#hope you enjoyed reading anyway!

[sunberry-strawflower]

#curtissonweek2023

Well, guess who decided to participate in @blue-fanlady's curtisson week??

I stg this first day was sending me to hell and back😭😭I was almost considering not posting it but I might as well haha

It's a meeting in a dream type beat bcz I feel like we don't have enough of those

(Bit of a TW for derealization? They ask the other if they're real a few times so I'm just being safe)

Word count: 1.1k

Curtisson Week Day 1: First Meet

Sven found himself inside of a small, pretty garden. It was night time and the moon was out, high in the sky with stars twinkling above. Flowers of all kinds were surrounding him and a path made of cobblestone led its way to a nice wood bench. Sven looked around and saw all the different kinds of flowers as he walked down the pathway. Tall sunflowers that towered over him and small daisies and poppies he'd have to crouch down to see properly.

The garden was fairly quiet, nothing but the sound of his own footsteps and the night air. Once he got to the bench, he took a seat on it and looked around a bit more. This felt relaxing. Almost freeing. 

One thing he noticed while looking around was a wood shed, not too far away from the bench. It looked like it was fairly old, but it was still in decent shape as long as you were careful to not lean on anything and get a splinter. 

Another thing he noticed was that, outside of the gate leading to the garden and the fence surrounding it, it was just a black void. No lights, no trees, no grass, not even the night sky to be found out there. Just pitch black. It felt like this garden was the only thing present. He was the only person present here. 

He was so lost in his own thoughts, he didn't notice another person approach him and take a seat on the bench next to him. He instinctively turned into this person's direction and jumped a little bit. Guess he wasn't the only person here after all… 

This person looked like a guy around his age, he had a tophat on with headphones that seemed to be an orange-ish sesame color ripping through it. 

Sven found himself staring at him in wonder. How did he get here? Is he even human? Is this some kind of figment of his imagination? 

The other turned to look in his direction. He seemed to have caught Sven staring. "Uhm…"

Sven jumped again and tried to stutter out something. "Oh! Uh, I wasn't..well, I didn't mean to uhh, stare. Sorry."

The other just shrugged. "It's fine."

Well, seems like the pretty atmosphere was a little ruined because all of Sven's thoughts shifted to the guy next to him. He had just about a million questions jogging through his head. 

Who is this guy? Is he a figment of his imagination? Can figments of your imagination talk? Is this a dream? Is he dreaming? Has he seen this person before? 

Sven started to wonder if he should talk to this person or not. He didn't want the silence to become awkward (or at least, more awkward than it's already become) and it feels like the longer he stays quiet, the more confused he feels. 

Sven glanced back at the person next to him and decided to ask him the question he's been wondering about the most. 

"Who are you?"

The other turned to look at him. "Hm? Oh, I'm Burt," he replied. "You are?"

"Sven." he answers, still looking at the other curiously. He was about to drop another question before Burt started to speak again. 

"Well, nice to meet you?" He said, awkwardly. 

"Why'd you end that like it was a question?" Sven asked. 

"I dunno. I'm confused, I guess."

Sven tilted his head. "About what?"

"You ask a lot of questions." Burt deadpanned. 

"Hey!" Sven looked almost offended. "I only asked three! I'm just trying to make an effort to understand what's going on here."

Burt shrugged his shoulders. "Sorry." 

Sven couldn't tell whether that apology was genuine or not, but he decided not to question it this time and sighed. 

They both sat in a silence that was a little less awkward than before. Still though, Sven couldn't help but continue to wonder about this Burt guy. 

Sven leaned closer to the other and started to lightly poke his arm. 'My finger isn't going through him.' 

He poked a little more before Burt glanced at him and raised an eyebrow. "What are you doing?" 

Sven looked up at him. "Are you real?" He asked suddenly. 

Burt seemed a little confused by the question. "Are you?"

"What kind of question is that?? Of course I am."

"Really?" Burt wondered and started to poke Sven teasingly.

Sven pushed his hand away. "Hey, stop! Yes I am."

Burt obliged and stopped with the poking, leaving them sitting in silence once more. 

"I guess I'm not dreaming then?" Burt mumbled to himself. 

Sven heard it and tilted his head. "Dreaming? You?"

Burt nodded. "It feels like I'm dreaming, but since we can touch each other, maybe I'm not."

Sven hummed. "I can touch things in my dreams, though. Wasn't it pinching that woke you up not poking?"

"Hm…maybe it was. I can't remember."

Sven started to think about what Burt said. Dreaming…well that explains the dreamy setting and the random dude he doesn't know at all yet looks familiar. He does feel a bit like he's dreaming. 

"Now I'm tempted to pinch myself." Sven said. "I feel like I'm dreaming too."

Burt glanced at Sven. "Do you think we're sharing dreams?"

Sven shook his head. "No way! I'm convinced you're a figment of my imagination."

"Well I feel the same about you then." Burt said. 

"Fine." Sven crossed his arms and looked outside of the garden. Silence befall them for a few minutes more. 

"What if we pinched ourselves at the same time?" Burt suggested. 

"Then we'd both wake up at the same time?" Sven questioned. 

Burt nodded. 

Sven was quiet for a few seconds. 

"Alright, fine."

Burt nodded and held two fingers over his arm, hovering over his skin ever so slightly. Sven did the same. 

"Alright, on the count of three." Burt said. 

"One." Burt initiated the countdown. 

"Two." He continued

"Wait!" Sven interrupted him. 

"What?" Burt glanced up at Sven. 

"On three or after?"

Burt hummed in thought. "After."

Sven nodded. "Alright, sorry. Let's restart."

Burt nodded back in response. 

"One."

"Two."

"Three."

Sven pinched his skin and everything went black. 

---------

Sven's eyelids fluttered open, the sun blinding him for a second. Once he adjusted his eyes to the light, he sat up. He was still in his bed, under the covers and in his pajamas. Once his mind woke up a little more, he started to recall the dream he just had. 

He was in a garden…and it was dark out. It was quiet and nice, save for one thing. What was it? A person? Some guy and…was it a tophat he had on or headphones? 

The dream was fairly vivid for someone who doesn't usually remember their dreams well. That was probably the most he's ever remembered from a dream.

He felt a small but noticeable stinging type pain in his left arm. He instinctively moved his hand over to rub over it, hoping to soothe the pain a little. 

What was that about? 

[waywardstation]

Look for anything (or anyone) that could be familiar

For part two:

❤️ 300 likes

🔁 70 reblogs

Reblog with the hashtag:

🔼 for Ingo to find Emmet

🔽 for Emmet to find Ingo

[stump-not-found]

A Lifetime Served in a Little Cup

pt.1 / pt.2 / pt.3 / pt.4

---

bill, babygirl, the red flags get outta there

[xxplastic-cubexx]

[right to left]

finally finished This Wip from Ever ago and so now i ask you ever look into another dudes eyes and suddenly want to do whatever he wants

[kbsd]

when a lovely flame dies, smoke gets in your eyes

OR: what were we supposed to take away from episode 4 if not ‘bucky is a war widow’

[cobaltfluff]

started the metaphor refantazio demo and I cannot believe this is my experience (I love it)

[little-pup-pip]

Christmas Movie Night!!

[otome-dissection]

Idk man I just think that mizu/ena5 and its progression was really beautiful actually. I just think that the release of the ena5 song was also really beautiful and kind of the nail in the coffin for me and I haven't been able to get the event(s) out of my head all week and that I kind of want to talk about it, actually.

It's about being hurt so deeply and continuously that any kindness that could be offered to you manages to feel like a sin, that it makes you crumble and shatter but for all the wrong reasons, not because of the newfound safety, not out of relief, but something worse and more deeply ingrained in you than kindness ever was. It's about carefully measuring the distance at which you keep others away from yourself, to ensure that it never happens again ("To save yourself the trouble", if that makes it easier).

It's about realizing that the people you've been spending all this time with are drifting closer, that they just might bump up against the unsightly parts of yourself that you've tried to keep locked away, it's about turning around and sprinting at full speed and slamming the door shut and holding onto the handle behind you to stop it from turning, because you're as frightened of the possibility of another wound being inflicted on you as you are of the possibility that kinder, gentler hands will reach out and smooth over the exposed scar. It's about hating eyes that judge and silently condemn you as much as you hate eyes that simply see you and take all of you in without scrutiny, because no matter what they're looking and they're looking at you and they know that your hand's on that door handle and they know that you're hiding something because, as much as you try to keep it shut, they've seen through the crack that you foolishly left open.

(The prominence of eyes in Bake no Hana, specifically eyes looking and searching, and finally landing on you, the viewer, Mizuki, is so fucking. Visceral in my opinion. Every character in the MV stares at the viewer in a deadpan, almost judging way. Even though Mizuki knows deep down that niigo won't really hate them, won't judge them, she just can't stand their kindness either; any gaze directed at her is a loss, another prick in their skin. It screams "don't look at me" while making sure that you know, with horrific certainty, that they're looking for you, that you're being watched. You can't go outside, can't leave your room, because they're searching for you, and while that should be reassuring, to you it's anything but).

It's about not wanting to be dissected, whether it's with hands that want to pull your organs apart or stitch them back together because no matter what they're there, and they're getting frighteningly close to your heart. It's about blinding yourself and covering your eyes to it all because seeing means exposure and exposure means they're taking something from you and you can't do anything about it, much less take it all back, much less have a say in the matter. Everyone's just taking and taking and taking and you wish you could just be alone. You wish everyone would just disappear and you could live in a world all to yourself, for only yourself (but is that really what you want?).

It's about the way that, near the beginning of the Yoka ni Mitoreta MV, Mizuki and her loneliness is represented as a dark, splotchy stain in the shadows. No colors, no patterns, no way to clean it or wash it all away, just raw ugliness marring a blank canvas. It's about the way that Ena reaches out to it anyway, the way she startles when the glass shatters just when she finally starts reaching forward, the way that the rest of the MV/song represents her searching for and reaching only further out to Mizuki, even if the broken shards of glass will only cut her fingers, potentially leaving scars.

It's about how, in every way, subtly, directly, consciously, and subconsciously, Ena shows that she fucking cares.

It's about the way that Ena lets Mizuki have autonomy, despite the situation being so horribly out of their control. And it's such a delicate thing: If she really wants to, Mizuki can take the opportunity to just run away, keep running forever, repeat the cycle over and over, and maybe she'll just destroy herself with it again, but it can't be denied that it's something important to them, something she can't quite live without just yet, their means of survival. Mizuki's autonomy is their identity, it's her tailoring her own clothes and choosing her own ribbons and styling her own hair the way she does. Ena letting them have that is as much about trust as it is about understanding that Mizuki of all people should have this right, when control was something stripped from her throughout so much of her life. She couldn't control how she was born, how people look at her or why, can't control what they think of her; lacking control has only left Mizuki vulnerable to the cruelties of others, has only caused them to suffer, which is why it's so important that it's given to them now.

She had the control to make the choice to see niigo's welcoming love and run away instead of staying, and she has the control to make the choice now whether she wants to keep things the way they are or take a step forward to be at their side again. She has every right to have it, and I think the fact that Ena realizes and respects that, even if it's subconsciously, is really beautiful (there is an entire fucking Verse about this in the new song and just. God Look at this. It's so caring, unconditional, and for fucking What. I think there is something to be said about how much Ena is willing to put aside for Mizuki, and maybe deep down it isn't healthy, but for now I'm just kind of in awe)

It's about how insanely patient Ena has been this whole time. Mizuki says that she basically lied to Ena's face about telling her their secret, even after Ena said with such conviction that she would wait for Mizuki as long as it takes, and Ena is just kept waiting and waiting and worrying like this seemingly indefinitely. It's about how Mizuki danced around it, avoided it, kept the distance, straight up ran when she was finally pushed, but Ena still chased anyway when she saw that she couldn't wait anymore, kept chasing just enough to intervene and get a straight answer out of Mizuki when she really needed to, but still leaving her enough space to leave if that was truly what she wanted. It's about how relieved Ena is the moment that Mizuki finally says outright how much they want to be with her and niigo, how much she wants to try, how much more light Ena's voice sounds when she grabs her hand, relieved, the way that the relief she feels can be felt through the music, throughout the entirety of Yoka ni Mitoreta, the way that warm colors always follow her when she chases after Mizuki, just to hold onto her and stop her from running away completely.

It's about how that careful combination of Ena's directness, Ena's persistence, Ena's warmth, her patience, her bluntness about her feelings, the way she chases and holds on but not too tight and her regard for how unsafe and exposed Mizuki feels actually works and breaks it all down. It's about how she really did reach through to Mizuki, despite the thorns and broken glass shards and nearly-unfulfilled promises, the way that Mizuki did finally let her turn the door handle and step through to see what she'd been hiding all this time, the way that Mizuki's hand, limp, when Ena first grabs onto it, shifts to hold hers back as they cry in the face of Ena's gentleness.

Despite how harsh Mizu/Ena5, and even Ena herself as a character can be (or at least was in the very beginning of pjsk), everything is somehow gentle and warm in the end, blindingly so. And you know what, I think that's beautiful. And what's even more beautiful than that is how Mizuki allows themself to crumble and shatter under that kindness, that warm light, but this time, finally, out of relief.

On a final note, I just want to say that I also appreciate how all that didn't have to solve everything. The scars haven't disappeared, haven't gone away, and Mizuki knows that their desire to run hasn't gone away forever, and maybe it never truly will. But for now they've calmed it, at least a little. She's learning to allow herself to be seen, learning that when someone's fingertips brush over their scars the way Ena's did that it's only out of care, and that maybe taking in that care and allowing herself to feel kindness and safety is okay. They're safe, for now, somehow. They're learning. They're trying. And I think that's cool :)

[ironunderstands]

Yapping about why I love Aventio and what I feel makes it a great ship 

(If you hate it I urge you to read this, because you don’t have to agree with me, but I want you to get where Aventio shippers are coming from at least)

I’ve just really wanted to talk about why I love Aventio because the people do not get it like I do and GODDD ITS SO GOOD WHEN DONE CORRECTLY UGHHHHH

Also this is gonna be VERY stream of consciousness I do not have a plan besides dragging you through my brain so enjoy the ride.

I guess the best place to start is the fact that Aventurine and Ratio are my two favorite characters in the game. Like even if they have no interactions with each other ever and might as well be from different pieces of media I would ship them, because I like seeing characters I like interact and the fun police cannot catch me. That’s a really shallow personal reason though and I feel like the rest I have will be able to be appreciated by others.

GOD THE DYNAMIC IS SO GOOD RAAAAAA

Two emotional constipated dumbasses circling around each other like black holes trying desperately to deny and run from their feelings when they have both fallen hard. The lack of acknowledgement of feelings on both ends is TRAGIC and it makes me want to rip my eyes out in a good way, let’s start with Ratio.

Unfortunately my glorious king Ratio has been mischaracterized to hell and back but we will get to that (and the Incorrect Reasons Why People Hate Aventio) later. Instead I will go over his actual character; a deeply insecure, intelligent man who desperately wants the rest of the galaxy to come to the realizations he has long since stumbled upon, but has been so isolated from his peers from such a young age that he’s doomed to fail in literally every social interaction he has and be misunderstood by both the audience in universe and irl (the autistic coding isn’t helping him either).

Ratio is tragically misunderstood again, both in universe and by the audience, which is why it means so much that Aventurine Gets Him. Aventurine pushes his buttons, tears down that literal cold marble facade masking the deeply silly and caring man beneath (this man bathes with rubber duckies in the privacy of his own home 😭), and that scares the shit out of Ratio. People aren’t meant to see through him, Ratio acts rude not just because he believes it’s the best way to help people, and because he believes he himself is mundane and the conclusions they come to should be their own, not his.

No, it’s also because on some level Ratio is afraid to be vulnerable around people. As much as he pretends like it doesn’t affect him, Nous’s rejection has hurt and haunted Ratio for his entire life. And I do mean his entire life, even in high school he had already set up a strict routine for himself, something commented on by his teacher, Ratio has quite literally always been striving for some sort of perfection and the fact that he cannot achieve it kills him.

Moreover, the guy just grew up way too fast, he didn’t have time to develop social skills. We see it in that afformentioned relationship with his teacher, in which they recommend Ratio (who is again in high school) to be moved up to college level stuff and transferred due to his success. He has quite literally never been able to just relax in a environment of his peers, Ratio for some reason we don’t yet know has always been dedicated to constant improvement and that leaves no room for dealing with failure.

On some level, he knows this too, that he can never be perfect. Ratio is part of the Mundanites in the Intelligenica Guild for a reason, he doesn’t just see himself as mediocre because he believes everyone is and that’s ok, but also because he looks down on himself for being too mediocre for the Genius Society, being too mediocre for Nous’s acknowledgement, being too mediocre for anything.

Which is tragic because Ratio is very accomplished and he is very smart, and his character stories aren’t even told from his pov, but rather in the style of documentaries and letters (his professor) and other works on his well acclaimed life. We don’t ever get to see how Ratio really sees himself, just the tiny cracks in his marble facade that let the real man behind the character shine through.

Because that’s what he’s playing 90% of the time, a character. Whether it be at the Herta Space Station in which his real goal was to uproot the researchers blind worship of the Genius Society, or in Penacony in which he plays up the arrogant, narcissistic scholar both people in universe and irl make him out to be, both to serve a goal bigger than himself. 

Sincere moments from Ratio are RARE but god are they beautiful, his conversation from Screwllum in 1.6 and his note to Aventurine in 2.1 will forever haunt me in the best way possible. If you want to understand Ratio as a character, yes read his character stories, but just watch that damn scene with Screwllum it is phenomenal. He cares so much and is so, so bad at expressing it, he drives me nuts, Veritas Ratio the man you are. 

And the thing is, it seems like he’s always been playing a character and doesn’t know where the real him ends anymore so he just sticks to the way people perceive him a lot of the time. Like as a kid he was constantly striving to be the best so he missed a lot of necessary developmental shit, and as an adult he’s a celebrity so it’s hard for him to attach himself to others anyways because society and his students will hound him for it.

And then you throw Aventurine into the mix, and oh boy does shit get interesting.

Veritas Ratio, perfect “unfeeling” Veritas Ratio and the one person who gets him well enough to push all his buttons and expose the vulnerable underbelly he thought he hid so well. On a fundamental level, Ratio understands this, which is why he doesn’t bother with the alabaster head, as pretending the real him is just as unfeeling and uncaring is easier.

So he brushes off Aventurine’s jests as if they are an insult to his very existence, he can’t look in Aventurine’s eyes when he “betrays” him because his poker face would break, he leaves as soon as he’s done talking because lingering would allow the weight of their conversations to sink in. Part of it is because for pretty much all of Penacony, up until the note Ratio gives him, Ratio is acting, trying to play up the role of the arrogant, unfeeling scholar to make Sunday buy the betrayal plan, because to Sunday this behavior is signs of a bad relationship between the two (honestly the fact that the audience also interpreted it this way makes me mad like did yall seriously not pay attention, but also happy because if even the players were fooled that means Sunday buying it is believable). 

However, even if it feeds into his insecurities, Aventurine knows that false facade and loves tearing it down. It’s very telling that the second time we see Ratio really freak out (the first being at Herta Space Station) is at the suggestion that he came to narrate Aventurine’s demo not because of knowledge or respect for the show or whatever, but because he genuinely likes the guy. What makes it even better is that Aventurine is the one who suggested it, and already figured out the excuses Ratio was going to use to deny it. Ratio can fool everyone else in the galaxy, but he cannot fool Aventurine, and on a fundamental level that is what makes their dynamic work, because Ratio knows Aventurine in the exact same way.

Aventurine can shove away people who care about him, out of distrust and fear that they will leave him like his family did. He can believe he’s unloveable and a person so detestable that even the actions he performs in order to stay alive condemn him to hate himself as much as the rest of the galaxy hates him. But, Ratio doesn’t see him that way.

Aventurine doubts his intelligence, if he has really earned anything he’s done and in his voiceline about Ratio, doubting if Ratio even sees him as smart or worthy. However, Ratios voiceline about Aventurine is about how he believes Aventurine is smart and worthy, and that his doubt will be his downfall if he doesn’t come to the realization that he isn’t worthless. 

Ratio knows Aventurine’s one weakness, the one thing that could stop him; himself. That’s why he gives him the note urging him to stay alive and keep on living because ultimately Aventurine will only ever fail if he gives up. And The Note Is Enough, Aventurine walks into the event horizon of a black hole, confident he can return alive on the other side because someone cares about him, BECAUSE RATIO CARES ABOUT HIM, and wants him to live on even if Aventurine doesn’t feel that way towards himself.

In the metaphorical and literal manifestation of the meaningless of the universe, in the face of overwhelming nihility, Aventurine survives because someone loves him, and with that love he’s strong enough to brave even that. 

Even if they can’t admit it out loud, these two deeply, deeply care for one another and trust each other perhaps more than anyone else in the narrative. The betrayal plan would have never worked if there was not mutual trust, Ratio wouldn’t have gone to Penacony in the first place if he didn’t trust Aventurine, and Aventurine wouldn’t have asked him to come if he did not trust him. We don’t just see this trust between Aventurine and Ratio either, and Jade and Topaz both trust him with their cornerstones, but ultimately it’s Ratio who’s physically with him the whole time, risking his life alongside him for the sake of their plan. 

As much as people like to ignore it, lying to the Family members, to Sunday, is extremely dangerous and puts Ratio’s life in danger as much as it does Aventurine’s. Ratio is not an irrational person, he wouldn’t have done that if he didn’t have faith Aventurine would succeed, he would not have done if he didn’t think he would return. They have absolutely faith in one another and it’s beautiful. 

Aventurine’s first constellation is named “Prisoner’s Dilemma” for a reason. A social experiment in which two prisoners are captured and separated, if they sell the other one out and remain silent, they go free but the other remains in jail for 20 years. If they both sell each other out, they get a sentence of 5 years. 

But if they both remain silent, trust the other, they even if they physically can’t communicate and don’t know what the other says, they get the best possible outcome, only one year in jail each. It requires a sacrifice on both ends, they both still have to go to jail, but only for a year, and only if they trust each other completely, as if the other sells them out they will be in jail for 20.

The prisoners dilemma relies completely on trust, and it’s the exact situation Aventurine and Ratio face in the Penacony quests. Aventurines doubts if Ratio’s betrayal was real or not, even if he set it up himself, and Ratio worries about Aventurines survival, if continuing this plan will end well. “You can’t expect a featherless bird to take flight” isn’t just Ratio chastising Sunday, he’s genuinely worried that this plan will put Aventurine at too much of a disadvantage to continue on. 

But they both trust each other, and if just like in the Dilemma neither come out completely unscathed (although it’s much worse on Aventurine’s end), they ultimately achieve their goal. 

God is it sweet and corny in the best way possible 

I want to kill this fandoms perception of stoic, emotionless Ratio because once people realize he’s actually the corniest mf ever is the day I sleep easy. He makes statues of himself doing Jojo poses, he plays chess versus himself, he named himself Veritas (truth), he loves rubber duckies, he literally sits in a bathtub couch, and Aventurine breaths and he gets flustered.

Ratio so deeply silly, chronically corny, it’s a crime he needs to be locked up someone stop him. 

And Aven brings that out of him. His teasing reveals the goofball trying so desperately to disguise himself as a serious scholar. Ratio is very smart of course, but that only makes his silliness better, as you watch this absolute genius of a man behave like a tsundere schoolgirl. 

It’s not like Aventurine is some paragon of seriousness either, he’s the one teasing Ratio, fucking around even in a serious mission. Yeah it’s partly because he wants Sunday to think he’s incompetent, but it’s also because Aventurine genuinely is having fun, enjoying himself before the serious part of the plan kicks in, and the meantime he does that by messing with Ratio.

Their dynamic of Aventurine messing with Ratio, and Ratio trying desperately to pretend like it doesn’t affect him is as hilarious and heartwarming as it is tragic, and that dichotomy is why I love them so much. It’s fun and it hurts so so much because their interactions being this flavor of silly leaves almost no room for the sincerity they both desperately need from one another. 

AND GOD I NEED IT TO HAPPEN. RATIO MENTAL BREAKDOWN SCENE PLEAASEEE LET HIS WALLS CRUMBLE PLEEEEAASEE PLEASE PELADE PLEASEEEE EPLES DOLS AAAAAAAAAAAAAAA 

They’ve gotten closer and closer and closer and soon something’s gonna snap because they are so close yet so distant and if something doesn’t change the tension is just gonna boil over AND I NEED IT TO HAPPEN. I need more Ratio scenes I need more interactions with him I need him with his guard down I need him to profess out loud that he cares about Aventurine I need him to break please he needs it, it would be so good for him. It doesn’t even have to be from Aventurine, just Ratio snapping and revealing the fucking mess he is under his facade and not being rejected by the people he cares about for it is enough.

I honestly doubt it will happen in the story though, as much as I want it to. Although Aventurine’s character demo somewhat changed my mind against this, I feel like hoyo is like “ok they get the vibe between these two we can move on” and the shippers are left to extrapolate how this relationship would go beyond what it is now. As much as I want a breakdown scene for Ratio in general, it probably wouldn’t happen in a while but devs if you are reading this PLEASEEEE. 

The only time Ratio ever gets slightly out of his element is with Aventurine but I need it to go further because god it would be interesting.

Well I’ve deemed that enough yapping about why I love Aventio (for now 😈) so let’s talk about why people hate the ship and why most of the reasons behind it a fucking stupid. (Massive disclaimer of course you can dislike it it’s just a lot of the “oh it’s a horrible ship and anyone who likes it sucks” shit isn’t grounded in reality in the slightest and I’m tired of the slander)

“Ratio was racist to Aventurine”

Now this is a spicy one because if this post was made in 2.0 I would 100% agree with you (during that time I shipped a non canon version of them in which that did not happen because how dare u do my boy like that hoyo). However 2.1 changed a lot and I mean a lot, and basically reframed the 2.0 quests for everyone.

Essentially, Ratio and Aventurine were both acting in that argument scene, making the things Ratio said to Aventurine not how he really sees him, and actively something Aventurine wanted him to say, so you cannot blame him for what he said. I’m not even joking or exaggerating, retrospectively it quite literally does not make sense if you view it in any other way, and honestly even with just the knowledge of 2.0 the scene doesn’t make sense if played straight, so let’s get to why.

a) Ratio and Racism do not mix fundamentally. Ratio is a person who believes that everyone deserves and education regardless of background, that it is a scholars duty to help others achieve that, and no matter who you are, you are capable of intelligence, learning and becoming the best version of yourself, and that those qualities are just limited to geniuses.

THIS AND RACISM DO NOT MIX. “Oh yeah education and improvement is possible for everyone except this specific group of people for some fucking reason!!” Like not only would this scene being serious contradict Ratios entire character, the man who believes people should not be judged for their educational background judging Aventurine for his educational background (that’s actually what the Sigonian upbringing line meant, it was mistranslated in the EN version)??!?!! Make it make sense.

Moreover, half this perception also come from the fact that hoyo made the incredible writing decision of naming Aventurines planet after a slur for Romani people, so unfortunately literally anytime its name, Sigonia, is brought up you’re essentially saying a slur. It’s much worse in the CN version, in EN it’s not obvious at all, because our version of the slur (it starts with a g and ends with a y that’s all the hints you’re getting), doesn’t look like the version of the slur that the name for Sigonia was derived from, which is partly the source of this misconception as I’m pretty certain most people assumed Ratio (and by extension Sparkle) said a slur elsewhere in the conversation when in reality them referring to Avens ethnicity/background/planet IS the slur.

Anyways terrible writing decisions aside, Ratio supposedly being racist doesn’t just contradict his core motivation, it contradicts his job. He’s a scholar, for fucks sake, and racism is inherently illogical. Mmm yes I’m gonna base my identity around finding truth for myself and I will believe government and social propaganda about specific groups of people! Very logical, very scholarly, we all clapped. 

So yeah, doesn’t make sense on a character level, to the point that in 2.0 I concluded that they must be using Ratio as a plot device in that scene to deliver some of Aven’s backstory to the audience due to how OOC it was for him 😭. However I wasn’t necessarily wrong, Ratio was delivering some of Aventurines backstory to AN audience (not just us), and he was behaving OOC in the 2.0 scene, but it was on purpose.

b) The betrayal plan 

Aventurine forms a plan in which him and Ratio pretend to betray one another in order to sneak the Aventurine cornerstone into the dreamscape by replacing it with the Topaz stone (red herring + black hole scene dialogue implies she and Jade are there for other reasons) and the Jade stone (perfect dupe). 

Now this betrayal hinges on Sunday, their main antagonist buying it, actually believing that Ratio would betray Aventurine on a mission as important as Penacony, and it requires Sunday also buying that he is winning the whole time, that the loss of the cornerstones was somehow a fumble on Aventurine’s end rather than something he planned all along. 

So, they stage the 2.0 conversation. Ratio yells at Aventurine for losing the cornerstones, something which was part of their plan the whole time. He then insults Aventurine’s background allowing Aventurine to reveal key details of his past that Sunday would not have learned otherwise, which he uses in the trial against Aventurine. Seriously, Aventurine only found out he was the last Avgin when he became a Stoneheart, do y’all think Sunday summoned that info with his mind or something during the trial (like do you guys genuinely think Sunday read his wiki or something)

Moreover, Ratio not only insults him, but portrays Aventurine as useless, disposable to the IPC because he is apparently already sentenced to death. Why does he do this? Well, so Sunday feels confident enough to do the same to Aventurine. Seriously, sentencing an IPC member, especially a high ranking one to death is a risky move, even for someone as convicted as Sunday, he would need the confidence to do so and learning Aven might already die would give him that ability. 

Because well, it doesn’t matter that much if he’s already going to get disposed of in the near future. I also think the IPC plans to use Aventurine’s “death” as leverage against the family because they were pleased to hear of his death sentence according to Dr. Ratio, meaning a) he likely did not have one from them at the time, although in the past he was sentenced to death and b) even if Aventurine succeeded in getting the cornerstone his seeming loss in the rest of the conversation wasn’t actually a loss at all, getting sentenced to death/“dying” at the very least was part of the plan all along as the IPC could still use it as leverage if things went south.

Continually, Ratio treating Aventurine in the exact same sh1tty way the rest of the galaxy does perfectly slots him into the arrogant, uncaring scholar role, which Sunday knows are some of the most easily manipulated people in the galaxy, considering he tries to bribe Ratio with knowledge about Stellarons it seems he bought this idea hook line and sinker. Sunday isn’t even subtle about it either “I heard you and your companion haven’t been getting along lately” where did he hear that from? Ratio didn’t tell him, and even though we know Sunday was 100% watching the two of them on their little adventure pre-meeting him (the bird and hound statues) that scene hasn’t happened yet so where did he get that from?

Some other interesting proof for it is that the Final Victor lightcone likely depicts Aventurine trying to convince Ratio of this plan of his, the events of which must occur  pre-Penacony for several reasons, the least of which being that we just never see it happen on Penacony which if you think it did we would see it. Moreover lightcones are canonically condensed memories and the Final Victor lightcone released in 2.0, meaning it’s the memory of something that happened before then. 

All signs point to the 2.0 scene, the one people use to paint Aventio as toxic being staged. And I have so much more evidence for this, (Ratio would never agree to go without a plan, Aven clearly formed his pre-Penaocny, so much of the plan like Ratio opening the cornerstone box, which he can’t do up until the betrayal as it’s in Sundays possession, rely on him arriving knowing how to do so, the time discrepancies, the complete 180 in personality Ratio would have to do to go from distrusting Aventurine to putting his whole faith in him, etc), but I will reupload one of my old slideshows to elaborate more on it. Basically the one thing that people use to say it’s toxic is not true and is in fact a greater show of the trust between those two. 

“The shippers are all weird and racist” 

Now this one actually has some truth to it because yes there are some incredibly fucking weird Aventio shippers and I do not blame yall for disliking them.

HOWEVER, most Aventio shippers are normal and hate that shit just as much as you guys do. Like do you realize most shippers also really like these characters and have something insane called morals so they don’t automatically excuse racist fujoshi goobers just because they are making content for their favorite ship. Trust me someone doing that pisses me (and most other Aventio shippers) off significantly more than people who hate the ship. Also free Ratio from this shit man poor guy is getting mischaracterized as a slaveowner by his fans and haters 😭

And like guys, have you ever been in a fandom before, like ever? Weirdos are always gonna be weird and it’s not Aventio’s fault they are this months victims. For a fun little example of how gross other fanbases can be, one of the most popular Overwatch ships on ao3 is Genji Shimada X Hanzo Shimada WHO ARE BLOOD RELATED BROTHERS. THERES LIKE 300+ FICS OF IT, SHIMADACEST IS LITERALLY A TAG ON THERE. I WAS IN THE TRENCHES SEARCHING FOR GENJI HANZO ANGST FICS (Hanzo killed Genji it’s complicated doomed siblings will always get me) AND HAVING TO COMB THROUGH THOSE ABOMINATIONS IN THE PROCESS.

Like please I’m relatively new to fandom culture but yall cannot be acting like this is weird for fans to do, it’s weirdo behavior but it is not unique to the HSR fandom or even Aventio. And even if understandably this makes you not like the ship, don’t paint the people who enjoy it as being the people who do this kinda sh1t. It’s not our fault peak gets tainted by miserable creatures ok, let normal ppl have their harmless fun and stop lumping people together into a monolith. 

?????

Well that’s it that’s all the “valid” reasons people have for hating Aventio, at least the ones I can remember. Everything else is just personal opinion and not at all an objective reason.

“They’re so sibling coded!”

Anyways again obviously you can still dislike it not everything is for everyone, I really just wanted to make this post to demonstrate why I and many others like it, and why the reasons people use to say it’s problematic are incorrect. Feel free to call it mid, block it whatever I don’t care, just don’t harass shippers for having some harmless fun, because the characters aren’t real but the people who like them are and in doing so you are really just being a jerk for no reason. If you somehow hate Aventio and read this the whole way through I congratulate you on your ability to actually listen to other people, and regardless of whether you changed your mind or not I respect you for doing so anyways. Thanks for reading and I would love to hear your thoughts. 

[tagarilaghost]

I SWEAR CELEBI'S THINGY IS COMING SOON BUT I REALLY WANTED TO POST THIS ALRIGHT

yeaah... future trio got me too...

and Darkrai is there too, because of course he is.

hey look i drew a cute Drifloon :D

...ignore the rest

whatever started at Darkrai doodles ended in brainrot of future trio + darkrai and I'm blaming @scribz-ag24 for this

[tempo-takoyaki]

Merry Christmas!! I hope you all have a wonderful day <3

EDIT: I accidentally posted this too early but know this illustration is referring to a previous comic if you'd like to read it ! [Christmas 2023]

[yaekiss]

since your normal requests are still open （＾ω＾） i absolutely NEED to go next door to my darling kaeya!!! he can’t just be so devoted and adoringly obsessive without being rewarded! after that little show of a picture he sent, can’t quite be satisfied until i ravage him the way we know he wants </3

𝑹𝒆𝒄𝒊𝒑𝒓𝒐𝒄𝒂𝒕𝒆𝒅

꩜ Room Content: Dom! GN! Reader x Yan! Sub! Kaeya, no gendered terms for reader, Kaeya calls you "my heart", unhealthy and obsessive relationship from Kaeya, unhealthy attachment from reader, stalking (from Kaeya), mentions of biting and marking (Kaeya receiving), handjob (Kaeya receiving), lmk if I missed out anything ! ꩜ A/N: This is a (long overdue) sequel to this love letter from a previous event (now closed!) Sigh I really meant to finish this a lot earlier, first it was supposed to be your birthday present then when that date passed by, a v-day gift of sorts,,,,, But it's here now!! Hope it's kind of what you were looking to read @pulpbeing !

The whole walk over to the next room, regardless of how short it was, you were barely cognizant. It was hard to be, when mere minutes ago, it was revealed to you that your lover was some sort of obsessive stalker. (Yet, why does your heart still hammer so hard in your chest?)

Each step draws you closer and closer to Kaeya, and before you even register it, you’ve reached the door to his room. It's the very last one in the hallway. The room opposite his is vacant.

Your blood thrums under the skin of your fingers as you reach out to the smooth cold handle on the door, as if the mere act of crossing that threshold could shatter everything at once.

And to your surprise, the door swings open without any resistance.

The second your foot pads onto the carpet of his room and the door locks behind you, the atmosphere turns electric as a singular starry eye bores into you from where Kaeya is lounging on the bed.

And there he is. Draped in the same lacy white lingerie in the scandalous photograph he sent to you. As if the sight in the picture wasn’t stunning enough already, the sight of your lover before you outright steals the breath from your lungs. 

Adorned in naught by the gauzy fabric, you drag your gaze down from his face, to the crimson-stained trail left from that trickle of wine from his lips. The sheerness of the lingerie leaves nothing to the imagination with the way it snugly hugs his figure. The curve of his chest, his slender yet toned physique, stark white garter belt against the flesh of his thighs.

It's all ridiculously tantalising to you. And he knows it.

“No need to just stand by my door, my heart. You can do more than just gawk at me, you know?” Kaeya all but purrs out to you from where he’s seated, his one eye squinting as he grins.

Somehow, your body has already betrayed your warring thoughts within because when you next blink, you’ve crossed over to the bed, the mattress dipping as you take your seat beside him. His grin grows more blinding at this and he squeezes in closer to you, until your thighs are touching. 

“So the cat’s out of the bag, and now you know I’ve been tailing after you in Fontaine like some lovesick dog off a leash,” he sighs noncommittally, as if he didn’t just admit to stalking you.

He fixes you with a gaze, “How exactly does it make you feel?”

“Is it fear?”

The silence grows when you don’t respond, as if you know in a deep twisted part of your mind, that despite this, Kaeya would never harm a single hair on your head.

“Or is it desire?”

And it’s at this, that your heart thumps. 

The kiss is messy, more tongue and spit than anything else but you can’t be bothered when you’re busy removing the lingerie still on him. He melts into you as your hands wind around his frame, unravelling and undressing him from the flimsy layers of white lace that dare to separate him from you. When you watch the pure white tumble from him, perhaps he’s not the only one whose desires drive them wild.

A breathy moan leaves him as you leave bite mark after bite mark across the expanse of his neck. The feeling of your teeth pressed against his skin, the pressure and force behind it threatening to break past the surface. You’re kind enough to grant him one last hickey prior to pulling back and briefly admiring your handiwork.

Hands trailing down his side, you graze your fingertips over his hips before you settle a palm against his length. Just before he can roll himself up to rut against your hand, your other hand grips the side of his hip, stilling him as a protesting noise slips past his lips.

“You’ll move when I say you can. You can do that for me, yes?” 

Docile, he nods and simply watches on as your hand wraps itself around him. You can tell by the way he’s fisting the bedsheets that he’s holding himself back, resisting the urge to fuck into your hand. Aided by the precum drooling from his tip, you glide your hand slowly up and down, marvelling at the way his breath hitches and eyes screw shut whenever you twist your grip exactly where you know he likes it.

It doesn’t take long before you can tell he’s reaching his limit. His breathing grows clipped and ragged and his groans and whines become increasingly needy. Every time his hips jerk involuntarily, your hand stills, prompting him to plead pitifully for you to continue. He makes quite the sorry sight before you, and your heart twinges with the need to watch him come undone.

Deciding you’ve toyed with him enough for now, you lean in, whispering, “Go on, let me see how you reward yourself.”

His pulse jackrabbits as you lave your tongue along his jugular, panting out broken “thank you”s at your generosity while he frantically chases his release, rutting into your hand. A quick twist and he’s spilling over, crumpling in on himself as he moans unabashedly at the pleasure you’ve shown to him. He has his chin hooking over your shoulder and arms wrapping around you, pulling you into a tight hug whilst riding out his high, his chest heaving as he catches his breath.

Suddenly, your world tilts when Kaeya pulls you down onto the bed, you lie atop him, trapped in his embrace.

And coy as he is, he slithers next to your ear and whispers breathlessly, “It’s alright, you can have your way with me,” you can feel his heart pound from beneath you, your pulse matching his.

“There’s no one next door anyways.”

Thanks for reading! Consider supporting me on kofi if you enjoyed this or check out my other works hehe ♡

[hansoeii]

the steard is making a return!

[xxplastic-cubexx]

your krakoa era cherik art has altered my brain chemistry

more krakoa era is to come from me my friend so i worry for your brain

[beautifulstorms]

Alysa Liu, Promise • NHK Trophy 2024

[f-imaginings]

If you've just discovered Billford from the Book of Bill you'll enjoy:

Knowing Me Knowing You on ao3!

If you're looking for fanfic to read that hits on the key dynamics from the Book of Bill, (despite the bulk of the fic existing before the books release) look no further! In the interest of tooting my own horn, to celebrate the new chapter I'd like to recommend a fic inspired by ABBA BABBA's musical back catalogue!

If you read the book of bill and wanted to see more of:

toxic old man yaoi billford

pre-betrayal worshipful billford (plus canon typical gravity falls anomaly research and hijinks)

post betrayal angsty possession billford (with bonus BORD!)

interdimensional cat and mouse portal billford (catch me if you can!)

Stanford getting it on with a triangle (and a human bill pre-betrayal) in many weird and wonderful ways

complex relationship dynamics between Ford, Fiddleford and Bill

Institute of Oddology toxic fidd/author/bill side story

Heist after heist with the henchmaniacs

Ford's portal adventures!

Terrible jokes that will make you laugh anyway!

A power dynamic that levels the playing field (Ford in control) and then decimates the field altogether!

Ford fell first, Bill fell harder!

Fleshed out backstories for the wider cast in Gravity Falls and a story that respects everyone's agency!

A Billford fic that takes a break from the toxic ship to spend a chapter with Stanley pug smuggling in New Mexico

Morally ambiguous Jheselbraum with past connections to Bill

Lottocron 9 and the infinity sided dice (including Ford's trip to the M dimension! Hate that place!!!)

Then you might enjoy this fic! It's just updated, with more chapters on the way, so if you're ready for a journey into mystery, mayhem and mischief, strap yourself in!

*author's disclaimer - Book of Bill DID align exactly with my fanfic and I was not disappointed!