#honestly i could do without

[choccy-milky]

sometimes you gotta lure your overly-studious ravenclaw gf into spending time with you 🥰 📚 ( from 'Every Teardrop is a Waterfall' by Kat_12739 on ao3, GO READ IT!!! the first story is about seb falling sick and still pushing himself/not admitting he's sick until he ends up in the hospital, the second story is about the birth of seb and clora's daughter and seb's reaction to clora almost dying in childbirth, and the third is about dealing with a fussy newborn lewis😭🥹THEY'RE SO GOOD AND SWEET AND SOMEWHAT SAD (not to mention beautifully written) so go check it out!!💖💖 )

[snarkspawn]

they're thinking about davrin's shoulders

[turtleblogatlast]

[ cw: sacrifice / self sacrifice / slight suicidal themes / death mention / ]

I personally think that Leo took the wrong lessons from the movie. I definitely think he grew to understand the importance of teamwork and making sure he takes others into account so as to not harm them by proxy of whatever scheme he has cooked up, however based on the ending events I’m not quite certain he fully grasped two things.

The first thing is communication. Oh, he can communicate, and he does, when he deems it necessary. When he’s setting up a plan prior to the action. But this is where the second thing comes in.

The second thing I don’t think Leo truly grasped is “it’s not about you.” It’s so unbearably easy to take that the wrong way, especially when taking the rest of the series into account.

What I believe Leo took from this message is not “it’s not just you, everyone matters and can contribute, can help and be helped” but “put the whole of everyone above yourself” which can both be a good lesson…and a fatal one.

And it is fatal, we see as much in the movie.

Even after the big hope speech, when Leo is “fighting” Krang!Raph, he takes a huge risk. Sure, it worked, and Leo managed to get through to Raph through a well deserved apology, but it could have so easily ended in his death and yet he barely even hesitates to go for it.

And then again, to the big scene at the end, where Leo sacrifices himself not only for the sake of his family, but for the whole world.

To him, that’s the message to take from this. That the lives of everyone, of the greater good, matters…more than him. That the risk to himself is worth it if others can be saved.

Leo learned that gambling with his life as the betting chip is always the best move to make in the end.

And to make matters worse…this thinking is what works.

These risks are ultimately what is needed to save the day, so why would Leo look away from it now? Clearly it’s the right move and everything worked out!

Thing is, Leo did grow from the events of the movie. He learned to take things more seriously and be more mature, he learned to value his team’s input and capabilities enough to rely on them more, and he learned to be less self-centered and realize the turmoil others were going through (especially if that turmoil is a result of his actions.)

But still, he’s grown to accept the gamble of his life as a viable answer to their problems.

Personally, with how Leo has been shown to toy around with the idea of “it’s better me than them” I think this goes beyond sacrifice in the name of love or even sacrifice in the name of responsibility, and pushes over into sacrifice in the name of worth.

[helimir]

Some top tier Caduceus quotes I've been thinking about in these Downfall times. Something about how so much of Ludinus' position seems to rest on revenge. Showing Bells Hells the squabbling of the gods as they debate what to do about Aeor, and asking 'You can just watch bad people get away with it?'

It doesn't matter if the gods were wrong for their choices. Killing them won't bring back Aeor and it won't stop the violence that Ludinus and the Ruby Vanguard have visited on the world. I just don't see what it's for.

[barghest-land]

hate it when i wanna draw something really cool but then forget that for that i'll need to like. Actually sit down and do it myself

[theropodtheroblogs]

I just watched a near 2 hour fanmade movie animation follow up for Transformers Prime and I'm filled with all kinda of delight. Seriously. An hour and forty odd minutes. It had Bruticus. It had Galvatron. It had team ups. It had autobot Knock Out. It was just fun as hell. It's entirely fan made, and in some ways you can really tell, some aspects of it did have me a giggling and some of it had me rolling my eyes, but at the same time I could tell it was a project made with love for the show and the fandom itself. I really do recommend giving it a watch, it literally only came out about a day ago and it's already nearly at 60k views which is wild.

Here's the youtube link, it's called Transformers Prime: Galvatron's Revenge.

[link]

edit: apparently the optimus VA is literal dogshit so that's always nice to find out. leaving this up cause people already reblogged it so like its stuck on tumblr till the site dies anyway but uuuuuuuurgh can we please just - cAN YOU NOT BE JACKASSES, CAN YOU NOT, LIKE ITS NOT THAT HARD whatever man, I'm so tired of these people coming out the woodwork to be cruel to people who just wanna live their life, like fuck you man, urgh.

[vaguely-concerned]

every so often, varric will write a black fox story. not anything fancy or for publication or anything, just for fun and because he knows hawke has a soft spot for them. ("an intrepid hero getting into and out of all kinds of trouble and the merry band of misfits following inseparably in his wake? can't imagine why".) some of them are experimental, some of them are straightforward retellings; they're generally pretty short and quick to do, so he allows himself to play around with form and genre and language more than he does in his professional work. stretching over the span of almost twenty years as they do, they contain some of his favourite pieces of his own writing, and some of the most '...was I huffing lyrium fumes or drunk or both for this one, hawke? what the actual hell is this' pieces. hawke keeps every single one of them. varric speculates that this is either because they're just that sentimental, or possibly that it's for future blackmailing purposes. he usually has one ready for their birthday. they have so much blackmail material on him anyway by this point, he figures, what's one more piece of ammunition going to do one way or the other.

varric finishes one of these black fox tales a couple of nights before he brings rook with him to minrathous — the last one. it's about the very last black fox story, the one where the black fox and his friends all disappear together into the depths of arlathan forest, where those in the know say you can find them to this very day, if you know where to look, or if you ever find yourself in trouble and in need of a helping hand. they'll turn up to aid a traveller in need, and disappear back between the shaded trees again once the day is saved, squabbling all the way, seeking treasures and unlikely quests yet unfound and unimagined.

they say on some days, you can hear them as laughter and friendly bickering on the wind from a couple of clearings over. it's not the end, it's just other adventures, some other place. that's the thing about stories. they're funny that way.

(once he wrote a book for his mother on her deathbed and read it to her through the comfortless and drawn-out hours of the troubled nights, and he burned the book the day she died and never spoke of it again.)

after he finishes the manuscript, he sits with it for a long time in the quiet and the candlelight before he wraps it up properly and sends it off back home to kirkwall. he attaches a note -- a story, to the best of all my stories, the one I'd tell forever if I could. take care of each other while I'm gone. first one to arrive saves seats at the bar, right? happy birthday, and send all my lack of love to the merchant's guild, as always. —Varric

he sends that to hawke. just in case. and then he gets up and he goes to find rook — it's time to get going.

[aurosoulart]

I put a little deer inside the lamp to be its light source... his name is Lightbringer and he acts as a guide through even the darkest of forests. ☀🦌

(ps: if you have Figmin XR, you can download this and put it in your own home here!)

[puppyeared]

is this your card? ♦️♣️♥️♠️ it isnt but you dont wanna hurt his feelings

[ganondoodle]

one of the things in my totk rewrite that im most confident about is removing the building gimmick (to put it in another game truly build around it, its such a waste here imo) to add the hookshot instead

everyone loves the hookshot, i have never heard anyone say they didnt like it

in a world like botw it would be a perfect fit- it adds a unique and different movement option while-

it does not destroy the world design (like the building aspect does, though the towers also need a different function, letting you fly anywhere and skip everything everywhere all the time, including puzzles in both shrines and dungeons, something like that in a world thats build around climbing and gliding WILL end up destructive to the world design without really careful changes and balances .. that absolutely werent done in the game)

opens up a whole new way to think and do puzzles in a way that wasnt there in botw

preserves the feeling of dread when high up or in the sky, since falling is still a danger even with the parasail ( bc removing almost all warp points up there makes the danger being loss of progress rather than the fall itself- removing the parasail as a whole for the entire game is not an option and it will always be a security to not die by fall damage, so there should be a different danger even if im usually not a fan of loss of progress pressure, the bird mechanic i mentioned in other post would also help you not lose everything even if you make a mistake)

it makes climbing easier WITHOUT making it obsolete or skippable, especially with adding the main way to get up to sky islands as islands to climb up via the hookshot, its just adds another way to interact with the terrain instead of .. not interactign with it at all, the range is still limited and you still have to cling to the wall and get down to shoot it again

it being built into links prosthetic shiekah arm makes it more unique both in looks and mechanic/narrative aspects so i dont think it would be boring to have an old 'item' reused in a new way, especially together with the rest of the abilities- like it being not an instant 'pulls you to the thing' but a reactivatable one instead (so you can grab things to move them if lightweight enough similar to ultrahand)

bosses can benefit from it too, imo one of the coolest things in twilight princess was grabbing onto a boss to pull yourself to and onto them, being able to do that even to smaller ones shadow of the colossus style would be so neat

grabbing onto something moving and not pulling yourself immediately to it opens up not just fun but also funny scenarios aka you being flung around by whatever you grabbed (grab on a dragon ...weeeeeeeeeeeeeeeeee- on a lynel ...'ragdoll chaos')

(with the removal of building and thus the majority of all the puzzles being fly thing from point A to point B not being a thing it also makes way for cool kinds of ways to get to the next sky island for example- a thought i had was making the reason they fly and are practically invisible from most angles being that they are swimming in a special kind of cloud that hides them due to breaking of light in certain ways withing them- thus hiding it from below most of the time, eliminating the problem of 'sky too full' which was apprently a reason why they removed alot of them too, and it would be incredibly fun to be able to poof into little clouds (they look a certain way so you know which ones you can swim in) also! lil cloud bridges between islands! a boat to surf on them high up in the sky! mario galaxy vibes!

probably more im forgetting

anytime i think about the hookshot mechanic i get so sad bc i just keep imagining how much you could have done with in totk and desperately want to play that :U

[nobibiname]

There seemed to have been some nasty things in the fandom lately, and in the interest of turning a page, I’d like to say:

Yes I’m an Elriel shipper (and Nessian and Feysand etc etc) and no, I will not show up on your page and yuck your yum if you ship someone else.

But if you care I will tell you why this ship has such a grip on my heart ♥️

I love Elriel, because their quiet love speaks volumes in shy looks and brushes of fingers.

What I love the most about them is how they just understand each other. Without words. He doesn’t need his shadows or any magic to read her, and she doesn’t need her magical sight to see him… to see him rubbing his temples and conspires to get him the funniest gift ever. They see each other’s facial cues and body language in a situation where they are not free to express how they feel whenever and wherever they want. They can’t love out in the open, because of customs and politics and an unwanted gift from fate. So they read each other’s tells like poker players, or spies.

Together they are balance, light and dark, cobalt and rose pink, harmony. They are so harmonious together, even the gifts they gift others are a match (to Feyre: paints and brushes, to Nesta: books and a reading light) almost like they planned it, feyre didn’t get two sets of paints or brushes, but one of each. Harmony.

I love them without banter, without training, without one-upping each other or being the loudest, most attention grabbing people in the room. They are the couple that are quietly lovely.

To me being able to comfortably be quiet and peaceful with someone IS love. And I would love to read the love story SJM writes for them. maybe let’s just remember that we all love these books and characters. 🩵

[jeremysknoxes]

jesper your pining is showing

[turtleblogatlast]

I honestly love the clothing styles of each of the turtles in this show and I love how these styles really incorporate their personalities as well.

Like, obviously Donnie has the best sense of style, yeah? Think that’s something pretty agreed upon here. Everything we see him put together is very meticulously crafted and clean. That goes with his personality because Donnie is a very meticulous person in general, and he knows what he likes very, very well, and knows how to flaunt it in turn. Him commenting on colors he enjoys or disapproving of outfits that the others see no problem with also shows how he just generally has an eye for this kind of thing. He doesn’t just know what looks good on himself, but also what looks good on others - and I think this ties into his love of gift giving too. Donnie also has a flair for making sure that his things have his “mark” on them, and his clothing is no exception. All that he wears and how he wears them screams “Donnie.”

Mikey is really fun because his styles are honestly a pendulum between super simplistic and incredibly out there. And often, you’re going to see a lot of color or patterns to both. And in my opinion I think that all reflects really well on Mikey’s character - he’s got a colorful personality but even more than that he’s incredible sure of who he himself is. Mikey’s style, I feel, is less what looks good as clothes and more what sparks joy in Mikey himself. His bright stickers he wears are a testament of that! He’s comfortable in his own skin and his style reflects this perfectly, whether he goes for a more out-there look or a more toned down one.

Now, for Leo. Okay, I think I’m actually in the minority here I feel because Leo’s style isn’t really that bad? Hear me out- if you actually look at what he wears, try taking out, like, one accessory. Suddenly, that outfit works! He even manages to put together many good outfits in the series, but his “bad” ones are the ones that tend to stand out, alas (just like how his mistakes tend to be big ones oop-) Basically, my personal look at him is not that he’s inept at styling at all, but that he has a “too much” gene. And like everyone else, this sense of style is completely like him, too. Going too far to impress when all he needed to do was slow it down some to think things through. (And funnily enough, a lot of his outfits take random aspects from his brothers too - “nothing without them” huh?)

For Raph, I feel bad for him since pretty much all of his clothes are inevitably going to be ripped, but he makes them work pretty much each time. Like Leo, Raph tends to go more sporty with his looks, but I also noticed that his stuff often goes in that in between of comfy, cool, and cute. His pajama suit in particular comes to mind in terms of “cute” as it’s more something you’d see younger children in rather than older kids, and I think it can be a subtle nod to the fact that for all Raph tries to seem older, he’s still just a kid too.

I could probably go on, but these are just all off the top of my head - I love how the boys’ personality’s come out in so many different ways.

[thevioletcaptain]

the thing about the devil's trap tattoo is that the flames around the pentacle are completely unnecessary. like the flames are not a functional part of the devil's trap at all. they just added those for flair.

[bird-inacage]

Love Sea Post-Episode 8 Thoughts: Fortpeat are the MVPs

I cannot emphasise enough how Fortpeat's chemistry is carrying this show. I commend the sheer conviction and commitment these two clearly have in their characters and the relationship they are portraying. I am thoroughly enjoying the boldness that has emerged in their roles as Rakmut. Their efforts have not gone amiss.

The downside for me is that Love Sea's plot has (largely) been far clumsier in it's writing compared to the Prapaisky storyline in LITA. I think what worked in LITA's favour was its much simpler trajectory. Fortpeat are doing their darned best with the material here, but the story beats aren't landing quite as well as they could. My hunch is MAME tried to up the ante with her narrative, which hasn't quite paid off in terms of execution. (I'll refrain from reviewing this definitively until the series has finished but this is a reoccurring observation).

Regardless, Fortpeat's phenomenal chemistry is doing a tonne, if not the bulk of the heavy lifting. And if they were a less compelling duo, the story would probably be at risk of falling flat on a number of accounts. MeMindY have a lot to thank them for here.

I have to give a honourable mention to the actress Nina who plays Meena. The girl has been an absolute delight to watch, especially in her exchanges with Fort. She's cute and endearing but also incredibly natural on-screen, which is a breath of fresh air. Some of her adult counterparts could even take a note or two. I'm very impressed at her ability to competently keep pace with the cast in the serious scenes. The moment where she intercedes Mut and Jak was wonderfully delivered, considering her age.

Now, I haven't delved much into the discourse surrounding how Fortpeat as a duo deserve better than the treatment they're getting from MeMindY. All I would say is Fortpeat have clearly shown themselves to be an incredibly valuable asset as an acting duo, and I'm very intrigued as to what their next step will be post-Love Sea.

[saints-who-never-existed]

I've been thinking today about Jopson's anger or, rather, the lack thereof.

He has just as much right as anyone else - maybe even more - to feel anger and resentment in response to the hardships he's faced. But I don't know that we ever really get to see it all that much and I find that interesting yet strange?

It's not that we don't see strong emotion from Jopson.

We catch a glimpse of him scrapping with fellow seamen after Silna's kidnapping, share his exquisite pain as he recounts the tale of his mother, see him looking down his nose at Hickey and admonishing Little/Le Vesconte when they propose leaving the sick behind.

But I don't think any of those emotions can really be classed as anger and even if they could, it always seems to come in response to external stimuli, not necessarily from within?