#how do people come up with things to tag

[poorly-drawn-mdzs]

Cite your sources.

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[r0semultiverse]

Small indie artists in need of support for moving out by September!

💜 These lovely folks [@QuinsCurse (they/them) & @sswitchblade03 (xe/xem and he/him)] are part of a small queer-owned Youtube community I'm in. 💖

💖 If you could lend a helping hand by reblogging & queueing this post up until the start of September, I'd greatly appreciate it & I'm sure these fine folks would too! 💜

⚠️ Do not tag as d*nations or anything like that! ⚠️

"Hi everyone! Requests are officially closed as I am opening emergency commissions! Please consider supporting me as we are getting kicked out and have managed to find a place that’s affordable but need to save up 5k by the end of the month! Anything helps! I also have a dontations page if you are willing to help do that! All the money received from commissions will be going to the deposit! https://ko-fi.com/quinscurse/commissions https://ko-fi.com/quinscurse/goal?g=32"

⚠️ Do not tag as d*nations or anything like that! ⚠️

"https://ko-fi.com/sswitchblade03/commissions https://ko-fi.com/sswitchblade03/goal?g=0 EMERGENCY COMMISSIONS!! My roommate ‪@QuinsCurse‬and I are needing about $5000CAD for a down payment on a new place as we need to be out of our current place by September! Every bit counts! My goal is to be set to $3000CAD. I will draw anything (coloured and rendered) for $5 CAD each! If you are willing to give more it will be appreciated. Examples of my work below!"

⚠️ Do not tag as d*nations or anything like that! ⚠️

[bayetea]

there are many things about hazel's povs that have an intensely de-racialized vibe to them (read: divorced from the black girl experience) but I think any black person will tell you that the most obvious sign is the complete lack of attention paid to her hair

like firstly:

she's from the 1930s her hair was definitely getting permed and straightened (it was not acceptable to just wear your natural hair out back then. optics + cultural assimilation/you'll be hard pressed to find photos of black american girls with unstraightened hair in that time period unless they're from like..... harlem)

I do believe that marie was straightening it for her For A Time but then she became more neglectful and stopped so hazel had to do it herself. I'm almost positive that hazel wouldn't have even been permitted to set foot in her school building without straightening it because that's just how much of an expectation it was

ok she comes back from the dead. what's she doing to her hair now bc it's not just gonna be cutesy effortless curls falling over her shoulder no matter what the length is

how does she feel about living in a time period where natural black hair is more accepted (read: more, absolutely not fully)

there are no black people around her At All. in fact she's around a lot of white people on the argo (+nico) so that would probably be giving her some intense feelings of double consciousness (look this term up if you don't know what it means) and that would inform how she feels about her hair

theoretically she ought to be wearing her hair in braids for simplicity's sake but I think it's more likely that she would cling to what she knows (perming/straightening) because it's not easy for a 14 year old girl (PSA hazel is 14.5 in hoo not 13 btw 👍) to go from assimilating to deeply-ingrained white hair beauty standards to just proudly wearing a distinctly black hairstyle all by herself

mind you black women and girls can do whatever they want with their hair and straightening/perming it does not always/have to come from a place of self-hatred or whatever but in this particular case back then straightening one's hair was political And a survival tactic. it was as normal as brushing your teeth. it was enforced through dominant cultural messagings about the Absolute Necessity of conforming to white conventions of beauty. if you don't understand then think of it similarly to how you'd think of 1930s women needing to be perpetually dolled up and modestly dressed in order to be considered "good women" and anyways I'm just saying that this would be a lot to unpack for a 14 year old girl so hazel's probably just continuing to do this impractical thing (straightening her hair all the time) like 60% out of habit and 20% out of shame and 20% she doesn't know what else to do

something something about a missed potential character arc regarding all of this and in general there's so little mind paid to race in hazel's povs which is just ridiculous to me because a black girl from the jim crow era should have at least a few feelings about where she fits into modern society even if that society is camp jupiter. rick demonstrates his capacity to talk about how his characters feel about their race most notably in the kane chronicles so I don't think was too much to ask for. see this quote from an early son of neptune chapter:

^ like....... hazel's feelings of out-of-place-ness are There in the text and important to take note of when understanding her character (note that she's been there for like a year already and she still feels like she doesn't belong) but the emphasis is always put on her Being from a different time or Being undead and is never put on her out-of-place-ness regarding her race as a black girl from segregation times who is literally so out-of-place in this weird post-racial camp jupiter society. it feels like such an obvious thing to consider so its glaring absence really bugs me when I reread her povs and it bugs me when her hair is never talked about by extension because It Matters

you might be thinking "well she had a lot going on and she's not a superficial person maybe she just didn't care what was going on with her hair" and my response is simply that Black girls don't get to "not care" about their hair it is not the same thing as a white person going to school with bedhead it's not the same thing At All (if you aren't black then chances are you've never actually seen what untouched black hair looks like in the morning), especially when it's been beaten into your head for your entire life that your hair is ugly and you have to "do something to it" for it to be acceptable (and again...... she's from the 1930s so that feeling is magnified like 50x over). remember that perpetually dolled up modest 1930s woman I mentioned previously. picture her time traveling to camp jupiter of all places in 2010 and struggling to drop all of her makeup/hairstyling routines and internalized misogyny and conceptualizations of what women are "supposed" to be. this is the kind of fascinating character exploration that we really missed out on with hazel (and tbh regardless of her race she was never believably written as someone from the 1930s. I don't think rick even really tried to be honest)

you might also be wondering "how was rick supposed to know/attempt to portray any of that" and then my second answer is that If you're going to write a character who is not the same race as you then you should do some research and we have the internet now so research has never been easier 👍 this would be especially important to do if that person is a poc from the jim crow era I think! (he could have at least googled black hair 1930s)

anyways what I choose to believe (this is pure fanfiction) is that during hazel's first year at camp jupiter (remember that she was there for about a year before son started) nico would have helped her figure something out after observing her distress over her hair c: like they both secretly watched youtube videos on black hairstyles circa 2010 and then they got attacked by monsters for using a laptop (neither of them know how to use a laptop but he's trying his best for her) but then after killing them he helped her do her hair as something she likes that is easy to maintain <3 (I could also see reyna doing this because she surely knows a thing or two from her spa days)

[makiswirl]

can i just say. and this is probably a niche hill to die on. that i am so gobsmacked every time someone vaguely hints at the idea that jotaro doesn't care meaningfully for the other crusaders, usually particularly kakyoin and joseph, when those two actually tend to be the ones he reacts to being hurt the hardest

like he cares for his loved ones!!!! that literally plays into his character motives in every single part he shows up in!!! stop lying to me!!!!!!!

[joshuamj]

In Time and Stars

[starryeyeddreamer21]

Hazbin Hotel Incorrect Quotes

Angel: *sliding money across the bar to pay for his drinks* You can call me sugar daddy longlegs

Husk: no

Niffty: Does that make Husk sugar baby shortlegs?

Husk: No

Niffty: Can I be sugar baby shortlegs?

Husk: NO

Angel: *wheeze*

[iwritenarrativesandstuff]

Ok, I think I have a pretty good idea of why a lot of Akechi's dialogue is... like that.

So, even before his confidant truly started, I noticed that he has a real knack for directing the flow of a conversation. This is very fitting for someone who is both a detective and skilled at interviews - when there is a topic and a goal, Akechi is in his element.

All this to say, he's actually kind of controlling when it comes to conversational flow. He probes for information, or turns the conversation around to a particular topic, usually the Phantom Thieves. He manages to take a few of Joker's dialogue options and spin them so they sound mildly incriminating in the context he's placed them in - the only way to truly get around this is to pick answers that feign indifference, and even then, that's more than a bit telling. He's clearly very good at this kind of thing.

But then, we get conversations where either Joker does something he didn't expect, or else he doesn't have a particular goal in mind - and the conversation stutters. In the first instance, Joker does something (a particularly egregious example is putting his glasses on him and fluffing his hair in rank 3) which both leaves him wrong-footed and no longer in perfect control of the situation. He just kind of... freezes, for awhile. It's hilarious. He has no idea how to respond.

He picks up control again in the phone call afterwards, having chosen to play into it, turning this "fooling the crowds" into a kind of game or secret between them. Nice save.

But in instances where there isn't an obvious topic and the goal is somewhat nebulous, for instance, that one Leblanc scene, it becomes pretty apparent that Akechi doesn't have the right "script" to go off of. Again, it's particularly notable in that scene, because I'm fairly sure he didn't have any specific reason to be at Leblanc, other than him looking for a quiet spot now that public opinion has turned on him. And because there isn't anything specific he's digging for, he kind of just ends up throwing things at the wall to see what will stick. Probing for any kind of recognizable reaction that he can jump on and work with, and that just doesn't really happen in this scene.

He references Sae, a woman in a respectable position, to Sojiro, but instead of that netting a welcome, it earns his ire, given Sae's recent actions against him. He then tries to greet Joker, his... rival? friend? enemy? person who at least seems to somewhat enjoy spending time with him? But Joker's responses are somewhat short, and Akechi practically wilts. He tries to commiserate by oversharing. He tries to involve Futaba and reaches out for the only topic of interest he can think of around "young people". He compliments the coffee. He compliments Joker. He tries to invoke that connection between them. None of it is really sticking, nor does it serve as a jumping off point for him to steer the conversation, or even really start one.

So, he basically just ends up having a one-sided chat with himself and then leaves. Hilarious. Also a little sad, if I'm being honest. It's really giving "guy with no friends who only knows how to speak to adults" energy. If there's no specific purpose to the exchange, or he is not in control of its direction, he seems to be kind of out of his depth. He succeeds only in being a little awkward and confusing, more than anything.

[i-dreamed-i-had-a-son]

Broke (2016): BBC Sherlock is a phenomenal piece of media and anything that seems like a flaw just hasn't been fully explored yet

Woke (2020): BBC Sherlock is an incredibly flawed series run by an egotistical writer, it never deserved the hype and is actively bad on so many fronts (especially representation)

Bespoke (2024): BBC Sherlock is flawed and bogged down by increasingly poor writing, which many fans refused to see while it was airing, leading to hugely misplaced expectations (particularly for the final series), AND it has the seeds of some compelling characterizations and portrayals, some genuinely solid performances, and touches--albeit imperfectly--on complexities that are still being discussed today (particularly as it relates to the relationship between Sherlock and John). The huge cultural impact of the show has created a massive pendulum effect in its public perception, leading to most people today remembering a caricature of the show (whether positive or negative) rather than appreciating its nuanced merits and failings...that being said Season 4 sucked

[butterflysonnets]

yes i'm rooting for m*leven breakup because byler is neat but mostly? i'm rooting for m*leven breakup for the sake of el and mike.

to me, their romance was always a puppy love born out of a combination of social pressures, naïve curiosity, and a lack of true understanding regarding intimacy and romantic love and what it really is. it was real in that they do truly, deeply care about each other and they are close friends, maybe even shared an attraction, but a maturing romance is so much more than that. they've grown up and out of being boyfriend/girlfriend, and that's okay! i think television/film needs to show more often that most of us don't have definite "soulmates" or first childhood loves that we spend our whole lives with. it doesn't mean these relationships meant nothing and didn't impact us, it just means they've run their course and that something else is in the cards, and this is part of life!

i've always felt el was at her best and most confident self when broken up with mike, discovering who she was and what she liked alongside another girl her age instead of just relying on mike for mentorship on how to live in the real world. she deserves more of an opportunity to find herself, her autonomy, and her independence, and to love who she is, and she's made it clear she's felt insecure in the relationship with mike because she isn't being loved and understood the way she wants, needs, and deserves from someone who is her partner.

also, it's okay if mike doesn't love her in "the way he should". he is not obligated to love her romantically and stay in a relationship with her just because she's a girl, because she "needed someone", or because he cares about her a lot. he shouldn't be pressured into a romance if it's not truly coming from his heart. he deserves freedom to find out and honour who he is, too, instead of just staying in his non-functional first relationship — one he got into as a child, essentially — and defining himself that way because it's what's expected when a boy and a girl are close. he loves her in some way, yes, but it's okay if he doesn't feel comfortable or secure being her boyfriend anymore, for whatever reason that is. he's felt insecure too, and that's valid and it matters.

they are their own people and are steadily growing and changing every day. they need time to figure out who those people are, and it's become clear (at least in my opinion) that those people aren't meant to be a couple at this stage.

they deserve freedom. they deserve to grow up and be authentic to themselves and not feel like they need to lie for the sake of a relationship. they deserve to move on from this version of their relationship that isn't making them happy and rekindle the best part of their bond: their strong, beautiful friendship. they don't have to be a couple if it doesn't make them stronger and better and happier people.

i think it would be healthy and wonderful for a show, especially one consumed frequently by young adults, to show a relationship starting, progressing, and ending on good terms in this way. sometimes things don't work out, and that is okay.

[chappellrroan]

people who still hate Joe Alwyn need to get a life asap

[mysaldate]

"Rook loves Vil and Neige"

"Rook the biggest NeigeVil shipper"

"Rook wants to be in a thrupple with Vil and Neige"

Y'all seriously need to stay out of relationships if you think what Rook is doing is in any way shape or form love and not blind toxic obsession. His dream Vil has no personality other than blind adoration of Neige. Even his uniform isn't customized at all. He would lay his life down for Neige and that is the only thing that matters about him. Rook's ideal version of Vil is one who isn't a person but just an accessory to another being he doesn't see as a person either. It is incredibly toxic and unhealthy and I wish y'all realized that.

And Vil calling himself ugly and disgusting for having negative feelings and intrusive thoughts – an idea that Rook planted into his head – is just as toxic. Feeling bad about a genuine injustice committed against you isn't ugly and isn't disgusting and it doesn't define you as a person. Vil shouldn't be calling himself that just because Rook refuses to see him as a person instead of a perfect ideal that gets "sullied" by having negative emotions.

[samuraisharkie]

I know I’m posting a lot of like. semi-bitter stuff and especially posts with frustration towards the Democratic Party and the liberals who refuse to look anywhere but themselves when it comes to why they failed, as well as acknowledging the fear and anxiety that comes with what we’re about to go through. But I want to say, that despite all of that and the awful feeling in my chest, I have so much compassion for the world. I still think we can fight for a better future, that it’s not over. We got this. It’s bleak but it was going to be no matter what, and we can make it. The results have inspired me to get even more active and try even harder, and I know there’s a lot of people that feel the same. We’ll all support each other, and we will make it. It’s going to suck, and I don’t want to put down the very real fear and danger folks are in— but I also don’t want to give in to that feeling of hopelessness and doom. There are so many people all over the world facing similar plights, or worse, and the least we can all do is keep fighting and supporting each other! Again I don’t want to step on the very real anxieties and fears and sadness from the results of this year’s election, I just feel some encouragement is in order amidst all the fear. For every person that refuses to turn on each other and continues to stand with all those who suffer just like us in our own homes and all over the world, we will be stronger for it. Take care of yourself, and take plenty of time to cry and fear of course, that’s not wrong, but don’t forget it isn’t over. There’s still a lot of love in this world!

[plaid-maniac]

Do you ever think about how there totally could have been an old classmate of Phoenix Wright and Miles Edgeworth in the audience during like turnabout sister or turnabout samurai. Do you think they would realize? Like “hey, were those the guys in my class in like fourth grade? I kinda remember them. Wonder if they remember each other. But it was so long ago, I doubt they would even care.” Meanwhile Edgeworth and Phoenix are undergoing the most insane mental battles where both of them are going “I recognize my best friend across the courtroom and I desperately want to be close with them again.” And “god he is so god damn annoying I wish he would die already.”

[theygender]

Just discovered the term les4les. Are we really trying to make biphobia cool again

[adhdtsukasa]

totally not what i intended to post today but also whatever, we ball. pinocchiop is my favorite vocap and i'm very autistic about both him and wxs, so, to honor the song campaign clues that we got today, allow me to present to you the reincarnation apple wxs cover line distribution i did some time ago — and why, in my humble opinion, it fits wxs much more than it fits niigo,

(the lyrics where the color changes each word are where the characters both sing at the same time but my notes app doesn't have the option to do a gradient)

i'm in no way expecting it to be an official line distribution because i did it based on my personal interpretation of the lyrics — and i feel like dedicating almost a whole big part of the song to each member might mess up with the game cut, but i also really would like to see them have solos of those parts — but they're here to help me explain my point better my point. so!

what i like about wandasho covers is that they are performers — and it should give them more creative liberty when it comes to their covers. that's why the reincarnation in this song could be simply treated as them getting into roles, reliving countless lives as actors. even though the accuracy of the lines sung is always nicely welcomed, the covers don't have to always be 100% fitting. and that's fine. especially in wxs' case, because that is a yet another story that they want to tell us.

people often say that the storyline fits niigo but i... don't see it at all? i mean, yeah, ena as the artist and kanade as the savior, that much is obvious (and i guess you could also say that mizuki as a revolutionary, but that is kind of a reach?). but what about the part describing the inventor that matches rui's backstory so well? what if you put main story tsukasa in the artist's place and draw the similiarities? what if you think about emu as the savior, comparing the savior's unconditional love to her wanting to save wonder stage and make everyone smile? the only match that doesn't fit quite well is nene and the revolutionary, but you can't have anything i guess. and then the adventurer part, which is a call back to the our happy ending set (i set out in search of an ideal — emu deciding to go with wxs in order to expand her knowledge and horizons) (and then you know, the end has come with the reincarnation apple)... and then lines like i'm not smart enough and i don't have a great cause could resonate with how people viewed emu and rui in the past.

"oh but isn't the start of the song a bit too dark and depressing for it to be a wxs cover?" kami no manimani starts in a similiar way and yet it still is a wxs cover.

and, putting lyrics aside, it just doesn't feel like a niigo song from the instrumental alone. i'm not a music expert so i don't have strong arguments for it, but for me it sounds absolutely like a wxs song. it even reminds me of sekahaji in a way.

does that mean you're in the wrong for wanting niigo to cover it? nope! i just simply want to explain why it fits. and i don't want people to complain that it doesn't make sense for it to end up as a wxs cover. because i will cry.

tldr: reincarnation as a metaphore for acting save me

[myfairkatiecat]

Okay I’m going to say it, some of y’all treat the KOTLC tag like it’s a tumblr community instead of an organization system that gathers together everything people post and tag as KOTLC