#he truly lost everyone :((((

[gay-crappost]

Just a reminder that it was only about a month for Five for all of the three seasons so that means that after hotel Oblivion happened every one left Five alone looking like this in an unknown world

[neolxzr]

the way ivan was so sure of himself that till didn't care about him at all---that it's fine if he dies for him because it won't even affect him. he thinks its true enough that he feels comfortable telling sua that she's terrible and that she's going to become nothing more than mizi's trauma and yet. who is it that luka is using to get inside till's head?

what a hypocrite.

[aromanticasterisms]

no but actually. the parallels to other Twins in different nations of teyvat in relation to the traveler and their desire to reunite with their own sibling makes me a little bit bonkers. like.

diluc and kaeya as what the traveler has and fears, after we will be reunited [separation born from conflict that seemingly cannot be mended; they both care for each other but ultimately their opposing ideals mean they cannot be at each other's side in the same way that they used to, and no longer have the close bond they once did]

ei and makoto as what the abyss sibling experienced [a crushing loss not just of one's twin but the last remaining friend they had and the safety and security of their nation, coming out the other side traumatized, cold and jaded and making decisions that will ultimately hurt the people they claim to want to protect for the sake of an unattainable goal]

and lyney and lynette as what the traveler and the abyss twin used to have before they were separated [never apart for long, home is wherever we are together], what the traveler wants [their separation brief and quickly amended, continuing to be inseparable after they reunite], and also the choice they'll have to make [the twins being together in an organization the traveler inherently doesn't trust - does the traveler want to be by their sibling's side badly enough to throw their lot in with the abyss, and turn their back on everyone else they've met on their journey so far?]

[ormymarius]

Orm holds onto Atlanna for dear life like he’s afraid he’s going to lose her again at any moment, Orvax you will pay

[dragons-and-princes]

EJ deserved so much better.

[helmbarte]

[notpercieved]

Sometimes i think about the fact that Jing Yuan has no one he can lean onto and be completely vulnerable, you know those situations of "i look for an adult, but it turns out im the adult" situations? Thats him

Im not saying he has no companions, he does, old and new, but there always feels like a gap inbetween them, a bridge no one nor him wants to cross, either its from his fear of losing more people in his life without realizing or his title as a general

His position doesnt help him in that aspect either, because if the people sees their leader waver it would shatter the trust, he always has to be multiple steps ahead all the time and put a front that he knows what hes doing no matter if he does or doesnt

Hes not alone, and yet he keeps everyone at arms length, surely itd get lonely eventually?

[dykedvonte]

See like the only reason I think the others seriously believed Curly may have crashed the ship is cause he basically had a 30 Rock "I lie to myself" momentary breakdown in front of them after one too many mocktails and like completely forgot about it.

[cienie-isengardu]

Mortal Kombat 1 Behind the Scenes AU: Since when you two are friends?!

[Cage’s Mansion] [Waiting for Liu Kang] [Special Bonus] [Grandmaster’s commentary] [Climbing scene] [Madam Bo’s Inn] [Cage’s Mansion 2 (fire extinguisher)] [Medic] [Shang Tsung’s sad face] [Smoke’s Fall] [Scenography (1)] [Scenography (2)] [Show off!] [Favorite brother] [Climbing on the wall (nonsense)] [Tomas’ commentary] [Perfectly fine] [Sexy, sexy man~♪] [Brothers between filming - Scenography(3)] [Wrong team!]

[rmbunnie]

Red Hood Characterization

This is really long so I'm putting a cut here, I've been thinking about Jason Todd's character motivations and the question of whether or not his actions are based in a Moral Code (I don't think so, not to say he's without any morality) and I talk about that in more depth here.

I saw someone say on here that Titans: Beast World: Gotham City was some of the best Jason Todd internal writing they'd seen in a while, and I've been a Red Hood fan for 8 years or so now? pretty much since I read comics for the first time, so I went and checked out and I thought it was good! The way the person I saw talking about it as if it was rare and unusual made me wonder though, because as well-written as i thought his stances on crime were, there wasn't really anything in it that went against the way I conceptualize Jason?

This kinda plays into a larger question I've been thinking about for a while with Jason though, which is that, do people think that the killing is part of a fundamental worldview that motivates him a la batman, and that worldview is the reason he does the things he does?? Because 8 years ago i was a middle schooler engaging with fiction on the level that a middle schooler does, so I simply did not put much thought into it beyond "poor guy :(" but ever since I actually started trying to understand consistent characterization, I don't really see Jason as someone who's motivated by a moral code in his actions the way batman or superman is!

tbh my personal read is that he's a very socially-motivated guy, his actions from resurrection to his Joker-Batman ultimatum in utrh always seemed to me like every choice made leading up to his identity reveal was either a. to give him the leverage and skill necessary to pull off his identity reveal successfully, or b. to twist the knife that little bit more when he does let Bruce find out who he is. Like iirc there's a Judd Winick tweet like "yeah tldr he chose Red Hood as his identity because it's the lowest blow he could think of." And I think that's awesome, I think character motivations rooted so deeply in character's relationships and emotions are really fun to read! I also think it's where the stagnation/flatness of his character comes from in certain comics, because if his main motivation is one event in one relationship that passes, and he is not particularly attached to anything in his life or the world by the time that comes to pass, it's a little harder to come up with a direction to go with the character after that, because there isn't much of a direction that aligns with something the character would reasonably want? But I do think solving this by saying "all of the morally-off emotionally driven cruelty he did on his way to spite Batman was actually reflective of his own version of Batman's stance that's exactly the same except he thinks it's GOOD to kill people" isn't ideal. To be fully honest, it seems to me like he never particularly cared one way or the other about killing people to "clean Gotham of crime," he just did everything he could to get the power necessary to pull off his personal plans, and took out any particularly heinous people he encountered along the way (like in Lost Days.) Not to say I think the fact he killed people keeps him up at night anymore than everything else in his life events, I just never really thought he was out there wholeheartedly kneecapping some dude selling weed or random guy robbing a tv store for justice.

Looping wayyy back to my question, Is this (^) contradictory to the way he's written/the overall average perception of the character? Because like I enjoyed his writing in Beast World i have zero significant issue with anything there, I just didn't believe it would be a hot take, like yeah, that is Jason. It's been a while since I've read utrh and lost days, but I don't think my takeaway directly contradicts either of those too bad iirc. Idk all this to say I think Jason killing and being alright with killing is an obvious and objective fact, but i guess i've always seen it as more of a practical tactic than a moral belief, and I think taking the actions made during the lowest points of a character's life where he is obsessively focused on this ONEEEE thing and trying to apply it as a Motivating Stance to everything he's done after that, doesn't really follow logically for me.

[bruciemilf]

I think an underappreciated motive for Bruce / Batman to not murder the Joker after he killed Jason is that it would, in a sense, mean Joker won. Like, yeah the Joker would be dead but he would also be laughing himself silly that he was the one who made the Bat break his code.

Bruce sparing the Joker was not because he didn't love Jason enough to kill him, but because he refused to let the Joker take anything else from him; he took his son, but he would not take his honor, his morality, his code. He would not give Joker the satisfaction.

Yeah! I think, ultimately, DC said it best, -- one death, two deaths, three deaths, -- whatever you pick, everybody loses. It was a no win situation from the start and specifically designed to have no satisfactory ending

[raddestrose]

God, his sister just.

Saving him.

I don’t even have a joke for that it’s so sad

[iwasbored777]

It makes me wanna facepalm whenever I remember how hard Poppy was crushing on Creek cuz she's so in love with Branch now and that could've been Creek but he was a fucking idiot and blew it

[lotus-tower]

OUGH. well. who else is going to love them

[hylianane]

Breathing into a paperbag thinking about the possibility of Elbaf digging the conflict from Water 7 back up again and maybe exploring some long-term repercussions of Luffy and Usopp’s fight that not even they themselves were aware of and and and and and-

LISTEN. the Water 7 Saga absolutely rewired the way I understood the crew and how each member views themselves and the roles they play. And it’s been some time since the Strawhat’s exploration of the New World has allowed them to really take time and consider themselves and each other like that again.

And Elbaf just sounds (MUAH) like such a wonderful opportunity to do exactly that, it sounds perfect, primarily in the way it ties all the way back to the Strawhat’s early days on the Grand Line. And when you look at the presence of the Giant Pirates in Little Garden and Enies Lobby, what they share is that both times the Giants Served the purpose mirroring the conflicts between the crewmates and highlighting the importance of loyalty and comradery. Shit writes itself. Come on Elbaf don’t let me down. Come on Usopp I know you can hit us with another world shattering arc just take the stage love.

[cakemoney]

nona the ninth's ending sequence is so !! the fear and the relief, the horror and the grief, of becoming someone else. of losing the you before by consuming and being consumed by a different soul. the way john rips himself apart to consume and create alecto at his darkest hour, and then palamedes and camilla burn and fuse into one when all hope seemed lost, and now it's nona's turn. nona has no choice; she is dying; she has to give up this self that she liked so much that got to love camilla and pyrrha and palamedes and hot sauce and honesty and the angel and noodle, to turn into and be subsumed into something else. to be eaten by herself so that she can live again.