Fernando 2012 Chair Lore (source: me)
So I've been thinking a lot about Fernando sitting in this particular chair in the Ferrari garage in 2012 for [redacted] reasons:
Originally I just wanted to find more pictures of it for reference, and then went down a rabbit hole of 2012 pictures, trying to figure out when exactly the chair came to be. There's so many pictures of him in it, and it's so funny to me to imagine them hauling this super villain chair all around the world for him. And so now I'm obsessed with the evolution of it:
Pre-Chair - Australia to Bahrain:
He just had this little stool, well I should say big because it somehow still manages makes him look small. Clearly not comfortable; to paraphrase @sweatyflytrap, it's not conducive to his inner Shakespeare villain monologues
The Chair Appears - Spain
He suddenly now has this, aforementioned, super villain chair. Several things, why is it like this. It looks like a sim chair almost ngl. And then the weird plexiglass support is confusing me, like where did they get that. It furthers my narrative they just had this chair that they couldn't put in a car so they put that clear bottom on it. Anyways yes good, now he has somewhere to brood
The Chair Evolves - Silverstone
Look!! They gave him a booster seat!!!
The Chair is Now Here to Stay :)
I downloaded a truly horrible amount of pics him in this chair, so now you all must also look at them >:)
*he still had the chair in 2013, but I think they took it away from him in 2014 :( Is nothing sacred in this world??? I hope he got to take it home hahaha
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love the idea that post The Situation thomas is just increasingly obtuse when it comes to jimmy's feelings.
so when one day mrs hughes mentions in passing at how much easier it is to handle james now he's settled down, thomas is incredibly confused. and a little bit heartbroken too of course.
it gets even stranger when on valentine's day alfred sulkily asks jimmy how many cards he's sent that year and jimmy merely shrugs and smirks. mrs patmore chastises them for gossiping and announces that surely, jimmy's only got one to be sending.
then one night, most of the staff are enjoying a rare night off in the pub. as usual, a host of pretty girls surround jimmy, and one particularly brave one asks jimmy if he's got any plans on one of his half days. jimmy throws her a cheeky wink and says "sorry, darling, but i'm spoken for."
thomas starts feeling really rather hurt. he's known all along that this would happen eventually - that jimmy would eventually move on and find a nice village lass, but it still stings to hear it. somehow, it hurts even more knowing that clearly jimmy has fallen for someone but he hasn't even told thomas.
thomas puts on a brave face and elbows daisy in the side. "d'ya hear that? jimmy's kept that quiet 'asn't he?"
daisy looks at him with a frown and cocks her head to the side. "well, not really--" but before she can say anything else she's swept up into the rowdy conversation of the table.
a few weeks later, thomas and jimmy are alone in the servants hall, with thomas reading the paper in his rocking chair and jimmy tapping out melodies on the piano. the tune he's playing is sweet and gentle, and thomas finds himself swaying his head along. as the song draws to a close, a gentle round of applause sounds from the doorway.
baxter stands smiling. "let me call you sweetheart is one of my favourites. it was beautiful, jimmy."
jimmy blushes prettily and stands, closing the piano lid. "thank you, mrs baxter. good night."
after he's gone from the room, baxter enters to fill herself a glass of water. she smiles fondly at thomas. "he's so smitten you know. head over heels." she rolls her eyes affectionately.
it takes months until thomas finally figures out the truth of what's going on. well, to say he figures it out is somewhat generous.
he's in the servants hall again, this time feeling a little despondent with a cup of tea. jimmy had gone to the pictures with alfred of all people, their friendship seemingly improved since jimmy's given up on chasing ivy's skirt. thomas is resolutely not waiting up to make sure jimmy gets home safe. anna is the only other person still up, and she sits opposite thomas stitching one of lady mary's hemlines in companionable silence.
thomas dwells on his own thoughts for a while, until anna rests her sewing on the table and fixes him with a worried look. "are you quite alright, mr barrow?"
"hm? oh, yes anna, i'm very well thank you." he takes a sip of his tea to hide his moue.
anna looks unconvinced. "thomas," she says seriously, "is it-- have you and jimmy had a falling out?"
that genuinely surprises thomas. for all his worry and sadness over jimmy's as yet unknown love interest, they'd never fallen out. "no, no, of course not. he's just busy, that's all, which is to be expected now he's, you know," thomas waves his cup vaguely in the air, "courting the mystery lady."
anna chokes on a laugh. "the mystery lady?"
"yes. he's-- he's courting someone, isn't he? everyone keeps saying that he's... or suggesting that he's taken with someone." Thomas adds somewhat bitterly, "seems quite serious if you ask me. not that he's told me anything about it of course."
anna stops giggling and looks at him oddly. "thomas you-- you can't mean--"
"-- do you know who she is, anna?" thomas interrupts a little desperately. he's becoming tired of it all and he just wants to know-- how bad it is, for how long he's going to have to tend to his broken heart.
"thomas. thomas, jimmy's sweetheart is-- well, it's you."
"me?" thomas has a brief, sickening memory of his feelings before, and how miss o'brien toyed with them so badly. but he knows in his gut, that anna would never, and could never do that. he knows she's being honest, as confusing and terrifying as the statement may be.
"yes." anna smiles. "he's like a little puppy when he's with you. surely you've noticed? he gazes at you with stars in his eyes. he wants to do everything you do, and it seems like every other conversation is all about what you've been telling him this week. he only ever plays love songs on the piano when you're in the room. he laughs at all your jokes and he's not even glanced in the direction of a girl since last year." anna shakes her head. "i thought you knew and were just letting him get used to it."
"no i didn't -- i didn't know, i thought," thomas can feel himself blushing, "i don't know what i thought."
anna stands with a stifled yawn. "you make each other very happy. if you really didn't know, i think you ought to talk to him. good night, mr barrow."
"good night anna. and thank you."
thomas is left in the still and quiet of the room, watching the steam spiral up from his cup. a private and hopeful smile spreads across his face. yes, he thinks, nodding his head, perhaps we should talk.
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batman: son of the demon
[ID: three panels of Bruce Wayne and Talia al Ghul being in love (and horny) for each other. In the first one, Bruce is in their luxurious bedroom for the first time and is awkwardly standing in his costume as Talia is behind a dressing screen and is changing into a white, satin négligée with lace detailing on it. She reminds him that they technically are married (and that she consented readily to it) but Bruce confesses, “I remember. But it's hard for me to consider that marriage real.” Talia emerges from behind the screen, looking as beautiful as ever as she walks up to him and eases his cowl off. She tells him, “Beloved, you give too much thought to what is ‘real,’ and what is not, to what is ‘true,’ and what is ‘false...’ I realize that is your way, but just this once, accept things as they are...” He strips himself of his clothes as they move to the bed—Talia laying on her back as he's between her legs. She continues to speak, “Forego your control, your discipline... just once, let yourself go... and take me with you.” Her arms slip around his neck as they kiss passionately.
The second panel is lineart of them against a white background. They look at each other lovingly, her hands reaching up to be on his shoulders as he holds her waist. The narration boxes read: ‘While still finding time to be a newlywed, a role in which he is quite unskilled... but—to his delight—quickly learns.’
In the third panel, several weeks have past. Bruce and Ra's al Ghul are walking before Talia interrupts and asks her beloved for a word. Bruce starts to ask if it can wait, due to him and Ra's discussing an important mission but she tells him it cannot. Ra's reassures, “Go, detective, we shall speak of this later.” Bruce and Talia pull away to talk in private, the background a beautiful, bright ombré of red and yellows. She has her arms up on his shoulders as he holds her waist and starts to ask, “Now, Talia, what's so impor—” but she quickly shares, “Beloved, I am with child.” Bruce starts to repeat her but Talia already confirms again, “I am pregnant.” She continues to look up at him, patiently waiting for his response as Bruce stares straight ahead, obviously in shock. He slowly repeats the words back to her in an attempt to register them, “You're... pregnant?” Before he suddenly beams! He pulls her into a tight, close embrace as he excitedly announces, “That's wonderful!” Talia smiles at him and says, “Isn't it?” Before her father can shake Bruce's hand with his own warm smile. Bruce still holds Talia's hand as Ra's tells him, “Detective, Dr. Weltmann could not keep this from me. My congratulations.” END ID]
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