#hot people don’t know geography

[berlinini]

In conclusion:

[envy-of-the-apple]

Infinite Rewind

Gojo Satoru x reader

Synopsis: Instead of dying, you are sent 13 years in the past, but this isn't your face. "Let's cut the shit." The white-haired kid grins. "Who are you and what're you doing in Suguru's body?"

Part two: Rewound Infinitely

Word Count: 18.1k

(Warnings: slight yandere, death, murder, inaccurate Tokyo geography, blood, violence, mild gore, obsession, unhealthy relationships, child abuse/neglect, time looping(?), fem!reader) Ageless blogs that try to follow me will be blocked

First, you saw a monster. 

It was big and horrible—nasty teeth. You heard screaming. People. Running as fast as they could away from the creatures. Pain. 

And then, you saw a bright, clear sky. 

The sun was blaring down at you. It was so hot. Wasn't it December? How was the sun out at night? 

"Hey, you good?" 

A girl is looking at you. Short brown hair. A high schooler, judging by the uniform. How is she wearing all black when the weather is so hot? 

When you don't respond, her eyes squint. 

"Suguru, are you okay?" 

That's not your name; your mouth moves faster than your brain.

"I-I'm fine." That wasn't your voice. It was deeper. More masculine. What the fuck happened to your voice? 

The girl gives you another strange look but you're too busy freaking out over your new voice. Your hands are different too. A completely different skin tone, larger. 

And then you're fumbling with your pockets, clothes you know you didn't buy. The girl is calling for you again but you're too busy pulling out a fucking flip-phone and looking into the black screen, the only thing you have for a mirror. 

Purple eyes stare back. These aren't your eyes. This isn't your nose. This isn't your hair. This isn't your face. You blink. He does too. You open your mouth. So does he. You pinch your cheek. In the reflection, he winces. 

Oh, you just fucking bodysnatched someone. 

ⴵ

Ten minutes later, you conclude that your name is Geto Suguru, you are a 16-year-old boy, the year is 2006, and you attend a religious academy. 

"You're finally acting normally again." The girl-newly discovered as Ieiri- says. "No more weirdness." 

You don't blame her, considering you grabbed her by the shoulders, asking ridiculous questions like: what year is it, who am I, why am I here, who are you, am I dead, is this Hell, etc. For a teenage girl, she took your outburst well. 

"Sorry," you say and by now you've gotten used to your voice, "it must have been the stress from studying." 

She just hums, continuing to walk beside you. Though, Ieiri had a point. You were definitely calmer, and it was mostly because you figured it out. 

You were dreaming. 

You were lucid dreaming, to be more precise. Your brain was conjuring up a weird setting and you just happened to be placed in another person's body. You heard about this happening before. You were just so freaked out because this was the first time anything like this had happened to you. 

An impulsive part of you wants to tell Ieiri that this is just a dream, but you've heard weird things happen after a lucid dreamer tries to break the illusion. It's best if you just let it just play out and see where this goes. 

“Excited?” 

“Hm?” You ask. And Shoko rolls her eyes. 

“For the mission you have this evening. Special grade. Sounds scary.” She says, her sarcasm evident. 

Mission? Special grade? You don’t know what those words mean but it sounds like a school field trip. Shoko takes your hesitance as something else. 

“Ah,” she says, “so you forgot.” 

“I didn’t.” You reply on instinct. 

“I expected this from Satoru, not you. You should stop hanging out with him, he’s starting to rub off on you.”

You give a sheepish laugh, and it’s enough to quell her questions. 

She leads you into the school, all through the winding halls and through an office door. You couldn’t be more grateful, it’s not like you would have known where to go. It’s a teachers room. Two people are already inside. 

“Wait, for once, I’m early?” The boy with sunglasses asks, voice dripping with amusement. He’s leaning dangerously on a chair. You stare at him. You’ve never seen someone with white hair before. It can’t be real. 

“He forgot.” Shoko pipes up and the boy cackles. 

“That’s hilarious. I’m starting to rub off on you.” Ah, this must be Satoru. 

You give a nervous smile. “Haha, yeah.” 

The boy stops rocking in the chair. Three pairs of eyes look at you. Your uniform feels itchy.

“Gojo, stop making such a ruckus.” The man, presumably his teacher, gruffs. "You two got the briefing yesterday. Do your job and for the last time do not leave your assistant manager behind again." 

Gojo groans, and you delve into more confusion. Before you can say anything, the kid is hopping out of his seat before lazily striding out the door. Shoko and the teacher look at you expectantly. 

Oh, you were supposed to follow him. 

Not wanting to make a scene, you catch up to Gojo. He's tall, his footsteps are long and wide. But you're tall now too, so it's easy to keep up with him. This new body of yours has a lot of pros. 

"Yaga's so annoying," Gojo suddenly says, "constantly nagging us like that. It's not our fault the assistants can't keep up." 

What should you say? You clear your throat. 

"He just wants what's best for us." 

Wrong answer. 

"Where'd that come from?" He snorts. How charming. "I know you agree with me. You're just tryna' act like the nicer one, again. It's starting to get a little old." 

Is that how 16 year-olds talk? Rude, but also strangely off-putting, like he can see straight through you. Or more accurately, he can see straight through Suguru. How close are these two, anyway? 

Why did any of these questions even matter? This is a dream! You need to wake up already. 

On the campus grounds, a sleek black car waits outside for you two. Along with a miffed man in a black suit. This must be a very rich school for a field trip to have a chauffeur. Where were you two going again?

Gojo hops in the back, taking one of the window seats. You take the other. In your own body, you would've fit nicely. But Suguru's legs are long, and the spacious car feels cramped. You should've taken the passenger seat. How do tall people live like this? 

The ride is quiet. Out the corner of your eye, you catch Satoru type away on his flip phone. A moment later, yours beeps. You still have no idea how to use Suguru's phone or his password, so you ignore his message. Satoru groans. 

Quickly, you learn that Satoru has a very low attention span. When looking out the window gets boring, he bugs the chauffeur. When the chauffeur ignores him, he starts bugging you. 

"Hey heyyyy," Satoru says, "when this is all over, we should go to that new ice cream place. Like you said, we should." 

You look at him. "Uh, sure." You say. 

"And you should pay for it, 'cuz you said you owed me last time." 

Fine, whatever. "Sure thing." 

He grins. You can't see his glasses, and it makes his smile even more unnerving. This kid. 

This doesn't feel like a normal field trip at all. Why did you stop in front of some rackety house that looked as though it were about to collapse? You turn back to the only adult in the vicinity, but he's out too. He takes out a lighter and a cigarette. In front of impressionable children, too. Wonderful. 

"I'll wait out here." He says, though his tone is uncaring. "Since we're out in the country, there's no need for a veil. Do your best." 

Veil? What? Gojo's already going off again and you've already decided to be his chaperone, so you follow. You reluctantly trail behind him. Feet crunch the leaves. The house grows bleaker and bleaker. 

"Okay, I have a plan!" Gojo exclaims when he gets through the squeaky door. He's so loud, can't he be quieter? "I check upstairs and you check the ground floor and the basement. Got it?" 

Check the house? Were he and Suguru electricians in training or something? That still wouldn't explain why a grown man decided to drop off two teenagers in front of a creepy mansion. And why in God's name did Gojo want to split up?

"I-I don't think that's a good idea," you say, "shouldn't we try to stick together?" Or, better yet, leave. 

He clicks his tongue. "Ugh, you're so lame. Not like Suguru at all." 

Wait, what did he say? You're about to call out to him when he climbs up the stairs, disappearing from view. Unbelievable. 

This kid was starting to get on your nerves. Enough, you were leaving. You could have a nice dream where you met and fell in love with Zendaya, not babysitting some teenager, whilst possessing another person's body. You were going to wait outside with the man and hope your dream finally came to an end. 

Except, you couldn't go outside. The door was gone. 

It-it was right behind you, right? The entrance was right behind you. You couldn't have gotten turned around so quickly? What the hell happened? Or maybe you had gotten turned around? Considering how distracting that Gojo kid was, you might not have realized it. 

You look around the house. Looks like it'd been abandoned for a while. There's dirt on the shelves. Chairs were toppled over and left to rot. The wooden floorboards dangerously creaked beneath you. Just what had happened here? 

There's no patio door. No door leading to the outside. At the same time, you hadn't explored everything yet. Each door led to a room. The only door that didn't, led to a basement. And no, you weren't going down there. 

When you got back to where you started, you noticed something had changed. 

There was a person. Seated right at the base of the stairs? 

Gojo? Was he done with urban exploring? Maybe he knew the way out. He stands up, reaching to his full height, then higher, then higher. 

Gojo was tall, but this thing was taller. Gojo was human. This thing wasn't. 

What the fuck you can only mouth because your voice is stuck in your throat when it takes a shaky step towards you. It's a black husk of a figure, too skinny but too tall and twitching fingers. You don't know how you could've mistaken this for the kid. 

Another step. You're running, back into the house, leaping over the fallen shelves and creaky floorboards. It gives chase, and you can hear it groan behind you. It's deep and rumbly and terrifying. It just motivates you to go faster. 

It's slower than you. That's good, but it seems to realize this. You can barely celebrate your advantage before something heavy is smashed into your back, sending you toppling to the floor. You and wooden chair crash on the ground. 

It hurts. 

Everything hurts. 

Dreams aren't supposed to hurt. Because this wasn't a dream. 

This was real. You were stuck in the year 2006, stuck in another person's body, about to get mauled by a monster. 

You were going to die. 

You aren't even fighting anymore. How pathetic is that? The shock numbs your body as the thing grows closer and closer, all you can do is reach your hands up, protecting your face. 

And then the creature explodes. 

An implosion. It's skin and bones twist in a way no one should. There's a shriek, something wrong and high and inhuman before it's gone. Like it never existed in the first place. 

After all that, he's still smiling. Like the cat that just caught the mouse. 

"I guess we're not pretending anymore, are we?" Gojo asks, stretching his arms. "That's good. That game was starting to get a little boring, anyways. Now, then." 

He folds his glasses, tucking it on his uniform. Blue, his eyes are. As blue as a clear sky. 

"Let's cut the shit." The white-haired kid grins. "Who are you, and what're you doing in Suguru's body?"

ⴵ

Contrary to your belief, Gojo Satoru is a good listener. 

There's never an interruption. Not even once. Every once in a while, he nods, a hand on his chin. It's probably because he can't interrupt. You just keep going on and on. Word vomit. 

He only speaks when you pause to catch your breath. "So you are from the year 2017, and you went back in time to body-snatch someone. I had a feeling your technique had something to do with possession." 

You look at him warily. "Wait, you knew this entire time?" 

You two hadn't moved from your earlier spot. You were still sprawled on the floor, still feeling the adrenaline surge through you. Gojo had transitioned to squatting on the floor. He scratches his neck, still so casual. 

"I have good eyes. Don't worry about it." He shrugs. "Anyway, you seem pretty harmless, and as annoying as it is not having Suguru around, I doubt killing you would do any good." Why is he being so nonchalant about murder? Is this kid really sixteen?

"I think we gotta' just wait around until your technique reactivates." Gojo whistles. "2017. That's like a decade away. I wonder what happened for your technique to show up." 

You blink, trying to remember the date. 

"It was Christmas Eve..." You glance at him. "And then I was here." 

He thinks for a moment. "Yeah, I got nothing." Of course. 

He sighs, before sprawling on the dirty floor, belly up. You grimace at his antics but choose to keep your mouth shut. 

He doesn't seem very worried. At the most, he looks mildly inconvenienced. Why isn't he worried about his friend? 

When you ask him, he just snorts. 

"Sorry, but you're not that scary. Besides, I don't have to worry about Suguru. He's strong." 

Well, that's nice to know, but one other thing still bothers you. 

"You speak so casually to me," you mutter, "You know I'm older than you, right? I'm 22." 

He laughs. "22? Damn. You're old, man." 

"That isn't old!" You argue. "You have no concept of age since you're just a teenager." And why did he assume you were a man? Oh right, you were trapped in a teenage boy’s body. Of course.

"I mean, technically, I'm older than you, right?" Gojo ponders with a grin. "If you're 22 in 2017, that makes you what—11 in 2006?" 

You say nothing because you have a feeling that if you continue to argue with him, he'll just drag you down to his insanity. 

"Technique, you've said that a couple of times." You look at him. "That's what you call your 'powers', right? Does Geto have one too?" 

"Yeah," Gojo says, "but you can't use it. You have zero cursed energy. Honestly, it's at the same level as a plant. A bit lower than regular humans. It's a little impressive, actually." For one second, could he stop being so condescending? 

"What's his technique?" You ignore his comments. "Could it be related to how I got here?" 

He gives you a look over. "I doubt that, but Suguru's technique is curse manipulation. Uh, you remember that thing you saw earlier." You nod. "Yeah, he can control and absorb them." 

He sounds pretty awesome. You look at your hands. Not your hands. Geto's hands. They're paler than yours, and a lot longer. This isn't your body. Your soul can feel it. You can feel the guilt too. 

'I'd give it back if I could,' you think, 'I just don't know how.' 

Gojo's getting up. He stretches. He was lying on the ground but you can't see a speck of dirt on his uniform. 

"Okay, then. No use mopping around." He grins down at you. "Maybe Yaga can do something about you. Let's get you back to jujutsu tech." 

You blink up at him. His hand is outstretched, reaching out to you. He's still grinning that insufferable grin but his eyes have slightly melted. 

"Okay." You say, barely touching his fingertips. "Let's-" 

And then Gojo's gone. And then, you're standing. And then it's cold. 

You're wearing a coat; weren't you wearing a uniform before? There's no clear sky. It's nearly dusk. 

You were standing on the sidewalk, where people bustled all around you. You fumble through your jackets, putting out a phone. An actual iphone. You flick on the screen. 

December 24th, 2017, 7:06.

Holy shit, you were back. 

Was it because you touched Gojo? That makes no sense, but how could you explain anything else that happened so far? God. You rake a hand through your hair. Your hand. Your hair. You can't believe how much you missed yourself. It felt so good to be back. 

Your mind is spinning, you had no idea what the fuck just happened.

For now, you just wanted to turn your mind off and grab a drink. 

You know there was a bar not too far from your location. Along the way, you pass by the bustling town. There's a couple walking side by side, giggling over something you couldn't hear. Right, it's the 24th. You remember your empty bed with no one to share it with, and you cement your desire to drown yourself in alcohol today. 

Your self-pitying session is almost how you nearly miss him. His shoulder brushes past you. You're about to apologize when you hear his voice. It's familiar. 

It used to be your voice. 

It's all there. Black hair, but it's longer this time around. Of course it is, he's had years to grow it out. He's tall, he must've grown since highschool. His broad back is the only thing you see, you're almost afraid to reach out to him. 

"Suguru...?" 

He halts in his tracks. When he turns around, it's like looking into a fractured past. He looks older, no longer a youthful teenager. You should have paid more attention to his eyes, how scrutinizing they were, how condescending his fake smile was. All that you could think of was that it was actually him. 

"Do I know you?" He tilts his head. "Apologies, but my girls and I are quite busy." 

You don't notice the two young ladies beside him until Geto points them out. Teenagers, maybe just around the age when you first met him. He was a father now. 

You're so swept up by the emotions that you barely notice they've continued walking. You stumble behind, ducking behind the alleyway they went into. 

"Wait! Geto!" You call. "Please! We need to talk!" You still needed your answers. You didn't know care how desperate you came off as. 

In hindsight, you should have noticed that they looked more annoyed than worried about a stranger chasing them across the street. 

The one with the ponytail scoffs. "This one talks an awful lot. How annoying." 

Geto sighs. He leaves his daughters, finally standing in front of you. This is what you wanted, right? A chance to talk to him. 

Still, you can't help but feel wrongness within you. His smile is off. 

"Most monkeys are just that, unfortunately." You don't move. You can't. Not when he places a hand on your skull. "I suppose it'd be humane to put this one out of its misery." 

Geto Suguru crushes your skull. And then you die. 

ⴵ

Again. You died again. 

This is the second time Geto has killed you. Fuck, you should've realized. 

"Back again, Greeny?" Gojo asks. 

He and Suguru were sitting outside in the grass. Satoru's holding up a few playing cards. You look at Suguru's hands and find yourself doing the same. 

Not again. 

"What year is it?" You ask warily. "And what did you just call me?" 

Gojo grins with teeth. You remember he compared you to a plant before, didn't he? He's so clever with nicknames; someone should give him an award. 

"Welcome back to 2006!" Gojo beams. "It's only been a couple of days since you left. And why are you so grumpy? I'm the one who just lost a player." 

You weren't grumpy, you were pissed. You figured out what's been going on with you, and it's all because of the asshole you're possessing right now.

The look on his face when he killed you. Like you were nothing more than an animal. A monkey. Now, you feel a lot less guilty about possessing his body. 

At least you figured out two things. You know how your technique works. Whenever someone kills you, you are sent back in time to take over their body. But you can go back whenever you touch Gojo, or perhaps just another sorcerer. 

Secondly, you have access to Geto's memories. 

It didn't happen the first time you died. It must have been because the kill wasn't direct (from Getos curse, rather than himself), but milliseconds after Geto split your skull in two, your brain was overwhelmed by his past, his present, as well as his future. 

Geto was set to die on December 24th, 2017. At the hands of his best friend, Gojo Satoru. 

Fuck him. Let the bastard die. You didn't give a shit. 

You reach over to touch Gojo's arm, ready to leave. He pulls back with a snicker. Ugh, the brat must've figured out your technique, too. 

"Stop messing around." You tell him. "I need to go back to my timeline." 

"Sure, sure," he says as though speaking to a time traveler is just another Tuesday. "But first, finish the game with me." 

"No." You tell him before leaning out even further. He isn't moving away anymore, but you still can't reach him. Fuck, he must've activated his technique. 

Despite your annoyance, you decide to keep the future away from Gojo's ears. He doesn't need to know that he'll be the one to kill Suguru. He shouldn't. Not at his age. He's just a kid. 

"Just one game! I promise!" He pleads. "Then I'll let you go. Suguru never lets me beat him, I want an easy opponent to boost my ego." 

You roll your eyes, but you settle down, picking up the cards. You already know the rules; you have Geto's memories, after all. 

It's silent, save for Gojo's humming. When you place down your King of hearts, you ask:

"Hey, is my cursed energy different at all?" You ask.

"Not really." He squints. "Wait, it has grown a little. Aw, Greeny sprouted!" 

So, every time you die, your cursed energy increases. That, or your cursed energy, increases every time you time travel. It doesn't matter either way. Does this mean you can use Geto's technique now? It couldn't hurt to try, right? 

There's a demon-no, they're called curses you know that now- floating beside you, just a little ways away. Small. Barely fourth grade. You stick your hand out, calling out Geto's power. There's a pull, a rush of energy. 

A blue ball drops into your hand. 

"Holy shit." Gojo leans forward. "So you can use his techniques." Surprisingly, there's no wariness in his voice. Just awe. 

"Yeah." You breathe before glancing up at him. "Shouldn't you be focused on your cards?" 

He shrugs, tossing the cards away. "What cards?" 

You sigh before staring at the ball. Well, you captured the curse. All that's left to do is swallow it, right? You can do that. You open your mouth. Gojo is still staring. You scowl. 

"Look away." 

He rolls his eyes. "It's not like I haven't seen you do this before. Well, not you, the guy that you bodysnatched." 

Ass, you keep that in your head as you hold your breath. You swallow the ball down. 

Instantly, you choke. 

It's horrible. Like a rotten carcass on the highway, oozing blood and oil and pus. You start dry-heaving, suffocating, spit dribbles down your chin. Nothing comes out. You've already absorbed it. The taste of a cursed spirit no one knows. Like swallowing a rag that was used to wipe up vomit and shit. Exorcised. Ingested. Exorcised. Ingested. Exorcised. Ingested. Exorcised. Ingested. 

"Is it really that bad?" Gojo observes you. "That guy swallows them down, no problem." 

Because Suguru was used to this taste. He was used to the responsibility. The hoarding mass of distraught absorbing a curse comes with. It was a disgusting art. Something he'd perfected to mask for years. Until he couldn't take it anymore. 

Fuck, you might have lost your mind, too, if you kept having to eat this. To protect people who were happy you failed. 

You snapped out of it. Suguru's memories were affecting your own. That's probably a sign that you need to get out of here. No way would you be sympathizing with someone so monstrous. 

"Hopefully, I never do that again." You slowly recover, wiping your spit away with your hand. You lean back on your hands, exhausted. 

"Something I've always wondered." You call out to Gojo. "What did Suguru ever think about someone possessing his body." 

Gojo laughed. "Funny thing. He never knew." 

"What?" You look at him. "No gaps in his memory? Nothing?" 

"Nope," Gojo said, "he remembered what happened in the house, but he thinks he did everything. And then he said something weird." 

You perk up at that. "What did he say?" 

Gojo tilts his head. Then, he shrugs. 

"I forgot." Typical. 

You pinch your nose bridge. "So, did you tell anyone else about...this?" You gesture to yourself. 

"Wait, you're supposed to be a secret?" You look at him in alarm. "In my defense, I didn't know, but I haven't gotten the chance to tell anyone. After the mission, Suguru and I went to the arcade, and then I kinda' forgot about it." 

Well, at least Gojo's arrogance works in your favor sometimes. You can't let anyone know, especially anyone connected to the higher-ups. From Geto's memories, you know they don't like anything new. It's best to stay under their radar. 

"Good, well, from now on, we're keeping it a secret. Got it?" 

"What are you two keeping a secret?" A new voice pops up. You jump. 

You know him—at least from Geto's memories. Haibara beams at you. He looks so alive in the sunlight, smiling and with bright eyes.

He'll be dead within a year or so. 

Gojo takes advantage of your shock. "The bodysnatcher wants me to promise that I won't tell anyone that a curse-user is possessing Suguru's body." 

"What the hell? You just promised that you wouldn't tell anyone!" 

"Uh, technically, I didn't promise anything yet." Gojo retaliates. "But okay, fiiiiine. I won't tell anyone....except for Haibara." You groan. 

"What's going on?" Haibara's smile fades. "Wait, Gojo, is this not Geto? Is this person actually a curse-user!?" 

"I'm not a curse-user." You correct. "I'm not a sorcerer either, for the record." 

"You just used a curse technique to travel back in time to take over someone's body." Gojo enunciates. "Sounds like a sorcerer to me." 

"Wait, you're a time-traveler, Mr. Not-Geto?" Haibara asks and you are genuinely impressed he's able to keep up. 

"The name’s Greeny, Haibara." Gojo supplements. Haibara nods, still a bit unsure. 

"So...do we fight Greeny?" 

"It's not my name." You get ignored. 

"Nah, it's all good. Greeny's harmless. Just a weakling, don’t worry about it." Rude, but you don’t think you’d want Gojo to take you as much of a threat, not after knowing what he can do.

"Oh, okay!" Haibara instantly relaxes. The kid's really trusting, huh? 

"Okay, fine, but no one else can know, got it, Gojo?" This promise doesn't matter. It's not like you're planning on returning to the past anytime soon. As soon as you return to the present, you are leaving Tokyo and escaping the night parade of 100 demons. Fuck that. You don't want to die again. 

He waves you off. "Yeah, yeah."

He's so insufferable. You don't know who's worse: the genocidal maniac or this brat. 

"Give me your hand. I want to go home." 

Haibara looks confused. "Wait, why does Greeny need your hand?" 

"It's how the curse technique works," Gojo explains. "Greeny gets sent back in time, and then my true-love's touch sends him careening forward into the future." You frown at his comment, but he turns to you before you can say anything. 

"Which reminds me, Greeny: ever figure out how your technique works?" 

No way are you telling a kid that their best friend killed you....twice. Instead, you just shrug. 

"Haven't figured it out yet." 

Gojo stares at you. "Huh." He responds. "Well, if you ever figure it out, lemme' know." 

Sure you will. You hold up your hand. Gojo, finally holds his own up. Out of the corner of your eye, Haibara waves. And then you're back in your own body, on December 24th, 2017, 7:06 pm.

You waste no time. You push at the crowd, squeezing through the hoards of people. You need to get out. You need to leave before the death parade starts, before you're trapped in that terrifying cycle of death again. 

You need to leave. 

Exorcised. Ingested. 

No no no. Shut up. This wasn't you. This was Geto's memories. 

Exorcised. Ingested.  

You need to leave. 

Exorcised. Ingested. 

You need to survive. 

The taste of a cursed spirit no one knows. 

You stop, right there in the middle of the sidewalk. People glare, cursing as they move around you. They don't know this place will be a bloodbath in a matter of minutes. They'd all die. But you could stop it. 

If only if you hadn't accessed Geto's memories. If only if you hadn't eaten that damn curse. If only if you hadn't sympathized with a murderer. Maybe you'd have the courage to escape your future. 

But you'd felt that taste. Horrible. If you eat enough, you could go insane. If you were lonely enough, that would do it too. 

The taste of a cursed spirit no one knows. No one except for you. 

At 8:06 the screams start. The monsters come out to play their song. You close your eyes, forgive Suguru, and you die once more. 

ⴵ

For once, when you open your eyes, Gojo isn’t there with you. 

You’re still on the campus of Jujutsu tech. Suguru was just about to grab his soda from the vending machine. You finish his job. The can feels cold. It feels refreshing on your tongue. It’s a momentary distraction to the fact that you have no clue what you’re doing. 

You understand your cursed technique, but you still struggle with the application. Fuck, what did you do? You were utterly fucked. You’re playing a dangerous game. If you died- if Geto died- here, what would even happen? 

 The worst part is that you can’t even think of the hypothetical because there’s no other choice. You needed to do this. To not only save the people in Tokyo from the Night Parade, but to also save Geto Suguru. The man who has killed you three times now. 

Geto’s dissent starts to worsen at Riko Amanai’s death. If you could prevent that from happening, you could probably change history. But Geto’s true fracture begins with the curses themselves. They were rotting him from the inside.

You grimace, but you have to do it. You have to eat every single curse that Geto couldn’t swallow down himself. 

One was coming up. In less than an hour, Yaga will call you and Gojo for a mission. It’ll be a special-grade grave-type curse. Dispatching it will be simple, but Geto would be the one to exorcise it, ingesting the screams of all that the curse devoured. You needed to prepare yourself for that. 

Maybe you should save some of this soda to wash the taste off later. 

“Geto!” Someone cheers, you jump, but Haibara’s already poking his head around the wall. He grins. 

“Hey! Oh, you’re not Geto, aren’t you?” He tilts his head. “Greeny?” 

“Keep your voice down,” you whisper, “wait, you can recognize me?” 

He nods, after checking to make sure no one’s around, he says, “yeah, your eyes are different? It’s hard to explain.” He tells you. 

Huh. Interesting. 

“You’ve been gone a while.” Haibara beams. “It’s been a few weeks. I’m glad you’re back, Gojo was starting to get cranky.” 

It’s probably because he had no one to mess with. Poor him. He has all your sympathies. Ass. 

“I’m glad to return as his punching back.” You mutter. 

Haibara shyly shuffles his feet. 

“So, are you really from the future?” He asks. “Was Gojo telling the truth?” 

You nod. “Haibara, you haven’t told anyone, right?” 

“Of course not!” He instantly says. “Not a soul. Not even Nanami, and I tell him everything! Your secret’s safe with me.” 

“And Gojo, too! I know he doesn’t look very trustworthy, but me and him have kept it under wraps.” 

Reluctantly, you can’t help but agree with the kid. Gojo is annoying, but so far, he hasn’t done anything super harmful. 

“So anyway, Greeny.” He clears his throat. “Considering you’re from the future and all. Would you mind telling me what my future will be like?” 

You blink at him. He takes it as a sign to continue. “Nothing much! I just wanna know what I’ll be doing in 2017. Will I finally be a grade 1 sorcerer?” 

You think of Geto’s final memories of Haibara. A child burying another child. 

“Sorry,” you lie through your teeth, “but I didn’t know you in my future. Again, I’m not really a sorcerer.” 

Haibara nods, disappointed but still very excitable. He asks you about other things about the future, and you try to answer to the best of your ability, but you can’t shake off his dead glass eyes, staring at you from the morgue. 

“Another thing, we should have a code word.” Haibara exclaims. 

You blink. “A code word?” 

“If we ever meet in the future,” he explains, “y’know, in 'Groundhog’s day', he has to keep explaining what’s happening repeatedly? In order to prevent that, we should have a secret word between eachother so I instantly know who you are.” 

Not the same exact situation, but it sounds like exactly something a child would come up with. You indulge him anyway. 

“Okay, what did you have in mind?” 

“Well, it can’t be anything too crazy, or we might attract unwanted attention.” Haibara puts a hand on his chin in serious thought. You smile. 

“Got it! If you ever see me, just yell ‘brocolli head’ really really loudly. Then I’ll know.” Haibara chirps. 

“Wait, why broccoli head?”

“Because broccoli heads are green!” Haibara chirps happily.

You’re starting to learn it’s best not to question his logic.

You nod, very amused. “Sure thing, Haibara.”  

Someone calls out his name. He jumps before he waves to you. You watch as he joins with Nanami. They talk about something you can’t hear. Haibara laughs and you decide it would be a shame if his laugh was lost to death. 

Gojo finds you eventually. You can’t hide from him forever. You were walking into the school when he caught up with you. He’d ran there. His breath was slightly ragged. 

“Greeny, couldn’t get enough last time, huh?” You shoot him a look. 

“What are you talking about? Doesn’t matter, we need to go, the missions coming up.” 

Gojo’s smile dips ever so slightly. “How’d you know about that?” 

It’s probably not a good idea to tell the guy's best friend that you’re possessing that you’ve unlocked his memories. 

“Haibara told me.” 

“Ah,” He replies, “let’s go then.” 

The car ride is different this time around. Less tension. You aren’t as confused. Gojo is seated quietly beside you, watching the scenery go by. The assistant is too preoccupied with belting the radio to notice Gojo's words. 

“Figured it out yet?” He asks. “Your technique.” 

He's persistent about that answer, isn't he? You're sure the only reason Gojo cooperates with you is because he thinks you're inhabiting Suguru's on accident. How would he react if he knew you were doing it intentionally? It's best not to get on the strongests’ bad side. 

“Oh, not really, but I think it’s random. I can’t seem to find a set pattern. Maybe Suguru calls out to me, somehow?” 

“Maybe.” Gojo replies. His time is flat. Anxiety flips through your stomach. 

“You’re different this time around,” Gojo says. 

“Am I?” You ask. “I guess I’m just more determined today.” 

He gives you a look over. "Oh yeah? What for?" 

"The curse. I'll exorcise it, today." 

You don't know how you wanted Gojo to react to that, but you're still disappointed when he turns back to the window. 

"Do whatever, Greeny." 

In the end, you do swallow the curse. You manage to hold your gags in this time. 

It's worse than before. It makes sense. This curse was first-grade. Stronger. In terms of taste, it was like curdled blood and mold. You were so grateful for that soda. 

Gojo only watches with a tilted head. 

"You're getting better at that."

You give a weak grin. 

"Practice makes perfect," you reply, "do you think I'll get strong enough to absorb a special grade soon?" 

He doesn't like your question. You can see it in his stiff expression. 

"Maybe. Why do you want to swallow up curses, anyway? Last time you were here, you were practically begging to go back." 

His response wasn't exactly hostile but far from his usual playful attitude. You knew you'd have to confront this eventually. Despite how nonchalant he acted, it's clear Satrou doesn't enjoy watching someone prance around in his friend's body like this. If he starts to dislike you, it could rupture your entire plan. You need his cooperation, more than anything, to save Suguru. 

A little bit of the truth. Just a bit. It can't hurt, can it?

"Curses taste horrible," you say, looking at the ground. You can still taste the remnants of it, "it's the worst thing in the world. I can't even explain how wrong it feels to eat one. I thought...while I'm in his body...I could maybe help Suguru a little. I could ingest the curses in his stead, so that way, he still gets to absorb it." But it'll lessen the trauma it has on his mental state. 

You can't see how Gojo feels about that. Those glasses of his cover everything. But you know he's staring at you. The six eyes are taking you apart, observing you whole. 

"Did you know Suguru in the future?" He asks. 

"I didn't." The man that killed you. The man that will keep killing you. And you'd forgive him each time. 

Another beat of silence.

Finally, he just sighs. "You're the kind of person who'll jump in front of a truck to save a kitten, right?" 

You give a sheepish laugh.

"That isn't a compliment, by the way. You're just really reckless. And maybe stupid, Greeny." His tone isn't mean. 

"My name still isn't Greeny." You tell him. 

"Oh yeah, what's your name, then?" He's reverted back to that teasing lilt, and it almost makes you relax if you don't note the curiosity underneath. 

So far, you've been lax giving away information regarding the future, but you don't think you should continue that. What if you're too careless and the future changes in a way you didn't intend? A name, personal information, that could be way too dangerous. 

"Actually, just call me Greeny. I like that name a lot better." 

"You complained about it all the time, though?" Gojo argues. 

"It's starting to grow on me." You grin. "Grow? Get it, because you compared me to a plant and-"

"Stop stop, you really are an old man." Gojo groans. You just grin wider. Then, you grimace.

“I can still taste it.” You complain. “I’d kill for a cigarette right now.”

“I caught our assistant manager smoking a while back,” Satoru suggests. “Maybe you could go and beg him for one.”

You toss him a look. “Suguru doesn’t smoke, and I’m not giving a teenager a nicotine addiction.” You have found lighters inside Suguru’s pockets, but you have a feeling it isn’t for his own cravings.

"Hey, could you do me a favor?" 

He gives a wordless hum.

"Maybe after this, could you take Suguru out to a cafe'? I can taste the aftertaste of the curse." You shudder. "Just get him something to wash it down." 

Also, Suguru couldn't go back to his dorm after this. Suguru dissented because of his fractured relationship with everyone, not just with Satoru. You'd try to bridge the gap between him and his peers as much as you can. You go through Suguru's flip phone, asking Shoko if she wants to join the two. 

When you're done with that, you snap the phone closed. 

"Okay, I'm done here. You two have fun, okay?" You raise your hand. 

Gojo just huffs, amused. "Sure sure. By the way, someone wanted to thank you." 

You blink at that. "What?" 

He shakes his head. "Don't worry about it."

He gives you a high-five, and then you're back in 2017 in your own body. 

Temporarily. So far you figured out that you get sent back an hour before the night parade happens. 8:06. Considering you have a couple more minutes to kill before you’re killed, you reach into your pocket for that cigarette you’ve been craving. You pick the first out of the box, cherry burns just out of corner of your eye.

You notice things now. The children giggled to their parents. Old couples gingerly held hands with sweet smiles. You'd save them, but first, you need to save Suguru. 

And do really do that, you'd have to save Riko. 

Easier said than done. You could go back in time, but you can't really control when to go back in time. It's been random, but your trips are typically two days away from each other. You can work with that. 

But in order to get to Riko's death, you'd have to die...a lot. Absorbing curses made Suguru lose his mind, but how well would you fare with dying over and over again? 

"Hungry?" 

Someone looms over you. A woman. She's pretty, with short hair and bangs. In her hand, she holds a bag of chips. 

"The vending machine gave me an extra." She gives a laugh. She kind of sounds like you. "Would you like one?" 

"Oh." You take it. "Thanks." 

"Don't mention it." She trots off into the crowd. You watch her.

A stranger's act of kindness. She didn't even know what would happen to her soon. You grip the bag, it crinkles in your grasp. 

It didn't matter how well you'd fare with dying over and over again. You'd get over it. So many innocent people depended on you. You can't just abandon them like this. 

You're the kind of person who'll jump in front of a truck to save a kitten, right? It's aggravating how accurate he is, honestly. 

The screams start up again, and you forgive Suguru. 

ⴵ

It takes a few cycles to finally reach the day Amanai Riko is assassinated. Whenever you deem yourself too early, you often accompany Gojo on a mission and exorcise a special-grade curse. Your overall plan is working, bit by bit. Each time you return, Suguru's memories swarm you. Each curse he remembers as less painful. 

It's why you get worried when you get there a little too late. 

"Something wrong?" Riko asks. 

You've stopped in the middle of the hallway, and of course, they're looking at you strangely. You know this place. Tengen's barrier is just an elevator ride away. Suguru, Riko, and Miss Kuroi were all almost there.

Fushiguro Toji has already arrived. 

In the first timeline, Geto leads the girls all the way down to Tengen's barrier. He puts his trust in Gojo. Of course, he would. They're the strongest. And in the end, Gojo does kill Toji. 

But the kill comes too late. Riko still dies, and the fracturing happens. 

You thought you'd have more time. If you had arrived a bit earlier, you could have fought with Gojo, and the chances of defeating Toji would have significantly increased. 

What do you do?

"What's the matter?" Miss Kuroi asks. She's supposed to die today, too. 

"Sorry, ladies." You smile. "But I need to go back for him." 

You don't answer their calls, running back up the hallway. The sun's bright, shimmering beautifully in the sky.

It contradicts the blood dripping all over the stone floor. 

Gojo's lifeless body is draped across the rubble. It's a horrifying sight. Eyes that were once like the sky are just this empty blue. A dead sea. He isn't breathing. You know, if you touched his wrist, you wouldn't feel a heartbeat. 

"Hate to break it to ya', but the Gojo kid's dead." Toji's right behind you. You can feel him grinning. 

You know Gojo isn't dead. At least, he won't be dead for a while, but seeing the boy who used to tease you, annoy the shit out of you, laugh at you, be so....it made you freeze. Falter. 

You were wasting time. 

"Sorceror killer." You say after a minute. You almost can't bring yourself to turn, to look at him. The man who kills Gojo. The man who could've killed Suguru, but chose not to. "You certainly live up to your name." 

Toji's grin widens. The only man in the world with zero cursed energy. It'd be awe-inspiring if it weren't so terrifying. 

It's funny. You weren't afraid of dying, not anymore. You were afraid of failing. Failing when you were so close, when victory was just a blink away. 

"The flyheads." You mention to the swarms of curses all around you. "That's really smart." It gives you an idea or two. 

You have Suguru's memories, but they aren't always concrete. You just have snippets. A general idea of what happened within a certain event. It makes sense. Humans can't remember everything. 

But regarding the memories of Suguru and Fushiguro, everything is crystal clear. It's almost like you were there when it happened. 

It also means that you know Suguru, at this current level, won't be able to defeat Fushiguro. 

But Suguru doesn't need to beat the sorcerer killer; he just needs to hold him off. 

Currently, Suguru's body contains 368 curses: 3 special grades, 24 grade ones, 33 grade twos, 103 grade threes, and 205 fourth grades. 

You release all 368 of them. 

In another timeline, these curses would look to you as something to devour. Today, these curses have a new target. 

It won't stop Fushiguro. You're not dumb enough to think that. But it should give you time. Hopefully, it'll be enough time. 

Your knees hurt when you collapse next to the corpse. Gojo's so beautiful, even when he's dead. 

"Gojo." You shake him. Nothing happens. "You need to wake up. Gojo." 

Nothing happens. You don't know what caused Gojo to become the strongest, Suguru wasn't there. For once, you are blind to the past. 

"Riko needs you. Wake up. You-you need to go and save her and Miss Kuroi." 

His body's so cold, and you know he's dead because when you touch his skin, you don't wake up in the present. You push against his body, and he falls limply right back to place. You're sure this sight will haunt you for the rest of your life. 

"Satoru." You beg. "It's Greeny. Please, please, please wake up."

 Nothing happens. 

Everything happens. 

The brightest blue you've ever seen. It's heavenly. A glow that warms and chills your skin. It takes a while for you to see again. When you do, Satoru is standing. 

Somehow, his eyes are even brighter. You don't think you're looking at a teenage boy anymore. 

You're sitting in front of God. 

"Greeny." he states, voice flat. "You're late." 

You manage to smile.

"Sorry." 

You’ve seen Satoru fight before. He’s always calm, body relaxed as he practically floats in the air. Those fights differed from Suguru’s memories—post Satoru’s awakening. There’s always this twinge of desperation. An aftertaste of bloodlust.

But seeing it for yourself is something else entirely. Even with Suguru’s heightened senses, you still can’t follow him. He’s barely a mirage. One milisecond you can see a blue flash, the next you see nothing.

It's barely a fight. Not this time around. Fushiguro is completely unmatched. There's a flash of purple. And then, it's over. 

Fushiguro is in shambles. You didn't realize he was human until he started to bleed and shatter. Parentage over labor. It's sobering, in a way. 

Satoru's mouth moves. You're too far away to hear anything. They stand there for a few more seconds until Fushiguro slumps. Then, he falls.

You wonder when you got so desensitized to death. 

Gojo stands there. You should let him compress, but the clock is ticking. You need to do one more thing before you can let Suguru go. 

"You need to go." You say when you're close to him. He doesn't acknowledge you. "Riko's about to enter Tengen's barrier." 

He looks at you right then. His eyes. They're so bright, but they're strangely lifeless. Like he can't process you, your words. 

"I can see you now," he says, "it was so foggy before, but now, you're crystal clear." 

Six eyes look at you. You don't think you're hiding behind Suguru's face anymore. 

You clear your throat. 

"Gojo." You remind him. "Riko. You need to stop her." 

He blinks back into focus, rising from his high. 

"Oh," he says after a moment, "right." 

You stop him before he can walk any further. You hold out your hand. 

"You and Suguru." 

For the first time in a while, Gojo hesitates to send you back. You wait a couple seconds longer. 

"Yeah," he finally says.

His skin still feels cold. 

ⴵ

This death is a lot more painful than the others. 

The curse that's holding you is more intelligent than its predecessors. It keeps you alive, tearing at your skin, feasting on your flesh. Blood is everywhere. You scream until it rips out your vocal cords. It's almost a mercy to just die. 

You forgive Suguru. 

ⴵ

Time skips a lot faster now. 

You stand in 2006, four months after the death of Fushiguro Toji. It takes a second for Geto's memories to kick in. What you see makes you nearly cry in relief. 

Gojo and Geto made it in time. You can still remember the tears spilling down Riko's cheeks, the smile on her face when Geto asked her if she wanted to go back. They were safe. They were home, with each other. 

You did it. You actually managed to pull it off. 

But you can't celebrate, not yet. From what you can gather from Suguru's memories, Geto defects after four years. You've just held off the eventual. 

It's nearly the middle of December. The air feels a bit chillier. You stay on that bench where Suguru once occupied. He was finishing his lunch. Usually, he'd eat with Satoru, but Satoru wasn't on campus these days. 

Right, you weren't finished with your work, yet. There was still one other issue. Suguru went on missions alone these days. Swallowing curses, letting them fester and rot in his body. It's isolating and grueling work. You might have been able to help him with the absorption, but your aide won't be enough to prevent his eventual downfall. 

You'll have to deal with his natural isolation. To do that, Suguru will have to make friends with people who aren't Satoru. 

Suguru does have friends, but he's the closest to Satoru. Considering Satoru is getting busier each passing day, Suguru needs to broaden his horizons a bit. 

It's a good thing this school is filled with such colorful characters. 

Haibara and Nanami were sitting in the back of the school. From Geto's memories, their dynamic was interesting. Haibara was definitely more outgoing than the two, but Nanami seemed to have a good head on his shoulders. They looked out for each other, in that way. 

Ah, Shoko was there, too. You haven't seen her since your first day. Her hair's grown longer. It lightly brushes her shoulders now. The cigarette in her hand burns a cherry red. 

Your reaction is rooted in Suguru's instinct than anything on your part. You reach out, taking the cigarette and stomping on the embers. 

"You shouldn't smoke in front of kids." You tell her, hoping she didn't read too much into your action.

Shoko scoffs, but to your satisfaction, she doesn't take out another one. 

"We're just one year below you." Nanami retaliates, but he looks more at ease now that the cigarette's out. 

"Did you finish lunch already, Geto?" Haibara asks kindly, then he takes a closer look. "Greeny?" 

You suck air through your teeth, giving Haibara a scathing look. Instead of looking exasperated, Nanami looks confused. 

"What's Greeny?" Nanami asks, and Haibara weakly laughs. 

"It's-uh-my new nickname for the tree that's growing over there!" He wildly points to something just behind you. "'Cuz it's so...green!"

"Of course." You note the hint of affection laced within his tone. 

"When'd you get back?" Haibara recovers with eagerness. 

"Recently." You grin. "Nice to see you again." 

"You saw him this morning," Nanami interjects, and you shrug. When he frowns, you know you pulled off a perfect Suguru impression. 

Suguru melds into the conversation perfectly. Haibara says something funny, Shoko and Suguru agree, Nanami disagrees. It's a lovely little cycle that ends when Nanami grumbles and picks himself up to go. Shoko starts to follow suit when you stop her. 

"Your hair's nice." You tell her. 

She hums, grabbing a strand to study it. You can see hints of dark circles beginning to form under her eyes. She looked livelier when you first met her. Curses have been popping up left and right since Fushiguro's death. Everyone is overworked, but Shoko looks like she's getting the brunt of it. She's one of the only people who can use RCT on others, and there aren't many healers on her level. All of the strongests share one thing in common it seems. 

"Pretty soon, it'll be longer than yours," Shoko replies. You smile in response. 

"Where are you going?" You ask. 

"Dorm," she replies, "I'm behind on paperwork." 

You had a feeling she always was. You gave a look of sympathy, but misery loves company. 

"I have some work too," You 'remember' the piles of papers lodged on Suguru's desk, "Maybe we can do it together later. The cafe right next to campus? It'll be my treat." 

She looks at Suguru. Her eyes are a pretty color. 

"Sure." She shrugs. "see you then." 

You feel your heart thump twice in your chest and decide that your work here is done. 

Haibara stares at Shoko's disappearing back. The forehead flick comes from both you and Suguru. 

"That hurt." Haibara whines. 

Good, you inwardly think. 

"Sorry." You tell him. He rubs his head, and you wonder if this is how kicking a puppy feels like. 

Luckily for you, Haibara recovers quickly. 

"You've been gone for a while." Haibara tilts his head. "What happened?" 

You can't exactly control your technique, it's more like it has a mind of its own, placing you exactly where you need to be placed. Instead of answering, you sigh, leaning against the wall. 

"Timeline gimmicks." You tell him tiredly. "It's hard to explain." He frowns, but he takes it as an answer.

"Do you know when Gojo's coming back?" You ask. "I think it's time for me to go back again." 

In previous time travels, you and Haibara tried to see if any physical contact would be enough to send you back. No matter how many times you two high-fived, shook hands, or even held hands. Nothing worked. Only Gojo Satoru could activate your technique. It must have something to do with the amount of cursed energy another person has. 

“He should be getting back later this evening.” Haibara muses. “But I’ll be happy to keep you company!”

It's nice to hear him chatter. If you'd let him, he'd go one and one. But you like hearing him talk about his sister. Apparently, she’s also a sorcerer, and his affection for her makes you smile.

"You remind me a lot of her, actually." He tells you. "Even though, y'know, you're a man." It's enough to get a laugh out of you. 

“Do you have anyone in your family who can see curses?” Haibaracasks.

“No,” you answer honestly, “at least, not that I can tell. My dad never spoke of curses or strange powers when I was growing up.”

You think he would have said something; after all, you two were too close to have secrets from each other. Your father was a single man, who took to raising you himself after your mother passed away. He often said you had her laugh.

“Maybe you’re one of a kind,” Haibara suggests.

You agree with him.

Gojo finds you before you can find him. He comes up to you with a grin and a wave.

“Hey, long time.”

His sunglasses are tilted down. You can see his eyes. They’ve lost the mania he had in his fight with Fushiguro. You’re relieved at that. You still can’t shake off that strange thing he said to you.

Wordlessly, you raise your hand. Satoru frowned.

“You wanna leave so soon? You just got here.”

“I’ve been here for hours,” you tell him, “also, you aren’t very concerned that someone is using your best friend’s body as a puppet.”

“He’s been through worse,” Satoru tells you off with a wave. Some friend.

“Let’s go to the arcade,” he suggests.

“Do that with Suguru.” You tell him. “I’m not hanging out with a high schooler.”

“Right right, my bad. I keep forgetting you’re an old man, Greeny.”

“22 is not old,” you say with exasperation, “didn’t your birthday just pass? You’re just five years away. I’ll see your attitude change, then.”

He grows quiet. You feel like you messed up somewhere.

“How did you know about my birthday?”

Fuck, you keep forgetting about keeping Suguru’s memories a secret. It takes everything within you to just relax.

“Haibara told me,” you say, “blabbermouth. You know him.”

“Oh.” Gojo replies. “Huh.”

You shuffle your feet. Distantly, you wonder what shoe size Suguru wears.

“How did your mission go?”

“Horrible,” he’s instantly back to his usual self, whiny and complaint, “and the curse was so ugly too. It was oozing goo everywhere.”

You frown. “Sounds gross. But you won, right?”

He doesn’t even answer. You secretly admire his sheer confidence. You certainly weren’t that when you were at his age.

“How’s Amanai and Miss Kuroi?” You ask.

“Safe.” He tells you. “The higher-ups weren’t really happy with us after that; pretty sure all these sudden missions are punishments.” He frowns. “But they’re fine. Miss Kuroi officially adopted her, so she’s a Kuroi now, too.”

You smiled. You already knew all that, but it’s nice to hear it.

“You saved them,” he says.

You laugh, “I didn’t do a thing.” You tell him. “You and Suguru did all the heavy lifting. I just caused some property damage.”

“You did.” He replies. “I don’t know how, but things always manage to work out whenever you’re around.”

You don’t like how he phrases that, but you don’t react.

“You think so? Maybe I’m lucky.” It’s supposed to be a joke of some kind. Neither of you laugh.

“You really don’t know us in the future?” He asks.

Maybe you should’ve asked Shoko if you could have a cigarette.

“I really didn't,” you say, “Honest, I—I have no idea what’s happening. I’m just as lost as you. Hopefully, I can figure out how to control my technique, and you won’t have to see me again.”

You never stopped feeling guilty for doing this to Suguru. Controlling him. Forcing him to laugh with his friends, make decisions based on your feelings rather than his. But you’re so close. You promise yourself that once you fix everything, you’ll never cause someone this much pain again. No matter how many times they kill you.

Satoru’s fists tighten. He looks even more upset at your response.

“That’s not what I—” He cuts himself off. You wait. Satoru says nothing more.

“You’re annoying.” He tells you in the end. It’s clean and cut, but it sounds like him. More confident, less wavery. “And stupid too.”

You can’t help but smile.

“Thank you. Am I done entertaining you now? Can I go?” He grumbles, holding up his hand.

“Yeah, sure, Greeny.”

ⴵ

You forgive Suguru.

ⴵ

Something’s wrong.

You can feel it. Something’s wrong.

You look through Geto’s memories. There’s nothing. Everything’s going as it should be. Everything looks perfect. Then, why do you feel so wrong?

Currently, Suguru was finishing excorcising a curse. You absorb it, swallowing down the remnant like it’s a pile of rusted nails but even the disgusting taste isn’t enough to wash away the feeling of dread.

The walls of the hospital was empty. The auxillary managers had already cleared everyone out by the time Suguru had walked in. Maybe it was the silence that added to your stress?

You walk out. Nothing changes. One of the managers comes up to you with a clipboard.

“The curse was exorcised.” Suguru tells them. “It wasn’t first grade, it was special grade. It was still disposed of.”

He curses, scribbling something down on his clipboard.

“The wrong information again.” He hisses to himself. “If we keep doing this, someone will die. We need more people, we’re way too stretched out.”

Those words are familiar. Hold on.

“Wait, what day is it?” You ask the frazzled-looking manager.

Offhandedly, he responds. He says the date so casually, and yet his mere words feel like a bear trap, tightening on your leg.

No. You should have had more time. Why weren’t you given more time?

Nanami and Haibara have probably already been dispatched. You go through Suguru’s phone, finding Haibara’s contact. It doesn’t go through. Nanami doesn’t pick up either.

You won’t make it in time. Even using Suguru’s curses, you won’t be able to reach them until it’s too late. Suguru’s memory of that day is muddled and dark, but Haibara’s dead corpse laying on the examination table. The pieces of him that Nanami could bring back.

You wouldn’t be fast enough.

He picks up on the second ring.

“...What’s up?”

“It’s Haibara.” You spit the words out as fast as you can. “Satoru, you need to go and get him right now, he isn’t going to make it—”

“—Greeny?” The exhaustion in Gojo’s voice is gone. You can hear something rustle behind him.

“Satoru, listen to me.” You beg. “Haibara and Nanami were just dispatched on a mission, but Yu isn’t going to survive it. It wasn’t a second-grade curse; it was a first grade. Please, you have to go and save him before it kills him.”

It’s silent. It feels like hours have passed when you know it’s just three seconds.

“We’ll talk later, Greeny.” The line clicks.

You’ve lost the trust of the strongest.

ⴵ

The future has changed when you get to campus. Haibara’s status is still alive. Barely. But he’s still there. Shoko’s currently taking care of him.

Nanami remains quiet the entire time since he returned with Haibara’s battered body. The only thing you can think of to offer comfort is to pat his shoulder. He barely even registers it. It’s more for you than for him. You’re self-soothing, taking care of something else, so you don’t have to recognize your own panic.

If Haibara dies, right here, on this day, everything can change. Everything can go back to the way it was in your original timeline. Haibara, with his sunshine, smiles, and bright eyes. His death is so important, and you can’t even think of him right now.

Gojo Satoru knows you’ve been deceiving him.

This is bad. So very bad. If he starts to suspect that you know more than you let on, he might deem you enough of a threat to kill, regardless of whether or not you’re in Suguru’s body. It’s not like that hasn’t stopped him before.

Gojo Satoru is selfless. He’s selfless enough to kill his best friend, if he thinks it will save everyone.

But if Gojo kills Geto here and now, would that really be bad?

You’d lose your path to the past, but the threat to your life would be over. Even if you did die in Suguru’s body, at least the people of Tokyo will be spared the Death Parade. You’ll still get what you want. And it will be much easier than your current plan.

Nanami shuffles behind you and you instantly snap out of it. That wasn’t you. It couldn’t have been you. That same lack of apathy when Fushiguro died in front of you.

It seems like dying over and over again caused you to lose bits of your humanity.

Shoko comes out. Nanami stands up, a tall ball of nervous energy. Shoko removes her mask. Her dark circles have grown even more prominent. She’s only 17.

“He’s still alive.” Nanami sags. “But he isn’t responsive. I’ve done all that I can.”

She looks at Nanami, and then she can’t anymore.

“I’m sorry.”

“Don’t,” Nanami rasps, the most emotion you’ve ever seen from him, “don’t apologize. It was my fault. I should’ve taken better care of him.”

You swallow. It wasn’t his fault, you wish you could tell him that it was yours.

You wonder what Haibara’s younger sister looked like. A spitting image of him, perhaps. Shorter. Darker hair, bigger eyes. Their smiles would look identical. What would she look like when she’s told her brother died doing the profession he forbade her from doing?

You can’t do that to her. You can’t be the reason she loses her brother the second time.

You’re not sure if a God is even out there. How could there be? What kind of entity would do something like this to you? Still, you sit on that bench, right outside the room where Haibara’s body lay, and you pray for a God.

Gojo’s footsteps stop right in front of you.

It’s hard to get the words out. For a minute, he just stands there.

“Did you exorcise it?” You finally ask.

“Yeah.”

You lift your head up to look at him. Even in his school uniform, he’s regal to look at. Like a warrior of the sun, blessed by the moon, sent to vanquish beasts and monsters.

Now, his blood-soaked sword is pointed at you.

Make it quick. You can only think. Just make it quick.

“Not here.” You say.

Nanami was still shaking. Shoko was right beside him. So you stand, you drag yourself away from Haibara’s fading presence, and Gojo follows behind.

It shouldn’t be this pretty outside. The sun is bright, and the sky is clear. There should be rain. Enough rain to drown the Earth.

“I figured out your technique a while ago, y’know.” You don’t look at him. You can’t. “Dying. Death activates your technique. Each time you die, you’re sent back 12 years in the past.”

You grip the fabric of your uniform until your knuckles turn white. Satoru’s cruel enough to continue.

“But I never got why your soul kept possessing Suguru’s body. It always felt kinda’ random. Unless he was the one who was killing you. Over and over again.”

“Gojo. Stop.” You beg.

“That’s how your CT works. Every time you’re murdered, you go back in time so you can kill them when they’re at their most emotionally vulnerable moment. It’s a pretty powerful technique, all things considered. I might not even stand a chance against it. Assisted suicide, never expected that from you of all people.

But you never do. Each time Suguru kills you, you just come back and try to save him and everyone else your hands can reach. I can’t get why you did that.”

He steps in front of you so you can see him. The God that he is.

“Let’s cut the shit, Greeny. Tell me what future is so bad you’re willing to die over and over again to prevent it.”

The worst outcome you could have ever thought of was standing right in front of you.

Satoru was demanding to know his future.

And...you couldn’t.

You’re taking in a shaky breath. It’s not enough oxygen. The sky was close to crumbling, and you still couldn’t breathe.

“There’s nothing to know.” You try. “There’s nothing, I’m fixing it—”

“—by Suguru killing you, or is this considering killing yourself, now?”

“You don’t understand.” Your voice is cracking, so high-pitched that even Suguru’s vocal cords can’t keep up. “You don’t get it. You can’t.”

“Then help me understand.” His voice is as ragged as yours, he steps closer, you step back. “Tell me why my friend would do something like this to someone.”

It clicks right then. Satoru’s anger isn’t directed at you.

No, it’s directed at Suguru.

It’s even worse than you thought.

“He—he was better than me. He was supposed to be the best out of all of us. I wanna deny it all that I can but—but I can see the proof right here in front of me. And—And I don’t—” His voice breaks too much to continue. 

You’re breaking, too. How many times have you been doing this, over and over again? All alone, with no one to support you. To comfort you.

The words are right there, threatening to bubble out. It’d be so easy to tell Satoru everything.

And maybe you would’ve, but then you looked at him.

Despite how disingenuous Satoru acted, you knew he was kind. The kindest person you’ve ever met. He’d sit there and listen, and he’d break every bone in his body to help. That’s just how he was.

Satoru was selfless, he was selfless enough to kill his best friend here and now if it meant he’d save the millions in Tokyo.

You can’t put another burden on the strongest.

You can’t do that to a kid.

“It—it isn’t him.” You manage to spit out. “He isn’t doing it on purpose. It’s not his fault.

It’s the curses. They were too much for him; they overtook his body. Suguru couldn’t control them anymore.”

He says nothing. It’s like you’ve put a spell on Gojo somehow, freezing him in place. Satoru can’t do anything but stare at the talking puppet that’s his best friend.

“He lost so many people.” You continue. “Riko, Miss Kuroi, Haibara. He couldn’t take it. It was too much. His body succumbed to the curses, and they took over Shinjuku. That’s how I keep...”

It’s okay to lie like this, you justify to yourself. Because the Suguru, you know—the one with fake smiles, beady eyes, and a broken expression—isn’t the one that Satoru knows. They’re two completely different people. Years—timelines—apart from each other. They aren’t the same.

Even then, you forgave both Sugurus a lifetime ago.

You’d get on your knees if you know that would make a difference. You’d plead and beg and cry if it would get Satoru to drop it. In the end, you can only stare at him.

“All I’m asking is that you trust me.” You whisper. “Believe that I’m making this right. Please, Satoru?”

His eyes. You can’t tell what he’s thinking. He’s gone quiet and dull. The same look he had when he fully awakened his technique. The day he became God.

But he’s not a God. God’s don’t cry.

He leans ever so closely until his head rests on your shoulder. His body shakes.

“You’ll save him, right?” He asks. Gone, is his aura of confidence and resilience. He’s nothing more than a shell. If you feel something stain Suguru’s uniform, you say nothing about it.

You smile anyway.

“I will.” You tell the truth. “I will save him.”

You think of something morbidly funny.

“I’ll die trying.”

His shoulders shake with quiet, genuine laughter, the kind that’s wet and sticks to the top of your mouth.

“That’s fucked up, Greeny.” He whispers.

You hum, reaching up to pat him on the back. It takes another minute before he gathers himself up. His eyes are shiny. Satoru blinks it away.

“Haibara will be okay.” He says with such conviction. “I’ll take care of him. I’ll take care of Suguru, too.”

He doesn’t get it, not yet. He doesn’t understand that Shoko and Satoru and Haibara and Nanami need him. He’ll get it soon, though. You managed to put Suguru on the right path.

For now, it’s all you can do. 

“I know you will.” 

He scoffs, right then. 

“You’re really annoying, you know that? Next time, don’t piss me off like that. Just tell it to me straight.” 

Rely on me. Lean on me.

“I’m sorry,” you say and you truly are, “I won’t leave you in the dark from now on. I guess I just forgot that I had a friend in 2006.” 

His eyes get a little brighter. “It’s actually 2007—” 

“Shut up.” He laughs and it sounds like him again. 

You reach out your hand and his grin fades, the tiniest bit. He mirrors you, regardless. 

This time, you hesitate.

“You should learn how to be selfish every once in a while.” You tell him. “I won’t fault you if you’re selfish. I don’t think anyone will.

He doesn’t answer that, but his touch is finally warm.

ⴵ

It hurts. It hurts so much. Blood seeps into the pavement. You can hear the curse laughing. It sounds like him.

You forgive Suguru. 

ⴵ

It’s today. 

You can feel it. You don’t even have to look at the date to know.

The catalyst for December 24th, 2017.

Suguru’s already dressed. You’re currently standing in front of a shotty mirror, watching your reflection.

He looks tired. His smile’s a bit muted. You notice a scar you hadn’t seen before. An unregistered special grade curse, Suguru’s memory gives.

He’s different from when you saw him a year ago, but there’s still a spark in his eye. You cling to that hope, as hard as you can.

You step out of the room. It isn’t Suguru’s. He’d rented accommodations with an older woman and her son for the mission. Their place smelled like home. It made your stomach turn.

She smiles when she sees you coming down stairs. She looks kind; she has the eyes of a mother. You’ll never understand how a person who raised children could do something like this to another.

“Mr. Geto.” She chirps. “I’m so glad you’re awake! Would you like anything to eat?”

“No, I’m fine.” Better get this done sooner than later. “I should be heading back now, anyways.”

Suguru had already absorbed the curse tormenting the village last night. You can feel the sticky aftertaste in your mouth. He should have left the village yesterday, but the people were insistent he stayed one last day as thanks, feeding him all they could.

Now, it’s obvious that it was a way to butter him up for today.

Her smile grows a bit nervous. She shuffles her feet a bit.

“If it isn't too much.” She starts. “The head of our village asked if you could look at something.” Her eyes darken into disgust.

You fight to keep your smile.

“Of course. Please, lead the way.”

It’s worse than you ever could have imagined.

You’ve seen this play out so many times in Suguru’s memories. He reminisces about this moment a lot. Because of that, you knew this scene too, like the back of your hand.

And yet, seeing two children huddled together on the floor. Nothing could prepare you for that.

The village head is saying something. The woman who Suguru roomed with is yelling at the scared kids, but you can’t hear any of that.

Their clothes were dirty and ripped. Their cheeks were hollow, and they looked like they hadn’t eaten for days. Himiko’s eye looks swollen.

The twins.

The first time you saw them, they stepped aside and let Geto kill you. There’s something oddly poetic about you being on the other side.

They tremble as they continue to look at you, flinch whenever that woman raises her voice. They must think Suguru’s here to kill them.

They’re too young to think like that. They’re too young to see the horrors of this world so soon.

It’s a mistake to look towards the end of their cell. Dirty water and dog food.

How could a human do this to them? How could a mother do this to them?

You feel red. It coarses through your blood, your veins, your soul. It feels like there’s lava right underneath your skin. Shuddering, tittering anger.

There’s more than enough fire to burn down an entire village.

‘Suguru,’ you think to your companion, your tormentor, ‘I think I’m starting to get it now.’

You reach for the bars of the cell. The twins shrink away.

“Ah! Mr. Geto, you musn’t get too close to them—”

“I’ll take them.”

“What?” The head of the village asks.

“The children.” You straighten yourself up. “I’ll take them off your hands.”

It’s pointless to do anything to these people. They’re delusional enough to think that they’re in the right. By torturing these children, they’re protecting their own. It’s fear. That’s all it ever was. Even without a curse, it’ll fester on and on until this village is nothing but abandoned homes. There’s no point to punish these people any further.

If you look at the adults a bit too long, you’re afraid of what you’d do, even without Suguru’s interference. Instead, you focus on Himiko and Nanako, looking into their wary gazes. Their hands are so tiny. You could protect them with your own.

When you got out of this backward village, you’d find them something to eat.

ⴵ

You go to Shoko first.

She looks surprised to see the twins. You can’t imagine why. Still, her voice is calm when she speaks to them, setting both of them up in the clinic room. Since you got them into the car, Nanako and Himiko seemed to calm down. Himiko even told you the name of her doll.

A little while later, Yaga comes for a visit. He’s the principal now. Usually, his voice is filled with gruff, but he’s oddly gentle when he speaks to them. Nanako cracks a shy smile.

You can’t escape the ‘we’ll talk later’ look he gives you. Inwardly, you sympathize with Suguru. But a harsh lecture is better than being branded a murderer.

He hasn’t come by, yet. With the twins aided for, you decide to go find him yourself.

Walking through campus feels a little nostalgic. The grounds of the infamous jujutsu technical college are a bright green. It’s summer again. You’ve met so many colorful characters since your time here. You’ve only seen snippets, mere seconds of their lives, and yet it feels like an entire lifetime.

He’s sitting on a bench when you finally see him, nursing a drink. He doesn’t acknowledge you. You have to roll your eyes at his childish behavior, plopping down beside him.

“Hey.” You say first.

“Heard you adopted two kids,” Satoru says, “Never thought Suguru would be a teen mom, but here we are.”

You laugh, light and breathless. The sky is so pretty today.

“I don’t think he’d have it any other way, personally.” You respond.

He reminisces on your words.

“This happened before too?” He asked.

It did. It was a lot less of a happy ending, however.

“Yeah,” you say regardless, “he took good care of them last time. He’ll do the same in this timeline too. I’m sure of it.”

And this time, he’d have help. Shoko, Satoru, his teachers. They’d all be there for him. Suguru’s memories haven’t changed yet, but you know the future you step into will be a different one.

“In any case, I’m glad I got to see jujutsu tech one last time. It’s a beautiful campus.”

“You act like you’re leaving,” Satoru says, uncaring. “You’ll just come back again next month. Or next year.”

You play with your fingers.

“I...won’t be doing that from now on.”

He pauses. Then, he looks at you.

“What?”

You can’t gauge his reaction, but he doesn’t look happy. You find this a bit hard to swallow.

“I fixed the future.” You smile at him. “I finally did it. Suguru won’t break. Himiko and Nanako won’t lose their father. You won’t lose a friend, anymore. There’s no reason for me to keep coming back. You’re all free.”

You phrased the last part as a joke, but Satoru isn’t laughing.

“Wait, you’re leaving? You’re...leaving leaving.”

You nod. “I can’t believe it either.” You still can’t believe you accomplished everything you set out to do. A task that seemed so impossible, now you’re standing on the other side of it.

It wasn’t truly over. Not really, but you were able to get Suguru through the worst of it. Now, you were sure Satoru and Shoko would take up your mantel, pushing Suguru through the finish line. Just like he’ll do to them.

Satoru’s quiet.

“You seem happy.” He notes.

“Well, I did just save everyone, I think I deserve to feel a little good about myself.”

For a moment, you want to ask if it’ll be okay to visit everyone in the future. To see how Shoko and Suguru and Satoru are doing as adults. You stop yourself. Of course, they wouldn’t want to see you. You needed to stop being so greedy.

This, was more than enough.

“Will you at least tell me your name?” Satoru asks.

“You know I can’t do that.” You tell him with a smile.

“Right right.” He laughs, it sounds hollow. “Time travel, bullshit. Makes sense.”

“I’ll miss you.” You tell him.

He straightens himself up.

“I’ll miss you too, old man.” He responds. “You were a lotta’ fun to mess with.”

For once, you aren’t offended by the old man’, comment. If anything, it feels somber.

“Can I ask for some advice?” He suddenly asks. “Y’know what they say, ask the old and wise or whatever.” Okay, now he was starting to push it.

“What is it?”

It’s his turn to shuffle with his fingers.

“What would you do if...there’s something you really want, but no matter how fast you run, you just can’t catch up to it?”

You glance at him. He looks earnest. Did something like that even exist for Satoru?

“Something I can’t catch up to?” You ponder out loud. “I guess I’d have to make a big enough ruckus to where it has no choice but to look back.”

He frowns. “That makes no sense. You’re growing senile.”

You laugh. You’ll miss this brat.

You wish you could stay more. You wish you could ask about Haibara, and Shoko, and Nanami, but the clock is ticking.

Suguru’s getting impatient.

“Bye, Satoru.” You reach out your hand.

He scrutinizes it, before clasping it within his own.

“Yeah, Greeny.”

Within a blink, you’re back again in the middle of Shinjuku. December 24th, 7:06 pm.

It’s the same as always. People bustle around you. Children’s laughter. Everything always repeats itself, but you don’t think you can ever get sick of it. You’ll savor this peace for as long as you can.

You reach into your pocket, flicking out a lighter and the first cigarette of the box. You don’t know why you always chose this one. Despite outmaneuvering time itself, perhaps it’s within human nature to follow what’s written stone.

You’ve relived this hour so many times that you can list everything that happens. Down to the exact minute. 7:08- a little girl wearing a red dress walks by. 7:09- a lady with short hair catches your eyes and smiles. 7:14-an old man and woman bicker with each other as they pass you by. 7:21- A little dog sniffs the bench you sit on. 7:34- Two schoolchildren run past you, babbling. 7:45- five construction workers grumble out their grievances. 7:58- a businessman talks loudly on the phone.

You wait. You sit on a bench and wait until 8:06.

Five seconds after 8:06. Twenty seconds after 8:06.

The clock clicks to 8:07.

You were expecting to feel something else. Celebration. Elation. You half-expected to cause a scene and jump for joy right there in the streets of Shinjuku.

None of that comes. There’s just a feeling of relief. A weight presses you down, and you slump in your seat.

It was over.

It was finally over.

How long do you stay like that? Hours? Days? When you feel like you can finally breathe again, it’s only 8:12. Time travel warped your sense of time.

You stand up, stretch, feel your bones crack and pop. In the second timeline, you wanted to get a drink to drown your misery of nearly getting killed by a curse and being alone on December 24th. It felt like a lifetime ago when being single was the worst of your problems.

Honestly, you’d stay celibate for the rest of your life if it meant you wouldn’t have to go through that ever again.

Tomorrow, you’ll decompress and devolve into hysteria over what happened.

Next week, you’ll check yourself into therapy.

Today, you decide to go home and sleep for a couple hundred years.

You must look like a zombie with the way you wobble down the street. Physically, your body is perfectly fine. You’ve suffered no bruises or cuts. Even the numerous times you’ve been killed leaves nothing on your skin.

Mentally, you’re in shambles. The indomitable human spirit within you is snuffed out.

The stairs to your flat is your last enemy that you must vanquish before you can reunite with your adoring bed. You cling onto the railing with dazed eyes. You don’t see the curse until you’re right before it.

Distantly, you wonder how often you’ve passed a curse and didn’t even realize it. It’s almost instinct to reach out with your hand, intent on absorbing it.

Nothing happens. You remember you aren’t Suguru anymore.

It’s a grotesque-looking thing. No eyes, too many hands, a gaping mouth. It turns and looks at you.

Strange. Its’ smile mirrors the one in the abandoned house.

Adrenaline. You feel it coarse through your veins, meld into your bones, explode in your skin. You’re stumbling back, nearly tripping down the steps in your haste to get away.

It screeches. Loud and clear and angry and you can almost feel its teeth chomp on your leg, ripping your muscles and skin to mere tatters.

You’ve died before. You’ve been skinned alive before. You’ve been eaten before. Yet, it all amounts to nothing compared to the fear you feel at the thought of the curse catching you.

It can’t have been nothing more than a third grade. If you were taller, larger, special-grade, you could have killed it immediately. But you weren’t, not anymore, you were at the same level as a plant. Useless. Helpless.

A dead man stumbling, tripping, running.

The streets were quiet. You supposed that meant there’d be fewer casualties. But it didn’t make you feel any better. And even if there were people around, no one would have been able to help you.

Your brain isn’t working as clearly. Fear is the only thing that guides you. You’re reduced to a rat scampering through a maze. Sooner or later, that rodent reaches a dead end.

The alleyway was blocked off. You felt the rough brick wall scrape your hands and even the feeling of your raw skin couldn’t assuage your heart pumping in your throat. When you whirled your head back, it was right there, and you knew you were dead.

Again.

It might kill you, if it’s feeling generous. It might cut your legs off and watch you bleed, if its feeling kind. It might eat you, if it’s a decent curse.

It shouldn’t be happening. You fixed it. You were supposed to have fixed everything. But clearly you didn't. There must have been some piece of the puzzle that you forgot. You need to go back. You need to fix things, but why do you need to why can't he just leave you alone—

You don’t see what happens. One moment, the curse is there. The next it isn’t.

“Those things are so annoying.” The newcomer complains.

No, not new. You know him.

You blink. He grins. It’s kind. A toothy smile that warms.

“You alright?” He asks in sympathy. “Curses are pretty scary, aren’t they? Are you hurt?”

It’s him. You weren’t in 2006. You were in the present, here and now, and he was here with you.

He actually made it.

“Ma’am?” He asks.

It wasn’t intentional. You just blurted it out, the promise you made to him. It was a decade for him. Mere hours for you.

“Um, broccoli head...?” And then you instantly regret it.

Haibara Yu takes a minute, eyes squinting like you just grew a new head.

Then, he gasps.

“Greeny?”

ⴵ

A few minutes later, you’re seated at a restaurant. Haibara has not shut up.

“—I—I can’t believe it? It’s actually you! I thought I’d never see you again ‘cuz Gojo said you weren’t gonna be around anymore, and—and then suddenly you pop up outta’ nowhere—not that I’m complaining— but—”

“—Haibara.” You interrupt. “Please, slow down.”

He stops himself, right when the server comes with drinks. He shoots the waiter a smile, and then he’s back on you.

“Sorry.” He scratches the back of his neck. “I—I got a little excited. And nervous. It’s just...well, I didn’t expect you to be a girl.”

That might have been your fault. Both Haibara and Gojo kept referring to you as a man, so you decided to roll with it. Earlier, you would have justified it by insisting the less they know about you, the better. Now, you just think you were being petty.

“So, how you’ve been? A whole decade...” You murmur to yourself.

“Fine! But what about you?” Haibara asks, concern etched into his eyes. “Where’d you go?”

Wow, he was actually worried for you. Despite being in Suguru’s body, you didn’t really feel like part of the group Shoko, Gojo, Nanami, and Haibara were part of. You felt like an outsider, being somewhere you didn’t belong. It's because you were an outsider. Nevertheless, it’s nice to know one person missed you.

“This might be a little hard to believe, but I just came back to 2017 two hours ago.”

Haibara gapes.

“Wait, so to you, that whole thing happened, today?” You nod. He leans back in his chair.

“Holy fuck.” You laugh at his awe.

“Thanks for saving me, by the way.” You change the topic. “From the curse.”

He waves it off. “I was just paying my debt. From what you did for me all those years ago.”

Ah, Gojo must have told him. Oddly enough, Haibara doesn't seem all that perturbed that he shouldn’t exist currently. At the same time, it feels just like Haibara.

He’s different from when he was younger. Taller. The baby fat is gone. His face is more built, just like the rest of his body. His eyes are less round, but they haven’t lost the spark. A few scars here and there, but he’s all in one piece.

You weren’t able to see what he looked like as an adult from Suguru’s memories, he’d never grown up. But now, you can see it for yourself. You can see the active change you made in his life, to his life.

“Haibara—”

“Yu—” He says seriously. “My friends call me Yu.”

A smile twitches on your lips.

“Tell me about everyone.” You scoot your chair closer. “You, Suguru. How is everyone doing?”

He perks up at that, clearly delighted to be talking.

“Great! Everyone’s doing great! You should totally come visit the school, sometime. They’d love to see you. Uh, even if they don’t technically know you, but I’m sure they’ll love to meet you!” He rambles, and it’s nice to know he hasn’t changed from his younger self.

“Let’s see, Kento’s teaching the first years. I teach the second years—”

“—You’re a teacher?”

He nods. “We all are! Except for Shoko, but she has her own thing going on. Anyway, Mimiko and Nanako have become second-grade semi-sorcerors. Isn’t that incredible? I’m just a first grade semi-sorceror, and at their young ages too! But Suguru wasn’t surprised, he kept saying his girls were prodigies. Oh! You probably want to know about Suguru too, right?”

You nod. Even if you hadn’t done anything, you don’t think that would have stopped his enthusiasm.

“He’s a teacher too! At least, for right now. Yaga’s been wanting to retire, and there have been talks of Suguru becoming the next principal. Principal Geto has a ring to it, right? Oh, and Shoko is currently planning the wedding. You’ll definitely be invited, of course! She said I could bring a plus-one. Oh, and—”

It goes on like that for hours, you think. Not that you mind. You listen to Yu babble on and on about his friends, his students. He talks about Nanami’s recent baking addiction, Shoko’s new office cat, Suguru’s favorite tea pot. It’s a never-ending surge of information.

Eventually, you catch on to the fact that he’s deliberately leaving someone out.

"Yu?" You interrupt him while he's talking about the prank the fourth year pulled on Nanami. "What about Satoru? What's he up to?" 

Maybe you were overthinking things. Haibara likes to talk; perhaps he forgot to exclude someone else's story in his rants. But then, he grimaces. For the first time in this entire conversation, Haibara is reluctant to talk. 

"Satoru is..." He winces, and your hands turn into fists. 

No. No. You were supposed to save everyone. Why hadn't you saved everyone? 

A warm hand grips your own. You'd been shaking. 

Yu gives a soft smile, and you remember he's no longer younger than you. 

"He's not dead." He assures you, but his smile fades. He straightens himself up, and his hand pulls away. 

"Satoru defected from Jujutsu tech. We don't know where he is." 

What? You must have misheard him wrong. Satoru wouldn't do that. That's not like him. This is some sick joke.

But there's no teasing grin on Haibara. His face is grave. You hate it more than anything. 

"It happened when he was a fourth year. No one really knows what happened. Suguru refuses to say anything about it, but I think he's just as confused as the rest of us. It came outta nowhere." 

Yeah, it definitely came out of nowhere. It's so random. Why would Satoru do that? The last time you saw him, he was so happy. He was smiling; he teased you. What happened? It made no sense. 

"So, you haven't seen him for nine years?" You ask. "Not even a glimpse?" 

Yu shakes his head. "Nothing but his residuals. That's how we know he's still alive." 

Nothing computes in your brain. None of it made any sense. You saved Suguru. That was supposed to make everyone happy, including Satoru. Why would he turn around and do this? Defecting made no sense.

"We've actually been tasked to execute him. Since he’s been branded a curse user, all four of us. " Yu laughs with no humor. "Isn't that insane? I don't think any one of us could even fathom doing that, even if it were possible." 

It wasn't possible. Gojo was the strongest. Nothing could go toe to toe with him. Once he put his mind to something, no one could stop him.

But maybe you could. 

You're shutting that idea down immediately. You were done. You were done with dying and time-travel and strange powers. You wanted it all to be over. It'd be so easy to thank Haibara for the nice meal, to go home and sleep this entire day off. Satoru dug his own grave, he can go lay in it. You weren't responsible for someone else's actions. You wouldn’t. You can’t do that another time.

You're the kind of person who'll jump in front of a truck to save a kitten, right?

You hate that brat so much. 

You close your eyes. Take in a breath. Then, you open them. 

"Haibara?" You ask. "Did Gojo tell you how my technique worked?" 

He shakes his head. You grimace because convincing him might take a while.

"Okay, well, I'll need you to do a tiny favor for me."

ⴵ

"What the fuck is wrong with you?"

"Oh, you're back already?" Satoru says casually, turning back to gaze at you. "I just left today. How did you convince Haibara to snap your neck? That guy cries after killing a mosquito.”

You’d caught him just as he was leaving campus. Yu’s body was less athletic than Suguru’s. Your breath was slightly ragged, pulled down by minor exhaustion.

It doesn’t weigh down your frustration for Gojo Satoru. The biggest pain in your ass you’ve ever met.

“Shut up.” You snap. “Just answer the question.”

“We haven’t seen each other for a year and that’s how you react?” Satoru ignores you. “That’s mean, Greeny. How ‘bout we discuss my treason over steak. Haibara can pay.”

“Satoru.” You beg, “Why are you doing this? What’s the point? Why is everyone happy with their life except for you?”

That seems to get him. His posture stiffens ever so slightly. You can see him work his jaw. He finally drops his act.

“You didn’t have to come back, y’know.” He murmurs quietly. “You could’ve just stayed in the future. Like you said, Greeny, everyone’s happy with their life. 4 outta’ five. That’s a passing grade.”

For once, you wish you could possess him. You wished you could open his brain and peer into his memories until he finally made sense.

“I could never leave you behind like that.” You say the truth just as quietly. “I’ll die a thousand more deaths than do that.”

He smiles. It looks genuine as it looks painful.

“Yeah, I know. I know you, Greeny. Always gotta’ play hero.” He gives a bitter laugh. “That’s why I defected.”

You stare at him. He’s a fourth-year now, even taller than before. You aren’t equal to him anymore in this body, now you’re starting to think you never were.

“Satoru.” You start because what he’s saying can’t be the truth. Your heart broke and broke. “Did—did you leave—did you leave everyone for a decade just so I’d come back? Why would you do that to yourself?”

He doesn’t say anything. Then, he steps forward, just a bit.

“It’s your fault,” Satoru says like it’s instinct to blame you for his actions, “this was your idea.”

What’s he talking about? And then memories of the two of you sitting on that bench just outside of campus.

What would you do if...there’s something you really want, but no matter how fast you run, you just can’t catch up to it? So that’s what he meant. You were an idiot.

“That’s not fair, Satoru,” you say regardless, “I—I never—I couldn’t expect you’d do this.”

“What choice did I fucking have, Greeny?” There’s rapid steps and he’s in front of you, desperate and wild. “You—you just left me here. You left me alone and I couldn’t even look for you because I know nothing about you. Your face, your eyes, your hair, not even your fucking name! How’s that fair?”

It’s true. It’s all true. As much as you tried to claim you tried to make everyone happy, you only focused on Suguru. And Suguru’s happiness enlisted space from the strongest. In a different timeline, things would be different between them. A button he never left behind. Words Satoru never said. That timeline held too much pain and suffering, so you scrubbed it from history. In this rendition, everything was changed. Suguru had Shoko. Yu had Kento. Who did Satoru have?

You saved Suguru in this timeline. But to save him, you neglected Satoru.

Satoru must have known. He must have known you intentionally distanced Suguru from him, but he allowed it anyway. Satoru’s selfless like that. Too giving. Too Godlike.

But he’s selfish too. Purposefully demeaning himself so he could get one more glimpse of you, uncaring if you went through hell for his sake. Too taking. Too human.

Once, you told him that if he was selfish, just once, you wouldn’t fault him. What a liar you are.

You forgive Satoru.

“I’m sorry.” Haibara’s voice is like your own. You step closer. His infinity lets you in. “I’m sorry Satoru. I didn’t mean to leave you alone.”

It’s hard to wrap him in a hug. The brat’s too big. He sinks into your touch like a tiger, filled with dangerous claws, retracted just for your sake. He shakes the tiniest bit; even now, he’s keeping himself as a pinnacle. If you hear a sniffle or two, you don’t comment on it.

It’s why your heart breaks to tell him the truth.

“I can’t give you my name.” You whisper in his ear. He pulls back. He doesn’t look at you.

“Yeah, I know. I know. time-travel bullshit—”

“For now.” You add. “I can’t do that for now.”

Three pairs of eyes look at you. You’re not hiding behind Haibara anymore. You’re not trying to.

“December 24th, 2017. 8:06. Tokyo Skytree.” You look at him. “Can you wait until then?”

For you, it’d only be an hour. For Satoru, it’d be a decade.

You expect him to reject it, to yell at you. You decide if he wants to be selfish; you’d let him.

“If you don’t show up, I’ll turn evil.” You laugh. His grin widens and he’s back again. “I’m serious. I’ll take over the world. I’ll throw the biggest temper tantrum ever.”

“You’re such a brat.” There’s no hostility in your tone. “I will. I promise.”

‘I’ll save you,’ You promise in your head because he’s too prideful to hear it.

“Is it still possible for you to go back?” You ask, the wariness present again. “The higher ups haven’t taken any action against you, right?”

He shakes his head.

“I think Yaga might yell at me, but other than that.” He shrugs. “They’ll decide it’s teen rebellion and sweep it under the rug.”

You laugh again. Satoru shoots you a toothy grin.

When you reach out a hand, Satoru mirrors you. He clasps your hand in his. For once, you wonder how they’ll feel on your own.

“See ya’ later, Greeny.”

A blink. Satoru’s gone. Your hand is empty, and you’re standing in the streets of Shinjuku once again.

ⴵ

December 24th, 2017. 8:06, at the top of the Tokyo Skytree.

Why did you decide on that date and time for all the places? You were so fucking stupid. You needed to stop being so poetic.

It’s already 7:12 when you’re desperately waving down a taxi. The driver looks disinterested when you blubber out the location. When he tells you it’ll cost extra because Sumida City isn’t part of his route, you’re more than happy to fork over the money.

It’s already 7:35 when you stumble through the interiors of Tokyo Skytree town. It’s crowded. Fuck, it’s December 24th, of course people would be out and about.

At 7:44, you finally reach the observational building. And then you hit upon a snag.

It’s closed.

Renovations, the sign reads, accompanied by an irritatingly cute drawing of a cat, please come visit us next week.

Would this excuse be enough to satisfy Satoru? You’re only human. Surely he’d understand if you couldn’t make it because the entire building was shut down.

Or wait. Was this Satoru’s doing?

You look up at the tower. Lights were still on and flickering. No crowds. No people. No prying eyes.

Let it be known that you’ve never trespassed before, until you met Gojo Satoru.

With a guilty conscious, you step over the line. You justify it by convincing yourself you were saving the world because you know Satoru wasn’t joking a decade ago.

The elevators still worked. Thank God. Yet another hint he’s paving the way for you. You made the location, but it feels like you’re a mouse stuck in a human-designed maze. Even though you set up the game, he’s still managed to rig it.

You land on the first deck at 7:52. At 7:56, you reach the second observational deck.

It’s empty. You’ve never seen the skytree so empty before. Not a single soul is here except for you. Your footsteps echo across the floor. Were you early?

Out the corner of your eye, there’s a post-it note stuck on the window. A hand-drawn arrow. Up ahead, there’s another one.

You follow the next, and then the next. All the time you don’t know how to feel about him doing all of this just for an encounter. Something bubbles in your stomach. You’re pushing it down.

You follow the post-its until there’s one placed right on top of a door.

Authorized personnel only. Why does this brat continue to test you?

But it’s already 8:03; you’re far too deep to complain.

A service elevator greets you. If you press the button, it’ll take you all the way up to the broadcast equipment, the top of the Tokyo Skytree.

It’s different from the past two elevator rides. The service elevator isn’t all that polished. The wheels squeak a little too dangerously at times. It’s slower, too.

That’s bad, because now you’re starting to think.

That familiar feeling boils within your stomach, again. You’re anxious. It’s strange to say, but meeting Satoru through Suguru, meeting Satoru through Yu, it felt like you had a protective shell around yourself. You were free from his judgement, only invoking curiosity.

If you show yourself to him, how would he react? What would he say? Would he get angry that you made him wait a decade for such a blunder? Even worse, what if he doesn’t get angry?

What if—what if he’s disappointed by you?

Cold feet. It freezes your toes. You want to go back. You want the elevator to go back down, you want to go home and hide away.

But you promised Satoru. He deserves answers.

Pathetic answers are better than no answers at all.

Instead of your soul being protected by a sorcerer's body, it’s protected by your own. You’d steel yourself for whatever comes next. You could melt after.

It’s windy up here. That’s the first thing you notice. Icy wind cuts at your face and your eyes squint so they don’t dry out so quickly. It’s colder, too; your jacket is nice protection, but nothing helps your vulnerable hands.

But the view. Oh, what a view.

The sea of twinkling lights shines from the city. The sun has set, leaving Tokyo to do nothing but shine. She’s gorgeous like she’s picked the stars from the sky, burying them within her own soul. You could stay there forever, if she let you.

It’s 8:09. Satoru was late.

Or maybe he just wasn’t planning to show up.

You lean away from the railing. It’s just like him to make huge gestures and at the last moment, ditch everything. The balloon in your lungs deflates ever so slightly.

And then, you can feel hands.

Around your shoulders, caging you in. Large and warm despite the icy air. You know these hands. They’re familiar, even a decade later. His chest presses up against your back. His face settles in the crook of your neck.

His laugh tickles your ear, and you aren’t so cold anymore.

“Caught ya, Greeny.”

(“Did something happen to you, back there in the house?”

"Hm?" Suguru asked.

They were wading through long grass and overgrown weeds. Satoru glances at his friend. Suguru looks fine. His cursed energy has gone back to normal. That's probably good.

"You were just acting weird," Satoru said, "I mean you fell on your ass in front of a curse. Embarrassing."

Suguru huffed, a red hue across his cheeks. "Shut up, don't remind me."

'So he remembered,' Satoru thinks, 'didn't expect that.'

They're almost to the car when Suguru speaks again.

"Actually, I did feel a little strange," he says, "I felt like I wasn't really all there. There was this voice, guiding me along."

"Really?" Satoru shivers. "That sounds creepy."

So the entity within Suguru was a bad thing after all. He should try to get rid of it if it ever comes back. It might take a complex spell or something-

"Not really." Suguru said. "It's hard to explain, but it felt....nice."

"Nice?" Satoru echoes.

"Yeah."

And then it's quiet again.)

Part two: Rewound Infinitely

[agirlwithglam]

Motivation: things to like about these subjects

Math:

Isn’t math kinda magical in a way? See, the thing about math is that it’s the same in every country! Every equation, no matter how hard or complex or long, can easily be broken down into much easier ones, (like simple adding, multiplying, dividing, or subtracting) Once you know what’s going on, it’s not really that hard. (+ take cute notes!!)

Science:

Ookay, honestly? Science is genuinely so interesting! How your body works, how plants create their own food, how the whole solar system was made/ operates, whether there’s other life out there, chemical reactions & experiments? If you actually tried to be fascinated by it, you’ll be surprised how incredible it all is! (+ take cute notes!!)

English:

Me personally, I loveee English. You can too by trying to romanticise it!

If you’re doing poetry, like what’s there not to like? Poetry is such a beautiful language, it’s a way of expression through gentleness.

Writing short stories? This is my favourite. You can write it about anything, the possibilities are endless! Doesn’t it excite you?

History

Don’t try to remember facts and dates of events, try to learn the story behind it. You’ll find that it actually becomes so much more interesting if you remember the story, the emotions, the plots of the event.

Romanticising: hot chocolate or some hot coffee, studying at home, hair in a messy bun, playing some classical music in the background.

(+ also in class when you’re taking notes, you can doodle pictures of the people (stick figures for me lol), how they’d feel like or events on the side to add a bit of fun to it)

And honestly, history is such ‘romance subject’ (like arts, music, literature, languages)

Geography

Become good at it. If you don’t already have an interest in geography, then what helped me was becoming good at it. Paying attention during lessons, taking cute notes, etc. becoming good at it made it so much easier and less scary

Languages

This is also what I’d call a “Romance language”. Also dont you want to learn new languages? So many people decide to learn languages later in their lives because they find out it helps you in one way or another, but in school they’re already teaching it to you in the BEST WAY! Also knowing and being able to speak more than 1 languages fluently makes you SO powerful bc then you can speak in more countries. And also imagine how impressed people would be?!

Music

Have fun with it! It mostly depends on what you are doing in your music lessons, but what you would normally be doing is learning/ practicing an instrument. Don’t be immature and play it at random times when the teacher is talking, but just have fun with it! Again, like i said earlier, so many people start to learn music so much later in their lives and here it is being handed to you on a silver platter. TAKE ADVANTAGE OF IT!

Art / art&design

Personally, I LOVE art!! It’s another “romance subject”. It’s a beautiful form of expression. Even though you may not be doing what you want to be doing, still have fun with it!! Be creative! And importantly: loosen up! Art, like beauty, is very very subjective. One person’s scribble can be another’s MASTERPIECE! So stop bring so worried with it being “correct”. Just have appreciation.

P.E (physical education/ sport)

I just don’t understand why anyone wouldn’t like PE. Like you don’t even have to learn anything, you just run around playing fun games. And as a bonus u get fit!

xoxo, vanilla

[eddiemunsonappreciationsociety]

SPENCER REID BODYGUARD AU FANFIC

As I step into my house I’m aware that someone is here immediately. My heart picks up pace as I take the can of mace from in my bag, I try to get my hands to stop shaking as I peer around the doorframe into my kitchen. My heart briefly drops when I see a tall man sitting at my breakfast bar drinking tea. His floppy brown hair falls into his face.

“Who the fuck are you and what are you doing in my house?” I yell at him, waving the can of mace in front of me.

I bark at the stranger, tall and handsome and not meant to be sat in my fucking kitchen like he owns the place.

“So you haven’t spoken to Mr Smith yet,” he sighs.

“My dad sent you?”

“Yes, I’m Mr Reid, your new security detail”

“No, you’re not.”

“I am, Miss Smith”

“I am not a child I don’t need to be looked after,”

“Well, I’m afraid your dad doesn’t agree” he shrugs.

I start to rifle through my bag, trying to find my phone. I’m too mad and my bags too full of crap. I start to get frustrated when the tall stranger shoves his phone at me.

“It’s your father,”

I grab his phone off of him

“Dad, what the fuck?”

“I didn’t tell you earlier because I knew you’d flee,” my dads raspy voice travels through the phone “You’re going to go with my friend Mr Reid and he’s going to take you on a nice holiday,”

“He’s what?”

“My plane is going to take you and your new shadow to a nice little island and you’re going to take some time away where it’s safe,”

“This is fucking kidnap,”

“No darling, I’m trying to prevent exactly that happening,” his voice is soft

“Again,” I mutter sharply

“Yes, again” he sounds defeated “please, just go for a few weeks, see it as a holiday, it’s a beautiful villa by the sea, whatever you want I’ll get sent to you”

I don’t respond, my heart is racing and I feel sick.

“Darling, please”

It’s not often Tony Smith begs for anything.

“For how long?”

“A few weeks, maybe longer,”

I manage to stop the scream that wants to ring out of me. The audacity. He’s the reason I’m in danger anyway. Sure, when you’re one of the worlds biggest drug dealers it seems great and the moneys good but people hate you and want to hurt you and have what you have. They take daughters of drug dealers. I find my mind slipping back a little and I shake my head clear of the thoughts. I glance at the bodyguard, he’s dressed in smart trousers, shirt and tie.

“I’m not happy about this, and this guy you’ve hired: have you met him? He looks like a geography teacher. He’s wearing a bloody cardigan,”

Mr Reid finds this amusing, I see him smirk but he tries to hide it by walking away.

“I’ve met him and I know his reputation, you be nice to him,”

“Whatever, how long have I got?”

“Pack now, it’s hot, you leave in an hour. And you leave your phone there”

“I’m not leaving my phone”

“Mr Reid will give you a new one, but it’s restricted. You can’t let anyone know where you are.

“You’re the fucking worst, I’m not going,”

“Yes, you are. This isn’t optional, you will go nicely or you will be taken forcefully. Either way you’re getting on that plane. Go and pack, don’t think you’d like what the geography teacher would bring you.”

I hang up on my dad and hand the phone back to the bodyguard. He takes it and holds his hand out.

“What?”

“Your phone too,”

“We’re not going yet,”

“Give me your phone,” he says if slowly, demanding.

I slam it into his hand and turn on my heel, heading to my room.

I try to clear the rage from me and think about what I actually need to pack. I throw a bunch of clothes, some books and my Switch into a suitcase. My makeup, skincare and other toiletries go in another.

After trying to streamline what I thought of as a full, big life, it feels depressingly small. I pack a total of three suitcases and am still have time to sit in the edge if my bed and have a slight panic attack.

My new bodyguard comes half way through my freak out.

“Cars here, are you okay?”

“I'm kind of freaking out,”

“Yeah, no doubt. Let’s both panic on the plane though,”

I watch him take a seat opposite me on the plane and he smiles, looking around with an almost nostalgic look on his face.

“What?” I ask as I catch his eye

“Been a while since I’ve been on one of these,” he shrugs.

“You had a jet?” I try not to sound bitchy but that’s clearly impossible.

“No, we had one for my old job” he seems unphased.

“What did you do?”

“Oh, we’ve got a while together Miss Smith, let’s not use up all the small talk at once,” he grins at me.

“That’s fine by me,” I shrug and put my headphones in

[spacealligator]

Uzushiokagure Headcanons

I did a similar post about Kiri and a anon ask got me thinking about making one for Uzushio too! Here are some world building headcannons for Uzushiogakure:

Geography

Uzushio is located in a place with high temperatures and high humidity

likely to be hit with tropical storms, hurricanes, monsons

constant singing of the cicadas as if it's always summer

scorching sun coupled with heavy rain that doesn’t appease the heat

there are no defined seasons, it’s always hot, sunny and rainy

the seas around Uzushio are very hard do navigate, it makes it hard to get to them

the island is located close to the forests of Fire Country coast, so they also have lush green vegetation in Uzushio

Architecture

houses have to be built to withstand recurring natural disasters

subterranean shelters for the tornados, though those also get flooded during the storms sometimes

heavy building materials like stone and concrete instead of wood for example, to withstand the storms

stone also helps with cooling the temperature inside the houses

streets are not paved in anyway to help with drainage, so it's nostly grass and dirt

circular and rounded buildings as a reference to the whirpool also help them withstand the strong winds

People (the Uzumaki Clan)

big chakra reserves, great lifeforce, a lot of energy, long lifespans

they are like that because they are so close in lineage to the Sage of Six Paths

during the warring states era the Uzumaki were known as the people close to the heavens and blessed by the gods

Uzumakis are mostly extroverts and fiery, like Naruto, Kushina and Karin, but Uzumakis like Mito and Nagato, that don’t follow most stereotypes still have that fire burning inside them, they won’t settle, they know what they want, are strongwilled, strongheaded, a bit stubborn and passionate, so really, it’s not because they aren’t loud mouths that they aren’t Uzumakis where it matters

big sense of community and family

even after the massacre of Uzushio, Uzumakis tried to flee together and stick together, building their communities and helping each other wherever they went

Religion & Spirituality

since they have so much chakra and are so close to the gods and the Sage of Six Paths, they're deeply religious people

tons of temples and shrines and little altars spread around the city for a variety of gods

there are small altars inside people's homes too

a lot of rituals bring the Uzushio people together, there are seasonal festivals, parties in honor of the gods, start of harvest season banquets, offerings, weekly meetings on the temple, there are several recurring events linked to temples and gods that make up for most of their social lives

because of that the city is always decorated for some sort of festivities, it’s always very bright and colorful, and even if someone doesn't worship that particular divinity or is not involved in that event, they will still go to the event and celebrate together

Economy

since they're so isolated from a geographical standpoint, trade is not big on the region

no merchant marine or trade routes established with other countries

very closed economy, meaning they had to become self sustained

a lot of farmers between them, since the climate and soil favors tropical vegetation

even if it’s an island, their economy doesn’t revolve around fishing only, because the Uzumakis like their meat, so they also have a lot of cattle, mainly pigs, goats and chicken

they are hired by different villages and people at a very expensive price because their shinobi are very skilled, and an Uzumaki shinobi is never on low demand

shinobi activity is what drives the city's economy

in second comes money from services linked to the temples such as talismans, exorcisms, blessings, burials and others

the money from shinobi missions are reverted to the civillians too, but in general there are no conflict between what civillians want and what shinobis want

Politics

the Uzukage is always chosen by combat, they must be the strongest shinobi in the village at any given time

democratic system of sorts, since at any time anyone can challenge the Uzukage, because they should be able to hold his own, otherwise, they weren't fit to rule the village any way

the challenge is always public, always in form of a battle and always needs to be accepted or you lose by default

there are no main families or branch members like the Hyugas have, the Uzumaki stand in equal footing with each other

but of course there are different groups and parties, with people trying to connect themselves with a poweful shinobi, hoping for them to achieve the position of Uzukage and do their wish

for example, when Uzushio alligned themselves with Konoha there were people in favor and against it, at the time Mito was the second strongest shinobi in Uzushio, so she chose to help strengthen the bond by marrying Hashirama

local politics are not based on blood or lineage, only in power and political opinions

regarding international affairs, Uzushio spent a lot of time defending themselves from attackers

it's mostly an easy thing for them, since Uzumakis are strong and the way to Uzushio is long and hard but there are always constant ruckus on the borders

Culture

wear a lot of traditional clothing due to their religious traditions

people refer to others by their first name, since most of the population comes from the Uzumaki clan, and also because everybody is close and not very shy

they have great handwriting from practicing writing seals and talismans so much

very wary of spirits and respectful of the desires of the land and its creatures

not afraid of ghosts, or the dark, or haunted houses, they are very serious about leading a life in harmony with all the forces at play, including spiritual ones

big on oral tradition and not so much on the written records because: first everybody knows stuff, knowledge sharing is common and encouraged, and second, the elders and professors would live very long, so they can teach the youth themselves, instead of writing it for posterity, and that’s why after Uzushio was attacked, a lot of knowledge was lost

a lot of nursery rhymes, lullabies, supersticions, old wives' tales and popular sayings are passed down to the new generations

they also read cards, stones, tea leaves, stars, palm lines, whatever there is to draw their luck on

big eaters, all that chakra and boundless energy means they need a lot of food to fuel themselves

their cuisine is all about abundance, a lot of protein and fat, always a big volume of food, a lot of seasoning, spices, condiments, and such, loud flavors

they don't focus on veggies, fruits and baking as much as i meat, warm dishes, broth, and of course lamen

they put a lot of meaning and importance in getting together for a meal, it's a core moment for the familiar and comunal lives

the city closes during lunch so everybody can go back home to have lunch with their families and/or friends and be together in quality time

festivals often have banquets or traditional dishes linked to them, along with competitions for the biggest eater, and Uzumaki are very competitive

they're also big in games: card games, mahjong, shogi, go, dominos, bocce, drinking games and so on

there are also games that are linked with specific festivals and times of the year

they're great drinkers because of their big chakra reserves

Shinobi World

shamanism and shinobi activities blur, priests and priestesses make for great shinobi and vice versa

most of the shinobi are sensors, even some civillians are sensors

specialized in sealing

focused on research knowledge about minor gods and yokais, that's why they have things like the reaper death seal and can summon shinigamis and spiritual beings

they hunt for yokais like goddamn pokemon, and the tailed beasts were just an extention of that

when Hashirama sealed Kurama in Mito, the sealing of tailed beasts were already under research by the Uzumakis and she was the one who volunteered for it, they just needed someone like Hashirama, the god of shinobi to activate the seal

[raining-anonymously]

i like delores aesthetically and i enjoy her as a character, but on a surface level i do not like her. i think we’re going too easy on her because she’s hot. the woman was a serial killer and a cult leader. tbh betelgeuse did whatever part of italy they lived in a favor. then she double-serial-killed people in the afterlife. she is EVIL and SCARY.

however, she is fascinating, both for the alternate light she casts existing characters in and in her own right.

this post was going to be about her but i got distracted so everything under the read more is about… geography? i think? and also languages, and also theorizing on how long delores was awake after she died.

based on the the guy who fell down the manhole at the beginning, it seems like wherever you die is directly correlated to what part of the afterlife you end up in rather than where you live. he died in the usa, so he ended up in the part we see, which is english-speaking and mostly has usamerican ghosts.

miss argentina, betelgeuse, and delores are not usamerican. sure, miss argentina’s beauty contest could have been in the usa, but betelgeuse and delores explicitly died in italy, and juno, who works in the usa sector of the afterlife, implies that she knows what it’s like to haunt places in italy. clearly, migration within the afterlife is possible.

re: charles and richard—ok i forgot where charles was flying from when he died. but if it was out of the continent, i think charles probably died close enough to the us that he got sent to that part of afterlife anyway. richard has been dead for years and had time to migrate. maybe that’s why he’s working civil service? as an excuse to switch sections? idk…

throughout both movies betelgeuse consistently displays an affinity for mimicking accents and voices, as well as being multilingual (he at least speaks spanish, italian, english). plus he’s been dead a long time. it’s believable that these combined factors led to him speaking english with an american accent rather than an italian accent. it is worth noting that his diction becomes more poetic and flowery when he’s speaking italian.

there’s also the thing where he says “mazel tov” during the flashback, but we don’t see his face while he says it, so that may not have been actually said at that time.

delores does have an italian accent. doylistically, this is because monica bellucci is italian. watsonian-wise, she’s probably just… not as good at vocal mirroring as betelgeuse. plus she hasn’t been awake for a large portion of her time as a ghost. but, and this is important, she has definitely been awake for some of it.

i do believe delores knew english when she was alive—her poison bottle is labeled in english. as for why she’d be speaking english to everyone around her? the first person who addresses her is the janitor, and he speaks english. from there, she correctly assumes that everyone else speaks english and responds accordingly. she also does the “betelgeuse is mine!” graffiti in english. and when she and betelgeuse are finally face-to-face, she speaks to him in english, too. doylistically, this is because the film is written in english and they didn’t want to overuse subtitles, but it is interesting that she wouldn’t address him in their first language.

still, even if we can’t use the language she speaks as a reason, i believe delores was awake before being dumped into a storage box. she adapts very quickly to the modern things in the afterlife (i don’t know how long spray paint and staple guns have been around, but i’m assuming they were invented post-black death). she doesn’t seem surprised or distressed by the fact that she’s dead or in multiple pieces, or by her soul-sucking / possession abilities. (she moves lydia with possession in the church.) she also navigates the afterlife fairly easily.

there’s also just no reason why she WOULDN’T be awake. the deceased can exist in pieces. look at the chopped-in-half woman in the first film.

so this gives us this mysterious block of time post-death where betelgeuse and delores moved to the usa and delores was eventually forced into the unconscious and separated state she’s in when the movie begins. no conclusion here, just food for thought.

anyway that tragedy sequence was so beautiful aauguhhhhhhhahahshjfjfj

[soapieanxiety]

My first ever post about one of my favorite characters…ICELAND

I love this silly little guy and love yapping about him. Even my friends who know nothing about Hetalia know that I love Iceland. I figured he was the perfect first victim of my tumblr yappings.

I’ve always imagined Iceland as the kind of guy who doesn’t really understand modern trends (that’s basically canon but I feel sometimes people forget that) he’s very old man trapped in the body of a teenager coded. Though he can still be childish and playful at times, considering that’s his “hot” side coming out. I find it very interesting that Hima phrases Iceland’s personality as having a cold and a hot side. It makes him very interesting and it’s a cool way to bring his geography into his character. In my opinion, he seems to be more ashamed of that hot side even though I think it comes out more than he wants to admit

His history is one that also fascinates me to no end. I’m by no means claiming to be an expert as all his history is something I taught myself but he just seems to get the short end of the stick so often. I don’t mean to say he’s suffered the most in Hetalia but he’s definitely got trauma. I’d love to yap about that some more sometime but I wanna keep my first post short (girl this ain’t short but whatever makes ya happy)

One last thing before I go, I wanna make this last statement clear. I’m pretty chill with almost all Iceland ships, EXCEPT any that involve him and any other Nordic (especially Norway, I feel like I don’t have to explain why that makes me uncomfortable, it should be obvious) if this statement makes you upset then just don’t interact with my blog, I don’t wanna hear any complaints about me setting this boundary

Though I have plenty to say about this silly guy, I’ll keep it simple for my first post. I don’t wanna just spew it all out in one go. If you wanna hear more about anything specific or want to hear my silly opinions on anything, don’t be afraid to ask.

Thanks for reading

[humbledragon669]

S1E2 – The Book Write Up P2 – 11 years ago and The Present Day/Thursday (2 days to the end of the World) (up to Aziraphale and Crowleys’ arrival in Tadfield)

Alright, let’s get dug straight in, shall we? There’s a lot of background narrative being covered in this section, including the introduction of quite a few new characters.

Let’s start with Anathema. I don’t have a lot to say about her intro scene, but I do have two questions:

Why THE HELL is her mother allowing her to draw in that book? It’s the only copy of a 350-year-old book that contains prophecies that have all proven to be correct. In reality that book would genuinely be priceless, and we will see later in the series that the book is still considered valuable to the family. I don’t like writing notes in my cheap paperback books, so the idea of a child drawing IN COLOURED PENCIL in this book chills me to the bone, yet her mother just lets her do it without so much as a blink of an eye. Mad woman.

We know that the book contains prophecies up until the end of the world. We also know that at least one of the prophecies contains an actual year (1980 – the one with the Apple). Furthermore, we know that Anathema is named specifically in one of the prophecies. Just how many Anathemas did this family have in the hopes that one of them would be the one to save the world? Logically, only children born after 1980 would be eligible but that still leaves at least one generation of descendants prior to the one we see in the show. I suppose there could be another prophecy that states what year “the” Anathema was to be born but I like to believe that somewhere there’s a little group of related women called Anathema all fighting over who gets to save the world.

Next up – Newton. Again, not an awful lot to say here, other than the camera crashing into his bedroom window makes me laugh every time I watch it. I don’t know why this specific moment was chosen to break the fourth wall just as much as I don’t know why I find it so funny.

Having worked in IT for more than ten years, I can say without a doubt that there really are people like poor Newt who are cursed with breaking anything computer-related just by looking at it. They’re exasperating because they usually think the whole thing is one big joke and hold their technology incompatibility up to be some sort of prize. At least Newt has the decency to look abashed by his strange “gift”.

Newton’s home location is confirmed to be Dorking in his first present day scene when we see his mother shipping him off to a new job. We don’t know the location of the United Worldwide Holdings (Holdings) office in which he attempts to establish a hold as a wages clerk, but I can say for certainty that the location of his introduction to Shadwell is central London. For those whose UK geography is worse than my own, it would take over an hour to get to central London from Dorking, regardless of the transport mode of choice. This has always struck me as rather odd – it’s clear that Newt has difficulty holding down a job. The home that he apparently shares with his mother looks pretty run down from the outside, suggesting that money isn’t exactly a commodity in their household. So why would you take a clerical job, that likely doesn’t pay much, in a place that’s over an hour away? Perhaps Neil and Terry just chose Dorking as Newt’s hometown because it has a slightly funny sounding name…

Side note: the chances that the Hot Dog van that Newt and Shadwell get their drinks from would be allowed to park there, right behind the Houses of Parliament and directly in front of Westminster Abbey, are null. I would even go so far as to suggest that Shadwell himself would likely be moved on pretty sharpish from his chosen pulpit. Makes a pretty impressive backdrop though, hey?

Let’s just take a moment to have a chortle at Shadwell’s ideas of what sort of activity would give the game away for any self-respecting witch:

Speaking as the last in the line of Welsh “wise women”, I can (pretty much categorically state) that none of my ancestors have done any of those things. Maybe apart from calling the cats funny names, though most of my maternal line had/have a strong dislike for animals of the feline variety. My cat is called Kishi, which is supposed to be Japanese for “love bound to Earth”. It’s a wholly inappropriate name for her, as she’s really just a massive prick, like every other cat there is.

Why does Newt stop to listen to Shadwell here? Why not just ignore the crazy man on the pedestal like every other person in London? Obviously that would cause a bit of a plot problem. Perhaps it’s his ancestral right driving him into the arms of the Witchfinder Army – there are certainly crazier things that happen in the GO universe! As it turns out, Newt’s recruitment is well-timed, what with there not being any soldiers of rank higher than sergeant, and only one of those at that.

Easter egg time!

This ridiculously quick shot of Shadwell’s newspaper gives us a veritable treasure trove of Easter eggs/nuggets of information for the keen eye:

Shadwell’s address is confirmed as located in Crouch End.

The reference numbers for the adverts begin with the letters “GO”.

There is an advert for a lost book, which we can just make out is one of Terry’s – “Colour of Magic”.

Save the best for last! The advert for a lost hat clearly describes Terry himself, and his signature hat and scarf. Not only that, but he apparently lost it in a book shop in Soho. I wonder which one that could be…

This fleeting glimpse of newspaper is a perfect representation for one of the main reasons I love this show so much. Most casual audience members will never see it. Some more interested parties will see it and think little of it. Others, like myself and likely anybody reading this waffle, will not only see it, but understand the references and then squeal with delight at the little present that was left for us to find. It makes me feel valued as a fan whilst at the same time as if I’m sharing in a secret that the creative team has left for me. This is great television making at its very best.

Quick Easter egg here in Jasmine Cottage: the image that Anathema has pinned on the wall to represent the Antichrist is the same as the one used on the playing cards from episode 1 (albeit in black and white):

When we find ourselves back with Crowley in his apartment, he’s clearly furious with himself about losing the Antichrist. We also learn that he discovered the joys of tending to houseplants in the early 1970s. I’d like to think he inserted them into his life after the event that takes place in 1967 between himself and Aziraphale (which we will see in the next episode) – perhaps he was looking for something that he could try to use as some sort of poor substitute for his true desires? The presence of the houseplants and the timeline for his discovering of them is included in the book, so in honesty I doubt this was the intention for their purpose, but I like the possibility nonetheless. The scene with the houseplants provides a little nugget of information that we can store for reference for later – Crowley’s houseplants actually shake when they’re frightened.

Once again, I don’t have much to say about the next scene: that of Newt’s arrival to the Witchfinder Army’s HQ. I will pause briefly to note the wording of the notice on Shadwell’s door:

This calls to mind the phrase used by Aziraphale to refer to Crowly in episode 1. I’m not sure there’s anything in this as “foul fiend” has often been used to refer to demonic or evil beings. That said, it’s difficult not to try and make some connection, given that the two uses of the phrase are so close together in the show. We will later find out that Shadwell is working for both Aziraphale and Crowley for the same purpose, so defying the “foul fiend” in this case becomes somewhat impossible.

Quick pause for a moment of appreciation for that strut that David pulls off in this next scene. Honestly, there are professional supermodels that couldn’t manage that sort of casual arrogance, even if somebody told them they could stay thin and eat whatever they wanted for the rest of their lives.

This is the first time we find out that Crowly has adopted a first name for himself. I’ll talk about it a little more in the write up(s) for episode 3, so for now this is another piece of information for us to store for later.

I quite enjoy just how awkward Aziraphale sounds leaving a message on the answerphone. Dealing with the unannounced arrival of two angels in his book shop he can handle, but having to leave a message instead of speaking to Crowley direct? Perish the thought. This seems to me a quite human attitude to have – when answerphones started to become commonplace, people (on the whole) hated leaving messages once they realised the person they wanted to speak to wasn’t going to pick up. What I find interesting about the conversation that they do have is that Aziraphale’s suggestion is actually incredibly obvious. In fact, it’s about the only possible scenario that would make any sense. Crowley’s disbelieving expression would suggest he doesn’t feel the same way:

Still, at least this conversation tells the audience that this pair haven’t given up on working together to try and stop Armageddon just yet (it would be a pretty short and disappointing show if they had, wouldn’t it?!).

At this point in the episode, we are introduced to Crowley’s driving style which could be described as suicidal dangerous. He seems pretty confident with it though, so it’s unlikely this is out of the ordinary for him, urgency of their mission notwithstanding. Aziraphale doesn’t actually seem that bothered by it initially, not until we hear the horns of other angry drivers, where it becomes apparent that he’s actually very uncomfortable indeed. We’ll see a fair amount of material on the theme of Crowley’s driving and its effects on Aziraphale in this episode, almost like we’re being set up for something…

Crowley is pretty insistent on the use of “we” in this scene, despite the fact that Aziraphale really didn’t have anything to do with losing the Antichrist (he just took Crowley’s lead on this one). The angel doesn’t really dispute it though, though perhaps he’s just too worried about being discorporated to argue.  What is pretty obvious is that Crowley does not appreciate being told how to drive, and it makes me wonder how many times they have had conversations exactly like this before.

I’m going to wrap this part up with a quick round-up of the “The Them” scenes in Tadfield, prior to the arrival Aziraphale and Crowley in the village. As with much of the other narrative-based scenes in this episode, I don’t have much to say about them, but I did make note of a couple of (potentially) interesting things:

Pepper’s middle name is Galadriel. For those people who have managed to live their lives without any sort of interaction with Lord of the Rings up to now, this is the name of an Elven queen in that universe. As much as it would be cool for there to be some sort of subtextual Clue hidden in her middle name, I think it’s more likely it was just picked because it was a fitting one for the daughter of a reformed hippy.

Anathema recites parts of an infamous speech from Shakespeare’s Macbeth here: Eye of newt and […] tongue of dog. What I find interesting about this is that there are two ingredients in the potion recipe that have been omitted (a frog’s toe and the wool of a bat), leaving only the two elements that can be found in the show – a Newt and a dog. Honestly, I’m not sure what to make of this, not least because I’m not even sure what relevance the rhyme has to what she’s doing at the time she recites it. Not to mention that she hasn’t actually met Newt at this point, so would have no knowledge of his name (to the best of our knowledge, he’s only referred to as “man” or “boy” in Agnes’s prophecies).

Wensleydale brings up the Spanish Inquisition when in the woods, which we know Crowley has claimed responsibility for (to his Hellish masters). I absolutely love the way that the religious reasoning for punishing people is so masterfully undermined by Brian’s earnest reasoning here. I should point out that in addition to being a hereditary Pagan, I am staunchly against organised religion (not faith; I consider that to be an entirely different concept and feel that it’s integral to the spiritual identity for pretty much everybody. I believe we should all have the right to follow our chosen faith without the overbearing interference of organised religion) so the satiric tones that people who were being executed would have been grateful for their persecution if they had understood the reasons behind it fully really strikes a chord with the religion-cynic in me.

There’s an interesting little set detail here in the Them’s den:

These look like old-school weighing scales to me. In the context of the conversation that the Them are having about torturing witches, these could be said to be a reference to the practice of weighing people accused of witchcraft against the weight of a bible to determine their guilt. Alternatively, it could be a reference to the scales we will see later in the series as the summoning object for Famine. Or it could be nothing. I doubt that last one though.

That brings us quite nicely to see Aziraphale and Crowley arriving in Tadfield, which feels to me like a good place to finish this part of the write up. I’m going to be tackling a couple of important moments in the next part (can we say “wall slam”?), which I’m aware have been discussed at length already, but I have things to say and I’m going to say them. They’ve probably all been said before, but they need to get out of my head and into a piece of writing so I’m going to say them anyway. Questions, comments and discussion on this part welcome as always!

[pixilator]

Latest Update : November 13th, 2024

I’m trying to add images to the update this time. I do want to have some proof of work!

Crossposted to r/amaranth_comic. Check it out on the official update page!

>worldbuilding

-thoughts

For a while, I’ve wanted to have freedom of making my own flora and fauna without having to worry about the whats and whys of these things. The places I’d have to draw I can’t actually travel to. I don’t want to plagiarise other people’s photography either; I feel very weird even using google street view for practise pieces.

A practise piece.

[I keep flipping between ‘practice’ and 'practise’…] There’s probably some legal issues if I ever decide to sell the story in some way if I used other people’s photographs as a reference. I don’t know very much about copyright law at the current moment, but I assume I’d need licensing for commercial use.

So in order to completely side-step all those issues, the best idea is to just make it another planet. I’ve been on the fence about it, but I figure it’s just easier to do this anyway, where I have the freedom to do whatever I like.

I’m trying to come up with a very basic bare-bones map by piecing together some randomly generated maps from mapmaker sites [thank you Azgaar and topps.diku for existing], but it’s just a placeholder anyway.

I still have to learn basic formations and how climate and weather would be influenced by the biomes around it. I don’t have to do the entire world; I can just allude to other nations like in Fullmetal Alchemist.

I have a basic understanding of literal world-building right now, but I’d still like to know a little bit more in case I don’t go to the natural extreme and just make wild fantasy geography with ‘different planet’ as an excuse.

I could also go the Xanth route…

–

>characters

-general

Nephele is definitely part of the group now. I have a personality, little bit of a backstory, and a side plot for her. She even has a design too, although I still think she should’ve been red.

There’s another group that Mayhem’s racing against now: A triad on a very similar route to Mayhem’s. I’ve really got to figure out names for the different groups so I can distinguish between them easier. All are currently simply named some variation of ’[xyz]’s crew’, ‘the gang’ or ‘the team’ right now.

Hestia’s life is basically documented 24/7, so it’s going to be a pain in the butt for her to come along with the team peacefully without civilian interference. This will hopefully open the door for a lot of general annoyances so that’s a good thing.

-references

Finished Mayhem’s reference, and also finished Hestia’s. Both can be found in the characters page of my tumblr. Just click on the pagedoll of Mayhem.

Hestia’s was pretty fast getting it out compared to how long I’d spent on Mayhem’s, so that’s a slight improvement.

It’s still taken the better half of an entire year doing only two though. I don’t want to keep being so slowgoing, though – I know things take time, I’m only one person, I have a life outside of art, and I have to remember I’m not obligated to do this. Yet, I also feel like I’m just making excuses…

Anyway, now that Hestia’s reference is done, I’m moving on to Flavius’ reference. I’ve got some vague sketches of him right now.

Since I’m not shading the turnarounds, it should be a piece of cake otherwise. I’d already made that mistake with Mayhem’s before I realised I should leave the turn around blank so that people could see her without all that fancy shading.

That was a waste.

-spreadsheets I’ve been working on Flavius’ spreadsheet. I’ve got to make a document for Nephele now that she’s fully confirmed to be part of the team. I’m also trying to wring as many stories out of all of their backstories as I can.

-MAYHEM

Changed her design again between the February update and now. Instead of jeans and a tanktop, she wears sweatpants, a haltertop, and a crop-top. Tertiary colour was hot pink, but changed it to gold.

Spreadsheet is finished.

-HESTIA

Began work on her reference on July 16, which is when I decided to give her a different design from the one in the style practise piece in April. It’s not very different, it’s still very green. She went from a tutu and striped top, to a pleated miniskirt and blouse. She used to have a sash with a long ribbon, but I changed it to a short ribbon; her hat was a beret but now it’s a baker’s boy hat with stripes on it. I’ve kept the ribbon on her hat as well. Also, changed her tights for bobby socks. Finished and then posted on the same day, October 25.

Spreadsheet is finished.

-FLAVIUS

Worked on his personality a little bit. He’s seemingly apathetic to everything unless he gets money in some way, but he does have a soft spot for those who actually need to be protected.

Also, I figure he’s probably team dad. Way too responsible for his own good.

I’ve finished writing up his childhood and adult years in the backstory section of the spreadsheet; now I’m trying to write his teen years.

-PEPPER

…Yup, I made myself a liar. Twice after I said he was finished. I stopped and had to make his backstory less convoluted because some of it was actually really unnecessary, so I came up with two versions, one I liked better than the other.

Shoehorned in some previous history with one of the other main characters for sake of drama.

Please, dear stars above, let this be the final version, please, I’ve had enough of him and I’m tired.

-ADRIAN

Have a basic backstory for him. I still have to figure out a heinous personality flaw for him though. Might have to end up him as simply the normal guy of the group.

-NEPHELE

Have a backstory for her, it’s not the best thing in the world, but it’ll do for now. She also has a plot attached to her.

Need to figure out a face claim.

She’s going to be introduced after Adrian.

–

>main plots

Getting rid of that ssw# stuff. It’s annoying to write.

-Plot A: What I consider to be the harder plot to write has seven stories connected to it. Most of these stories tend to be built off previous ones rather than being their own mini-plots, though. -Plot B: Has six stories connected to it. It has a little bit of everything in those stories: worldbuilding, backstories, interpersonal relationships, &c. I’m merging Plot B and C together because they’re really not that different.

I tried to make some trees for them to show how the different parts of them are connected. How’s this?

So I can’t say what the plots are about, but I can give them a simplified name for them. Here’s the website I used. I like it. The “not sure” one is one I’m debating on getting rid of. It seems like it’d close more story doors than it would open. But it would definitely cause a lot of in-world drama.

>side plots

-Mayhem’s sideplot: Ties into her backstory, worldbuilding, items, relationships -Hestia’s sideplot: Ties into her backstory, worldbuilding, items, relationships -Flavus’ sideplot: Basic idea, ties into his backstory -Pepper’s sideplot: Ties into his backstory, worldbuilding, relationships -Adrian’s sideplot: Still trying to figure it out -Nephele’s sideplot: Basic idea, ties into her backstory

–

>actual work I’ve made a bunch of brushes and am practicing with them a lot. My gaussian blur brush is fantastic. And leaves and grass should be little to no issue for me now. Here’s to hoping I can draw faster and faster soon.

Found out that a pencil brush is really good, it soothes my brain for texture. Unfortunately the reference sheets are using the pen brush so I have to maintain that style.

The pencil brush is nice because I no longer have to worry about keeping lines smooth. I can just draw and not really care about whether or not the line isn’t jittery. Hand stability has always been my nemesis.

Switched pencil brushes between June and October…

Some examples. There’s no pen pressure on the left side.

Speaking of texture, back in April I started using a grainy filtre on a lot of my works in order to get that little extra bit of eye-crunch.

Another example. Scandalous. I tried to find some free comic bubbles, but they really don’t play nice when I resize them in my program. So I had to make my own…

They’re not very good, but they’ll do for now. I also got some fonts: JDK Bou the Fatman, JDK Vindil, and JDK Bushidoo.

You can find them here, I think they’re really nice. I’m also practicing backgrounds that are supposed to look like screenshots from animated movies.

Not yet what I’m going for… but I’m getting there!

I tried out Krita, it’ll be very helpful for adding text! It doesn’t crash like photoshop does and it handles text a lot nicer. If I decide to use it for line work, I’ll need a lot more practise and some better pencil brushes.

Test image with Krita. Pretty cool, right?

Speaking of practise, I’ve been practising poses lately. And in July, I made a 3d model of Mayhem’s head and face.

Yes, I know she looks like Michael Jackson. No, I’m not going to fix it. I used the head and face model for all three of these pictures.

Woah, look at that!

It’s quick and easy. Well, I’ll be making 3d models of the other character’s heads and faces once I’m done making their references. Oh boy, that’s a long ways in the future…

Thanks for reading this far. Hope you’ll have a great day! Pixilator

[voidcat]

🍬, ☁️, and 🧩 for the ask game

Hiiii Nyx:3 love how our icons do a( ´∀｀) at each other!!

🍬 ⇢ post an unpopular opinion about a popular fandom character

I think I have normal opinions until I see a rlly popular post and go “whoops” so I can’t rmr these on top of my head buuuuut ig to go w the classics

I find Eren jaegar overrated and his demeanors and way to go w things esp after a certain end just over the top and stupid? Don’t get the hype about him in general or find even an inch of him hot im ngl to u… but I just know anyone who lives in the same geography as me or anyone who had to deal w a young turkish man (bonus points if diaspora turk, half Turkish, nationalist or all of the above) would probably agree w me. Deal with them long enough and Eren will just be a carbon copy

Raiden Ei not as strong as her Stan’s make her sound to be and def not the most tragic of archons. They throw away all she had done and the sufferings she put her people and many more into nothing just because “uwu she lost her twin sister and was left alone bc til then it was her sister who handled more diplomatic things” she is the executioner of celestia bc she wasn’t known that was one advantage !! Also we still don’t know for certain or to what extent is zhongli the god of war! There are so many anomalies and exceptions to him in comparison to other archons- ei is nowhere on his level and definitely not the most tragic archon.

I get having some characters to show different ways to cope or to be unable to do so- ei and diluc being two examples but I think they’re written a tad too badly. So idk in my eyes the way they go with things and how it should always boil down to him losing his dad and her losing his sister. Like… you guys are not the only ones who had great loses and you’re certainly not the ones w the most fucked emotional states- stop sounding like brats who need special treatment idk (but pls do note that iirc there are separate writers for the actual game quests/lores and for the in game texting/dialogues so it might be the latter than has caused me to feel this way. Bc they sure butchered so many things regarding tartaglia back in the day even in eng/chinese texts)

☁️ ⇢ what made you choose your username?

Always liked cats as long as I can remember- and probs would be a cat if I was any other animal and I usually feel like just screaming into the void (both here and irl) hence: voidcat

Also cool little creature of the unknown yada yada I suppose

🧩 ⇢ what will make you click away from a fanfiction immediately?

There are certain uhhh writing styles? that feel eh to read for me- too rushed, too simple or repetitive and not in an artistic way. Idk it’s hard to describe but the moment I read few sentences I can tell if it’s a style I’ll be able to read or not. Sadly, that. It just makes me unable to read no matter how hard I try or force myself to— regardless of fanfiction, this applies to general literature too. Also like too much ooc ness esp in certain characters that stick out like a sore thumb. So I just close it and move on lol

Writer askgame

[mariacallous]

Many times a year, as if on a hidden schedule, some tech person, often venture-capital-adjacent, types out a thought on social media like “The only thing liberal arts majors are good for is scrubbing floors while I punch them” and hits Send. Then the poetry people respond—often a little late, in need of haircuts—with earnest arguments about the value of art.

I am an English major to death. (You know us not by what we’ve read but by what we are ashamed not to have read.) But I learned years ago that there’s no benefit in joining this debate. It never resolves. The scientist-novelist C. P. Snow went after the subject in 1959 in a lecture called “The Two Cultures,” in which he criticized British society for favoring Shakespeare over Newton. Snow gets cited a lot. I have always found him unreadable, which, yes, embarrasses me but also makes me wonder whether perhaps the humanities had a point.

By the time I went to college, in the mixtape days, the Two Cultures debate had migrated to corkboards. In the liberal arts building, people tacked up pro-humanities essays they had snipped out of magazines. A hot Saturday night for me was to go and read them. Other people were trying drugs. I found the essays perplexing. I got the gist, but why would one need to defend something as urgent and essential as the humanities? Then again, across the street in the engineering building, I remember seeing bathroom graffiti that read “The value of a liberal arts degree,” with an arrow pointing to the toilet paper. I was in the engineering building because they had Silicon Graphics workstations.

Wandering between these worlds, I began to realize I was that most horrifying of things: interdisciplinary. At a time when computers were still sequestered in labs, the idea that an English major should learn to code was seen as wasteful, bordering on abusive—like teaching a monkey to smoke. How could one construct programs when one was supposed to be deconstructing texts? Yet my heart told me: All disciplines are one! We should all be in the same giant building. Advisers counseled me to keep this exceptionally quiet. Choose a major, they said. Minor in something odd if you must. But why were we even here, then? Weren’t we all—ceramic engineers and women’s studies alike—rowing together into the noosphere? No, I was told. We are not. Go to your work-study job calling alumni for donations.

So I got my degree, and off I went to live an interdisciplinary life at the intersection of liberal arts and technology, and I’m still at it, just as the people trashing the humanities are at it too. But I have come to understand my advisers. They were right to warn me off.

Because humans are primates and disciplines are our territories. A programmer sneers at the white space in Python, a sociologist rolls their eyes at a geographer, a physicist stares at the ceiling while an undergraduate, high off internet forums, explains that Buddhism anticipated quantum theory. They, we, are patrolling the borders, deciding what belongs inside, what does not. And this same battle of the disciplines, everlasting, ongoing, eternal, and exhausting, defines the internet. Is blogging journalism? Is fan fiction “real” writing? Can video games be art? (The answer is always: Of course, but not always. No one cares for that answer.)

When stuff gets out of hand, we don’t open disciplinary borders. We craft new disciplines: digital humanities, human geography, and yes, computer science (note that “science” glued to the end, to differentiate it from mere “engineering”). In time, these great new territories get their own boundaries, their own defenders. The interdisciplinarian is essentially an exile. Someone who respects no borders enjoys no citizenship.

You could argue that for all the talk of the university as an “intellectual commons,” it is actually an institution intended to preserve a kind of permanent détente between the disciplines—a place where you can bring French literature professors together with metallurgists and bind them with salaries so that they might not kill each other. The quad as intellectual DMZ. But those bonds are breaking down. Universities are casting disciplines to the wind. Whole departments are shuttering. The snazzy natatorium stays open, French literature goes away. And then the VC types get on Twitter, or X, or whatever, to tell us that poetry is useless. The losses are real.

And so what, really? Well, what I mourn is not a particular program at a college I never visited but the sense of institutions being in balance. I’ve spent most of my life wanting desperately for institutions to be disrupted, and now I find myself entering the second half of my existence (if I’m lucky) absolutely craving that stability. The delicate détente is vanishing, that sense of having options. A shorter course catalog is an absolute sign of a society in decline.

But also, we’re cutting off the very future that the tech industry promises us is coming. If the current narrative holds—if AI is victorious—well, liberal arts types will be ascendant. Because rather than having to learn abstruse, ancient systems of rules and syntaxes (mathematical notation, C++, Perl) in order to think higher thoughts, we will be engaged with our infinitely patient AI tutors/servants like Greek princelings, prompting them to write code for us, make spreadsheets for us, perform first-order analysis of rigid structures for us, craft Horn clauses for us.

I see what you nerds have done with AI image-creation software so far. Look at Midjourney’s “Best of” page. If you don’t know a lot about art but you know what you like, and what you like is large-breasted elf maidens, you are entering the best possible future. You might think, Hey, that’s what the market demands. But humans get bored with everything. We’re just about done with Ant-Man movies.

The winners will be the ones who can get the computer to move things along the most quickly, generate the new fashions and fads, turn that into money, and go to the next thing. If the computers are capable of understanding us, and will do our bidding, and enable us to be more creative, then the people in our fields—yes, maybe even the poets—will have an edge. Don’t blame us. You made the bots.

Perhaps this is why they lash out, so strangely—a fear of the grip slipping, the sense that all the abstruse and arcane knowledge gathered about large language models, neural nets, blockchains, and markets might be erased. Will be erased. At least art goes for the long game, you know? Poems are many things, and often lousy, but they are not meant to be disposable, nor do they require a particular operating system to work.

All you have to do is look at a tree—any tree will do—to see how badly our disciplines serve us. Evolutionary theory, botany, geography, physics, hydrology, countless poems, paintings, essays, and stories—all trying to make sense of the tree. We need them all, the whole fragile, interdependent ecosystem. No one has got it right yet.

[astrocartography-reading]

Why You Need to Make Your Own Astrocartography Chart Right Now!

Ever felt drawn to a certain city or country? Or noticed certain places bring out the best (or worst) in you? It’s not just a coincidence – it’s in the stars! Welcome to the awesome world of astrocartography, a mix of astrology and geography that shows how different places on Earth affect you and your personality.

What is Astrocartography?

Astrocartography is a branch of astrology that shows you how different places on the globe affect you based on your birth chart. By mapping the planets’ positions at the time of your birth onto a world map, astrocartography reveals which geographical locations are connected to certain planetary energies in your life. Imagine having a map to where you might find success, love, adventure or personal growth – cool, right?

Why Make Your Astrocartography Chart?

Find Your Hot Spots:

Some places vibrate with certain planetary energies. By making your astrocartography chart you can find your personal power spots where the stars align to support your goals and desires. Whether you want to boost your career, find true love or seek spiritual growth, knowing where to go makes all the difference.

Plan Your Trips:

Moving or traveling big time? Your astrocartography chart can help you choose destinations that have positive planetary influences. Avoid places that might bring challenges or misfortune and instead focus on places that promise harmony and happiness.

Personal Relationships:

Ever wondered why you click with some people and not others? Astrocartography can show you how different places affect your relationships. Whether it’s friends, family or partners, understanding these dynamics can help you navigate your personal connections better.

Career and Success:

Some places are better for career advancement and professional success due to the planetary influence of Jupiter (luck and expansion) or Mars (energy and drive). Your astrocartography chart can point you to where you’ll be more successful.

Spiritual and Personal Growth:

Find places that vibrate with Neptune (spirituality) or Pluto (transformation) to support your personal and spiritual journey. These are great for retreats, meditation and introspection.

Get Started

Making your own astrocartography chart is easier than you think. There are many online tools and astrologers who can do it for you. All you need is your birth date, time and place. Once you have your chart you’ll see lines crossing the globe, each representing a different planetary influence.

Final Words

In a world where every place has its own energy, knowing the celestial influences on your life can be life changing. By making your astrocartography chart you open up a whole new dimension of self awareness and possibility. Don’t leave your next big decision to chance – let the stars guide you to where you’ll shine the brightest.

So, what are you waiting for? Get started with astrocartography today and find your perfect places on Earth! 🌍✨

[todayisawthewhxlewxrld]

Chat it’s so hot and humid bro in class I was fighting for my life in geography bro it was so hot and my eyes kept like yk when ur so tired your eyes kinda like do that thing and then u don’t rlly know what’s happening well that’s what happened to me and like 3 other people in my class we were fighting a whole ass war

Chat idk how I’m gonna function anymore bc like tommorow is gonna be even hotter like I’m actually cooked and the worst part is I won’t even get any tan out of it like I don’t burn nor do I tan I just stay pale asf 💀💀

Bro tdy I didn’t wanna eat lunch so I didn’t I just got myself a drink and my friends litro kept pushing me to eat and stuff like ik u care about me but like idk I just rlly didn’t like it when they were all like ‘you’re gonna eat’ and kept handing me food and then gave me a lecture about how it’s not good to not eat and how I should be eating 3 times a day

Anywho I’m actually so sorry about the rant n I can’t rlly Yap to my friends instead bc yk i acc hate myself and I’m rly sorry feel free to ignore this

Anywhoooo hope u have a good day pooks 🥰😍😍😍🥰🥰

i understand... like why is it 108 and humid do NAWTTTT PLAY WITH ME RNNNNN

ngl i like,, cant stand ppl who like try to force u to eat... LIKE MAYBE IM JUST NOT HUNGRY... ik they care but like what do u want me to do 😭 make myself sick bc im forcing myself to eat ???

never apologize for the rant pookie.... this is a safe space...

[pippinscribs]

Got tagged by @versti-fantur (Geniunely had to trawl my brain bank for who you were for a hot sec I’m a bad friend :))

Currently listening to : Frozen Pines by Lord Huron

Currently reading : many things cause adhd but non fiction The Celts: a Sceptical History by Simon Jenkins and fiction The Archive of the Forgotten by A J Hackwith

Last movie I watched : ummmmmmmmm I don’t really watch movies very often so The Hobbit probably

Craving : chorizo weirdly

Wearing : imagine a over dressed goblin in the woods collecting things but in vest tops and shorts cause it’s freaking hot

Tall : a topic of great debate among friends

Piercings : yep, first and seconds on both ears

Tattoos : yep, vines on one arm and a dagger on the other, got some I drew to get done this summer too :)

Glasses : suffering

Last thing I drank : coke

Last thing I ate : my brother’s chicken nuggets and a Sainsbury’s crepe

Last show I watched : watched some dimension 20 this morning does that count

Fave colour : toss up between yellow and green

Latest Obsession : Dimension 20 (although spn is only just fading)

Pets : yep! A grumpy black and white cat called Luna and the dumbest of orange cats called Frumpkin, who proudly bought me a frog last night and was disappointed when I shut him in the house so the poor fella could hop away.

Crush : haHA you think I know people

Fav fictional character : there are. many. But probably like a solid top three is Veth Brenatto, Adam Parrish and maybe like Dick Grayson???

Last place you travelled : gestures vaguely at Wales cause I’m bad at geography and can’t remember where I was

I don’t like tagging people makes the anxiety happen so anyone who wants is free to follow from this :)

[nalanzu]

Do you remember Weiss Kreuz?

Of course not. No one remembers this show. (This statement, like the show itself, is hyperbole.) For reasons inexplicable to everyone, myself included, I am revisiting it, looking at it now with the perspective of another 20 years of adult life plus a career in health care.

The pilot’s POV character is a one-off victim of the week, to whom we’re introduced as she banters with her boyfriend about being too devoted to her work (this is saved from toxicity only because the boyfriend is clearly teasing and because she clearly enjoys it). We are also introduced to a group of psychotic acrobatic assassins who do things like lick axes and get vital clues to fulfill their contract by looking at the front page of a newspaper. These villains have no skill.

We’re introduced to our heroes as if they’re celebrities, locally famous for being smoking hot and nothing else. (We’re going to have to refer to the promotional materials and the reactions of the crowed for the hotness, because the animation is, uh. It’s lacking.)

Omi, by the way, is smug AF as he tells a woman who has just lost her romantic partner to cheer up by way of a flower. What the actual fuck, Omi, that was remarkably insensitive. A van full of reporters fell on her boyfriend from on top of a bridge, and you want to tell her to just get over it??? (Knowing what I know about Omi, this is very on brand, but it does make him seem like a dick.)

I somehow forgot that their handler wears socks with her sandals, which is also extremely what the fuck and I don’t care how 1997 it was. I did, however, remember the basement rec room/assassin briefing center, which is exactly as batshit insane as the phrase florist assassins.

The story proceeds with the flimsiest of plot contrivances, in which the allegedly intelligent POV character, Michiru, proceeds with what would be a paper-thin investigative story (the people in the van must have died because they were on to a secret and we can figure out what it is! - this is Adam West Batman logic) except that it is being fed to her by one of the idiot villains.

Honestly, one hopes she would not be this naive if she weren’t blinded by grief, but given what I recall from the writing in the rest of the series, this is not the case. Part of how you can tell that much of this was written by men is that the woman agrees to go to a remote location with a man she has barely met with zero precautions, by the way.

What Michiru should find equally suspicious is that her local florists are all in this remote cabin, also with a stupidly flimsy excuse (Yohji is trying to explain to two women he’s dating that he’s not cheating on them and Michiru got the note by mistake).

Incidentally, it bothers me a lot that the remote mountain cabin is under a foot of snow but everyone in town was wearing short skirts and light clothing. Are there rental cabins on Mt. Fuji? Is that where they’re supposed to be? We’re just going to go with it and ignore inconvenient things like geography.

We’ve also been introduced to Ken (cheerful) and Aya (cranky). By the way. And then Weiss very obviously leaves Michiru and her buddy alone in the cabin, where Michiru manages to break into the encrypted disk she somehow had the presence of mind to squirrel away from the crime scene of a van falling off an overpass and crushing her boyfriend right in front of her eyes.

The villains reveal themselves. Michiru is terrified. Weiss dramatically shows up and murders them all to death in a slightly extended fight sequence showcasing their We Don’t Use Guns variety pack of weapons (sword, wire, wolverine claws, and darts). Michiru, having cruelly been used as bait, is left to wake up alone in a cabin full of corpses.

Yohji, by the way, at one point chastises the villains for making a girl cry. Buddy, YOU ARE USING HER AS BAIT. You’re not covering yourself with glory here.

The corpses are also strung up with Yohji’s wire and Omi’s darts are still stuck in at least once corpse. I’m in health care, not law enforcement, but the word evidence comes to mind. Repeatedly. And loudly.

On the up side, Michiru does have the disk with the damning information that the journalists were killed to get (something something energy council politician and illegal nuclear power, idk). So that’s pretty great. But Weiss not only used her as bait, they high-tailed it out of there and let her call them to tell them about the horrifying experience. I. What.

The level of detail paid to plot beyond Look At The Hot Assassins In Leather Clothes is, um. It’s minimal. Granted, this is the pilot, and the amount of exposition is limited, but Michiru is absolutely not reacting reasonably to anything other than being upset that her boyfriend is dead and the villain’s manipulation of her is so clumsy that it’s hard to believe it’s being played straight. I know this is not exactly aimed at a discerning or an adult audience, but damn. I don’t remember the writing being quite this bad.

Damn good voice acting, though.

[sixty-silver-wishes]

honestly, people can do whatever they want, but my hot take is I’m kind of sick of this cinemasins-esque trend of fantasy having to be as realistic as possible when, you know, it’s fantasy. if you make realistic geography in your fantasy world, that’s great! glad you’re having fun, and I’m sure there are people out there who will appreciate your dedication. but for the love of god, I’m sick of pushing this idea that everything in fantasy has to follow real-life logic onto everyone else. and this isn’t directed at anyone in this thread, but rather a trend I’ve been seeing in a lot of recent so-called “media criticism” that aims not to give constructive feedback, but rather to point out everything “wrong” with the most inconsequential details.

the whole point of fantasy is that not everything has to be explained by real-life science, social structures, etc. you make stuff up yourself; you fantasize.

the only times I believe fantasy warrants real-life explanations is 1) if it’s consequential to the plot and character arcs and 2) if the story is supposed to take place in the “real world.” so, to use the above example, I don’t think middle earth needs to have accurate earth geography because it’s a fantasy setting, and accurate earth geography has nothing to do with the story of lord of the rings. the purpose of the geography invented for the story is to suit the plot and characters- they go where they need to go, and face challenges that they need to face. to use another example, if we’re we could argue that game of thrones isn’t accurate to the history and culture of medieval europe. but it doesn’t take place in medieval europe; it takes place in a fantasy setting inspired by it.

as for the second instance, if a fantasy story does take place in the real world, then I think it should have some more grounding in reality. if you have something plot-important happening in a real-world historical setting that would be unusual or impossible, then I believe there should be an explanation in the story as to why and how this is happening. it can be a fantastical explanation that includes magic, sci fi technology, or the supernatural, but it should nonetheless tell us why these events are happening. for example, a common criticism of the harry potter books is that while rowling gives england its own wizard school, the rest of the world only gets one or two schools per continent. because the harry potter books are a low fantasy series that are supposed to take place in the real world, many people point out that, aside from rowling’s anglocentricism, having one school for everyone in one continent would be highly impractical, due to issues of distance, overcrowding, ethnic conflicts, etc. if “harry potter” took place in a completely fictional world, this would not be as much of an issue, but because it takes place in the real world, it would be expected to follow real-world logic in this regard.

reminder to worldbuilders: don't get caught up in things that aren't important to the story you're writing, like plot and characters! instead, try to focus on what readers actually care about: detailed plate tectonics