#together and play superhero’s during recess with that really weird kid who was always up to no good
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plaid-maniac · 2 years ago
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Do you ever think about how there totally could have been an old classmate of Phoenix Wright and Miles Edgeworth in the audience during like turnabout sister or turnabout samurai. Do you think they would realize? Like “hey, were those the guys in my class in like fourth grade? I kinda remember them. Wonder if they remember each other. But it was so long ago, I doubt they would even care.” Meanwhile Edgeworth and Phoenix are undergoing the most insane mental battles where both of them are going “I recognize my best friend across the courtroom and I desperately want to be close with them again.” And “god he is so god damn annoying I wish he would die already.”
#ace attorney#miles edgeworth#Phoenix Wright#not specifically ship so I won’t tag it but kinda ship if you get it#the classmate usually sits in courtroom trials because they love the drama#and honestly they like miles Edgeworth’s cases cause ‘hey I know that guy’#but of course they don’t like go up and talk to him cause they weren’t really that close and he left kinda abruptly#cause knowing someone for like a year in elementary school and then pestering them about why they left 15 years later is a weird thing to do#course Phoenix comes in and now the classmate now has to deal with the knowledge that the defense and prosecution used to always eat lunch#together and play superhero’s during recess with that really weird kid who was always up to no good#what if one day the classmate was like ‘maybe I should introduce them to each other again. sure that we would all get a laugh or two in and-#-that would be the end of it and they would continue with their lives as normal people. they certainly wouldn’t get super gay and awkward-#-about the whole thing and just be completely chill.’#god what would happen and Edgeworth v state?#the classmate would probably leave the third day like ‘I am a changed person. I can never go back to not knowing so much about this person.’#and like they wouldn’t be able to say or do anything cause like??? how do you even have that conversation???#‘hey I know you don’t remember me but I like sitting in the audience of courtroom trials and I was there for your case and I just want to-#-ask are you good? like honestly do you need someone to talk to?’
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revisionaryhistory · 4 years ago
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Three Days ~ 43
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~*~Emma~*~
 I remembered Will from a couple of parties and Kirk and Boone's wedding. Nice guy. Apparently, he and some of his friends thought I was the extra in a three-way with Eli and Angie. Eli didn't see a reason he should correct them. Angie invited Alissa out on one of our girls’ nights and she became one of the group. It had probably been six months since I’d last seen her. I liked her and we got along well. The friendship had never progressed past those nights. I can't remember if I met her before or after Jimmy and I broke up. Either way, I moved, and we only ever saw each other on nights out. Now I find she's married to one of Sebastian's best friends. We have at least three friends in common and our friends' group overlaps. Very cool, but very weird. Almost like we were supposed to meet.
 Wednesday I got the photoshoot "before" picture about fifteen minutes before my kids arrived. Looked like Sebastian in the morning. Hair a little messy, a crease on his face from his pillow, and his eyes not quite awake. His beard had grown in more and I ran my fingers over it in the picture, knowing it would be gone in the after. I didn’t dislike either version. I was just used to the way I’d met him.
 My aide took the kids to lunch and I went in search of my after. The first thing I noticed was his beard was trimmed super close, where it was long stubble, but it was still there. I guess they'd changed their mind. His hair was styled not that different than he did except every hair was in place and I was betting it was fixed where it wouldn't move. Makeup perfected his skin tone and somehow made his eyes even bluer. Maybe it was the dark blue robe he was wearing. It had been hours since he'd sent, but I still sent a text telling him how handsome he looked.
 I grabbed my lunch out of my mini-fridge and headed down to Mallory's room. I'd made some pasta salad loaded with veggies while talking with Sebastian last night and was looking forward to eating. Our secretary was walking toward me with a bouquet of cookies. They were shaped and iced like crayons, rulers, apples, notepads, and glue. Outside of teacher appreciation week that usually signaled a parent had gotten pissed at a grade or consequence and sided with their kid. At least, until they got both sides of the story. Cookies were good apologies and could be shared with the other grade level teachers who were sure to know every word you said and the tone of voice you used.
 "Who got yelled at this time, Jamie?"
 She lifted an eyebrow, "You."
"No one’s yelled at me." That meant they were from Sebastian.
"Then your new boyfriend sent cookies instead of flowers."
I laughed, "Good possibility." I took them from her. "Take one for you and Kim."
"I was hoping you'd say that. They smell delicious."
 I walked into Mallory's room with my healthy pasta salad and not at all healthy cookies. "I brought dessert." Our lunch group made appreciative noises.
Cindy laughed, "Who's parent did you piss off?"
I shook my head, "No one."
Mallory snatched the card while my hands were full, "I believe these are from the new man." I went ahead and sat down, trusting the card would be G-rated. Mallory read, "Halfway into the last full week. Hope this helps you all make it through. Sebastian." She looked to me, "Sebastian? That's a mouthful."
"Yes, he is."
 Before we dug into the cookies, I had everyone take one and gather together. I'd send the picture as a thank you. They'd heard about him Monday after the tournament and I talked more about him today. I wasn't ready to share him yet. I was a little surprised word hadn't traveled from the tournament, but I guess there wasn't enough overlap. Outside of my team, where I worked wasn’t common knowledge. This was an advantage of not working and living in the same school district. If there was gossip it was more than likely identifying me as the setter on that team than a teacher. The moment his last name entered my school it would be a topic of conversation in all three buildings. I don't know exactly what that would mean. I'd been here four years and it was common knowledge where I went over winter break. Ed may eclipse Sebastian, but not when you throw Marvel in the mix. We have superhero day during our anti-drug week. I see the Marvel costumes and t-shirts. There'd be a lot of talk. Once the kids were gone, I’d feel more comfortable sharing who this new man is. The kids could make this a zoo.
 Mallory, Cindy, and I were the last left. Cindy asked, "Will we ever meet this Sebastian? See a picture."
 "I’m sure." I smiled, "We haven't known each two weeks yet. It's good and I'm protecting the new relationship like you do a new kitten. It needs to grow a little more."
 Mallory agreed, "You know the Barbie Bitches at the high school are going to want all the details."
 I did know that. "I’m not ready to share."
Cindy took our trash to the cafeteria while Mal and I cleaned up the tables. We sat down to finish our drinks, stretching out our break as long as possible. Her kids coming into the room was my cue to head back to my room as mine would be a few minutes behind them. It wasn’t quite time yet.
My text alert went off with a picture of Sebastian. I reached for my phone, but not so quick that Mallory didn’t see. Her eyes went wide and I held up a finger, “Give me one minute and I'll show you.” He was wearing a dark blue suit, with an unbuttoned white shirt, and an untied bow tie. He looked amazing and about two seconds away from sex. I put my hand over the screen and pushed it toward Mal, "Can I trust you to tell no one. I'm not ready for this to be here."
 Mal put her hand over mine, "You know I'm not telling anyone. If that's who I think it is, the kids finding out will make Field Day crazy. Too much unstructured time to gossip and ask you questions." She started lifting her hand, "Let me see."
I moved my hand from the phone to my mouth.
Mallory looked at the picture a long time before she said, "Yep, that’s a Sebastian. Damn, Emma, you met him," she tapped my screen, "in the grocery?"
I nodded.
"Now I really wish I would have come to volleyball. Although, I probably would have just stared."
 "No, you wouldn't. A few minutes and you would see he's like anyone else. Nothing special."
 She grinned, "Except to you." Her kids started coming into the room.
 I stood, "Except to me."
 As I headed to the door she called out, "We're sitting in the back at faculty meeting."
 Sebastian had sent another picture by the time recess rolled around. He was in black jeans and a t-shirt a least one size too small.
 Emma ~ Might have to cut you out of that shirt. This is not a complaint.
Sebastian ~ It was stretchy.
 Emma ~ How is it going?
Sebastian ~ Good. I'm sitting in a chair having my hair changed.
 Emma ~ What are they doing to it?
 Sebastian ~ Making it look like it did when I got here. Apparently, people sleep in very expensive watches. I' II be done soon. No tommorow.
Emma ~ What will you do with the unexpected free time?
Sebastian ~ Clean my apartment.
 Emma ~ I was going to say you don't have to, but you do. Ha Ha, the first time at least.
Sebastian ~ Exactly. I’m pretty neat. Bathroom is a wreck.
Emma ~ Bathrooms always need cleaning. I have to run. Argument on the monkey bars.
Sebastian ~ Talk to you later.
 It would be Thursday night before we talked. Real-life set in. I had a volleyball game Wednesday night and Sebastian went out for drinks with the photographer once the shoot was over. I got home and was exhausted. We lost. I don't like to lose.
 Thursday during the day there were no texts. My guess is he got home late and drunk. Overslept. Busy at gym. Returns home to sleep off the night before. I was driving home when a call from Sebastian came in.
"Buna ziua, Sebasti-an.” <Good afternoon>  
 “Ce mai faci?” <How are you?>
 Thankfully he kept it simple. “Bine, tu?”  <Good and you?>
Sebastian switched to English. “I broke my phone. I pulled it out to text some woman, got elbowed by a guy on the sidewalk, and threw my phone on the ground. Screen shattered and I held it in my hand watching it slowly die. It just glitched and sputtered away in front of me."
"My poor, baby. Are you mourning the loss?"
 "Nope, an hour in an Apple store and I have a shiny new iPhone. They were able to transfer my data over. Good as new. That's why you hadn’t heard from me."
I smiled, "I thought you were sleeping one-off."
"I barely drank. Too much to do today. Sheets changed, bathroom clean, kitchen has some food, and the family room is clean. When are you going to be here?"
 "I got permission to leave a little early. I’ll definitely make the three o’clock train, but I’ll try and do the two. If that's ok with you?"
 “I'm not going anywhere after the gym. I'll be here waiting."
 "I'm excited. Seeing you. You with my friends and your friends. It’s going to be fun."
"It is."
Just to be sure. "Most excited about you."
"I like hearing that."
 I set my alarm a little early to give myself time to finish packing. I’m not normally an over-packer, but I couldn't decide on a dress for dinner. Or anything else. Insane. At least today wasn't a theme day I need to wear a costume for. I wore a pair of black capris and a bright pink top with rolled sleeves and a long zipper up the front. Up for school, a little less so for Sebastian.
 First text of the day.
Sebastian ~ Are you here yet?
 I had nothing but fun things planned for the day. Yesterday I'd had them vote for their favorite books and we read those at the top of every hour. We played math games, a science and social studies game show, and our top music and movement videos. I ate my lunch getting the STEM Lab cart and prepped everything for my assistant. The kids had been wonderful all day and I didn't feel the least bit guilty when I fled the building when she took them outside for recess.
 I waited until I was safely on the train to text Sebastian.
Emma ~ On my way
Sebastian ~ Early!
Emma ~ I’ll beat the worst of the traffic
Sebastian ~ Exactly what I was thinking.
Sebastian ~ I should shower.
 I put in my ear pods, clicking shuffle on my "Current Faves" playlist. This one changed all the time. Some never left the list. Recently there'd be an influx of happy love songs and sexy mood music. I think I even dozed off a couple of times. The closer I got the more butterflies were in my stomach. I was excited to see him, but a little nervous. I was going to his place. It would be different than surrounded by my stuff. I’m nervous about stupid stuff like where do I put my toothbrush, is it ok to look through the books in his extra room, what I do with my dirty clothes, and what if I get thirsty in the middle of the night? It's making me think back and wondering if I'd made him welcome... comfortable.
 I took a cab from the train station, looking out the window at the city I used to call home. I wasn't familiar with where he lived so I watched the numbers on the buildings. His building from the outside looked like an old converted warehouse. The brick was red with a gray stone line between every floor. Looked about seven floors. He'd texted me the entry code and I hopped on the elevator to the fifth.
 Sebastian opened his door so fast it was like he was standing beside it and I almost fell over. He was barefoot in ripped jeans and a Rutgers t-shirt. He held the door open with a hand high on the door. Add in the finger styled hair, bright blue eyes, and a smile that said he was happy to see me and he was the sexiest thing I'd ever laid eyes on. It was the barefoot part that got me.  "I'm here."
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welcometothepenumbra · 6 years ago
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JUNO STEEL AND THE LESSON LEARNED (PART TWO)
SOUND: RAIN. TRAIN ARRIVES, CREAKS TO A STOP. DOOR CLANKS OPEN.
CONDUCTOR: Ah, good evening, Traveler. And welcome… to The Penumbra. Take your seat, please, take your seat.
MUSIC: STARTS.
SOUND: DOOR CLANKS SHUT.
The junction lies just ahead, Traveler. If you’ll allow me just a moment.
SOUND: TRAIN WHISTLE.
(CHUCKLES) Well, next stop? Hyperion City.
SOUND: TRAIN MOVING.
Detective Steel entered the Fortezza trying to prevent a murder. But the way this case is going, he might soon be the victim of one. A serial killer from twenty years ago has set her sights on our detective, and if she wins, her murderous curriculum will be renewed.
SOUND: TRAIN BRAKES. DOOR CLANKS OPEN, RAIN.
Our next stop: Juno Steel and the Lesson Learned.
ALL SOUNDS: FADE OUT.
***
MICK: Hey, Jay?
JUNO: Yeah, Mick?
MICK: How come it feels like every time I see you we get trapped in some lunatic’s crazy murder-game?
JUNO: I don’t know, Mick. Just lucky, I guess.
MUSIC: STARTS.
MICK: Yeah. Now that you mention it… I think you might have pretty bad luck, Juno.
JUNO: Me?!
MICK: Yeah! I mean, the Proctor locks us up, gives us both guns, and says we’ll have to shoot each other if she’s gonna give us the antidote to the-the-the whatyacallit, the-the Sundial Toxin?
JUNO: Hourglass Venom.
MICK: Ha, that’s a good one, Jay, but I’m pretty sure it’s Hourglass Venom, like I said.
JUNO: That’s not what you—
SOUND: COMMS BEEP.
PROCTOR (FROM COMMS): That’s enough bickering, Mr. Steel, Mr. Mercury. Now, your test is just down this hall. Onward! Education awaits.
JUNO (NARRATOR): The attic of the Fortezza was a condemned cell block from back in the days when this place was for sealing criminals away – not rewarding them. In a lot of ways it reminded me of my old wedding gown: it was dusty, smelled like a lot of dreams had probably died in it, and pushed off into a dark corner somewhere in hopes that everyone would just forget the damn thing ever happened.
And the worst of it all was the tenant here: the Proctor, a fame-seeking serial murderer who’d just come out of retirement and was making up for lost time. First, she planned to kill Mick and me with Intro to Chemistry, and then in two hours she’d move on to the first candidate for mayor in fifty years who might actually try to make this city a better place.
That guy’s name was Ramses O’Flaherty. And my name’s Juno Steel. I’m a private eye. And right then I was the only thing standing between Ramses and death. And me and death.
MICK: (WHISPERING) Psst! Hey, Jay!
JUNO (NARRATOR): And him and death.
MICK: Jayjay! I just thoughta somethin’!
JUNO (NARRATOR): I was usually the only thing standing between Mick and death.
MUSIC: ENDS.
MICK: This is, like, my moment, isn’t it? I took this job so I could prove that danger is what my life’s missing. And hey, this is very dangerous! That’s pretty lucky, I think.
JUNO: With luck like that, you should start investing in lottery tickets.
MICK: Hey, that’s not a bad—
JUNO: Don’t!
(QUIETLY) Can’t make that joke with him, Steel, he’ll really do it.
MICK: What was that?
JUNO: Alright, so you want to be a P.I. or a special agent or something?
MICK: I-I was thinking more like a superhero, but… I’m willin’ to work my way up.
JUNO: If you want to do this, you gotta be able to analyze your situation. So, they must’ve given you some training before they stuffed you in that uniform – didja pick anything up?
MICK: Uhhh, I don’t know. I wasn’t really paying attention.
JUNO: And, there it is.
MICK: Except… oh, oh!! They showed a map of the Fortezza! And I even memorized it!
JUNO: Wait, seriously? That’s perfect, Mercury!
MICK: You’re tellin’ me! And hold on, now, gears are turnin’, gears are turnin’…
Oh! Sweet shining nebula, Jay, I think my brain mighta just done a clue!
JUNO: We’ll clean that up later. This is great! If you remember how this old cell block is organized you should be able to get us to, I don’t know, a boarded up window or wall or something, and maybe we can break through—
MICK: This floor wasn’t on the map!
JUNO: …What?!
MICK: Yeah! They didn’t tell us anything about these floors during training at all! Heh. Wow, this Proctor really is smart, isn’t she? I mean, I’ve lost a room before, but losing two whole floors? You’d have to be, like, a genius to hide two whole floors from the people who own the building!
JUNO: I knew it wouldn’t be that easy. (SIGHS) I don’t know if that’s a sign of genius, Mick, but it’s definitely a sign of something.
MICK: Like what?
JUNO: Not sure yet. But I’ve got a hunch.
MICK: I mean, I didn’t want to say anything, but you should probably work on your posture, buddy.
JUNO: That’s not– nevermind.
(CALLING) Are we there yet? I’m tired and he keeps bugging me.
PROCTOR: Just one more door, Mr. Steel. That’s it… just ahead…
SOUND: DOOR OPENS.
Your next exam!
SOUND: DOOR CLOSES.
JUNO: Wow, more mannequins!
You shouldn’t have. We moving on to Art 102 now?
PROCTOR: No no, art is behind us. The three lessons you’ll have to pass today are the three Rs: Reasoning, Reading Comprehension, and… well, the last one’s a surprise.
MICK: Sure glad spelling isn’t one of them. I didn’t know surprise started with an R.
JUNO (NARRATOR): The test on Reasoning didn’t look like much. Four mannequins stood in front of us, each with a button on its chest and a tangle of wires snaking into its feet. But there was going to be a trick to it. There had to be.
PROCTOR: The mannequins are only half of the test. Are you ready for the second half?
JUNO: Depends. Is it four more mannequins?
MICK: Jay, that was kinda rude.
PROCTOR: No no, I’m afraid not. Now listen closely, because I’m only going to say this twice:
MICK: Twice?
PROCTOR: Sage, Vladimir, Aisha, and Sponge walked down the road together side-by-side, holding hands. Two wore shirts of red, and two wore shirts of blue; but none would stand next to another wearing the same color shirt.
JUNO: Oh, you’ve got to be kidding me.
MICK: Who? What? Who??? What???
JUNO: It’s a puzzle, Mick. A stupid puzzle.
PROCTOR: It’s a very good puzzle. Now be quiet.
(CLEARS THROAT) Aisha, the baker whose shirt was red, held hands with only one other person. Sponge’s shirt was also red. Vladimir held hands with two people, one of whom was a detective; the other was Aisha. Sage could not tolerate anyone holding her right hand. Vladimir was not the murderer.
MICK: Well! That got exciting very quickly!
PROCTOR: Among them were a detective, a baker, a fortuneteller, and a murderer. If you do not find the murderer, they will kill everyone else in line – and they will kill you, too. (CACKLES) So tell me: which of these four mannequins is the murderer?
JUNO: This is what you got famous for? Seriously?
PROCTOR: I know! Very impressive, isn’t it? I’ll give you a tip: in a multiple choice exam, always be certain to eliminate silly answers before—
JUNO: It is not impressive! It’s the kind of thing they give to bored middle schoolers when the radiation storms are too bad to go outside for recess!
PROCTOR: So if you can’t solve it, detective, what does that make you?
JUNO: Too busy for this stupid—
MICK: Hey, wait a second, wait a second. You said you’d say all that twice, right? Can you say it again?
JUNO: You’re not really buying into this.
MICK: You said bored middle schoolers did these! And, well! I was a bored middle schooler for nearly five years!
JUNO: Mick, you repeated those grades ‘cause you never went to school.
MICK: Come on, Jay. I really need this. Please?
JUNO: Fine… fine, listen to the dumb puzzle again.
PROCTOR: (CLEARS THROAT) Sage, Vladimir, Aisha, and Sponge walked down the road together side-by-side, holding hands. Two…
JUNO (NARRATOR): While our host gave Mick the rerun of her stupid puzzle, I took this opportunity to investigate my feelings about the last few hours.
Stupid goddamn waste of time puzzles! What am I, some kinda—
MICK: Shh, Jay! I’m tryin’ to listen!
JUNO: Hmph.
PROCTOR: …Vladimir was not the murderer. There. Your last reading. Think carefully – and be sure to check your answers.
JUNO (NARRATOR): It wasn’t an easy puzzle, sure, but it was pretty typical crime scene investigation. Gather the clues, listen to the witnesses, rebuild the past. Hell, this was easier: these witnesses couldn’t even lie to you.
If Mick could solve this… maybe he had a point. Maybe danger was the missing ingredient in the Mick Mercury cocktail.
MICK: Hmm. I see.
JUNO: You… do?
MICK: I thought about it real hard. And my answer is… we press all the buttons at the same time.
JUNO (NARRATOR): Or… not.
PROCTOR: A very… interesting approach.
JUNO: Mick, seriously?
MICK: Yeah! I mean, I thought about the whole puzzle thing, but then I decided it was probably just a red herring. ‘Cause look at them all! They’re so weird and creepy! And I swear a second ago, I saw them all twitch or something, real murrrrderer stuff, so we gotta—
JUNO: They didn’t move, Mick. And the murderer is Sage, on the far right.
MICK: Well, I mean, yeah, that’s the obvious answer.
JUNO: Oh, yeah? Why’s that?
MICK: Because… uh…
(NERVOUS LAUGHING) I-I mean I-I don’t think I gotta waste both our– our time, tryin’ to talk through things we both already know, Jay—
SOUND: FOOTSTEPS.
JUNO: Mick, where the hell are you going?
MICK: C-c-c-y-y-y… I-I… ‘cause– like, d-don’t you feel p-p-poisoned? Definitely feel poisoned, Jay; at– at least a little poisoned? So, I’ll just press this here button, and—
JUNO: Damn it, Mercury! That’s the wrong button!
SOUND: RUNNING FOOTSTEPS. THUD.
MICK: What gives?! You said far right! I was goin’ for the far right!
JUNO: You were going for our right, Mick. You need to go for their right.
MICK: No, I mea– I mean—! Well that’s just—!
(SIGHS) Yeah. Yeah okay, that’s reasonable.
SOUND: BUTTON CLICKS. CONGRATULATORY JINGLE PLAYS.
PROCTOR: Excellent job, Mr. Steel! You’ve passed your Reasoning exam with flying colors!
SOUND: HINGE CREAKS OPEN.
JUNO (NARRATOR): Above us opened another trap door, and, another ladder fell out. The top floor. Finally. And with an hour to spare.
MICK: Whew! So, uh, good thing we made it through that one, huh… Juno?
…Jayjay?
JUNO: Give me your gun, Mercury.
MICK: …What?
JUNO: The gun the Proctor gave you. Give it to me.
MICK: But Jay – I’d never shoot you, you know that—
JUNO: You’d never shoot me on purpose, sure. But whatever the hell is up there for the Reading Comprehension test? Some monster made of goddamn books or something? You’re gonna aim for its table of contents and shoot me straight through the epilogue.
MICK: But Jay, we always got into trouble and it was always fine—
JUNO: Yeah, when we were kids. You’re forty, Mick. You’re not a kid anymore! You’re a screw-up, and this stupid danger idea of yours is going to get me killed. Now give me your gun.
MICK: I’m a… screw up?
JUNO: Don’t. You say it about yourself all the time.
MICK: Yeah, but… it’s different hearing it from, uh… Alright.
SOUND: FABRIC RUSTLING.
Here’s the gun.
JUNO: Thanks. Now let’s go.
SOUND: ROPES CREAKING.
JUNO (NARRATOR): I didn’t mean to snap at Mick like that.
Well actually I did mean to, but I felt bad about it, at least. And that's gotta be worth something, right?
Anyway, I didn’t have time to let my conscience have the floor. I could already feel the Hourglass Venom working through me – I could feel my head bloat and stomach throb. It would kill me soon. And just a few minutes after that, it’d kill Ramses.
MICK: (COUGHING) Ah, jeez buddy, I… really don’t feel so good.
JUNO: Yeah, a fatal dose of poison’ll do that to you. (COUGHS)
MICK: I guess in some ways we’re lucky, though. Back in the day I remember her tests were all over the news, and they were so…
There was that guy she killed with a geometry test… I’ve never seen someone’s legs go at that angle before. Or the Phys Ed case: the lady she made run so hard she wore holes in her feet. Or, the worst of all… Home Economics. What makes a person do all that, Jay?
JUNO: Who the hell knows, Mick. It’s not my job to psychoanalyze the killers. I just lock ‘em up.
PROCTOR: Then allow me, detective: raw creative genius. The greatest minds in the world are overtaken with it – the need to build, to create. When one is as skilled as I am, it simply… overtakes you. I am but a slave to the Muse within me.
MICK: But… that doesn’t make any sense.
JUNO: Mick, stop humoring her already.
MICK: No, but it doesn’t make any sense! If she’s got this creative bug or whatever, why should she wait twenty years—
PROCTOR: The Muse cannot be tamed!
(CHUCKLES) > Those old murders were excellent, of course. Nobody’s ever thought of all the applications for a protractor that I have. But genius, like wine, only improves with age.
JUNO: Unless the container’s as cracked up as you are. Then it turns into vinegar.
PROCTOR: I am not vinegar! You’ll see. This is a new era for the Proctor. My second creative career begins with you. And it will be even greater than the first. Go. The Reading Comprehension test is just through that door.
SOUND: DOOR OPENS.
MICK: (YELPS)
JUNO: …Wait, seriously?
SOUND: FOOTSTEPS.
PROCTOR: Deadly seriously, of course! (CACKLES)
JUNO: It’s just… sixteen more mannequins.
PROCTOR: Just sixteen mannequins, he says! Hasn’t anyone ever taught you to read the directions first?
MICK: Hey, Jay! There’s a paper on this table that says “Reading Exam Directions!”
JUNO: Don’t—! Touch it.
SOUND: PAPER FLIPPING.
“Davis, Major, Anya, Jean, Cobweb, Hephaestus, nine of their friends, and Sponge were walking down a road side-by-side, holding hands—” (GIGGLING)
MICK: I mean, Jay, that is a pretty wide road, but I don’t see what’s so funny—
JUNO: This is the best you’ve got, Proctor? Seriously? Twenty years to think something up and you start writing crossword puzzles?
PROCTOR: They are not crossword puzzles! They are works of logical genius, designed to test your…
JUNO: Ha!
PROCTOR: Stop laughing!
JUNO: HA!
MICK: Heyyy, uh, Jayjay, maybe don’t piss off the killer lady so much—
JUNO: No, come on, Mercury, this puzzle is hilarious. Listen to this: “Thompson had a deadly nut allergy, but none of them knew Anya very well. Major often confused Sponge with one of their friends in a yellow shirt; Cobweb was known to fingerpaint with peanut butter”—? (COUGHING)
PROCTOR: The test you’re laughing at is going to kill you, do you understand? And then who will be laughing? Time’s up! I will! D Minus!
MICK: If you’re laughing, you must have a plan, right? You know the solution to the puzzle?
JUNO: (COUGHING) ‘Course I do. Same as the solution to every test I ever passed in school.
MICK: Study hard? Apply yourself?
JUNO: No. Cheat.
SOUND: ELECTRONIC POWERING-UP BEEPS.
JUNO (NARRATOR): I should’ve thought of it hours before. Getting rid of headaches is the point of technology, isn’t it? Or maybe that’s aspirin. Aspirin’s a kind of technology. Shut up, Steel. The point is, the Theia Spectrum had a filter for detecting electromagnetic frequencies.
THEIA: Now detecting electromagnetic frequencies.
JUNO (NARRATOR): Like that. The cables coming out of the mannequins’ feet had to be hooked up to all the other junk in here, didn’t they? All I had to do was track whichever mannequin had the cable that went back to the door and not… whatever the hell they were gonna do to us. It was hard to see through that rat’s nest, though… and even harder with all the shouting in my ear.
MICK: (COUGHING) Oh, Juno! The mannequins, they’re—
JUNO: Not now, Mercury.
MICK: But it’s just like downstairs, I’m trying to tell you that—
JUNO: You said you wanted to help, right? Well, y’know how you can help me now? By shutting up, staying still, and letting the goddamn professional do his job!
MICK: (WORRIED GROAN)
JUNO (NARRATOR): I found it in seconds: the mannequin three in from the left had a thick coil of wire extending from its feet, through the floor, and toward the door on the room’s far side. The other mannequins weren’t hooked up to any traps I could see – just a little glowing box on each of their chests.
When I thought about it later, I realized those were wireless transmitters. And when I thought about it later, I realized I probably shouldn’t have interrupted Mick, too.
MICK: Jay—
JUNO: It’s that one. Come on, let’s press the button and get the hell out of here.
MICK: I don’t know if you should get so close, Jay; I swear I saw ‘em move and—
SOUND: BUTTON CLICKS. CONGRATULATORY JINGLE PLAYS.
JUNO: There, see? Button’s hooked up straight to the door, now it’s open. Let’s– gahhh!
SOUND: WOODEN RATTLING & CLANKING.
MICK: Jay! The mannequins are moving!
JUNO: I can see that! This one’s got my arm!
MICK: And that one got your other arm!
JUNO: Gee, I had no idea!
PROCTOR: I educate you… I craft these tests for you with my own blood, sweat, and mannequins… and this is how you show your appreciation? You cheat?!
JUNO: Watch it, buddy, you’re gonna pull my damn arm off— ahhhh!
MICK: Oh, no, no, no! Don’t come any closer…
SOUND: RATTLING GETS LOUDER.
PROCTOR: Well, I suppose the last test will have to be cancelled. And too bad: I had an excellent plan for your ‘rithmetic exam.
JUNO: That doesn’t even start with an R, you has-been! AH!
PROCTOR: Perhaps not. But here’s another R for you: Recess!
MICK: Recess? Hey, that sounds kinda nice…
Wow, those things are movin’ quick!
PROCTOR: At Recess, all rules are suspended. Good luck, Mr. Steel and Mr. Mercury. Your classmates play rough.
SOUND: CACOPHONY OF WOODEN CLUNKS & BANGS.
MICK: Jay, what do we do?
JUNO: Personally, I think I say bye-bye to my arm, because it feels like Pinocchio over here’s gonna pull it out of its socket.
MICK: Seriously! Oww!
That one almost got me! I’d fend ‘em off for you, but you took my gun and—
JUNO: Yeah, yeah, don’t remind me! Just get the hell out of here, Mercury! I opened the door, you go without me. Maybe you can find the antidote on your own.
MICK: I’m not just gonna leave you!
JUNO: You’d better! Augh! The only thing I want less than for this wood shop project to rip me in two is to watch it rip you in two first!
MICK: But I can’t— oww!
JUNO: Just go before one of those things gets you!
MICK: I said I wasn’t gonna leave you!
JUNO (NARRATOR): And so in came Mick Mercury to the rescue, fists flying.
MICK: (YELLING)
JUNO (NARRATOR): And sure, it wasn’t exactly elegant—
MICK: Ow, ow, ow, ow, that smarts—!
JUNO (NARRATOR): —but it got the job done.
MICK: Hey, I got ‘em!
JUNO (NARRATOR): And there goes number two.
MICK: The other ones are getting closer!
JUNO: Make for the door, quickly!
SOUND: CLANKING NOISES FADE. PANTING, GASPING. DOOR CLOSES.
MICK: (COUGHING) That was a great idea, Jay… good on ya, closin’ that door behind us.
JUNO: Close it? I didn’t close it. I thought you did.
PROCTOR: Aaaaaaand locked!
SOUND: LOUD SNAP.
Did you really think I’d have remote controls on my mannequins and not on the doors, Mr. Steel? You underestimate my genius.
JUNO: To be honest, Proctor, I haven’t seen any evidence of it yet.
PROCTOR: Of course you have! I have accounted for every possibility! You have been outsmarted at every turn!
JUNO: (COUGHS) Funny. I remember us outsmarting you, twice so far.
PROCTOR: That’s—!
But you still haven’t passed the biggest test of all, have you? It is wise to save the most difficult questions for last, but… your hourglass is running low. Only ten minutes remain before the venom claims you, and only fifteen before I claim Ramses O’Flaherty. But you still have one test to pass: Arithmetic.
JUNO: Still doesn’t start with an R.
PROCTOR: The equation is simple, and I’m afraid I won’t be able to give you any hints on this one. You will find it written over the doorway you must pass through. And you will find the window you seek on its other side.
JUNO: What about the damn antidote?
PROCTOR: Oh, if you solve this test, Mr. Steel, you will certainly have found the antidote. Though I must say that’s a big “if.” Good luck.
SOUND: COMMS BEEP.
JUNO: Alright… alright, let’s do this stupid puzzle. I think I can feel my lungs curdling.
MICK: Uh… Jay? Did you look at this equation yet? ‘Cause… I’m a liiiittle worried.
JUNO (NARRATOR): I looked.
JUNO: Oh, god damn it.
JUNO (NARRATOR): And this was what the Proctor wanted us to solve:
A stick figure, minus a skull and crossbones, equals a picture of an open door.
MICK: Is that algebra? I was never any good at algebra.
JUNO: The door will only open when we’re not poisoned anymore.
MICK: Hey, that’s alright! How do we do that?
JUNO: I have no idea.
MICK: That’s… less good.
JUNO: Either that, or, the door will only open for someone who isn’t poisoned…
And we know one way to get the antidote.
MICK: Jay, come on, don’t…
JUNO: Here. Take this gun. I never should’ve taken it from you. Just shoot me and get it over with.
MICK: I mean, come on. This isn’t funny.
JUNO: Usually I’m very funny, Mick. Just not trying right now.
MICK: I’m not gonna shoot you.
JUNO: You should.
MICK: Well, whether or not I should, I’m not, alright? You shoot me.
JUNO: No.
MICK: Why not?
JUNO: That’s a stupid question and you know it. I know you’ve got your dumb danger thing or whatever, but it’s a fantasy, and this is real. Just take the damn gun already.
MICK: My whole point was that I didn’t like my life the way it was, alright? I’m not gonna like it any better if I gotta think about shooting you all the time, okay?
JUNO: Hmph.
MICK: Look. We’ve still got ten minutes for this to turn out okay. Okay?
(COUGHS) Anything can happen in ten minutes, Jay. Anything.
JUNO (NARRATOR): Or, nothing can happen in ten minutes. We spent our time kicking the door, coughing, searching the walls for a secret passage, coughing, scanning the room with the Theia Spectrum, and coughing. But that was it. No way through, no secret passage, no hidden antidote: the room was bare. Mick and I were the only things in it.
Oh wait – I think at one point, Mick might’ve puked in the corner. But besides that, there was nothing in the room but us.
SOUND: COUGHING, PANTING.
MICK: How much more time we got?
JUNO: Two minutes.
MICK: That long? (PANTS) Agh, this hurts.
JUNO: (GASPING) So whaddya think, Mercury? Is this how you expected to die? Yukking it up and wishing you’d killed Juno Steel?
MICK: Kinda, yeah.
JUNO & MICK: (LAUGH-COUGHING) Ow, ow, ow!
JUNO: So it turns out this job wasn’t just the biggest mistake of your life, Mick: it was the last one, too.
MICK: Hey, don’t count me out yet. I still got a minute and a hal– agh! Ah-ahhh—!
JUNO: Mick? Mick!
MICK: No, no, I’m alright, I’m alright. (COUGHS) Hey, Jay… why d’you think she goes through all this, just to kill people? I mean… if she wanted to just poison us and lock us in a room, she coulda done it at two minutes in. Hell, she didn’t even need to wait for you – she coulda poisoned me while I was napping in the closet. So… why? Why would you do all that?
JUNO: That’s… that’s a good question, actually.
Well, I mean, based on what was riling her up earlier, she probably just wants to prove she's smarter than us?
MICK: What? But she’s a genius! Why’s she gotta prove it?
JUNO: Being smart and feeling smart are different things, Mick.
MICK: I guess so. I just can’t believe… she cheated us, after all that.
JUNO: Cheated us?
MICK: Yeah. I mean, I thought her whole thing was that her victims can technically make it through her tests alive, right? How’s it prove she’s so smart if she just poisons us and locks us in a room? It doesn’t seem fair.
JUNO: No… it doesn’t.
Actually, now that you mention it, it’s not fair at all.
MICK: I mean, yeah, I’m upset about it too, Jay, but I don’t know how much complaining’s gonna do right now—
JUNO: And it doesn’t prove a damn thing, does it? If one of us has to die, she hasn’t proven she’s smarter than us. It doesn’t make sense.
Mick, I’m about to do something really stupid.
MICK: Yeah? Mind if I join you?
JUNO: Kinda. Just promise me something, alright? If this goes bad – and, trust me, it’s probably gonna go bad – promise you’ll try the door? One last time?
MICK: How come I get the feeling this isn’t gonna be the fun kind of stupid, Juno?
JUNO (NARRATOR): Mick got that feeling for a good reason. Because the man was a disaster, and a mess, and a klutz, and a… well, you get the idea. But here’s one thing he wasn’t, not really: an idiot.
So I took the pistol the Proctor had given me, and I pointed it right in between my eyes.
SOUND: GUN COCKING.
MICK: Jay! What’re you doing?!
JUNO: Later, Mick. See you on the other side.
MICK: Put down that gun!
SOUND: GUNSHOT.
Juno!
SOUND: THUMP.
Augh, Jay! Jayjay! Don’t leave me here, buddy, come back! You can’t just shoot yourself and leave me—!
JUNO: The other side of that doorway!
SOUND: GUNSHOT.
MICK: Owww! That smarts!
JUNO: Damn right it does. That’s what happens when you load your antidote into the barrel of a revolver, Mercury: you get all the fun of a shot with none of the cartoon band-aids.
MICK: But– hey, I-I feel better! The poison’s all gone! You did it, Jay! We made it! But how—?
SOUND: COMMS BEEP.
PROCTOR (FROM COMMS): Well done, Mr. Steel. Now, as promised: the door.
SOUND: DOOR OPENS.
Come along, I’m waiting for you.
JUNO: I’ll tell you while we run. Got a mayor to save.
SOUND: RUNNING FOOTSTEPS.
Honestly, Mick, you figured it out before I did. The answer’s all in the motive. Why does the Proctor kill the way she does?
MICK: To prove she’s smart, you said.
JUNO: Exactly. And it doesn’t count as proving she’s smart unless there’s a way we could have figured it out. She said that if we made it through her tests, we’d be cured – which we assumed meant she’d give us the antidote, but she never told us we didn’t have it already.
MICK: But… she told us to shoot each other!
JUNO: And because I’m your friend and you’re a moron, she knew we’d never do it.
(PANTING) So if we had to have access to the antidote somewhere, and there were no hidden compartments or anything in that room—
MICK: That means she had to have given us the antidote ahead of time! Wow, Jay. You’re really good at this, huh?
JUNO: I get by. Barely. And usually with a broken leg or three.
SOUND: DOOR OPENS.
This must be the room.
SOUND: WIND.
MICK: And that must be the window you were looking for, right?
JUNO: Looks like it, but… where the hell is the Proctor?
JUNO (NARRATOR): Through the window I could see the Fortezza courtyard below: the crowd of people shuffling into their seats and Ramses O’Flaherty shuffling his papers at the podium. I checked my watch. 11:55. Only five minutes until the Proctor took out Ramses… and I had no idea where the hell she was.
PROCTOR: (LAUGHING) You’ve done very well to make it this far, Mr. Steel, Mr. Mercury. Better than expected, I will admit. But this is the end of the line. Welcome to your Final Exam.
JUNO: Where the hell are you?! Damn it, you really did lie to us!
PROCTOR: I didn’t lie to you. I said I was waiting for you, and I was… just not in the Fortezza. When taking an exam, always remember to mark up the questions – that’s how they get you.
JUNO: Where are you?
PROCTOR: I’m afraid that is the sole question on your exam, Mr. Steel. Question one: where is the genius murderer? (LAUGHS) On the windowsill in front of you lies a long-range laser rifle. Enough to kill me, certainly… if you can find me. (CACKLING)
MICK: A rifle? So do you think… she’s somewhere down there, Jay?
JUNO: Maybe, yeah, she’s got to be.
SOUND: MECHANICAL CLICKS.
But… the rifle doesn’t have a stun setting! I can’t kill random people in the crowd!
MICK: You’ll get it, Jay. I know you’ll get it! You’re a sharpshooter! The sharpest there is!
JUNO: Mick…!
MICK: So you better watch yourself, Proctor! He’s the best sniper in this city! They call him One Eyeball Steel!
JUNO: Mick, nobody calls me that—
MICK: One-Ball Steel, then!
JUNO: Nope, nope, went the wrong way on that one.
PROCTOR: Only three minutes left, Mr. Steel. Your answer, please. (LAUGHS) All the best tests instruct just as much as they measure, you know. I wonder what you’ve learned from this one?
JUNO (NARRATOR): That was a good question. In fact, it might’ve been the first good question the Proctor had asked all day.
So what had I learned from this test? The Proctor was working with someone, that was for sure. Even a genius couldn’t manage to smuggle in all of those weapons and mannequins without some serious help. I’d learned that she had confidence issues, too – that whoever had hired her had probably pulled on that, told her that she’d never be able to pull off what she did twenty years ago. Which meant whatever the answer was to this exam, it had to be perfect. It had to be flawless.
JUNO: …Flawless.
PROCTOR: And don’t I know it.
JUNO: It’s got to be flawless. That means the diorama down there has to be completely accurate!
MICK: But you told me the diorama said the laser must have come through this window.
JUNO: Straight from here to the podium, Mercury – but it never said which direction.
MICK: She’s hiding inside the podium?!
PROCTOR: Time’s up, Mr. Steel. You have five seconds to answer.
JUNO (NARRATOR): There was no time, and another problem to deal with: in order to shoot a laser from here to the Proctor, I’d have to send it through Ramses O’Flaherty’s head. So I fired a shot to break the window—
SOUND: GUNSHOT. SHATTERING GLASS.
—and I gave the best warning I could.
SOUND: RAIN.
JUNO: (CALLING) Ramses! Duck!
JUNO (NARRATOR): And either it was my first stroke of luck for the day or the old man had a hell of a reaction time, because he was down on the ground before I was finished shouting his name.
THEIA: Target locked.
SOUND: GUNSHOT.
PROCTOR: (GASPS)
MICK: Did it work? Did it work??
SOUND: DISTANT SCREAMS. STATIC CRACKLING.
JUNO: I… guess so.
PROCTOR: (COUGHING) Very well done, Mr. Steel. Perhaps I… finally did meet my intellectual match.
JUNO: Alright, at the start of this whole mess you said you’d tell me who you’re working for if I passed all your tests. Well, I passed ‘em; start talking.
PROCTOR: I suppose I must… I haven’t much time left…
You want to know who hired me to kill Ramses O’Flaherty? It was his worst enemy, of course.
JUNO: Oh, come on! No more tests, no more riddles. I won.
PROCTOR: Education… is its own reward. Now, here's your final question.
(COUGHS) In order to find Ramses’s enemy, you must go home again.
JUNO: Home?! How the hell do you know where I live?
PROCTOR: A frozen place, this home… a land the past, of heroes, of justice… a place further than the inky blackness of space, yet as close as the heart of every child… Home, Mr. Steel. You’ll find Ramses’s enemy, if you just go home.
JUNO: Damn it, stop babbling and give me a straight answer!
PROCTOR: You’ll never solve this. I can hear it in your voice! You’ve lost! I’ve won!
JUNO: Don’t die on me! I’m talking to you!
PROCTOR: I’m the smartest! I’ve beaten you! I could beat… anybody… (PANTING)
SOUND: STATIC FADES.
***
JUNO (NARRATOR): Ramses barked a few orders and the cops were off with their tails between their legs looking for a way to get us down through the Fortezza window. In the meantime, Mick and I celebrated. As well as you can celebrate in the dusty old attic of the person you just killed, anyway.
SOUND: HEAVY RAIN.
MICK: So… we made it! That’s somethin’, right?
JUNO: Sure, Mick. It’s really somethin’.
MICK: Got a little hairy there for a few minutes, but I always knew we’d make it through! Or, at least, I often thought we would. Sometimes, suspected. (CHUCKLES)
Hey… what do you think that riddle she said at the end meant? It sounded pretty tricky to me.
JUNO: I don’t know, Mick. But, if it’s all the same to you, I don’t really want to think about the Proctor right now.
MICK: I get it, I get it.
I-I just don’t understand, Jay. She was so smart. She made all those crazy traps and stuff while she was locked in a prison cell. And even if she did have help, she had to build all that so quickly, and so secretly… she must’ve been one of the smartest people on Mars.
So, why’d she have to prove that she was smart all the time? Why’d she have to kill people to do it?
JUNO: I don’t know, Mick. Why’s anybody hurt anybody?
MICK: I guess so. …I’m sorry.
JUNO: For what?
MICK: I don’t know. I just felt like one of us had to apologize, and you weren’t gonna do it.
JUNO: Yeah, that makes sense.
But look… Mick, maybe I should apologize. I gave you a lot of crap about your stupid danger theory, but… you were right. We made it out. Again.
(SIGHS) I wish you’d do something else, but who the hell knows? Maybe you’re onto something.
MICK: Wait, seriously? What are you, stupid?
JUNO: What?
MICK: Taking this job was one of the dumbest things I’ve ever done, Jay! I didn’t make it out ‘cause I’m lucky, or I’m good at dealing with danger. I made it out ‘cause you bailed me out. I’d be chalk dust without you!
JUNO: That’s… probably true.
And surprisingly responsible.
MICK: I don’t know why nothing ever works out for me, but you were right. I don’t think getting in danger all the time’s the answer either.
Maybe it doesn’t really matter anymore. I mean… I’m just gonna make myself miserable if I’m always trying to be the guy I used to be. So I guess the hard part… the hard part is, figuring out who the hell I am now? …Does that sound right?
JUNO: You could always just stay so busy that you don’t have time to think about it. That’s usually what I do.
But, for what it’s worth, Mercury, I think when you finally figure out who you are… you’re gonna make an impact.
MICK: Aw, Jay, that’s the nicest—
JUNO: Only question is whether the impact is the galactic-peace kind or the gigantic-smoking-crater kind. Could really go either way.
MICK: …Oh. That still might be the nicest thing you’ve ever said to me.
JUNO: You’re welcome.
JUNO (NARRATOR): The cops got us down a few minutes later. I told Mick to go home and then waited on the edge of the crowd while Ramses talked down the reporters.
But I couldn’t stop thinking about the Proctor. About the sound she’d made on her last breath. It wasn’t that I thought I shouldn’tve killed her; I-I was… just a little shaken, I guess.
Because, if real evil exists, then the Proctor – a woman who killed twenty people without remorse – was it. But that means sometimes evil is just someone trying to prove to the world that they’re worth something. Or just prove it to themselves, maybe.
SOUND: FOOTSTEPS APPROACHING.
RAMSES: Juno. You cut it a little close at the end there, but over all… nice work. Come on. I’ll give you a ride home.
JUNO: Home…
This isn’t over yet, Ramses.
RAMSES: Hmm?
JUNO: The Proctor said she’d been hired by someone to kill you. Your worst enemy, she said, and whoever they are, I don’t think they’re gonna let up.
RAMSES: Did she, now. Well. I suppose that’s what I have you for.
JUNO: Ramses, I don’t know—
RAMSES: What else did the Proctor say to you?
JUNO: It was some kind of riddle, I guess, I– couldn’t make any sense of it. Something about going home, a place of heroes, as distant as the stars and close as kids’ hearts…?
RAMSES: (CHUCKLING, THEN FULL-ON HOWLING WITH LAUGHTER)
MUSIC: STARTS.
JUNO: What? …What’s so funny?
RAMSES: An interesting place to strike. I’m surprised I hadn’t thought of it sooner.
JUNO: You know the answer to the riddle?
RAMSES: I do, in fact.
SOUND: CAR PULLS UP.
My limo will bring you home. On second thought, I don’t think I’ll be coming with you. I have some calls to make.
JUNO: But Ramses—
RAMSES: Tomorrow morning, I think… no, no, I’ll send a car for you again tomorrow night. Rest up until then.
JUNO: Ramses, listen to me, damn it! Where the hell is she trying to send us? All this stupid stuff about my home?
RAMSES: (CHUCKLES) Oh, Juno. When she said ‘home,’ she didn’t mean yours. She meant mine.
SOUND: KNOCKING.
Bring him home, please.
JUNO: Ramses, you can’t start talking nonsense, too.
RAMSES: All in good time, my friend. Rest up. Tomorrow night… adventure awaits.
SOUND: CAR DOOR SLAMS.
JUNO (NARRATOR): I watched him as the car pulled away – Ramses O’Flaherty, who hadn’t even existed thirty years ago, who had a good shot at being the next mayor of Hyperion City. Ramses O’Flaherty: the man who was all future and no past.
There was something appealing about that, I’ll admit. The thought that you could just shed your old self like an old skin and become someone new. Someone important. Someone like Ramses O’Flaherty.
So turn your back on the past, Steel. Tie yourself to the man of the future… and hope that what’s ahead is better than what you left behind.
MUSIC: ENDS.
***
SOUND: TRAIN MOVING, MUSIC.
CONDUCTOR: If you've enjoyed this tale, please consider donating to The Penumbra on Patreon. Our artists work tirelessly to bring you these stories, and if you have the means, we hope you will support our efforts. Every dollar helps. You can find that page at patreon.com/thepenumbrapodcast. If you support us on Patreon at the $10 level or higher, you will receive access to commentary tracks like this one, from Noah Simes, co-creator Kevin Vibert, and actors ALlison Choat and Stefano Perti:
SOUND: TRAIN STOPS, DOOR SLIDES OPEN, RAIN.
NOAH: …I mean I think this is a testament both Kevin, to your writing of Mick and Stefano, your portrayal of him, but, y’know, I– I certainly can sort of identify with that feeling of like, I haven’t done… enough, or I haven’t done what I’m supposed to do—
STEFANO: Yes. Please don't have let that have been my greatest moment—
NOAH: Right, right, yeah!
STEFANO: —no matter what that moment is.
NOAH: Right, beca– right. You never know what the high peak is gonna be, and you just pray that it…
SOUND: DOOR SLIDES SHUT.
CONDUCTOR: You can also support The Penumbra by liking us on Facebook, following us on Twitter @thepenumbrapod, following us on Tumblr @thepenumbrapodcast, telling your friends about us, telling your friends to tell their friends about us, and especially by rating and reviewing our podcast on iTunes. Every rating, comment, and kind word spreads our stories further and inspires us to keep creating more and better tales to come.
We would like to give special thanks to all who support us on Patreon, but especially to Jaimie Gunter, The Princess and the Scrivener, Hannah Tsim, and Elizabeth Miller for their incredibly generous contributions per episode. Thank you.
This tale, Juno Steel and the Lesson Learned, was told by the following people: Joshua Ilon as Juno Steel, Matthew Zahnzinger as Ramses O’Flaherty, AlLison Choat as the Proctor, and Stefano Perti as Mick Mercury.
On staff at The Penumbra: Kevin Vibert is our lead writer and recording engineer. Sophie Kaner is our director and sound designer. Grahame Turner is our script editor. Noah Simes is our production manager. Alice Chung is our designer and financial manager. Original music by Ryan Vibert. Promotional art by Mikaela Buckley.
The Penumbra is created and produced by Sophie Kaner and Kevin Vibert.
I'm afraid this is the end of the line for today, dear Traveler. We hope you will ride with The Penumbra again soon.
ALL SOUNDS: FADE OUT.
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