#he's not even a full adult

[morningstar-chronicles]

could you imagine getting cancelled at 15

this made me laugh out loud in the theater BUT THE RATIO???? 😭😭😭

[laurrelise]

still not done talking about the fact that aidan gallagher got cast to play one of the most plot-important characters in an adult superhero show among a cast of grown, professional actors at the age of 13, fresh off of a nickelodeon children’s show and managed to deliver one of the most layered, memorable performances and become the favorite of most people who watched it

[stars-obsession-pit]

Danny Phantom was not used to fighting magic users. Ghosts, yes. But humans with powers? No.

So when a cult managed to successfully summon and bind him, he lacked the knowledge of how to stop them.

And they tore him apart.

His core was broken into pieces, each one then implanted into one of the most loyal cult members (or potentially sold off to another person to use…) to grant them a portion of Phantom’s many powers.

However, the cult didn’t entirely know what they were doing either. You see, it turns out that shattering Danny’s core in that manner didn’t truly end him. His soul still persisted, still refused to die even as it was trapped amongst the disparate shards. Though each individual piece lacked the strength of mind or power to affect their hosts, they would gradually forge themselves together anew should they ever be gathered back together.

And after Red Hood killed several of the cult’s members, that process began. Their shards, now freed, transferred to the vigilante, instinctively latching onto his proto-core. Though still not yet whole enough to form a truly conscious fragment of Danny, they are enough to start to nudge Hood in the right direction (bolstered in effectiveness by Jason’s connection to death)

Jason can feel it deep within his soul. There’s something more to this cult’s powers than just normal magic, and he has a growing need to find out what that is. To stop them. To burn them all down and dig their secrets from the ashes.

[giganticism]

The Hughes brothers actually are that close and obsessed with each other. You just have to accept it.

[sysig]

Two skeletons in a trench lab coat (Patreon)

Bonus:

He’s very careful! Everything was fine before you interrupted!

[americankimchi]

why cant characters be little freaks. why cant they be a lil weird. must all characters be nice and well adjusted? must they all have healthy emotional regulation and a firm handle on their mental health? can they not be a lil fucked up? a lil off putting? is it a crime for a character to be, dare i say it, annoying?

[vaguely-concerned]

just had the thought 'in the end the most important thing varric taught rook was how to make a home for, with, and in other people' and then I had to go lie down on the floor and clutch at my head in unceasing agony for a few hours, as you may well imagine. hawke and the kirkwall crew........ in the end you kind of saved the world a bit in the most characteristically indirect and chaotic of ways. not by anything in particular that you did or achieved or accomplished (lmao imagine!), but just by -- having existed, and by the love that was always there, despite it all, in all its imperfections, even when no one was saved by it in the end. you're not here right now and you're not quite haunting the narrative but I hear your voices bickering and arguing and laughing from the other room. (and so, I think, does varric. all the time.)

'did you think you mattered, hawke? did you think anything you ever did mattered?' yeah actually, varric says with da2 and keeps saying through the series. you were here. and I loved you. and as it turns out that mattered more than almost anything in the world, no matter how long it lasted or how fucked up it was at the time or what else happens, because varric manages to pass that feeling, that intangible... home, that echo of you all as you were together, that love, hopefully the best parts of it, on to someone else for them to bring with them on their journey, with their family. and maybe the world will be kinder this time. you never know. merrill's line of 'Everything affects everything. We were born, a bunch of things happened, and now we're in a mess with our friends.' varric's greatest fear of becoming his parents. even through the wreck and the ruin of the world, ghosts upon ghosts upon ghosts of love -- malcolm hawke, who we never even see, but his life touched hawke's and hawke's touched varric's and varric's touched rook's and rook is passing it on to the family they're creating. the unbroken legacy of love shines through in ways that are stronger and stranger than any magic. help

[secriden]

*cracks knuckles* Okay lets talk about the elephant in the room: Style going to the support group for those who've suffered loss and telling what appears to be a fake story about losing his pet dog.

I'm going to point out a few things that I think provide a framework for Style's actions here. Not because I think it excuses what he did, but because I think a nuanced read is what the character deserves.

Point 1: An irresistible opportunity

The subs put the "Support Group for Loss" on the image in the notebook, but I'm not sure there's anything to suggest that Style would've known that was what this image represents until he showed up and saw the sign on top of the door.

In episode 2, Bison says, "He plans everything down from years, months, weeks to days" and then tells Kant:

So Style is literally just going to addresses/locations at given days and times, potentially not knowing what to expect. And as much as Fadel is certainly attending this meeting as a response to having that heartbreaking flashback (😭), this is also something he attends regularly and has planned to attend way in advance. So Style has no reason to think Fadel is attending this meeting because of a recent resurfacing of his pain.

What we, the audience, and what the characters know are very different things.

Now, should Style have turned his cute ass right around once he realised what this meeting was? Of course he should. But that wouldn't have been true to Style's character. We've been told by his best friend that he is "crazy" and been shown repeatedly that he lives right up to that description.

Style is impulsive. He's all base instinct and he acts on his desires without thought or contemplation. And by this point he is desperate for a deeper connection with Fadel. He's fascinated, captivated by the mystery that is Fadel and this is an excellent opportunity to finally see behind the wall Fadel so carefully maintains.

When Style sees the sign above the door, Style looks at the notebook (which, again, shows nothing but people sitting in a circle with the words RISE UP) like he's just realising what it means. He then gets this amused, almost rueful look on his face (like he's thinking "am I really going to do this?") before it shifts to determination and he walks through the door.

(My soul for the ability to once again gif something because FUCK Dunk is doing SO MUCH in this show!!)

To Style, this is just too good of an opportunity to give up.

Because let's be real, Fadel is so clearly lying and hiding something:

Fadel is shady as FUCK. He is simultaneously actually a really good cook (Style finally tries his burger so he knows, now), and also has the skills to work at a strip host club, and also can take on 3 guys in a fight, and also can break a man's arm with his thighs. Can you honestly blame Style for losing his mind just a little bit about wanting to get his hands on something, anything, to figure this man out?

Style is being absolutely consistent in his persistence to understand Fadel. This isn't about the car or about finally 'winning' the fight (thank you @airenyah for giving such a detailed framework to understand what Style's been doing until this point) anymore. This is about Style wanting to know Fadel himself.

Point 2: The potential implications of the setting

Now, what might give us a bit of insight as to why Style is this way? I have a theory (albeit one that could prove to be very wrong, but hear me out). I think this whole entire show is set in what could potentially be quite a small town/suburb.

There's a few things that make this theory plausible:

(1) Fadel and Bison are in hiding after Bison blew their previous cover. They're probably on the run from some section of the authorities and so it makes sense to settle in a quiet/out of the way place.

(2) Style seems to be really familiar with the people in the area. Like he grew up there and its the kind of small town where everyone knows everyone and everyone is in everyone else's business.

(3) Style is clearly the darling of the market aunties and uncles.

Style just lost her a sale and potentially a loyal customer, and she's still rooting for him? In episode 2, when Style asks the uncle to let him borrow his cart, it takes nothing but his word for the uncle to give Style his entire cart of produce for his ridiculous scheme.

Style is so clearly someone they all know well and have great affection for, and a very plausible explanation for this is that they all watched him grow up and the entire market (town/village) is fond of him.

And honestly?? Yeah, we see the way Style is actually quite sweet in that careless, guileless, thoughtless way. He goes the extra mile to fix his mistake with Fadel by replacing his car parts for free in episode 1. He helps out by taking orders in episode 2 without being asked and takes it seriously. In episode 3, he tries to drive more business to Fadel's store (bless him, he so clearly does NOT understand how restaurants work, but he MEANS well!!), and can we all acknowledge that it works?? He understands how to appeal to potential customers in the area because he knows the people there. It's not (entirely) his fault that Fadel wasn't remotely prepared for an actual rush crowd and Bison was off getting kinky with Kant and not doing his (fake) job. He is so clear about not judging Fadel's host job and tries his hardest to help him (to absolutely NO effect, but still) when the 3 guys gang up on Fadel.

Style is so loved and more importantly so very loveable.

Point 3: What this could mean for Style's character

So, potentially, Style is someone who grew up in a small town, who has been well loved, potentially spoiled and coddled, but also very much kept within the confines of the narrow viewpoint that a quiet, country town places on you.

It's in the way his dad scolds him as if he was still a child when he's at least in his mid to late 20s. It's in the way Style was so mad at Fadel for scolding him ("thanks for the lecture, dad"), like that hit a sore point for Style. It's in the way no one in the market takes him seriously; they're fond, but he's still a kid in their eyes. It's in the way he has an abundance of free time like he doesn't REALLY need to work at his dad's shop. It's in the way he sees Fadel beat 3 guys up with ease, starts wondering if Fadel is an assassin or a hitman, and is completely unfazed like he doesn't quite have a handle on reality.

It's in the way his best friend is a man who has no qualms about lying to him and putting his life in danger, and how Style seems to have no other friends or people (aside from his dad) in his life.

@wuxian-vs-wangji made a comment to me about Style being desperate for a meaningful connection, and I think she hit the nail on the head. Because along comes Fadel, a mysterious stranger with a suspiciously versatile set of skills who is also very hot and keeps giving Style these wonderfully complex reactions? Who sometimes wants nothing to do with Style, but at other times seems to be at war within himself about desperately wanting him? Who treats Style with anything but apathy?

This is catnip to Style; he never had any hope of resisting this.

Breaking news: Style is a complex and imperfect character...

Here's the thing, though: he was never going to try. The show has been incredibly upfront about who Style is as a person. Regardless of whether I'm correct about why he is this way (ie. that he is very much the product of the environment that didn't know how to handle a kid with Style's personality), episode 3 shouldn't have surprised anyone about Style. He's been incredibly consistent and true to himself.

He wants Fadel and he's "crazy" enough to go all in, no holds barred about it, and the Support Group was the biggest doorway to finally discovering something REAL about Fadel.

And its not just about sex or to prove his superiority anymore. Because if it was just that, then Style would have reacted very differently to their first time.

In this scene, Style is pleased and evidently enjoying himself, but he isn't exuberant. He isn't overcome with joy. If anything, he was more happy and excited when Fadel let him help out in the diner (I mentioned this in the tags in this post too) than he was when Fadel is literally fucking him. He lets Fadel set the pace; barely moves to touch Fadel except to hold him close. Almost like he doesn't want to accidentally mess this up, like he's worried he'll take too much, so he'll take what Fadel gives him and no more (please appreciate @braceletofteeth's amazing tags on this post). For a character that has been so aggressively on the offensive, this is shocking until you realise that sleeping with Fadel - while it's a step in the right direction - isn't Style's end goal anymore.

And he makes that abundantly clear in this episode:

Does Style even fully realise the weight of this desire? I doubt it. But I do believe that Style is in earnest. He doesn't fully understand his own feelings, but he also doesn't really care to either. All he knows is that he wants Fadel, wants his attention and his passion and his focus and his heart.

...but Style is also kind of, sort of, perfect.

Because he's exactly, precisely, breathtakingly exactly what Fadel needs.

Because Fadel is hurt and broken and bleeding inside. Because Fadel is barely holding it all together for Bison's sake, but has already given up hope for any true happiness for himself. Because Fadel can't trust anyone or anything in his life, when he's been used and used and used by the family who should've loved and cared and protected him.

Because it's going to take nothing short of this kind of unwavering, unshakable, uncomplicated determination to give Fadel even a chance of healing and opening his heart to love again.

[littlefankingdom]

The Batman fandom infantilizing a near 30 years old white man taking in a child, saying he was a brother more than a father as if he wasn't a full grown adult taking in a child he could have birthed, but parentifying a brown young adult taking in his brother pre-teen for less than a year, saying he was a father more than a brother (only a year is barely enough but ok), or saying he was more a father to his other brothers than Bruce, when he met them when he was 18 and 21 is making me uncomfortable, ngl.

Like, Bruce is a "kid" when he became Dick's guardian when he canonically was over 25 (he started being Batman at 25), and a brother to him when he raised him for 10 years (and Dick probably has not many memories from before Bruce now), but Dick is a "father" to Damian he only had as his charge for less than a year, half of which they were fighting each others??? Make it make sense???

[steamedlotusroot]

as a native chinese, i feel like some of yall are taking the gods in lego monkie kid a bit too seriously. i understand why it feels iffy to ship / make silly content of deities that people worship irl (eg. nezha, sun wukong) but it’s a phenomenon on chinese social media too. c-netizens ship the fictionalized versions of these gods, which the gods of lego monkie kid are. they aren’t the actual gods people worship; they’re slightly tweaked versions of the book characters, just like any other chinese adaptation or retelling of jttw (and such stories like fsyy) also, no, nezha isn’t a child, in lmk or jttw or sometimes irl. just because he’s often depicted in child form doesn’t make him an immortal child. eros / cupid is often depicted as a winged baby, and he has a wife and kids. it’s basically the same thing here. nothing in lmk suggests that nezha is a child (his voice, his appearance, his personality etc. all imply he is an adult), and while he’s described as youthful in jttw, he’s already 1700+ years old by then and gods can shapeshift. people only think he’s an immortal baby because that’s a popular depiction of him, since one of his prominent myths is set during his childhood. but as long as you’re talking about the god nezha (fictionalized or the religious figure) and not the human child nezha, then that’s an adult [edit: the last sentence couldve been worded better. i would summarize it as “immortal youth nezha is a valid depiction and is popularized by mythology, but adult god nezha exists too and they are NOT mutually exclusive”]

[thenonbinarydetective]

some of the things people say about Damian on here are fucking disgusting

I don't care if he's fictional, I would never say these things about a child

[moriphyte]

as much as i have stuck to drawing child tommy, as thats the version all of us are most familiar w and the version we know well, its also really inspiring to imagine him grown up. to imagine what he would look like and which features he would grow into and who he would resemble be it by genetics or choice or both. this character that was never allowed to live, never allowed to die on his own terms, being able to finally grow up like normal. what would he look like? of course when i imagine an older ctommy, i simply can’t divorce him from the image of cwil no matter how much i may want to. they’re brothers, by blood or not depends on your hc but to me it doesn’t matter. they look alike, sometimes almost eeerily so. not that they would ever be indistinguishable, there are a few very visible differences, but it’s the little things. all the little things that make them so painfully like despite the obvious differences. the way ctommy tugs on his curls when he’s upset, the way he paces the room frantically muttering and cursing when he’s stressed. the way he sings while making potions, the way he sometimes lets the dramatics take him and allows his gangly limbs to swing like misweighted pendulums as he waxes not so poetic about something or another. the way he hunches up to make himself look smaller without even thinking and ctubbo always has to remind him not to slouch. and the way he stands up tall and holds himself like their former commander in chief when he’s trying to be a BIG MAN. i started this post thinking of the specific facial features and details ctommy would have as an adult, and how they would relate and differ to his brothers, but now i am lost int he sauce of imagining eve r little mannerism ctommy picked up being raised by cwil and no matter how far away from each other they are these connections will always remind them of each other (because god knows wil has picked up just as many of tommy’s mannerisms over their many codependent years together) and it quickly gets too painful to think about. anyway im normal .

[phoenixcatch7]

Loz fandom stop being angsty and give the daydreaming kids on big fun adventures with a cool glowing sword some actual whimsy and joy challenge

[screechingfromthevoid]

I think the kids are waiting at the sun tree. They've never really done that before. Sleeping by the sun tree. But as they watched their parents and their friends disappear, with fear in their eyes, it was a day full of firsts.

Wolfe ends up running off in a sort of fit. Leona runs after him. They both feel more at home in the woods. They probably went there to calm down. Vesper, as the oldest, decided she needed to get some things in order. Just in case.

And Gwen was going to leave, sneak into her father's office, past all his traps and rigging, until she notices Vax just standing there. Staring at the seams in the bark that aren't really there. She watched him collapse, sitting crisscross on the roots.

So she stayed. She sat next to her big brother, close and leaning on him. Though, she wasn't there looking for support. She had watched his cocky, teenage attitude melt away into a panic. Vax'ildan was panicking.

"They'll be okay," she told him. "They're the heros of the realm. They'll save uncle Vax and the world and come home." She sounded so sure. He had to believe she was right.

They stay there though. For hours. It might have been the most time the pair ever spent with each other. The sun starts wane and their home turns golden and their parents aren't back yet.

Leona and Wolfe come back, their faces red and a little dirty. They hadn't even taken their leathers off. Like they were going home when they saw their siblings still waiting. They flank their siblings, Leona wrapping an arm around Vax's shoulder and Wolfe taking Gwen's hand. Also contented to wait.

The sky is purple by the time Vesper came with blankets, pillows, and large boxes from The Slayer's Cakes. She had all of her siblings favorites picked out. Trinket 's bear claws for Leona. Sun treats for Gwendolyn. Trayon's Blondies for Vax. Keyleth 's almond bark for Wolfe. And her own personal favorite Everlight-as-Air Scones. She brought enough to count as dinner. She wasn't their head of household. She was their big sister. She didn't need to make sure they ate well or went to bed on time. That wasn't her job. Not yet.

The stars were out that night for them, granting them the family time that they desperately needed. They laughed and stole each other's pastries. They danced around any subject related to parents or their aunts and uncles away. Hunting and tinkering and spying were all fair game. The twins fought, Vax'ildan rolled his eyes and they got him to smile. Gwen listened carefully. Vesper counted the hours since their parents left.

She thought the sun might rise and they'd never see them again. She thought they would have to gather their things in the morning sun and start their new lives emerging from the roots on the sun trees. She thought-

The bark of the sun tree cracked and groaned as it split. All of the De Rolo children held their breaths. Aunt Pike, Uncle Scanlan (in centaur form?), the ashari man, Uncle Grog, a very beautiful and very scary elf woman.

Then father. Then mother hanging on the arm of a strange man they recognized immediately.

[sallymew4]

kids when they hear that their dad is back in town VS. kids when theyre hanging out with a conman that accidentally stole their wallet once

im not even joking btw

bonus heres me being crazy about them in dms ^^^

[zinniapetals]

seeing how Atsushi was in the orphanage his whole life, I bet he went absolutely crazy for train stamps; like taking Ranpo out to the train and noticing the stamp booth and asking 'whats that?' and Ranpo explaining the system and Atsushi immediately buying a notebook to get his first stamp! (he downloads the app for the local line stamps which offer digital stamps) then him freaking out that the metro does stamps as well?? cue him always agreeing to go out with Ranpo and the other Agency members taking him along and bringing a page of the train stamp if they ever leave Yokohama without him