#then when will he truly be content

[notpercieved]

Sometimes i think about the fact that Jing Yuan has no one he can lean onto and be completely vulnerable, you know those situations of "i look for an adult, but it turns out im the adult" situations? Thats him

Im not saying he has no companions, he does, old and new, but there always feels like a gap inbetween them, a bridge no one nor him wants to cross, either its from his fear of losing more people in his life without realizing or his title as a general

His position doesnt help him in that aspect either, because if the people sees their leader waver it would shatter the trust, he always has to be multiple steps ahead all the time and put a front that he knows what hes doing no matter if he does or doesnt

Hes not alone, and yet he keeps everyone at arms length, surely itd get lonely eventually?

[hinamie]

subject, specimen, spectacle;

should i say that you're dead?

[lifemod17]

"I love you too, don't you ever forget that"

🎥: thisphantomlife | x

Riverstage, Brisbane || 11/18/2024

[egophiliac]

Did peepaw come home?!

HE DID! :D! luckily it only took me three ten-pulls; I think my past experience of being so thoroughly denied a Fairy Gala Ortho made me more worried than I should have been. may the gacha blessings pay forward to everyone else! (ﾉ◕ヮ◕)ﾉ*:･ﾟ✧

so far this is hands-down the funniest Lilia card, because he'll say something all edgy and badass in that deeper ~General Vanrouge~ tone and then follow it up immediately with one of the non-card-specific cutesy Lilia lines, and it gets me every time

[rosetheocto]

“nobody hates Failboat fans more than other Failboat fans” — me, at some point in time idk I forgot when

[crustyfloor]

brainvomit I can go on and on about the apparent hints we're getting in merch and subtext that allude to a Till revival but it grates on my nerves that it could easily be disproven in several ways, so I can never be certain, but honestly.. I'm quite confident in a Till revival. And I'm coming to expect it to some degree (In part because it's been months since there's been a proper update on him, otherwise his post-mortem comic would've been uploaded ages ago and that would be that,, but since it's seemingly being held off it leads me to think that it's an intentional decision because there is more content with him and his perspective to come, probably in later episodes)

from a writer's perspective, it feels like the logical next step. On the other hand, he might be really dead. It can happen, hell, it probably will happen because it's already clear that the chances of him living or staying dead are so situational, depending on where this story is going it might be right for him to just stay dead, (and that much in regards to the plot I can't really guess with much confidence either). I'm already so unsure how Vivinos plans to juggle all this worldbuilding and development within one or possibly two new episodes, I trust her ability, and so far she hasn't disappointed me, even when she's left me confused and upset for some time- and Vivinos is always introducing surprise plot twists to the story when I least expect it so now I'm not surprised that Till was shot anymore (aside from the agony and dread of actually seeing it) losing to Luka served it's own purpose, and I wouldn't be surprised if she brought him back

Even if revival is a very bold decision for a character, I wouldn't say it's as completely out of the realm of possibility as some may think, and it wouldn't be "impossible" to do. Alnst still has sci-fi themes. If aliens can exist, then many other things are on the table. That's why I like the robot/alive Sua theories so much. (and even though I wouldn't lean too much on realistic facts that would apply to our world to a fictional setting where plot armor exists, they're also still within the reasonable time frame to resuscitate Till, time isn't moving that slowly between the episodes Blink gone and Wiege so it's not too ridiculous if they're fast enough they can save him)

Sometimes I feel like I'm riding too close to the sun with the absurdity of insisting that Till could revive while his dead body is right there but I don't feel like we would be exploring the full scope of his character if his development ended here, yeah it's already been made somewhat cleared up that he wasn't as indifferent to Ivan's presence as we would have assumed given Ivan's view of him, but that's still pretty up in the air, we have a lot of assumptions about his character and his perspective but ultimately a lot of questions about him are still unanswered and up in the air, and personally, I'd deeply hate leaving this series not knowing as much about him as I could've, sure you could say that's simply his narrative, sure you could say death naturally comes when you least expect it to, that's just the way life is and I would accept that narrative if it came to it and Vivinos executed it in a way that made sense but ehg, it's just cliche to me and I believe there are better ways to handle his character

Whats irks me the most is that if this is where it ends for him, he's dead and there's no elaboration that kind of storytelling would only validate Ivan's narrative, the most we know about Till in regards to his perspective is through Ivan's eyes, to accept that Till's character and his relationship with Ivan is simply built on unrequited feelings and indifference to Ivan is just assuming that what Ivan says is the truth and not his skewed perspective like we know it is. But if there's no way to make that obvious this narrative would only do everything wrong... 1) validate Ivan's perspective 2) It leaves everything about Till's perspective majorly up to interpretation without some solid ground, aside from the fandoms already here and there takes that just wouldn't be good writing (?) there's really a difference in leaving mystery and interpretations to the hand of the viewer and just not answering valid questions, whether this direction is meant to be either or I wouldn't be fully satisfied with it anyway . We see Ivan's impact on Till in Blink gone in the emotional turmoil Till goes through, it shows enough that, as opposed to what Ivan thinks, Till cared about him, but really, what do we know?

That's my biggest gripe; I don't want Till's story to end on such an abrupt and sour note that doesn't truly serve him as a character. I believe this could all be resolved in comics and side content, too. But the reason why I bring this up here is that one of the most reuccuring themes of Alnst is exploring the perspective of the ones who must live on after their loved ones die impactful, painful, unforgettable deaths, it's a present theme to show how the characters (Mizi, Luka) progress after it, it's about showcasing endurance and the human spirit. Characters shouldn't just die for the sake of it, without contributing to this and showing it, and Till hasn't yet shown it (It'd make sense if they wanted to show this in his death too, but I'd question what groundwork we were really meant to be laying here.. and I'd hope it'd done right at least)

In the case that the story shifts in a way that supports this to it's full potential (ie. not killing off everyone and blowing up the stage), reviving Till and allowing him the means to process his thoughts on Ivan and his death and what he did and what that means to him enough to put it into words would be great for his character, it's probably overgenerous for how little time we might have but I'm realllyyyy hanging onto hope here that the story will even shift to open up for this chance in the first place. If Vivinos doesn't plan to do either of these things to further Till's growth as a character visibly, then his death is rendered pointless and dismissive, and I'm not serious about that wording

because his death isn't inherently useless, none of the deaths are, and his death serves a purpose regardless. It's most likely being used to bring about Mizi's new turning point in her character development, yes blink gone is one of the many sequences of events in furthering Mizi's story first and foremost, Till's downfall signifies a new turning point in the story, still it doesn't mean he has to remain in that role to move the story along (unless vivinos would like to express that all hope is lost now and she's going to blow up the remaining characters, given Till was practically standing as a hope that things would change), if Vivinos has any interest in not making him look like a sacrifice and tool as a character for the sake of Mizi's growth after experiencing more loss, and not making his character completely reliant on Ivan's unreliable perspective (Because Cure is mostly Ivan-centric and that's the most we get of their dynamic together), She can bring him back, it can still have emotional relevance without being forced or random. And if done right, it wouldn't even erase the impact his death left on Mizi

(And I do worry about that, because revival in alien stage ideally shouldn't take back any of the tension or attention from the current events because otherwise that would be poor writing too, while I'm writing this I realize this story is really put in a tough spot because everything could go all sorts of bad ways) but it's not like if Till were to come back it'd erase the irreversible mental scar his death reopened within Mizi and be one of the driving forces on her mind come whatever she may do next (But what about the moment of hope in Blink Gone that represented Till's naive feelings for Mizi that overrid all sense of rationality and made him run to grab her hand? reviving him wouldn't rewrite that dread either... if anything, the impact of a near-death experience would also be fascinating to write on a character like himself with all the developments he's had so far)

On another note, I'm sure there are characters that may have better reasons to come back to the story, namely HyunA, but I believe what distinguishes Till from her is the possibility that bringing her back would be redundant, the possibility that it would actually remove the impact she intended her death to have on Luka. Her words would be for nothing if Luka doesn't realize this is for real, and he'll have to live with that truth and these new realizations. Everything contributes to that one message. HyunA serves us the "Live through the pain, forgive yourself, you live on" narrative right there.. So naturally, the best way I can see this being formatted is allowing us to continue to explore the perspective of Post round-1 Mizi, Luka, and Till after losing Sua, HyunA, and Ivan perhaps even going HyunA's route and finding a home within the rebellion to allow them to grow and grieve and introspect... #hopefulstage

HyunA is the catalyst for Luka's development, and it turns around to benefit both of their characters. Ivan is the catalyst for Till's development, and in turn, growth from Till would also contribute to Ivan's character . Allowing Till to live on would be a satisfying way to execute this narrative (But of course, this all goes out the window if like I said before Vivinos plans for this story to take a different direction, all I'm saying is that if the plot allows it I don't want Vivinos to miss the opportunity to expand on Till's character this way, if not in other forms that confirm he's dead). Till is my favorite character, so I'm aware I have bias and I'm indulging my delusions, but the way I see it, there's nobody who can resolve this better than Till can, there's nobody who can elaborate on his and Ivan's story better than he can, because Mizi was their friend, but nowhere near as emotionally close to them as they were to each other, she loves them but she only knows so much about them as people and just "her friends" so it's a tough spot, and Luka doesn't know them at all. Till is resilient, always coming back from the brink, and has always been fighting for agency and freedom. In that way, he parallels HyunA a lot. And I have a soft spot for both of them that wants to see them flourish and grow, and heal. If it's allowed, I want him to have that, I want him to have the space to grow with as much time as we have left, and I want him to have a fair and well-written wrap-up otherwise, I don't know I'll probably change this opinion a little bit later down the line and I still have too many questions on what the helllll is about to go on with this story to write anything sensical but if he's alive awesome if he's dead okay i'd just strongly prefer the former if it suits the overall narrative and I want it to make sense and not feel like he's been written off (and worse, I don't want his character to be perceived as shallow because of wherever vivinos chooses to direct his arc next)

all this to say I really want his perspective or any indication of anything about his current status hepl

[ghostlycleric]

Just remembered that Will wants to spend the rest of his life with Mike. Will is content with loving him silently for the rest of his days. Will is content with pushing Mike into a relationship with El and keeping both of them in his life forever. Will is content with watching the love of his life love somebody else forever. Will wants Mike in his life so bad that he doesn’t care if it hurts, if pretending his love is El’s makes him cry. He will need him forever anyway. He cares so much about both of them that he’d rather them be happy than himself.

[blacktrickle]

my favorite part of the down the caff pod. love how he makes people laugh. and the little bashful look after. so cute.

[necrotic-nephilim]

If you want to be bothered. Maybe this for dick and Bruce???

i ALWAYS want to be bothered these are always the highlight of my day tbh you're a delight for letting me just yap <3

Dick. For the canon isn't real square I am Specifically talking about the Tom Taylor Nightwing run. Usually I ignore bad runs but given this one is ongoing (though about to end THANK GOD and get replaced by Dan Watters who i have high hopes for since i adored his Sword of Azrael (2022) run but i digress) so I counted it. Especially since it's so debated if that run is bad or not, for some reason. I'm a 90s Nightwing truther. I love Dick so dearly and tbh recently I've been more enamored with him the more I read his Discowing era, I didn't used to be as big of a Dick stan as I am these days.

Bruce. Honestly where do you even start with Bruce. I want to fist fight him and also patch him up. He got me into comics and superheroes as a whole but I roll my eyes whenever he shows up in a story. He's a bastard and usually not a good father but also complex and should be dissected under a magnifying glass. I love him dearly. He's also just the worst. I think that's why I love him. I'm always a fan of unabashedly Complicated Asshole Bruce who's generally not always the best person, particularly not to the Batfamily and that being the driving force of his relationships with them, especially in shipping.

And for bonus points, Tim. Because know above all else, I'm a Tim Drake kinnie /deg. He's been my number one for a decade and I've yet to uproot him from my brain. He's literally the Worst half the time and I love him for it. And the canon isn't real refers to Tim Drake: Robin because... that sure was a comic. And that's about all I can say about it. Pre-Flashpoint Tim I miss you so dearly. I think it's fun that I want to put him in a blender and drink the juice but also want Nothing Ever to happen to him.

[kitnita]

if delly's going to get healthy scratched then i think as recompense the sharks socials should have the decency to dangle his presence like a carrot in any & all pre-game hype content, to continue the grand tradition of milking him for content the way the stars did.

[royalarchivist]

Amouranth: ...What happened to the dumpy? Oh, I guess that was Carrera (Carre).

Amouranth: Ruben, why do you– why do you look like Shaggy mixed with Peter Pettigrew? What happened? [She keeps going back to the picture and staring at it with growing concern] This is a pass– this picture is a pass! Wtf...

Rubius only has 3 looks: magazine model, cosplayer, or gamer shrimp.

[gingermintpepper]

For the longest time, the quintessential song describing Apollo's wrath and consequent murder of Coronis for me was Marah in the Mainsail's 'Your Work isn't Done'.

It's dark. It's seething. Its image of Fate pushing the scorned speaker to complete his foul, terrible work of killing the man who stole his lover away from him is particularly powerful and it's always evoked this gruesomely tragic evolution of a glassy eyed Apollo stumbling through the streets, weak-legged and trembling from the betrayal growning more and more wrathful 'til he can think of no other course than to aim his bow and shoot. The price of betraying his trust is death and Coronis betrayed so much more than just his trust by taking Ischys as her lover.

The song itself captures that sensation of building wrath so well too. From the lonely guitar and vocals at the beginning which evoke this lonely, stripped back but distant grief to the way the singer is practically screaming his refrain of "Your work here isn't done" by the end, accompanied by the full blasting of instruments and an omnious chorus at his side, everything about this song is centered around building stakes, building realisations, building tensions and it creates this feeling of the speaker growing closer and closer with each new verse and chorus that adds to his anger.

There's also the absolute treasure trove of lyrics that work so well for specifically this tale. A brief overview of some of my favourites include;

- There's a crow overhead singing "Oh, Death is my friend."

- And though you think your time has come, the wheels of Fate have spun. Death has declared your work here isn't done.

- There's a girl on my heart safe ashore in her lover's arms

There's just such a vivid image to be drawn here - of Apollo's emotions being swallowed by his rage, of his resolve to end everything the more he bears witness to Coronis' brazen affair. There's even a strong female voice in the first two verses which seem to egg the speaker on in his spiral - a perfect opening to include Artemis who wishes for her brother to hunt that which brought him such pain alongside her. An Artemis who reinforces just what Coronis has done, an Artemis who does not want her brother to repress his anger after such grave an insult just because love was once there.

To me, it was perfect. Apollo's killing of Coronis was a crime of passion, an execution he sometimes cannot even bring himself to commit according to who is telling the tale. It's a wretched situation, harrowing, suffocating and cruel but if not by Apollo's hands, Coronis would simply die by another's. She cannot live after what she has done. The gods simply would not allow it.

AND THEN MY BIAS WAS COMPLETELY WRECKED BY LORD HURON.

Now, let it be known, I am a huge Lord Huron fan. Strange Trails is perhaps the most Apollo-coded album I've ever heard and songs like Yawning Grave and The Balancer's Eye capture such a visceral, gorgeous portrait of cosmic grief and anger that they haven't really left my brain since I first listened to them. Still, 'Setting Sun' from their Lonesome Dream album completely flew under my radar. Maybe it's because the commercial version is so much snappier than the Alive from Whispering Pines recording, maybe it's because I just hadn't listened to Lord Huron's discography in a while but my god. My god.

This song has it all; a quiet menace in its music, a strong male singer who sounds only barely restrained, an absolute HOST of lyrics that are so wonderfully perfect for the scenario -- after getting over how wonderful the song itself is, I immediately dethroned Your Work isn't Done because ultimately, 'Setting Sun' has something in abundance that 'Your Work isn't Done' minimised in order to focus on the wrath driving the song forward.

And that's love.

Setting Sun is so powerful because it's not just a revenge ballad - it's a dirge, a breakup song, a lament, a regret manifesto. So many times during the song, the speaker wonders when his lover stopped loving him. He recounts intimate moments and wonders if his lover was thinking of the other man when she was enjoying herself, wonders if anything she'd said was even real. And I love that so, so much.

Ultimately, Apollo adored Coronis. As inevitable as her death was, he regretted every second of it. No matter how angry, no matter how betrayed, no matter how intensely he was shamed, he still loved her. He weeps for her when she dies, he screams and grieves and cries when he's faced with her corpse. In some tales, no matter the cocktail of emotion driving him, he simply cannot bring himself to kill her. He'd rather cry in Artemis' arms and take his anger out on his own servant than hurt her. His own father has to dispatch Ischys since Apollo can't even bring himself to hurt that which Coronis once loved. Of course, in this case, Apollo's going to kill someone but the point is, it's not a decision of pure anger so much as its this complicated, horrible mix of resolve and lost love.

And my god does Setting Sun capture this conflict, passion, grief and love so well. UGH, I'm vibrating just thinking about it -- there are so many points where I hear its lyrics and can vividly picture Apollo, jaw clenched looking Coronis in her eyes and quietly confronting her.

Coronis, returning home at twilight after spending the day with Ischys to Apollo stringing his bow, "Oh? Is he ready to die for you baby? No, but you know I would."

Coronis lying to him about who she's spent her time with and Apollo's soft, near pained, "Does it hurt when you lie to me? If you asked, I would set you free."

I even really love the image of a Coronis who runs away from Apollo upon realising what will soon happen, not to escape his arrows but to warn Ischys who does not know what will happen. Of Apollo getting into his stance, taking aim at them and gathering his strength as the final refrains rings out "I know I'll never reclaim your love and that's as hard as it gets, so I'll be taking a life when the sun sets."

Other favourite lines of mine include;

- Oh, is he ready to die for you baby, now that the deed is done?

- Tell me when did I lose your love? Was it him you were thinking of?

- And I could never betray your love, you had me heart and soul. You might never have known it girl, but I was all yours.

And ultimately, I just like this conflicted portrait of premeditated murder much more than the crime of passion 'Your Work isn't Done' paints. Crimes of passion - especially when Apollo is concerned - are tragic in their own right, but in Coronis' case, I think I prefer it so much more when there's no way for Apollo's action to be misconstrued for anything other than what it is, especially since he goes on to cut Asclepius from his mother's corpse then carry on with building her funeral pyre. I think there's something so much more impacting about Apollo being unable to hide away from Coronis' blood on his hands and him having to raise Asclepius with those selfsame hands.

Love of the mortal does not supercede the responsibility of the divine. If Coronis' sentence no matter what is death, who better to lead her gently to the knife than he who still loves her?

[aarghone]

SHE ACTUALLY NEVER LOSES

[zeebreezin]

Before leaving for the Neath, to find his daughter’s killer, August Shaw told only one person: his wife. His letter was poorly worded, rambling, and utterly incoherent. Before leaving to complete his Ambition, heading into Parabola on a quest he does not think he will return from, Shaw did not want to make the same mistake. The following messages were addressed to (In order): @neathyingenue ‘s Silvia Salcedo, @gmalaart ‘s Emon Cavendish, @elleryhart ‘s Ellery , @viric-dreams ‘s Robin Jones, @letheology ‘s Mina Azoulai, @capn-twitchery ‘s Twitch, and @t6fs, here addressed as Logan.

[You haven’t heard from Shaw in several days, any mail you sent has gone unanswered. A letter arrives out of nowhere, written in his curling handwriting. The script is messy, blotted with ink and wine.] “Dear Silvia, I apologise for the state of myself as I write this, though you must understand that this message is of the utmost importance. The time for half truths and polite obfuscation is past, between us. I will not insult you by dancing around the truth. When I first came to London, I came with only one purpose: to avenge the death of my daughter, Lenore, and to meet my own end in the process. Since then, well. I’ve found something quite worth remaining for. I set off now to end what I have started, and I may not return. For that I am so, so sorry. You have become… so much to me, Silvia. In all your endeavours, I wish you the best. Your talent and passion for what is right has inspired me, and I’m sure you have inspired many. I am proud to consider you family, a bond not forged by blood but by ink and will. I… I hope you will be well. No matter what happens. If I do not return, know that I am deeply proud of you. Your Friend, August Shaw.”

- x - x -

[The letter does not arrive on paper. It is scrawled across the cosmogone sky, familiar handwriting curling across the surface of parabola like a rock skipping across the surface of a lake.] “My Dearest Emon, it rends my heart to know that I cannot send you this letter. I dare not post it, knowing the reflection that takes your place.” [A few words are heavily scratched out.] “I have no idea if I will see you again, you as I know you, vibrant and sharp and maddeningly brilliant. I wish, more than anything, you were at my side. If I return from the journey I now set out to take, know that I will find you. My window of opportunity is brief, and I cannot linger, though I know how selfish it must seem. I set off now to defeat the ghosts that haunt me, to lay my daughter to rest. When I began, I thought that this would be my undoing, a death I welcomed. Now, though. I must succeed. I will find you again, Emon. These words will reach you - they must. I have to return. Wherever you may be, know that… I will find you, my love. Yours, Always, August Shaw.”

- x - x -

[A stained letter is delivered to you by an anonymous urchin. It’s dated to a few days after you left on your trip… the handwriting is familiar.] “Dear Ellery Hart, I hope this letter reaches you well. I’ve scheduled it to be delivered as soon as you return, as its contents are quite important to me. Once you receive this, I will have already departed on a journey. I dare not tell you where I go, or why, but know that-” [A section of text is scratched out.] “I may not return. In such a case, I… Where do I begin? You’ve come so far in the time I’ve known you, Ellery. In all senses, I’m deeply proud of the man you’ve grown into. Wherever your path takes you after this hunt, I know you will do well. If this is goodbye, then know that I count you both amongst my finest pupils, and amongst my dearest friends. Hunt well, Ellery. Your Friend, August Shaw.”

- x - x -

[The dead drop has remained quiet for a while now. The next missive you receive from the Black Rook isn’t encoded, or tucked away - it’s left in your mailbox, like any other letter.] “Dear Jones, I apologise for the unorthodox - or perhaps more accurately, deeply orthodox - method of communication. This message has nothing to do with our work, though I understand if you dispose of it as if it was. Simply put, I am… leaving London, for a time. This journey is not one I had expected to return from for a long time, but I know that I will be fighting to return to the city now. Should all go wrong, well, I know that we have not always seen eye to eye. I know that I may never truly win back your trust, something that would be well within your rights. But I could not leave in good conscience without saying goodbye. The letters we used to send, as Suzette and Jacques, they provided me a great deal of light during my darkest days. After everything I am, in truth, not sure what to call us. But whatever you are to me, Robin Jones, I hope I get to see you again, once all this is over. Play Well, August Shaw.”

- x - x -

[Shaw hasn’t been at the university for a while, now. A letter is slipped into your desk when you return to Benthic, tucked neatly into the top drawer. No cipher, plain script - this isn’t a game.] “Dear Mina, I hope the Khante has been treating you well. I’m unsure as to when you’ll be back, and a part of me hopes that this letter will be quickly corrected by my presence at your door, but nevertheless. I’m setting off on a mission, you could say, one of great personal significance. One I am unsure if I will return from. In the case I… do not return, I leave my network to you, Mina. Take this letter to Demirkan, he will know what to do. …We can do great things with this Game we play. We have done great things. I trust you to carry on that, if I cannot. You have been a great friend to me, and a most trusted confidant. I can only hope that I do not betray that trust now. Your Friend, August Shaw.”

- x - x -

[A letter from your former protege arrives, carried by bat. It’s uncommon enough that he’s writing to you, but the contents of the letter are stranger still.] “Dear Captain Lazaret, I must apologise for the suddenness of this letter. I hope it finds you well, and in a space where you can read it without fearing immediate retribution. Though I know we only occasionally brush paths these days, it seemed unwise to not inform you of my current state of affairs. Simply put, Captain, I’m going to be away from London for some time, and I am unsure if I will ever see home waters again. For all my gripes and bristles (and indeed, all the years I fear you’ve taken off my life) I could not have become the man I am today without your guidance. I know I may have seemed ungrateful, but… well, thank you for all you taught me. And for all the times we have spent together, many of which were at the worst lows of my time down below. You are vexing, and caustic, and I dare say my days in London would be a great deal duller without knowing you. Let none of my sarcasm lead to you forgetting this fact, Captain - as you are indeed someone I owe a great deal of happiness to. I hope to see you again. Your Friend, August Shaw.”

- x - x -

[Shaw’s not home, when you return to London, but tonight, six apocyan eyes beckon you to the window. Laying out is a phonograph, one Nigel plays, though there’s no music recorded - just Shaw’s voice, thick with emotion.] “Logan, I- /ˈdæmɪt/, I hope this thing is working right. I hope you’re well? The Tomb Colonies, can be quite draining, I know. I… I’ve left this for you, as I didn’t quite trust my No`çuk" script, and… well, this is quite serious.” [A pause. The sound of drumming fingers on the table.] “This is harder to say than I thought, I, ah…” [A deep, shaky breath.] “The reason I first came to London was not a good one. My daughter had been- she had been taken from me. I came here for revenge, to find the one who’d… and, in all honesty, to lose myself in the process. Now, I’ve left to finish what I’ve started. If I do not return, I… Logan, you’ve become so dear to me. The kindness you’ve shown me, all of it… it is something I will never forget. You are impossible, magnificent… and I love you. Terribly so. What else is there to say?” [A laugh, clearly through tears.] “I will find you, if I make it back. I swear. Xïmo`tu`no` szokh, Muszhka`. If I can’t, I… no. I will. I love you, Logan.” [The recording ends there. Nigel offers it to you.]

- x - x -

[tempo-takoyaki]

have you read mdzs yet? If so, what do you think of tianlang-jun x jiang cheng? :3c

I have read mdzs! :D I don't talk about it much but I really enjoyed it! As for Tianlang-jun x Jiang Cheng, despite how much I love how unhinged the svsss fandom and the Jiang Cheng shipper can be... For me (and that's my personal headcanon), Jiang Cheng is 100% aroace. So I don't find any ship with him appealing ^^'

However please do have fun with it! It sounds like a really fun ship idea!

[puhpandas]

I treat fnaf theorists on YouTube like how wreck it ralph treated turbo like I watch a fnaf theorist that looked promising on the outside start making content farm videos and go "you're not going matpat are you"