#season three has actually fucked me up

[physical-manifestation-of-spite]

I keep thinking about Arthur's regression at the end of Season 2 and then into Season 3. I keep thinking about how victims of trauma tend to get worse once they escape their traumatic situation. How their body and mind start to crack and shake under the weight of the horrors, now safe enough to escape the survivorship mindset but now forced to endure the fallout.

I keep thinking of how hard Faroe's death hit Arthur. How his guilt and grief were so intense that he wanted to kill himself, so low that he drank himself into a stupor for who knows how many years to just dull the pain. I keep imagining how hard it was to pull himself out of that, to work with Parker and find a new meaning in life, to walk away from his guilt of killing his daughter, and instead to help people.

(I keep thinking of how Arthur finds a vial of alcohol in the Dreamlands. How he sniffs it and recoils in disgust.)

I keep thinking of how long it took for Arthur to build himself back up from his lowest point, to tuck the guilt of Faroe in the deepest corner of his mind just so that he has enough room to breathe, to live, to be a better person. (And yet, Faroe is every facet of his life. It's his first memory in Season One, when he plays Faroe's Song, when he doesn't even remember his own name. It's the last name on his lips when he dies on that boat. It's his only memory when John is torn away from him.) I keep thinking about how Arthur is consciously repressing her every second of every day just so that he can keep going.

And then John pushes, and asks, and asks again. And finally, after almost dying twice with this entity, after surviving time and time again, he thinks he can trust him. He thinks he can share his deepest secret, to pull open the wound he keeps stitching over to protect himself. How he risks feeling the grief he's suppressed for years to trust someone. I keep thinking how John seizes it and, because he is ancient and young and inexperienced, childlike in his tantrums and his fears of responsibility and consequence, he uses it as a weapon the moment he's backed into a corner. I keep thinking of how not only the trust is torn away from Arthur, but how his wound is stretched and torn, and not only does his guilt and grief come back, but it's like a tidal wave that he cannot suppress this time. He's opened that wound and John has pried it wider, and now Arthur can't shut it. He survives in those pits, but she is all he thinks of. He escapes those pits, and ("Goodbye, Faroe.") she is all he thinks of. He slits his throat and she's all he thinks of.

He enters at icy cabin (a small gurgle, a bundle of blankets in his arm, a warm hum rumbling in his chest as he lulls his whole World to sleep) and he thinks of her to keep going.

And then Yellow enters, a blank slate, a John before he was John, and the pain is too fresh. This is the thing that tortured him. This is the thing that starved him. This is the thing who asked who his daughter was, and when he told him, the thing called him a killer. John and Yellow and the King are all the same in that moment, and Arthur's too fucked up and traumatized to separate them tangibly, as much as he insists that he can. His hatred grows and grows, all from himself, until it bleeds into Yellow, and he remakes this entity in his image, in his self-pitying hatred.

So when Yellow finally calls him a monster (and Arthur knows, he's called himself that the moment he saw the water spill from the bathtub onto the tile below), Arthur holds it close to his chest, and becomes it.

[helpimstuckinafandom]

JUSTICE FOR DAVINA CLAIRE I'M SO FUCKING SERIOUS FUCK OFF OH MY FUCKING GOD

[dbphantom]

maybe i should have gone into practical effects instead of computer science...

[lesbiansanemi]

When will I learn that I don’t actually like bnha that much

[uglyorangejacket]

I had an extremely vivid supernatural dream last night just when you think you’re out.

[j-crow]

yowch!! that hurt more than i expected!!!!!!

[crmsndragonwngss]

I really enjoy how the general consensus amongst punks, emos, scene kids, and core kids is just:

[explode-this]

Yeah, sorry I haven’t been in touch, I had to turn the ringer on my phone off because the notification sounds were overstimulating. Then the sound of it vibrating was also overstimulating so I had to filter out notifications for basically everything so I wouldn’t want to throw it into a volcano. And then I started another crochet project and I got stuck on “just one more round to make sure I’ve got this pattern right” until the thing was done and then started another one because the repetition was soothing. And then by the time I realized it had been like a month since I talked to you I was overcome with so much shame for being a shitty friend that the idea of launching into another explanation of my cycles of hermitude and timeblindness made me want to die so I just kept not talking to you, thinking that honestly it would be for the best because who wants to talk to me anyway? If it helps I put “text (you)” on my daily to-do list in the hope that one of these days I would actually work up the courage to get over myself and just fucking do it, and here we are. Anyway hi how are ya

[gooseworx]

What was your favorite murder drones episode??

If we're going off single episodes, probably 6. But if we're cheating and making our own rules, I like thinking of 7 and 8 as one big two-parter episode. Because that would be my favorite.

I actually really loved the finale, and think it had some of the most hype visual+audio moments I've seen in a thing in a long time. It made me feel like an edgy teenager again and I love it for that. I really love these characters, and...

...I do kinda want a season two... BUT!

We need to show the man some respect and let him REST. I'm gonna take this moment to gush and say how proud I am of Liam for not only sticking through and making his crazy vision a reality, but sticking through and keeping that bar of quality up for 8 whole episodes and three fuckin' years!

As someone who's only fully directed two episodes of a show so far, I can say without a doubt that directing these shows is a LOT of hard fucking work! And my show doesn't even have 10% of the crazy action and cinematography Murder Drones has. Not to mention Murder Drones started with a MUCH smaller team than Digital Circus. Liam is a legend. Please show him all the love and support you can, because he's earned it.

...

Anyways, yeah. That's my favorite Murder Drones episode...

[juchily]

its a stupid show about cannibalism and women where the women don't have visible body hair and their hair roots and makeup (looking at Nat...) aren't doing how reality realities.

I like the girls and everyone more than anything but they are such horrible people, every last one of them past and present may we please not treat them as pookies who arent responsible it haven't done bad things (doing bad things inst necessarily bad, at anytime a person is going to do a bad thing, that's life, it matters if they own up to it and learn from it and the girls have not...) and I get it, the memes are funny, misty is a poodle sweety cutie pie who's done nothing wrong and totally hasn't drugged a bunch of people, lottie is a sweet deer eyed baby who totally doesn't have self worth issues and problems with self sacrifice, self harm, and totally didn't start the hunting thing as well as saed travis and almost had him murdered

This is still and adult show and no matter who may watch it (I'm in highschool, not even necessarily what some people may consider a young adult), we must treat it with nuance and care as well

PSA to everyone in this fandom before YJ goes on Netflix, season 3 comes out, and we inevitably gain some new people: LET PEOPLE ENJOY THIS SHOW. Let people be shippers, deer Lottie and raccoon Nat people, shitposters, Travis or Misty haters or lovers, deep scholarly analyzers, fanfic and smut writers, gif makers, ETC. People are allowed to have any opinion they want about this show as long as it’s not harmful to other people. If you don’t like it literally all you have to do is ignore it. We don’t all have to agree on everything, that’s what makes it fun. It’s good to have different perspectives, just be nice to each other.

And it’s not that serious, IT’S👏A👏FUCKING👏TV👏SHOW👏

[caffeinewitchcraft]

Ghost Eater

Summary: You don't like exorcists. They don't much like you either.

-----

You’d always thought big restaurants like the Brownie Industry only did well in small, midwestern towns like the one you came from. A year working in LA has taught you that, no matter where you go, people will always love garlic bread and sugar.

It’s your day off which means you’re pulling a double shift. You haven’t had time to wash your hair for the past two weeks so it’s frizzing out of your claw clip and flying wild around your face. The lighting is so dim that you’ve tripped over two black purses already, luckily not while you’re running food. The big dining room sounds like an apiary with the tittering laughter of the later adult crowd that’s filtered in from the theater across the four lane road. The main difference between the Brownie Industry here and the one back home is size. The ceiling soars overhead, supported by a series of concrete pillars separating the dining area into three sections.

Normally it would be three servers per section. Today, it’s just you in yours.

One more hour. That’s what the manager promised you. It might even be true if the host stand quits seating you after the table you’re approaching.

There are three people at the table. A woman whose hair might be light blonde or gray in the light of day, her eyes light and piercing. Her face is soft from age, emphasized by the tight, lace collar of her off-season sweater. She reminds you strongly of your mom’s nemesis on the HOA board. The man couldn’t be more out of place next to her despite their equivalent age. He’s wearing a leather jacket – again, it’s not cold here – and a Norwegian metal shirt underneath. His hair is definitely white, so white it almost glows. He’s frowning at the teenager across the table as if she’s touched his motorcycle without permission.

The teenager might be the first you’ve seen all night who doesn’t have their phone out. She’s decked out in what you consider grandma florals – a t-shirt scattered with daisy chains, a bucket hat made out of nana’s carpet bag, and a hand-crocheted scarf in pastel.  You can’t really see her face under the shadow of her hat and there’s an odd, blurred quality to the way she fiddles with her napkin. You let your eyes skip past her and back to the two adults. Teenagers don’t pay the bill.

“Welcome to Brownie Industry!” you chirp. You’re sweaty and red but the faded yellow light hides that. You’re a service industry pro so none of your exhaustion shows on your face when you ask, “Is this your first-time dining with us?”

If you weren’t so burned out, you’d have noticed before you introduced yourself.

“Are you Grady?” the woman asks. Her voice is more posh than you expected even with her lace collar. “Grady Pace?”

Fuck. There’s a noticeable temperature differential now that you’re close to them. The restaurant is warm from the number of bodies, maybe even warmer than the summer air outside, but stepping up next to their table feels like walking into an ice rink.

“I’m your waitress,” you say. You don’t have time for this conversation. You’ve got five minutes in your cycle to take their order and then you’ve got food to run. “If you need any other services from me, I have a website.”

“We messaged you,” the man says. His lips thin to the point his thick mustache covers them entirely. “You never responded.”

Because you’ve been making more money at the Brownie Industry than your other job. “I’ll take a look at it tonight.”

“Wait,” the teenager says, sitting upright. She looks from you to the adults and back again. When she smiles, there’s no humor in it. “This is why we drove eight hours to have dinner at the Brownie Industry? For her?”

“Katie, be polite—”

“I’m sorry,” Katie says, “It’s just—I found a priest, you know? An actual exorcist priest and you guys want to trust a waitress over him?”

“Ugh exorcists,” you say. The memory of sour cabbage is so heavy on your tongue that you stick your tongue out in disgust. When you see Katie’s look, you backtrack. “Effective! Definitely effective.”

“Your mistakes have cost us too much already,” the man says, shaking a finger at her. “We are not converting just for an exorcism.”

“I normally don’t agree with your father,” the woman tells Katie, “but in this case I would like to leave conversion as a last resort.”

“We wouldn’t actually convert,” Katie says, rolling her eyes.

“Pretty sure exorcists can tell when you lie,” you tell Katie. When her scowl deepens, you clear your throat. “Did you all need another minute to think about the menu?”

“We need you to help us,” the dad says. He scrubs a hand over his face. “Look, I know you’re at work and I’m sorry we’re bothering you.”

“We’re desperate,” the mom says. She reaches for her purse. “We’ll pay you. Triple the rate on your website or even quadruple. We need that thing gone by tonight.”

Katie covers her face. “Mom. You’re embarrassing me. Terry isn’t that bad.”

“Oh, he’s bad, young lady,” the dad says sternly. “A bad influence.”

“We caught her trying to perform another séance yesterday,” the mom confesses to you. She leans forward with a pinched expression. “So Terry’s friend Larry could visit too.”

“Interesting,” you say. The food bell rings, but you think you can ignore it for another minute. You study Katie’s blush. “Why did you do that?”

If she was being compelled, she won’t have an answer to your question. You’ve dealt with a lot of ghosts in your time, but so few are sentient enough – or powerful enough – for compulsion.

“Go on,” the dad says, gesturing at you. “Tell her.”

“Leroy, she’s embarrassed enough,” the mom says.

“No, she’s not, Sarah.” The dad – Leroy – gestures to you again. “Tell her.”

Katie huffs, clearly resistant. But when her dad huffs back, she caves. “So,” she says, “I have this YouTube channel—”

“I’m off in an hour,” you interrupt. You don’t care that you’re being rude. Your patience ran out as soon as she said YouTube. “I’ll meet you in the parking lot.” You turn to go.

“A moment!” Sarah shakes out her menu. “How’s the nicoise salad?”

Of course they’re going to order. They’d better tip too if they want you to help them with their ghost problem.

----.

“You said an hour,” mom Sarah says when you leave out the employee entrance. She’s shivering next to her daughter. Leroy is off smoking behind his motorcycle, parked next to the Tesla Katie is leaning on, but he stubs out his cigarette on the asphalt when you walk up. “It’s been two.”

“I had side work,” you say instead of it would have been one if not for you. You rub your bare arms when the familiar ghost chill washes over you. You want nothing more than to go home and wash the scent of garlic and brownie batter out of your hair. “Was there something wrong with my service?”

“No?”

You try to make your voice light. “I see.”

Sarah frowns at your tone anyway. “Why?”

“You tipped five dollars.”

Katie jolts like a scalded cat. “Mom!”

Leroy scrubs a hand over his face. “Sarah…”

“What?” Sarah throws up her hands. The parking lot lights catch on her Swarovski charm bracelet. “I tipped!”

“Like ten percent,” Katie says. She pulls her bucket hat over her eyes for a beat and then peeks at you from under it. “I’m so sorry. It’s not you, she’s always like this.”

“It was actually a six percent tip,” you say. You’re getting a clearer picture of this little family now. It’s becoming more and more understandable why Katie might have started summoning ghosts. “If you want to be precise.”

Leroy reaches for his back pocket. “Let me.”

Sarah swats at his hand. “We’re about to pay her a lot more than that!”

“For a completely separate job,” Leroy says. He pulls a twenty from his wallet and hands it to you with a grimace. “Sorry, Grady, I should’ve checked.”

“You should’ve paid if you cared so much,” Sarah retorts. She folds her arms over her chest. She taps her cheek and widens her eyes. “Oh wait… you never pay.”

“Sure,” Leroy says. This time it’s his turn to throw his hands in the air. “Sure, Sarah. I don’t pay for anything to do with our daughter’s private school or her dance classes or her health insurance—”

“If the court hadn’t mandated—”

“You make twice as much as me—"

“Guys!” Katie says loudly. Her mouth is a thin line of upset when she says, “Argue about what an expensive burden I am later when we don’t have an audience, okay?”

Her parents speak at the same time.

“You’re twisting my words,” Sarah says. “I never said—"

“Sweetie, you’re not a burden—”

“Can you just get this ghost out of me?” Katie asks you. She goes for nonchalance and falls short. “My parents haven’t been in the same room for the last five years for a reason.” She fakes whispering. “They don’t play nicely with others.”

Sarah bristles. “Katie.”

“God, I know how that is,” you say. The whole interaction is giving you the worst case of sympathy for Katie. Before her parents can say anything else, you change the subject. “How long have you been haunted?”

“Six months,” Katie says. She fiddles with her bucket hat so that you can see her eyes for the first time. They’re brown, like her dad’s, and have heavy bruises underneath. She shrugs. “They only noticed a month ago though.”

“I noticed your behavior had changed,” Sarah defends. Like her daughter, she fidgets. She plays with her bracelet and clears her throat. “I thought it was a teenage thing.”

“What signs did you notice first?” you ask the parents. They glance at each other and then away.

“Let’s just say we noticed different things,” Leroy says dryly. He pulls out his phone.

“Moodiness,” Sarah says. She ticks them off on her fingers. “Laziness. Disrespect. Over-sleeping.”

“Those are just teenager things,” Katie says with an astounding level of self awareness. She shrugs. “I’m a senior now. They’re lucky it didn’t start sooner.”

“I,” Leroy says, “noticed this.” He turns his phone towards you.

“Ah,” Sarah says, “Yes. That.”

You examine the picture. It’s of Katie on a small dirt bike. She’s wearing a helmet in the picture, but you recognize the fashion sense in the floral boots she’s wearing. The scene behind her is of the hills, low scrub brush recognizable to someone who’s lived in LA for the past five years. On the bike behind her is a smudge. It could be a cloud of dirt blown into frame or maybe a camera glitch. It could be if it weren’t for the leering face emerging from the cloud right behind her head.

“I just want to say I did not agree to getting her a motorcycle,” Sarah says.

“Mom, not the point,” Katie says.

“Look how close that creep is to my daughter,” Leroy says. He jabs a finger at Katie’s waist in the photo where you can see a ghostly hand. “I want him gone.”

“Dad, he didn’t mean anything by it!” Katie turns to you earnestly. “Terry never rode a bike before and I thought, like, what if he moved on after he got a chance to? It was a philanthropic effort!”

“Plant a tree if you want to be a philanthropist,” Leroy growls. “I want this guy away from my daughter.”

“He doesn’t mean any harm really,” Katie says. “He would move on if he could! He says he’s stuck to me because of how I summoned him. He’s like, really sorry. He even spelled out Sorry in the bathroom mirror once.”

“What,” Sarah says in a dangerous voice, “was Terry doing in the bathroom with you, Katie?”

Katie splutters. “Mom, don’t be gross!”

The family descends into bickering. You have heard about ghosts being stuck to a person before, but usually that’s when the person has some sort of psychic powers. Katie’s wearing crystal in her ears, but they aren’t charged. She might develop some talent later in life, but right now she’s a normal girl.

The parking lost is nearly empty now. You recognize a few employee cars, but very few customers. The kitchen will be cleaning for another half hour before they’re ready to go home.  The reality is that, if Terry is stuck, you might not be the best way to handle the situation. If he’s not…

Well.

It’s time to talk to Terry.

Opening your ghost sense is hard to describe. Some psychics liken it to a third eye, right in the middle of their forehead. You’ve always thought that sounded really cool like maybe the world gets cast in a blue hue when they do it and the dead appear like they do in movies. You’ve met other psychics who say it’s like a sixth sense. They know where the ghost is and it’s like they download all that information until their minds can just sort of conjure their image.

For you, it’s like letting your body remember it has a second mouth. Cats have an extra sensory organ on the roof of their mouth that lets them detect scents better. Your second mouth is a bit like that. You can still smell brownies and garlic and the city air of LA, but you can also smell/taste something else.

Something like…pepper?

Your eyes water and you sneeze so viciously that your eyes close. When you open them again, four people are staring at you in surprise.

“Gesundheit,” Leroy says.

“You sneeze like Dad does,” Katie says.

“Did no one ever teach you to cover your mouth?” Sarah asks in disgust.

“I wish you would’ve sneezed on her,” Terry says, nodding to Sarah. “She’s such a bitch.”

“Thank you for the commentary, everyone,” you say. You wipe your nose with the collar of your shirt as you consider Terry. It’s dirty anyway. “Terry. Interesting name for a ghost.”

Terry hasn’t noticed that you can see him yet. He’s floating behind Katie, one arm casually flung over her shoulder. It’s hard to place when he died based on his appearance alone. His hair is chin length, emphasizing the width of his jaw. Squire cuts have been popular for several decades and the bowling shirt he’s wearing could either be a modern fashion statement or a dated uniform. He looks to be in his mid-twenties, sun-kissed and with the air of someone who tells a lot of jokes at the expense of others. His arm around Katie strikes you as possessive, the glare he gives her parents venomous.

“I didn’t name him,” Katie says. “He said it’s short of Torrance.”

You blink. “Wouldn’t he be Torri then?”

“That’s a girl’s name,” Katie and Terry say at the same time. Their cadence is so close that it actually sounds like Terry’s baritone comes out of Katie’s mouth. For a moment, his arm flickers, clipping into her shoulder like a bad animation. When it does, Terry’s form grows brighter, more solid. Then Katie shivers and he’s forced out of her.

You and Terry click your tongues at the same time.

You remember how Katie’s hands seemed to blur at the dinner table. Terry’s not just haunting Katie. He’s trying to possess her. You wonder if that’s why Katie looked up an exorcist rather than a simple spiritual cleansing. Did she know how much danger she was in?

“Okay,” you say. You tear your attention away from Katie and Terry for a moment. Business first. “Sarah. Leroy. Who was it that found my site?”

“I did,” Sarah says. She raises her chin when you can’t hide your surprise. “When Katie was looking up exorcists—”

“She didn’t mean it,” Terry says. He pats Katie’s hat. “Right?”

“—I looked up alternative solutions,” Sarah says, not having heard Terry. Her confidence falters for a moment and she rubs her arm. “I have had some… negative experiences with exorcisms. I don’t want my daughter to go through that.”

Katie’s head whips towards her mother. “What? I didn’t know that.”

“It was a long time ago,” Leroy says. For the first time, he reaches out and hugs Sarah with one arm. You don’t know what surprises you more; Leroy hugging Sarah or Sarah leaning into his side. “When Sarah told me, we decided to put our differences aside. I vetted you through some of my contacts and they all agreed you’d be a safe bet.”

“I am,” you say. You’re not bragging either. You’re probably the safest bet in half the western states besides your older sister. “There are some…peculiarities in my method.”

“Charlatan,” Terry whispers in Katie’s ear. He’s grinning now. “Only charlatans are that confident. Look! She can’t even see me!”

Katie looks doubtful.

Usually, you’d try to talk to Terry at this point. Sometimes spirits can be negotiated with. They can be encouraged to move on or to take on a less aggressive form of haunting. Those that are truly stuck can be helped with the right sort of ritual work. But the way Terry’s affecting Katie’s mood and that fucking arm around her shoulders…

You don’t really want to talk to Terry.

“We can ask Terry to move on,” you tell the family.

“Nooooooo,” Terry says and flips you off. “Pass!”

“Sometimes spirits don’t realize how deeply they’re affecting their hosts,” you say.

“You don’t even know how deep I’m about to be,” Terry jeers at you.

“Many ghosts are confused when they’re called to interact with the living,” you say. “It can blur their understanding of death and, as a result, they cling to life. If they stick around long enough, their presence will affect the living like what’s happening to Katie. It’s not always malicious. It can be a symptom of that confusion.”

“Katie, tell her to piss off,” Terry hisses in the teen’s ear. “I’m not confused, I’m bored.” His voice deepens. “Tell her we don’t need her help. Tell her we’re going home.”

Katie opens her mouth robotically. “That’s…” Her brow creases as she tries to figure out what she was going to say. “It seems like we don’t need help then. Terry will move on when he’s ready, like I thought.”

“We aren’t paying you for a ghost therapy session,” Sarah snaps. It’s only because you’re really focusing that you can see the unease under her anger. She’s noticed something wrong with Katie. “Katie, Terry is going away today.”

“Fuck you,” Terry says.

“Fuck you,” Katie says.

Leroy’s head rears back. “Katie, you don’t use that language with your mother!”

“Fuck you too,” Katie and Terry say. The parking lot lights flicker.

“No, fuck you, Terry,” you say, stepping between Katie and her parents. Leroy starts like he’s going to pull you out of the way, but he doesn’t.

“Terry?” Leroy asks. He looks scared. “Terry said that? Is Terry possessing my daughter?”

“Not yet.” You eye Terry’s arm and the way his fingers are sinking into Katie’s arm.

“Oh fuck,” Terry says. He doesn’t look scared. Not yet. Instead, he grins. “You can see me.”

“Not every ghost is malicious,” you tell the parents without taking your eyes off Terry. “But some are.”

“I’m not malicious.” Terry runs a hand through his hair, still grinning. The parking lot lights flicker overhead again. “I care about Katie a lot.”

“Terry’s never hurt me,” Katie says.

You ignore her. She’s not even shaking Terry off now. Her gaze is dull on your face when you say, “I don’t mean to sound like I’m some sort of ghost therapist. However, it’s important to differentiate between malicious and non-malicious hauntings in my practice. My methods are unconventional and, if used indiscriminately, I can get in a lot of trouble.”

“We won’t tell anyone,” Leroy says. He steps into your periphery. His gaze flicks from you to the spot you’re staring at over Katie’s shoulder. “We want Terry gone.”

“Not a soul,” Sarah promises. She comes up on your other side. “Please help our daughter.”

“Terry,” you say. Your second mouth is yawning wide somewhere in the back of your brain. The taste of pepper isn’t as overwhelming now. “Last chance. Renounce your claim on Katie’s soul and slither back into whatever hole you came out of.”

“We’re soulmates,” Terry says. He bares his teeth at you. “Go on, Charlatan. Call on your God to banish me. I’ve been around for decades and no exorcist has ever been able to put a scratch on me. And when they manage to push me out?” He laughs and the temperature drops another ten degrees. An unholy light flickers in his eyes. “I just come right back.”

“Then I guess I won’t feel guilty,” you say.

“Guilty?” Katie asks.

You walk forward two steps and grab Terry’s face. Terry’s skin is soft and jelly-like. His facial bones undulate like rubber under your grip. “Hi, Terry.”

Now Terry’s afraid. “What the fuck, you can touch—?”

“Bye, Terry.” You drag him towards you. His fingers pop out of Katie’s arm with a wet sucking sound, and he claws at your wrist.

“Wait! Waitwaitwaitwait--”

You eat Terry.

People come from all around to eat at the Brownie Industry. They love the density of the desserts and the heaps of garlic spread over home-baked (shipped frozen) rolls. It’s a treat to know you’re always going to enjoy the meal even if you’re far from home or eating at the same location a hundred times. It’s consistency, sugar and butter. An easy addiction to have.

Eating ghosts is like that for you. They fizz in your second mouth like champagne and melt like fudge. It’s hard to describe and the ephemeral quality of it sends shivers down your spine. Somewhere Terry is screaming in anguish, maybe crying. You think that the family you’re helping is screaming something too, but the sensation of eating is so consuming you can’t hear the words.

Terry is younger than other ghosts you’ve eaten. He doesn’t have the depth of flavor you’d once been addicted to back in Illinois. The best ghost you’ve ever eaten had been like a six-course meal with all the centuries she’d been carrying. In comparison, Terry is like a bag of pepper chips. Interesting, but gone in a moment. Still, he hits the spot.

When you’re done, you burp a purple cloud of ectoplasm into the still night air.

Leroy is the first to speak. His eyes are so wide you can see the whites all around them. “Pay her, Sarah,” he says breathlessly. His hands shake as he reaches for Katie, steadying her on her feet. “Now.”

You smack your lips and graciously accept the wad of cash Sarah hands you. You raise your eyebrows. “This is more than three times my rate.”

“Consider it a tip,” Sarah says. She’s more composed than Leroy, but still pale. She studies you. “That was…revolting.”

“You didn’t have to watch,” you say. You put your money away and then perk up at a sudden thought. “Hey, if you can, can you leave me a review on my site?”

“I thought you didn’t want us to tell anyone?”

You wave your hand. “Secrets are bad for business. Besides, Terry deserved it. I’m sure they’ll understand if you write that in your review.”

“They…?”

You smile and don’t answer.

The family don’t ask many more questions after that. The parents promise to leave a review and Katie just stares at you as if concussed. You assure the parents that she’ll be back to normal as soon as the soul-shock wears off. 

“And if it doesn’t?” Sarah asks.

“Message me,” you say.

“You don’t check your messages,” Leroy says.

“Oh,” you say, patting your stomach, “I’ll be checking them a lot more often now.”

You’re hungry again.

---

(Patreon)

[pedrospatch]

run

Raider! Joel Miller x Female Reader

*moodboard is for aesthetic purposes only. no mention of reader’s race or skin tone.

summary: When you’re given the chance to run from your captor, you don’t take it.

warnings/tags: 18+ ONLY, MINORS DNI. RAIDER ERA. DARK!JOEL. DUBCON. MENTIONS PREVIOUS NONCON. UNSPECIFIED AGE GAP (reader is in her 20’s and Joel is 50). reader is described washing her hair (the exact length is not specified) and she wears a dress. she is also shorter than Joel. violence, kidnapping, reader has major stockholm syndrome, Joel is fairly soft for her but HE IS STILL NOT A GOOD MAN, brief mention of Tess and Joel being involved with each other, Tess seems like the villain but she might actually be the only one of these three who is not totally fucked up in the head. SMUT. daddy kink. size difference (no description of reader’s body type, Joel is just a big guy with a big dick, enjoy it). oral sex (female receiving), super risky unprotected p in v sex (mention of reader ovulating, Joel pulls out, don’t be be like these two, practice safe sex), creampie (yeah he doesn’t give a fuck the second time around). many, many pet names (baby, baby girl, honey, angel, sweetheart, little girl). um i think that’s it. oh, and they fuck in the dirt.

PLEASE HEED ALL WARNINGS.

word count: 8.6k

a/n: one thing about me is i WILL soften up EVERY version of Joel Miller to my little heart’s content. HUGE HUGE thank you to @endlessthxxghts and @joelsdagger for lending me their eyes and beta-ing this fic for me last night. <33 i love and appreciate you guys SO MUCH. i loved seeing you both in the doc at the same exact time lmao. this can be read as a standalone, but it is considered part of the captive universe.

Everyone in the group has a job. Except for you.

Or at least, that’s what you hear them say.

That bitch doesn’t do shit.

She never has to lift a fucking finger.

She should work for her meal—just like the rest of us.

Bitterness laces their tones when they talk about you.

Insults grow a little bolder when he’s not around.

Useless.

Freeloader.

Leech.

You might not be out there with a rifle in hand hunting game or invading camps and spilling blood for supplies—but you do in fact have a job, and that job is to make Joel Miller happy. It is your responsibility, your duty, to please him, and to keep him satisfied. Because keeping him satisfied keeps him in a good mood, and one thing you’ve come to learn about your captor is, where there is a good mood, often there is mercy.

Hell, you’re doing them a favor by keeping their violent, fearsome leader in a good mood. Because you’ve seen what he does to them when he’s not. He can be just as brutal towards his own people as he is to strangers.

It doesn’t make a difference, though. They still see you as nothing more than his coddled little whore.

“Fuck, that’s it.”

He groans, his thick, callused fingers digging harshly into the softness of your flesh as he holds you firmly in place underneath him. “Oh fuck, baby girl,” Joel curses through gritted teeth, his hands gripping your hips as he uses his own weight against you, pressing you down into the old mattress until you feel every uncomfortable lump, each creaking spring.

While he isn’t fucking you as roughly as he has on other occasions, he’s hardly being gentle. It’s hard, fast.

Loud.

Joel couldn’t care less about the rest of the group, the men and women on the other side of the wall, forced to listen to the sounds coming from the single bedroom of the cabin he decided they would hunker down in for the remainder of the summer season. Strings of curses and brutish grunts that came rumbling from deep within his chest, pleading gasps and whimpers that fell from your swollen, bitten lips. If anything, knowing they were listening only spurred him on—it didn’t hurt to remind them, especially the men with wandering eyes, that you were his special girl.

His good girl.

You certainly did your job, and you did it so, so well.

“Christ, sweetheart. M’so fuckin’ close—” Joel picks up speed, his hips snapping even harder, faster, the front of his thighs slapping against the backs of yours. Each thrust causes the bed’s rusted, iron headboard to slam violently against the wood panel wall.

You clutch fistfuls of the single, stale, yellowing sheet beneath you, each stroke he delivers knocking the wind out of your lungs, making it harder to breathe. He is so heavy on top of you, this big, broad, bulk of a man who makes you feel swallowed, smothered, and small. Joel takes up so much room inside of you, and it’s a wonder how you could possibly have any space left to spare.

It’s a fullness you can’t seem to get enough of.

It’s a craving, a need.

Worst of all, it’s slowly becoming a want.

“Daddy,” you choke out, fisting the sheet tighter, your skin stretching taut over your knuckles. Can the others also hear the squelch of your drenched cunt around his cock as it begs him for more?

“Fuck. You’re doin’ so fuckin’ good for me, baby,” Joel croons his praise. His hands abandon your hips and he hunches over you, his thrusts momentarily ceasing. He crushes his chest against your sweaty, quivering back and leans forward even further, bracing his large hands on either side of you. Then, his lips move to the shell of your ear and he speaks, his breath blazing hot on your skin. “Y’take me so well, honey. Y’take Daddy’s cock so fuckin’ well. This pretty little pussy was fuckin’ made for me. She was made jus’ for me—ain’t that right, angel?”

He’s right.

Oh, how you fucking hated that he was right.

It was made for him. Your cunt. Your body. You.

Every part of you was made for him, and only for him.

All you can do is nod dumbly in agreement.

“Say it,” Joel whispers his firm command. “Wanna hear you say it. Be a good girl and use your words. Say it, say this pussy is made for me.”

“Yes, Daddy,” you moan obediently, prompting him to grin against your ear. “My pussy is made for you, just—just for you. No one—no one else. Only you.” Could this really be the same voice that would break, grow hoarse from screaming for him to stop? The same voice that would beg and plead for him to set you free?

Jutting his hips forward, Joel buries himself to the hilt, eliciting a noise from you, something caught between a pained whimper and a contented sigh. His balls, heavy and full for you, rest on your clit, which is still sensitive to the touch after he’d spent a majority of the morning with his head buried in between your legs. Desiring yet another release, you try wriggling around beneath him in a silent plea for more. More, more, more.

Please, Daddy. More.

Joel’s grin widens. He places one of his hands on your soft lower belly, fingers dragging down the slope of it until he finds the slick swell of your seam between your legs where his girth splits you open. “Ready, baby?”

Nodding, you open your mouth to answer him, but the sound of your own groan cuts you off when his fingers firmly circle around your throbbing, swollen bud. “Oh,” you breathe, instantly sinking right into his touch. Your eyes screw shut tightly in pleasure, and you throw your head back onto his shoulder. The scruff of his beard is rough on your cheek, and it burns, the same way it had burned the tender flesh of your inner thighs.

His hips find their rhythm as you rub against his hand—you’re almost there. He knows this, you can tell by the chuckle that thunders in his chest and against your back. But you’re too busy chasing your pleasure to be embarrassed.

He’s made you a needy, greedy girl.

“Daddy,” you mewl, trying your hardest to move under him, to work your cunt up and down on his cock. “I’m gonna come—” You gasp, back arching as Joel strokes in and out, his fingers rubbing your clit with urgency.

Joel plants a sloppy, wet kiss on your cheek. “Give it to me, baby,” he grunts. “C’mon. Lemme feel her squeeze me.”

Feeling how close he is too, you try to hold on for just a little bit longer, at least long enough to finish with him, but Joel’s relentless, and you’re forced off of the ledge you’re both standing on first.

Crying out, your walls spasm around him, asking to be filled until he’s made a complete mess out of you, until white leaks, and it slowly dribbles down the insides of your trembling thighs.

“Fuckin’ Christ,” Joel rasps. He lifts himself off you and he pulls out, taking his throbbing cock in his hand. His chest heaves as he fists himself, the wet sound of your slick in his palm filling the room. “Down,” he grits, and you obey him, lowering down yourself on the mattress until you’re lying almost completely flat before him. He gives himself one final stroke just as you look over your shoulder at him, the gentle flutter of your eyelashes the last push he needs. “Fuck! Fuck, fuck—” Joel spills his load, shooting thick ropes of warm cum along the soft curve of your spine.

You rest your cheek on your folded arms, biting back a small sigh.

He’s left behind an ache—you feel painfully empty.

But it was Tess, who had been given the task of helping you track your menstrual cycle, that had given him the warning earlier that morning. “She’s ovulating. Don’t be a fucking idiot, Joel. Last thing we need is for her to—”

“Relax,” he’d gruffed in response. “I fuckin’ know.”

Spent, Joel hunches over you once more and he lightly kisses the top of your head before burying his nose into your hair. “Good girl,” he murmurs. Affection that once was unwelcome and unwanted, that once made you feel sick to your fucking stomach, now makes you feel something else entirely. You’re not quite sure what it is, only that it’s warm. Comforting. “Y’did so well for me, sweetheart. Always do.”

Your lips curl into a faint, tired smile he doesn’t see.

A while later, you find yourself perched on the bed with the sheet wrapped around you, quietly watching as he gets dressed. “Daddy?” you say tentatively as he drops into a nearby chair to pull on his boots.

“What is it, baby girl?”

“Do you—do you think we can go to the creek today?”

Joel finishes lacing his boots and looks up at you.

“I’d really like to wash up,” you admit, softly. That, and you would like to see the light of day. He’d boarded up the windows with slabs of wood—sometimes, if you’re lucky, you get some decent light seeping through the teeny gaps.

“Not today, honey. I’ve got some things to take care of. Supplies are low, we gotta do a run. Don’t have the time to take you.” He stands and picks up his rifle, slinging the strap of it over his shoulder. Noticing the crestfallen expression on your face, Joel’s eyes soften. He walks over and gingerly cups the side of your face in his palm. His thumb strokes your cheek. “Promise I’ll take you to the creek tomorrow, sweetheart. First thing. Alright?”

Nodding, your eyes fall to your hands in your lap.

“Okay.”

Joel kisses your forehead, then leaves the room.

He makes sure to lock the door from the outside, and you can’t help but wonder if he knows locking you in is no longer necessary.

“I can take her.”

Joel’s dark eyes remain focused on the state map laid out on the table in front of him. “What the fuck are you talkin’ about, Tess?” He sees her in his periphery, but is too busy figuring out the group’s best route to look her way.

“I heard her asking you to take her to the creek so she can bathe,” she tells him. “I can take her.”

Finally, his head snaps up and he turns to her. “What?”

Tess leans her hip against the table, crossing her arms over her chest. “You and Tommy can take the group, go and take care of what you have to take care of. I’ll stay behind and take her down to the creek,” she suggests casually, as if she’s not asking him to trust her with his most prized possession—the only damn thing on what was left of this fucking earth Joel Miller actually gives a shit about. “Once she’s washed up, I’ll bring her back to the cabin and put her back into the room. Easy.”

Joel stares at her, bewildered. “What makes you think I’d fuckin’ allow somethin’ like that?”

“Oh, come on.” She huffs and rolls her eyes. “Anytime I bitch about having to do something for that girl, you’re on my fucking case about it, and now that I’m offering to do something for her, you don’t wanna let me?”

He shakes his head and lowers his voice. “You’re talkin’ about takin’ her outside, Tess. Without me.”

“The creek’s just a mile away,” Tess reminds him. “I’m pretty sure I can handle getting her there and back with no trouble, Joel.” When he says nothing, she cocks her head to the side and scoffs. “What? You don’t trust me enough to take her under my wing for a couple hours?”

Joel’s lips pull into a tight line. 

Of course he does. Tess was his right hand woman, his second in command.

He trusted her more than his own fucking brother. She had never given him any reason not to, had never given him a reason to doubt her loyalty to him. No, his lack of trust has nothing to do with Tess—but everything to do with you. He doesn’t trust you. He will never trust you.

“What if she tries to—?” He can’t even say it.

“Tries to what?” She pauses. “Run?”

His throat goes dry and he gives her a subtle nod.

Joel Miller was a bad man who did bad things, but you were his good. You’ve brought back some meaning into this wretched life of his, gave him something that felt a lot like a sense of purpose. You were something for him to take care of, to keep safe and protect.

Tess raises an eyebrow at him. “You think I’d even give her the chance? Besides, the girl’s not that stupid, Joel. She knows better than to try anything. She knows she wouldn’t get very fucking far.”

“Tess—”

“I’m just trying to do something nice for her. Besides, I think it might do her some good to be in the company of someone else for once—the company of a woman.”

Joel peers at her, taking a minute to think it over in his mind before asking, “You’ll have her back in the room before I get back to the cabin?”

“Long before then,” she swears. “All in one piece.”

He hesitates. He’s still not sure.

It’s then that he remembers that disappointed look on your sweet, pretty little face. “Alright,” he relents with a deep sigh. “I trust you, Tess.”

It always feels a bit strange to be outside.

But being outside without Joel?

It feels even stranger.

When he’d walked back into the room and told you Tess was willing to take you to the creek, the news had taken you by complete surprise. When he said he was willing to let her take you, that you almost couldn’t believe. It hadn’t even sunk in until the three of you stood outside the cabin and he was kissing your forehead sweetly in a temporary goodbye before turning to Tess.

“Never take your eyes off her,” he’d instructed her.

“She’ll behave.” She had smiled at you as she pulled her pistol from the waistband of her jeans, the gleam of the silver barrel catching your eye. “Isn’t that right?”

Swallowing dryly, you had answered with a strained, “Of course.”

She’s the last fucking person you wanted to cross. She was almost as terrifying as Joel, if not more.

“Tess? W-Where are we going?” you ask as you trudge along behind her, hoping you don’t sound as winded as you feel. Although you had no way to keep track of the time, it felt like you’d been trekking for at least an hour. Your feet are starting to hurt in your shoes—old, worn, yellow canvas sneakers that certainly weren’t made for hiking. “I don’t remember the creek being this far from the cabin.”

Tess snorts. “Don’t tell me you’re tired already.”

“It’s just—we’ve been walking for a really long time.”

She glances over her shoulder at you. “Here I thought you would be a little fucking grateful to be out getting some fresh air,” she chuckles, shaking her head before turning her attention back to the path ahead.

“I am,” you squeak, stumbling over a fallen branch.

Silence falls over the both of you.

“We’re not going to the creek,” Tess finally speaks after a minute. “I’m taking you somewhere else. Somewhere even better. Just trust me, kid. Now hurry up.”

It takes another hour before you reach your destination, and you hear it before you can even see it, a humming sound that turns into buzzing the closer you get. Then, you feel it, a vibration in the rocks beneath your feet. “Is that a—?” Stepping around her, your mouth falls open in absolute awe at the sight before you.

The waterfall is nestled right in between the trees and surges over the rocky mountain, throwing up bubbles of spray as it plunges into the lake at the bottom, and from there, it foams into a thick, white lather at the base. On the bank, where you stand, you spot different types of vegetation you couldn’t identify even if you tried—all you know is that it’s green, and it’s beautiful.

“This is incredible,” you gasp.

“Way better than some little creek, huh?” Tess tucks her pistol into the waistband of her jeans and shrugs off her pack. She digs around in the front pocket and pulls out something wrapped in a piece of crumpled brown tissue paper. She hands it to you. “Here.”

“What’s this?”

“Well, if you’d fucking open it, you would know,” Tess rolls her eyes. “It’s my last piece of soap. It’s all yours.”

Her kind generosity comes as a surprise—usually, Tess wanted nothing to do with you. But you don’t question it, and you certainly don’t turn the rare luxury down.

“Thanks,” you say, shooting her a grateful look.

Tess nods towards the body of water. “Alright, then. Go on and get to it.”

You take the piece of soap out the tissue. The scent of lavender is faint, but still very much there. Joel will like the smell of it on your skin tonight, you think.

As you start to pull the strap of your cotton blue dress down your shoulder, you feel her gaze fixed intently on you. Heat rushes to your cheeks. “Uh, aren’t you going to turn around?”

“For fuck’s sake,” she scoffs. “I’ve got what you’ve got. Now hurry up, we don’t have all fucking day.”

Nodding, you peel off your dress and underwear, your face on fire as the older woman’s eyes slowly drag over your naked body. Carefully, you step off the bank and wade into the water. It’s so clear that you can count the pebbles underneath your feet.

Leaning against a nearby tree, Tess calls out, “You have ten minutes! And stay out of the waterfall! Last thing I need is for you to fucking drown.”

As she lights a cigarette, you can’t help but stare at her. Her features, though worn down after the hell she had been through trying to survive the post outbreak world, are beautiful. Big, dark green eyes, a perfect nose, and full, pouty lips. There’s never been a doubt in your mind that she and Joel have been involved with one another, and lately, the mere thought of anything between them made you uncomfortable.

It’s an odd sensation deep in your gut—jealousy?

But what were you jealous of? Her having had him first?

It shouldn’t matter to you, but it does. Insecurities you have never in your life felt before seep into your bones.

“Anyone ever tell you it’s fucking rude to stare?” Tess quips, raising an eyebrow at you. She shoves her lighter into the back pocket of her jeans.

Nervously, you sink lower into the water, nibbling the inside of your cheek. “Tess? Can I ask you something?”

“What could you possibly fucking want to ask me?”

You hesitate.

“How—how long have you known each other?”

“Who?” Tess plucks the cigarette from between her lips and flicks the ashes. “Me and Joel?”

You nod. “Yeah.”

She shrugs. “Don’t know. Six, seven years?”

“How did you two meet?”

“Long story that’s none of your fucking business.”

You ask your next question before you lose your nerve. “Have you two ever—?” Unsure of how to phrase it, you stop and clamp your mouth shut in instant regret.

“Have we ever what?” Tess studies your face, and she quickly realizes what you’re trying to ask her. “You’re seriously asking me if me and Joel have ever fucked?”

Biting your bottom lip, you glance down into the water at your feet. You honestly don’t expect her to answer, so when she does, you look back up at her in surprise.

“Yeah.” She takes a long drag from her cigarette, then adds, “Few times.”

Something unpleasant claws at your insides. “You two were together? Like a couple?”

“Something like that,” Tess mutters, flicking her ashes once more.

“What happened?”

She looks at you, pausing before answering, “You.”

Oh.

Before you can utter another word, Tess snaps, “Quit asking so many goddamn fucking questions and finish up washing. You’ve got eight minutes left.”

Not wanting to push your luck further than you already have, you do as she tells you in complete silence.

You lather up the soap in your hands, washing your hair first, and then your face and body, using your hands to scrub yourself as best as you can. Between the calming scent of the soap, the soothing sound of the waterfall, and the warm afternoon sun, you find yourself relaxing. You try to clear your mind, live in this peaceful moment which you very well may never get again, but your mind begins to wander.

And it wanders straight to Joel.

Closing your eyes, you can’t help but picture him here, standing behind you in the lake. You can almost feel his hands on you, long, thick fingers lathered with lavender soap, sliding down your body. His lips at your neck, he cups your breasts in his hands, rolling his thumbs over your hardened nipples until your head lulls, falling back onto his shoulder. Joel drags his hands further down, over your stomach, going lower and lower towards the place where you need them the most. “Yeah, baby?” he murmurs into your neck, dipping one of them between your legs until you are, quite literally, in the palm of his hand. “This where y’need me?”

Breathless, you respond, “It’s where I want you.”

Suddenly, your eyes snap open.

There is a wetness between your thighs, one that has nothing to do with the fact that you’re standing waist-deep in the middle of a lake. You shake those thoughts away and finish washing yourself.

“Time’s up,” Tess calls. She meets you on the bank with a dry rag. “Here.”

The rag doesn’t exactly cover much surface area, but you dry yourself off as best you can before tugging on your underwear and slipping on your dress. Just as you crouch down to slip your shoes on, she tosses her pack and it lands in front of you with a soft thud.

Confused, you glance up at her.

“There’s about a week’s worth of jerky in there. Longer, if you know how to ration,” Tess explains, calmly. “And a canteen for water. I also packed you a flashlight and a pocket knife. It’s not much, but—”

Frowning, you rise to your feet. “What are you talking about, Tess? What’s going on? Why are you giving me your pack?”

“Because I’m giving you a chance, kid.”

A feeling of dread pools in the pit of your stomach.

“A chance to what?”

“Run.”

Your heart stutters a beat. “Run?”

“He’ll come looking for you. You need to get as far away from here as possible. Run away, as far as you can, and don’t fucking look back.”

All you can do is stare at her in shocked silence.

“I can help you get a head start,” Tess offers, quietly. “I can show you which direction to go in and put you on a path leading to the closest state highway—”

“But what if I don’t want to run?”

Tess places her hands on her hips, and she exhales an incredulous laugh. “Jesus,” she breathes, shaking her head in pity. “He’s really got you fucking brainwashed, doesn’t he?”

You glare at her. “I am not brainwashed, Tess.”

“You’ve gotta be if you’re telling me you wanna go back to him.”

“Tess—”

She cuts you off. “He gave the order to raid your camp and kill your people,” she reminds you. “He fucking slit your father’s throat right in front of you, then took you as his prisoner. He made you his fucking sex slave.”

“He takes care of me! He feeds me, makes sure I have a bed to sleep in no matter where we are. He keeps me safe. He—he cares about me.” You will your voice not to tremble as you stand your ground. “No. I’m not running away, Tess. I want to go back.”

Tess sighs. “You’re really not gonna make this easy, are you?”

“Take me back,” you all but demand, your hands curled into the least menacing little fists she had ever seen in her life at your sides. “Take me back to the cabin—take me back to him, Tess. I mean it.”

Amused, she huffs through her nose. “Or else what?”

“You can’t make me run away, Tess.” As you take a step towards her, she reaches behind her and swiftly whips out her pistol from the waistband of her jeans. You halt, freezing in fear when she aims the barrel of the gun at your chest.

“Actually, I can,” she says, her finger hovering over the trigger. “So here’s how this is gonna go. I’m gonna walk away now. And if you even think about following me, or trying to find your way back to the group, you will die.” She tosses you a tiny, wry smile. “Believe it or not, I’m doing you a real big favor, kid. Problem is, he’s got you so fucked in the head that you can’t see it.”

“Tess, please,” you plead. “Don’t do this to me!”

She begins to back away. “Remember when you’d say that to him? How you’d beg him not to do those things to you every night? Beg him to let you go?”

“Please, just take me back to him!”

You start to follow her.

“You take one more fucking step and I’ll shoot you,” she threatens, her eyes darkening. “Don’t think I won’t.”

Tess keeps her pistol pointed at you until she slips into the trees and disappears, abandoning you in the middle of the forest.

He’s furious. Livid.

Joel paces back and forth on the porch.

“Where the fuck are they?”

The old, rotting wood that wraps all the way around the cabin creaks, and certain softer spots bend and buckle, threatening to give way beneath his heavy boots. Joel’s younger brother leans against the railing, which is just as fragile, an unlit cigarette dangling from the corner of his mouth.

“Christ, Joel. Can you fuckin’ relax?” Tommy grumbles, fishing around in his back pocket for his lighter. “You’re gonna bring the whole damn cabin down if ya don’t cut that shit out.” He sparks a flame and lights the filtered end of the cigarette. He takes a long drag, and exhales the smoke through his nose. “You’re gettin’ worked up over nothin’, brother.”

“S’almost sundown, and they’re still not fuckin’ back.” Joel shakes his head. “Fuckin’ knew I shouldn’t have let Tess take her. Somethin’ happened, Tommy. I just know it.” He lifts his shirt and reaches for his pistol, pulling it from the waistband of his jeans. “M’gonna head to the creek myself to find ‘em. Ain’t gonna sit around on my goddamn hands and wait for it to get fuckin’ dark.”

“She’s with Tess. M’sure the girl’s fine—” Tommy stops, his eyes widening slightly. “Well, hell.”

“What?”

Tommy jerks his chin over Joel’s shoulder before taking another slow, casual drag of his cigarette. He savors the last few seconds of peace before shit inevitably hits the fan and his brother unleashes his wrath on anything, or anyone, in his path.

Joel whips around and his stomach sinks, his blood ice in his veins when he sees Tess approaching the cabin. Alone.

Both his mind and body go numb. It’s a jarring shock to his nervous system, and it takes him a minute or two to fully process the fact that you’re not with her.

“Joel,” Tess says his name carefully as he descends the porch steps and walks towards her. “I need you to take a breath, alright?”

“Where—where is she?” His voice breaks, his weakness momentarily slipping through the cracks.

Not that Tess didn’t already know you were Joel Miller’s weakness, his soft white underbelly, the only vulnerable part of his hardened self that could be penetrated—you would have been his downfall. As much as she’d like to say she did what she did solely for your own good, she also did it for his, and for the sake of the group as a whole.

It needed to be done.

He stands in front of her, a ticking time bomb about to go off.

Prepared to face whatever consequences of the choice she had made, Tess tucks her gun away and sighs. “You need to take a breath—”

Joel snatches her arm, his fingers digging into the flesh above her elbow. His emotions hit him all at once.

Fear, worry, anger. It’s the third that takes precedence, and before Tess can utter another word, Joel yanks her forward. She crashes against his chest so hard that it knocks the wind out of her. “Where the fuck is she?” He leans down, his nostrils flaring as he brings their faces the closest they have been in almost a year.

“Joel, take a fucking breath—”

“Where. Is. She.” His grip on her arm tightens with each word he bites out through his teeth. He’s vaguely aware the others have piled out of the cabin, gathering on the porch to watch the altercation.

“She ran,” Tess explains, calmly. She doesn’t falter, not even as his fingers sink deeper into her skin, promising her painful bruises which will take days to fade away. If he decided to let her live. “She ran away, Joel. I turned my back for one fucking second and she was gone. She even took my fucking pack. I tried going after her, but it was no use. She was too fast.”

Behind him, Tommy snorts. “She outran you?”

Her eyes momentarily flicker to him. “Her knees are a lot younger than mine,” she replies, flatly.

“Which direction did she go in?” Joel demands. When Tess doesn’t immediately respond, he shouts, “Which fucking direction!”

Tess manages to snatch her arm out of his grasp. She glowers at him, hissing, “What the hell does it matter which direction she went? You won’t fucking find her.”

His eyes meet hers, and he sees it. Feels it.

She’s lying to him.

“Tess.” Joel’s voice drops dangerously low. He studies her face, his brows creasing with suspicion. “What did you do?”

“I didn’t do shit, Joel. She fucking ran away.”

Without warning, Joel takes her by her throat. His other hand brings his pistol to her head, shoving the barrel of it against her temple. His nose touches hers. “Now, tell me why I have the feelin’ you’re not tellin’ me the whole truth?”

Tess lifts her chin. She searches his eyes, a sharp ache shooting through her. After everything, all the hell they had been through together—he would end her life, put a bullet in her because of you? Did she mean that little to him?

Or maybe she’d never meant anything to him at all?

She’s not sure which stings more.

“Because you’ve fucking deluded yourself into thinking that she willingly wants anything to do with you,” Tess finally answers. “That’s why.”

He ignores the burn of her scorching words.

“Where the fuck is she, Tess?”

“If she’s smart, she’s far away from here by now,” she hisses. “I did everyone a fucking favor, Joel. That girl is just another fucking mouth to feed. And what if you get her pregnant? That’ll be another one. Not to mention, a crying baby could draw unwanted attention and get us all killed. Ever thought about that? She’s not an asset to the group, she’s a fucking liability. Besides, I think I can speak for everyone when I say we’re all fucking tired of hearing you ra—”

Joel digs the barrel harder into her temple, his finger hovering over the trigger. “Listen to me. You’ve got ten seconds to tell me where she is, y’understand me?”

“Or what? You’ll blow my brains out?” Foolishly, Tess chooses to call his bluff despite not knowing for certain whether or not he’ll actually pull the trigger. “Go ahead, then. Kill me, Joel.”

His finger twitches over the trigger, but he doesn’t pull it. He can’t fucking pull it. Not on her. Not on Tess.

Still in his hands, she sags slightly in relief.

Swallowing harshly, Joel Miller lowers his gun and does something she’s never seen him do before. He begs.

“Tess, tell me where she is,” he whispers. His pleading is subtle, and only she can hear it. “Please—just fuckin’ tell me where my girl is.”

Tess stands her ground and says nothing.

Releasing her, Joel shoves her aside and with nothing but his gun in his hand, he sets off to find you.

“Ow, fuck!”

You gasp, quickly lifting your bare foot off the ground.

You’d stepped on something sharp—a stick, or maybe a rock?

In a desperate attempt to try and keep up with Tess’ tracks, you had stupidly left behind your shoes back at the waterfall. But the mere seconds you had spared by not stopping to put your shoes on hadn’t given you the advantage you thought it would. She had moved much too fast, and within minutes, you’d become helplessly, hopelessly lost. Every tree and every bush, they all look exactly the same, and for all you know, you’ve probably been going around in fucking circles for the past couple of hours in your search for her footprints in the dirt.

Sagging against the trunk of a nearby tree, you take a minute to try and catch your breath, to give your poor little feet a break from hiking over fallen branches and jagged stones.

Your head falls back, eyes gazing through the canopy of trees. Dusk has settled in, and nightfall is on its heels. It was foolish of you to leave behind your shoes, but even more so to leave behind the pack she had given you—in the pack were all the things meant to help you survive. Knife, flashlight, food.

Sure, you can survive a night out here in the wilderness without any of those things—but then what? Come dawn, what do you do? Where do you go? Do you just stumble around in the woods and hope for the best? Pray you’ll make it onto a highway with signs that will point you to a quarantine zone?

Hell, maybe you’re overestimating yourself. Maybe you wouldn’t survive long enough to worry about your next move. Howls in the distance remind you there’s wildlife out here, dangerous predators that come out after dark in search of their next meal. Or what about infected? It wasn’t unheard of for them to veer off the highway and lose themselves in the trees.

You recall your first few weeks in Joel Miller’s hands.

Escaping them was all you could ever think about, even though the chances of you surviving alone were slim to none, just like they are now. Never having been on your own, death would have been inevitable—but back then, in your darkest moments in captivity, you wished for it. You’d welcomed the idea of starving, freezing, or being torn apart limb from limb by an entire hoard of clickers. At least then, you’d die with your freedom.

Almost a year later, that wish has been granted.

You’re free.

You may very well die, but you would die free.

Closing your eyes, you think about Joel. His arms, that once held you down—held you still—as he did all those things to you without your consent, are arms your heart yearns to have wrapped around you, holding you close.

“Jesus,” you grit, a tear rolling down your cheek.

Maybe Tess had been right. Maybe he really does have you fucked in the head.

Joel was a monster. He had taken everything from you, including your innocence. He’d defiled you in ways you hadn’t known were possible. He was a terrible, terrible man.

A terrible, terrible man who kept you fed.

A terrible, terrible man who kept you warm.

A terrible, terrible man who kept you safe.

Another tear slides down the side of your face. What is fucking wrong with you?

You don’t know. But what you do know is, the thought of never seeing Joel again is somehow more terrifying to you than the thought of dying even the most brutal of deaths.

A loud rustling sound brings your train of thought to an immediate, sudden halt, and your eyes wrench open.

It’s darker now, but you manage to catch a movement in the shrubs, only mere feet in front of you. Panic flares in your chest, it rattles you to your very core, and even though every nerve in your body is urging you to move, you freeze, your back flush against the tree trunk. Your fingernails dig painfully into the bark as you watch the shrubs part down the middle, and a tall, hulking figure emerges with a heavy grunt.

At first, you think it’s just a figment of your imagination showing you what you wanted to see—a hallucination. Blinking furiously, you lightly shake your head, and then take another look at him. Your breath hitches when you realize it’s Joel.

He stares at you in the same manner, as if he’s trying to figure out if you’re real, or if his mind is playing a cruel, cruel trick on him. Feet cemented to the forest floor, he watches you take a small, tentative step towards him.

Once adamant that you’d never look him in the eye, you find your gaze locking directly with his as you carefully take another step closer. Then another, and another.

“Joel?” It’s the first time you’ve ever uttered his name.

He seems as taken aback hearing it as you are saying it.

“Joel.” It rolls off your tongue smoother, and with more ease the second time around.

It sparks a flame somewhere deep, deep inside of him, a fire that burns differently than those ignited by carnal desires.

No, this is something else entirely, and you feel it too.

“Baby?” he whispers hoarsely. “S’that really you?”

“Joel!” you cry, hurling yourself into his arms.

Joel’s gun falls from his hand and he curls them around you. Burying his nose into your hair, he inhales deeply. The scent of you, the feel of you—you’re fucking real.

Shuddering with sobs of relief, your arms wrap around his waist, and you cling to him as if you’re clinging onto dear, precious life itself.

“Hush now, s’alright,” Joel soothes, cradling the back of your head in one hand, while the rubs soft, calming circles into your back. “I’ve got you, honey. M’here.”

“I swear I didn’t want to run away,” you explain through your tears. “I begged her to take me back to you, Joel, I really did! But she left me out here—she said she would shoot me if I tried following her back. Please, you have to believe me, you just have to believe me!”

He squeezes you harder against his chest. “I do, baby. I do believe you,” he assures you. Pulling away, he takes a step backward and takes your face between his palms, peering at you in concern. “Y’hurt, sweetheart?”

“No,” you hiccup, curling your hands around his wrists. Your lower lip trembles. “I—I thought I’d never see you again. I was scared I wouldn’t,” you admit, softly.

Joel’s thumb wipes away a fresh tear. “M’here now,” he murmurs. “You’re with me, baby. You’re safe, alright?” As a late evening breeze passes through, he lets you go and shrugs out of his brown jacket. He goes to drape it around your shoulders, but you snatch it right out of his hands, then toss it aside.

Something in you snaps. You take fistfuls of his flannel, pulling him down towards you to do yet something else that takes you both by surprise—you initiate a kiss. You lean forward and press your lips to his, a little swipe of your tongue across his bottom lip as you clutch tighter at his shirt, holding him in place. Groaning, Joel opens his mouth more, his tongue brushing yours.

Liquid heat pools in your belly, and before you realize it, you’ve grown frantic, kissing him with fervor. Releasing his shirt, you slide your hands down his chest, over his stomach, lower and lower until you find his belt buckle. Desperate, you clumsily fumble with it, and that’s when Joel tears away from you, his breath hitching.

You’re begging before he can even say a word. “Please. I need you—I want you. Right now.”

You cup him through his jeans, and he exhales sharply.

“Fuck.” Without giving it a second thought, his hands reach for the straps of your dress, pushing them off of your shoulders. He roughly tugs at the material, letting it slip down your body until it falls around your feet. In a tangle of limbs and tongues, you both sink to the forest floor. Your hands brush his buckle, and he catches your wrists. “Not yet, baby girl. M’still in charge, alright?”

Sheepishly, you nod.

“Say it.” His command is firm, but somehow still gentle.

“You’re—you’re in charge.”

“Good girl.” Joel guides you onto your back. He’s over you in a second, swelling your lips with a hard, hungry kiss that leaves you dizzy and breathless. He moves his mouth, teeth scraping over your cheek and jaw, down to your neck where he nips at the tender, delicate flesh over your pulse point. Then, he bites his way over your collarbone and to your shoulder. “Bet she’s already wet for me,” he mumbles into your skin. “Ain’t she, baby?”

Pushing himself back onto his knees, he slides a finger over your clothed cunt, eliciting a small gasp from you. Hooking his fingers under the elastic waistband of your cotton underwear, he yanks the fabric down your legs. It catches on your foot, your wetness smearing against the inside of your ankle.

You’re drenched.

“C’mere,” Joel grunts, sliding his hands under your ass and pulling your hips over his thighs. He leans over you once more, your bare, throbbing cunt rubbing against the crotch of his jeans. He tuts lightly into your neck as you buck against him. “Such a fuckin’ needy little girl.”

Desperate, you try rolling your hips into his. “Joel.”

“Kinda like it when y’say my name.” He starts making his way down the length of your body. “Think I’ll like it even better when you’re screamin’ it. Won’t I, baby?”

Your stomach tightens as he nibbles his way down your neck again, teeth scraping over your clavicle and down your chest to your heaving tits. Taking one in his hand, the other goes into his mouth—his tongue is scorching hot over your nipple. He licks the pebbled flesh, sucks it and bites it while he rolls the other peak in between his thumb and index finger. “Oh fuck,” you gasp.

Releasing your breast with a wet pop, Joel sinks further down your body. He plants hot, open-mouthed kisses along the curve of your tummy, leaving behind a trail of fire in their wake. He stops over your mound and hovers for a fraction of a second before pressing his nose into the silky soft curls there. Inhaling deeply, Joel picks up the subtle, herbal scent of the lavender soap you had washed yourself with. “Fuck, y’smell so fuckin’ good.”

He pushes your thighs open, pinning one to the ground with his hand while the other goes over his shoulder. Your foot slides down his back, toes curling despite the fact that he hasn’t even reached the spot where you’re aching to have him most. Heart thundering, your blood rushes, roaring in your ears.

Joel turns his head, his lips brushing your inner thigh in another kiss. “S’this where y’want me, honey?” he asks you. Goosebumps erupt over every inch of your skin as he draws closer, his breath like steam on your core. He glances up at you, his cock twitching against his zipper at the sight of you laying naked before him on the floor of the forest. Willing. Wanting. “Hm? Right here?”

“Yes,” you breathe. “Please, Joel.”

Thankfully, you only have to ask him once, and then his face is buried between your legs, and he is giving you what you want.

“Fuck!” you cry out. Back arching, your head tilts back until the crown of it meets the ground, leaves and twigs finding their way into your clean hair.

Joel’s tongue flattens over your cunt in a broad stroke, then dips between your folds, collecting your slick with a harsh groan, one that sends a bone-rattling vibration throughout your entire body, from head to curled toes. His mouth opens wider—a starving, greedy man trying to eat you whole. Sliding his tongue over your clit, Joel seals his lips around it, sucking the sensitive bundle of nerves until it swells in his mouth.

High-pitched little cries and whines spill from your lips. Your hands shoot down, fingers tangling themselves in his dark, graying curls, eliciting a grunt from him when you tug at his roots. “Joel, fuck,” you choke, your nails scraping against his scalp. He slurps and swallows your wetness, the sounds drowning out those of the night—the chirping of crickets, the croaking of frogs, the soft hooting of owls are washed away until all you can hear is him devouring your pussy.

Your body starts to tremble, and you know you’re close. Joel does, too. He feels your thighs twitch, threatening to close around his head, but he wrenches them further apart with a muffled but firm, “No.” He drapes his arm over your pelvis, his large hand splayed on your belly.

Relentless, he sucks your clit, gliding his tongue over it, again and again until the muscles in your lower tummy tighten and you burst at the seams, unraveling into his mouth. Warm slick gushes out of you, a sweet mess he licks clean. You choke back sobs of pleasure, your body tensing, vision blurring with every stroke of his tongue, each scrape of his teeth over your clit.

Joel lifts himself onto his knees with a grunt and gazes down at you—his good girl, sweet and pliant and ready to be fucked full of his cock. His hands slide his belt out of its brass buckle, eyes still trained on you as he pops the button of his jeans and yanks down his zipper.

Your mind is fuzzy, still syrupy and dripping—it doesn’t fully register what he’s doing, not until he climbs back over you and you his hard cock brushes your thigh, hot velvet that sears the inside of your leg. Precum smears your flesh.

“Y’feel that? Feel what you fuckin’ do to me?”

“Joel.” Hands shaking, you reach for the buttons of his shirt, desperate to feel more of his skin on yours. You whine when he catches both of your wrists in one hand, pinning them above your head. “Your clothes—”

“Stay on.” Ducking his head, he nips at your pulse point and mumbles, “Tell me what y’want, pretty girl.”

Joel shifts over you, his cock now resting on your lower belly, thick and heavy and leaking.

You squirm under him, hips coming off the ground, that hollow thing inside of you begging to be filled.

“Use your words, sweetheart. Tell me what y’want.”

“You, Joel—I want you. Please, please, please—”

He hushes you.

“I’ve you, baby. I’ve got you,” Joel promises. He wraps his other hand around himself, dragging the head of his cock along the seam of your puffy folds, up and down—he elicits a ragged little gasp from you when he grazes your clit and his fingers tighten around your wrists. He coats himself in your slippery slick until he’s glistening with it, and then he gives a slow roll of his hips, working himself into you.

Your mouth falls open. No words come out, no pleas for more—only jerky breaths, pathetic little pants for air as you take it.

Joel’s cock throbs, pulses like a heartbeat as your cunt welcomes him home. He presses his forehead to yours. “She’s always so fuckin’ sweet to me.” His voice is low, rough gravel. His eyes meet yours in the dark blue glow of the forest, and he savors the last moments of seeing your pretty face before the last traces of dusk are gone. Brushing his lips to the corner of your mouth, he feeds you his cock inch by inch, murmuring, “That’s it, honey. Good fuckin’ girl.”

You melt around him at his praise.

Releasing your wrists, he moves his hand, placing it on the crown of your head. “Ain’t ever lettin’ you out of my sight again,” he swears. “Alright? Never gonna be apart from me again, baby girl. Never. Y’understand me?” He curls his other hand firmly around your jaw, his fingers sticky with you and him. “Do you understand me?”

“Never,” you repeat, softly.

Joel kisses you, deep and slow, almost sweet. Tender. He breaks away, his lips hovering right over yours as he pushes his hips forward, bottoming out inside you.

Moaning, your hands grasp at his shoulders. Your legs widen further to accommodate the breadth of his hips.

“There y’go.” Joel presses deep within, until your belly feels hot and full. “That’s it, baby. Good girl,” he coos, drawing his hips back, then rolling them right back into you. He takes one of your ankles and tosses it over his shoulder, giving himself a better angle to fuck into you.

A loud cry tears from the back of your throat. “Joel!”

He grins in the darkness. He knew he’d like hearing you scream his name.

Joel’s hand settles on your leg that’s over his shoulder, your thigh already shaking. “Y’gonna be a real good girl n’ give me another one?”

You try to answer him, you really do, but your mind falls further and further away.

His fingertips sink into your thigh. He strokes in and out of you, never retreating more than inches at a time so he keeps you full. Stuffed. “Christ. Takin’ it so fuckin’ well,” he croons, moving your leg off of his shoulder so they are both wrapped around his waist. Hunching over you, he bears down hard, using most of his weight. He almost chuckles at the little oof that puffs out of you.

Rocks and twigs dig painfully into your back, but all you can do is feel him. How close he is.

You’re right there with him.

“Joel—fuck, I’m gonna co—”

You’re cut off by your own sharp gasp.

“That’s it. C’mon, honey.” Joel slips his hand between your thighs, his fingers firmly rubbing your clit. “C’mon, baby. Be a good girl and come on my cock—”

It rips through you like an electric current, a shockwave that has you clawing at the dirt. You come crying Joel’s name, crumbling into a whimpering, quivering mess.

Within seconds, he’s swept away by the same tide.

“Baby,” he groans, dropping his head into the hollow of your neck. He goes still and lets your tight cunt clench at him, gripping his cock as it throbs, pulses, empties into you. After a minute, he brushes a kiss to your neck before mumbling, “My sweet girl.”

Joel makes no move to pull out of you. Wrapping your arms around his shoulders, your soiled fingers toy with the soft curls at the nape of his neck, shattered breaths slowing and piecing back together.

You gaze up through the trees at the night sky, feeling the safest you’ve ever been with the earth at your back and your whole world on top of you, his cock buried in your cunt.

Tess is right. Joel Miller really does have you fucked in the head.

You’re certain of it when you make the realization with a smile.

divider credit to @/saradika 🖤

for fic notifications please follow @joelsgreysupdates!

[hopeymchope]

No hardcore fandom has ever died so quickly and so completely as Veronica Mars. This is the story of its murder.

They should study Veronica Mars in Hollywood. I'm serious. It's an incredible story of how to go from "loud, passionate fanbase with its own fandom name that campaigns and advocates constantly for it" to "absolutely zero fucking interest" damn near OVERNIGHT with just ONE epically terri-bad decision.

If you weren't there, you don't understand: From 2007 to 2014, the fandom — the "Marshmallows," as they called themselves — were everywhere in the Internet's geek spaces, my friends. They routinely beat the drum about the series' three seasons and its excellence, lamented its cancellation, pushed others to give the show a try, and always - ALWAYS - proudly and loudly called for the series to be revived.

FULL DISCLOSURE/CONFESSION: I've not even watched that much Veronica Mars, frankly... ? Yeah, I'm sorry! it does seem pretty good from like the four-or-five hours I've experienced firsthand. I just never took the time to sit down with it. Regardless, I find fandoms and their dynamics — both how they operate internally and how they display to others externally — deeply fascinating. And I honestly find them easier to study from the outside than the inside. Like, if I'm IN a fandom, I'm more likely to stay in my corner and ignore places that seem negative. But being on the outside lets me just... absorb what's out there, looking into every forum without judgment. It's like studying pop-culture sociology or something? And it helps that I'm very close to some serious(-ly burnt) Marshmallows. It makes it so much easier to find and absorb the gamut of the fandom.

Besides: There is NO fandom story I've ever seen that's anything like what happened to Veronica Mars and the Marshmallows.

(Time to insert a brief explainer for the uninitiated: Veronica Mars was a TV series that aired from 2004-2007 on the now-deceased UPN network wherein Kristen Bell played the titular character, a high school girl whose single dad was a private detective in the fictional community of Neptune, California. She grew up working "unofficially" as his assistant, which meant that she herself was effectively a teenage private detective.

The three core elements of the series were: 1) Veronica investigating each week's big mystery with plenty of quips and snark, 2) Watching Veronica's various relationships develop and shift, with most of the focus given to a) her relationship to her father and b) Her romantic pursuits (which began as the Veronica/Duncan/Logan triangle before eventually becoming focused on the slow-burn, off-on Veronica/Logan love story), and 3) The gradual development of that season's "mytharc" — the overarching BIG MYSTERY that doesn't get resolved or wrapped until the season finale. So it went over the course of two seasons that took place in high school and the third, shorter season that was at the start of Veronica's collegiate career.)

Just how big and how passionate were the Marshmallows? WELL! When series creator Rob Thomas (not the Matchbox 20 guy) and star Kristen Bell announced the Kickstarter campaign for the Veronica Mars movie in March 2013, it achieved its heretofore-unprecedented goal of TWO MILLION GODDAMN DOLLARS within less than 12 hours. At that time, it was the biggest Kickstarter goal to ever succeed — and certainly the fastest to reach that kind of height. Fans fell OVER themselves to pay out for it. Hell, my own significant other was DEEP in the tank for VM at the time and invested enough to get multiple t-shirts as backer rewards as well as a disk copy of the movie when it eventually came home.

And AFTER the movie hit in 2014? It was thankfully beloved and embraced! The once-teenage characters were adults who were actually out living on their own and working for a living, but the fandom had grown up with them, so it wasn't like they were begging for them to stay young students. They embraced Adult Veronica and her new adventure. The fandom rejoiced loudly and continued to be all over the geek side of the Internet... where they, of course, still wanted more. Sure, there were new novels in the aftermath (which were written by the creator of the series), but most of the Marshmallows were calling for more movies or a streaming revival.

And then, at long last... season four was actually announced. And there was much (premature) rejoicing yet again.

Yes, Veronica Mars returned for a fourth season on Hulu in 2019. It was just eight episodes, and it was heavily centered on one season-long mystery instead of sprinkling that amongst a bunch of smaller ones, but it would still feature the same ol' Veronica. They promised a new, more "adult" mystery/investigation plus a strong focus on Veronica and Logan's love story.

New Hulu purchased the rights to the first three seasons and hyped up its presence on the platform while marketing the return for the new run. The marketing team played up the most popular quips from the show's history plus put out TONS of stuff centered on the Logan/Veronica ship to pump up the fans.

The season was dropped all at once using the classic Netflix "binge" model in July 2019. And then... afterwards?

There was a brief explosion of LOUD RAGE from the Marshmallows at what series creator Rob Thomas had to done to burn and spite the fandom and ruin his own goodwill.

SPOILERS FOR SEASON 4: See, at the end of the movie, Veronica and Logan finally entered into a long-term relationship. In season four, they've been dating for years, and Logan proposes marriage. But of course there has to be drama/obstacles: In this case, Veronica isn't sure she's ready to marry... or capable of being in a marriage. Ah, but of course she eventually realizes how much Logan means to her. The two are married, and, in the season finale... Logan is killed by a car bomb in the penultimate scene. The final scene is a flashfoward to a year later, where Veronica leaves Neptune alone.

For most fandoms, that'd be a memorable point of pain. A big ol' speed bump that ultimately throws some people off the bus, leaving only the die-hards. But the fact that fans had been invested in this relationship for literally 15 years and that Hulu (and creator Rob Thomas) had heavily marketed the new season as being a big romantic event for the ship... it was too much. Unlike the aftermath of the Star Wars sequels, there was no lingering group of die-hard fans who were open to whatever was next — at least no significant one. I did some Googling and could only find TWO people who still wanted another season.

Funnily enough? Critics LOVED this. Hell, Vanity Fair infamously penned an editorial about how Veronica Mars had "finally grown up" with this finale. I suppose all the other murders and deaths and drug overdoses and r*pe weren't "mature" enough before now for... some... reason. (The same editorial also featured the author openly hating on Veronica ever being in a relationship because it causes "arrested development" and declaring that the movie -- which was acclaimed by both critics AND fans alike, I remind you -- was a lame dud. So. The writer must be a reeeaaaal fun person.)

But a series doesn't live based on critical acclaim, as it turns out. The fandom was murdered overnight. "Marshmallows" stopped appearing in geek spaces online entirely. No one expressed interest in seeing the next season or the next movie. The constant flow of fan AMVs on YouTube and fanfics on AO3 dried up to nothing or damn nearly so.

Since 2019 ? Nothing. Chirping crickets. An intensely dedicated fandom of 12 years was just... vaporized.

I've never seen anything like it before OR since.

That's why it's so fucking fascinating.

So what went wrong?

Creator Rob Thomas was adamant about two things: ONE, the series was intended to be a noir show, which meant there couldn't be any happiness for its protagonist. And TWO, the death of Logan was necessary to evolve and grow the series.

Thomas thought that having Veronica in a relationship would be holding her back, and that a marriage would absolutely kill the series and leave her stagnant. It never even occurred to him that marriage isn't the end of a character's life and growth. It never occurred to him that plenty of drama can be had AFTER someone is married, or that development/growth could be that the characters mature enough to be capable of maintaining a committed relationship. Thomas' view of his own universe was so myopic that he couldn't conceive of any possible way that Veronica could still be a private detective involved in life-threatening investigations AND be married at the same time. Futhermore, he felt that fans just wanted Veronica to become a pregnant housewife, which is about as far from what Marshmallows were after as you can get without straight-up killing Veronica and/or Logan. He managed to do the only thing wronger than what he wrongly thought was their insistence.

On top of the above, Rob Thomas only viewed "noir" as a vehicle for total fatalism... despite the fact that many of the most famous noir stories are cynical and full of moral ambiguity, but they still feature a positive outcome. The Big Sleep still has the protagonist get the girl. The Set-Up arguably ends with the happiest possible ending in spite of the beating the hero receives.

Perhaps most importantly? Despite Thomas own insistence that Veronica Mars was always "noir," the majority of both TV critics and fans did not think that designation ever truly applied. I suspect that's the reason why Thomas decided to go as dark and fatalistic as possible: He wanted to be noir, and he was being told that he wasn't. So he went so far into noir that he killed his own most popular property.

He was adamant that it was the only way for the series to grow. But as it turns out, it was instead the only way for the series to permanently end. Without that season four finale, a passionate group of fans would still be begging for more. With it? It's over. Nobody fucking cares now.

That's kind of amazing.

[thebiggerbear]

where is she?

Summary: Soldier Boy only has one thought in mind when Homelander wakes him up: you.

Pairing: Soldier Boy x Female!Reader

A/N: Wrote this on July 29th. This was meant to be a drabble and I was going to experiment with a different format at the time but after taking another look at it close to a month later, I decided against it. I haven't seen Season 4 of The Boys yet but I did see a gif on here of something from the finale in regards to SB. This idea popped into my head that day and I wrote it out. Starts from the Tower scene in 3x08, an AU. Unbeta'd. Full dialogue in text is from 3x08.

Warnings: drug use; violence; violence against a woman; choking (not Butcher/Boys friendly)

Word Count: 1019

Taglist: @avada-kedavra-bitch-187; @rieleatiel

SB Taglist: @birdiellie; @heartlessdelusions; @brightlilith; @muhahaha303; @just-levyy

@solacedthistest; @deansimpala; @foxyjwls007; @onlyangel-444; @faephoria

@believeinthefireflies95; @globetrotter28

Jensen Taglist: @samanddeaninatrenchcoat; @deansbbyx; @lyarr24; @rebel-paladin; @deans-spinster-witch

@bts24; @roseblue373; @nancymcl; @c1gs-coffee; @peachhiz

@kickingitwithkirk; @fanfic-n-tabulous; @illicithallways; @mentallyillandgae

You can also read on AO3

You burst into the room from the stairwell, finding Ben trying to fight three of your new supposed teammates off, his eyes full of fury and a slight tinge of fear immediately finding you as they slipped a mask over his face. “I’m not…going back…in that fucking box!”

“Get off of him! Now!” You angrily yelled, energy pulsing from your hands as you tried to rush them when Butcher caught you off guard and knocked you into a wall on his way to get to Ryan. 

“Sorry, luv.” His expression was full of trace amounts of remorse as he turned from you but you didn’t care. Your attention was on Ben alone.

When Ben saw you slam into the wall, even more fury seemed to emanate from him and he was finally able to push everyone off. His chest was a bright pulsing red that continued to get brighter and brighter; he was charged up and he was about to blow.

“You’ll kill everyone!” Starlight implored.

Ben’s expression didn’t change and you knew you had to get to him before he went off. You didn’t care about any of them, especially now, and you didn’t care for yourself. But Ben you cared about and you wouldn’t let him do this — not again. 

“Ben!” You called. 

Within the seconds it took for you to get to your feet, Maeve was already launching herself at him and they crashed through the window of the high rise, plummeting stories below. “No!” You rushed to the edge, watching their freefall in horror. “BEN!” You screamed before the impact of the explosion sent you careening backwards.   

When Soldier Boy was woken for the second time, uncaring who was there to greet him, he only had one question. “Where is she?”

America’s Asshole of a Son, now suited up, stared out at the city from Homelander’s newly renovated suite. His own son watched him, keeping his hands clasped behind his back.

“It could all be ours, you know.”

“Don’t care,” Soldier Boy growled out. “Where’s Butcher?”

Homelander sighed in disappointment and approached. He didn’t know much about the man whose blood he shared but one thing was for certain: Soldier Boy was laser focused when it came to revenge. He just happened to be focused on the wrong thing.

When he reached the older man, he studied him for a moment before nearly rolling his eyes. “You actually loved her.”

He shouldn’t have been surprised when Soldier Boy turned a lethal glare onto him, his pupils dilated from the drugs coursing through his system that he’d just snorted, but it still caught him a little off guard. Homelander didn’t feel shame or remorse; those were human feelings and he was a god. But right then, he felt like a small child scolded by that dark gaze and his shoulders subconsciously lowered an inch.

“Find me Butcher or I will find him on my own,” the Supe threatened before walking away. Homelander watched him go, angry that even while dead you somehow still managed to fuck with his plans.

Right before Soldier Boy was about to strike a killing blow to Butcher, Hughie yelled, “She’s alive!” The Supe froze and turned a scowl onto Butcher’s dickrest. 

“I promise,” the bitch insisted. “I can tell you where she is! Just don’t kill him. Please.”

Soldier Boy’s glare dropped to the man swaying in his hold, his face bloodied, bruised, and swollen. The supe's jaw tensed and he dropped the man to the ground, making him a silent promise that he would still pay for his betrayal, before his eyes landed on Hughie. “Take me to her. And you better be telling me the fucking truth or you’re never going to get to feel the warmth of this fucker’s mouth again.”

Hughie’s eyes widened but he gave a nod. A hint of a smirk teased the corner of Soldier Boy’s lips for a moment and then disappeared completely. Before following the bitch out the door, he gave Butcher one last kick for good measure.

Soldier Boy tightened his grip on Grace Mallory’s throat and lifted her body higher up the wall. He ignored Hughie’s whiny pleas of not hurting the old bitch. “Open it,” he ordered. “Now.”

Hughie did just that. The supe could hear a whirring sound behind him and he intensified his glare at the woman he was currently choking out before turning to look over his shoulder. Out of a drawer, a cryotube emerged, looking quite different from the one he had been in when his pussy of a son had found him. His breath caught in his chest when he saw you inside, slumbering peacefully, tubes wrapped around your barely dressed body. Rage began to flow through his veins when he realized that you had been stocked away inside a fucking sock drawer like a second thought — like you had never mattered. You were the only thing that mattered.

He turned back to Mallory, gritting his teeth, and his body shaking with fury. He saw the lack of fear in her eyes and in a split second, his decision had been made. He flung her across the room, not caring about the sickening cracks he heard when she made impact. For good measure, when Hughie tried to run to her aid, he brutally knocked the kid aside and made his way towards you. Within seconds, he had the cryotube open and he ripped the wires from your body. He curled his arm around your shoulders and carefully hoisted you up into his lap.

A few heartbeats later, your eyes slowly began to open, your lashes fluttering repeatedly as you returned to consciousness. Your gaze struggled for a minute to focus on the image in front of you but when it did, you rasped out in disbelief, “Ben?”

A soft smile played upon his lips as he ferried your hand to his bearded cheek. “Yeah, doll. It’s me.” 

When you attempted to return his smile, he leaned down to whisper, “I found you,” before he gently pressed his mouth to yours.

dividers by @firefly-graphics

[no-144444]

pale blue- o.piastri

your first season as an f1 driver doesn't start the best, and you quickly realise McLaren doesn't like women very much. On top of that, your race engineer is as smug as the rest of them, and you have to deal with him all the time.

pairing: race engineer! oscar piastri x f1driver! fem! reader

warnings: lots of misogyny, lando is an asshole in this, illusions to ed behaviour, reader is not in a good head space, all of mclaren is super sexist, mentions of crashes and injuries.

part one | part two | part three | part four | part five

୨ৎ⋅୨ৎ⋅୨ৎ⋅୨ৎ⋅୨ৎ⋅୨ৎ⋅୨ৎ⋅

Baku. If you won this weekend, you’d be ahead of Max in the standings.

Quali came around much too quick, and it was only your first time on the circuit. Everyone seemed to forget the fact that you were a rookie, just because you were winning. You were on your final push lap, it was going well, but all it had to do was get you out of the bottom 5 (which you were in right now). 

“Yellow flags!” Oscar called over the radio, causing you to instinctively slow down. 

“What happened?” you panicked, radioing in. 

“I’m not sure, but… we’re P15 and time is over. Sorry Y/n.” 

“Fuck,” you whispered, hitting your steering wheel. “Where’s Norris?”

“He’s through.” 

“The team can get a win this weekend, sorry about this guys,” you sighed, driving your car back into the pits and getting out of the car to get weighed and do your interviews. The time passed, and the debrief was clear, Lando was up in P2, ready to take the win tomorrow as you were once again, put on the back foot. 

As you walked out of the room, pretty ready for a night of watching movies on your lonesome (you could finally look at screens again), Oscar came up to you. 

“My family is here,” he told you. “If you’d like to meet them, we’re getting dinner. You’re more than welcome to join-”

“I wouldn’t want to impose-” you started.

“Please,” he begged. “My sisters really want to meet you.”

You smiled. “I’ll head back to the hotel and get changed.”

He smiled. “I’ll pick you up.”

୨ৎ⋅୨ৎ

He was shitting bricks when he knocked on your hotel room door. He was wearing a pale blue shirt and linen pants, something his mum had gifted him, and all he wanted was to see you have a night of being relaxed. He knew his family could be quite crazy, but he thought his mum’s sarcastic humor, Hattie’s easy conversation, Eddie’s laid back nature, Mae’s endless stories, his dad’s kind nature, and Tim’s easy charisma, it would all go well. They could do most of the talking, and you could just watch and enjoy it, even if you didn’t feel like talking. 

You opened the door, a beautiful pale blue dress on your body, finalising your outfit with a pair of earrings. He stood there, stunned. 

You were gorgeous. That was a fact he had been made acutely aware of months ago, but you were really beautiful tonight. He didn’t speak, and your cheeks heated as you let out an awkward laugh. 

“I’m ready, sorry it took so long,” you smiled, stepping out from your room. “Let me just grab my jacket,” you said before turning and walking back into your room. His jaw actually dropped seeing the backless dress that went down to the end of your back. Thankfully, he picked his jaw back up before you turned around.

“These are for you,” he said, handing over the bouquet that had been clutched in his hand for a few moments, also pale blue lilies. 

“They’re beautiful,” you smiled, surprised by the gesture. “I’ve never gotten flowers before.”

He frowned again, but smiled before you caught him. “I’m glad I could be the first one.”

You smiled, placed the flowers in your room, and joined him in the hallway. “So where are we going?”

“My mum found this really nice restaurant just a few minutes walk from here, if that’s alright?” 

“Sounds perfect,” you agreed. As you two walked to the restaurant, you chatted about the weekend ahead, ideas for strategies, and at some point, he’d linked his arm with yours. You didn’t really mind.

୨ৎ⋅୨ৎ

The Piastri family were hilarious. Mae had told you so many stories by the time the appetisers rolled around, that you actually had to brace yourself against Oscar to stop yourself from falling off your chair. You were sat across from Mae, with Oscar to your left and Tim to your right. Their easy banter was amusing to say the least, and the conversations you had with Hattie about music, and with Eddie about her college courses were truly enjoyable. You loved hearing about their lives, such stark contrast to yours. Nicole and you ended up speaking about pilates and Oscar’s affinity for not doing his own laundry (you’d lived with him for two weeks, she apologised). By the end of the night, they’d all become your friends, and you’d barely seen Oscar, but he’d been watching you all night. He’d seen the way your eyes lit up every time Hattie mentioned a band or song you liked, how you listened so intently to Mae’s stories, how you cared about the topics his mum spoke about, how you threw jokes back and forth with his dad and stepdad, how you asked such good questions about Eddie’s studies. 

He loved it. He loved seeing you be free. He loved seeing you smile. He loved seeing you happy. 

“I love gardening actually,” you answered when Nicole asked if you had any hobbies. 

“She has a beautiful garden in Monaco,” Oscar explained, getting his phone out to show pictures. You felt yourself beam with pride. Pride wasn’t an emotion you allowed yourself to feel very often, but Oscar’s unashamed pride on your behalf must’ve been rubbing off on you, because you went through your entire garden in detail and gave Tim some advice on his garden. 

୨ৎ⋅୨ৎ

You walked out of the restaurant feeling lighter than you had in a long time. You weren’t thinking about racing, you weren’t thinking about McLaren, you weren’t thinking about the tall order that tomorrow would bring, you were thinking about Oscar. He was busy saying good night to his family, wishing them well and telling them he’d see them tomorrow, and you stood and watched. He was so… Oscar. So calm, so loving, so caring. It made you feel… good. He made you feel good. Being near him made you feel good. 

He turned to you and linked your arms, both of you starting the walk back to the hotel. “What did you think? Too much?”

You smiled. “They’re perfect. Very kind, very intelligent, very nice people, just like you. I see where you get it from.”

He beamed with pride. The night was a success. You had enjoyed yourself, and his family had met one of the most important people in his life. “I’m glad.”

“I’m really happy I came, thank you for inviting me, Osc,” you smiled.

“No problem,” he whispered. 

The rest of the walk back to the hotel was quiet, but he noticed how you held him closer than before, up until you finally got outside your room. You leant against the door, a bashful smile on your face. 

“Thank you for tonight,” you said. “I really had fun, for the first time in a while. Thank you, Osc.”

His heart was beating out of his chest. The prettiest girl in the whole world had a nickname for him. “I’m really glad you came, I had a lot of fun too,” he admitted. He took a step closer. 

Was he going to kiss you? Did you want him to?

“I’ll see you tomorrow,” he smirked, close enough to kiss you, but all he did was hug you, tucking your head into his neck. “You’ll do great tomorrow.”

“If I win it can I meet your family again?” you asked in a small, nervous voice. He chuckled. 

“You can. But you also could probably see them whenever you want, you have all of their phone numbers,” he reminded you. 

You shook your head. “I want you there too.”

“I’ll be there,” he whispered. “I’m always here for you, you know that, right?” 

You nodded gently. So small, he almost didn’t feel it. 

But he did. It was there. 

“Thank you,” you whispered, then retreated into your bedroom. 

You fell against your bed, so many questions swirling around your head as you pondered your growing feelings for your race engineer. He did the same thing. He sat at the end of his bed, wondering what he would do. He thought back to what his mother told him. 

She held him close, hugging him as the night ended. 

“She’s happier,” she smiled, talking about you. 

“Yeah?” he asked. “What did you think of her?”

“I think she’s wonderful,” Nicole smiled. “The girls love her too. And I suspect you do too.”

He sighed, nodding. His mum always found out. She smirked. 

“How do I-?” he questioned but she stopped him. 

“It’ll happen, with time,m” she assured him. “She likes you too, she’s just not there yet. Don’t worry about it too much. Just be there for her. She needs someone.”

“I am here for her,” he assured her. “She wanted to meet you guys so badly,” he chuckled. 

“She’s alone, isn’t she?” she asked. He knew better than to lie to his mum and nodded. 

“I’m glad she has you Osc,” she smiled. “She’s good for you. You’re good for her.” 

“I hope so,” he chuckled. 

“It will be, with time,” she reminded him with a kiss to the cheek. “We’ll see you tomorrow. I love you.”

“Love you too mum,” he smiled. 

He just needed to wait. He was good at that. He was a patient man, and if waiting meant seeing the real you with your real smile in that damned pale blue dress again, he’d wait a million lifetimes just to make you happy. 

God, that was a little bit pathetic, wasn’t it? 

୨ৎ⋅୨ৎ Baku was one of your favourite circuits, you decided when you sat on the grid, waiting for the lights to go out. You had a good start, gaining places. Up in the points in one corner. After overtaking a while, a few laps of shouting at Oscar over the radio about pitting, you came into the pits, went back out, and somehow, got to the lead. 

And you crossed the line first. Again. 

“I guess we’re getting dinner again tonight,” you chuckled, a smile on your face. 

“I guess we are,” Oscar nodded. “Stellar drive,” he commented. “Well done.”

7 time Grand Prix winner. You stepped up on the top of the podium, and you enjoyed it. You were the Champion, as of that day. Oscar took his celebratory selfie with some more of the team, and dinner was set for 8pm. 

You liked Baku quite a lot.

୨ৎ⋅୨ৎ⋅୨ৎ⋅୨ৎ⋅୨ৎ⋅୨ৎ⋅୨ৎ⋅

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[understandableparadox]

a comprehensive list of everything wrong with hazbin hotel.

quick note before i lose myself in madness, my standards for helluvaboss are non existent because its a free show on youtube. also i kinda like helluvaboss and i will indulge in any bias i damn well please.

oh and spoilers. i guess.

the greater narrative of the entire season is "White lady civilize inner city hoodlum". ex: The blind side. rich girl, affluent family yadda yadda.

the story is set up to be like amphibia, owl house, svtfoe, steven universe, that being starting as something episodic then transforming into story driven narrative. why? because we know the benefits and drawbacks, episodic starts allows us to wander the world, it allows us to understand the dynamics, we are not forced to reckon with anything because there is no deadline. characters are allowed to bloom and shine and the audience can actually get attached.

the source material is Vary Clearly formed from remnants of something out of a middle school edgelord narrative. the usage of transformation, the big spooky grins, the "and then i smile as my eyes glow and-"-isms which in most cases i don't mind because in some instances but in a vary Particular case its astoundingly annoying and that annoyance is like a mold, shit spreads quick.

the color Red. as a lover of homestuck cherubs and karkat and aradia, as someone who fucking loves the color red, it is so painful to say but holy shit tone it the fuck down, i know its hell but their are so many other colors that you can use, its everywhere, the streets, the air, the windows, the screens, the characters, i know the pride ring is represented with red but change up the palates every so often for backgrounds

the rush, this ties into the second point made but i think the story itself is rushed. we know everything way to early. i know way to much and it makes it hard to care about anything because im still trying to digest the last chunk of info. "oh ok, so they clear out hell once a year. oh hell has a heaven embassy? ok. oh that adam the angel, i though he wou- oh its every 6 months now. wait the exterminators die a lot? then why is everyone sca- people in hell already have weapons that can kill angels? w- oh we are in heaven now, ok ma- no one in heaven except for the elites know the exterminations occur? how do-" and its that, just this incessant rush to explain everything to you. notably that's just the god damn spark notes, we need to know everything about the characters now, every single bit of their story, their insecurities, what charlie needs to fix, how she can fix them, the major bad guys, everything. you are never allowed to dwell on a character because we need to rush towards something else. it almost feels like this should have been like... season three, it would have been a fantastic season three if you dropped the introductions honestly.

the concept of redemption. for a story of redemption to work you need to look at three things. What is there crime, Do they want to change, What is preventing them from changeing? there is only one single character that has a notable path of redemption, angel dust, but if you look through their story it feels off. What Exactly is he guilty of? he has sex, does drugs and drinks. his apparent nymphomania is tied to his sad backstory as someone forced into the sex industry so how is that their fault? then if you think about it you start to spiral and notice "hey why are most of these people in hell?" like sure some of them may deserve punishment but then you see the fucking dichotomy and its like "I was a inventor in england and died of the fucking plague, i may have made evil little contraption hoohoohoo" vs "I was a cannibal, a full on cannibal, i fucking killed people and ate them and then someone shot me". ONE OF THESE THINGS ARE A LITTLE MORE FUCKING EXTREME. i'm going to go fucking nuts, the thing they went to heaven with when presenting a case to angels on the idea that redemption and becoming a better person is actually real was angel dust not drinking at a party and not having sex with consenting adults and i want to go fucking insane. WHAT IS THE CRIME, WHO IS THROWING THE BOOK, WHAT DOES THE BOOK INTEL, ARE WE ON GOOD PLACE RULES?! half the cast dont Need redemption they need fucking help, and the other half of the cast do need redemption but they do not seek it making the point moot. sir pentious acts like he has the brain of a hyper intelligent toddler tossing about toys, its almost like he did his one bad thing of spying and then got caught, sank his little diddy about forgiveness and second chances and become a null point through out the rest of the series, sure their was Some weight to him sacrificing himself, he was a decently funny character and he had good moments but him popping up in heaven felt like a fore gone conclusion, he didn't deserve to be in hell so why do i care that he is suddenly in heaven? because its working on the concept the good place already made. no one actually deserves eternal punishment they just need help processing what makes them a dick, but instead of looking at all the parts of the afterlife that make it bad, inefficient and then creating and trying ideas to see if it work instead over a few seasons, we crash dick first into all the major plot points in regards to that and say "tada, we fixed it.".

having a sub-plot about sexual assault and its victims then having multiple sexual assault related gag ruins your point.

don't make a bunch of stereotypically jewish characters into cannibals, that was a big thing, really shouldn't have to say it.

if you are going to make a character black, make them black, you can say alastor was black but sweet seren-fucking-dippity that's not a black man.

pot meet kettle but yeah the cursing could be a little less liberal. maybe just blue hair or the pronouns, not both.

there is a very distinctive art deco/jazz aesthetic which normally i love but i feel as though it is not used to its full extent and in some cases really hurts the character design in and of itself.

this is a vary obvious bit but the story is a million times more interested in gay men then it is of lesbians, which culminates in this insane thing where the writers clearly have more talent or perhaps it would be more abt to say practice writing male gay pining then they are with lesbian pining. which i personally think is hilarious because i did not know you could min max fujoshi-ism that hard.

this next section is more to do with each character on a fundamental level, for the sake of brevity whatever there is left, i'm just doing ones with speaking roles.

13. Charlie:

(see what i mean about that red thing?)

as originally stated charlie fits rather comfortably into every white saviour narrative, though that seems to be part of her joke. though i'm not entirely sure how much of a joke it can be when its rewarded and expected to advance the plot.

her character design says nothing, it has the motif of old puppets or dolls, she wears something vaguely similar to service suits, her demonic form is just some extra horns.not to say every character needs to have their life on a clothes rack but some more snake and goat imagery would be nice

its not the chol design of charlie with snake hair, not an actual problem but its a problem to me, damn you @cholvoq for ruining my ability to look at any of the characters without wishing i was seeing your designs instead.

character wise aside from the white savoir bit, i'm having a bit of trouble understanding what the arc of the character is. she is shown to be naive, someone who doesn't understand how the world works but everytime she says something its something astoundingly clear like "people can actually get better". and its treated like someone demanded faygo in every water fountain. is the joke that the world around her to cynical or is so to naive? please pick one or the other.

now if you know me, you know i fucking hate overpowered characters with a blinding passion, one that would set alit the god damn abyss but in this one special instance, i feel like its warranted, she's the direct descendant of fucking God, she can swing her weight around a little, i mean god damn. she in so many instances looks like shes cowering so often, why would the daughter of lucifer get backed down by some rando pimp? why wasn't she the one to fight adam? sure you can say she is young but how young? her parents were there since pre-abrahamic times, most of the characters showed up in hell in the 1900s, some of them showed up in the 1600s, how old is charlie??? how long does it take for her to learn how to be strong? The story does not suffer if charlie is strong and knows she is strong. it can easily be a case of "i don't believe in violence to a weird degree". fit it into her apparent naivety about the world to believe that violence is never the answer even when dealing with a being that is unilaterally horrible and abusive and monstrous.

she ga- no im kidding, i do think her romance was waysided a bit, it would have been fine to have more scenes of them togather and in love you know?

14. Vaggie

why did you name the lesbian vaggie...? Don't do that maybe?

I like how her design is almost moth like but again i feel as though you could have amped that up.

she feels as though someone tried to combine undyne and pearl from steven universe, same story beats and design elements. it makes it hard to really distinguish her as a character.

i honestly dont have much to say about her. she is fine.

christ kill me, lets just get the big one out of the way

15. Alastor.

God Damn

where to start.

"alastor is mixed race" mixed with fucking what? concrete? there is not a single black feature on that creature, now im not saying you have to make him a png of louie armstrong but it wouldn't hurt to add a curl to the hair maybe? make it a tiny bit more wavy? Something? a crumb i beg of thee?

his symbolism is all over the god damn place, native american monsters (you know the one), voodoo, radio, puppets, stitches, circuses??? and Tentacles i guess. two of those are from closed religions so if you dumped those you would actually get a more concise character focused on the concept of vox populi as a means of societal control and influence as we see in his first song. but again that gets drowned out repeatedly by all the other random toy box bits shoved into him.

tumblr sexy man bait

he serves no purpose in the story. he does spooky stuff, pretends to do things and then goes back to sitting around looking spooky. i understand that his motif is supposed to be aloof mastermind but maybe have him do more mastermindy things? if you remove most of alastors scenes, bar the songs, it doesn't change all to much. husk and nifity can still be at the hotel, they could be looking for outs in their contracts the same as angel dust. hell it even helps with the one scene where he dose some spooky shit, asking charlie for a favor in exchange for his help in the fight with the angels instead of asking him about angel weapons which should have remained a strictly vaggie scene.

his presence in a way delegitimize the story, as I noted in in the section regarding redemption, the three parts are "what is the crime, do they want to change, what is stopping them?" and alastor kinda just spits in the face of that. he is a serial killer cannibal that has no qualms about how evil he is and apparently must continue being evil due to being under the control under someone legitimately called the Root Of All Evil. show him take a slight interest in the idea that maybe shit for him could be better, make him Want Change at the bare fucking minimum or dont have him at the hotel.

his stupid little fucking horns, big shot the troll liker wants characters to have big fucking horns, make them noticeable or dont have them.

he looks more like a dog boy, which could have been an interesting thing with the collar motif but fuck me i guess.

personal pet peeve but i fucking hate characters that have a million plus powers, stick to a set number, be creative.

im getting more petty as i go on so last point: he could have been in less episodes, he didn't need to be in dad beat dad, that should have been just a lucifer and charlie episode. inverse the red and black and i think he would be fucking great color wise, his body type is the same as ten different characters, he isnt radio enough, aside from the voice and and staff if you told me he was the fucking Cat Demon i would have been just as convinced.

16. Angel Dust

what the fuck, gay spider? its hard to actully articulate all the thoughts i have on angel dust, not in the sense that he is a deeply thought provoking character but in the fact that there is not much meat on the bones.

all around i think angel dust is kinda middling. he has a decent enough romance with husk, he has a decent enough story line that revolves around battling addiction and removing yourself from an abuser (which the story tries to brand as "Redemption???")

I dont like that most of his jokes would qualify as sexual harassment, i don't mind him being sexual as a character but continuing on when clearly someone doesn't like the jokes hurts the character.

not a critique but he is pink, which honestly ill fucking take at point, as long as its not more fucking red.

i think his design is an improvement over some of the old vivzie designs but it feels like it could have done with going a few more rounds of design changes.

same thing with alastor, charlie and vaggie, there is not enough of the animal that they are supposed to be. You could have told me angel dust was a fucking bee or something and i would have had to believe you. nothing about angel dust initially says spider, hell he dosent even have enough limps to be a fucking spider.

17. Carmilla carmine

are... are you supposed to be a rabbit...?

Big Yoai Hands

ballet fighting style, could have been cool, wish she fought more like sanji or chun li.

A single mom that works to hard, who loves her kids and never stops-

her song was decent, not great, decent. it feels as though the actress has experience singing but not in the way they tried to make her sing during her two songs. they have a obvious mexican influence, honestly just let her sing in spanish in the english dub. go listen to the spanish dub, "out for love" sounds great in spanish.

i wish i had more thoughts on them, fucking rip.

18. cherri bomb

that's not a punk aesthetic that's 2010s alt

decent character, they showed up once or twice i guess, no real thoughts.

19. egg boiz

absolutely perfect, i have not notes on them, these are perfect creatures.

20. Emily

im so fucking happy to see a singular blue character

does the naive dreamer bit better then charlie

We really shouldnt have seen her until the end of season two or middle of three.

good contrast with the other angels on screen.

Wait she is supposed to be black??? Where???

21. Husk

keith david you absolute delight, Why on gods green earth did they only give you one singing part?

one of the few charecters where its clear husk is a cat, i do like the kinda... marquee design, he is a magic cat, thats neat. i still think you can toss the wings and eyebrows and still have just as good of a charecter.

has a deeply intresting story of someone who died as a nobody, became the fat cat of hell and then was forced back to the bottom by their own vices, not used at fucking all.

huge potential, little pay off.

22. lillith

I know nothing about her except she ditched her kid and husband to vacation in heaven and i think thats kinda funny.

alot of werid things floating around her, again she shouldnt have been shown in the show at all until next season.

23. lucifer morningstar

no notes, funniest charecter, did a song based on friend like me.

few notes: i do like the idea that the immortal symbol of pride is a constant emotional wreckage constantly seeking approval through grand showmanship and manic energy that threatens to take over anything they touch.

would have liked more snake stuff on him, maybe some more goat things like horns.

that is such a stupid fucking staff lmao.

24. Adam.

alex brightman you absolute fucking delight, you should have had more songs.

I wish his design was more focused on the idea of him being a glam rock wash up

I fucking hate his mask

We shouldn't have met him until the end of the season.

25. Niffty

again she is supposed to be a bug or cockroach but nothing about her points to that.

token straight

keeps rocketing back and fourth between sexulization and infantilization

you had kimiko glenn but didnt give her a single fucking song?

26. Sir Pentious

the secret season one redeemed.

the pilot version of him felt more like someone that could do a season one redemption arc, a megalomaniac constantly attempting territory grabs, there is something you can work with, actual character flaws to work through.

essentially a child after the first episode.

actually a snake which i appreciate.

no where near steampunky enough.

27. the villians of the show dont make much sense, each one feels like they should be season long deals on their own instead of a bunch of team rocket esque idiots that show up on occasion, do a bad thing and then leave.

28. Valentino

gOD THERE IS SO MUCH RED

only a moth some of the time.

sucks as a villain, maybe they need more screen time to show why they suck in a more substantial way aside from being told that he sucks.

it is interesting that angel dust is only under his magical control when in the studio, it shows that angel dust has to make a conscious choice to return, which in turn can be made to show how abusers can draw back their victims. I do not think it was done well in this circumstance as it shows him to be cartoonishly evil, constantly flying back and fourth between sweet and utter psycho, there is no actual reason for angel dust to ever actually go back to the studio, he just does so every so often.

29. Vox

legit who cares? the only thing about him that is in any way substantial is all the dope ass fan art we get.

propaganda machine angle that is not explored at all, just hinted at. no actual barring on the story whatsoever.

why didn't he try to do the same shit as alastor by the way? he knows its bad if alastor gets in good with charlie so shouldn't it be a ass kissing race?

same body shape as literally every other male character.

tumblr sexy man version of pyrocynicals fursona.

30. Valvette

the actual poster child of the shows huge problem of "Show me, don't tell me".

apparently the glue that holds the villains together. never shown.

apparently the one that makes the love potions that valentino is famous for. had to learn about that in the fuckin wiki trivias

we know so much about her from things outside of the show.

was there to call carmilla a coward, that's her plot contribution. she shows up every now and again but its never anything substantial and serves to more around take up run time for people We Don't Need To Know Yet.

im not trying to be mean, animation is animation, we need smaller studios to have success in the industry so that other indie studios can have that success, felling a tree makes it easier for others to follow. showing that its possible to number brain rot exacs helps all animators.

but this show has so much bullshit attached to it, it has so much fucking potential that it fries my brain with unyielding frustration.

this took a bit to write, im tired, thanks for reading.