#he's not even the only spider-man to have one. spider-man unlimited is also a thing that exists.

[stairset]

I think the portrayal of Spider-Man 2099 in Across the Spider-Verse is in-character in that aside from like Shattered Dimensions he's always been portrayed as a bit of an asshole who slips into anti-hero territory at times and generally has a "needs of the many over the needs of the few" mindset and given his specific circumstances in the movie it's not unreasonable to think he could take the actions he does. However it does kinda suck that since like 99% of moviegoers had no idea who he was before the movie came out their first impression of him is when he's in an antagonistic role and people think "antagonist" and "villain" are synonyms so now I'm gonna have to listen to people who've never read a comic saying he's a villain or isn't a real Spider-Man for the rest of time or at least until he inevitably changes his mind in the third one.

[cnnmairoll]

Hello. I was wondering if you could you write a platonic angst story where the reader is Blade's child. I was thinking usually the only thing that could calm Blade down when the mara flared up was Kafka's spirit whisper but what if being around the reader was also able to calm Blade down for some reason because Blade barely spends any time with the reader unless it's during one of his harsh training sessions and one night the reader decides enough was enough and started packing their stuff but they left behind their lucky weapon (that's your choice) and Blade found it the next morning.

A Cup of Cold Tea

Character : Blade Genre : Angst Disclaimer : The relationship between the reader and Blade will be platonic as stated by the request. a/n : This was my first Request, but it didn't take long for me to find out about the anon sending the same request to most of the HSR writers despite their request was closed. I kept it in my drafts since it would be a waste if i just scrap it all out, not to mention my friend helped me out on this one, so I decided, why not just write the final paragraph and post? Things has been quite rough and busy for me so I'm not done with my hiatus, but I hope you enjoy p.s im sorry if he's ooc here, I don't know his chara well

His blade descends on you, striking downwards in a beautiful arc to cleave your skull.

You dodge within an inch of your life, the after image of his sword burning into your retinas as you fall into a clumsy heap on the floor. Still, you spare no moment for yourself as you scramble up, his sword drawing contact to where you lay as soon as you move.

The minutes blends into hours, time being a concept of little value in the face of Blade's viciousness. It takes everything you have to simply focus on the present, dodging and deflecting when you can. You always stay on the defensive in fights like these; any window you have to strike opens itself for only a millisecond before Blade runs it through clean with his sword.

It makes you wonder how you'd fare if Blade gave it his all. You've seen Blade fight on missions enough times to know that he is much deadlier when he is putting in active effort. In contrast, his movements here are much more sloppy and rabid, fueled only by the unadulterated desire to destroy. It is the madness of his mara in its purest form, though it doesn't make his attacks any less fatal, as proven by the countless wounds that litter your body.

Dead within the first minute, probably, comes the stray thought. It proves to cost you when you earn a gash on your arm, blood spilling freely from your left. You grit your teeth; you need to pay attention. There's never a guarantee for your life when Blade gets like this.

Red spider lilies bloom around you like a garden welcoming death. It sings of carnage, reeking of blood that it greedily consumes, begging for more even if it will eventually wilt away. It feels symbolic, in a way. Out of the two of you, only you are the one who is able to experience true death.

Still, you cannot help but find the blooming sea of red beautiful, even if it is always likely to be your final resting place.

There is a lull in Blade's movements, the manic in his eyes glazing into a dull scarlet as he catches his breath. Immortal he may be, but even he has a limit he will reach. It is a mercy; not only does it signify that his mara has not yet reached a point of no return, it also allows you time to recuperate. Had Blade been given unlimited stamina on top of his self-healing, you would surely have died a long time ago.

Now that the man has tired himself, it is time to bring him back.

"Father," you begin. It comes out as a feeble whisper, your lungs still burning from exertion. Still, you must press on. "Are you okay?"

Blade is silent for a beat, then two. This is fine; you can wait for as long as he needs for your words to reach him. You've gone through this routine enough times to memorize his mannerisms, all of which are currently saying that you are in the clear. So long as his grip on his weapon doesn't tighten again, then you have nothing to be afraid of.

Silence reigns within the room, until you recognize the clarity return to Blade's eyes.

"..You," he grunts, voice hoarse. It's scratchy from his manic screaming and laughter, and you make a mental note to add honey to his tea for his throat.

You nod approvingly. "Yes, Father. Are you okay?" You repeat the question, and this time, Blade manages a sharp nod.

You grin, happy at his answer. You open your mouth to speak again, but Blade cuts you to it. "What happened to your arm?"

The man stares hard at something, and you follow his gaze to find the gash on your left arm. The bleeding has mostly stopped from what you can tell, but it's still an ugly thing to look at. You'll have to wash it soon.

You hum, considering. "It's only a minor cut, Father. I can patch it by myself later."

His eyebrows twitch, his eyes narrowing. "Come," he says simply, walking towards the door.

You let your sword disperse into particles of light before following Blade out of the room. You know there is no arguing with him when he gets like this. Any attempt to reassure him that you can handle yourself will only end with him staring at you with unreadable eyes until you inevitably give in. You're not sure if he does this because he is aware of this fact. Blade doesn't strike you as the type to be attentive to such details, but it's worked every single time, so.

You are both silent as he tends to your wound, cleaning it thoroughly before dutifully bandaging it. Blade even add bandages to the smaller cuts you would've left alone, meticulous in making sure all your wounds are taken care of. You know it is his way to apologize, as he is a silent man who prefers actions in lieu of words. That, and that he's always been awkward when it comes emotions like remorse.

"Get some rest," he says, returning the equipment to the first-aid kit. Blade looks at you, expectant, and it is only when you nod does he leave you alone.

He never calls you by name. It's something that bothered you when you were younger, but it's something you've grown to accept. You're not even certain Blade can recall your name if asked. You know it is his way to cope, to always be prepared for the day when you, too, will leave him. Remembering names are a burden on his soul, so the least you can do is spare him from remembering yours.

Your patience reached its limit. In the dead of night, you quietly packed your belongings and left a note behind. It was brief but carried the weight of your feelings: "I need to find my own path for a while. I hope you understand." You didn't sign it, hoping that the absence itself would convey the message more powerfully.

The moon hung high in the sky as you walked away from the place you called home, your steps determined despite the uncertainty that gnawed at you. You had no plan, no destination in mind. You just knew that you needed time away.

The next morning, Blade woke up to find the room unusually quiet. The absence of the usual sounds—your soft footsteps, the steaming sound of the kettle pot when you made his morning tea—was like a deafening silence. He pushed himself up, his senses alert even before his eyes fully opened. His gaze darted around the room, searching for any sign of your presence.

The sight of your neatly made bed and the note left on the table struck him like a blow. For a moment, he stood frozen, his heart heavy with a mixture of regret and realization. He had been so consumed by his own pursuits that he hadn't noticed the growing distance between you.

His eyes shifted to a corner of the room, where a familiar object caught his attention. There, placed with careful intention, was your lucky weapon. The fiery red blade of the sword gleamed in the soft morning light, its hilt wrapped in supple black leather. The pommel, resembling the closed bud of a red spider lily, held a sense of elegance and balance that echoed the bond between you and Blade.

A pang of guilt and longing gripped Blade's chest as he picked up the sword. The weight of it felt familiar in his hand, a stark reminder of the times he had shared with you. The sword seemed to dance in the air, reflecting both its deadly capabilities and the beauty of its craftsmanship—a reflection of the connection he had with you, one he had been neglecting.

Blade's footsteps were heavy as he left the room, carrying the sword with him. As he went to sit down and process your absence, he noticed a cup of tea placed neatly on the table. The tea, once steaming and fragrant, now languished in its cup, forgotten and neglected. It had been carefully prepared by you before you left, a gesture of concern and care. The faint aroma of the blend, a comforting blend of herbs and warmth, with a hint of honey, still clung to the air around it, a lingering reminder of their intention.

But time had been unkind to the tea, its temperature steadily dropping as it sat abandoned on the table. The steam that had once risen from its surface in delicate tendrils, carrying with it the promise of comfort, had now dissipated into the air. The liquid's once-rich hue had faded slightly, a sign that its vitality was waning, much like the embers of a dying fire.

Blade's eyes fell upon the cup, his gaze drawn to the cold tea that had been left for him. His fingers, calloused from years of wielding the blade, reached out to touch the cup, and he felt the chill radiating from its surface. It was a stark contrast to the warmth he had felt earlier, a reminder of how quickly time could transform something from inviting to forgotten.

As he wrapped his fingers around the cup, he couldn't help but recall the hoarse quality of his voice that had consumed him during their training session. You noticed, as you always did, attuned to the subtleties of his state. The touch of honey they had added was a balm for his throat, a gesture that had been both practical and considerate.

Blade's throat tightened with an emotion he couldn't quite name. The cold tea before him held within it layers of meaning—your concern, your attempt to provide comfort, and a reminder of his own shortcomings.

Regret gnawed at his insides, twisting and churning with every breath he took. Guilt clawed at his conscience, tearing through the facade of indifference he had so carefully crafted. Loneliness engulfed him like a suffocating cloak, reminding him of the void left in your absence. And yet, beneath it all, there flickered a tiny ember of hope—a glimmer of redemption, a chance to right the wrongs he had committed.

Blade couldn't shake the overwhelming sense of despair that threatened to consume him whole. For in that moment, he realized that the hardest battle he would ever face was not against his enemies, but against the demons of his own making—the ones that whispered of his failures and shortcomings, echoing relentlessly in the caverns of his heart.

[bookwormlover10]

look i love people talking about Terry, it's nice to have some more people in the fandom. But what REALLY rubs me wrong is how people are treating the Epilogue Clone Son Twist like it's Everything about Terry's character. You would Not introduce Harley Quinn as an anti-hero with her gf Poison Ivy. You would go into her PHD and history with the Joker first. I don't like how the "Batfam" fans just gloss over and "blorbo-fy" Terry into "poor widdle baby clone" and "sassy Future bat #7". His FAMILY and his attempts to keep his relationships stable despite being Batman ARE the things that make him stand out in the Batfamily. His past as a gang member and his acknowledgement of his mistakes with his repayment IS important to him - stop making him Damian but Better! or Jason but Better! He's Terry! he's a 90s child with all the cringe that goes with it!

Yea I agreed with you on somethings. Even though I personally don't really like the half clone twist, in the Grand scheme of things. The whole clone thing was only in one episode of justice league unlimited and they never brought it up again. It was never batman beyond itself. I don't read much comics but from I know the clone thing was Recon in comics. But that what people remembered and when people hear about they forget everything else that is interesting about his character! Which makes me not really liking the existence of epilogue. Even Thought I think the the episode fine on it own ending the cadmus ark

For the blorbo thing. It something that I noticed in a lot of fandoms. I just learned to ignore most of it.

For the Damian but better! Is something I don't really see. Because Damien was raised by literal assassins and Terry had a normal childhood. Don't really see how Terry could be Damien but better..... There origins or nothing alike.... There anger issues maybe. But that a common trait with bat boys. Like dick has it and Jason has it. So that not special. The only thing that I could think of that they have in common is there sperm donor and that their both future batman. Thought I personally think that there dynamic has potential

Jason but better is something I understand with giving how similar they are in a lot of things. Even fashioned tastes. But Terry was rocking the brown leather jackets and red bat symbols longer than Jason did... But seriously though with the simulator organs in some places. Terry was still a kid with a normal childhood was both his parents. He only started acting out is cause he couldn't handle his parents divorce and was a really bad kid. ( And from from what I know Terry is in the middle class) For what I know ( don't at me I haven't read a lot of comics) in his post crisis ( his second one) organs Jason only act up to survive. But overall was a good kid. ( For the most part. I think from my research...) I'm not going to continue this part before I butcher something. Their morals quiet different to. sent I got interested in Terry first I compared Jason to Terry. This that they would have an interesting dynamic.

For the sassy future batman is something I could see. Thought me personally I see Terry like a spider man like Batman.( Maybe because I'm bias and I like Spider-Man) Terry organs has things similar to a spider man story. ( But people have talk to death about that.) Terry also has that spider man humor. Thought he is seared when need to be. ( This is just me rambling at this point)

[romancomicsblog]

5 DC Animes I want to see after My Adventures with Superman

My Adventures with Superman opened the door for DC in a big way. Not only did it revitalize fans for more Superman content ahead of Superman: Legacy, but quickly put Jack Quaid up there in the conversation for best portrayal of Superman.

While that conversation is yet to be determined, I think the fact that this version of Superman connected with people made one thing clear, people are hungry for more quality animation.

While I am excited at the potential of more Jack Quaid Superman, I think DC would be kicking themselves if they didn't branch out this universe and try to build to something greater.

I have 5 pitches for characters who I think should get a My Adventures with Superman style show, ideas of who could play them, and what they could bring to this already fantastic universe. Also I gave them all fun titles. Enjoy.

5. Mysteries of the Question

The Question is a character many know from the hit DC show Justice League Unlimited. A wack job with a theory about who is pulling all the strings in the DC Universe, The Question is a ridiculously fun character I'm surprised hasn't been seen in a while.

Putting the Question at the center of a mystery and having to solve cases day to day would make for classic television, all while setting it in a crazy DC world.

The cop chasing him could be the 2nd Question: Renee Montoya, and the mystery could be something as big as an incoming alien invasion or as small as who is leaving riddles across Gotham? Hell he could be after Amanda Waller.

He can run into other detectives like Detective Chimp, Martian Manhunter, even the Batman, and through this side character we introduce half the Justice League.

I'd love a comedian like Charlie Day to voice this mad man, but a good friend of mine brought up Will Arnett and I can't unhear it. The role could be overly dramatic and silly, but can go to the sad levels of Bojack Horseman. He'd be perfect for this universe.

Having a detective who needs to get the a major story out could lead him to our three favorite journalists, making a fun mini crossover imminent.

4. Strange Tales from Arkham Asylum

While What If? Is not my favorite MCU project, the premise itself is quite fun. A narrator telling warped tales of stories we know in a freshing new take.

I'd like to take that concept and add it to DC by exploring Batman's Rogues Gallery in one off, anthology episodes narrated by one Hugo Strange.

Fan favorite characters like Clayface, Mister Freeze, Catwoman, and yes, even The Joker, can be introduced via their backstory with exciting different voice actors, all leading to a breakout in Arkham.

I'd like this to serve as a partial retelling but also reimagining of new characters with an emphasis on the creepy, the macabre, but also the sympathy. I want this to fix the mistakes of past villains in My Adventures with Superman and make them more 3 dimensional and iconic.

For Strange we need a maniacal evil voice who can narrate and keep us captivated. I like Chiwetel Ejiofor for this, and will be happy for the inmates to take him down by the end.

3. Evil-Doers fear the Wrath of Wonder Woman

I'm having fun with these titles.

It is incredibly insane we do not have a definitive Wonder Woman show. I'd like a classic Spectacular Spider-Man or My Adventures with Superman style show centered around ya girl Wonder Woman.

Ares, Giganta, or Cheetah can be the main villain. Hell make her main antagonist Black Adam, but having a magical god character immediately makes the world bigger and the threats greater.

She can run into Shazam (due to their god powers) and round out the League more, but really this is just a project that should already exist. It's wild it doesn't.

Since it is voice acting and we can go any which way with it, I love the voice of Ming Na-Wen. Having a powerful Disney Princess playing Diana also feels appropriate, and brings a sort of wisdom to the League.

2. Blue Beetle Back in School

Blue Beetle in a character basically built for anime.

With the overall critic and audience reviews being positive but the film underperforming, it's clear Blue Beetle has an audience that can steadily grow over time. I think animation is a great way to softly continue the story without it technically being in continuity.

The story should center around Jaime continuing college post getting the scarab, and meeting young heroes like himself along the way all while trying to having a normal life. Classic superhero stuff.

This leaves room for it to be part of any universe you want it to be, or mostly be true, or not at all. Either way, we grow with the character of Blue Beetle, and await his return in the DCU.

This could be a fun way to flesh out the young heroes of the DC universe: Robin, Raven, Cyborg, etc.

It could also start a fun trend of Xolo playing the character across mediums. It's clear Xolo Maridueña loves the character, and if the voice fits, why change it? If Mark Hamill can play the Trickster across animation and live action, so can Xolo.

1. Green Lantern: Cosmic Chronicles

The character done most dirty since his live action debut, Green Lantern could add dynamic interesting fighting to an anime universe. Take Atom Eve from Invincible and her spin-off episode.

Using that type of animation and fluid fight choreography would make for excellent television.

Although we already have a fantastic Green Lantern show (Green Lantern the animated series) with an excellent narrative, I think introducing more Lanterns and wider universe of DC aliens could be really fun. Martians, Thanagarians, Lobo, Mongul, etc all trying to be contained by Lanterns but failing horribly would be awesome. It could all leading to an alien invasion on Earth, putting them directly in line with Superman.

A Green Lantern show could rejuvenate faith in Lanterns before its release, and lead up to the big anime crossover we know we all need.

While I'd love to see all Lanterns, I think having Hal Jordan at the center of it and bringing in others down the line is a good way to go.

Alan Ritchson has played Aquaman, Hawk and even Raphael in Ninja Turtles. A little more hard headed Jordan could be fun to pit against Jack Quaids more hopeful Superman.

While all these shows should get made, I think Lanterns is the most likely. Honestly, I'd be happy to see anything more in the DC Anime Universe.

Thank you for reading! If you'd like to support me you can find all my socials here!

[serendertothesquad]

Seren's Studies: Odd Squad UK -- "Part of the Furniture" Episode Followup, Part 2

Orli's Day: Mk. II shall continue! Don't pop those limbs off being pulled every which way, Orli.

Below the break.

That's the world's most fake plane. Not even an Odd Squad seal on it, so clearly Orwell didn't take OddAir.

Ha...wait, hold up, he's a PILOT???

Since when?! What are his qualifications?! Is he in pilot school? WHAT THE FUCK IS HAPPENING AND WHY WILL WE NOT GET AN EXPLANATION FOR THIS.

Okay, these bits with Ozzie and Terry are actually pretty funny. The man's teaching the kid how to be aggressive, bless his heart.

And Ozzie...Ozzie is trying. He is trying very hard. Cut him some slack.

See? He's trying! He's bound by PBS Kids S&P, but he's trying his best!! Good for him!!!

I just let out the most deflated and saddest moan I've ever let out since Season 3 pulled that shit with "Ahead of the Times". And that had Olaf explicitly be mentioned, whereas I...don't have high hopes for this one.

Oh!! Oh, but it's unique because it involves seconds, ooooooh- shut. Just shut. This is not spicing things up any. SHUTTY-UPPY.

"Oh. Maybe it's fine?"

NO YOU I D I O T THE ROOM IS STILL RED ARE YOU C O L O R B L I N D .

Now, see, if she were green, she'd be dead.

And I am very happy I got to make that reference twice in recent memory.

Putting aside the reused spider-cat animation: if they freak out over this, never let 'em step foot in Precinct 13579. God forbid.

(On a side note: Asha really should have re-recorded her "I should say no more often" line. Tonally, it sounds too scripted.)

*violent coughing*

I'm sorry, but I'm finding it hilarious that there exists a gadget that apparently does agents' jobs for them. Like, you could base the entire fucking franchise around this one gadget. It removes any oddness? Has unlimited ammo? Hell of a Mary Sue!

God...Gemma, honey, what are you smoking?

You can hear the record scratching from where you're sitting. It's like Orli brought a gun to the world's craziest rave.

Or, for a more kid-friendly comparison, it's like that "girls at a party looking at you like you're gross" meme image.

"as usual" W-what??? TF do you mean "as usual"??? You've been fitting in since at LEAST the fourth episode, Orli, and you're pretty much part of the precinct's body. There is no "as usual" AND YOU DAMN WELL KNOW IT.

Having a villain deliver this message is less impactful than when Mr. Sides delivered the falsehood that "your group has no leader" in "Odd Squad in the Shadows".

Only here, it's even stupider. There's still a falsehood, it's just a stupid lesson for being this far into the season. At least "Shadows" was early on, y'know?

Why does someone not know how to put a coaster down after they've poured some TEA???

DISGUSTANG!!

nice agent, even nicer agent

Yep, PBS Kids execs have their dirty-ass hands all over this and I'm about to go RIP UP A FUCKING FENCE, TEAR UP THE YARD, AND GET A DOG TO SHIT ON IT.

Fuck you, genuinely. You tainted something good. Go to hell.

And your credits for this episode. Looks like Celestia's pet bird made an appearance in here...somewhere.

------------------------------------------

Overall, this was a swing and a miss for Gemma. It's basically taking the plot of "Olympia's Day" and sapping out what made it fun -- not just the wild hallucinations and the sanity slippage we saw along the way, but also replacing the character in question with one that has no motive in life. And that's not even getting into the math lesson torn from such episodes as "6:00 to 6:05" and twisted to include seconds like that means anything of merit in terms of uniqueness. It does not. Oh yes, and the whole "nice agent. not-nice agent" thing. It's watered-down preschool stuff. "Good cop bad cop" would have done fine and gotten past censors just like it did all those years ago. It being British, "constable" would have been a better-suited term. "Good constable, bad constable" would have worked. (Likewise, a slang term could have been used -- "bobby" is apparently popular.)

So yeah. No. Throwing this one in the trash too. Sorry, Gemma, but you need to try harder.

Next up will be "The Odd Ness Monster", which I hear is actually pretty good. At this point I'm at the whim of the fandom when it comes to "is this episode good or not?" I don't think I can trust myself to not keep getting disappointed like this.

Seren out!

[paragonrobits]

some fun facts about Spider-Man 2099:

He’s probably older as a character than you might think; he was first published in August 1992, and was created by Peter David (who is likely most well known among Marvel fans for, alongside Greg Pak, being the biggest contributor to some of the Hulk’s best stories)

He’s not a standalone character. Miguel O’hara is part of the Marvel 2099 sub-continuity, which can be best described as a cyberpunk dystopia spinning off after a bad future for the rest of the Marvel universe as a whole. It is very much in the model of a standard cyberpunk setting with corporations running the world into the ground and oppressing people in the name of profit. In this era, there have been no superheroes and most of them are remembered only as vague stories that people desperately want to believe in, or iconic folklore that people really behind.

In this regard, it may also be possible to view O’hara as a contrast to Spider-Punk, who also comes from a dystopia oppressed by corporations, though they ultimately have broadly opposite reactions to it.

Miguel is notable for having a great deal of differences from the ‘average’ Spider-Man incarnation, with a great deal of purely physical alterations that are otherwise not very typical in spider powers.

His best friend is an AI, whom was seen glimpsed at the end of Into The Spiderverse

He arguably has a very important role in Spider-Man history; while Miles Morales has definitely eclipsed his fame and become a part of the main Marvel universe, Miguel was significantly more popular than the other 2099 stories and remained fairly well known across comics at the time, which also ties into his cameo in Into The Spiderverse; he arguably had the most amount of importance as a Spider-Man legacy character before Miles, and was the most prominent non-Parker incarnation, even moreso than Mayday Parker.

There was a short-lived animated series called Spider-Man Unlimited that I always interpreted as an attempt to adapt aspects of Miguel O’Hara, though the most it has in common is that the suit Spider-Man wears in it looks an awful lot like Miguel’s look; its otherwise not very much like 2099 at all, besides a cyberpunk angle, and features a displaced Peter Parker.

There is likely some interesting angles in comparing and contrasting the respective settings of Miles’ original world (the Ultimate universe) and Miguel’s. Miguel is, as noted, fundamentally a cyberpunk character, and was technically one of the more positive characters in it, a true hero in a world of bleak despair amid corporate control; while there were other heroes, there weren’t enough, and things were bad enough that Doctor Doom popping up to take over the world made him seem like an anti-hero at worst. In contrast, Miles was one of the few purely positive figures in the Ultimate setting, which in its attempts to imitate the likes of the Authority often depicted classic Marvel heroes in horrific ways; the Hulk was often implied to be a sexually violent cannibal, Wolverine tried to sleep with an underage girl, Carol Danvers gets downright enthusiastic at the prospect of torturing an alien who had been her friend.. even Miles’ dad was an anti-mutant bigot. Miles himself, though, was a whole and genuine hero (if a reluctant one) who was one of the few truly noble people in the setting, so there’s an element in their conflict here.

[randomvarious]

2 Unlimited - "Here I Go" 1995 Eurodance / Eurohouse

So, yesterday, we had Belgian-Dutch dance project 2 Unlimited at their saddest, with their lame Euroreggae-pop hit, "No One," but today we have them at quite possibly their scariest, with "Here I Go," which sees them back on the dancefloor in order to catchily contemplate their potential and very literal descent into hell! 😈😱

And really, the only way their songs could've ever had some semi-coherent theme to them like this in the first place is if rapper Ray Slijngaard supplied bars that consistently stayed on some kind of topic, which he hadn't really done much of on any of 2 Unlimited's prior singles. But on the group's third album, Real Things, you started to see their songs acquiring, like, maybe, a quarter-inch of depth to them, as they tried to make music about, well...real things...😅.

There's no way out, man you try to escape Concentrate your mind cause it might just break Into half, crack down fast I keep my face straight no need to laugh I did some right, I did some wrong I regret these things, but I gotta stay strong I feel depressed, now don't you know Catch me, 'cause I'm falling deep down below

Reads a little bit like a very rough draft of an angst-ridden Linkin Park verse, doesn't it? And hey, weren't they fronted by a rapping and singing pair too? 🤔

Now, try not to read this following chorus from singer Anita Doth as if it's being delivered by Chester Bennington instead:

Oh, I can't escape I'm trapped and there is no safe place to go And I do regret the things I did but how on earth could I know? Here I go Here I go catch me I'm falling deep Here I go Here I go catch me I'm falling falling

Now, folks, am I really about to uncork one of the hottest and also single-stupidest takes in the history of music blogging here? Yes; yes I am:

The late period of 2 Unlimited's initial run in the mid-90s, when the lyrics on their singles started to employ actual themes, represents a clear predecessor to Linkin Park. In fact, the year that Ray and Anita both left 2 Unlimited was the same year that Linkin Park formed under their first name, Xero! It's actually all on the same continuum!

Anyway, this black-and-white video for "Here I Go" is pure, unadulterated nightmare fuel too, as people seem to be falling from very high distances, only to be caught by spider webs made of thick rope, which seems to delight some freaky-looking, underground-dwelling humans who live down there. And each one of those humans were all probably once one of those people who fell into one of those webs too. But now some of them very unsettlingly crawl on stilts, and the leader of the pack appears to get around in some kind of insectoid contraption.

Never could've imagined that exploring 2 Unlimited's videography past their popular US singles would ever lead me down into such a deep and dark hole, but here we apparently are right now! And "Here I Go" appears to have marked a turning point for the group as well, as it was their first single to not chart as highly throughout Europe as they'd probably hoped and expected. But funnily enough, while the well was clearly starting to run dry in 1995 with this one, two of the group's earliest hits, "Get Ready for This" and "Twilight Zone," would end up appearing Stateside on the platinum-selling first volume of Jock Jams that same year. And then further appearances on future installments of that series would end up extending 2 Unlimited's relevancy in the US far past the time of their initial breakup, which most Americans were undoubtedly completely unaware had even ever happened!

More fun videos here.

[zaptap]

i just reached 1990s spider-man comics. almost halfway there in terms of years, definitely not in terms of comics though (i guess there were a TON in the 90s, and the 60s was pretty much just amazing spider-man which meant it had the fewest)

i'd heard before starting the 80s ones that that was widely considered the best decade for spider-man comics, and it certainly lived up to it. roger stern's run was really good, hobgoblin was a pretty interesting villain up until they screwed up at the end after 4 years because the people making the comics all had different opinions on who should be under the mask and were even sabotaging each other (instead of just using the guy who was originally supposed to be him. which i guess got fixed via retcon in the late 90s)

secret wars was pretty good (only because the heroes and villains involved largely weren't that interested in playing the beyonder's game, and dr doom derailing the whole thing made it interesting)

and secret wars ii asked the question of "hey wouldn't it be fucked up if there was a guy who had unlimited power to do anything and he just wanted to try to figure out what his place was in a universe he could fundamentally change with a whim" and yeah it was fucked up. and that's what made this one interesting

also we finally have people who know spider-man is peter parker and don't either die or lose their memory soon afterward, which was the case for like 20 years. mary jane comes back after being completely absent from the comics for a couple years or so, and reveals she'd known peter was spider man "for years" (later revealed to be since the night uncle ben died, which was long before they'd even met) and then peter has someone to talk to about spider stuff

anyway. 90s had a lot going on. i guess there's more symbiote stuff (venom was introduced in 1988, carnage should probably be on his way soon), and then there's infinity gauntlet/war/crusade which if anything should be better than what the mcu did with them

and then there's the infamous clone saga which apparently lasted about 2 years, and with 4 ongoing monthly series ("spider-man" starts in 1990) that'd mean about 100 comics? yeah no wonder people got tired of that. i'll see how it goes though

also i'm reading about other spider-people too (keeping an eye on appearances of jessica drew and julia carpenter, the two spider-women so far, as well as reading spider-ham on the side--a few more 5-page stories and he's gone until like 2010) so i'll be starting 2099 after i get into 1992

tbh even if the 90s and newer comics arent as good, the fact that i'll be reading stuff from within my lifetime should probably do something for my enjoyment of them. like yeah the 80s ones were great but it still had that "this was before my time" quality to it you know

[evilwickedme]

hey hey hi I just finished reading the two spidergwen omnibuses ( Spider-Gwen: Gwen Stacy & Spider Gwen: Amazing Powers) that were in my library and i have no idea where to go from there please help please. I have no idea how comics work i only just started reading them i just want to read about earth 65. Also any fic recs centered around Gwen for earth 65? Or what's left of the parker family? Frank Castle?? I love Murderdock so much but he's taken over.

Hi, thank you for asking and I'm so glad you want to read more Gwen content! Unfortunately, this is actually at least two separate questions and I'm going to choose to address only the reading order in this one to avoid incoherence.

Firstly, just clarifying your terminology, what you read was not an omnibus. This is an omnibus:

What you read, dear anon, was a new kind of trade paperback marvel's been putting that Goodreads calls "digest size collections":

As you can see, they're shorter and thicker than normal trades, and cover about two volumes of regular trades. The two books you read are essentially volumes 0-3 of the original Spider-Gwen series. This matters because there is actually a Spider-Gwen omnibus which would have simplified all of this considerably.

This means you've already missed a story! Between volumes 1 and 2 Gwen was part of a crossover event with Silk and Spider Woman called "Spider Women". It is entirely out of print and I only found it secondhand, but it's all on marvel unlimited which is where I read it originally. This is a required story! It has a whole bunch of important plot elements introduced in it for later Spider-Gwen stuff.

Your options from there are varied. You can find the next two digest sized collections - unlike spider women, volume 3 of this series, Spider-Gwen: Deal With the Devil does actually collect the Miles Morales crossover which I adore (but oddly enough is not a requirement like Spider Women is...) - or you can find Spider-Man/Spider-Woman: Sitting in a Tree and volumes 4-6 of Spider-Gwen. Of course, all of this is available on marvel unlimited, which is, again, where I read the series originally, I bought my physical copies later on.

I do have a reading order I've made previously with everything Gwen has been in and before all of this you technically should've read Spiderverse (2014), since that's her first appearance and a story that really sets her themes going forward (and also just a story I enjoy), but if you don't feel like reading it (it's a bit of a chonker) that's fine I guess. Unfortunately the next thing to read is Spidergeddon, which is bad and not good. I'd say? Just read a summary on Wikipedia so you can understand the next bit of mainline Spider-Gwen comics.

What comes next is two separate series with very confusing names, Spider-Gwen: Ghost Spider, and Ghost Spider. Yes, these are two separate series. Both of them are ten issues long, except Ghost Spider also has an annual that's really worth reading. The first series transitions Gwen into using the Ghost Spider moniker, and then once she starts going by Ghost Spider there's no need for the Spider-Gwen title anymore. Oh I should mention much of this is out of print, I actually don't even have Spider-Gwen: Ghost Spider volume 2 in a physical copy at all, and Ghost Spider I only have in single issues.

Too bad Tim Seeley never read a single one of her comics tho, cause the next series to read is Spider -Gwen: Gwen-Verse miniseries. I say "to read" as though I recommend this series. It's not good. I was really looking forward to Gwen-Verse. I love Spider-Verse, the movie and the comic, I love Gwen, I was like, this should be my shit. Instead it was just plain shit. Like I said, it seems to me as though Tim Seeley had simply never read a single Spider-Gwen/Ghost Spider comic before writing this comic and at the very least had not read the Ghost Spider titles. I have Opinions on this one to say the least.

We don't yet have any more Gwen comics, although there's another miniseries coming out later this year, so I have no way of knowing if Gwen-Verse is important yet, but I will say for now I'd skip it entirely. Finish with Ghost Spider Annual #1 and move on to other things.

Okay so to summarize:

First comes Spiderverse, which you have already skipped

Then comes Spider-Gwen vol 0 and 1, which you read in one collected edition

Then comes Spider Women

Then Spider-Gwen vol 2-3 which you read in one collected edition, and Spider-Man/Spider-Gwen: Sitting in a tree, and Spider-Gwen vol 4-6, which can be read in two similar collected editions

Then Spidergeddon, which you should skip

Then Spider-Gwen: Ghost Spider

Then Ghost Spider, not forgetting the annual

Then Spider-Gwen: Gwen-Verse, which isn't even a multiverse story and you should skip cause it's bad

Upcoming "Shadow Clones" miniseries, scheduled for April I believe

Steps 2-4 can be replaced with reading the actual Spider-Gwen omnibus, which is in print but also expensive. Every single issue of this reading list is available on Marvel Unlimited.

I haven't read the newest "End of the Spider-Verse" event that's been going on yet, I'm waiting for it to be over and then I'll read the whole thing, but it's my understanding that Gwen spends most of it possessed, so I'm not including it on the reading list.

I hope it's clear why I didn't also want to rec fics in this, just like, length wise. Another time?

[dayfalwastaken]

Red, Black and Blue - Spider-Man Fanfiction; Chapter 2!

Excerpt:

He frowned harder. The yard was empty and quiet, devoid of any activity, but Peter could still imagine the towering form of his possible archnemesis just standing there, camouflaged, stalking him from outside his home.

Nothing quite measured up to the knowledge that your deadliest foe yet knew where you lived and who you were under the mask. Nowhere was safe; wherever you were it always felt like you were being watched, you couldn’t go home for fear of your family being targeted, your Spider-Sense wouldn’t trigger despite the scent of death you could smell in the air, you couldn’t sleep or even relax for fear of what would happen when you weren’t paying attention, you’d constantly be looking over your shoulder thinking now the bad guy might strike, only for the “now” to become two and then three and so on until you drove yourself mad—!... That was no way for one to live. He wasn’t planning on going through it anytime soon, that was for certain.

But he also wasn’t a cop. He didn’t have a whole department’s worth of backup at his disposal, ready to defend him if a criminal made things personal, nor did he have unlimited resources. There was no cave to serve as his HQ, no supertech to bail him out of trouble and no teammates he could rely on (excluding present company). Eddie Brock or his wife showing up on his doorstep and asking him to come outside so they could “talk”—he wasn’t winning that one. Not with all limbs attached.

And letting May go through another home invasion?

“...Forget it. Let’s not keep her waiting, hm?” At his words the Symbiote poured out of his skin and shaped itself into proper clothes, choosing an outfit that Peter was, regrettably, deeply familiar with: checkered tie with a white shirt tucked underneath blue trousers and that sweater vest he’d gotten from Uncle Ben. The cherry on top was a round pair of glasses.

He struggled not to cringe. Really, he did.

Yeah, it was no wonder he used to get bullied so much. How had he ever believed his folks when they’d said it was a good idea to start highschool looking like he came right out of the ‘60s’? Just went to show how sheltered he’d been growing up.

Host. Observation?

Oh God, Symby was proud about it—

“Um, yeah , this is-this is great! Yeah, I was just, um, thinking of something more along the lines of, like, a hoodie…some sweatpants…y’know, baggier stuff? Or maybe a jacket or….”

Self. Skills. Insult!

“Wait, I wasn’t—”

Humor! Scare. Amusement , it interjected, savoring the surprised look on his face before morphing into proper street clothes.

…Appreciation?

“… Miles better. Also, when did you start hanging out with Johnny? You just got here!”

Self? Negation.

Host.

“I dunno ‘bout that. You couldn't have gotten it from me ‘cause I only teach people how to quip.”

Denial. Host. Humor.

Swear.

“Yeah, right.”

[cherrrydragon]

hiya pooks, i wanted to get to know you more so i have a couple fun questions for you that include my personal answers! (i’m an oversharer)

1) fav media of spider-man?

i looooooove ultimate spider-man. i think it’s so over hated because the kids who watched spectacular grew up and were upset the next spider-man show was a kids show and not an adult show made for them. the fact that there just so much room for cameos from all other marvel media really helped me build a love for marvel as a whole. i wouldn’t know half as much marvel lore or characters without it since i never read the comics. (too poor to continuously buy growing up + can’t read comic panels over screen cause bleh. i think it was our first time meeting miles on screen too, which was awesome!)

it showed me who spider-man was at his core, a good person. and that’s what stood out to me. it also showed me that spider-man was super funny and always had a ‘quip’ lol. bonus points for ps4 spidey for being the first game i played of him and into the spider-verse for literally changing animation for the whole world. straight up best movie ever made.

2) fav media of dc?

gotta be the 2022 batman for me. i was so happy they finally got him right on the big screen! it took so long for people to realize that batman is only fear to his enemies, but hope to the people. they also count have picked a better catwoman! and the fact that the riddler is just some guy? mwah, perfection, amazing, incredible!

side rant; everytime i see someone mention how they thiugtt he robert patterson didn’t play a good bruce i wanna scream. how are we lacking so much media literacy nowadays that we can no longer recognize this is before he gets his whole playboy persona. he doenst even have financial stability! he’s literally just learning who he is. there’s deadass a whole scene dedicated to him trying to go into the club as batman and getting turned away vs being welcomed in as bruce and realizing bruce wayne has actual value to fighting crime.

3) fav non live action character?

sam anderson’s nova is so fun! he’s such a sweetiepie. i know earlier i said i don’t read the comics, but i do listen to them. i really wish they would put him in as teen trying his best with the guardians of the galaxy <3

klarion the witch boy is so silly (especially in young justice. his va is perfect for him.) he literally just terrorizes people for funsies. gotta love the lord of chaos and his cat.

hi hi! i just wanna preface this by saying a lot of media im a fan of i havent actually watch/read/played just because i cant truly sit down and consume content like i used to when i was younger. literally yesterday i watched the second deadpool movie after like, maybe 2 years since watching the first one (and i probably wouldnt have watched it if the new dp and wolverine movie didnt come out LOL) so i can't really answer these as efficiently as id like but ill try my best

fav media of spider-man?

before it would've been mcu spiderman simply because i havent watched the raimi or amazing spiderman ones, but now without a doubt i can say the spiderverse movies are my fav ones! all movies are pieces of art, but the spiderverse movies are truly by and for art kids. the animation and art is beautiful and i think the way it so artistically connects all things spider-man is really cool.

2. fav media of dc?

so... the last time i watched any dc media was when i was way younger LOL. i distinctly remember watching dc super hero girls, justice league unlimited, the flash (tv) and i think arrow (tv)? but like i said, i was young and don't remember much. ive seen from numerous people that the dc timeline is kind of a mess and that + the fact that there's so much content is what's keeping me from consuming it now. on the topic of batman 2022 there's literally nothing stopping me from watching it but i havent LOL i just cant sit down and watch it. i think the brainrot got to me rip.

i think what stops me from consuming content is the fact that i become a fan of it without actually participating. i read so much fanfic that i learn the plot of things through there, and because i already know what happens i dont desire to spend time and take it in. i might be cooked ngl. but anyway, no official favorite dc media from me

3. fav non live action character?

dude theres like way to many to name but one that comes to mind immediately is black cat (i dont think she's been in any live action from marvel yet?) something about those cat burglars man... LOL. i know this doesn't really count but i really like her portrayal in "Dark Matter" by mysterycyclone on ao3 (and amazing peter parker in gotham fic, highly recommend) i truly love the idea of the thief becoming friends with their crimestopper, because like catwoman, they aren't really hurting anybody (at least, from what ive seen)

as for dc... like i said i have not consumed enough media to pick LOL my bad 💔

[chanceshirley]

A Golden Age

It’s been said (by Comics Buyer’s Guide editor Maggie Thompson, or maybe it was comic book writer Roy Thomas) that the golden age of comics is five. Meaning that no matter how comics historians might define the Golden Age of comic books (and the Silver and Bronze Ages), what really matters to the individual comic book reader is the time that they started reading comics. I was probably interested in comic books when I was five years old (this was the mid-1970s, and it seemed like comic books were everywhere then, but I particularly remember seeing them in grocery stores and convenience stores), but I didn’t actually read my first comic book till I was seven.

I wasn’t a great reader at that point. It took me hours to read that first comic book because I was still at the stage in my reading life where I had to sound out every word. (And I probably had to ask my poor parents to help me out with several words per page.) But having spent so much time with my first comic book, I remember it vividly 40-plus years later — it was the 180th issue of The Amazing Spider-Man, a story titled “Who Was That Goblin I Saw You With?” The DC superheroes (Superman, Batman, Wonder Woman, and pals) were on TV every Saturday morning back then on the Super Friends cartoon. And Super Friends was appointment television viewing for me, but I first saw Spider-Man on The Electric Company, a PBS educational show I watched every weekday afternoon. Spidey was on The Electric Company to encourage kids to read (this version of the character didn’t speak out loud — his words were all presented in on-screen comic dialogue balloons), but Marvel, the publisher of Spidey comic books, surely didn’t mind that seeing Spidey on TV probably encouraged a few kids to buy Spider-Man comic books.

That was certainly the case with me. One morning I asked my dad if he’d pick me up some comic books on his way home from work. He asked me which comic books, and I said “Spider-Man!” And that afternoon Dad brought me home Amazing Spider-Man no. 180. I think he also brought me home a Batman book and, possibly, a third comic. But this was a very long time ago — I don’t even remember if I bothered to read the other book (or books) he brought home that day. (Owning more books than they read is a thing that all book people do, right?)

I still love Spider-Man (and I am not alone — he’s a big movie star now), and I still love Spidey comic books, especially Spidey comic books from the late 1970s. Because that’s my golden age of comic books. I’ve been thinking lately about how, if I’d been enterprising enough to find a job that would hire a seven-year-old in the late 1970s, I could have read all of the Spidey books of the era plus most everything else that Marvel published at the time. These comic books were, after all, generally only 35 cents a piece (about $1.60 a piece in 2022 money). An hour or two of minimum wage work would earn you enough to buy a week’s worth of Marvel books.

They say you can’t go home again. But thanks to the internet (something we definitely did not have in 1978) and services like Marvel Unlimited and Comixology, you can read a whole lot of old comic books. So I decided it might be fun to go back to the month my first comic book hit newsstands (which according to the Fandom.com Marvel wikiis February 1978) and read all (or at least most) of the Marvel comic books of the era in the order of publication. And then I decided if I was going to read all of those comics, it might be fun to write a little about the experience. 

Based on a quick survey of a few months in 1978, Marvel was publishing (in the United States) around 40 titles a month in those days. My first thought was to write a comic-book-a-day column (with due respect to Brian W. Collins’ iconic Horror-Movie-a-Day blog) about my Marvel Time Warp, covering a month of 1978 books in a month of columns. But I’d need to read (and write about) approximately 1.3 comic books per day to keep up a month-for-month pace, and I’m probably not going to be able to manage that. Because, if nothing else, I have a bunch of other nerdy hobbies that I like to spend time on.

And I’m also not sure how much I will have to say about some of these comic books. I expect for the first month or two I will have a good bit to say because a lot of these books and characters (at least the 1978 versions of these characters) are new to me. But after that, who knows? Which is fine! So far I’m having a lot of fun (and learning a lot of new things about the comic books of my youth), and I’ll keep on with the reading (and with the writing about the reading) as long as it is fun.

And if you’re reading my writing about my 1978 comic book reading, hopefully you’re getting some entertainment out of this little adventure, too!

In the tradition of many comic book stories of the 1970s, I’ll close out this premiere column with a tease to (hopefully) get you to come back for my second column…

[possibleplatypus]

more thoughts on ant man

So I rewatched Ant Man and the Yellowjacket presentation and it’s really striking how they sound like they’re right out of a fascist military playbook *cough*Hydra*cough*:

We live in an era in which the weapons we use to protect ourselves are undermined by constant surveillance. It’s time to return to a simpler age, one where the powers of freedom can once again operate openly to protect their interests. An all-purpose peacekeeping vessel, the Yellowjacket can manage any conflict on the geopolitical landscape, completely unseen. Efficient in both preventative measures and tactical assault. Practical applications include: surveillance, industrial sabotage, and the elimination of obstructions on the road to peace. A single Yellowjacket offers the user unlimited influence to carry out protective actions, and one day soon, an army of Yellowjackets will create a sustainable environment of well-being around the world.

But it also sounds like how Tony Stark or Justin Hammer might do a military presentation (remembering Tony talking about the “crown jewel of Stark Industries’ ‘Freedom’ line” and his “I prefer the weapon you only have to fire once,” quip in Iron Man, followed by his toast “to peace!” after his Jericho missiles decimate a mountain landscape). And it sounds a lot like Tony’s “suit of armor around the world” that he still thought he was right to create, even after Ultron. 

Not to mention Nick Fury gushing about Project Insight (“These new long-range precision guns can eliminate a thousand hostiles per minute. The satellites can read a terrorist’s DNA before he steps outside a spider hole. We’re gonna neutralize a lot of threats before they even happen.”) or Alexander Pierce justifying all of Hydra’s atrocities to Bucky (”Your work has been a gift to mankind. You shaped the century. And I need you to do it one more time. Society is at a tipping point between order and chaos. Tomorrow we’re going to give it a push. But if you don’t do your part, I can’t do mine. And Hydra can’t give the world the freedom it deserves.”)

I haven’t watched Far From Home or No Way Home, but I understand that EDITH is essentially Project Insight lite, which... 🤢. And let’s not forget the Falcon suit that Wakanda gives to Sam in TFATWS, which basically does the same thing. 

And all of these elements could have come together for a genuine critique of the American military industrial complex and the surveillance of private citizens, but Disney would never say anything meaningful about that, of course, other than the technology is Good as long as it’s in the Right Hands, even when it shows us how bad this technology actually is in other movies.

[guardianofthepeanutwrites]

Skirts and dresses Part 4

Part1, Part 2, Part 3 and Part 5

Tag list: @purplefreakwolffish  @mayucerise​

This chapter is for @sarcastich​​ and @starkeraddictbaby​

Thanks to Gypsywoman13 for beta-reading!

CW: genderfluid Loki, Kinda asshole Thor

PeterParkerBingo2021: square Pet Names (card below)

Thor & Loki

Because Peter had been fairly young when he moved inside the compound, they had put his room next to Tony’s quarters since he was the one in charge of their youngest member. Then one day a door appeared in the middle of his room, connecting it to the Stark’s private quarters. They had a long discussion about boundaries: “Ask before putting doors in my bedroom” and “don’t threaten people because they hurt me” etc. Tony had argued it was easier (it was, but that was not the question) because they spend more and more time together. Which was true. 

Tony and Pepper had started to teach Peter some things about business practice. They took him to smaller meetings and introduced him as Tony’s intern; it suited Peter very much. That, plus his patrols, as well as other Avenger business, like training, and his new business classes...Peter was now even busier than he already was.

Except on Sundays. Sundays were days Peter could rest, sleep, visit his aunt May, hang with Ned and MJ, and watch movies with Bucky the other Avengers.

Every Sunday morning, before leaving their quarters, Peter and Tony would eat the most decadent brunch that Peter would let Tony buy him. From all the changes that happened in his life since he got adopted by Tony Stark, Sunday brunches were certainly Peter’s favorites. He loved those calm moments with the man that he admired so much. He also loved that he could put on whatever clothes he wanted because FRIDAY would only let people in the know enter.

That Sunday, they were finishing their meal when Steve entered. He briefly stopped at the soft pink hoodie, gray and pink plaid skirt, and long white socks Peter was wearing before dismissing it and greeting the two men.

“So, Steve, what can we do for you?” Tony asked, forgoing the pleasantries. Peter knew Tony hated being interrupted during Sunday brunches, and saw that Steve started to move from one leg to the other, a bit nervous. Peter frowned.

“Oh, I-I mean, I wanted to apologize for-” Peter tried to interrupt Steve, he had told him many times that Steve was forgiven, but the man was stubborn and didn’t let him talk. “I know, you already told me, but I- I made this for you.” Steve gave Peter a piece of paper. 

On the paper was a beautiful drawing of Peter in the purple dress that he had been wearing when Steve had discovered his secret. Peter was startled out of his stunned silence when his dad gently took the paper from his hands.

Tony simply whistled when he saw the drawing. “Aunt Peggy had told me you could draw, Rogers, but this is something else.” Steve looked at Tony, in shock.

“Au-Aunt Peggy? But you-you weren’t-” 

Tony snorted, irked. “I went to her grave later, Rogers, because there was an emergency, and if there was something Aunt Peggy could understand, it was emergencies. She was Howard’s friend, and my godmother.” Peter, who had been told the story, silently stroked his dad’s back in support as he continued. “We also fought a lot when you came back.” Steve opened his mouth to speak, but Tony didn’t let him. “Not that it’s any of your business, Capsicle, but who do you think covered the truth about Howard’s death? Who do you think had enough power for that? Peggy Carter. She let me think my father killed my mom because he was a fucking alcoholic.”

Steve looked as if he had swallowed a lemon, grimacing. “I didn’t know. I am sorry, Tony.”

Tony lifted his hand. “I don’t want to talk about it anymore.” He lifted the paper with Steve’s drawing on it, looking at it pensively. “You’re very talented. We should make you an art studio. There is an empty room with great lighting.” Tony turned to Peter to watch him. “What d’you think kid? Wanna design it?” 

Peter felt excited to be offered this opportunity; he nodded with way too much enthusiasm. It made Tony smile, proud.

“You’re gonna make some blueprints, and we will see with the Captain what he needs and likes. No, Cap, don’t argue, it will be good training for the kid. Now, Steve, if you don’t mind, I was having brunch with my kid.”

Peter only had 30 seconds to thank Steve for the drawing and promise him he would make the best art studio there was before Steve left. After Brunch, Peter framed the drawing and put it on his shelf with the piece of his first skirt and the picture of his dad in a dress.

--

Later that day, while Peter and Tony were looking at a movie, before heading out for a diner with Aunt May, someone crashed into their quarters through the window.

Tony was ready to fight in seconds; his watch changed into a piece of armor around his right fist, while his left arm pushed Peter behind him, only to find that it was Thor, son of Odin, that had crashed on the ground. Peter couldn’t help but find it kind of cute that his dad would try to protect Peter with his body when Peter could take the most damage.

“For fuck’s sake, Point Break, what the ever-loving fuck?” Tony let the gauntlet recede back into his watch and put his hand on his heart. “I have a heart condition, you know? And we have doors. FRI, baby, tell everyone in the compound there is no immediate emergency. Put the compound in code orange until further notice,” Tony turned to look at Peter, seeing the pink skirt, the hoodie, and the panicked glances his kid was giving, then added, “Tell them there is no need to come and lock the quarters immediately.” 

Peter relaxed some and started to play with the hem of his skirt. 

“I apologize, Man of Iron. It seems like I missed the door.” Thor stood up from where he had crashed, and he opened his arms to hug Tony. “It has been too long my friend. How are you doing?” Tony frowned, but he let the god hug him. 

After they separated, Tony started to give instructions to FRIDAY for the reparations while Thor turned to look at Peter. There were a few seconds where Thor paused to take in how Peter was dressed before he widened his eyes.

Before Peter could react, Thor bowed deeply before speaking. “Good day, Lady Peter.” 

Peter winced. Why would he be a lady? Just because he was wearing a skirt?

“I-I, no, Thor. I-I am a man.” Peter hated how his voice shivered. 

Thor righted himself, beaming at Peter as if nothing had just happened. “Good, how are you doing Man of Spiders?” 

Peter looked at the god, completely lost by what had just happened. “I-I am fine? Thank you, mister Thor,” Peter said with a small voice. 

The god nodded happily. “I am happy to hear that.” Thor promptly turned to Tony. “Man of Iron, I am in great need of a favor.” 

Tony scowled looking at the damage. “Is it more important than repairing the hole in my wall?” 

Thor’s face became serious in a blink, making Peter shiver. “I am afraid it is really important, my friend,” Thor said in a deep voice. 

--

The meeting had been going on for hours, and Peter was exhausted. 

Thor wanted their help to get some information out of his brother Loki. The Asgardians had a reason to think that Loki hadn’t been the one behind the invasion and could even have been a victim of the scepter like Barton and the others, but Loki wouldn’t talk. Thor hoped that maybe someone on Earth could help them because they had tried everything.

The news was welcomed by an uproar, led by Hawkeye and Fury, and had calmed down after Thor had explained that if his fears were correct, there was something worse coming to Earth. He also promised that they wouldn’t need to bring Loki for them to interrogate him and that there was a magic mirror they could use to talk to him.

It was decided the mirror would be locked in Tony’s lab, the most secure room at the compound.

However, they all forgot Peter had unlimited access to the room.

--

The first time Peter saw Loki, Peter was walking along the glass walls of the main lab. He could see Natasha and Maria Hill looking frustrated at a mirror. In the mirror, there was a gorgeous woman with long, raven black hair; she had piercing green eyes, green lipstick, and she was wearing a stunning, black leather dress. 

If Peter hadn’t been gay, and stupidly in love attracted to Bucky, he knew that he could have fallen for this beautiful lady.

Then his brain started to work again and realization clicked: The woman was Loki. Loki was wearing (and rocking) a dress. He looked like a woman, but how? When she/he/the God of Mischief saw Peter, they winked. Peter startled and simply walked faster to the B-Lab where Bruce was waiting for him.

--

Peter couldn’t get Loki out of his mind. The God didn’t look uncomfortable wearing a dress or looking like a woman in front of his enemies. 

After some days, Peter decided to go to the main source of information about Loki: Thor.

“Oh, yes, Loki sometimes, uhm, switches? Mother always said to respect the gender he looks like, but you know that Loki is my brother, so it was difficult at first.” Thor massaged his neck, uneasy. “But then, Loki started to play vicious pranks on the people who would call him a man when he was dressed like a woman. So, I learned to, uh, call Loki a lady when he wears a dress.”

And then Peter understood. “That's why you called me a lady the other day!” 

Thor nodded. “But luckily you don’t ask me to call you a woman.” 

Peter frowned. “Why do you say luckily? I mean, I don’t think there is anything wrong with asking someone to call you a woman if… you feel like a woman?” Thor, confused, looked at Peter and was about to reply, but Tony (since when had he been in the room?) answered first, making Peter and Thor startle.

“No, there is nothing wrong, Peter. Loki is genderfluid, which means that they don’t identify themself as having a fixed gender.” Tony, who was at the door, walked into the room and up to Peter. “We asked Loki and he said you could use the pronouns depending on what he looks like. It’s easier because Loki is a shifter, and can change depending on his moods. But if you ever meet another genderfluid person, you can just ask them what gender they identify with at that moment.” 

Peter nodded. It made sense. 

Thor looked a bit crushed when he started to speak again. “So, it’s not only Loki?” Tony simply shook his head. “Oh. I think I need to talk to my br-Loki.” With those words, the god left the room.

--

Peter did some research about genders - Tony helped - and he concluded that he was a man that liked to cross-dress and that there was nothing wrong with that. Peter had felt very loved that his dad, who was always so busy, had taken the time to explain all of those terms to Peter until they found the ones that felt right.

But Peter was a curious person, and it was what led him to be bitten by a radioactive spider in the first place... Peter wanted to talk to Loki. He wanted to talk about the dress, and about being genderfluid. He knew that the god was not a good being, but Loki was already in prison. What could go wrong?

--

“The mighty Avengers are sending me a child, now? Interesting.” Loki’s bitter words made Peter flinch. Peter silently closed the door behind him, before he entered the lab.

“No. I- I mean, I am an Avenger, but they didn’t send me.” Peter nervously played with the plaid shirt he was wearing that day.

“Then why are you here?” 

Peter lifted his head and looked directly at Loki for the first time. He noted that Loki was in a male form. 

“I learned that you are genderfluid. I- I just wanted to talk.” 

Loki’s face softened a little bit. “Oh, yes. People of Midgard have been strangely open-minded about it.” His face then hardened again. “What do you want? Do you want to see the shift? Do you want me to become a female?” 

Peter winced. 

“What? No! Only if it’s what you want. But, no, who would want you to do that? You’re not some kind of animal.” Peter was horrified, just thinking about it. Loki huffed but said nothing, watching Peter with piercing eyes. Peter took a deep breath and gathered his courage. “I-I like to wear dresses. It is called cross-dressing here.” 

Loki looked at Peter like he was analyzing Peter’s very soul. “Why are you telling me this, human?” he seemed perplexed.

“I saw you in that dress the last time, and you were gorgeous. I mean, that dress, it looked like it had been made just for you.” Peter couldn’t contain the excitement in his voice. Loki raised an eyebrow, but Peter could see that he was fighting a smile.

“That would be because it was crafted for me. I am a prince of Asgard, little one.” The reply was unexpected, and Peter felt his eyes open with shock that was rapidly replaced by glee.

“Oh yes, my da- Mr. Stark let a tailor come to the tower, and he wanted to tailor some things, but I wasn't ready yet. Mr. Stark said that the man could come back later. ” 

Loki didn’t fight his smile this time.

“And why weren’t you ready, yet, dear?”

--

Peter and Loki talked a big part of the night until Peter started to yawn too much, then Loki sent him to his room. As days went on, after his patrol and doing some homework, Peter visited every night to talk about stuff with Loki.

--

“By the Norns! Dear Spider, why would you not simply tell the man that you want him?” Loki asked, sitting against the wall of his prison.

“What? No! He doesn’t feel that way about me,” Peter answered stubbornly while painting his nails with a green nail polish that had been approved by Loki.

“You won’t know until you try, dear.” Peter shrugged and changed the subject.

--

Of course, after a visit one night, they were discovered. While Tony and Natasha (and Bucky) hadn’t been really happy about it, there was nothing they could do or say to change Peter’s mind.

--

“You what?” Peter asked, dumbfounded.

“I stabbed the mongrel,” Loki answered, way too smugly if you asked Peter.

“Because he slapped your ass? Isn’t that a bit extreme?”

“Oh my sweet, sweet, little Spider. If you let men get away with unwanted touching, they will think it is alright to do it again and again. No one should dare touch a lady like that without consequences.” Loki played with the knife that had been in his hand since they started to talk that day.

“Yes, but still, Thor is your brother.” Peter never had had a sibling, but if he had, he wouldn’t have stabbed them, for sure.

“After that, neither Thor, nor any of the savages he called ‘friends’, ever touched me without my consent.” The smile Loki sent his way made Peter shiver.

“Yeah, ok, fair.” The god did heal fast, so Peter guessed that it was okay-ish.

--

Peter had been surprised when a raven had given Peter two identical letters one morning after breakfast. He was even more surprised when the letters ended up being Loki’s complete confession. One had been addressed to ‘The Mighty Avengers’ and the other to ‘Sweet Spider’. 

Loki explained how he had fallen into Thanos’ lap after the destruction of the rainbow bridge; he mentioned the torture, the scepter, and how the beating that the Hulk gave him had helped him evade his conditioning. He also laid out Thanos' strengths and weaknesses, including how and when to beat him.

At the end, Loki wrote that he would never have written his confession if it weren’t for Peter. 

Peter then took the last page, where Loki had drawn them both and had it framed to be placed on his beloved shelf.

[shoppinglascl]

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The Ultimate incarnation of the fan-favourite symbiote has a different backstory (being an experiment rather than an alien) but that aside the story is interesting, and the game plays very differently depending on which of the two characters you are playing. Tons of awesome Spider-Man wallpapers HD to download for free. That’s right, you get to play Venom, and that includes open free-roam after you beat the game. In Ultimate Spider-man your time is split between Peter/Spider-Man, and Eddie Brock/Venom. The thing that is most likely to sell a Spider-man fan on this game however, is the fact that you aren’t just playing Peter Parker and fighting villains. He even has Stan the Man Lee offering narration at the beginnings of each level Unfortunately, what he doesn't have are decent camera angles or a robust quality assurance inspection. This aesthetic does come off as a little silly at times (the ridiculous size of the spider that bites Peter to give him his powers comes to mind), but overall it’s very well done. Spider-Man has wall-crawling, web-slinging action, super-strength, and even his spidey-senses in this arcade-style adventure beat-em-up. It makes no attempt at all to look realistic, and the finished product is all the better for it. The first thing that sets it apart from most other Spider-man games, is it’s deliberately comic-book feel, with its cell shaded characters and environments. I played this on the Xbox when it came out back in 2005, and to this day it remains one of my all-time favourite Spider-man games.

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[popculturebuffet]

Static Shock: Shock to the System and Aftershock Review

“You know what? 13 years ago, me and some friends sat in a restaurant all night and daydreamed about the kinds of stories we would tell if we had the chance. We wanted to expand the concept of superhero to include characters that kind of looked like us, who had some of the same background, experiences and dreams as we did. We wanted to create something fun that a new generation would respond to the same way we responded to our childhood heroes -and damn if we didn't succeed beyond my wildest dreams. Today, Static Shock is a household name with millions of fans of all ages (Is there stuff I'd do differently? Yeah, almost all of season four but why nitpick?) Static is the most successful thing I've ever helped create and I'm both proud and gratified that people have taken it into their hearts. “ 

Dwayne McDuffie, Co-Creator of Static and Writer for Static Shock

This review is dedicated to Dwayne McDuffie and Robert L. Washington III.                                                        Rest In Power Static Shock is awesome. I grew up with the show watching it both first run on the WB and second run on Cartoon Network and loved it as much as I did other large parts of my childhood courtsey of DC like Batman the Animated Series, Teen Titans and both Justice League Shows. What makes this unique among the DC Properties is that Static wasn’t really a big name when he got a show. He wasn’t even part of the DC Universe. 

See as I had no idea for probably a good decade, Static actually came from Milestone Comics, a company ran by and focused on african americans. The goal was understandable: While black heroes existed at the time, and there were some fantastic ones like Storm, Jim Rhodes and Steel... these guys weren’t the center of their universes. The big faces of the big  companies, Spider-Man, Wolverine, Hulk, Iron Man, Superman, Batman, Wonder Woman, The Flash.. were white. So milestone was a shakeup of that with the main teams and heroes all being black, from Icon, an alien who’d lived among man but rather than end up in kansas like say superman ended up imprinting on a slave woman centuries ago and has been with us since, who was encouraged by an energetic teenager named Rocket to put on a costume and do something with his powers and his community, Hardware, a tech genius who had his work stolen by a white asshole and wanted to fight back and BLood Syndicate, a group of gang members all caught in the “The Big Bang”, a huge fight between all of Dakota, the midwest city where the comics take place, that ended when the police released a bunch of experimental gas that gave them all super powers. 

As most of you who have watched the show already know, this is where Static comes from. Static was the company making their own Spider-Man, i.e. a nerdy teenager who suddenly gets super powers, in this case Virgil Hawkins who at the prodding of a friend took a gun to The Big Bang to get revenge on a bully. .but ultimately couldn’t go through with it, decided it wasn’t him and got rid of the gun and ran.. and still ended up in it, becoming Static, a young hero dedicated to using his powers to fight other “Bang Babies”.. a term that dosen’t really sound that great and they really should’ve thought through. But Phrasing aside the character was great and I look forward to reading more and only haven’t because I have to buy the issues gradually, but DC is currently re-releasing the individual issues of Static, Icon, and Hardware weekly in anticipation of a reboot of Milestone Coming in May digitally on Comixology at only 2 bucks a pop, and rereleased the original print collections that were long out of print for 10 bucks each, though i’m getting static on it’s own since i’ts really not that much less expensive as it only collects four issues while Icon and Hardware both collect 8, so I can wait a bit there on Hardware and already own Icon: A Hero’s Welcome.. and really need to review it at some point. 

While Milestone’s output was good, at least from the two books i’ve read, with Robert Washinton III, who sadly not only ahs also passed but was fucking homeless for a while  in the 2000′s.. what the actual hell, writing Static alongside Dwayne McDuffie, whose later moved onto animation writing tons of Static episodes all of them classics including the school shooting episode, the first three rubberbandman episodes and both Anasazi episodes. Point is it had good writers and artists and even had a distrbution deal with DC, so they had a leg up on the glut of other comic book companies.. but happened to start at the start of the comic book crash, a huge downturn in sales in the 90′s as the speculator boom, i.e. a bunch of people assuming every number one would be worth golden and silver age money, forgetting a character has to BUILD INTREST and this stuff takes time, and whose attempts to sell fast flooded the market with comics no one wanted,, caused the roof to cave in and with a bunch of assholes pegging milestone as a “Company for black people” rather than you know, a company trying to add fucking diversity and represntation to the comics industry, and that simply wanted a unvierse that was centered around people of color instead of white guys. The company eventually had to shut down, and was left to lisencing.  This is where the show comes in. Producers HAD been trying to make shows based on Milestone for a while, as far back as the mid-90s and the company was was all for it but the closest it got was an x-men style team series using various characters whose first draft was terrible and whose second draft by Alan Burnett, a producer on various DC Animated shows who’d go on to produce Static Shock, that McDuffie and others really liked but sadly did not get picked up. eventually though with presistance Static ended up getting a series and as I said McDuffie went on to write for it though he did not develop it. Some changes went into place naturally to make it work for an early 2000′s kids show and while i’ll probably miss so since again, only read one issue as we go. But due to Milestone coming back my intrest was peaking, hence finally reading the copy of Icon I had to buy from the library years ago due to keeping it overdue but am now EXTREMLEY glad I own as i’ts incredibly rare and really damn good, and wanting to read static, doing so lately since it’s finally on digtiial and again not too expensive. So join me as I give you a shock to the system and revisit this hell of a series to see if it holds up.. which just to cut that short it does and i’m only holding off binging MORE because I want the first two eps to be fresh enough in my head to review properly.. and also go over the various voice actors because that’s a thing with me now and charcter co-creator dwayne mcduffie because he’s awesome. 

As I like to do when covering a series first episodes, let’s run down the voice cast. 

First up is an UTTER LEGEND, and I use the term voice acting legend a lot, and mean it every time and have good reason to use it when I say it, and Phil LaMarr is a GOD in the buisness, having done a metric ton of voice acting roles, and being easily the most proflific black voice actor in animation. He’s also done some acting work, mostly in pulp fiction which I have not seen, but his true staying power and talent is in animation so here’s just the roles I feel are most notable or may not be very notable but i’m bringing up anyway because it’s my list. 

His roles besides Virgil include Lester Payton the Texas Ranger who showed up for one very good episode of king of the hill to be badass and show up the hickish, stupid and very punchable local Sheriff, Gearld’s obnoxious older brother Jamie O on Hey Arnold, Hermes Conrad from futurama, Carver from the Weekenders (PUT IT ON PLUS DISNEY), Axel Foley for exactly one bit in Clerks the Animated Series, but anyone whose seen it will know exactly which one, Micheal on the Proud Family, Black Vulcan on Harvey Birdman (In His Pants), Hector Con Carne and Dracula on Grim Adventures of Billy and Mandy and Evil Con Carne, Jack on Samurai Jack something I didn’t know for decades (and I didn’t know about the carver thing till today though i’ts obvious in hindsight), John Motherfucking Stewart on Justice League and later Steel and Adult Static in the Unlimited seasons, Osmosis Jones on Ozzy and Drix, Bolbi Strogofski on Jimmy Neutron (And yes i’m just as shocked as you are.), Wilt on Foster’s Home for Imaginary Friends, Marcus on Life and Times of Juniper Lee, Bull Sharkowski on My Gym Partner is A Monkey and Also a Sociopath Please Help God My Life is a waking nightmare..... okay the rest of that title is implied but we all watched the same show, we all know in our hearts that was the title

Moving on, he was also, and yes there’s MORE: Maxie Zeus on The Batman, Philly Phil on Class of 3000, Both Robertsons AND Fancy Dan on the Spectacular Spider-Man, Jazz on Transformers Animated, Kit Fisto and Bail Organa on Star Wars the Clone Wars, Gambit and Bolivar Trask on Wolverine and the X-Men, Aquaman I, L-Ron and Green Beetle on Young Justice, J.A.R.V.I.S. and Wonder Man (Simon Williams) In Avengers: Earth’s Mightiest Heroes, Gabe and Carny on Kaijudo: Rise of the Duel Masters (Really miss that game and have been snapping up what cards I can get lately), Baxter Stockman in the 2012 Teenage Mutant Ninja Turtles (And there’s also an awesome photo of him with 2003 Baxter... the two best together in one place. I got chills), Dormammu (I’ve come to bargin) in various Marvel Shows, Noville in Mighty Magiswords, Zach’s dad Marcus in Milo Muprhy’s Law, Craig’s Douchey Brother Benard on Craig of the Creek, showing he’s clearly come full circle, And Mr. Scully on the Casagrndes. And given It took about two paragraphs to cover all of this, yeah, I MEANT legend. 

Next we have Kevin Micheal Richardson as Virgil’s Dad Robert, and it’s the first time since I started introducing Voice Actors on a show that i’ve overlapped. I already covered him during the second episode of legend of the three caballeros, but for the short version he’s also very acomplished, very damn good and I somehow missed he played the old blind guy in hey arnold> Needless to say the dude is awesome. 

Virgil’s Sister Sharon is played by Michele Morgan who was in the rap group BWP and did some smaller roles outside of this the one exception being Juicy on the PJ’s, which I have not watched much of but REALLY do not like, though i’ll at least give it credit for being a decently long lasted black claymation sitcom at at time when there were, and hoenstly still aren’t, many black animated shows. 

Back to long casting sheets, next up is Jason Marsden, who is one of my faviorites as i’ve realized recently as Ritchie. As I also found out only recently he started on the Sitcom Step By Step and while that show is .. ehhhhhhhhh, he is great in it because he’s great in everything. He also apparently has his own internet variety show which I have to watch now. His roles include Max Goof, ironically given I was just talking about that role a few days ago, Haku in the english dub of Spirted Away, Micheal, the kid being yelled at by a bunch of 80′s cartoons characters not to take drugs in Cartoon All-Stars to the Rescue!, Nermal in the DTV Garfield movies and The Garfield Show, Tino on the Weekenders (SERIOUSLY DISNEY), Snapper Carr on Justice League, Rikochet on Mucha Lucha! for the last season (Why I do not knkow and while I love the guy he was not the right choice), Felix on Kim Possible, Chase Young on Xiaolin Showdown (WHich I did not realize was him and now I do easily his best role and I REALLY should’ve), Red Star and Billy Numerous on Teen Titans, Speedy on Batman Brave and the Bold, Impulse/Kid Flash II on Young Justice, and Fingers on Kaijudo. He hasn’t done as much lately which is a shame but hopefully i’tll pick up again. 

Next up is Hotstreak, Virgil’s brutal bully turned unhinted pyromancer played by DANIEL COOKSY, another actor i’m happy to talk about and another faviorite I haven’t seen much of lately. Daniel was an actor from childhood, playing Budnick on Salute Your Shorts, but he quickly gained a long and storied catalogue of VA Work: His first big roll was as Montana Max on Tiny Toon Adventures and if there is a god he’ll be back for the reboot, Stoop Kid on Hey Arnold, the incomprable Jack Spicer on Xiaolin Showdown, far and away his best role and part of why Chronicles sucked so bad was he was he didn’t get to reprise the role, The titular Dave the Barbarian, Django of the Dead on El Tigre (Had no idea), Kicks utterly insufferable big Brother Brad on Kick Buttowski and apparently he’s back at it again after laying low for a bit as he’s voicing Snag in Long Gone Gultch.. which I already really needed to watch but hot damn, I missed him. Sign me up. 

Frieda, Virgil’s crush and close friend who in the comics was his main confidante and love intrest but here is eventually pushed aside, is voiced by Danica Mckeller whose work didn’t seem all that familiar.. until I found out she was Ms. Martian on Young Justice. Hello, Megan. Very talented and she did get a major role in a dc show eventually so good for her. Can’t wait for season 4. 

So with our major players out of the way,  let’s talk about Dwayne. McDuffie is an AWESOME man and my respect has grown for him more and more with time. A writer and editor at Marvel, McDuffie has a decent resume doing smaller but awesome books, which I got most of for free last year when Marvel was giving out free digital collections due to the lock down, like Damage Control, a sitcom set in the marvel universe about the company that picks up after superhero battles and the logistics and antics that insue and Dethlok, about a pacfist trapped inside a cyborg zombie. He was as mentioned one of Milestone’s founders, and wrote Icon, Hardware and co-wrote the first few issues of Static. He’d go on to a pretty stacked career in animation, writing on this show and Justice League before becoming  story editor and show runner for Unlimited , even making a return to comics as a result writing the Marvel miniseries beyond and an arc of Fantastic Four in which Black Panther and Storm filled in for Reed and Sue while the two of them worked on their marriage after Reed did.. pretty much everything he did in Civil War. He also became head writer and show runner for Ben 10: Alien Force and Ultimate Alien, revamping the franchise a bit, and Alien Force, at least the first two seasons are awesome and I feel people overreacted on the changes. Ultimate Alien is okay, but has it’s problems but the finale was awesome and left the man’s legacy on a high note.. as he sadly passed in 2011 due to heart complications. He is truly missed and produced some utterly amazing stuff whlie he was alive. So on that melacholy note let’s see what happens when his creation hits the tv screen shall we?

Shock to the System:

This episode is written by Christopher Simmons, who is apparently a huge art designer guy.. but i’m not sure that’s the same chirsptoher simmons. Much more notable is the writer of the episode after this Stan Berkowitz, who was showrunner for season 1 and has done a LOT of DCAU work and is suprising talent, having written a lot of awesome Justice League episodes including Secret Society and The Royal Flush One. Point is we’re in first class hands.  Before the episode itself I want to talk about the intro and how it’s unique among DCAU shows. Like most Western Animation the intros for DCAU shows didn’t change much over the seasons with the most I can see is JLU changing up the footage to preview the current episode and later adding Hawkgirl to the intro after her return to the team. I THINK superman the animated series changed some of it’s footage too, but I can’t confrim it and may of just been imagining it. As i’ve talked about on my blog it’s normally a pet peeve of mine, mostly because shows you know, change after season 1, characters get added some one shot characters used for the intro never return, and after a while it can feel dated especially in more recent shows where the status quo is not at all set in stone and things change quite a bit. But sometimes it can be good enough that either the dated elements don’t matter or general enough that you don’t need to change it and i’ts just that good.. and given Batman the Animated Series has both in spades, you can see why i’ts probably my golden standard for intros and after superman the animated series DC mostly followed suit. But being part of the teen superhero boom of the 2000′s Static is unique in that it splits the diffrence: It’s intro gets the character across perfectly like a good intro should starting with Virgil getting out of bed and running a comb across his head before showing off to his sister to bug her and literally running into his dad who hand shim his bag and smiles, silently showing off his family. He then runs to school and runs into some trouble.. and said trouble changes for each intro, with Rubberband Man for season 1, Kanga (Whose name I only know because I happened to run across it) for season 2 and your guess is as good as mine for seasons 3 and 4, though Hotstreak is a constant. They still save some money for seasons 1 and 2 by recycling some animation.. but that’s alright with mea s it was good animation, and the improtant thing is cycling out old villians for new ones, while Season 3 is the only out and out redo to show off Richie taking on the Gear identity, adding about 10 seconds of intro to let him show off.  Seriously it’s an utterly great intro and like the other DCAU intros outside of superman, stuck in my brain. 

The other change that’s ENTIRELY diffrent from the rest of htem is that the music changes each time. The first two have the same formula just with a difrent vocalist and backing track: a superhero theme but with some hip hop beat boxing over it. The first intro is fine enough, not specattcular but stilll god. The second song.. is eh. Not really great and feels like a marked downgrade from season 1 and just dosen’t blend an ocrehstiral superhero theme with the beatbox elements NEARLY as well. The third song though is my faviorite.. even if I HATED Little Romeo as a  kid because I really did not like his nick show, it’s more a straight up rap song, but it has a faster beat that fits the intro better, and Romeo’s bragging fits Virgil’s character and penchant for Spidey quips perfectly. I also find it ironic that the theme that blends in with the dcau the most, the first season’s, is the one from BEFORE they decided to put it in the same universe. Still this season’s intro slaps, I just like the LIttle Romeo one a bit more.  The opening scene is picture perfect. Some masked crooks looting a warehouse are loading some stolen TV’s into a van when suddenly the lights come on one by one above one of the crooks before his tv switches to various channels before going haywire. Cue our heroes’ entrance. Let’s tak ea good look at him

Static’s Costume is awesome. While I prefer the season 3 redesign, and clearly DC agrees as the redeisgn was used for both pre and post new-52 when they used him, and while he’s getting a fresh design for the reboot, said design takes a lot of cures from said outfit. As for how the outfit differs from the comics itself  this is the design he had in the comics

It didn’t change much from the first issue, with the exception of his now iconic big puffy jacket which was added pretty early into the character’s history but I was unaware of that and just assumed he had the bodysuit the whole time. The more you know. But as you can see outside of the cool puffy jacket over a costume the two couldn’t be more diffrent. While the Dakotaverse outfit is more a standard superhero outfit, with some regular clothes touches on top the first cartoon outfit comes off more realistic, looking fantastic, but still coming off as something two teenagers could realistically have thrown together with what clothes they could buy, while still looking awesomely superheroy. IN short it’s perfect and only topped by the season 3 onward look...

But the slicker look, with an even cooler jakcet and the new colors all fitting the lighting ascetic better, but fits: not only has Virgil come along farther since he started, but with Richie now having a genius brain as Gear, he can provide a far slicker, far more professional superhero outfit on the budget the two have.  This show is just great  at costume design. 

So getting back to the episode at hand, Static puts up a huge sign in elecrticy saying “Bad guys here”, PFFFT, and then hides away and narrates that a few days ago he’d be the last person anyone would’ve expected to be a hero. Cue Flashback. 

We meet Virgil Hawkins on an average day: rapping into his razor, getting into a petty argument with his older sister Sharon, as a younger brother myself I relate to this, and talking to his dad who tries to get them to cut that out. We find out his mom has passed via his sister making really terrible eggs and saying that’s how mom made them. Exposition! Though we do get a great bit through this as when his sister gets distracted by her boyfriend calling, he uses the opportunity of her leaving the room to dump the eggs.. after having earlier jokingly prayed to his mom for a way out of breakfast. “Thanks for looking out for me mom” That’s both very sweet and very hilarious. 

This is a change from the comics it turns out as I was utterly flored to find Virgil’s mom alive and well when reading the first issue of Static. Turns out this was a change made during development and one Dwane McDuffie admitted in the interview I got the tribute quote from to not liking as he had a good reason for having Virgil have a nuclear family, as most black families in media at the time were just one single parent and a kid or two with the other having either left or died. He wasn’t too bothered by it as while he preferred what he came up with in the first place, the show DID get some really good stories out of her being gone and didn’t just have her be absent because shut up. Virgil is still working over her death and the way HOW she died ends up playing an important role in this episode and gives Virgil a dislike of guns, as she died to gang violence. So the change wasn’t for stupid or racist reasons, but likely both to keep the character count down while giving them something to work with for storylines. Or it could’ve been for stupid reasons and the writers simpily made lemonade out of that very dumb lemon, either way it ended up working.  Virgil also plans to ask his friend Frieda out. Frieda was a bigger deal in the comics, being Virgil’s friend and confidante as well as his ocasional love intrest, but here while she was inteded to at least be his love intrest here, that sorta fizzled out. As for the best friend role we meet her replacement in Richie, which McDuffie conceded was the kind of change a studio would make swapping out a female character for a male one. That being said the crew made the best of it and Richie is awesome, a bit of an overcompensating dipstick at times, but a good sounding board and pal for virgil and funny as hell too. He was also gay, something only revealed post series by McDuffie.. but unlike say Dumbledore, it’s a bit easier to swallow here: The early 2000′s were an even worse time for gay characters in tv let alone cartoons, and if they couldn’t kiss or have sex scenes on regular tv, there was no way we were getting any representation in a children’s show. So it was largely just hinted at by Richie overcompensating in how “into girls” he was and i’m once again fine with this being word of god as it was literally the best they could do and his counterpart in the comics was also gay, if not as relevant.  Ritch encourages Virgil to work on his opening to ask her out as it’s awkward as heck, hits a bit close to home.. but I do appricate the show just .. having him try and ask her out from the first episode. They likely would’ve drug thigns out a bit granted had they used Frieda more, i’m not blind to the convetions of the time. .but as someone who got the very wrong idea from tv that just waiting around meant a girl would like you eventually, when no you need to actually try even if rejection happens, I honestly wish we had more of this in media than the other garbage morals at the time. 

So he prepares to , not helped by her mentioning guy after guy is asking her out.... but before he can F-Stop, the future hotstreak, shows up.  F-STOP

That being said...... it’s not as bad as the original gangster name for the comic’s version, Biz Money B. Yes BIZ MONEY B

So yeah while F-Stop is no more intimidating, it at least means I can stop laughing. Francis, because I can’t type F-Stop without laughing and this review is already behind, shoves Virgil out of the way and agressively hits on Frieda, even saying “you smell good”, the international sign your a douchebag and also to call the police. Virgil steps up to the guy and gets PAINFULLY slammed into the lockers, something I give the animation team a lot of credit for, as you can FEEL how fucking painful that was. Virgil is saved by Wade, another local gangbanger who in the comics was a close friend of Virgils but here saves him seemingly just because.. seemingly. 

On the way home though Virg’s problems don’t end as naturally, the giant sized asshole with nothing better to do has his goons corner virgil before VIOLENTLY beating him.. off screen but the noises, and the clear brusies including a black eye, on virgil afterwords.. just holy damn i’m suprsied they got away with this but it shows just how horrifing it was and that this is a step above regular bullying, which make no mistake is absoluttley terrible and the series would later do an episode on it and school shootings, into straight up gang violence. Wade shows up again and gets the bastards to flee.. but also makes it clear he can’t keep doing this.. and forces Virgil to meet him at his base under the bridge. And it’s a tense sequence, with Virgil KNOWING this is a bad idea but having no real choice and Wade making it abundantly clear that he wants Virgil to join his crew, and makes a chilling point: while Virgils dad RIGHTFULLY dosen’t want his son to join a gang as Virgil points out.. he can’t be there for him all the time and eventually one of those times, Francis will be around. And he may not surivive that. Virgil nods noncomittaly.  At home it gets even more grim as he dosen’t open up to his family, understandably as his dad would jsut say to call the police and well.. we’ve seen how the police treat black people. At best they’d just try and use Virgil as an informant and that likely wouldn’t end fucking well for Virgil. Ritchie points out he can’t join a gang, virgil’s mom died that way.. see told you it’d be important to the plot.. but I like how the story dosen’t offer an easy answer.. well okay he gets electric powers soon enough but without the fantastic element this is just an innocent kid caught between either joining the very thing his mom hated or hoping a system not built to protect him will keep him alive. It’s utterly saddening and chilling and holy shit is it amazing a cartoon in the early 2000′s was able to get away with.. ANY OF THIS, and they handle it great, paired down a bit from the comics but even then it’s still incredibly balsy they got THIS much in. 

Naturally Wade calls in his favor and our hero is forced to come running.. and soon finds out Wade’s brought him in for a massive gang war. Welcome to the big bang, baby. He hands Virgil a gun as things get started and Virgil.. drops the thing and tries to escape, in a harrowing sequence.. and runs into Francis because god apparently REALLY hates this kid today. As if to prove that the police show up and while that prevents a beating, they demand they disassemble. then release untested gas on them because of course they do. 

As a result the big bang truly begins, with the various gang members getting mutated.. and naturally so does virgil. Though he wakes up the next day seemingly fine. How’d he get home? Does his dad know where he was?

I don’t know and we’re not getting any answers, but Virgil soon finds weird stuff happening like his clock shorting out, change being attracted to him and his razor going wild. It’s only once he get sback to his room he gets an inkling of what’s going on and calls Ritchie to meet him at the Junk yard.. though it is a bit of a dick move as he dosen’t you know, tell him anything about Wade or Francis right away. He does at the yard though.. and that he has powers, having finally figured out how to use them to a point. And the series does provide a decent justification later as to why he’d get this so quickly: Virgil is a smart kid, gets great grades at school and apparnetly there’s even an episode later where he gets a scholarship to a fancy genius school. So him getting how elctromagntisim works or being a quick study on it makes perfect sense. 

Richie suggest the obvious.. to become a superhero. And the thought.. hadn’t occured to Virgil. It’s honestly a nice twist on the old trope. That he hadn’t thought of it, not because he’s selfish or any of that or needs to learn a hard lesson, those have been done.. simply because the rush of getting his powers, and implicitly of having a way out of his current predciament, a way to keep Francis off his back and keep Wade from pulling him in further. His own path. But once i’ts brought up.. he jumps on it. Part of it is being a nerd like you or I, of course he wants to.. and being a good intetioned one, he knows this is the right thing to do. It’s waht makes a superhero a hero: Anyone can get powers in a universe like this, esepcailly the dcau, but it takes true courage and heart to use them selflessly and knowing you’ll be in danger. It’s why I love surperheroes: they often didn’t ask for this but they do it anyway because somebody’s gotta. We also get an intresting wrinkle is superman is, at least I think in this episode I could’ve missed it or misremembered things, mentioned as a fictional character. That’s because originally like the comics this wasn’t part of the DCAU.. but eventually the crew decided it shared staff from it, shared a network, both first run and on reruns, why not just make it part of the DCAU proper. I fully support this decisionf: While i’m midly annoyed unlimited never really used anything from static shock outside of Static himself in the time travel episode, despite you know Static and Gear having BEEN to the tower and not being much younger than Kara and defintely older than Courtney, I chalk it up to weird rights issues or something like that. But having Batman, Batman Beyond, Superman, Green Lantern and the Justice League itself all guest star was a good idea, and expanded both static’s universe and gave the DCAU something differnt as most heroes in it were older and more experinced in contrast to the up and coming virgil. Again really would’ve been nice if he and gear could’ve been a part of the expanded league but production might of just been too far ahead or, given he had his own series, they might just have wanted to stick to toher characters. Also begs the question why Icon or Hardware wasn’t adapted for the expanded League but hey, questions for later and the tricky logisitics of the milestone rights might’ve been the issue. I don’t know I wasn’t in the room. 

So we get a costume montage, including Black Vulcan from Superfriends, who again ironically would be voiced by Lamarr not too long after this, though weirdly they DON’T use his outfit from the comics for this montage. I mean why not? It fits the gag and would’ve been a good second to last choice.But what could’ve been aside we get our winner and cut back to present day...

Thanks boys. Static finds out one of the things in the warehouse is a shipment of computers for the school and can’t help but show off, showing up to the school, where Frieda and Richie are setting up for the dance, and dropping off the computers, and even saying his catchphrase for the first time “I’ll put a shock to your system” (Which Richie chimes in with awesome line and I agree, great catcphrase), before helping set up and flirting with frieda. 

Though as Richtie says he’s a natural. He’s not wrong as he can work a crowd. .but back it up too as his first run out had him easily taking out the crooks, and as many teen superheros and fans of heroes of hte type, myself included will tell you, getting it right in one is not easy. Not even Miles MOrales was immune. All Static needs now is a villian. 

And the end of the episode provides one as we see, in horrifc and once again damn suprising detail most of hte new metas aren’t doing so good and are melting and other stuff and we catch up with Francis whose burning up.. and naturally given that hair, though given he named himself F-Stop it’s the least of his problems, he’s got fire powers and escapes to “Have me some fun”

So with that we end episode 1. And it’s excellent, a great way to introduce the hero and while the warehouse opening is a bit superflous, it is a decent addition, showing our heroes first outing in costume and giving us a bit of an action scene to get us through the very heavy rest of the episode. But the rest of the episode is no less grippping, telling the tale of a teen caught in an unwinnable scenario who suddenly finds a way out. And speaking of which waht of Wade? Will we see him again? Is he perhaps Ebon, the series big bad as I thought when I was a kid? What comes of the man who directly caused static’s origin?

Yeahhh that’s the one mistep I think the pilot makes. Frieda is understandable as that was likely a simple change in creative direction. This though? Why build this guy up if your not going to bring him back. I mean where he went was probably the grave, as he probably did due to his mutation, but it’s still VERY weird to spend a whole episode focusing on this guy, building him up as a big personal threat to our hero.. and NOT have him become the series big bad. And maybe he WAS supposed to be ebon and they just changed their mind. I don’t know but it bothers me it bothers me a lot. Otherwise though flawless. ONe more to go. 

Aftershock: We open outside an electronics store, as our heroes watch the news reacap what happened in the first episode, with the media dubbing it the Big Bang and revealing their could be hundreds of “Metahumans”, as Virgil dubs after deciding the media’s term “Mutant” dosen’t fit, a nice wink to the fact that that’s the term used in dc comics and I believe milestone but could be wrong there. Me I like the term, has a nice ring to it. 

At the store while Richie mulls over waht this means Static finds out he’s a human CD player.... this was before mp3 players and streaming on your phone made them horribly obsolete mind you and if you don’t know what one is congradualtions you live in some sort of bubble and you made me feel really old junior. 

Frieda happens to be there and Virgil quips “What’s the matter they run out of britney cds”. Dude she’s not bad. Also be careful what you wish for man. Nickeback returned the year after this. You have not truly suffered through bad music yet my young friend. They spot a kid looking feverish, and he soon turns into a purple werewolf, as you do. It’s a bang baby.. those are richie’s exact word and you may not want to start a panic there bud. Just saying your best friend is one. THeir not all like this. Our heroes book it only to run into Francis who naturally refuses to let them leave and only doesn’t try to beat up Virgil because Virgil points otu the werewolf and nonplussed, he goes to fight it, scarring it off by revealing his own powers. He’s now dubbed himself Hotstreak which points for getting an actually good name kid. No points for what happens next as unsuprisingly getting powers did NOT mak ehim a better person and he attacks Virgil who blocks with a garbage can lid and thankfully is blasted into an ally. Richie tries to guard frieda for damn obvious reasons but gets hsi shirt burnt up because shut up Thankfully Static shows up, and we get our firsdt full on superhuman fight as both fight each other with aplomb, and it’s a damn good fight.. and one that goes pear shaped for Virg as he’s caught off guard when he finds out Hotstreak can use his powers to fly, and tackles him and his previous trauma causes him to freeze up. Thankfully , as Frieda put in a call earlier, the fire department arrive and HOt streak has to retreat, though Virgil is bummed that he “Choked”. And I love this as it not only shows Virgil’s inepxerince, as this is his first time fighting a bad guy but that just because he HAS power now dosen’t mean trauma and his previous fear of Hotstreak goes away or you won’t freeze up from time to time. It dosen’t make him weak or anything like some assholes would call it .. it makes him human. Humans make mistakes, and it makes him all the more relatable that he’s not pefect and that he did freeze up as I know I certainly would at last once in the circumstances. 

Things don’t get better at dinner as Sharon and Pops argue over the bang babies with Pops calling them a meance and Sharon pointing out Static exists so they can’t all be bad. See assuming a group of superhumans are bad because a handful of them ar edick sis why the x-men had to get their own island nation. You can only save an ungreatful populous so many times before you say “fuck it i’m getting my own island, pay me for life saving drugs, save your damn selves and stop doing genocides on us. Kay thanks”. But he does bring up a valid point that rattles his son: We don’t know anything about the Bang Babies or their biological structures and it’s likely they might further mutate into monsters, Static included. 

Virgil, understandably, wants to check this and thus he and richie compare blood samples in science, to no real conclusion. She he checks out with his doctor who assumes he’s sexually active in a great getting crap past the radar bit and a bit of realisim, but he agrees to the test though if something came up he would have to tell Virgil’s dsad and is up front about this. Nice dose of realisim.

That night City Council has a meeting and the Mayor TRIES to deflect Papa Hawkins questions about the bang babies which again, while being a judgmental ass as not every person hit was a gang member (Virgil, and as we discover later some others), and not every gang member is there by choice, some by circumstnace some, like virgil almost was, because they HAD no other option. Again years of reading x-men may of just made me a bit touchy on assholes admitely assuming superpower people bad. But it’s clear the public is upset and while she says an investigation is underway... Virgil and Richie are not only not convinced, but figure she’s actively covering it up. And unlike everyone else there who probably suspects the same, they can do something about it and tail her.  It’s during this, and cleverly as I didn’t realie till writing this using similar skills to his human cd player act, Virgil listens in and discovers whose behind it: Edwin Alva, whose apparently richer than bill gates and a beloved phinarophist Alva, as it turns out, was actually the arch enemy of Hardware in the comics, taking advantage of the guy in his civiliian idtentiy and thus casuing him to launch a war on the asshole. He does transition into this series well though, being the one behind the gas that caused it and with the mayor agreeing to back off, planning to simply dump the info about the big bang on a disc then destroy everything for now till the heat dies down. Yup sounds like a corprate douchebag. 

Static tails him, finds the lab and infiltrates it, stealing the disc.. but getting caught by Alva’s goon, and trapped in a glass prison, forced to use ALL his power to escape and barely getting out alive, but not before bouncing off alva’s car. Still he now has the proof.. and meanwhile Hotstreak, who I was wrong did get captured, is forced to take pill sbut spits them out once the orderly is gone. Dude.. WHY DIDN’T YOU WATCH HIM. Make sure he swallows that shit especially since, as he has no powers right now and can’t harm you. 

Hotstreak escapes off screen and our heroes discuss the disc before he shows up, and we get a REALLY fucking amazing scene: Virgil ducks into an Alleway and ritchie is worried.. and Virgil disarms him with just one word responses Ritchie: Virg you can’t take him.  Virgil: Gotta. Ritchie: Well at least wait for the fire department Virgil: Can’t.  It’s simpile but it gets the point across: This is his fight, he can’t wait for help, and people need him. And this is what makes a true hero: It’s easy to be a hero when everythings going well.. but it’s the true ones who stick it out against the odds and fight anyway. And he’s going to.  So we get one hell of a fight, though naturally Hotstreak burns up the disc. And I do like this as it dosen’t feel contrived.. yes Static could’ve left it with ritchie.. but he wasn’t thinking in the moment and dind’t really have time to think abotu the disc, only that people were being hurt and he was all they had between them and Hotstreak. It was no choice at all. Still that pisses Virgil off that the last night’s work is now worthless, and he fully charges up and curbstomps francis who retreats into a clearing. Hostreak brags when static follows, as even he’s figured out Static needs to be around metal, as he’s usually on his disc or the street, and in the park there suppodsidly isn’t any. But he’s not THAT smart as Virgil points out two things: one, he hoped to do this on PURPOSE so they wouldn’t be around people and no on e would get hurt and 2).. this is a city, there’s metal everywhere.. and he awesomely and cleverly proves it by unlodging a sewage pipe with his powers and dousing his foe, winning and proving his stuff. I love this solution, it’s a clever spider-man type way to disarm him, using smarts and the einvroment instead of just brute forcing it. Though the sewage part wasn’t intetional our hero still won and gets praise from the people dumb enough to follow the fight. 

However at home Virgil points out it was  Pyrrhic Victory and shows off his smarts by telling the tale behind it, which I didn’t know,because tv tropes didn’t exist yet: king pyrhus fought the romans and WON.. but had so little armies left that he still lost overall. That’s what this feels like to Virgil: he beat hotstreak but any chance at a cure for Bang Babies and Alva going to jail for causing them is gone. His mood does get a boost though as the doctor calls and reveals he’s fine, he just has a bit too much elctrolytes and just needs to lay off teh salt. He celebrates, we get a quick gag and the episode ends

Aftershock is another stellar episoe, giving us Virgil’s first super foe and a personal one at that, while showing some growth. As richie tells him he’s not virgil anymore he’s static and he can’t let his past get to him.. and he does’nt going from cowering in fear to easily beating his foe with simple logic. It’s a good followup that answers questions you may have from the first ep, like what does this do to virgil’s body, who supplied the gas, and why has no one done anything about this, and sets up another villian for Static in Alva. Great stuff. I highly recommend these episodes and the show as a whole: it’s fast paced, grounded and enjoyable, having just enough levity to not be too dour but just enough tension and stakes to be intresting. A throughly fantastic superhero show and one that i’d certainly love to revisit on this blog If you have an episode of static or the dcau in general you’d want me to cover, my comissions are open and details are on a tab on my blog or can be gotten simply by asking me via ask or dm. Tommorow we’re going deeper underground, there’s too much damage in this town as the Lena Retrospective continues. So expect gay ducks, straight ducks and some terrfirmains. See you next rainbow.