#he’s very serious about that

[queensilver]

I have been going through some shot and not doing a lot of posting. I’ve been trying to do artfight, so here is a few Phantom Timeline members from the wonderful @the-scoreboard

Score, from COH, the gender fluid twink themselves

Sorcerer, from FSA (I believe, might just be FS), the gay narcoleptic

Arc, the aged form of Kori, a hero of time variant, of a sort, but also the iconic and totally not forgotten main protagonist from the never released Heroes of Hyrule game

[katsinspats]

Tragic: Guy you based your entire villain backstory on doesn't even remember you

[adventures-in-poor-planning]

On Saturday I hung out with my 84-year-old ecologist great uncle and he stopped in mid-conversation (abt the return of the whooping crane) and very seriously told me that "you can go one of two ways, as a naturalist"; either you keep sight of the hopeful possibilities, or you don't. I'm one of nature's wretched little pessimists but when an old ecologist literally holds your hands in his and tells you, "don't despair," you have to try, I feel.

[crumb-crumblet-s-crumbington]

anything u need me to be, ill be it for u!

[goldensunset]

when people refer to canon story-relevant kingdom hearts games as ‘spinoffs’ it makes me sad not only for the obvious reasons i always say but also bc like man i WISH this series had spinoffs. imagine what they could do if they had permission from nomura to truly go off the rails and ignore the greater canon for a second and just do some fun whimsical plotless thing in an alternate universe. imagine a fishing/boating game on destiny islands. kh fighting game. it is an injustice that we have been deprived of kingdom karts. can anyone hear me

[cheesenchalk]

i never know how to phrase it but something about the way beatles biographers and people in general view paul's reflexive placating persona and determination to smooth things over as manipulative or duplicitous and john's reflexive barbed persona and habit of lashing out as brave and subversive despite both being equally defensive mechanisms to shield themselves from the world that resulted in them saying things that weren't true says more about how we culturally view kindness or friendliness as inherently untrustworthy or flimsy and anger and carelessness as more believable as someone's true nature than it says about either of them in actuality

[sesamestreep]

I really feel like one of the best details in “A Scandal in Bohemia” that I never see people fixate on enough is that the story starts with Watson stopping in to see Holmes at Baker Street on a complete whim, because he happens to see that he’s home (and Watson is now married and living elsewhere). Like he doesn’t send word first, he’s not invited, he just shows up and surprises Holmes. Which is not that weird but then Holmes is like “oh good, I’ve got a case anyway, you might as well hang out!” which just makes it funnier when the King shows up and is like “I’d really rather speak to you alone, actually” and Watson tries to leave and Holmes is just like “anything you can say to me, you can say to my best friend John Watson, and if you ask him to leave, I would consider it a grave insult, you would be my enemy and I will not help you ever!!” And the king is like “…ok” and just moves on.

like, that is crazy behavior. Holmes is talking about how there’s probably lots of money in this case, and then almost turns away the client for…not knowing who the fuck Watson is?? He’s not even supposed to be there?? He just came to say hi?? “It is both or none”… girl, GET UP.

[swordsonnet-bardofwar]

Logan 100% gets jealous of Mary Puppins.

Wade always showers her with compliments, kisses her little head and lets her climb on his lap. The merc will do everything and more for that little dog and Logan wants all that attention for himself.

At first, he can't really identify the feeling as jealousy, so he just ignores the feeling and then one day, it hits him. Wade has just started his usual shtick of coddling Dogpool and is letting her slobber all over his face and Logan realises that he has never wanted to be a dog more than right this moment.

[russilton]

Incase anyone needed a casual reminder that Norris is an utter asshole.

If you hear that drivers were sick and your first response is to be mad about them admitting it, you are an ass

[alchemistc]

Gonna be pissed as hell if Tim throws out a plotline to replace it with a three episode arc about LA on fire (what will Brad do when his house burns down?), which makes me a hypocrite and a half because here's some ripped-from-the-headlines bullshit.

Tommy's duffle lands on the bottom stair with a thump.

He glances around the space like he's seeing it for the first time - or maybe like he's just taking in the gravity of the situation. There's a quirk of his lip, an ironic shake of his head, and Buck can't quite stop himself from imagining the thought running through his mind. Despite his intentions, he'd landed here anyway.

They're both bone tired. Exhaustion seeping into their marrow, the kind of tired Buck hasn't felt like this since Texas, maybe. He wants a shower and about 48 hours of sleep.

"I'll take the couch," Tommy says, voice raspy, eyes refusing to draw towards Buck.

And the thing is.

The thing is Tommy definitely had other places to go. Other friends who would have put him up as long as he needed, people he trusted, people who cared about him. But it was Buck he'd found as things wound down, the both of them covered in soot and ash, Tommy dropping to sit beside him on the curb as they waited for relief teams to finish up at the command tent.

They'd stared at the burnt out husk of Tommy's home just long enough for the tiredness to really settle in.

"You're not taking the couch," Buck says, and flips the light switch in the downstairs bathroom. Tommy's shower gel is still under the sink, his fancy curl conditioner down to the last few dollops because he'd spent enough nights here to go through most of a bottle. They've already showered at their respective stations, but Buck knows from experience how much Tommy hates the Harbor showers ("You'd think a fire station would have better water pressure, but I'm telling you, Evan, it's about as strong as an eighty-year-old's dribbling piss.") and Buck knows he still feels like he's caked in days of grime.

"Evan," Tommy starts, and Buck can't read into that, refuses despite the way it knocks around in his chest.

"You need the rest just as much as I do," Buck argues, and Tommy's shoulders just... slump. He sighs. Nods his head. Shifts on his feet and accidentally catches Buck's eye.

The contact holds just long enough for Buck to see the tears swimming in Tommy's eyes, and he can't imagine -

It strikes Buck for maybe the first time how dumb he'd been to ask Tommy to move in here. Tommy had a life, a home, a place he'd spent a decade making his own.

He'd made a joke once about a firefighter living so close to the hills, the first time he'd had Buck over, that ironic lilt to his voice while he talked about replacing all the east facing windows the first time he experienced the Santa Ana's after moving in, and Buck had spent a good ten minutes watching the light fade from his backyard, dusk casting the hydrangea bushes in a rose-gold hue.

"If I hug you are you gonna make a break for it?" Buck asks, regretting the spiteful tone when Tommy curls further in on himself, but he ducks his head even as he's shaking it, and Buck doesn't fight the urge any longer, three long strides before Tommy's curling fists around Buck's waist and pressing his nose into the skin of Buck's neck.

("It's just stuff," he'd said, knee knocking against Buck's where they huddled together on the curb across the street, Tommy uncharacteristically fidgety as they both stared straight ahead.

"Come stay with me," Buck had responded, and felt Tommy tense so quickly he'd sort of expected him to bolt to his feet and leave.

Instead, the stillness eased out of Tommy's body all at once on an exhale, and he'd nodded out of the corner of Buck's eye. "Okay."

He hadn't quite been able to stop himself from reaching out to squeeze Tommy's knee. "Okay.")

Tommy's never been one to take more than his fair share. He breaks the hug before Buck can really get into it, sniffs once like Buck didn't notice the wetness against his neck, shifts backwards and sideways. He stops halfway through the doorframe when he catches sight of the canvas bag on the counter.

Buck just hopes Maddie actually bought the specific list Buck had sent her three hours ago. Tommy's particular about his stuff, and he'd pressed the point with his sister despite the eyebrow raise he could see in every text back she sent him. He can see Tommy doing the math - only so many people with a key to the loft, only so many people who weren't there in Tommy's neighborhood for a stretch of exhausting hours that hadn't amounted to much other than saving that purple house down on the end of the street that Tommy was always bemoaning for having a better garden than him.

"Tell Maddie thank you," Tommy says, still with that rasp to his voice that under any other circumstance would have Buck vibrating in place. When he digs through it, Buck catalogues his findings - that weird organic toothpaste Tommy swore by, the cheap electric toothbrush he refused to switch out for the better one Buck had a subscription to; a pack of briefs and socks in Tommy's preferred brand.

It's not the first time Buck has wished there wasn't a canyon between them, but he strikes the urge to quip, to smile, to reach out and try to comfort him.

His phone buzzes in his pocket and he digs it free, glances at the readout and immediately feels the ire rise in his throat again. It's from Eddie, a private response to the group message he'd sent out letting everyone know Tommy had a place to stay.

Is that a good idea?

And Buck gets the point. Understands that Eddie has his best interests in mind, but he's not here, hasn't been here, hadn't been there when they rolled down the street to find three houses already fighting the blaze.

Buck can't hold in the annoyed snort, and when he glances up it's to find Tommy's eyes on him.

"I'm gonna go shower," Buck tells him, and manages three whole steps before Tommy's hand curls around his wrist.

He doesn't seem to have the words to ask, but Buck reaches back to strip his shirt over his head anyway and shuffles them both towards the shower.

It's the least sexy thing they've ever done together, if he's being honest. Buck hasn't felt this tired in years, hasn't felt this grim in years, barely has the energy to do more than scrub at Tommy's back while he rinses his hair. Perfunctory, is a term for it, except for the way Tommy leans into the press of his fingers when he suds up Tommy's hair, except for the way Buck drops his forehead to Tommy's chest while Tommy aims the showerhead at Buck's back.

This is the kind of stupid shit Buck had meant, all those months ago, even if he'd done an extremely shitty job of expressing it. This is the kind of shit he'd pictured while Josh waxed poetic about some television show and wondered if Buck saw a future with Tommy.

By the time they're rinsed off and toweled dry Buck can barely stand, but as Tommy's footfalls echo just behind his up the stairs Buck has just enough sense left to roll open the drawer he'd never cleared out, toss Tommy a pair of clean briefs and one of his threadbare LAFD shirts.

Tommy stares at the drawer long enough for Buck to pull on his own clothes. He blinks himself out of it only when Buck stubs his toe wrestling the body pillow Tommy always pretended he wasn't going to end up curled around out from under the bed.

The drawer closes with an echoing 'snick'. Tommy tosses his own towel in the hamper and makes quick work of dressing.

His hair is gonna be a nightmare in the morning. They're both gonna be absolute messes. Buck's pretty sure the only food in this place is raw flour and approximately seventy-five chocolate croissants - he's pretty sure he used up the last of his eggs trying to perfect his meringue technique.

There's a stiff moment after they slide into bed where they both just lay on their backs and stare at the ceiling, oozing into Buck's mattress. Tommy shifts first, and Buck's sure it'll be away - no matter how often they fell asleep tangled together Tommy always ended up hugging the edge of the bed, and it's not like -

"Is this okay?" Tommy asks, even as he's shifting a leg over Buck, hands finding purchase in the cotton of Buck's sleep shirt.

It's like he's been dosed, for the way Tommy's body sliding into place next to his steals all the energy he has left in him. He blinks once, twice, manages to get a hand in Tommy's damp curls in response. The rest of it can wait for tomorrow.

"Evan?" He's sinking into it too, Buck can tell - the weight of his arm and leg pressing Buck further into the mattress, the drawl of Buck's name drifting instead of sharp.

Buck hums. Presses lips into whatever skin he can find without opening his eyes - a temple, or a cheekbone maybe. "Go to sleep, Tommy," he manages, but if Tommy responds he doesn't hear it.

[mechaseraph]

Sweethearts 💕

Less edited versions under the cut

+some other sketch I had of em

[raptorrobot]

i feel like i'm fighting for my fucking life here

[felassan]

What kind of spirit do you think Felassan waz?

Swag

[secriden]

Not to be a Style apologist, but I feel like some viewers haven't quite picked up that Style's brand of wooing Fadel is quite literally intentionally designed (by both the writers and the character) to be as annoying and frustrating as possible.

Lets consider:

Style thinks his bff is in love for the first time in his life. He thinks Kant is genuinely down bad for Bison: let’s not forget his clear surprise when Kant agreed to give up the car. As far as Style is concerned, Kant is acting really out of character and it's because Kant desperately wants to be with Bison.

He also thinks the only thing standing in the way of True Love™ is Fadel, who according to Kant is being unreasonably difficult about Kant and Bison dating. He doesn't know that Kant has a secondary motivation, nor does he know about the mind games that Bison is playing with Kant. Worse, he has no frame of reference or context to make any of Fadel's animosity towards Kant reasonable.

Moreover, while I think we all agree that Style made a terrible first impression on Fadel, the same has to be said of Fadel towards Style. Like, yes, absolutely Style was in the wrong, but Fadel came off as not only condescending and impatient, but unreasonable (and very weirdly cagey) when Style tried to immediately offer a resolution. Again, Style has no frame of reference for why Fadel would first demand that he take responsibility for his actions and then immediately after claim to have no time to entertain Style's attempt to take said responsibility.

Also, it doesn't help Style's wounded pride that Fadel keeps 'besting' him at every turn. So at this point I think a significant portion of that initial attraction (in ep 1) has shifted to annoyance when it comes to Fadel. By the time he gets his hands on Fadel's information, I think he's more than a little invested in some payback. While I think Style very much still wants to help Kant (and Bison) out, at least a part of him figures as long as he keeps Fadel busy, he kind of meets his goal. And if he gets to embarrass, frustrate and otherwise harass Fadel along the way, all the better!

You can see him start to have some fun with it. He ramps it up SO much in ep 2. He gets to lean into that wild, brash, playful personality because he doesn't really care if Fadel likes him. Style gets to be dialled up to extremes, and I love that for him because he's honestly kind of justified because he knows so fucking little about what's really going on. I think it's only fair if the other 3 are playing 4D chess while Style only has the Uno game rules in front of him, he gets to be the most Unhinged about it.

So, yeah, while I absolutely agree with all the posts out there that recognises just how reasonable and polite and tired Fadel is, I do think we need to give Style some credit here. He's absolutely SO extra, but he's also the one, arguably, that has been lied to the most and I feel that he deserves some slack for that.

[poorly-drawn-mdzs]

Cruel and Unusual Punishments (the PSA episode).

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[thatbuddie]

"eddie isn't queer/gay," you say. "he is straight in canon, so him being gay is just a head canon. it's ok for others to think of him as straight because that's what he is."

let's ignore for a second the fact that eddie has never ever ever ever not even once, said in canon that he is a heterosexual very straight guy. seriously!!! he has never once said it!!! if i am "assuming" he's gay then you are also "assuming" he is straight even though he has never once said it!!

how do you think we got bi buck as canon? like i am serious right now, answer the question. how do you think we go bi buck canon? evan buckley was never conceived to be a bisexual man at the beginning of 911. the reason we have evan buckley as a canonically bisexual character today is because us, queer fans of 911, interpreted him and headcanoned him as bisexual. i would go even further and say that it was us, BUDDIE FANS, who interpreted him and headcanoned him as bi. even before the writers were explicitly writing him as bisexual. we read his actions and his story and his identity and said: "this is a bi character!" and the writers looked back and realized that it made sense! and so they started writing him explicitly and canonically as bi.

was it wrong of us to headcanon a character as bisexual then? like for all intents and purposes we were reading a "straight" character as bi. were we doing something wrong? how come you are not complaining/chastising us/shaming us for how we took evan buckley, an otherwise straight character, and saw him as bi? is it because it now serves a purpose to you that he is bi?

also, taking characters that aren't confirmed queer and reading them as queer is what the queer community, and specifically the queer fandom community, has been doing for DECADES. look up the history of queer coding, i am begging you. it has been through the means of queer coding and the perseverance of people that are engaged in it that actual queer representation in media has increased. and let me tell you right now, eddie diaz is, undoubtedly and undeniably, one of the most queer coded characters there is. whether you think this queer coding is conscious by the writers or not. eddie diaz is queer coded.

and i want everyone who says things like "eddie diaz is not a queer character. he is straight in canon. it's wrong to assume a character is queer without the character saying so" to know that this is exactly what straight and homophobic people say. you are using the SAME rhetoric that has been used to shame queer fans for decades for seeing themselves and their experiences in fictional characters of all types. in fact, us, queer fans (and again BUDDIE FANS), were told so many times by straight fans that we were wrong for reading buck as bisexual. and where are we now? where did reading buck as bi take us? oh yeah, to having bi buck in canon.

so please just stop with the "eddie isn't queer in canon" comments. if you don't want to interpret eddie as queer then that is your prerogative. i will be judging why that is, for sure, but it is your right. but be honest about it. it has nothing to do with whether or not he is straight (which hasn't been said) or queer coded (which he so obviously is seeing as so many of us can very easily read him as queer). it's a personal preference and you're not engaging with canon better because of it.