#her duality >>>

[shmlnbstrcnd]

Mikasa is so great because if you told me that "a violent buff killing machine who turns people into minced meat, bathes in their blood, and makes out with decapitated heads"

and "a shy gentle girl whose ultimate dream is to live a simple cottagecore life while wearing ankle-length grandma skirts and cozy pink cardigans"

... were the same character, I wouldn't believe you. Yet she's real and her name is Mikasa Ackerman.

[angelbunny-arts]

Pearlo

[mellohiizz]

finally managed to finish this. i forgot how fun it is to draw pretty girls, so here's some more genderbend ls designs :3 they're a little rushed, but i still like them.

[phoenixcatch7]

Okay but it's super interesting how

Din = Power = Ganondorf

Naryu = Wisdom = Zelda

Farore = Courage = Link.

Because Din, in the hylian creation myth, created the physical world. Naryu then created the laws - gravity, time, etc. And Farore finally created life - plants and people.

Din created the body, naryu the mind, Farore the soul.

And the triforce and its wielders so perfectly reflect that.

Ganon is physical power, he is big and intimidating and he breaks things. He is cunning and determined, but that's not what he focuses on. He is might makes right.

Zelda is wisdom and cleverness. She is stall tactics and information and team work. She is a powerful mage with a spine of steel, but that's not how she'll win. She is the pen being mightier than the sword.

Link is courage and persistence. He is the wild card sneaking behind enemy ranks, always moving, plunging into terrifying situations head first. He's a phenomenal fighter with a keen wit, but that's not what will get him through his challenges. He is bravery not being the absence of fear but the triumph over it.

They sit in perfect parallels to each other.

And ganon is reborn through his body - his resurrection is immortality. No matter how low he is cast, as long as he has a body he can claw his way back. He can cling to his power, build it ever higher.

Zelda is reborn through the magic of her bloodline. It's the accumulated knowledge handed down for generations, the unique power she must master, the skills she must develop to survive and get her kingdom out the other side intact. Even her name, the knowledge of herself, is handed down from all the way from the very first. Her ancestors knowledge of her future presence, her stability, is what gives her the edge.

Link is reborn in spirit. He is not bound by flesh or blood. Just like his wanderlust soul he can reappear in any time or place. His variation, his unpredictability, is exactly how he fights. It's what makes him so hard to pin down.

Ganons need to build strength means he can't chase after link. Links impulsiveness means zelda can outwit him. Zeldas stationary predictability means she's an easy target for ganon.

But the other direction?

Fire melts ice, ice redirects lightning, lightning burns fire.

And that's the very essence of the triforce.

[akiacia]

some of the right words

[skeine]

I love Taliesin for making Asha such a raw and unapologetic portrayal of godhood. She so beautifully embodies the dual aspects of Nature: the loving care and sacrifice for young and family, starkly contrasted against the brutal indifference of survival, the overriding need to do what you have to to live.

Does the tree care about the scores of smaller plants it starves as it blocks out their sunlight with its canopy? Does a honey badger care about the tens of thousands of bees that die as it rips apart their hive? Does the whale care about the hundreds of thousands of krill it kills as it eats? It's the brutal truth of nature: to survive, something else must be preyed upon.

There's something so honest about her philosophy towards humankind: they are our prey, in the end. They feed us. And if we need to kill them to survive, then we will. No fancy moral arguments about intrinsic evil, no set dressing about how it's for their own good, really.

No, just: They are our prey. That's where it begins and ends. And that's Caduceus's Wild Mother.

[beanslushee]

okay but do you remember kaz’s encounter with smeet’s little girl?

“because if you do, i’ll slit your mother’s throat and then your father’s, and then i’ll cut out the hearts of all these sweet slobbering hounds. i shall save Duke Silverhaunch for last so that you will know it’s all your fault.”

he did that and went out of his way to rub a dog’s belly in the same fucking house. in the same fucking chapter. the duality of this man.

[taddymason]

ok i wasn't going to do this BUT

Some people in the fandom have the element of "independence" and Nya's phrase "I don't need anyone" SO attached to her as if any other trait contradicts her character.

Guys, Nya's vision is not OOC. That she shows concern for the whereabouts of her fiancé who she hasn't seen in years, and who could very well be dead or could have "moved on without her", is not out of character and even more so when her reaction to this is to instantly realize that it's fake, her fears always have to do with what is out of her control and this vision clearly emphasizes that.

Like, guys, do you really want "Nya is afraid of being normal / Nya is afraid of losing her powers 2.0"? Instead of showing us real vulnerability on Nya's part from irrational nightmares in which she ends up reacting with anger and denial? You want the character to remain static, and for her to have the same fears about herself as in season 11 when:

We've already seen that fear, so there's no point in presenting us with information we already know.

Nya ALREADY faced that fear. She sacrificed herself at the cost of losing her humanity, she returned and regained control of her powers. When you've been through something like this, it makes sense that your fears evolve.

I don't see anyone complaining about Lloyd's fears not being the same as those in s11 (and his fear also went from being something about himself to being afraid of disappointing someone else.) I'm sorry, but it doesn't make sense introduce a fear that won't make sense with the arc Nya will have this season with Jay's obvious amnesia. Nya showing vulnerability/concern for someone so important to her does not make her any less independent.

[matchabot]

trouble shooting star ★

[yashley]

imogen & fearne in c3e94

[gingermintpepper]

Tbh, I'm kind of obsessed with the almost tragedy of Eiland and Caldarus in Fields of Mistria. Eiland's dedicated his life to uncovering the secrets and stories hidden in Mistria's archeology - he's single-mindedly devoted to it, so much so that even his side hobbies are influenced by his love of history and desire to know more about Mistria's but it's that devotion that makes him so blind to the magic right in front of him.

It's Eiland's sharp eye that sees Caldarus' statue behind that tree on the farm. It's Eiland who whacks away at the bark with the axe fruitlessly until he's assisted. It's Eiland who coaxes the player to help repair Caldarus' statue and subtly ropes them into joining his History Society. It's Eiland who is devoted to the steles, who gets so excited at the prospect at uncovering a new piece of old Mistria's puzzle that he cuts his outing short to rush to the museum. It's Eiland who realises that all of the different eras of artefacts dug up in Mistria's soil must mean that Mistria itself was once the cradle of civilisation for Aldaria.

And yet, with all of that knowledge, he's still so, so blind to what's right in front of him. He doesn't realise that Juniper is a witch, he merely knows that she is familiar with all manner of the arcane and assumes it's a scholarly pursuit like his instead of what it actually is - Juniper's lifestyle, Juniper's culture. And ultimately, I think that's why he's blind to Caldarus and the magic right in front of him.

Eiland isn't taking the time to stop and really think about what all these artefacts and armaments mean. He isn't considering that remnants of old Mistria still live, he isn't even able to grapple with the question of whether or not it's right for him to dig up the armour at the stele when it's clearly hidden there for a reason. Eiland is completely detached from the history he's searching for and that's why, even with magic and the truth about Mistria right in front of him, he'll remain blind to it.

[mcytegg]

Ro: Wait, okay, then I need you to crit me with a sword.

Mapicc: I'll crit Bacon! :D

[jubshead]

I wish to reach this level of cuntness

[canadachildvol2]

Nebula: *shows genuine concern for Rocket and later Peter when both were at death's door, cries tears of joy when she learns that Rocket is alive and okay, and is visibly terrified when he was still on the High Evolutionary's ship during the evacuation*

also Nebula: *yelling at children while simultaneously carrying one of them on her back* "WHY ARE YOU SO SLOW?!"

[cosmoport]

been working out some more solid designs for the siblangs recently ^_^

[royalarchivist]

Jaiden: Cucurucho, you have a lot of power, right?

Cucurucho: ...I don't know. Maybe.

Roier: Ah... Yes, you know, don't act like a dumbass, you have it. You have it, man. Eh?

Jaiden: Is there a way for us to protect all the Eggs? Do you know? I don't want anything to happen to the Eggs that happened to Bobby.

Cucurucho: Ha ha ha

Roier: WHAT? [Smacks Cucurucho]

Jaiden: [Bops him] Headpats.

Cucurucho: Maybe.

Jaiden: [Continues to bop him] Headpats. C'mon, I can get it out of you! Headpats! Chin scratches! Belly rubs!

Roier: [Joins Jaiden in bopping Cucurucho, chuckling and laughs]

Jaiden: Yeah? He's comin' around!

[Jaiden and Roier both laugh]