#here’s to a great season

[themoonlightbrigade]

HUGE THANK YOU TO @chenfordsource FOR 294 DAYS OF AMAZING CONTENT!

You da real MVP!

CHENFORD COUNTDOWN counting the days to season six || day 294 (last day!!!) Coming up next on The Rookie...

[halyasgirl]

Bonus

[ewwww-what]

Welcome to the party :)

[sentientsky]

you idiot, we could have been…us.

[ninja-knox-ur-sox-off]

Repress It, Mk!

Mei and Red Son wouldn't be his backup singers (because they support going to therapy) so he had to improvise. He's fine, all good all the time all good

[fitrahgolden]

[greencarnation]

eleven is fascinating to me because he came right off the back of tens horrible traumatic breakdown after he lost everything and he immediately tried to establish himself as the opposite of that. he is funny and goofy and almost childlike, and he bulldozes on in his adventures with amy like nothing happened at all. but then something happens and his masks slips and it's like oh! the core of this man is still anger. he is so so angry all of the time and this façade is the only thing stopping him from being consumed by it. he isn't over any of it and he hasn't moved on. he is wearing a fez and laughing but under that all that exists is age old anger and grief and it is going to consume him

[your-turn-to-role]

moment of appreciation again for what is possibly my favourite later game percy quote that everyone always forgets about

(said to vex, of course)

[yo-yo-yoshiko]

Sento gets a page too.

[poorly-drawn-mdzs]

Assisting Acquaintance Acquired.

[First] Prev <–-> Next

[momentomori24]

THEY ARE SO INSUFFERABLE AND HORRIFIC AND AWFUL BUT SO AMAZING AND DORKY AND THIS PART IS SO UNFAIRLY FUNNY AND CUTE AND WHOLESOME-- PLEASE, PLEASE HAVE MORE SCREENTIME IN S2. PLEASE LET THEM TAKE OVER THE SHOW. I KNOW THEY'RE HORRIBLE PEOPLE BUT I NEED MORE OF THE VEES.

And the most important scene of them all (to me):

First of all, how is Vox doing that. Second, you just know that these two douchebags are going to bang so hard with Alastor getting his ass kicked replaying in the background after this. I hate them so much.

[vibinginthebg]

✨Some doodles of the siblings to try to see how to draw them ✨

(I am super late to the party hello)

[physical-manifestation-of-spite]

I keep thinking about Arthur's regression at the end of Season 2 and then into Season 3. I keep thinking about how victims of trauma tend to get worse once they escape their traumatic situation. How their body and mind start to crack and shake under the weight of the horrors, now safe enough to escape the survivorship mindset but now forced to endure the fallout.

I keep thinking of how hard Faroe's death hit Arthur. How his guilt and grief were so intense that he wanted to kill himself, so low that he drank himself into a stupor for who knows how many years to just dull the pain. I keep imagining how hard it was to pull himself out of that, to work with Parker and find a new meaning in life, to walk away from his guilt of killing his daughter, and instead to help people.

(I keep thinking of how Arthur finds a vial of alcohol in the Dreamlands. How he sniffs it and recoils in disgust.)

I keep thinking of how long it took for Arthur to build himself back up from his lowest point, to tuck the guilt of Faroe in the deepest corner of his mind just so that he has enough room to breathe, to live, to be a better person. (And yet, Faroe is every facet of his life. It's his first memory in Season One, when he plays Faroe's Song, when he doesn't even remember his own name. It's the last name on his lips when he dies on that boat. It's his only memory when John is torn away from him.) I keep thinking about how Arthur is consciously repressing her every second of every day just so that he can keep going.

And then John pushes, and asks, and asks again. And finally, after almost dying twice with this entity, after surviving time and time again, he thinks he can trust him. He thinks he can share his deepest secret, to pull open the wound he keeps stitching over to protect himself. How he risks feeling the grief he's suppressed for years to trust someone. I keep thinking how John seizes it and, because he is ancient and young and inexperienced, childlike in his tantrums and his fears of responsibility and consequence, he uses it as a weapon the moment he's backed into a corner. I keep thinking of how not only the trust is torn away from Arthur, but how his wound is stretched and torn, and not only does his guilt and grief come back, but it's like a tidal wave that he cannot suppress this time. He's opened that wound and John has pried it wider, and now Arthur can't shut it. He survives in those pits, but she is all he thinks of. He escapes those pits, and ("Goodbye, Faroe.") she is all he thinks of. He slits his throat and she's all he thinks of.

He enters at icy cabin (a small gurgle, a bundle of blankets in his arm, a warm hum rumbling in his chest as he lulls his whole World to sleep) and he thinks of her to keep going.

And then Yellow enters, a blank slate, a John before he was John, and the pain is too fresh. This is the thing that tortured him. This is the thing that starved him. This is the thing who asked who his daughter was, and when he told him, the thing called him a killer. John and Yellow and the King are all the same in that moment, and Arthur's too fucked up and traumatized to separate them tangibly, as much as he insists that he can. His hatred grows and grows, all from himself, until it bleeds into Yellow, and he remakes this entity in his image, in his self-pitying hatred.

So when Yellow finally calls him a monster (and Arthur knows, he's called himself that the moment he saw the water spill from the bathtub onto the tile below), Arthur holds it close to his chest, and becomes it.

[tomwambsgays]

a scandal. an outrage. a plot twist.

[heph]

Call me crazy for reading so much into a show like House MD but I think the main theme of House is that despite doing everything perfectly and being a good person, shit happens.

Sickness and pain will be inflicted on you and your loved ones and there's nothing you can do about it, but to persevere, to fight for your life, to keep living despite it all - to love is a part of the human condition; our capability of love is what makes life worth living, despite all the pain that you will inevitably experience.

This show exemplifies the pain of living and the needs and desires of human beings to keep going despite it all

And idk... There's something beautiful about how a show with so many stupid whimsical dumb scenes can impart something so profound in my stupid little brain

[millaneyy]

hello hazbin hotel fandom is this anything