#heaven age
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weirdocartoongirl · 1 year ago
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Differences and Punishments in "AFA's Andersons and Wattersons Ultimate Punishment Day"
⚠️⚠️TW: This post contains some content that can easily disturbing for some people to see. Do not see this post when you got triggered by it⚠️⚠️
Here's the differences and punishments for my Wattpad story. Abiuth Flores Animations' Andersons and Wattersons' Ultimate Punishment Day. Inspired by HiroKun's movie named "AFA Caillou, Gumball and Darwin's Parents Gets Arrested and Executed" except it has differences between these.
Differences
Rosie and Anais instead were sentence to Juvenile Hall and later Twin Towers Correctional Facility (when they turn 18) for the rest of their lives here since putting them for ultimate punishment day along with their parents counts as child abuse.
Abiuth will have the life sentence in California State Prison since k!ll!ng videos/posts out of users are cyberbullying.
Has 2 new punishments and 2 replacement punishment.
Takes place in Los Angeles instead of Tokyo, Japan. However this will take place in the same timeline as Hirokun's movie.
Instead of having Fred Jones, Fuyuki Hinata and Burt Curtis here for the second punishment. It's up for the 5 Butcher Boys to do that to them.
since chainsaws doesn't make sense for a brutal punishment like this. I manage to put wooden clubs (even though it was similar to spike bats) here.
Hirokun himself will not appear due to his controversies. His oc girlfriend and his oc son will be not show up also.
And here the punishments so far
Pepper spraying their eyes from Aoi Aimasuku and Raiden Kumomoto.
100 concussions from the 5 Butcher Boys.
Belt-beating from my versions of Luanne, Silly Simon, Gabriel Upbike and Megumi Hayashibara.
Drinking expired milks.
Beaten up with wooden clubs.
Crushed by the oven.
Listening to "WordGirl" theme song in loud volume.
Getting electrocuted by Elaine's parents and Melly's mother.
Watching their sons buying things from Walmart.
Bee strung and embarrassed & humiliated on social media. (Replacement for the normal embarrassing and humiliating on social media, this becomes a double punishment).
Have their social media accounts deleted.
1000 degree cold shower.
Their 2 homes got destroyed by LAPD officers.
Shave their hairs off.
Getting ripped apart by the blender at The Larry and Steve's Blender Game show as a execution (Final Punishment).
Getting zapped by the Devil and Jasmine The Demon Queen with their powers (BONUS PUNISHMENT)
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symphonyofsilence · 4 months ago
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Let the poor man rest.
#also no he doesn't want to experience life as a normal person. no he wouldn't sacrifice his powers to live again.#he LOVED being powerful. he was very proud of his powers. he was at the top of the world. what he disliked was being so lonely at the top.#which having reunited with Geto now he is not.#and he wanted to keep the next generation safe due to his past regrets and teach a generation of kids to be at the top together.#and he wanted to get rid of the corrupt higher-ups and reform the Jujutsu society.#and he did all of that. Yuta and Yuuji are both alive and safe and the kids are all reunited with each other stronger than ever#and the higher-ups are d**d.#Gojo obviously wouldn't hate to keep living. he clearly didn't expect to lose and die. but as he himself confirmed#he died doing what he loved. he went out the way he wanted. he went out with a bang. he had the best fight of his life and gave it his all.#as he said 'he had fun'. he said it would have been embarrassing if he died of old age or sickness.#and now that he's gone he's happy with his friends and especially Geto. he found peace.#He said it himself 'Now i'm wishing that it's not just a dream'.#also for those of you who say that Geto & Gojo wouldn't be together because one would go to hell and one to heaven... no. just no.#first of all. Gojo did a mass m*r*** before his death#second of all. they're Buddhists. they don't have heaven and hell. don't bring Abrahamic religions into everything.#and you'd be surprised by the excuses the Abrahamic religions find to not let people in heaven.#probably Gojo wouldn't go to heaven even if he didn't kill the higher-ups due to...idk... occasionaly doing pranks or sth.#but Gege apparently created a whole other afterlife of his own. and Toji Geto Gojo Nanami and everyone were all gathered there together.#you SAW that. so stop.#jujutsu kaisen#jjk#gojo satoru#satoru gojo#jjk gojo#gege akutami#my two cents#satosugu
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flavoredmagpie · 2 months ago
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Epilogue
Fade Couple
[needed to do more...] [part 1]
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mostwantedpotato404 · 2 months ago
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Dread wolf take me
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an-established-butt-dent · 2 months ago
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Solas x Lavellan
Dragon age the Veilguard
Tel banal, ara'ma
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It won’t be terrible if you’re with me.
Available as print here.
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marsarchy · 4 months ago
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It is Wednesday my dudes
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egophiliac · 5 months ago
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Since book 7 part 5 (the part where we meet Meleanor/Maleanor 👀) is coming to EN this month, i would love to see your take on lilia’s proposal to meleanor! i mean they were like little kids right? it couldn’t have been that serious…i think the only reason she even brought it up again is because she could tell lilia still genuinely loved her…(even if he didn’t realize it himself?) but, oh well! Let’s think about silly childhood shenanigans to numb the pain! ^_^ (orz)
oh shit?! get ready for a doozy guys, it's comiiiiiing ᕕ( ᐛ )ᕗ
I chickened out of posting the whole thing (look, I get VERY carried away when it comes to these wacky kids and their Tragedy), but I do believe that it probably ended with Lilia getting embarrassed and just shoving the first thing he sees into his mouth to try and cover for it.
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(we're just lucky it wasn't a frog this time)
#art#twisted wonderland#twisted wonderland spoilers#twisted wonderland episode 7 spoilers#twisted wonderland book 7 spoilers#twisted wonderland episode 7 part 5 spoilers#twisted wonderland book 7 part 5 spoilers#please excuse the Dissertation that's about to happen (i have too much headcanon about them)#they've been ambiguous about most of the fae aging/developmental stages (plus lilia and mel's species age differently)#so this is entirely me assuming based on context#but i think that lilia being ~99 was probably about the equivalent of 9-10ish?#(i don't think his age maps perfectly onto 'human age times 10') (if only because i absolutely do not believe general lilia is 29)#(but in this case it feels right to me)#and i think of meleanor as being just slightly older (like ~11-12ish)#so like...kids but not LITTLE-little kids#so i think lilia was serious in a 'i have a huge crush on you and i haven't thought beyond that' kind of way#and meanwhile mel was more cognizant of how their dynamic was basically#lilia: i would die for you#meleanor: that's dumb#(lilia 600 years later: man she was right. that was dumb.)#but yeah I think she might've assumed (or hoped) he would grow out of it#except whoops oh no it just got worse#and then raverne made things MORE complicated and you know honestly maybe getting murdered was kind of a relief#meleanor in heaven: well at least he won't accidentally raise my kid to have the exact same -- are you kidding me#(i have too many thoughts to express properly i'm sorry) (i just. love these morons a lot okay.)
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sammakesart · 1 month ago
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Castles in the Fade, or What Was the Point of the Veil Anyway
Something that will now haunt me until the end of time is why was the concept of the Veil ever introduced into this series.
We’ve been hearing about it since the very first game. There’s a codex entry about tears in the Veil in Origins. Tamlen mentions a thin spot in the Veil if you play a Dalish elf. Sandal has a prophecy in Dragon Age 2: “One day the magic will come back—all of it. Everyone will be just like they were. The shadows will part and the skies will open wide. When he rises, everyone will see.” Admittedly, this is just one line said by a character who often says odd things, but it hinted to the fact they were planning to do something with the Veil from the very beginning. The state of the Veil is repeatedly brought up. It all had to mean something! Or so I thought. 
When I saw “The Dread Wolf Rises” quest in Veilguard, I said, “Oh, here we go!” The Veil is coming down, magic is coming back, and it’s going to set up such an interesting story for the next game. 
Alas, no. 
I hadn’t really enjoyed my time playing Veilguard up until this point. It felt like the game was ducking and dodging every bit of world building and lore that could possibly bring nuance or complexity to the story. Every returning character or faction was a cardboard cutout of themself. They shoved Solas is a time-out box and gave him nothing to do. They refused to let him have any impact or influence on the story when he had been set up to be our main antagonist back in Trespasser. This game used to be called Dreadwolf! And while we learn about his past… we never talk to him about it. In the present, he’s in stasis.
Elgar’nan and Ghilan’nain are our villains. And they are your typical evil for evil’s sake villains. They are mad, bad, and only as dangerous as the narrative will allow as to not give Rook and co too much trouble. They are surprisingly patient while Rook fixes all their companions’ problems… until Elgar’nan moves the moon to cause an eclipse. A vital component in making his own lyrium dagger. For some reason. This guy can move a satellite!? And he just let Rook walk away in previous encounters… twice. Ok. Sure.
The Evil Duo need their own dagger ostensibly to tear down the Veil, because they want to unleash the full force of the Blight onto the world. Because they are evil. And they were thwarted last time they tried to Blight the entire world. Why do they think Blighting the world is a good idea? What’s the point of ruling a world if everyone is dead? I guess they haven’t thought that through, because of the madness and the evilness.
Ok, I thought. Perhaps the gods will be the one to tear down the Veil. Or maybe we’ll have a choice to let Solas do it his way before they can, which will be less chaotic and less full of Blight. Because the Veil has to be coming down one way or another? Why introduce the concept of the Veil, especially a Veil that has been thinning and failing since the series began, if it’s just going to… stay.
There is a principle in storytelling called Chekov’s gun. If something is mentioned in a story, it must have a purpose. If you keeping mentioning that gun hanging on the wall over the fireplace, it’s because at some point in the story, someone is going to take it down and use it. The Veil felt like Chekov’s gun to me. Chekov’s Veil, if you will. It’s been here from the beginning of our tale, the spectre hanging over our protagonists’ heads for multiple games.
The Veil has been a character unto itself. It was the central focus of the third game, and its dissolution was set up to be the core conflict of the fourth game. We learn everything we thought we knew about the Veil was a lie. It was not created by the Maker to separate the Fade from this world because of jealous spirits, it was created by a guy named Solas to trap the elven gods and the Blight from destroying the world. Also, the elven gods were never gods, and they are also evil.
This reveal will surely throw the Andrastian religion into chaos! This puts the very existence of the Maker into question! The Evanuris are a lie; it’s only fair Catholicism—oh, I mean—the Chantry is a lie too. We briefly touch on that in Veilguard… then it is quietly discarded. Religious crisis averted.
But I digress.
When the title of the fourth game was changed from Dreadwolf to Veilguard, I started to see the writing on the wall. Still, I held out hope the Veil would have some greater purpose in the story. That its introduction as a concept was for a reason. That something in this world would change.
Instead, from the get-go, the question of the Veil is no question at all. We only get Solas and Varric making oblique or catastrophizing statements about it. Solas says little beyond he has a plan. If I ever wanted to hear a villain monologue about their plan, it was now! Varric, on the other hand, decries Solas’s plan. He warns that should the Veil fall, it will destroy the world and drown it in demons. And that’s that.
We never really learn why Solas wants to tear the Veil down, or why he thinks it will help anyone. “The Veil is a wound inflicted upon this world. It must be healed,” he says. And that’s basically all he says about it in Veilguard. In Inquisition and Trespasser, we learn it took the immortality from the elves. It cut most of magic off from the world. Spirits are trapped and are being corrupted into demons, and most of what we know about spirits and demons is wrong. There are ancient elves possibly asleep? That part is left vague, but ancient elves are still about. We meet some in Mythal’s temple. There seems to have been some merit in bringing it down, because elves were flocking to Solas’s cause at the end of Trespasser. He had agents working for him already. What do they know that we don’t know?
Apparently nothing, because by the time Veilguard rolls around, there are no mention of agents. He is working alone. His only motivation now seems to be he’s too deep in his sunk-cost fallacy. The Veil is unnatural, so it must be removed—consequences be damned. We are never given any reason to think Solas has a leg to stand on in his pursuit of tearing down the Veil. We never hear any kind of counter argument from anyone, not even Solas, as to why the Veil should come down. We are only told it will destroy the world. It will drown the world in demons. This is all Solas’s fault.
There is no nuance. No complexity. No moral quandary to mull over. The game gives us vague warnings with no explanation as to what exactly is so world-annihilating about the Veil coming down. We must take Varric’s word at face value. We’re the heroes; Solas is the villain. Stop him.
It makes me wonder why Solas was ever a companion in Inquisition, let alone a romance option. Solas was presented to us as a complicated character in Inquisition. We had the potential throughout the game to make him see the value of this world, to help him realize he was wrong about it. “We aren’t even people to you,” the Inquisitor says in Trespasser. Solas replies, “Not at first. You showed me that I was wrong...again.” He began the third game viewing the world as tranquil, seeing the people in it as nothing more than figments in a nightmare, just as we saw our companions in the In Hushed Whispers quest. He ends the game having made friends, having recognized he was mistaken. He might have even fallen in love. (Or he may still seen no merit in this world if the Inquisitor antagonized him the entirety of their time together.) But something makes him continue with his plan to tear down the Veil, despite recognizing this world is real. He must know something we don’t. Something we’ll learn about in the next game.
We’ve been hearing about the Veil for three games now. We’ve set up our complex antivillain for the next installment, and he’s going to tear the Veil down. We swear to stop him or save him. But it has to be more complex than that. It can’t be so straightforward. Uncomplicated. Simple. Boring. Right? Right?
Nope. He really is just the villain, mustache-twirling and all. He apparently had no greater motivation, no as of yet unrevealed knowledge that would put this whole Veil thing into a new context. It was really as simple as the Veil falling will destroy the world, so Solas must be stopped. There is no new information that is revealed which makes us question what we are doing. Solas is never given any nuance or complexity to his actions. Nuance and complexity have actively been taken away. Both him and the Veil are looking like they are the worst things to be in a story: pointless. Why introduce the Veil if it’s just going to remain unchanged? Why introduce a character like Solas, bother humanizing him (for lack of a better term), giving us his backstory, setting him up as a cunning antagonist, only to make him look stupid, then put him on a shelf until the last ten minutes of your game?
Solas was the trickster archetype of this tale. He was our version of Loki from Norse mythology. What is the role of the trickster archetype? To challenge the status quo. To bring about events of extreme change, like say, the tearing down of a Veil that holds back all of magic. Loki is a huge contributing factor in Ragnarök. Through his manipulation, he causes the death of the beloved god, Baldr. This ushers in a long winter, which signifies the beginning of the end. Loki is imprisoned for this crime. When the final battle between gods and giants begins, the sun and moon are swallowed, plunging the earth into darkness. The earth shakes and Loki is freed to fight on the side of the giants. The world burns in raw chaos, falls beneath the sea, and is reborn. The world is remade, and a new realm of the gods and a new, better earth is formed.
It really felt like this was the setup they were going for. Solas causes the death of Mythal, and this is his catalyst for creating the Veil, which ushers in a world without magic. This could be seen as equivalent to the long winter. Solas falls asleep, trapped in dreams. He wakes and sets in motion bringing about the apocalypse. It’s not a perfect one to one, but it’s there if you squint. We have a war against the gods in Veilguard. I was expecting a few remaining Titans to wake and join the fight. But we don’t get any of that. There is a final battle, but it does not end in the end of the world. Or a better world. It just ends, and everything is the same.
It seems our trickster god caused his apocalypse thousands of years before our story started, when he created the Veil. His role in this tale was over before ours began, and he really is just some relic from a long-past age. He has no role, no purpose in this story. He is here to be thwarted. He is no Loki at all.
If you can’t tell, I wanted the Veil to come down. Did I think the Veil coming down would be painless? Have no negative consequences? No. Of course not. But keeping it up has negative consequences too. And it made for an interesting story. Or at least it could have. But we never explore that. The game presents no counter argument to having the Veil stay up, which, again, begs the question: what was the point of introducing the concept of the Veil at all?
Did I think the Veil coming down was actually the best solution to help Thedas become a better place? I don’t know, and I never will, because the game never argues for it one way or another. It just tells you to want it in place and to stop asking questions. In real life, a catastrophic event is not the best way to solve any of the world’s problems. But this is the realm of fiction. We have gods and monsters, magic and myth. We have introduced the status quo of Thedas, recognized it needs to change, then our trickster god appears ready to fulfill his role in the narrative. 
Instead, it all comes to nothing.
I got to the end of Veilguard… and everything was more or less the same as it was at the start of Origins. Veilguard actually tries its hardest to pretend any previously mentioned problems don’t exist, so of course the Veil coming down has no merit. There are no problems to solve in this world, apparently. Solas is just stuck in the past and can’t get with the times. Silly Solas.
The Veil isn’t even a permanent solution. It wasn’t to begin with. It was some duct tape wrapped around a broken pipe, and we’ve just slapped an extra piece of tape on it. It’s still leaking. It is still unnatural, and will fall eventually one way or another. Large amounts of bloodshed weaken it, so I guess Thedas better achieve world peace real quick to avoid any battles. There were seven super-powered mages holding it together… now there is just one. Ironically, the Veil was going to fall after two more Blights anyway. The Wardens were doing Solas’s work for him! It would also have released the full force of the Blight at that time… which Solas was trying to avoid, I presume.
It feels like keeping the Veil up just pushed a big problem onto Thedas’ future generations. We’ll keep slapping bandaids on it until it all falls apart. Someone else can deal with the fallout, but we’ll be dead by then, so who cares.
Primarily, I wanted the Veil to come down from a storytelling perspective. The Veil was an interesting concept and I wanted the story to do something interesting with it. Conflict is what makes stories stories and the Veil coming down could create so much compelling and complex conflict. And the Fade is weird, and I like weird. Stories are also about change, and I wanted to see Thedas change. Yet, Veilguard is over, and barely anything has changed. Instead of magic coming back being a conflict for the next game, they went with Fantasy Illuminati. Oh.
The Veil turned out to be a nothing-burger, and no problems in this world are even close to being solved. Slavery is still rampant in Tevinter. The elven people are still oppressed everywhere. Mages have no more rights in the South than they did in Origins. Spirits are still trapped and being corrupted. The Calling still exists, though might be different somehow now? They don’t really get into that. The Chantry’s validity is still not allowed to be questioned. The Blight still exists in some form, but again it’s vague. Oh, and we learn the dwarves have been gravely wronged, and the Titans are still tranquil. At least if you redeem Solas and a romanced Lavellan joins him, they can work together on healing the Blight and helping the Titans. Oh, good. One problem is being acknowledged and some action will be taken. Offscreen. Hurray? Solas doesn’t have a really great track record of fixing problems, so Lavellan is definitely going to need to be there to make sure he doesn’t fuck it up.
For some reason, this game seemed terrified of letting us think about anything for more than two seconds. It shied away from complexity or nuance at every turn. The game is called The Veilguard—ironically, that word is never uttered in the game—but we are given no real motive for guarding the Veil. We’re unquestionably the hero. The villains are uncomplicatedly evil. Save the world… never wonder what you are doing or why.
I wanted the game to make me question if the Veil staying up or coming down was the right choice. I needed to be given a real counter argument. Convince me the alternative would actually be better or worse, because as I mentioned… things suck quite a bit in Thedas already for a lot of people right now. Let the Veil’s fate be a difficult choice to make. If the conflict cannot be what to do about the Veil, it should be am I doing the right thing about the Veil. If the heart of your game is so thin on motive, everything else falls apart around it.
I hoped they were setting up a complex, Thedas-sized existential conflict for this game in Trespasser, but no. I wanted something to happen, but nothing did. 
I want to feel challenged and changed by a story, not left feeling empty. I’m tired of superficial entertainment. I want to sink my teeth into a narrative that doesn’t paint the world in broad strokes of black and white, good and evil, heroes and villains.
Ultimately, I think my issue is why even introduce a concept like The Veil if you’re not going to do anything interesting with it. Or anything at all. What I thought was Chekov’s Veil turned out to just be a MacGuffin. And that’s disappointing.
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rosieofcorona · 22 days ago
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i love the idea of solas and lavellan getting married over and over throughout their eternity together. sometimes it happens with a plan in mind, and others just when the mood strikes. sometimes they wed in quiet seclusion, with only the wisps and the spirits to witness, or sometimes with loved ones, when they're craving excitement and a brief visit home. occasionally there is tradition. more often there is not.
i can see it becoming part of their myth over centuries: clans marking the end of the final blight with a yearly party that looks quite a bit like a dalish wedding. it's not uncommon for couples to say their vows throughout the celebration, or to cloak each other in wolf pelts, or give carved trinkets in the shape of a hand.
and though it is difficult to substantiate through time and history, some clans claim to have seen them amongst their own revelers: the dread wolf and his bride, come to celebrate with the people, laughing and dancing and gone by morning, back to the fade.
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ar-ghilas-vir-banal · 1 month ago
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I wonder if Solas meant to be in Lavellan’s dreams. Like sometimes, sure. But the first time? I doubt it.
Their souls are crying out to each other so loudly that they find each other in the Fade. Solas refuses to get to close but he also doesn’t immediately leave. He stays long enough for her to see him. He stays long enough to allow himself to be acknowledged, to allow himself to be seen. As much as he needs to see her, he wants her to see him too.
Then I think about the way they look at each other in the reunion. Solas literally has to move his head to get himself to look anywhere else. He can’t take his eyes off her. And she is ever gently, carefully getting closer. Gently, carefully touches just his hands, while Solas is taking her hands so eagerly into his. The timid but no less loving greetings these people give to one another. Holding hands, to assure and to accept.
And then Solas looking at them like he can’t believe he’s holding Lavellan’s hands. Why is she doing this? Doesn’t she know how wretched and awful he is? Doesn’t she know what kind of place she’s volunteering to abandon her entire life for? And then they kiss and Solas gives just the barest little dip of his head, nuzzles her cheek with the tip of his nose. There’s an almost “wait I’m not quite done” pause for a moment, but Lavellan pulls back because she doesn’t want to overwhelm an already overwhelmed man, and he pulls back too because he doesn’t want to make her do anything she doesn’t seem entirely committed to.
And then the shoulder touch she gives him. And if you’ve seen the fly cam stills, the “is she coming?” side eye that Solas lets himself have. He doesn’t turn his head. Too expectant. Demanding. But then her hand comes to his shoulder and I have to think he gave a little sigh. She meant what she said. But then, she always did.
And then all the yearning, the being pulled together by the Fade, gets to be brought together within it. Forever.
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ryrycouch · 1 month ago
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Pleas and worship 🖤
IT'S FADE TIME BABY ~ NSFW version is [ Linked here ]
Unfortunately it immediately was flagged on tumblr which is a shame, so I have to go with the cropped version for now. Whateveeerrrrr...
Do we like? Do we want more?
x
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weirdocartoongirl · 2 years ago
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Ai Mirror
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banal-nadas · 2 months ago
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This was THE moment he first turned around… before “vhenan” escaped his lips… he’s so tired, but she’s there… she’s finally there
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flavoredmagpie · 2 months ago
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✨Closure✨
[lies down- i finished it but my brain is still whirring I had to draw happy things]
[and now there's more]
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thepsychonyx · 2 months ago
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I want to speak about why the second part of the Best-True ending of Dragon Age Veilguard pierced me so deeply. The Flycam screenshots are from Aru/Elf botanist (YT linked at the bottom).
To set the tone, the music established the emotive themes of the scene. It speaks to the Lost Elf theme- however it is forever changed and lighter. This elf that was Lost for so many years is now Found. There is hope in the strings, there is redemption in each note. This also speaks to the specific codex from the lighthouse in Solas’ secret room. Not his office at the top of the building, extravagant, beautiful, overshadowing all others and looking down in godly benevolence - his private quarters on the main floor, where parts of his travel with the Inquisition surround him.
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When Lavellan speaks to Solas, she is using a resolute voice, almost chastising him for thinking he has to do this alone. He has her, and she will keep reminding him.
*Edit: Please note she also speaks the common tongue in this instance.
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Solas implores her to think of the dangers the journey he is going on will have, his head is down to show the residual shame and his plea for her safety. But also a part of him hopes. The reason all he says is that “there will be danger” is a statement of warning but not fully entreating her to stay. His heart has a pause, he is prioritising her safety and wants her aware of the dangers.
Note, that he also speaks in Elven in response to her, his first language and mother tongue. As a trilingual, one usually reverts to their more natural tongue during a heightened emotional situation - in this case, Solas' warning statement is also a subconcious plea for her to understand him and join him despite the danger. He will never push her further than she wants to go like he was pushed by Mythal.
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This is the shot normally, the downward and side tilt are clear making the imploring effect of his words resonate further. Unlike before where he only looked at her for small spans of time his attention is fully focused since being absolved of his duty. After she responds that she will be with him, forever no matter what, he shifts. This is akin to when making vows “I stay with you in sickness and in death” but they are crossing the boundaries of mortality. This is “I stay with you in any plight, any condition, any reality. I commit my eternity to you”
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Her response is an amalgamation of the following:
1) You are not alone in it emotionally and mentally as I am with you
2) Physically I am with you to endure it with you
3) Our joined manifestations will make it a better place quite literally, so the bleak darkness that could have encroached will not exist when we are together
This is also validated a bit by Trick Weekes QA:
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She then states their love is eternal, and she chooses to walk on any path with him fully and wholly. A love that transcends time, mortal barriers, immortality, the different realms of existence. This combined with their standing pose as if at the altar of a wedding is the final part of her vows. Said in the same hallelujah pattern and in elven as he would speak - she commits to his language (mentally and emotionally) so he best will understand her declaration. (This is confirmed by @northgalis on Twitter).
This, in front of the witnesses who are the allies who helped them unite in their union, Rook and Morrigan whilst overseen by the Veil itself in the position of holiness. His blood is the bond they now share, the new blood magic in a way that ties them to a new fate of their own making. The veil that brought them together in the beginning of the journey they now tread into together.
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Then they confirm their vows with a kiss, she pulls him in first, similarly to their first kiss in the fade and he reciprocates. Solas is weakened, hurting, feeling unworthy of the brightest soul in the universe but she chooses him and he finally submits to his desire and need for her. His duty now to himself, atonement and the woman who chose him with it all in mind.
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Aru’s flycam footage also shows the kiss being deeper and him actively
After the kiss, he SMILES. The ending is now so much less bleak it is tender, it is soft it is comfort, it is peace.
A smiling glance. meeting at a crescendo; a shared moment of understanding;
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Screenshot from Daoithe on Tumblr.
He then proceeds to thank Rook, for helping him see when he allowed himself to be so plagued by grief and guilt and not giving up on him as it could have turned to despair, revenge and anger, like all the other endings which I hate because they go against his very nature. The other endings spit in the face of his complexity the story keeps explicitly imploring you to see and have empathy. Solas is a spirit of wisdom, when guilt festers that wisdom manifests in the worst possible ways. And with no one to listen and read between the lines, the fate he is subjected too is far too unkind. But here, he not only is freed of his guilt but also, just as importantly and very implicitly, his fear of dying alone.
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If you have played inquisition you will recall there is a moment near the climax of Here Lies the Abyss where Inquisitor and their chosen companions go into the Fade. Solas is easily one of the most fascinating and best companions to take with you as he from the onset has been a “Fade expert” and his lines throughout are intriguing and educational. During the quest you come across graves embodying the different characters biggest fears. And Solas? Dying alone. The god who went against everyone he knew for a better world, whose empathy only continued to hurt him and freed others with hopes to better the world is the most lonely man. And he is terrified and within himself brought low by his loneliness in his commitment to the path he feels he must take. This is why the next part transcends the scene.
After the kiss which confirmed their bond and pact - binding them together with love and empathy, wisdom and curiosity married - he thanks rook and looks back at Lavellan, his Vhenan. And it is a *micro second* shot that completely defeats me. His head held high, the concerned imploring tilt gone as he holds his chin higher in appreciation, respect and awe for the woman who chose him. The love of his life, his eternal companion. The only one to truly fully see him, respect him, and love him wholly. Who has forgiven him and chooses a path which only leads to him. He is honoured to be loved by her, and will work to be the better man he feels she deserves, but also beginning to accept that her love for him is in any form he takes. The one he prizes above all others, chose him, and he will never be alone - and that is everything.
Seeing completely, and being wholly seen.
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This scene literally destroyed me in the best way. I am left hollow with love and adoration for this character and his relationship to his love Lavellan and no other romance will meet the threshold they have created for me. It is not Solavellan hell no longer, they have transcended to Solavellan heaven.
My playthrough video of the second half of the ending sequence.
Here is Arus Flycam YT video for reference:
Arus Flycam Lavellan POV of the True - Best ending
youtube
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thessaralka · 1 month ago
Text
Solas romance is basically:
Inquisitor: hey Solas:. …. Inky: I gotchu boo bear ❤️ Solas: choking th-thank you? Inky:… ;) you're not like other girls Solas: I - no I’m not. Thank u for noticing. Inky: ;;;) Solas: ur hot and I’m into u and I might plausibly want to test that theory Inky: choking Inky: so u have feelings for me? Solas: n-noo Inky: tests that theory Solas: fade tongue
Solas: moaning oh hehe this is a dream btw ~ Inky: wow. Hot. sooo. Wanna? Solas: there are....considerations. like mythal's geas over me which is heavily implied in the subcontext throughout my entire narrative arc. Inky:……. U don’t have to do this alone. I felt your tongue in my mouth. I said I gotchu.
Inky: I SAIDDDD I gotchu. Solas: choking vhenan ar lath ma I haven’t and will never forget that kiss smooching noises Inky: damn alright mf Solas: vhenan ❤️❤️❤️❤️ Solas: wow I love sex and parties reminds me of the good ol days let's dance babe Inky: ??? Solas: in the fade ofc. I don't party. Inky: o-okay Solas: mythal's temple…. It's all coming back…. Memories of my pa- the fade. you really cannot rely on friends at all. untrustworthy mfs Inky: ??? damn you're being negative as hell right now you tryina fuc Solas: no. Actually, Yes. Come with me vhenan. Solas: I have so much to tell you. Choking the truth. Your face. The Dalish are but simple fools - Inky: what the fuck Solas: kissing and grabbing ass, choking back tears we cannot. Your duty - I am but a distraction crying Vhenan: … I said whatever you're going thru you don't have to go thru alone. I meant that. Wyd? I love you. Don't leave me. Let's be worms together. Solas: choking and crying I'm such a piece of shit vhenan I can't Vhenan: 😭😭😭😭???????? Vhenan: 😡😡😡😡!!!!!!!!!!!
Solas: heartbroken and wracked with so much guilt on main Cole: all you have to do is tell her. she thinks it's her fault why don't you just tell her? Solas: I'm a piece of shit Cole please stop trying to help me I'm unlovable Vhenan: 💔💔💔???? Solas: harden your heart and use that pain against C-Corypheus. Solas: wh-what we had was real vhenan 😭😭💔💔😭 Solas: leaves Vhenan: 🚬😭 what the fuck even was that
Vhenan: Cullen wyd Vhenan: nevermind. Ew
Vhenan 2 years later: *putting on a clown nose* wdym Solas is an agent of Fen'Harel. Of course. He has been helping us all along ☝🏻😍 Everyone except Cole: you stupid bitch Cole: you see him ❤️ Vhenan: Solas idgaf that you're the dread wolf you should have trusted me. Solas: ….. I'm such a bastard. Solas: I'm going to tear down the veil and kill you and everyone you love. Vhenan: *in full clown makeup* let me help you Solas. You don't have to do his alone. I am literally just as crazy as you. Solas: choking I walk the din'anshiral vhenan I can't let you love me when I'm like this. Vhenan: you stupid mf. I will save you from yourself. Solas: choking and crying my love~ kissing sounds Solas: sobbing I will never forget you…. But you should forget me… I'm such a loser and horrible person. Bye Vhenan: this stupid mf. I will find his ass and make him see.
Solas for 8 years: writing vhenan unsent letters and reading smut and painting murals about it all emo Vhenan: wearing clown makeup this stupid mf. I love him still. Rook: damn okay. Vhenan: *putting on clown shoes* can we save him from himself at this point in time maybe? Morrigan: thinking with your pussy Inquisitor? Vhenan: I have literally never stopped thinking with my pussy from the moment I saw him
Vhenan: Solas, stop. Solas: choking vhenan what are you doing here? I am a peice of shit. Vhenan: Idgaf. You're my peice of shit. Solas: I cannot stop. I am under a geas by Mythal and the writers didn't want to extrapolate on that further even though it is the only thing that makes my character motivations make sense 💔 Mythal: I release you from my service btw. Solas: wow suddenly I am free to make descisions that align with my morals and values. Crazy. Rook: wack. I wanted to punch you. Solas: I will go and seek atonement. Vhenan: not alone you aren't. Solas: crying where I am going is terrible vhenan. Vhenan: I SAID I GOTCHU. WE GOING TO THE BLIGHTED ASS BLACK CITY TOGETHER TO BE WORMS ETERNAL. AND IT WILL BE FINE BECAUSE I SAID SO. Kissing noises Solas: 😭😭😭😭😭😭😭😭 thanks for bringing my woman back to me Rook, serving your only narrative purpose ❤️. Rook: whatever. Vhenan: ;)))) ❤️
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