all - like I mentioned above, I mostly did grayscale and let the linework carry the art entirely. This also skewed the way I distributed my efforts; I would get really exact and over-detail things with the lineart like I was used to doing, and then felt like I also had to overdo the coloring as well, because the slightly "rougher" rendering I was striving for didn't seem to match the style.

The solution I arrived at was changing the way I approach lineart entirely, purposefully making it sketchier and less "exact", not letting myself be boggled down with details. In this way, I feel like I have far more freedom in how I apply colors and approach the rendering. It has also been extremely beneficial to learn how to push simplification (both in regards to lines AND color) as far as I can before the art stops looking good to me, and that has allowed me to backtrack into more detail again while feeling far more in control of their application. The more you breach out and experiment, the more ways you will have to approach your work when you feel as if you've hit a wall.

Obviously, I don't know if any of this applies to you 😅 but it's info that's been super valuable for me to realize.

Something else that might help is hunting down for tools that don't let you be precise - staying away from sharp liners and brushes and picking stuff that looks more graphical.

Also, not letting yourself zoom into your work too much so you're forced to achieve the shapes you're trying to achieve with rougher strokes and lines, and hence avoiding overworking small details that will ultimately get lost in the final picture anyway.

And assuming you have a good grasp on the basics - put a cap on your rendering time. Try drawing as fast as possible so you're forced to look for alternative solutions for making stuff look good without spending days on it. (I do NOT suggest doing this regularly if you're just starting off learning things like anatomy and perspective though; take your time!)

As for color palettes - I feel like I have a horrible eye for color LOL so I can't offer much wisdom there. I will often be adjusting hues and depth well into the finalization of the piece and ultimately just throw my hands up and say GOOD ENOUGH before sending it off. Taking breaks from looking at the screen so you can take it in with slightly fresher eyes tends to help me, though.

[miaoua3]

ovulating thinking abt jihoon rn can u make his version of the sfw and nsfw headcanons pretty pleaseee😓😓i love your writing i feel like it matches them so well

honestly you’re so real for thinking about jihoonie while ovulating, he gets me going like that too😭 thank you for saying that, i always try to think so hard about how the boys would be/act, trying to stay as close as possible to the true portrayal of them❤️

Jihoon Boyfriend Headcanons:

•(sfw! hcs):

i already said this but i will repeat it for the people in the back: JIHOON IS A ROMANTIC THROUGH AND THROUGH!!! just because he isn’t overly touchy and calling you “honey boo boo bear” like mingyu and dokyeom do doesn’t make him any less of a romantic, he simply shows his love through actions- writing songs for and inspired by you, always ordering your favourite food when he knows you haven’t had the time to eat, buying all the small and somewhat stupid things that he knows will make you happy etc. when jihoon loves he loves strongly and also gently at the same time

he definitely let you reorganise and decorate his studio because he got bored with all the boring decor he had (plus you spend almost just as much time in there as the rest of the boys and almost every evening with him so he wants you to be as comfortable as possible, and if it means buying a lilac couch that is fluffy and totally not his style, then so be it)

believe it or not, behind the closed doors jihoon is actually very cuddly, he loves to snuggle into you, his face hidden in your neck as you sit on his lap while he’s sitting in his chair in front of a computer, one hand gently running up and down your back while he’s clicking around the screen-it always makes him feel calmer, being in your arms, feeling your breath brush against his neck and tips of his hair. plus if you fall asleep like that? jihoon will literally have to physically grab his chest where his heart is from how cute he finds it

although he’s a cuddly bear behind the doors, in front of them he’s still a grumpy little cat that he always portrays himself as, a little tsundere if you will. but he still wants you to know that he loves you without saying it out loud in front of everyone, so he will proceed to do such silly things like thrusting a cup of coffee he bought for you, his face turned away from you (the tips of his ears red however), mumbling out something along the lines of “for you”, he’s just so dkanosbaoabs i want to squish his cheeks and kiss his little chubby cheeks AAAAAH I LOVE HIM SM

loves hiding your voice in his songs, just a little giggle he recorded secretly, or you saying something cute and/or inspiring, he just loves making you part of his art, especially because he considers you his muse. and this way you get to live forever, in a form of his song and i just think that’s so romantic, like being loved by an artist is such a beautiful thing to experience like hoonie pls let me be your muse😭

you actually didn’t know this until you started spending more time in his studio but he gets really bad headaches due to staring at the screen the whole day, paired up with barely eating and not drinking enough water you get a jihoon that can barely hold his eyes opened due to how bad the headaches are. that’s why you started carrying ibuprofen everywhere with you in case he might need it. but what helps him even more than any medication is when you make him lay down on his couch with his head in your lap and when you gently massage his head while talking to him softly about something. he relaxes so fast any time you do this that it has become sort of a daily routine for you to do this, this makes him feel so loved that he often has to close his eyes in order to hide the tears that are brimming his eyes (you would never tell him this but you still see the tears every time he does this)

going on tour is always the hardest time for jihoon because he has to be away from you for so long. he just gets so used to having you around him every day, to your wide smiles while you call him “hoonie” or “jagi” that he feels like he loses a part of his identity when the fans start referring to him only as “uji” :( and don’t get him wrong, his fans are not the one in fault here, neither are you, it’s just a tricky situation that doesn’t really have a good solution other than bringing you with him while he’s touring for months (which you can’t afford to do) or sucking it up for a few months for a bit until he gets to come home to you :(

•(nsfw! hcs):

“oH hE wOuLd fUcK yOu iN HiS sTuDiO” yeah yeah we all established that BUT WHAT ABOUT YOU COCKWARMING HIM IN HIS STUDIO??? just imagine- he’s sitting on his chair, pants pulled down just enough for his thick cock to be freed, your wet pussy clenching around it in need, your soft whines and moans and begging hitting his ears while he tries so hard to focus on the task in front of him so he can finish faster and fuck you into oblivion right there on his desk i- i fear i need him

another member of the “pussy drunk” club. he uses eating you out as a form of winding down after a hard day, he sometimes won’t even greet you after coming home, he will just pull you to the couch, yank your pants down before letting himself fall onto the couch, picking you up and basically drag you up until your core is hovering above his juicy and hungry mouth. he won’t stop until you’re shaking and crying, begging him to either stop or to finally fuck you until you lose all of your senses

what he even likes more than you cockwarming him in his studio is when you suck him off under the table. just the sheer effort that he has to put into concentrating on his task while your tongue is swirling around his head, the rest of his dick being pumped with one of your hands while the other massages his balls, halfway through he just gives up on trying to focus on the computer in front of him and just fists your hair in his hands, fucking your mouth with his eyes closed and mouth opened, moans spilling out of his mouth without his permission

has a thing for strength, like just seeing the difference in your strength, how easily he can manhandle you into positions he wants you in and being able to pick you up with ease before throwing you on the bed with even less effort- it just makes his brain cloud with desire and need that he goes crazy whenever he hears you either gasp or moan when he picks you up or harshly pushes you against the wall

speaking of, he loves to fuck you against any wall there is, like imagine- you two come home from his studio after you spent hours just sitting on his pretty and girthy cock, you don’t even have the chance to close the door fully before he’s picking you up and fucking you right there against the wall by the entrance door, going at the speed of light, your moans and slapping of skin against skin the only sound being heard in the mostly dark apartment i- i need lee jihoon so badly istg

has a thing for bathtub sex- there’s nothing better than when they get some free time and he gets to relax and spend more time with you, doing all sorts of things together, like taking a bath together, two glasses of champagne prepared for you two to enjoy while doing so. the fact that the glasses end up getting spilled in the bathtub while you ride him, water splashing everywhere due to excessive movements he makes you make with his tight hold on your hips is an entirely different matter

surprise surprise- he has a breeding kink. you can’t tell me he doesn’t, like just the sight of you beneath him, begging with tears in your eyes to cum inside of you, to make you full of his cum and breed you is enough to push him over the edge, spilling his load inside of you to the point it starts leaking even while his dick is still inside of you. he won’t stop until he’s sure that he has succeeded in breeding you, and until he sees that dazed and satisfied look in your eyes, his grip tightening on your hips as he pushes himself inside of you to the hilt, refusing to pull out for the nectar several minutes- I NEED HIM SOOOO BADDD PLS JIHOON I PROMISE I CAN TREAT YOU SO WELL DJDJAKXJAIA PLS GOD SEND THIS MAN MY WAY

[dearly-somber]

body art | j.jk

-> pairing. wolf shifter!jungkook x human!reader (f)

-> genre. f2l, slow burn, eventual romance, eventual smut, mutual pining, fluff, university!au

-> rating. 13+

-> w/c. 2598

-> warnings. lots of touching (not inappropriate); sexual tension 🤡

-> a/n. Listened to Pictures by ECÂF for the entirety of this one and whoOo bOy 😮‍💨. The brain-juices were Flowing

-> collection. mini-series

-> started. Mar. 4th, 2023 @ 20:07

-> fin. Sun., Jun. 23rd, 2024 @ 03:32

-> edited. Mon., Jun. 24th, 2024 @ 02:35

-> divider credit. @mmadeinheavenn

Sometimes, Jungkook feels like the biggest idiot on planet earth. Forgetting about a very important, fast-approaching project deadline happens to be one of those moments.

What sucks more than that is that he was tasked to do something in a medium far from what he usually does (oil pastel), but now that he has very little time to prepare, he also needs something that won’t take him more than 24 hours to complete.

He bites on his lip, pacing around the empty art studio with his hands on his hips. His buddy Eunwoo does a lot of body art, he thinks… he’s always said that it’s pretty snappy. Not that Eunwoo doesn’t spend time on his craft, just that the simpler pieces take significantly less time to do than anything else Jungkook’s tried (with the added benefit of being in a medium wholly different to his go-to).

If he can pull this off, Jungkook will be one step closer to passing his midterm.

“Aish, fuck it,” he mutters, striding across the room to the dirty white plastic table stacked with his art supplies, picking up his phone with a concentrated furrow in his brow as he dials Y/N’s number from his Favorites list before bringing his phone up to his ear, anxiously chewing on his thumb.

She picks up on the fourth ring. “Kook-ah?”

“Y/N.” He automatically smiles at the sound of her voice. “Hey,” he sighs, “sorry for calling you so late—“

“Not at all, Kook. What’s up?”

“Are you busy right now?”

“No…?” She pauses a moment. “Why? Did you need something?”

Jungkook sighs into the other line, rubbing the back of his neck. “Yeah... Can you come to the studio?”

“The one on-campus?”

“어…”

“Sure. I’ll be there in five.”

🌕🌖🌗🌘🌑🌒🌓🌔🌕

“What haven’t you done?” Y/N asks as soon as she steps through the threshold, a teasing smile on her lips.

She throws a plastic bag filled with snacks beneath the table, the plastic inside crinkling on impact as she takes a seat on top.

“A project,” Jungkook laughs, hoping she doesn’t hear its nervous crack.

“How much’s it worth?”

“Like… half my grade.”

“Jungkook—“

“I know. I know, I’m sorry.”

She laughs, not unkindly. “What’re you apologizing to me for? It’s your grade.”

“I know,” he mumbles, running his palm over his face with a sigh. “I don’t know. I don’t like disappointing people.”

He looks at her with a pitiful smile. “You especially…”

Y/N’s brows furrow as she hops off the table to hold his hands, coaxing his gaze up with an encouraging tug. “I’m not disappointed, Kook.”

He nods noncommittally, tonguing at his lip ring while staring at their intertwined hands instead of her soft smile.

“What can I do to help?” she asks then, running her thumb over the back of his tattooed hand.

“Actually,” he sighs, “that’s why I called you.”

“Oh?” she asks, a smirk tugging at her lips.

Jungkook clears his throat and lets go of Y/N’s hands to show her the large tubes of acrylic paint he stole from Eunwoo’s work station. “I was hoping you’d model for me.”

Y/N’s eyes widen to the size of saucers, her lips parting in a surprised o-shape that makes Jungkook’s heart flutter. “M-model? For you?”

He smiles. “Yeah,” he says, “for me. You know how Eunwoo does body art?”

“Yeah?”

“Well, I needed to do something different for this project, and body art seemed like it’d be the fastest and most efficient option, so…” He laughs awkwardly, tapping the tube of yellow paint against his thigh. “Here we are.”

“Doesn’t Eunwoo usually hire models?” Y/N asks.

“Well, yeah, but…” Jungkook shrugs. “I figured you’d be willing to help a guy out.”

Y/N snorts, rolling her eyes with a growing smirk that makes Jungkook’s stomach twist. “You’re lucky you’re right, Wolfie.”

He scrunches his nose at the nickname, nevertheless feeling a massive weight lift off his shoulders when Y/N giggles and punches him in the arm, walking to the centre of the room with a happy smile.

“How do we do this?” she asks.

Jungkook hums thoughtfully, imagining how he’ll transfer the rough sketch he came up with while waiting for Y/N to arrive from the scrappy piece of paper he’d had lying around onto her skin.

“I’m not entirely sure,” he mumbles distractedly, sucking air in through his teeth as he finally settles on going greyscale, lining up the handful of paint tubes from lightest to darkest, turning to the side to grab different sized brushes and a plastic cup of water. “I’ve never done this before.”

“Obviously,” Y/N says, smiling at him when he turns around to give her a deadpan look. “Can I help?” she then asks, standing over his shoulder.

“Uhh…” He turns to her, suppressing his urge to scent her and instead wracks his brain for something for her to do. “Oh! Why don’t you get some of that plastic covering there against the wall and lay it down on the floor for me?”

“Where?” She eagerly grabs a clean roll and struts determinedly to the middle of Jungkook’s work area. “In the middle?”

“Yeah, there’s fine.”

“Why on the floor though? Also, does it matter? The floor’s just as paint-ridden as every other surface in this room.” Y/N laughs as she smooths the plastic crinkles out, ensuring it’s flat against the floor.

“It’s so you don’t get dirty,” Jungkook mutters, squeezing small amounts of paint onto his palette before grabbing his brushes and making his way over to where Y/N is now standing confused in the middle of the room.

“What do you mean?” she asks suspiciously, watching as Jungkook slowly crouches to put down the brushes and palette before going back to the desk to grab his water and set it down alongside his other tools.

“You’ll have to lay down on your stomach,” he says, laughing at the deadpan look she gives him. “What can I say? Your back is the perfect substitute for a canvas.”

Y/N sighs dramatically, getting down on her hands and knees with an old-man groan that makes Jungkook grin.

When Y/N sits back on her haunches and turns to look at him with a slight furrow in her brow, his grin dilutes only a little bit. “What is it?”

“I need to take my shirt off, don’t I?”

Well, shit.

“Uh…” Jungkook, also on his haunches, feels like an idiot as he gapes at her, trying to wrap his head around his current situation. “Well, yeah.”

He has to internally yell at his wolf to shut the fuck up. “You’ll have to take off your bra, too.”

Y/N’s eyes widen, and Jungkook hastily backtracks. “The strap’s gonna get in the way of the painting,” he explains, “so unless you’re fine with me painting over it…”

She bites down on her lip, nervously fiddling with her fingers in a way that makes Jungkook frown. “You don’t have to if you don’t want to, Y/N. If you’re uncomfortable I can just paint over your shirt—“

She pulls a scandalized face. “No! This is my, like” —she tugs at the hem of her shirt, looking down at the Harley Quinn illustration with a furrow in her brow— “second favorite shirt.”

“Which one’s your favorite?” he asks, a little confused.

“The one with your face on it,” Y/N says with an evil grin, cackling when Jungkook deadpans at her.

Of course she’d like that one.

“Seriously though. You don’t have to,” Jungkook reassures her again, his palms flat against his thighs.

Y/N searches his face for a second before shaking her head. “It’s okay,” she says. “I can do it.”

Jungkook checks her face for any sign of hesitation before he nods and turns his head to the side, last-minute turning back to stop her. “Here.”

He tugs his shirt off and lays it down in front of her, spreading it a little before sitting back again. He clears his throat at the way Y/N’s eyes roam over his body, heat crawling up his back at the sensation.

“So you can lay down on it,” he explains hoarsely, clearing his throat again as he turns away, squeezing his eyes shut.

She whispers a thank you under her breath, the room turning dead-silent as Jungkook’s ears hone in on the sound of rustling fabric and a bra-clip being unhooked.

“‘M done, Kook-ah.”

Jungkook takes a deep breath, praying to whatever god is out there to help him be normal about this in ways he knows he’d be otherwise incapable of.

The moment he opens his eyes, all thought of normality flies out his brain like someone opened it up, called it empty and yeeted it across the room.

Y/N’s back is strangely ethereal.

Prominent shoulder blades guide his eyes down her spine, his eyes drinking in the valley of smooth skin like a starved animal.

The only thing that snaps him out of it is the sudden and very intense urge to lick her. (He blames his wolf and refuses to take accountability.)

Shaking his head on right, Jungkook hurries to shuffle closer, his legs tingling from disuse.

“So…” Y/N starts, clearly trying to fill the silence. “What are you painting?”

Jungkook laughs a little, grabbing the thickest brush he has and lathering it in titanium white, shifting close enough for his knees to touch Y/N’s sides. “I dunno if I should tell you.”

“What?” she whines. “Why?”

“Because you’ll make fun of me,” he says pettily, whispering a warning under his breath before setting the tip of his brush to her skin.

Y/N gasps at the sudden cold. Jungkook watches her with a tiny smile, waiting for her to relax her shoulders before he continues lathering paint on in the faint shape of a box.

“Just tell me.”

“I don’t want to.”

“Jungkook~” she whines, pulling a laugh from his throat with barely any effort at all.

He snickers as he shakes his head, finishing up the background before swirling the brush around in his water, grabbing a separate, thinner brush and dipping it in a blob of wet concrete-grey paint. “I’m drawing us.”

“Aww,” she squeals, giggling when Jungkook over dramatically sighs at her antics. “That’s super cute and all, Kook, but aren’t you supposed to be doing something different? You draw portraits of us all the time.”

“I know,” he says, tongue sticking concentratedly out the corner of his mouth. “That’s why I’m drawing us as animals.”

She gasps loudly. “Really!? Are you finally doing another Wolf-Y/N drawing?”

“I should keep that in mind for next time,” he chuckles. “But no, I’m making you a rabbit.”

“Of course you are,” she whispers, though Jungkook can’t help but think he hears a note of fondness in her voice. “So, what? You’re the big bad wolf, then?”

“Since when was I bad?” Jungkook scoffs.

“I dunno. Since you started slacking on your school work.”

“It’s one time!”

“It’s worth half your grade!”

Jungkook pouts, humphing. “Whatever. It’s a cute painting.”

“Yeah?”

“Yeah. My wolf’s tail’s all curled up ‘round you… you’re all sleepy, ‘n’ stuff,” he mumbles.

Jungkook swears he hears a smile in Y/N’s voice as she says, “That is pretty cute.”

“Yeah…”

Their conversation trails off as Jungkook focuses on his work, gradually laying out the groundwork for the line art.

When he finally starts working on it, though, he mumbles a short apology before swinging a leg over Y/N’s ass, straddling her lower back so he’s centered.

“You okay?” he asks, trying to keep his weight off her back.

“Yeah, ‘m fine.”

“Don’t need a break?”

“I’m fine, Kook. You can keep going.”

Jungkook clears his throat, mentally swatting the dirty thoughts away as he leans down to start on the line art, using his wrist to keep his hand steady as he uses his arm to keep his lines smooth and at an even thickness level.

“Would you have gotten someone else?”

“What?” Jungkook asks, leaning back to get a better view of his piece, but also to try and shake off the feeling of your skin on his palm.

“If I said I couldn’t make it, would you have gotten someone else to model for you?” Y/N asks, trying (and failing) to keep her voice neutral and nonchalant.

“No,” he says. “I don’t think I would have.”

“Why not?” she whispers, her heart beating a little louder in her chest.

Jungkook shrugs even though she can’t see. “I dunno. This feels too… intimate, to do with anyone else,” he admits, leaning back down to finish up the bunny’s line work so he can move on to the smaller details.

She hums softly, the vibration tangible against Jungkook’s hand. He’s been so hyper-focused on every little feel, he barely has time to register what he’s doing before he finds himself with his nose pressed to the back of Y/N’s neck.

“Kook-ah?” she whispers, a shiver running down her spine as Jungkook huffs out against her skin, hot all over and a little dizzy.

“Sorry, bunny,” he mumbles, squeezing his eyes shut. “You smell nice.”

She giggles, and Jungkook relishes in the wave of oxytocin that blasts him right in the face.

“You know, sometimes it’s like you can’t go thirty minutes without doing something to remind me you’re part dog.”

“I’m not a dog,” Jungkook grumbles, unaware of the slight growl in his voice as he takes another whiff of Y/N’s scent, letting it wash over him.

She shivers again, and that seems to be adequate enough for his wolf to let Jungkook pull away again. He mumbles an apology as he brushes her hair over her shoulder, sitting up straight and taking a moment to breathe deeply.

“You smell nice too, by the way.”

Jungkook laughs a little, wiping off a small smudge of paint as he finally stands to grab the digital camera he keeps for the moments when he wants to capture something he’s made for later review, wiping his paint-stained hands down on his pants.

“Is that so?” he teases lightly, telling Y/N to stay still as he stands over her, lining up the shot and taking a couple before he finally gives her the okay.

“You have a really nice smell,” she explains almost defensively, pulling her shirt back on while Jungkook’s back is to her. “You smell like… like rain, and that vanilla laundry detergent you like so much.”

She bends to grab and then throw Jungkook’s shirt at him, smiling as he leans back against the table with a smile of his own.

“I’m glad you think it’s nice,” he says, not bothering to hide the smugness to his tone but hoping she can’t tell with some kind of best friend magic that her liking the way he smells can also be interpreted as a (as she would call it,) “wolfy” thing.

Doesn’t matter, doesn’t matter, doesn’t matter, he drills to himself.

“Whatever. You took pictures?” She stands next to him.

“Mm. I’ll give you a copy once I get them printed.”

She smiles. “Thanks.”

“‘Course, bunny.”

Rolling her eyes, Y/N stands on the tips of her toes to wrap an arm around Jungkook’s shoulders, guiding him out the door with a strength and determination that surprises him.

“Now,” she says, “let’s get fucked. I know a great place like, down the road from here.”

<- prev | next ->

[chaotic-minds-think-alike]

Guess what time it is…….

CENTIPEDE TIME !!! she’s finally real,,,,,,,, based off Scolopendra hardwickei or the Indian tiger centipede

Before I go about the process I just want to say you guys have been soooo incredible and I love reading your reblogs and I love the idea knowing I’ve inspired a lot of people,,, the project, although it was a lot of work and I’m feeling not so great as of posting this, still motivates me to want to make another.

(Art process below)

This was entirely freehanded! I have a lot of experience working in 3D art settings that this part came easy to me but I started with a flat base shaped in the pose I’d like the creature in. I used one whole piece cut from a shipping box and filled in the gaps with tape; you don’t need a single piece for the base but for structural integrity it helps a lot. As you can see here I also cut the legs separate and glued them on using hot glue. The vertical cross sections are to give an early support for the structure of the creature, think about the frames of aircraft or boats. During this part I used a pen to mark the width and height of the previous section to get a gradual flow of shapes.

This next part I wish I got more documentation on but after the vertical cross sections I used soda boxes for the thinner and flexible cardboard to add contour lines along the length of the creature, gluing them on the cross sections. I did about 2 strips of this on either side to fill in the space and then I continued to use soda boxes to fold and shape the top of the creature, gluing onto the strips rather than the cross sections (this part was a mistake but I quickly adapted, no issues happened but it did make it slightly less secure). I also gave the legs vertical cross sections as well to shape them for the masking tape.

The worst part, taping everything. I used tape to further shape it how I wanted but that meant going over parts several times. I used 2 different widths of tape for this for efficiency but it doesn’t matter. The legs were very loosely taped and if squeezed then they’d lose their shape; I didn’t bother filling them in because I don’t have materials for that and I let the paper mache help support them instead. Tape was also used to fill any holes and gaps left by the cardboard skeleton.

The next phase is paper mache of which I haven’t done since 5th grade… I was not confident in this step. I used mod podge and a brush to smooth down the paper. Because I lacked materials I used fast food napkins instead of newspaper which worked totally fine, it just tended to tear a bit easier. Some areas required me to get hands on and I don’t really like the texture during this stage so that was fun (lie). I didn’t do too many layers, one for the body and 3 for the back and legs but some projects might demand more. I used half of a 16oz bottle of mod podge btw so please get more than you think you need.

Finally, texture hell!!! I did a base coat of white spray paint and painted everything else with acrylic. Start with your lighter colors first before doing darker ones! I originally mixed some yellow and orange for the body and realized it was too bright and so covered it with orange instead. It also wasn’t until later I realized I could’ve been smarter with my paint so I skipped over the segments that were going to be fully black, saving the orange for the rest of the body. I wanted my centipede to stand out and not look 2D color-wise so I also used the red for the head and tail to give gradients and edges to the orange segments and legs, later going back with burgundy to further darken them but not too much. For the black segments I also used a very watered down layer of sky blue to give a fake shine and show the intended structure of the segments. Do not be afraid to use your hands! I used mine to smudge my detail paints like the black fade on the legs and the back shading. To top it all off I sprayed a clear coat and punched two holes in the underside to hang it up, using thumbtacks angled upwards.

[sabertoothwalrus]

OK PREFACING WITH IM SORRY IF I ALREADY SENT THIS EXACT ASK BUT MY WIFI KILLED ITSSLF AS I SENT IT SO IDK IF IT ACTUALLY WENT THROUGH. but in case it didn’t . i know youve gotten this countless times in the past because i blog stalked just in case youve mentioned something similar before but i need to know if you have any specific inspirations when you draw exaggerated expressions specifically like these two images of marcille. ive actually cried laughing over this comic and being able to communicate this type of visceral emotion is such an insane skill and ive followed your art for probably close to a decade through various fandoms so watching you develop this style has been fucking awesome and epic. like i cannot articulate how funny these are to me i just need you to understand i look at this comic to inspire me to draw now. the closest comparison i can draw to the feelings they evoke are like those mspaint reaction images and also mspaint tails i included for reference even though you probably know exactly what im talking about anyways but its actually so much harder to do that intentionally when you study art. also i lied you literally don’t even need to answer this i just had to let you know how obsessed i am over your silly comics and now ive written out a whole ass discussion post about it. im sorry if this is weird at all i think my daily prescribed amphetamines r wearing off and i know this is such a dumb specific thing to fixate on and im so sorry if its not something you want to hear about your art. ive just always seen that as an artist this type of expressive stupid silly style is something that comes after a significant amount of time and practice and study and style development despite being “simple” in theory. its just so cool to have worked with your own style so much that youre able to go “off model” from it and still maintain consistency with the rest of the piece. i said it already and im sorry this is actually rendundant now but the ability to communicate such raw emotion somehow decreases from at its height when someone is a beginner artist learning how to proportion and keep a steady line and what looks “normal” but somehow it all comes full circle because taking all that experience and using it to almost return to where you started but in a fully informed and intentional way so you can make choices to draw characters like this when the situation calls for it is just dhcidogakgoshfhw. i think i need to cut myself off or im going to talk in circles im sorry tumblr user sabertoothwalrus i just am fascinated by your style and progress and the years you’ve dedicated to art can be seen in so many places but this is just one that stands out to me specifically.

MMMMM what a fun question!!!

I'm not gonna lie, I think it's just Letting A Drawing Be Bad. I definitely think the people that struggle with this the most are people who have genuinely very pretty art styles, to the point of being kind of perfectionist about it. and to Draw Funny often means Drawing Fast and Weird. Pretty is kind of the antithesis of funny (unless being pretty is the punchline). do drawings that make yourself laugh. tracing/lining funny sketches almost always makes them less funny.

one of my favorite types of humor is when it skews more deadpan, actually. This is one of the reasons I love Adventure Time. minimal expressions and flat line delivery + absurd context is a really good combo. the key to comedy has more to do with contrast! if your drawings are allllll crazy ren & stimpy all the time, they're not funny anymore cause it's just "normal". if it's all subdued UNTIL it's extreme, and vice versa, then it's funny. The reason this comic is so funny is because of the complete lack of any expression. I feel like the one you sent of Marcille shouting "WHAT" is funnier when you know how much she tries to be dainty and feminine and delicate, how much she values her appearance, and how averse she is to "gross" or "weird" things.

something I find really annoying (and this is with comics/animation in general, not the expressions themselves) is when the joke goes on for too long. Like you'll have the joke, then the punchline, and THEN the characters reacting to the punchline??? Like the author didn't trust that their audience would find the joke funny, so they basically drew in a laugh track. But, this is distinct from a character's reaction being the punchline (like how the examples you gave from my Marcille comic are). MY POINT IS sometimes expressions aren't as funny on their own as you think, and context can affect how you feel about it!

as far as inspirations go!

my own face! even if I don't have a mirror, I like making the expressions myself so I can "feel" where the points of tension on my face are, and it gives me a sense of what to exaggerate.

my brother's art, believe it or not! we've been trying to make each other laugh with our drawings since we were kids, and he's really good at it.

ATLA has some great expressions

OK KO has been a reallyyyy good source for me lately. That show is so tailored to my sense of humor and the expressions and line deliveries feel exactly like the kinds of things I'd come up with. The tone, timing, and art style are all really close to the tv show pitch I'm working on, so when I feel like I've "strayed" too much from it (like after drawing a bunch of dungeon meshi, and my art feels tighter and... idk "manga-ier"?) I like to go and watch a couple episodes of OK KO to loosen back up

A lot of things like OG Spongebob, Calvin & Hobbes, the Simpsons, Chowder, etc etc

memes in general. if it makes you laugh, keep it in mind

and lastly, I wouldn't say I ever try to mimic funny expressions I see. Like if I watch a show for inspo, I'm not pausing it to copy specific drawings, I'm just trying to notice patterns and pay attention to what about it I find funny.

talking about being funny is really bizarre and I dunno if it makes it lose some of the magic. Ultimately it's something you can't think about too much, and just gotta go with your gut.

[blueskittlesart]

Hi, I’m a huge fan of your art and I wanted to know a little bit about your comics. About how long does it take you to make one, and how do you stay efficient about it? Also, how do you decide which parts are black, which are white, and which are gray? And are any parts of the process particularly difficult? I think it’s really beautiful how you can get so much across in your comics without crowding too much in each panel, like in manga for example. Also how most of them are entirely black and white. I’m asking all of this because I have a story I’ve written, and I want to turn it into a comic, which I’ve done before. But I’ve always become discouraged when I overshoot and make it way too detailed from the beginning and not be able to get that same amount of quality with more complicated panels. Thanks if you answer this.

HIIII. so the time that it takes to do like one page of comic varies for me depending on the level of finish i put into it, but i'd say not counting the scriptwriting or layout, the actual art for one page usually takes between 1-2 hours to finish. any more than that is too much for me, personally, but one of the things i've learned at art school is that i work INSANELY abnormally fast, so that kind of pace might not be sustainable for you. (i'm currently doing 5 pages a week for my thesis which is the kind of pace that kills people. it might kill me. we'll see.)

my best advice for b/w/g placement is to have an idea of what you want your finished panel/page to look like BEFORE you start drawing it. if you're just drawing the lineart and then filling in the black and gray after the fact, it's going to be much more difficult and you're going to run into problems like tangents and legibility issues with your color placement. especially when working with a limited palette, knowing roughly where each color will go before even beginning the project helps a lot. I'd also suggest trying to limit your use of gray to like, 3 tones max. I usually only use 1 or 2 if i use gray at all. this helps keep things in high-contrast and therefore more legible. Line weight is also especially important when you're only doing black and white, because it helps create depth and ground us in space when there's no color to do so. in general, don't be afraid to go for big blocks of black, but try to think about where and why you're using them!

As for your comment about overshooting, my advice is to ration. we joke sometimes about how manga artists will use a much more simplified style up until like, a big climactic scene and then suddenly lock in, but that's a genuinely useful tactic sometimes. You don't necessarily need a background in every panel if the background isn't the focus of a scene, and that leaves more energy for you to go all out when you DO need a big fancy establishing shot or some complex perspective or whatever. obviously you shouldn't just be totally phoning it in on less complex panels, but don't try to kill yourself over the less important details. focus on what's most important to get your point across in whatever situation you're working with!

[bogleech]

We know that new Arthropoids can be made by fusing an individual human with an insect specimen. But what does this process actually look like?

Is it fast, slow? Gradual or sudden? Uncomfortable? Do you hole up in a cocoon, or do you keep going to work? How much of the person's identity is retained - and who opts for a thing like this, anyway?

P.S: thanks for answering my Mortasheen questions!

In the earliest concepts for the Mortasheen world it was exactly like "The Fly;" you just get zapped in a machine and instantly fused. It kind of still works that way but it's more complicated. It still works on normal humans, but it's more commonly a Sectilian, a lineage of metahumans who are the keepers of the tech itself and already born with countless Arthropod genomes. When they near adulthood they begin to undergo a nasty metamorphosis and even form into a fleshy cocoon, which will die unless it can be fused with just the right species of Arthropod. They know which one they're "meant" to fuse with as it begins to haunt their dreams more and more throughout their youth. If successful they'll emerge from the process with part of themselves "swapped" with the bug, like the original Fly.

This retains their entire mind, and they have a permanent mental link with the counterpart bug, which now has some of their parts, and naturally lives as long as they do. It's just kind of a remote extension of their body.

If they were not a Sectilian (some other metahuman, or a regular human) or they're paired with the "wrong" Arthropod, then they become a fully merged hybrid monster, like the newer Fly

Arthropoid monsters are mentally much less human, with only fragmented/dim memories of their former life overwhelmed by appropriate new directives such as "spin webs to catch food" or "hide inside dead trees," though they'll generally still be loyal to anyone they were close to before.

Arthropoids can also mate, reproduce and make little baby versions of themselves, so the vast majority that exist are not the products of fusion, but fusion IS necessary to create an entirely new "species line" for them. Mortasheen is a setting full of mad biologists so there are plenty of people who would do this for the sheer scientific discovery of it or because being a big bug under a big rock just sounds like a cool life. Becoming the first member of an entirely new monster variety also has some mystique to it, so even among Sectilians it's not always seen as a "failure." They may resort to it in order to live when they can't find the right personal bug, or they may prefer it because full Arthropoids are physically a lot more powerful/dangerous and they want to be able to protect their family clans. Current official art of 2 Sectilians compared with equivalent Arthropoids:

[angelpink610]

You guys wanna know when the things I wished for, hoped for, visualized and manifested actually started to appear to me, to become my reality? When I understood and learned how to ENJOY THE PROCESS!

Let’s yap a bit… ;)

Us as immediate people in an immediate society end up focusing entirely on the results, we only see the things we wish for as results, as finish lines. What we fail to do is see the start line and the path that leads to the end.

I don’t want to sound corny, but it’s really all about that Hannah Montana movie song “The Climb”. We only think about how fast we will get there, how life will be when we get there, how happy it will be when we get there. Well, here’s the thing: if you’re not happy and grateful throughout the way, don’t even expect to be happy on the finish line. Our goals are not essentially what make us happy, they’re proofs of our capacity and work. What actually makes someone’s life happy and amazing, is the way that person behaves and conditions their mind WHILE chasing all of these dreams. It’s all about your methods, it’s all about your feelings, your reactions to the world, the way you act towards people. Don’t think you’ll be happy and achieve the greatest things when you live your life and answer to the world bitterly, in a rush, not paying much mind to it.

I know this is obvious, but just so that no one is confused and comes for me after: I’m not saying every day is going to be incredible, I’m not saying that you’re not allowed to be sad, angry, uncomfortable, jealous, disgusted. These are all perfectly normal and human emotions, and everyone should feel them—it just shows you’re alive. This concept of being 24/7 happy and grateful and “Oh my God, everything’s incredible all the time” it’s just not sustainable nor healthy (+, obviously, not real). What we should do, instead, is allow these emotions to be felt, and then act upon them understanding why they’re there and how we can soothe them, or make them a little less strong. For example, understand where your anger comes from, is it truly someone’s fault, why are we feeling it. Not block it, not try to stop it from being felt—but understand it. And then, after thinking (even meditating, if you like) about it, let it go, and let it be felt still, if you think it’s the right thing. Don’t ask too much of yourself always, sometimes we really just need to scream for a second on our pillow or shed a tear in our room. It’s perfectly alright and also healthy!

Have fun, make friends, create good memories with these friends, study, live your life to the fullest. Meet new people, go to new places, discover new music, books, art, movies that make you feel something. Laugh with people you love, create memories through pictures, do some risky things, you don’t need to always be so careful about everything. Some lesions make us stronger. And while you’re doing everything else, manifest your dreams, work towards it, put in the effort, visualize, believe you’re worth and destined for that, acknowledge you already have everything you need to get there and that, actually, you are already there.

Learn to actually live your life on the way to your dreams, not just survive the path. When you look at life with gratitude and love, life looks back—and you’ll feel it.

As always, you’re free to agree or disagree with me on the various topics I talk about. It’s my own experience and the way it’s been for me. Feel free to also share your stories on comments and/or reblogs! I’ll love to see it.

That’s it for today’s yapping session. Love, Seiko ♡

♡ borders credit: @anitalenia

[scragon]

Webcomic interview

How did you get into making webcomics?

I just jumped in expecting to make a few chapters and it turned into multiple years of my life.

Consider drawing Short comics about ideas and throw them out there. My current official webtoons were short comics that I posted inconsistently in between other projects. They eventually got their own following.

Who inspires you?

I was very inspired by the comics I saw on early comic sharing platforms. Opening my mind up to self-published comics made me realize the possibilities beyond mainstream works.

Erri Pi on webtoon canvas is one of those early creators I felt inspired by. 

I am also what I would call ‘anti-inspired’. There are many very common tropes that turn me off from media, so when I write, I love to subvert the expectations of those tropes.

What are the best and worst aspects of your work?

The best aspect is creating my own story with full control and allowing it to write itself. I do not find myself getting hung up on the constant lore and rules and history of the work. I just write and allow natural progression. I consider myself an artist over author but you find yourself focusing less on art to make sure the story is good. If the story sucks, nobody will care about the art.

This makes the worst aspect also writing. It takes a long time letting words come to you and it takes more energy than the drawing.

What is the most important thing people should know about when working in the webcomic industry?

Whether it be today's financial climate or how much artists are undervalued, it is still brutal. You have to work fast. It is the only way I've been able to continue a social life, paycheck, and sleep. Learn to only put 30% effort into your comic art. Seriously. As you develop a consistent schedule and style, you will know when to put more effort. You will know.

I understand you created multiple series on and outside of Webtoon. What did you learn from those experiences?

For works like comedy, less is more. You don't need to have more than 4-6 panels to set up and execute a punch line. Sometimes you need even less. Also make sure your jokes are specific to your comic and characters. If any other characters are able to tell your jokes, your comic will become stale fast.

For romance, I've just learned to write what I would like to see more often. I don't care for lots of emotional and relationship mismanagement and it seems like many other people have agreed. So if you want it, chances are, a lot of other people want it as well.

What is your advice for someone planning to enter this industry?

Draw a lot. Write down all of your ideas. Come back to them. Just start drawing one. You learn so much by just doing it and realizing how things look on the page. Simplify the idea. Don't start off with a huge project. Just gesture a 10-page story in a sketchbook. Comics are a language.

The industry can be as professional as working with a publisher, or as casual as having a following on Patreon or social media to fund your work. Both require being fast and able to speak this language.

[meruz]

hi there!! i really admire how lived-in your environment lineworks feel and that despite being just lines, they dont feel static at all.. how long does it take to line out a detailed background for you? I feel like i am so slow when it comes to it.. but maybe it just comes with practice?

DETAILED bg? oh my god it takes so long. this is actually a major pain point for me because i love drawing bgs and I really want to do a lot of bgs for personal art, it's pretty within my skill level etc. but i don't have a lot of free time and drawing takes. SO long. and I'm normally a fast artist.

I think a lot of people get around this by painting which has a little more flexibility with your detail drop off than line does..? but i love line... I would say a truly complex "establishing shot" bg where you rly get a sense of the construction of the space + a bunch of items/props/etc easily can take me 5-10 hours. especially for animation work when something has to be production ready i think 10-16 hrs is not unheard of. for my personal work... I can sometimes eke something similar but maybe less particular out in 2-5 hours. i recognize 2-16 is a crazy range of hours but yk art is kind of just like that... lots of variables

drawing is supposed to get faster the more you do it and i think theres a lot of stuff that used to take me way longer that i can now do in less time... but watch out because sometimes you get faster and that makes you want to draw more complex things that take longer. thats kinda my issue... you could be me so be careful what you wish for.

[askinkiskarma]

𝕄𝕠𝕟𝕤𝕥𝕖𝕣 𝕀𝕟 𝕄𝕖 | ℂ𝕙𝕒𝕡𝕥𝕖𝕣 𝕍: 𝕋𝕙𝕚𝕤 𝕊𝕥𝕦𝕡𝕚𝕕 𝕋𝕙𝕚𝕟𝕘 ℂ𝕒𝕝𝕝𝕖𝕕 𝕃𝕠𝕧𝕖

Pairing: Neteyam x (f)Omaticaya!Reader

synopsis: Memories flood Neteyam's mind as he deals with your accident, making him relieve your history and all the reasons he can't shake you from his life, no matter how hard he tries.

warnings: 18+ minors DNI, aged-up! Neteyam/Reader, enemies-to-lovers, angst (mentions of violence, battle, blood, death)

wc: 5.1k words

a/n: I'm actually really nervous about this chapter, because while I love it, it's different than any other Monster in Me chapter so far. This is also the only chapter I've ever written entirely from the MMC's POV, and I hope you enjoy finally finding out why Neteyam's been acting the way he has, and why he's so adamant in his quest for vengeance. As always, thank you for asking to be tagged, I'd love to hear your feedback, your replies and asks and reblogs make my life, so thank you! Thank you to @cinetrix for her amazing Neteyam art, ilysm bestie x and thank you to @draiochtwrites for listening to me talk about my stupid ideas for hours every day, i love you x

na'vi compendium: txepvi  - spark, ite - daughter, srane - yes, Olo'eykte - female Olo'eyktan, tam-tam - calm, oare - moon, tewng - loincloth, torukspxam - octoshroom, ngaytxoa - I'm sorry, 'itan - son, angtsìk - Hammerhead Titanothere, yarik - herbivore, ftang - stop, tsantu - good guy, tsìltsan 'eve - good girl, kali'weya - arachnoid used in Uniltaron

: ̗̀➛ previous chapter (x) : ̗̀➛ series masterlist (x) : ̗̀➛ series playlist (x)

And maybe in another life We fight all day, kiss all night But I don't wanna break your heart You keep yours, I'll keep mine

Neteyam, for the first time in his life, couldn’t have cared less if he tried that there was a battle underway, that there were humans screaming and charging at the Na’vi around him, that the explosions happening every time a helicopter went down in flames deafened his ears - none of it mattered anymore, not as he heard the screech of an ikran he knew all too well, that he loved, that was now lifelessly falling towards the ground, taking the woman of his worst nightmares and biggest fantasies along, not when, with every second passing where he ignored the rest of his surroundings and dove as fast as his own ikran could possibly fly in order to make it to you in time, another memory flashed across his mind, so many memories he thought he left behind, so many memories that would haunt his every waking moment if he wouldn’t catch you, if he was too late. 

“Teyam, do you trust me?” 

“What kind of question is that? You’re my best friend. Of course I trust you.” 

Your mischievous smile, although more devious than Neteyam liked, always had power to put his heart to ease… after all, it was you. You, his best friend, the girl who knew everything about him, that helped him withstand every challenge life threw at him, just a couple 11 year olds who had gone through more than most adults do, who have been forced to grow up a lot faster than any kid their own age should ever do. But Neteyam didn’t mind. Maybe he used to, back when he was young and naive. Back then, he cried a lot, each morning a dreaded reminder of the pain and ache that awaited him each day, all for a purpose he couldn’t quite understand yet, that made no sense in a child’s mind, that had no way of truly understanding the concept of a future littered with war and loss, a future where he would carry the burden of being the next leader of his clan, the eldest son of the mighty, revered Toruk Makto and Palulukan Makto, the grandson of brave, respected leaders, the next in line of a ruling dynasty filled with great people he had to follow and to live up to. 

Now, he no longer cried, because no matter how hard life got, he was never alone. Because, even though you didn’t have quite the same pressure on your shoulders, you carried your own burdens and a sadness deeper than Neteyam could ever imagine or could ever want to. In his mind, the sting from a few bloodied gashes and the headaches that tried him each night were a small inconvenience compared to the pain that you struggled with and braved every moment since your parents died. When his father told him that you would be joining him for training in the weeks after the accident, Neteyam didn’t know what to expect. But day after day, you managed to blow not only his expectations, but his entire family’s out of the water, each day just another opportunity for you to prove to everyone that your future would be as bright as all the stars in the night combined, that you were special and unique, that you were a talent that only comes once in a few lifetimes.

Now, years later, Neteyam still found it hard to believe how strong you were, how capable and skilled and fearless. Whereas he’s always been more withdrawn and temperate, your fire burned strong and untamed, and you always managed to get both of you in trouble - if he were to be honest with himself, though, he would never mind, not with you. 

“Good. Then let’s go.” 

You didn’t bother looking behind you as you started sprinting, your flowy top and tewng, always one-of-a-kind, undulating in the wind, making Neteyam’s heart flutter in his chest. You were so beautiful. The most beautiful. A purple flush rising in his cheeks was all that was needed for Neteyam to be grateful for the way you always ran ahead of him, too impatient to wait for a boy that liked to take his time and enjoy the moments few and in between in which life didn’t have to go too fast for his comfort. 

"Where are we going, Vi?"

"Shhh, more walking, less talking, 'Teyam. You need to learn to embrace the unknown." you chuckled as you stopped and waited for him to catch up, before taking him by the hand and pulling him until he stumbled softly onto you and you both fell, him on top of you, with a gasp that turned into loud giggles from your side and unflinching groans from his.

"Vi..."

"The mighty warriors have fallen, what will the clan do without us?"

He couldn't help his own exasperated chuckle and the roll of his eyes as he spoke.

"I don't think we're quite there yet."

You shrugged, sure of yourself as always, a trait Neteyam admired and tried to emulate, to little avail most days.

"Soon. Your dad's already talking about the Iknimaya. We're almost ready, Teyam. And if we do it soon, we'll be the youngest Na'vi to ever do it. You and me."

Before he could say anything, you reached for him until your lips made contact with his cheeks, and it didn't help his blush, that was now deep periwinkle and burning his skin from the inside out, like a fire that wanted to escape his body, too powerful to be contained inside it.

"And just like today, if you ever fall, I'll always be there to catch you. You and I, we're meant to fall and rise together."

Those words rang painfully in Neteyam's ears as his ikran dove at full speed towards the ground, as his open, stretched out hand was just outside of your reach, as he watched your body disappear through the trees, where it would inevitably crash, where it might be lost forever.

His heart, that was going as fast as his ikran was, watching your unconscious form collect deep, bleeding scars like Kiri collected pebbles in the woods with every hard branch your body made contact with, stopped racing in his chest as, by the grace of Eywa, your fall was broken by the plush, attenuating force of a torukspxam right before you hit the ground. Despite the fear, so deeply embedded in him, it was impossible to know if he would ever be able to fully detach himself from it again, a seed of hope bloomed in him that maybe he wasn't too late. That maybe, despite not being able to catch you, not now nor for the past 7 years in which he's left built up resentment prevent him from wanting to, maybe he wasn't too late.

"Fuck, fuck, fuck!"

He didn't wait for Seze to land before he jumped and approached you, pushing with all his might against the drag of his own heavy body that felt like it was experiencing the world in slow motion, until one of his hands found the back of your neck, propping you up gently and his other hand placed two fingers on your pulse point, trying to feel for a heartbeat that would either calm his own or stop it altogether.

"Please, Txepvi. Please..."

When the small, barely-felt flutters registered in him, he let out a breath he didn't even realise he was holding and wasted no time in picking you up bridal-style and running back to his beautiful ikran. He had no time to dwell on the cracks deepening in his heart as he watched Seze bumping her snout on the side of Oare's lifeless face, sorrowful trills filling his ears, no time to dwell on the red liquid spilling out from multiple points in your body, dripping down his body and onto the ground, no time to stop yet another memory fighting to come to the forefront of his mind.

Fickle as you are That's exactly why I keep on running back 'Cause I'm brittle at the parts Where I wish I was strong

“I can walk, Teyam.” 

Neteyam decided to ignore you as he grabbed you by the back of your knees and carried you back to the village, the gash in your leg large enough to have hit a couple veins and stain your thigh red, but not deep enough to make it life-threatening - still, Neteyam wouldn’t take any chances. Taking chances… that was the reason for keeping you so close to him, your face buried in the crook of his neck… that was the only reason. 

“Can you, Vi? Isn’t that how this happened in the first place?” He chuckled, yelping a little when your fist made contact with his chest. 

“It was an accident, you know that.”

“Yeah, well, you have a lot of accidents. And so close to the Iknimaya, too…” the shake of his head was mostly a teasing one, and although he tried to push away the nagging fear eating away at him, the one that told him you might not be able to take it with him, the one that screamed he’d be all alone once more, like he was before you, the one that urged bad memories and ugly scenarios into his mind, the one whose ugly head appeared as though from around the corner, staring intently to see if he’ll allow it to approach or banish it from existence. He couldn't decide yet.

He couldn’t do this without you. He needed you to be his first flight. Like you told him last year, and like it’s been solidified in his soul every day since, you and him were meant to rise and fall together. You were meant to fly together, to soar together. And that couldn’t happen if a tiny accident delayed your progress. 

“Aw, it’s sweet you’re worried, although I think it’s mostly selfish and you’re just too scared to do the Iknimaya by yourself.”

The tinge in his cheeks is enough validation for you to start laughing at him, your head thrown so far back, he had to readjust his grip on you, so that you wouldn’t fall out of his arms. 

“I knew it! You scaredy-cat. Why would you be scared, Teyam? Out of everyone here, everyone who’s gonna do this next, out of all of us, you are the best. You’ve always been the best.” 

“No. You’re the best." As much wasn't up for discussion to him, and never will be. "And you promised.” 

Your smile softened taking him in, the little pout he tried his best to conceal, the little scrunch of his nose, the way his ears twitched in slight annoyance and slight embarrassment… he couldn’t tell for sure, but he thought you found it… endearing? 

“I know what I promised. And I intend to keep my promise. You don’t have to worry, Teyam. You and I have always been two sides of the same coin. And as long as you want me by your side, nothing could ever pry me away.” 

"Just hang on, please. Shit. Please don't die. Please don't die."

And maybe when you need my help I like myself when it's over But later in the light, you go Dark and rogue, and I need closure

“Ma ‘ite, you have to be more careful.” The quiet, teasing admonishments of his grandmother do little do deter you, although you keep your eyes on the ground, slight embarrassment visible in the swish of your tail and the flatness of your ears.

“Srane, ma Tsa’hik. Ngaytxoa.”

The thick cream paste made its way from Mo’at’s fingers to your thigh, where it was spread in a hefty layer until the cut was no longer visible. You winced as it made contact with your skin, but said nothing as you accepted the help, and Neteyam saw his grandmother nod in approval at your bravery and inclination to suffer in silence, to not let anyone know you’re in pain at any point. Strong heart. Him, on the other hand, wished you were a bit more forthcoming, wished you didn’t feel the need to go through suffering alone. With a pat on your head and a soft smile, the Tsa’hik raised from her spot on the floor and turned her back on you both.

“You’re all done. It’s just a scratch, this time. I feel like I always have to have extra healing salve at the ready just for you. Now go, and be careful. Your Iknimaya is soon and my grandson would never forgive you if you missed it.” 

“Neteyam, quick, put her on the mat. I need all the help I can get, now! Go get all the healers in training, we don’t have a lot of time.” The barking of orders did little to ease Neteyam’s fear, as he very rarely has ever seen his grandmother this agitated. After sending away the trainees, she turned to her grandson and took a deep breath, to calm herself. As serious her voice was, as rushed and violent the atmosphere around them, she still found the second to put her hand on her grandson’s chest, feeling the erratic, loud, trepidous heartbeat that refused to settle in him. 

“Ma ‘itan, she’s very weak. I know you haven’t been close in a long time, but she is your intended mate. I need you to prepare yourself for the worst. Now go back to the battle.” 

“No. I’m staying here.”

Neteyam didn’t get scared often. A whole lifetime of being raised like a soldier made his skin as thick as an 'angtsìk’s, and little ever managed to get under it. You did. You had unmatched prowess to make him feel so many things, too many things, all too intense, all too powerful, all too overbearing. When he was young, all of them were good and pure, all exciting and hopeful - love. It was love. Now, he feels anger and resentment, vengeful spite and deep arousal, all of which poison his mind and make him a version of himself he hates. Hate. That’s it. It’s all hate, isn’t it? So if it is… why are his limbs trembling and eyes watering, why is his mind jumbled with all these memories, why has the blood coursing through his veins been irreparably polluted with so much deep, earth-shattering terror and grief at the thought of losing you? Why was there a crater in his chest where his heart usually resided when he imagined his life without you in it?

Maybe it's because, for better or for worse, you were a constant in his life. From the second your presence made its way to him, you never left. There hasn't been a day that he hasn't seen you, that he hasn't been in your vicinity, not a day in which you haven't trained together, side by side, friends before, enemies after, but always together. Your words, that he drowned for years, came back like an undying echo ringing in his ears.

"You and I, we're meant to fall and rise together..."

I don't need a reason to keep on dreamin' That we don't lose, yeah, what's the use?

More and more, it felt like you had been right all along. He didn't think about it for so long, so desperate in his attempts to hurt you like you had hurt him, to sour your life like how you soiled his most precious memories, all of you and him, all of a childhood long left behind, all of fantasies he's harboured at the time that long dissipated from the version of future he used to dream about. Nothing about his life now was how he once envisioned, and that was because of you. He would never forgive you, but he couldn't let you go, either. No matter how the visions differed from his current reality, he couldn't shake you, couldn't let you go. Because despite it all, he couldn't part with the girl that used to be his partner in crime, his training buddy, his best friend, his first flight.

"Are you ready?"

Neteyam watched in awe as you confidently nodded at his father, smiling as if the hardest challenge an Omaticaya Na'vi would ever undertake, one that most people did when they were much, much older, was nothing to you, like it was just another yarik hunt that you've done a thousand times before. You turned to him and the smile you gave him dazzled him, left him breathless, not a good thing for the trek he was about to undertake, but still, not something he would could ever find it in himself to be upset about. You turned your attention momentarily to the bowl of paint in your hands before you brought a finger to his face, completing the pattern that was the same as the one you were adorning, one that he painted on you.

You both took turns saying goodbye to everyone, paying special attention to the little bundle in Neytiri's arms. Neteyam couldn't believe this was his little sister, and couldn't believe how attentive you were with her, how careful and loving. Some of his personality must be rubbing off on you, because to the Sully family's surprise, you didn't drop Tuk once in the year she's been born. In fact, you haven’t dropped anything in the last couple of months, including yourself from high places, which used to be one of your favourite past times, and Neteyam couldn't help blush at the thought that he was the reason you were being a little more careful.

As expected, the climb was the hardest thing Neteyam ever put his body through, and he felt suddenly grateful for all the years of torturous training that now felt like a peaceful breeze of the wind in an otherwise unyielding hurricane. Still, seeing you in front of him, not once complaining, not in front of the multiple 15 to 19 year olds that were also taking their rite of passage today, not in front of your Olo'eyktan, made him push through, too. If you could do it, so could he. Because you would do it, so would he.

The rookery was hidden behind a waterfall, and Neteyam watched as one by one, the few Na'vi joining you both either failed or succeeded, and with each attempt, his fear grew stronger, his mind more restless. Eventually, it was his turn, and with a deep breath, he started walking towards the slippery ledge that would lead him to his fate. A hand on his chest not only stopped him in his tracks, but also stopped his heart momentarily, just momentarily, because before he knew it, it started booming again with enough intensity to dizzy him.

"Ma tsantu... you got this. Remember, you and I, we're meant t-"

"-to fall and rise together, I know." you smile, your fingers smoothing the deep frown that gave Neteyam a headache without even realising and he sighed, trying to calm his mind and soul, focusing on you and only you.

"Exactly. So you can't fall, because if you do, I'll have to follow you... and I don't intend to fall yet, Teyam. Not yet."

"How did this happen?"

"Oare... got shot. She's dead. She... fell. I couldn't catch her." I couldn't catch her...

Neteyam couldn't bear to look at the way his grandmother was ripping you apart, although he knew it was all with the purpose of putting you back together again. Her trainees, all girls he knew, some girls he knew more intimately than others, all flocked around you, with wet cloths and trays of balms and powders, of plants and tinctures, and it all hurt, the guilt of knowing to some extent, to a large extent, this was all his fault. This ongoing war between you, never-ending and harrowing, reached a nadir that resulted in the death of your ikran, in your accident, and indirectly, because of your removal and his from the battlefield, might result in the deaths of good na'vi men and women, all of whom had families and a life, and a future they would be robbed of.

Neteyam couldn't leave you and go back. If he did, he knew that much like you, he wouldn't be able to focus enough to matter, and the thought of his mother, of his father, losing one more loved one was too much to bear. Neteyam couldn't leave you, but he couldn't stay here either. It hurt, being here, watching flashes of the girl he hates intertwined with the girl he loved more than anything else in the world, it hurt, having to deal with feelings he buried deep down and memories that came to him like summer rain, uninterrupted and warm, but powerful enough to flood and leave damage their wake.

With one last look at your unconscious form, Neteyam left the village on the back of his Ikran, knowing there was one thing he needed to do, he had to do. His mind was overcome with agonising sorrow as Seze's mourning was felt through his entire being, and the full weight of what transpired came crashing down on him like a tidal wave he could do little to stop, but had to power through, hoping that by the end there was something left of his heart to go on. Oare, much like Seze, has been in his life every day for the last 7 years, and he loved her. She was playful and sweet, and she always played with him when he snuck out at night to give her pets and treats, refusing to let your declining relationship affect their bond. Oare was Seze's best friend, her companion and life partner, and Neteyam knew her death would affect his ikran for a long time, perhaps forever.

With a squeal that matched the banshee, Neteyam watched from the air, on the back of his new mount, his new friend, his new spirit sister, as you made Tsaheylu, and his heart, that has been barely beating in anxious fear, felt finally awake again.

"Ftang! Tam tam, tsìltsan 'eve." your smile was wide and relieved as your eyes searched the sky until they found his, and he swore he never knew it was possible to love someone so much, to feel so connected to a soul, so much so it felt like he could hear you, your heartbeat and your mind, like tsaheylu would have been redundant because he knew. He just knew.

"I did it, Teyam!"

"Yes, you did, Vi! Come, first flight seals the bond."

That day was Neteyam's happiest day. That memory is still something that he cherishes deeply, that he'll never be able to shake, that haunts him at night, that shakes his resolve whenever he's thinking of a new way to make you pay. That memory is still untarnished in his mind, and it will always remain so, especially today, as he's fastening Oare's lifeless form onto Seze, petting her one last time, allowing the tears he's been stubbornly pushing back this entire day to finally fall from his cheeks onto her face, almost like she was the one crying, one last time.

"I'm sorry, girl. I'm so sorry."

"I'm sorry that I beat you... again. You're gonna have to do much better than this to beat me, Teyam."

The floating rock you landed on, hours after you finished your Iknimaya, was alit with biofluorescence, the colours reflecting in your eyes and on your shiny skin, covered in a light layer of sweat from the flight.

"Give me a break, Vi. It's my first time doing this."

"Yeah, cause I've been doing it for ages." you say, chuckling and rolling your eyes. You prop your body on your elbows and point to the two banshees playing in the air with each other, a mass of ravelling green and purple, so beautiful, and so, so free.

"I can't take all the credit. She did most of the work. I love her already, Teyam. Do you have a name in mind for yours?"

Neteyam didn't have to think about it too much. Ever since he's first found out about the Iknimaya, a story told to him by his mother consolidated a name in his memory that he's never been able to forget.

"Seze. Like my mother's ikran that bravely gave her life in the war against the Sky People."

"That's pretty. And fitting. She's a beautiful flower."

"What about you?"

"Oare."

"Why?"

"I used to look at the moons every night and think I'm so far away from this, from my destiny, from who I've always known I was meant to be, the Iknimaya might as well have been the moon - unreachable, untouchable, a world away. And now, I'm here, with you, way past curfew, and we're gonna get in so much trouble and I couldn't care less because I did it, I reached the moon. And I did it with the only person I ever wanted to. So.. Oare."

"Thank you, Teyam. I learnt a lot from you in these years. Ever since I met you, I knew you were special. And I think, even without realising, I wanted to be more like you. I've looked up to you for so long, I don't even remember my life before the Sullys took me in. If I'm here today, it's because of you. You helped me become more temperate and understand the weight of my talent and my power, and that I have a responsibility to the clan, that this is bigger than me, and my life."

Neteyam was taken aback at your words. You were never this forthcoming with your feelings normally, but he couldn't say he wasn't happy about it. He was so happy.

"I love you, Vi. I may have made you more responsible, but you made me better. Braver. More creative, more inventive. I almost couldn't finish the Iknimaya today, and then one of your crazy ideas popped in my head, and it worked. I couldn't believe it. I couldn't have done this without you, without your influence in my life. Thank you."

You smiled softly, and put your head on his chest, just watching the dance of the banshees, and he prayed that this moment would never end.

"I guess we really are meant to be together then, huh?"

"Yeah. I guess we are."

Neteyam placed Oare in the village, where the elders and Tsa'hik would be able to perform Eywa's funeral rituals, before making his way back to the tent. He couldn't help the gasp that escaped him as he was met with your drowsy, blood-shot eyes, so much sadness in them, it broke him. They were so different then the ones that have haunted Neteyam's mind today, so devoid of the innocence and love he remembered, so filled with anger and spite and hurt, so much like his own, such a bitter reminder that the past was only that, the past, and there was nothing left of you, or of him, of the love you shared and the future he envisioned. With one last memory, Neteyam felt the walls surrounding his heart, thick and unflinching, growing harder with every year since the Iknimaya, fortify yet again, as one last memory emerged uninvited and reminded him of why, despite your history, Neteyam would never look at you the same way again.

And I know whatever this is ain't love So I'm goin' I'm gonna let you go, let you go

"I'm going to go back to my tent. I had too much of a good day to spoil it by Jake yelling at me for 2 hours straight. I'd rather save the pleasure for tomorrow."

"That's so unfair, why do I have to suffer by myself?"

A shrug was all the answer you felt was necessary to give him, and he felt his heart drop at the notion of going to his family's tent so late, so far past curfew, without your much more argumentative presence, that his father could never resist. He walked cautiously, silently, praying that his family would be asleep so he could just sneak in and postpone the yelling until tomorrow. To his surprise, he heard whispered voices coming from right outside the tent, whispers he quickly recognised as his father and grandmother's.

"... that it should be her. She should be the next Olo'eykte. That she is the most deserving of it, has been since she was young. It took a long time to see it for myself, but... I don't know. Maybe he.."

...Olo'eykte? You? Neteyam couldn't believe his ears. He couldn't believe how quickly his father was willing to replace him, how quickly he considered you better and more worthy of the title than his own son, than the rightful heir. You were both 12, for Eywa's sake. How could a decision be made so early? Neteyam felt tears gather in his eyes, the betrayal's sting more painful than a kali'weya's, and yet, still, a part of him knew this already. A part of him couldn't find it in him to be upset, because you were better. And you deserved to lead, you deserved to fulfil your destiny, that was made for greatness, made for the songs and the ballads, made for history.

"It's Neteyam's birthright, Jakesulli. It wouldn't be right, no matter how worthy the girl is. What about a mateship? They have been inseparable for years anyhow."

"Ah, she would never want to be Tsa'hik. And she wouldn't be good at it anyway. Besides..." the silence felt like it dragged on forever, and he clung on to it, afraid of what was waiting for him at the end of it.

"I mentioned it to her. She said she... doesn't want to mate with Neteyam. That she couldn't ever love him the way a mate would. She was... very adamant about it."

As Neteyam looked into your eyes, those words forever embedded in his psyche, playing in his ears like a cacophony of sounds that rattled him every time he saw you, even so many years later, solidified in him by all the times you continued to hurt him, continued flaunting your relationships and skills to him, your connection and closeness to his own family, that sometimes he felt like he didn't belong in anymore, like he was the adoptive one... he was reminded that every time, it hurt, every day, it broke him further, and those eyes that were once his guidepost and the reason he got up in the morning, were now empty and bleak, and enough to make anger bubble in his soul once more, until it drowned everything else, until it was all that was left.

I don't need a reason to keep on dreamin' That we don't lose, yeah what's the use? I don't need a reason to keep on dreamin' That I can win this stupid thing called love

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[junpei-iori-ace-defective]

Thoughts about Hades 2 as a tech test player

Everything is under a read more bc. 1. Long post. 2. Spoilers for Hades 2.

1. The game is fucking s m o o t h. Loads quicker and everything feels more stream lined.

2. It’s somewhat harder than Hades 1. Idk if it’s bc of not having a super buffed character but I am definitely finding it a little more challenging. Not a bad thing though!

3. Melinoë plays a little different from Zag which is to be expected! We now have a sprint, spells, and new weapons. Already loving how regular casts and specials don’t have a cast limit. Also love the twin blades. Fast weapon go brrrrrrr.

4. I’m definitely interested in seeing what they do with gathering, farming, ect. Great way to add more stuff to do in and after runs.

5. This ties into 4 but, I love how there’s a bunch of stuff to do in Crossroads! In Hades 1, I never spent too much time in the house. I was always dashing through to do another run when not stopping to talk to people. The Crossroads is definitely a nice cool down area for after runs!

6. THE ART. Man everyone looks so good!!!! I can tell some of the sprites are still being worked on but everything still looks so damn clean. I love how everyone has backgrounds in their portraits!

7. APOLLO, HEPHAESTUS, HESTIA, SELENE. All of them look and sound so cool. Really looking forward to seeing their full boon lists and how they play with different weapons ect.

8. I’m really happy to see some of the OG gods returning. All of them look so sick and every time I see a boon from the first game I go “YOOOOOO”. Also Artemis physically appearing is sick as hell.

9. Really excited to get to know the new crew better! They’re all really compelling already!

10. The areas seem to be shorter. Like, I’m going through less rooms to hit the boss room. Idk if it’s bc it’s a tech test or if it’s intentional.

Speculation and questions

1. WHAT DID CHRONOS DO. ARE THEY DEAD? WHERE ARE THEY? Istg if Zag is dead I am going to c r y.

2. WHERE IS THAN, MEG, ACHILLES, NYX, EVERYONE FROM THE FIRST GAME? WHERE ARE THEY?

3. Hecate said something about Hermes trying to find a way to get from the underworld to Olympus. There was also some stairs going blocked by a ward in the weapon/training room. I wonder if there’s gonna be more areas to go through. Like. Erebus, Elysium, Asphodel, Tartarus, House, then Olympus? Maybe Olympus is gonna have its own areas completely. This would make sense for why the areas are shorter. Really interested to see what they do.

4. If the game looks like this already in its tech test stage….. this might be my game of the year if it gets a full release this year. (I love you P3RE but holy shit Hades 2).

There’s a lot more I could talk about, but I am tired and this is a long post lmao.

[marciaillust]

How long does it take for you to finish drawing?

I'm an artist (beginner) and i unconsciously set unrealistic goals for myself and need a reminder of how long it takes to complete a drawing, Thanks.

Hi! In the context you presented it in, that is a really interesting question, so I'll try to approach it thoroughly. I hope I won't make you roll your eyes too much.

Where to start, where to start... I guess the first thing I should say is that there is a difference between time I spend preforming the action of <drawing>, and the time I spent <working> on a particular piece. The first would be counted in hours, the second one - days. I'm a big believer in slowing things down, and giving things time - going through options, gathering research and references, taking breaks every 1h of sitting and drawing - and seeing things through until I achieve the goal I set at the beginning of the process.

The goals are usually different each time: "quick design", "character exploration", "analysis of an artist's linework and experimenting with the knowledge gained", "creating an aesthetically pleasing image", and so on and so forth. Of course I don't write these down like it's a school assignment, but knowing in the back of my head what I'm actually doing helps me manage my expectations. I also enjoy being conscious of why I create - when I was younger regardless of what I was doing I had the thought "AND IT MUST LOOK GOOD AND PRESENTABLE! BECAUSE PEOPLE WILL LOOK!" ...and I think that obsession is the cancer of creative process.

Since the goals for each picture are different, the time I'll spent on achieving each one will be different as well, because the "satisfactory results" lay in different places. For example, the Marcile sketchpage was created in one afternoon, and took approximately 3 hours. The goal was to play around with a brush that has no opacity forcing my lines to be more decisive. I did that and so it is "finished". There's nothing else I want from it.

On the other hand, the cover of Asterism took about 10 days to create, the goal of which was to make "an aesthetically pleasing cover picture taking colour inspiration from the works of (specific list of artists)". I took my time designing it so that it looks aesthetically pleasing, made sure the anatomy is "correct" (a nebulous statement when it comes to stylised humans), took my time masking, and picking colours, and shading. I wanted it to "look good" to my own eyes so if something was not working I would go back, change it, alter it, move it around... that's the wonderful thing about personal art, you can take as long as you like making something satisfactory.

The funny thing is, with what the Asterism cover actually is (a cellshaded image), it could have been done probably in 4 days by the me 4 years ago. But that person was willing to sit 8-10 hours a day to draw with no breaks, she had little social life, and treated herself as a little circus seal performing tricks so that people clap around her, and the clapping was soooo nice because it meant that people remembered her and she mattered. And it worked for her! For long 10 years! Until her arm gave out, and the reality of never being able to draw again became more tangible than ever, and it's been following her like a fog ever since for the past 4 years. The me today works about 4 hours a day and every hour I take about a 30 minute break. I also don't post half the stuff I draw. There is also another aspect that dictates the speed of creating and that is familiarity with the subject matter. The less you know something, the fast you'll draw it! But as you get to know the intricacies of the process, and see all the building blocks, it will start taking *longer* because you will start accounting for every block. But then you'll eventually get familiar with the blocks and so the time spent on a picture will go down again! The cool yet overwhelming thing about art is that, there are always hundreds of building blocks. Form, composition, ambient occlusion, saturation, hue, light balance, line form...... and those are just the *some* of the generalised *categories*. And each category will have it's own subsection of building blocks! And then those blocks will interact with each other to create completely new area of expertise! This is crazy! Marcille sketch page took me only 3 hours to create because I am already quite familiar with linework - I have drawn 3-4 comicbooks worth of linework. This also means I am familiar with believable anatomy, more or less, which got utilised in the Asterism cover - the main bulk of linework got created during a 3h livestream. So.... what's the answer.... "It's all relative" is so unsatisfactory and probably not what you looked for. But you can draw something in 3 days and kill your body over it. Or you can become an expert in a field and dish the same picture out effortlessly in 8 hours. You can also split that 8h block over multiple days bringing you back up to 3 days. You could even add a whole day of visual research which might make your picture only marginally better. And even if we calculate it in terms of raw working time, pen-to-paper, like a self-inflicted capitalist tumor, that time can fluctuate still due to personal visual library and knowledge base. If I asked Tom Fox how long it takes for him to create his sketch pages his answer would probably be downward of 30 minutes. Yet I need whole 3 hours to create something *less* anatomically correct than him. And so here we are at the end of this perhaps unnecessary essay. And all we learned is this: it depends. Dry, not nuanced tl;dr, my personal timings: single sketch - 30mins; single linework pic 1-2h; Cellshaded illust - 16h; Rendered illust: 20-25h.