#he should've been in every episode actually

[genderqueerdykes]

Do you have like, some nice words?

Like I’m just so tired of how constant tme/tma speak is on my dash. Posts about how transfems should leave friend groups of “tmes” because they will inevitably be bigots

Why are half the popular transfems on this site horribly transphobic in their own right the moment a transmasc dares exist in their vicinity

Sorry I’m basically just venting in your inbox, thank you for being a breath of fresh air

i'm sorry you're dealing with this. it's natural to be worn down by this behavior, it's literal transphobia and intersexism and people just don't seem to care.

the tme/tma (transmisogyny exempt/transmisogyny affected) binary doesn't work. the issue is that in real life, most queerphobes you come across are assuming you are a trans woman. the average person associates the concept of transness with transfemininity on average, unless they personally know some transmascs or trans men, or are one. it's very rare to find a stranger who gets it. every time i come out to a stranger, they immediately switch to she/her pronouns, call me ma'am/miss/girl/etc., and ask what my "real" name is. it's really weird

transmasculine invisibility is a genuine issue offline. certain pockets of the internet are obsessed with hating trans men but that doesn't mean that the vast majority of people in the offline world know a damn thing about any of this. i do not ever have anyone understand that i mean i'm transmasculine when i say im trans. as i'm transmasc and transfem i don't really challenge it, but it sucks that people have one assumption and one only.

it happens with other queers. i moved in with a bunch of perisex trans femmes and was dating one for a while and flirting with a few others. my other roommate was a perisex cis gay man. i was the only intersex person who was there at the time, and i think a very small handful of others were around regularly, so there was a high chance that people should've been pretty informed about the existence of intersex identities. i know some people who came around pretty often were intersex, at least from my memory

the second people found out about my physical anatomy, they switched how they treated me. everyone thought i had a penis for some reason? and were made wildly uncomfortable upon finding out about it. when i revealed that i'm intersex & genderqueer, and that i'm bigender: a trans man, and a trans woman all hell broke loose suddenly nobody knew what to think or feel or anything.

people honest to god just defaulted to misgendering me.

and treating me like i was stupid as fuck.

this was the hardest part. i was being treated like i was dumb as HELL and it frustrated me to no end.

my emotions were "too much". i kept getting told i was too needy or whiny or possessive or that i needed too much of sometimes time or that i was touching the wrong things around the house. i kept being criticized for moving objects that impacted an environment i was allowed to work at. i was criticized for organizing a bookshelf i was asked to organize. i was ridiculed and insulted. my roommate and a girl who was flirting with me questioned my dissociative identity disorder, which i have plenty of medical records spanning back to 2017 from various doctors in various states and hospitals showing my diagnostic history with dissociation and dissociative disorders, and he also questioned my schizophrenia when i have records dating back to 2015 showing my history with severe psychotic episodes and the development of schizoaffective disorder, bipolar type

i was no longer the arbiter of my own lived experience because everyone found out i didn't have a penis. i'm a vagina haver so i'm stupid. i'm dumb. i'm a cis woman. i'm faking. i'm not actually a man. well i am a man. i'm evil.

i'm breaking this silence on this garbage. it's time stop treating trans men and mascs this way. we're real people. we have real experiences. we are also being talked over. it really is possible to speak over us. it's happening right now. it doesn't need to. trans men talking about how we don't need to be seen this way isn't hurting trans women. we're being misgendered. we're being hurt by transandrophobic and misogynstic behavior. one does not need to hurt trans men in order to heal from one's own trauma with manhood. it won't help. it doesn't do anything

this is such a goddamn long ask but i wanted to thank you for this because your honesty and bluntness is what's needed right now. thank you to every trans man and transmasc speaking up about this right now. please feel free to send your own experiences with this because it's over. i'm not humoring it. i'm going to keep talking about it until people calm down and understand that conversations have multiple participants

i now more than ever want to actually focus on uplifting transmasculinity and trans men. i have been forcing myself to try to focus on a broader range of topics to avoid backlash but let's not start 2025 thinking we have to do this anymore. we literally don't. it's over. trans women are allowed to talk about the struggles we face. always and forever. but a trans man talking about their own experience is not an attack on you. and sometimes a trans man will give you criticism. and sometimes... you have to take it.

sometimes you have to take a trans man's criticism.

you really, really do.

and it's not the end of the world.

if a trans man tells you you're talking over them, you really should actually stop and step backwards and reassess what you said to them. you may have done it on accident. actually listen before you keep talking. if a trans man tells you they have a health condition, listen. don't participate in this behavior. there's literally no reason to think that trans men and mascs are too stupid to articulate our own experiences. it's ridiculous. that's how society treats women- you don't want to be treated that way! please don't do it to other people, especially people you view as women...

anyway i hope that this helps in any way. i'm just tired of this shit. i'm happy to start 2025 by completely and totally breaking the silence on transmasculine and trans male erasure. join me. we're not doing this shit anymore. we're starting this year off being more compassionate. we're starting off this year accepting that manhood isn't what has traumatized any of us, it's toxic masculinity, it's patriarchy, it's specific men. let's ditch this shit

[abbycadoodle]

more dumb shit ft. chekov exclusively

[pynkhues]

I really do feel like Jacob, Sam, Delainey, and Assad deserve nominations -- their performances were just so extraordinary. Eric was also fantastic--I might personally put Ben Daniels over him, but that might be unfairly giving him too little credit for his performance just because the character seems closer to him than any of the other actors do to their characters.

I totally agree, anon! They're all so good, including Ben, and it would be so nice to see them all nominated. I'm not sure if this season will be eligible for the SAGs, but I really hope it is just because it's like, the only awards ceremony that offers a Best Ensemble category which this cast absolutely deserves.

I feel for Eric a bit, because in a lot of ways, he's got both the hardest and least glamorous role? He's really functioning as a gateway character for the audience to the broader storyworld, and as a result, he becomes a bit of a barometer of tone. He's modern without being too modern, he's sceptical, he's funny, and his dry tone is actually what lets the rest of the show be high melodrama. Without him, the show would veer too far into camp. It's Daniel's voice and Eric's performance that grounds the series because - like a true tonal barometer - he's constantly checking the pressure of a scene, and the side effect is that he doesn't really get to transcend tone - at least not at this stage - in the way all the other actors get to. He has to stay grounded for the show to work.

Which is a hard thing to acknowledge when every other actor gets to explore characters at such heightened points of emotion! But it's vital all the same, and I truly think the show would be lost without him, which in a lot of ways is a true supporting actor role, and lowkey a reminder that Sam and Delainey at the very least, if not Assad as well, are really probably closer to co-leads than they are supporting.

[copdog1234]

Man, I was watching the movie and the entire time I was thinking "Wow. This would've been so much more satisfying in the show" because the show has earned it. The show's writing is far from perfect, it has many, many flaws, but my god is it far better than Miraculous Awakening will ever be. And I'll tell you why.

I will preface by saying, yes, an hour and a half movie has way less time than a TV show with several episodes to build up characters and relationships, so time constraints will make it so we may not get as much depth in the on-screen relationships.

You know what, though? The time they spent playing mediocre songs could've been used better to show us all the things the songs had to outright tell us. Cause that was the problem.

The movie sure liked telling us how the characters were feeling. It rarely showed it. Like could you tell me why movie Marinette liked Adrien? Because I couldn't. What did he do to earn her affection beside look pretty? Why did we only get a montage of them getting closer instead of actually seeing it? Or how we never really see much of Gabriel and Adrien's struggles with the loss of Emilie, we simply get glimpses. How am I supposed to feel anything when Gabriel stops being Hawk Moth when this movie showed us literally nothing of their strained relationship? And then there's Gabriel's claim that he did absolutely everything to get Emilie back. No he didn't. He did actually nothing. He freed a couple of criminals and then akumatized himself. That's it. That's all he did.

Could you tell me why Alya decided to befriend Marinette? Could you tell me why Adrien "who decided not to get close to anyone" was friends with Nino? Could you tell me why Chloe was so confident Adrien had any interest in her when they never actually interacted?

And then there wasnt enough explanation on how anything that we should've been told worked. Could anyone really tell me how these versions of the miraculous work? Or why Master Fu was in possession of them? Or why they really chose their holders? Could you tell me if the kwami had much personality and were necessary?

Like, I will say, there were funny moments, the animation was nice, and there were cool set pieces, but where was the substance?? It was nonexistent. If you don't watch the show, would you know or feel anything for what was going on in this movie?

Cause even for me, who does watch the show, I didn't.

Think about this. The show has even faked out multiple reveals to me and every time I was hyped and screaming, I have read fanfiction of these same to characters falling in love and confessing every which way and I've swooned, but we get reveals and love confessions that are real and permanent in this movie and I felt. Nothing.

It's okay if yall disagree with me, but I just needed to get this off my chest. I'm hard on this movie because I wanted it to be good because I love the characters and story from the show.

[reshinless]

If you're open for request rn can i please req for

Kinich x reader but the reader is kinda alcoholic or something

I actually just really want to see Kinich angst ngl😭

alcohol mentions

he instinctively leaned to his left that's where you always sat.

he should've seen it coming. it's been 12 months, almost a year now. he hates the very sight of it—alcohol.

maybe he should've never talked to you that day. maybe he should've kept to himself that day. just what if he stayed sleeping in your arms that day, you wouldn't have argued with him.

he knew your tendencies, but it had been almost a year, turning two for you to be sober. it was all his fault that he talked with you anyway.

he didn't mean to start an arguement. he really didn't. if this was how it turned out he really fucking wished he didn't even have a mouth. cause now he couldn't hear you even utter a word.

what can he do? the love of his life, the only purpose he had wilted away because of him. all he can do is what for the time that life takes his, just so he could be with you.

hopefully in another universe he stayed quiet. in another universe, you never took that bottle from the bar. another universe probably where you two never met. a universe where he just really fucking hoped that he didn't see you. hear you. feel you.

he doesn't care if it meant he'd never grow old and wrinkly with you, if he found out he caused your desth—its better off you stay alive, well, healthy, without someone like him.

people always told him you would've forgiven him. and they were so fuckin' right. that was he worst part. you would've said sorry for leaving him alone. you would've ran up to him, given him a hug and a kiss because you died. telling him not to say sorry.

you were his whole world—every aspect of you meant everything. yet you were just a wildflower as others described it. you were an undying orchid in his heart, how could everyone just move on?

12 months without you. at first, he was in denial the first month he lost you. honestly was still processing everything.

then anger came around, stuck for a few months. just lashed out at any mentions of you. negative, and positive

bargaining that you may still be there. he checks on you everyday, even if he knows you're more than out cold.

the genuine depression episodes he goes through are inevitable, cuddled up in your clothes, your scent is the only thing that's keeping him alive.

he only accepts it when he finds you in a dream. of him and you, when it's his time at least. maybe.. in another life—you both would've had kids, and settle down somewhere. he can only hope. there he goes on leaning to his left like he always does.

[respectthepetty]

The beginning of Your Sky's seventh episode could've been the end of the series for me because the boys waking up in the bed with Rak in pink and laying all over his boyfriend would have been the perfect way to wrap this up!

But nooooooo! I, and Fah, must feel pain first!

So even though Fah is in full Blue Boy mode and Rak is IN PINK BECAUSE HE LOVES FAH, Rak decides to hurt us all and keeps his distance from Fah.

Thankfully that is not the case for Black Brooder Real who seems to be trying to make that love connection happen with Red Rascal Hia after seeing him naked in the shower.

So it makes it painfully clear the different dynamics happening simulateously at the table.

And everyone notices.

But once they return from the beach, it's back to black business.

Well, someone is still thinking about his Red Rascal . . .

Which is why when shit goes down in the club, Real jumps in front of his man to protect him from harm.

But personally, I think they should've let James & Co handle it and not have requested the group pay half the damages since this was not any of their fault but instead that grubby scheming man's.

But then again, Fah was dealing with his own queer rights moment.

So it's a bummer that Rak didn't tell Fah that he loves him when he was tending to his wrist.

But it's okay, because he was wearing Fah's blue, so I already know that Rak loves him. Fah doesn't, but I do.

So maybe that's why the show tried to make me feel bad for Oh doing *ALL THE THINGS* by having him confront his mother for being self-centered and uncaring, and by trying to convince us that Oh truly believed he had a chance with Rak even though it was extremely clear he did not but if Fah doesn't realize Rak loves him, how was Oh supposed to know? You know? No?

Anywho . . . he gets his own little happily every after in the form of a cutie patootie with glasses!

And I know it's love because he hands Oh a pink handkerchief to wipe away his tears, but apparently only I understand the colors, so Oh will never realize he is loved now just like he never knew that Rak did not love him.

But Rak's buddies get the color-coded assignment, so Pink Person Joy has a pink straw, Green Guy Type has a green straw, and Yellow Yal Rak has his yellow straw when Rak decides to confess his newly-realized feelings (even though I've been knowing).

But Lee is playing color games with his purple straw!

Which doesn't surprise me because he was acting like he didn't even know his brother and Rak were actually in love even though he has been doing the most to make sure his ship sailed this entire series like constantly playing middleman between them!

But I think both Fah AND Lee are Blue Boys just like their dad who can't even take a proper rest from work.

So of course his two loyal sons fly overnight to take care of business for their dad.

And I'm sure that's why Rak's family, who are magically wearing blue, will love Fah once they get to know him.

But first this Yellow Yal needs to do what he does best and communicate his feelings.

Because Fah loves him for exactly who he is.

A bright ray of sunshine in his blue sky.

[midnight1nk]

So, this week's episode...

[Spoilers below cut]

Past Ink: Guys, it's fine. This isn't a serious episode, it would be too soon for another arc. It's just gonna be another silly Saturday.

Current Ink: ....

(the following is my live reaction:)

[*unholy screaming*] FOUR NOOOOOOOOOOOO

WOW WHAT A GREAT START TO THIS EPISODE, SCRATCH EVERYTHING THAT I SAID ABOUT THIS BEING A "NORMAL" EPISODE

NOPE I NEED TO PAUSE, I NEED TO TAKE A WALK BC I'M NOT GONNA GET OVER IT, DO YOU KNOW WHAT THIS COULD LEAD

they're not gonna do it in this episode BUT the fact that goop!4 is being acknowledged in every way possible, we might just have a sequel in our hands

NO NO NO CUT THE INTRO, I HAVEN'T EVEN FINISHED THE EPISODE YET AND YOU WANT ME TO MAKE A THEORY ON IT ALREADY? HOLD YOUR FUCKIN HORSES, I'LL GET THERE GEEZ

anyway, we have to press play...

I'm pretty sure someone already has done a pirate au (no I'm not over what I just watched) and anyway, artists: here's pirate SMG4

Four, you should've read the file name before downloading it [*shakes head*]

Wait, is this going to be a parody of computer buddies? That's actually pretty fun..... OH NO NO NO

Ah, so we are doing computer buddies

Actually, yeah, can we have Mario as president please

love how it says "no one even compares to mario. especially smg4 who sucks booty cheeks [or ass] and mario doesn't"

Observe as the SMG4 fandom gets terrified of the word "perfect" [*screams*]

MARIO MARIO NO NO NO HE DIDN'T SAVE

I felt that in my core omg

as a graphic designer, this hurts

apparently, there's a whole new dimension in our computers, Only in the SMG4 Universe [*cheesy thumbs up*]

We really are getting all the computer buddies, huh? I wonder if KinitoPET will appear

[*silver the hedgehog voice*] It's no use!

BRITISH SMG3

wow what a funny bit... WAIT HOLD UP WAIT A MINUTE, LOOK AT THE MEDIA BOX

the eyes....

w̷̹̓e̷̼̽ ̸̯́n̴̩͆e̵̝̓v̴̼͑ë̵̤r̴͓͛ ̷̭͝l̵̦̎e̴̞͗f̵͉̐ṯ̴͗

and the left eye too... oh god, the EYE OF RA— [*gets shot*]

honestly, Four, you improved your aim ever since Western Spaghetti (ik you also did for PV but that's not the point)

I knew they were gonna bring in buff Luigi again

I'M SCREAMING

THERE IS NO WAY THE TEAM JUST DROPPED THAT ON US, THIS CAN'T BE REAL

ok first off, the fact that Four has a folder labeled "Super SECRET Spicy Memes" is giving "totally homework" folder energy (and I don't want to even think more about that)

hey, Four did say that Three brings some spice into his life (yeah, "rosemary to my bread" and all that jazz)

SECOND, the fact he has an image of SMG3 with him saying "whats the matter smg4 kun?"

THEN the "I know what you are" audio clip...

Four, buddy, you're down bad aren't you?

like "woah smg4's bisexual, I didn't know that", the closet is out of GLASS so we been knew but I DID NOT expect this

having Three be a tsundere is one thing, but FOUR....

🫵🏳️‍🌈⁉️

"they're dating behind the scenes" at this point, yeah

we have to keep going... [*secretly puts this clip on the fridge*]

I hate this so much /silly

[*chaos ensues*] [*sips my coffee*] just another tuesday saturday

GOTTA GO FAST GOTTA GO FAST— [*gets tazed*] i can never catch a break c'mon man

oh hey Swag!

four dollars is four dollars, you got yourself a deal

ok, I'm gonna need everyone to see Four's cute little hops here:

look at him go, my silly little goober :) oh, now you have? then let's keep going

holy shit, this fight scene is so well animated!!! LET'S GOOOO

never thought I'd see the day of seeing biblically accurate bonzi in an SMG4 episode and yet here we are.

SCREAMING CRYING THROWING UP

THIS IS THE MOST BEAUTIFUL THING I'VE SEEN IN MY LIFE, I'M ASCENDING

"...but they hugged before" NO YOU DON'T UNDERSTAND

A normal hug, where two people cross each other and are unable to see the other's face since it's over their shoulder, is just as it is: a normal hug. It can be seen as platonic and/or romantic.

THIS is a lot more intimate. 3 and 4's heads touch while they hold each other by the hand. This type of hug is reserved more for romantic partners when the situation leads them to a devasting end, where they face each other to look at and remember what their partner looked like, one last time before they die.

In this case, it makes sense as the computer is collapsing within itself.

"It's not actually them tho." Yes, they're digital copies of 3 and 4 but that's the thing: they're COPIES, acting on what 3 and 4 would actually do

SMG34 shippers, we are eating GOOD today yum yum

but then, that begs the question: would there be a moment where 3 and 4 would reveal their feelings for each other at the worst possible time?

(you guys are not going to be ready for my next episode concepts) What, who said that?

uh anyway them 💙💜 gotta put it on the fridge

I feel for you, Four, but I have a horrible feeling about this

...

Foreshadowing is a literary device—

no seriously, I feel like this could be part of a future arc where a past villain would ruin everything Four has and would offer up a deal when Four would be the most desperate. There's always a catch. Hmm, why does that seem familiar...?

Your life's work or your friends, it's your call, SMG4

:)

HELL YEAH FOUR, THROW IT AWAY (omg just like how he chose Three over the USB, I'm crying dude)

also congrats to Ourstor08954957 for the lovely art in the end credits 🎉 such cute doodles ❤️

.・-: ✧ :--: ✧ :-・.

Oh boy, what an episode. I feel like I'm in another plane of existence right now. Everything was absolutely incredible, great job Team!!

Everyone, say THANK YOU to whoever put the SMG34 crumbs in there, we shall treasure it for the rest of our lives. I'm gonna put those moments on my fridge. OH I would love to see the artists draw the SMG34 hug or pirate Four!

Love the fighting scene right by the end and the little details they have added in there. I guess it's "Torture Ink with the Idea that Goop!4 May Happen" day but hey, I'm so normal about it (no I'm not). I've been a bit stressed since finals are coming up so I'm thankful for anything this episode for me.

(If anyone is curious, the WOTFI website is still up and yes, I am logging its status just in case.)

I'm sure everyone is going crazy over this...

"They gay fr :3" [BenJoJoGV, Twitter]

🧍

BEN YOU CAN'T JUST SAY THESE THINGS—

[outofthemouthsof]

15 day BL Challenge part 2 - day 27

Back to @slonekaru ‘s part 2 of the 15-day BL challenge (a sequel to an earlier one started by @negrowhat ) !

Day 27: Top 3 BL Kisses?

For my own sanity, I'm going to do only 2024 shows. Even then, I could not get it down to less than 10! I divided them into two ways of defining "best":

Best kisses as in most thrilling in the plot:

Wandee Goodday. I should've been pissed at how long they used that no-kiss rule to delay gratification, and many were, but for once I was delighted to be strung along. They did it amazingly well in my opinion, and the payoff was perfection.

(gif from @namtan )

Meet You at the Blossom. Of course I held my breath wondering if there'd be an actual (consensual) kiss, and when it came, and was so physical (snot and all) yet tender, I was on the floor.

(gif from @khunkinn )

Jack & Joker: U Steal My Heart. When they finally FINALLY come to a place where they can confess and kiss, it's wild. At first I was like "War slow down--you're going so fast you're not actually kissing." Then Yin stops him, holds him back for a few seconds, and goes in much slower and more exploratory, and I realized it was completely deliberate the way they did it--Joke was so frantic to finally be able to express his love that he had no finesse or patience until Jack calmed him down. Incredible arc in just a kissing scene.

(gif from @thisautistic )

AntiReset. I cannot tell you how many times I rewatched their kiss by the lake. The interplay of robot-human, student-teacher and servant-master all adding these layers to their dynamic, and then both of them silently agreeing to treat the kiss like a bit of research, Yi Ping's flustered looks afterward and Ever 9's delight that they had a shared joke--it was so many kinds of fun and sexy.

(gif from @alejunsu )

My Love Mix-Up. Although I found the show overall to be a let-down, I truly appreciated the first kiss! Unlike Cherry Magic, I didn't mind the original Mix-Up not having kisses. At the same time, I loved the cheeky way the new one starts the kiss under a cloth, as if they're going to fake the audience out, and then the cloth falls and we get to see it after all. So cute!

(gif by @chinchillion )

Best kisses as in best actors at portraying kisses:

Billy & Babe in The Sign. Any, all, every kiss between them is phenomenal. I know, I've watched each one dozens of times.

(gif from @forcebook )

Sailub & Pon in Pit Babe and This Love Doesn't Have Long Beans. See note above.

(gif from @wanderlust-in-my-soul )

Jes & Bible in 4 Minutes. They had to portray three completely different love stories, and the kisses in each reflected the contrasting vibes with subtle perfection: awkward and giggly, artful and cynical, and soft and romantic.

(gif from @namtan )

Fort & Peat in Love Sea. I mean, no two actors seem as completely comfortable with one another physically. They go AT it with kissing (and everything else), giving the most convincing portrayal of shameless, uninhibited, uber-horny lovers of anyone this year.

(gif from @thisautistic )

Bas & Fuaiz in 4 Minutes. These two were a close second, and the complexity of their dynamic that they had to portray with far less screen time and far fewer episodes was truly impressive.

(gif from @jimmysea )

[two-white-butterflies]

parallel lines | d. targaryen | part eight

Description: An ordinary middle school teacher moves to a desolate town with her fiancee. After suffering episodes of vivid nightmares, she realizes that his uncle looks exactly like the man in her dreams.

Pairings: daemon targaryen/reader, aemond targaryen/reader

Trope: Reincarnation

TW: Murder. Non-Con.

series masterlist |

"If you know it in one glimpse, it's legendary You and I go from one kiss to gettin married." - loml, Taylor Swift.

(TARGARYEN RESIDENCE. 2008)

It was a hail mary from the beginning. Two people who had everything to lose, plotting to have more than they could handle. "She must've known." Alicent breathes, playing with the rosary-styled bracelet on her left wrist. "- I told you not to cheap out on the assassins. We'll get the money back anyways." she scolded.

Her grip on the bracelet tightened. Viserys' took a deep breath.

"I did not hire mediocre mercenaries. It was a recommendation from the goddamn Governor of Texas. If you're searching for good mercenaries, you're not gonna find them because people who kill people for a living don't have a moral compass." he gritted his teeth. His anger doubling at every second he spent in his wife's presence.

"I couldn't care less about their moral compass. You should've hired someone who had a follow through." she hissed, glaring at him. "I'm sorry but I'm not the one who wanted Olivia L/N dead." he groaned, standing up and attempting to exit the door.

She stares at the side, the sight of a crucifix snapping her back into reality. "I don't like the role that you're giving me, Viserys." her voice cracked, her fingers dancing along every bead. Along every Hail Mary. Her breath hitched for a second.

Fearing the person that she's become.

He made her this way. He manipulated her, made her believe that the love that they shared was true. He made her fight for every scrap of his love. He made her a monster. Now, she was finally thirty, fifteen would never cross her mind. "You're the one who wanted to give your children part of Aemma's company. I was following your wishes." he tried to flip the table at her.

Our children. She wanted to correct him.

It might've been her idea, but he didn't give her a choice. Her children would live in poverty without the money that Aemma provided. Alicent didn't have a job. She didn't even finish High School, and it was obvious that Viserys wasn't going to be around for long.

"Don't worry about Olivia. She doesn't have the guts to sue us. I hope that you learn to be content with what you've been provided. Not everything has to be handed on a silver spoon." Viserys remarked.

Aemond breathes. "They're fighting again." he spoke through the landline. Fighting was a normal occurrence in the Targaryen Household, it was always about the inheritance.

"Mom ought to accept that the old man isn't gonna leave us a single dime." Aegon chuckled. His older brother long accepted the fact that Viserys hated all his children from his second-marriage.

"- Rhaenyra has always been the golden child. I don't know why we bother." he added with an eye-roll.

Aemond pressed his lips closer to the microphone. "Dad hired someone to kill Aunt Olivia." he dropped the bomb, and the other line answered with silence. "- Mom figured that if Aunt Olivia died, then all the shares would go to Dad, and there'll be enough for us." he whispered, careful not to be heard.

"He'd rather have someone murdered than give us a tiny piece of Rhaenyra's billion dollar inheritance? I study in New York. I should kill Aunt Olive, make Mom proud for once." his lips pressed into a thin line, seriously considering that random thought.

The younger brother responds with a chuckle.

"You won't do that Aegon. You're not actually a murderer." he laughed, thinking that it was his older brother's way of making a joke. Aegon licks his lips. Right, not a murderer.

OLIVIA L/N FOUND DEAD IN AN NYC APARTMENT WITH NO CURRENT SUSPECTS, POLICE SOURCES SAY.

NEW YORK -- Police sources are revealing more details about a murder in Manhattan. They say that the New York City Police Department is currently conducting investigations about possible motives for the crime.

It happened in Upper Manhattan, sources say that the first person that found the body was Ms. Olivia L/N's daughter, then a neighbor that chooses to remain anonymous.

Olivia L/N is the co-founder of Dragonpine Brewery, which has now expanded into different industries including real estate, technology, and pharmaceuticals. She currently owns 49% of Dragonpine Brewery, but all shares are expected to return to Viserys Targaryen, who too, owns 49% of the company.

The medical examiner ruled her death a homicide due to the blunt force trauma to the head, and stab wounds on her stomach.

Anyone with any information is asked to call the NYPD's Crime Stoppers hotline at 1-***-***-TIPS. ALL CALLS ARE KEPT CONFIDENTIAL.

(PRESENT)

Daemon couldn't stop pacing and forth. Luckily, the bullet didn't hit anything important. You could still use your ankle normally in the future, but it would take time to heal.

"It's a medical miracle. It's the first time I've seen it happen." he remarks, trying to calm himself down.

The entire thing was difficult to process. He found it hard to believe that Aemond suddenly lost all semblance of normalcy and broke. "The gun wasn't registered. He could face charges, unless Alicent drives by with her golden chariot and bribes the judge again." he rolled his eyes, unwilling to let his nephew live scot-free.

"I told her about Aemond's past, the case with the girl and Nick. She could've confronted him about it, brought memories that he couldn't handle. He could've been guilty." Rhaenyra suggested, shaking her head. "Where is he?" Daemon's eyes narrowed.

He peeked through the halls, searching for his nephew's familiar silver-gold locks. "Down at the police station. Jace tells me that Aemond's shaken. Unable to form any statement." she adds with a deep breath. Aware that the story was reaching its climax.

"Alicent won't let him speak anyways. Where's Helaena?" he paused, reminded of his youngest niece. "She's babysitting the kids. Daemon, role-calling everyone won't be enough to distract you from Y/N. She's a wall away, I can hear her heart monitor from here." she pointed out.

Clearly as nervous as he was.

"I can't believe this is happening. I can't believe that we're given a second chance at everything, but we're still making the same mistakes." he sat down on the bench beside her.

He wanted to be a better person. Make his life worthwhile, but with the people around him repeating the same mistakes over and over. "I feel like I'm trapped inside a paradox. We'll die, then we'll get reborn and repeat everything again. It's like that show we watched. Are we in the Bad Place?" his eyebrows merged together.

"I don't know, Daemon. It feels like hell, but then I see my sons and I wouldn't trade this life for anything else." she had a bitter smile on her face. A nurse steps out of your room.

Daemon rises to his feet.

"Is she awake?" he inquired.

"No. I don't think that I'm at liberty to say this but - being unconscious for this long isn't normal. They'll do some tests, but I'm sure she'll be fine." the nurse felt inclined to speak out, seeing Daemon's worried face.

"Are you her boyfriend?" the nurse asked.

Rhaenyra's face softened. "It's complicated." she bit her lower lip.

(HARRENHAL.)

TW: NON CON SCENE (WILL STATE WHEN IT'S OVER SO YOU CAN SCROLL DOWN TO IT)

You breathe in the smell of smoke. Harrenhal was a curse.

"You will die here." you whispered, the prophetic visions finally finding solace inside of you, like they've found solace in Alys.

"You dampen the mood." Aemond pours himself a goblet of wine. "- it will not stop me from having my way." he reminded.

"I know." you whispered.

"We won't be needing this," he stated, cutting swiftly through your gown. He was staring at your body with the intensity of a thousand stars - you could've sworn that it was love - but it was not. "Why are you doing this?" you whisper, covering your breasts.

He does not acknowledge the use of your tongue. He ignores you. He presses a kiss to your jaw, inhaling the scent of your jasmine perfume. A prisoner has never lived more lavishly than you. "Riñītsos," he answered, hands trailing down to pull yours away.

"You sleep beside my sister knowing such stain is upon your honor." you gritted your teeth.

"Stomach up." he commanded - eyes twinkling with lust. "Legs open," he added - seeing you in the vulnerable position.

You couldn't remember anything that happened afterwards.

(NON-CON SCENE OVER)

"I care not about what he's done to your husband. I care more about what you had to go through." Alys looked at you in a crestfallen way. She vowed to protect you, but her visions clouded her judgement. Made her believe that Aemond was their savior.

"It'll be the same tomorrow, Alys, unless you can remedy this curse then rid yourself. Leave my presence." you pleaded, unable to stare into her eyes. The same eyes that you looked at in the mirror. "You may think me cold, that all I've ever grown to love is him. I thought that I could control him, but he is like the wind." she shook her head.

"You cannot catch the wind, sister." your breath quivered.

"What I've done is payment for my sins," she started.

You snap out of the trance. Eyes finally meeting hers.

"What did you do?" you asked.

"I killed him." Alys admitted, only then did you realize the streak of blood of her cheek. "I'm sorry." she apologized, falling to the floor.

"I forgive you." you bite the insides of your cheeks.

You've watched your sister hold the enemy softer than she's ever held you. You watch her let peace slip through her fingers. You watch her betray you and you forgive her, because this is the role she must play. You cannot resent the dancer for the actions of the song.

"There will be a boat going to an island near the Ghiscari Empire. I hope that you find peace there." she handed you three dragons. "What about you?" you tilted her head, feeling the tears trickle down your cheeks. "I must stay." she reminded.

It was the last winter that you'd spend with this body. You lived sixty more years without your husband. Now, you were old and frail - there were lines on the sides of your eyes. Wrinkles that weren't there when your husband was still alive.

"Have some tea." Serenei's daughter beckoned.

You complied.

Feeling every bit of your consciousness slip away.

You had a vision the night before, that this would be your last life. You already broke the karmic chains and learnt all your lessons. There was no need to restart the pain and suffering.

But you sharply argued with the gods.

Told them that you had to be reborn. You needed to see Daemon. You needed a life where you could be with him longer, and happier.

The gods granted you that gift.

And thus, here you are again.

Your throat felt dry; like you haven't drank water in a thousand years. You hear the machine beeping beside you. A feeling of someone's hand on top of yours.

You opened your eyes.

"Daemon," you whispered.

"I remember."

next chapter>>

OK THIS LINE

You've watched your sister hold the enemy softer than she's ever held you. You watch her let peace slip through her fingers. You watch her betray you and you forgive her, because this is the role she must play. You cannot resent the dancer for the actions of the song.

WAS COPIED FROM @faiIwife on twitter. IT MADE MY LIFE IM SORRY.

[piratecaptainscaptainpirates]

I will never understand where the fanon idea that Ed has "anger issues" came from (yeah I know it's the racism just play with me in this space for a moment).

Because before I got into the fandom and started reading fanon takes, one of the things I loved so much about OFMD is how careful the show is to show Ed as someone who explicitly does not get angry very easily. It would've been so easy to paint this brown man in a hyper-violent profession as a hyper-violent person, but by virtue of his hangups around violence, Ed is one of the least violent characters in the show. We're shown early on that violence in this world is normalized and not treated the same as in the real world (we're expected to love Roach, a guy who is bummed about not getting to torture hostages), and we're told Ed enjoys a good maim, but all his violence that we actually see is so performative. He doesn't enjoy it the way other pirates do.

And every time Ed gets angry, we're beaten over the head with how hard you have to push him to make him mad. He will give people so many chances before he gets angry. Like the racist boat captain - he says "what's that supposed to mean" when the captain started being racist and gross, and only got mad once it was clear he was doubling down. In s1e10 he tries to de-escalate after Izzy starts being aggro, and that's after Izzy says he should've let the English kill Ed.

And literally every time Ed does behave violently, not only does it never exceed what is expected in pirate terms (and we're usually told this explicitly, like when Ed mentions cutting toes off as a part of pirate culture he doesn't like the episode before he does that), it is always very calculated and performative. When Ed reacts with violence, it's almost never a passionate thing, it's very cool and thought-through. He is very obviously a man who does not typically react with violence when he's angry.

It just baffles me. Every time I see takes or read fics that talk about Ed's "anger issues," or act like Ed's somehow destined to become abusive towards Stede, it's like...did we watch the same show?

[divorcedfiddleford]

You made a post saying “it has been zero days since our last alex hirsch hates ford so much bullshit” and i know it was mostly hyperbole, but you have some really good takes that I would love to be elaborated on in terms of how ford is written

it really wasn't hyperbolic. over the years he's just really shown a lot of hatred towards this one character.

content warning: discussion of abuse

i want to start with this clip from the commentary which i think of as a microcosm for how the writers and especially alex think about ford.

transcript:

rob renzetti: i mean he [mcgucket] should've basically knocked ford out, and... and destroyed the... you know, tied him up, and, destroyed... and... alex hirsch, speaking over him: yeah he should've beat ford with a wrench and taken this thing apart piece by piece! he's the one who understood how to built [sic] it, but...

... so that seems like a pretty violent course of action. shall we unpack that?

ford is a character who's pretty explicitly written as a victim of abuse, and who now has c-ptsd as a direct result of the abuse he experienced. alex hirsch believes that ford deserved everything bad that happened to him, that it's ford's own fault, and that he also deserved worse things to happen to him. this is why, given every narrative chance, alex hirsch has piled more suffering onto ford's plate. the biggest example of this i can think of is in the journal, when he wrote that fiddleford was actively erasing ford's memory (despite this being a massive timeline contradiction which i still refuse to accept). because god forbid ford even have one remotely healthy relationship with somebody. that would be too good for him. ford was manipulated and lied to by bill, but alex repeatedly compares him to icarus, a teenager whose demise was the result of his own ignorance. this comparison is still so fucking offensive to me. the sun did not lie to icarus, did not guarantee icarus all of the happiness and success and sense of belonging which he had been denied all his life, did not actively shut out the voices of those around him who would try to help him.

alex in general has a very strange relationship with abuse. he seems to get really upset when people read his characters as victims of abuse. the strongest instance of this is actually not with ford, it's with pacifica - especially in the nwmm episode commentary. the episode says "pacifica's parents have conditioned her to respond to a bell" and alex says people got "the wrong idea" about it. like. dude. what the fuck. you wrote abuse. even if you didn't mean to, that's what you wrote. you can't say people got "the wrong idea" just because you didn't think about the subtext of what you were writing. anyway, back to ford: i believe this extends to him as well. alex wanted to write a character who's a foil to stan and who was a selfish unlikable victim of his own arrogance. however that's not what he wrote. he somehow seemingly accidentally wrote a really compelling and relatable awesome autistic guy who had to fight for every good thing he he ever had in his life only for it to be taken from him every single time. but alex can't let go of seeing ford as just "the opposite of stan". when he talks about "how someone as smart as ford could fall for bill's tricks", he refuses to realize he wrote a situation in which a man was being psychologically manipulated and tortured.

it goes back further, too. people repeatedly theorized that filbrick was... not a very good father, to say the least. on top of the very explicit and canon fact that he threw one of his children out on the street (seriously, there is no defense for this), people pointed out that stan would flinch at filbrick, that ford seemed upset by things filbrick said but dared not talk back, that filbrick was mad at stan not for hurting his brother, but for "costing the family potential millions". but alex can't have people seeing ford as sympathetic. ford can't have it bad like stan did. ford had to have everything and he lost it all because he sucks so much. so he wrote the graphic novel story where ford is filbrick's favorite child and filbrick also is not even a bad parent you guys he's just stoic. ignore the whole thing in dreamscaperers where stan perpetuates the abuse that filbrick did to him. ignore the fact that ford was shouting at stan and then completely shut up as soon as filbrick entered the room and did not say another word for the rest of the night. ignore all that because i just made up this story where he cries at a present from stan. filbrick loved his boys for sure you guys!!!

i'm not even touching on how alex repeatedly villainizes traits commonly associated with mental illness and neurodivergence. ford's hypervigilance becomes arrogance. his passion for knowledge means he's a know-it-all. his difficulty socializing and making friends means he's a misanthrope. his lingering resentment for the way he was raised means he hates his brother and is the worst human being to ever have lived. i could go on, go even further into how the finale reaffirms this, but i feel weird talking about this too much.

[thefandomenchantress]

So everyone's talking about the new episode right now. Understandably so, since it had so much new evidence! In fact, I'm going to talk about it as well. However, instead of focusing on the bombshells David dropped or Levi's secret, I'm going to do what I do best: Focus on Ace and ignore literally everything else. /hj

(Spoilers for Chapter 2, Episode 12!)

All joking aside, I'm sure you're wondering what the hell I'm talking about. Ace literally said, like, five lines of dialogue this episode. And yeah, you're right. Actually, that sort of ties into what I'm talking about.

Okay, time to explain. The thing I want to talk about is this: Ace is weirdly...Not as confrontational as usual this episode? Let me show what I mean through examples.

What's so special about this moment? Well, strangely enough, it's what comes after it.

Now, when I first watched the episode I laughed and thought, "Oh, someone insulted Ace, now Ace is going to be angry" and then they never cut back to him being angry. They just said that (admittedly very funny) line and moved on.

And after it happened, I didn't think too much of it. I was far too consumed by the episode's greatness to care too much, and Ace's reaction wasn't necessary for the scene anyway.

These two lines aren't as strong for what I'm trying to say, so I'll lump them together.

But I thought it was worth mentioning that in the first photo, Ace joins in with Nico and Levi on saying Arturo should've been better at his job. But after Arturo scolds the three of them, as well as everyone else by extension, it only cuts back to Nico and Levi. Which is fine, it can be assumed that since Ace's comment was a late addition, shorter, and didn't have too much substance, him not getting a reaction makes sense (I mean he's not the one who got called a whore like Jesus Christ Arturo--).

In the second photo, Hu tells Ace to stop blaming Nico because they have an airtight alibi, and Ace...Just shuts up. Nico complains about being interrupted and they move on to other people's alibis (or more like the lack thereof). Which sorta makes sense, Ace can't really refute her point because he can't prove she didn't have breakfast with Nico. Then again, he could've made a point to say no one can prove they did have breakfast together, since they were in private, but still. Maybe Ace is too scared to seriously argue with Hu after that slap, haha.

It's this last example that actually made me notice that there may be anything resembling a pattern here:

During this part of the episode, I was immediately reminded of J's line about Ace being incapable of being quiet and expected Ace to refute her point. After all, it's basically the same as refuting her earlier point. He just has to say that he's not always spontaneously combusting every 5 seconds like she thinks again. He's not a grenade launcher in a glass house. More like a small batch of fireworks, thank you very much.

But Ace doesn't say anything. This is only made more obvious by Charles immediately cutting off the conversation there.

And this moment made me think something. Keep in mind I could be totally overthinking this an unnecessary amount, but that's what most of theories end up being anyway.

Since the conversation is immediately ended by Charles, DRDTdev could've ended J and Ace's interaction off with Ace trying to insult her back, maybe him going "Listen here, you--" before Charles cuts them off because they have a trial they need to finish. But DRDTdev decided to not make Ace have any reaction whatsoever to this insult, at least not one the audience can see. And based on how loud and opinionated Ace is, I'm guessing that if the comment did make him have an extreme reaction, we definitely would have heard him say as much. But we don't.

I think what makes all this so weird to me is that whenever someone is condescending to Ace, usually he's very upset and it shows. In trial 1, we see him be one of the few to cave pretty quick to the idea that they were wrong and that Teruko isn't the culprit. Yet when Whit says Charles isn't the culprit, Ace suddenly feels very strongly about it, because Whit actively talked down to him about it, (I think Whit said something like "use your big boy words" but I'm too lazy to rewatch the whole trial to find it) and now Ace doesn't want to agree with him (Or at least that was how I interpreted it, he's so petty I love him). So you'd think he'd be more resistant against those who kept making comments about his intelligence or demeanor, but so far, he hasn't.

That could mean two things. One, he's the culprit and is trying to at least vaguely avoid unnecessary confrontation and bringing attention to himself. But honestly, I doubt even that would stop Ace from impulsively insulting people back.

The second option is this:

My first thought and explanation in my head for this connects to Ace's overall arc. Let's recall Ace's secret quote:

"I don't know what to do with myself anymore"

This line gives off a sense of hopelessness. Like Ace has completely given up on everything.

And for some reason, a couple of the moments above made me feel, at least slightly, the same thing. If Charles says Ace is so stupid he's never seen anyone more stupid ever before in his life and didn't think it scientifically possible for anyone to be that stupid? Ace has no response. If J says another line about Ace's explosive demeanor? Ace has no response.

I don't know, something about Ace just not bothering to refute them makes me feel that something is off. He complains that everyone sees him as an idiot and how he hates it earlier in the chapter. He seems so distressed as he does it, it's a full-on break down.

And yet, when people do exactly what he was talking about here, he can no longer muster up a response. It's like he's given up on changing their minds. He knows they think he's stupid, and impulsive, and intolerable, and he thinks there's nothing he can do about it anymore. Blowing up at them will only make them think they're right. So he's given up on doing anything at all.

I suppose my line of reasoning is that maybe small details like this will pile up over time, as Ace, unnoticeably at first, loses some of his fire bit by bit, until inside he's just...Empty. He doesn't know what to do. He's so tired, and he doesn't know anything that can help or distract him from his situation. And seeing as the secret quotes seem to embody a character's mindset at death...That seems to be the place Ace might die at. Perhaps even at his own hands, who knows.

Is that an overreaction on my part? Possibly. Am I overanalyzing microscopic details? Yes. But that's my job.

So anyways I really enjoyed this episode and Ace was great too! Yippee for the return of DRDT, and my Eden culprit idea not being completely debunked yet!

[ofswordsandpens]

Finale Thoughts

The show stuck the ending far better than I thought it would and when compared to the preceding episodes it knocks it out of the park. That being said, I think because the bar was so low going in, that it makes this episode feel spectacular when really every episode should have done this well, at minimum.

Solo Lessons and Ares Battle

I'm so happy they included the one-on-one training sessions with Luke since its so essential to foreshadowing. I also liked the setting in the woods but why was it like autumn/fall in the flashback lol? However, I think that did unintentionally add a dreamlike quality to the scene which I did really like so whatever I'm here for it.

That being said I do wish these scenes were in episode 2/3 alongside the other chb stuff instead of being a flashback in the finale because it makes it just so on the nose that Luke's the traitor. However, the shot panning from Luke's extended sword to Percy's on the beach ate I can't lie.

Honestly it may have been interesting if they had established some of the solo lessons early on in episode 3 and then done periodic flashbacks to expand on them throughout the series. That way, its not so obvious that Luke's the traitor in the final hour and we also get cool transition shots and establishing that Percy is thinking about what he's learned from his lessons with Luke.

#Relieved that the Ares and Percy fight was not a single sword strike and then cut to black. Glad we had some action. Still think we should've pushed the limits much harder tho.

Oh but Percy's wave did go hard. They actually made the wave much bigger than what happened in the book and now I'm just sitting here wondering why we couldn't see some more of this instead of 10,000 cut to black scenes every time Percy uses his powers.

I wish we had gotten this Ares's reaction from the book when he lost: "The roar that followed made Hades’s earthquake look like a minor event. The very sea was blasted back from Ares, leaving a wet circle of sand fifty feet wide." Show Ares's reaction seemed so anticlimactic in comparison.

And no curse???? huh??

I know Ares was like "we're enemies 4 life now" but the curse and dialogue from the book goes so unbelievably hard: “You have made an enemy, godling. You have sealed your fate. Every time you raise your blade in battle, every time you hope for success, you will feel my curse. Beware, Perseus Jackson. Beware.”

Why couldn't show Ares say that??

Olympus, Zeus, & Poseidon

[Insert aw, she's ugly John Mulaney Meme]

sorry Olympus could've should've been prettier.

Like Olympus in the book felt a lot more wondrous and lush and colorful. But in the show it seemed so dull. Idk if its cause the "war's happening" or whatever it was just bland. a wash of dull-looking cgi and then an instant cut to the Big Palace.

Lance Reddick's Zeus was amazing tho. He had that godly presence I've been waiting for.

And Toby Stephens's Poseidon? oh I loved it.

I especially loved their conversation in greek.

I still wish however they would have done effects on the gods' eyes. Like glowing with energy or something when they get emotional. I felt like I was waiting to see electricity burst from Zeus when he was yelling at Percy.

And so it turns out that the reason why they changed it to Percy missing the deadline in the show was to create a situation in which Poseidon surrenders a war for his son.

And listen, if this scene existed in a vacuum I'd be so here for it. I guess a part of me can't fathom the solstice being anything other than a hard deadline. I enjoy the scene without context, within context I have mixed feelings about it.

But the "do you dream?" convo between Percy and Poseidon. Oh my god no notes. I loved it.

Some more book dialogue that I wish made it: “You did well, Perseus. Do not misunderstand me. Whatever else you do, know that you are mine. You are a true son of the Sea God.”

Luke's Betrayal

Okay here's where we get some high highs and low lows.

Some things I sincerely liked:

The setting. Fireworks going off in the background. The lantern illuminating the side of Luke's face with the scar. So visually nice.

Luke actively trying to recruit Percy! I've always joked that if Luke was just a little smarter he would have tried to persuade Percy to join his side rather than immediately kill him. And I do like that the show went this direction.

While I do mourn the loss of the scorpion them battling via swords is a great subversion of the sword mentor/mentee dynamic they share. It makes the scene tense and fast pace.

And its all of the above that makes me wonder why we didn't have more of this throughout the show: talking while battling, visually appealing and dynamic settings, unique visuals, etc.

I love how triggered Luke was at Percy's mention of meeting Hermes. I still hate how much Hermes introduction bogged down the show but damn if it didn't lead to one singular funny moment.

Percy getting a hit in on Luke and then immediately apologizing

"I didn't think you'd give the shoes to Grover." Oh that was cold.

Walker and Charlie deserve their flowers and more they were fantastic and carried.

Now things I DIDN'T like:

I don't like how Percy pieced it together with the information he did have... which honestly isn't a lot in the show? If he was going to figure out that Luke was the traitor I would've have had Luke show more of his bitterness like he did in the book. Like the fact the show never even mentioned Luke's failed his quest loses the entire element of Percy succeeding an "impossible" quest and being celebrated while Luke only got a scar and a chip on his shoulder from his failed one.

Luke's scar shoulda been worse idc.

Percy should have been mortally wounded. That's where we run into an issue with there being no scorpion because yeah, a fatal sword injury probably would've been a bit much to depict. I also 10000% think that Luke is enough of a baby to get his daddy issues triggered and then try to off Percy for it even if his original intention was to recruit him.

Also the fact that you see Luke raise his sword for a damning blow and then the very next day you have Percy like "I don't think Luke was trying to kill me." and Chiron agreeing? asdlkfjsdlkf WRONG.

Also, sorry, I don't like that Annabeth was there.

But if you're gonna have Annabeth there, her reaction to Luke betraying her and trying to hurt Percy should've been way more severe than a solemn "I heard everything."

She shoulda been crying, questioning, yelling even if she had suspected him. It's one thing to suspect it, it's another to see the person you consider your family to actually prove it true.

(And this isn't on Leah! It's 100% on the directors cause what was the thought process here? Her brother figure betrays her and she's like :/)

And sure, in the book Annabeth isn't actually all that surprised by Luke's betrayal when Percy tells her about it... but we also never got to see her initial reaction to it. Percy was out for 2 days.

Just, if book Annabeth had been there, she would've been so emotional and that's okay!! let Leah show off her chops!

Sally

I mourn book Sally. I mourn her arc. I mourn the power of Sally unapologetically petrifying Gabe with Medusa's head.

One of the most iconic storylines from the book and it was sanitized in the show to the point that it lost all sense and meaning.

Honestly one of the biggest disappointments of the show for me.

Other

I love the fact that a flower is the searcher's license for satyrs its just so silly and sweet.

I love Annabeth sincerely hugging Percy but also using it for strategizing purposes it feels very on point for her.

Also her braids at the end!! so sweet!

I am very very bitter that Percy didn't see the fates. This + the changes made to Sally's characterization and arc... the show truly doesn't get it.

[darkstarofchaos]

Hello! Another person who is incredibly frustrated with redeemed Megatron.

Me and my friends have all voiced the exact same problems and that main being that we don't ever get the before him like at all. Hints here and there but for the most part NO ONE outside of the bad guys has any bad blood towards him.

I understand not every kid show needs to be these deep emotional epics but at the same time it's still weird to me that the Autobots, who have lost countless family and friends thanks specifically to the actions of Megatron and his followers, show no sort of lingering resentment. After all, the amount of time between the war ended and the beginning of the show would be like a few hours for beings that live for millions of years.

Having the Terrans would be a great excuse to have the devil's advocate angle when other Autobots still don't feel comfortable around him. I said the same thing in my own Starscream post too about how sometimes people can't change because those around them refuse to let them.

Megatron should've felt alienated from both sides and by him not falling back into old habits and committing to staying good would've actually proved that his redemption was warranted.

I'm not asking for it to take over the show, but these little background moments. Hell, Bumblebee's attitude would've been a little bit more tolerable if you were it was coming from a place of feeling slighted pissed that the cybertronian who more or less ruined his "childhood" (I've accepted that headcanon that any given Bumblebee is basically a former child soldier) is just walking free side to side with his mentor.

The sad thing is that the first couple episodes kinda show some hints of that? Like when Optimus gives his "Roll out" bit and Megatron tells Dot he's never sure if he means him, or Bumblebee being kinda wary when he tries to call Optimus and gets Megatron (also, Megatron's matter-of-fact recounting of how he kept his soldiers in line). It wasn't enough on its own, but they could have continued the trend to show most bots are wary of him at best, or even implied that the reason some Autobots don't show up much is because they don't want to be around him. It wouldn't have taken many changes to show Megatron as fairly isolated, with maybe one or two relationships that kept him from backsliding into his old ways (his friendship with Dot works better for me because 15 years is a long time for a human, and we know he saved her life at least once).

Honestly, I was ambivalent about his "redemption" in season 1? After Jawbreaker asked him about his altmode and it turned out all he had to do to get Optimus' trust was scan an Earth alt, I pretty much gave up on getting any meaningful backstory for him, so I was resigned to him just being Generic Ex-Decepticon (and then What Dwells Within happened and he finally felt like a Megatron trying to do better to me. Not just in his interactions with Starscream, but when he interacted with Optimus and Croft too: angry, wanting to do things his way, trying to do better but slipping into old habits. If he'd been more like that throughout the show, paired with the Autobots responding appropriately to him, I would have enjoyed his character a lot more).

And then Season 2 happened. And we went the "Starscream is worse than his abuser, actually" route. And now I'm like... This is everything I do not want from a Megatron redemption. The only thing I want from a Megatron redemption is for him to face what he did to the people closest to him. Every single Megatron redemption sees him running off somewhere and leaving the Decepticons to deal with the fallout of his war, and he never has to face the people he personally hurt. And when it comes to Starscream, it's almost treated like a good thing that he hurt him, because when Megatron isn't there to "keep him in check", he's worse than Megatron ever was. And then people roll their eyes and say "Starscream is always power hungry and evil, what do you expect?" while Armada Starscream is right there, and EarthSpark Starscream in Season 1 was a hell of a lot closer to Armada than to Cyberverse.

On his own, EarthSpark Megatron was boring and a waste of potential, but not especially offensive. Paired with Starscream, and specifically Starscream as he appeared in the final episode of the latest batch, he is possibly my least favorite part of EarthSpark right now. Not as a character, but as a concept. I like Megatron, but I have no use for a redeemed Megatron who still has to believe that he's better than Starscream, and be supported in that belief by the narrative. The early scene in S2 when Megatron tells Starscream to let the war end could have been a really good character moment, because we would see that there are still things he doesn't regret, and that he truly sees himself as better than Starscream (who isn't even the one to blame for the war's continuation - I firmly believe that, since the Decepticons were the ones being hunted and locked up, it falls to Megatron and the Autobots to prove that things can be different now. And if the war is continuing, it's almost certainly because Megatron and/or the Autobots fucked up).

But instead we get, "Yeah, Megatron thinks he's a better person than Starscream. And you know what? He's right." I am so done with the abuse apologetics.

[miraculouslbcnreactions]

It's weird to expect lb to be able to read cn mind and called her a bad partner for it. But it's even weirder for lb to ignore cn WHEN HES OBVIOUSLY IN DISTRESS and not called her a bad partner for it because I think called her a bad partner for ignoring it is understandable and justified especially since she consider herself as his boss.

Every time I bring up this conflict, I try to make it clear that I don't think Ladybug was blameless, I just think Chat Noir's writing was worse. Let's walk through the problem to show what I mean.

Season four stars with Marinette extremely stressed by her new Guardian status. In Truth and Lies, the first episodes of the season, we get this:

Ladybug: Will you cut it out with the practical jokes? I could have really hurt you! Cat Noir:(answering while hanging by the yo-yo) M'lady, the only thing that really hurts me is when you make me go on patrol by myself. (sighs, relaxing his posture) I even missed your little angry pout. Ladybug: Sorry, Kitty Cat, I'm a bit over my head at the moment. (pulling him up) Cat Noir: I bet! "Guardian of the Miraculous", big name, big responsibility!

This is also the start to Chat Noir communicating poorly. In this episode, he's straight up told that Ladybug is in over her head and he never once asks how he can help. In fact, we even get him saying this when asked how he feels about the change:

Truth: Cat Noir, tell me what- (interupted by Ladybug throwing a present at Truth) Ladybug: (covering her parasol with foil) ...do you think about my new role as guardian! Cat Noir: If it doesn't change things between us, then I'm good with it!

So not a great start to the season. I know people focused on Adrien's terrible treatment of Kagami in these episodes, but this Ladynoir dynamic was actually what rang alarm bells for me. I kept waiting for Chat Noir to offer his support since it was really, really obvious that Ladybug was in over her head since she was late to patrols, the last season literally ended with her losing her mentor figure, and, you know, she straight up told him that was what was going on?

The next episode is Gang of Secrets in which we see Marinette out her identity to Alya. I get why she did this, she needed support and her partner doesn't seem interested in giving it, but she can't say that for certain because she never asked him directly and she should have. Trusting Chat Noir over Alya would have allowed Ladynette to maintain the security of her secret identity - a thing she claimed was more important than ever - and to honor their partnership. At the very least, she should have told Chat Noir that Rena Rouge was now a full time holder so that he could account for that in battle and to minimize the fallout by owning up to her mistake asap. The longer a lie goes on, the worse the truth will hurt.

To Ladybug's credit, she does eventually acknowledge her mistake after the Scarabella incident:

Ladybug: You... must've been pretty surprised to discover there was another holder! (Silence. She sits beside Cat Noir.) Ladybug: I'm really sorry, Cat Noir. I should've told you. I mean, if I found out that you told someone about your secret identity, I'd... probably be upset, too. I'm really sorry I hurt your feelings.

This is a decent apology. She doesn't try to absolve herself of wrong doing. Instead, she acknowledges that what she did would hurt her, too, if the shoe were on the other foot. The only thing she loses points on is the fact that she doesn't tell him about Rena Furtive.

However, instead of agreeing with her and telling her that she has hurt him, Chat Noir says that she did nothing wrong and never once brings up how their weakened partnership is bothering him:

Cat Noir: You didn't hurt my feelings. You did everything right. Paris will always need a Ladybug superhero to watch over her. It's just... I realized that if one day that hero wasn't you, m'lady, since we don't know each other's identities, that means... I'd never see you again. Ever. And now, I just don't know if I can bear it.

This is the thing that I hate about this arc. The reason why I say Ladybug is blamed for not reading his mind. Especially because, three episodes later, we get Rocketear, which gives us this:

Cat Noir: Everyone has doubts now and then, (looks down) even me... Ladybug: Is everything okay, Cat Noir? Cat Noir: Yeah, yeah. (prepare his fist) Pound it! Ladybug: (fistbumps) Pound it!

Rocketear is the episode where Nino outs that he and Alya know each other's identities while acting like Ladybug said identities weren't a big deal even though that is very much not what happened. You'd think that Chat Noir would want to know the full story, but instead he just lies and says that everything is fine.

So we have two situations where the show allowed Ladybug to give Chat Noir a chance for clear and open communication and both times he turns her down.

What's worse is that he clearly starts making up stories in his head, leading to Kuro Neko, which starts with Adrien avoiding a fight on purpose as some sort of shit test. He then gets upset when Ladybug... doesn't lament his absence on national TV?

Clara: (from TV) By the way, where's Cat Noir? You've saved Paris without him quite a few times recently. Are you two at odds with each other? Carapace, Pegasus, Vesperia and Pigella: (from TV) Pound it! Ladybug: (from TV) Of course not, it's just that... umm, he's a partner like any other! The most important is to pick the best superheroes for each mission, with or without Cat Noir. No matter what, we've got a great team and we'll always be here to save Paris. (Adrien is shocked.) Adrien: (turns off the TV and sighs) "A partner like any other..."

Dude, what did you want her to do here? Complain that you flaked on her? Make Paris feel less safe by saying she doesn't know where you are? Imply that the fight was barely won without you? What are you doing? Plagg, you are completely failing as a mentor right now.

The shit test continues as Chat Noir goes to meet up with Ladybug now that the battle is over, arriving just as Ladybug has finished instructing the team on what to do:

Ladybug: Come on, guys! Hurry up before you all detransform. I'll meet you at rendezvous points. (The heroes jump away in different directions, and Ladybug starts typing something on her Yo-yo.) Cat Noir: Hey! Meow are you, m'lady? Ladybug: Great, thanks, but I gotta go retrieve all these Miraculous. Cat Noir: I could lend you a paw to help save time. Ladybug: Thanks, kitty cat, but it's a guardian's job to do it. Cat Noir: I know who some of them are, remember? I was there when you first gave them their Miraculous! Ladybug: You don't even know where their rendezvous points are, I don't have time to— Cat Noir: Playing cat and mouse is my forte, you know— Ladybug: (yelling) If you wanna save me time, stop wasting it in the first place! (Cat Noir gasps. As Ladybug swings away, Cat Noir clenches his fist.) Cat Noir: And take my Miraculous back when you're done!

So Ladybug doesn't publicly chastise Chat Noir for missing the battle and rejects an offer to help because of very legitimate timing concerns, leading to Chat Noir quitting because she failed his stupid, petty, childish tests. Realistic writing? Yes. Writing that paints Ladybug as the one in the wrong? No.

Going into this episode, Ladybug has no idea that things are messed up between them even though she has actually kept communication lines open. She asks him if things are okay, but he lies. And when he's ready to quit? He plays stupid games and wins a stupid prize. It's really not shocking that the next scene sees Ladybug totally baffled by what just happened:

Plagg: For a while now, you've been neglecting this camembert— I mean Cat Noir, and going on adventures with the all other cheeses! Ladybug: But he should be happy about it, it gives him more time off. Plagg: Cat Noir doesn't wanna have time off, Ladybug! He is in love with you! And your persistent calling on all the other heroes has broken his heart.

And how is she supposed to know that, Plagg? Was she supposed to assume that her partner was lying when he said he was fine? Because she did ask and he said that nothing was wrong. But something was wrong and it lead him to build up a story in his head, reading nonexistent intent into her actions, all of which is toxic and unhealthy communication.

I cannot stress how common this shit is. I've seen it so many times and I will own that I've done it in the past and wound up getting no support when I needed it because I'd directly told people I didn't and they committed the heinous crime of... believing me.

Here's the other thing, there are times when I'm in distress and legitimately don't want or need help. Times when I just need to be alone for a bit. So if someone asks me if I'm okay during those times, I'm probably just going to say, "Yeah, I just need a people break" or something like that. That's why the Scarabella scene is so bad. Ladybug can see that Chat Noir is in distress and he gives her a fully plausible answer: I'm not upset with you, I'm just saddened by the idea of losing you. And she believes him because why wouldn't she?

Same goes for Rocketear. It's reasonable for Ladybug to assume that Chat Noir is just shaken by the fight. She has no idea about the bombshell that Nino dropped right before the fight. She doesn't even know that Nino and Chat Noir are actually close friends, making this fight a lot more devastating than it looks at face value. Her actions here are not objectively wrong. They're only wrong if you know the whole story, including Adrien's needs. Things that she cannot know unless Chat Noir uses his words to tell her things.

I cannot over stress how much season four is a textbook example of denying yourself support because you cannot communicate your own needs. Is it an understandable character flaw for a character with Adrien's background to have? Yes. Absolutely. 100%. But it's still a character flaw. This season desperately needed an arc about Adrien learning to tell people what's wrong. Not because he's the only one in the wrong here, but because things cannot get better when Ladybug has no idea that she's hurting him. (Nino has no idea either, but let's keep our focus on Ladybug.)

One of the most important things you can do for your own mental well being is to dismiss the idea that your needs are the same as everyone else's. Everyone needs different amounts of attention and values different behavior based on things like their upbringing and life events.

I get the feeling that I'm wired pretty similar to Marinette. At least, it influences how I write her because I can go months without talking to my best friends and still call them my best friends, a trait we all share because two of use are artsy introverts and two of us are moms to young kids, which allows for very little free time. Meanwhile, my SO and his best friend spend hours on the phone almost every week. I swear that those two go into withdrawal if they don't talk at least once every seven days. If months went by without them talking? Something would be very wrong, but the exact same time gap isn't even remotely concerning when it comes to my friends. It's something my SO and I had to figure out when we got together because I need a lot less attention than he does. But we communicated and found a balance that we continue to work to communicate about so that he doesn't feel neglected and I don't feel overwhelmed by too little me time.

What I'm trying to say is Marinette wasn't horribly wrong for assuming that Chat Noir was telling her the truth or that he liked having a larger team so he had less responsibility. Those are reasonable assumptions. Especially since he never actually indicated that he wanted more responsibility until he was ready to quit and decided to shit test her by pushing for more to do when she was stressed and on a timer.

I do think that she should have offered it to him before that or - at the very least - the show should have clearly stated why she didn't do that since it apparently had nothing to do with Chat Blanc trauma like we all thought it did. I'm not saying that she's blameless or perfect or that there weren't things she could have done better. It's just really hard for me to look at Chat Noir's behavior in season four and go, "Oh yeah, he's the injured party here. Ladybug holds all the blame and did everything wrong." She did many things wrong, but generally speaking, she owned her faults and tried to keep communication channels open. Chat Noir chose to ignore those chances to talk or otherwise try to express his needs in a clear and understandable manner.

We'll end with one final point to drive this home: You said that she's his boss. Well, if my boss asked me, "is everything okay with the project?" and I said, "yes" while freaking out about the upcoming deadline that I'm probably going to miss because he's given me too much work, the issue is not all on my boss. It's on both of us. Him for overloading me and me for not telling him I'm overloaded. You could even argue that it's mostly on me because I'm the only one who can properly gauge my own ability to do a given workload. As soon as it was too much, I should have said something. And if I don't feel like my boss is approachable? Then I should quit. But that isn't the situation I'm in and it doesn't appear to be the one that Chat Noir was in, either. He wanted to stay part of the team, he just totally failed to tell Ladybug how being on the team was making him feel.

People magically knowing what you need and how you feel is a myth. I promise you, most people in this world do not want to cause you pain, but if you cannot clearly express when someone is causing you pain, then you will continue to get hurt by people who would be very happy to not hurt you if they actually knew that their actions were causing you pain.

[antispopausandstuff]

aside from Adora and Catra...

.

Glimmer - too much potential wasted. her relationship with her mother is never fully realized and developed, her friendship with Bow feels oddly surface-level and like it's relevant only because Glimbow is a thing, and i personally don't like how the whole conflict between her, Adora, and Shadow Weaver was written.

Bow - the black best friend, nothing more to him. every opportunity of development was wasted, and he just ends up being a supporter for everyone else ( mostly his lighter-skinned friends ) with no arc, no importance, and no actual happy conclusion beyond ending up with Glimmer, who he had no legitimate romantic chemistry with. his backstory and the arc he had were so interesting to me, but no one did anything with them. that, and he honestly wasn't as angry or on guard with everyone as he should've been, in my opinion.

Mermista - i would've thought she was just another black stereotype, but she's apparently Southeast Asian, so never mind that, i guess. predictable, doesn't seem to care for Salineas at all, her relationship with Sea Hawk is forced and creepy, the only time i've seen her invested ( as far as i recall ) in anything was when Salineas was destroyed, which she didn't care about after 5 minutes, and the stupid Mermysteries episode.

Sea Hawk - unfunny, nonsensical, and creepy. serves no purpose other than to be a romantic interest for Mermista and occasional supposed comedic relief.

Perfuma - eugh. toxic positivity, two-faced, and simply a hypocrite. none of these issues are realized or resolved, resulting in her spouting bullshit about friendship and its 'powers' while she continues treating people she doesn't like ( namely Entrapta ) like trash. completely oblivious or willingly ignorant and irresponsible with Plumeria.

Entrapta - very much wasted potential. severely infantilized by both the writers and cast, even in her design, only considered 'morally grey' because her 'low empathy' ( i tried to look up the scientific name, but all that came up were misinterpretations of autistic people, NPD, sociopaths, and psychopaths, so. ) isn't portrayed well and misrepresents, and it gives a bad taste in my mouth that her time in Beast Island is entirely about her 'not understanding friendship' and not at all about the fact she was betrayed and sent to die. i'm equally for villain or reformed Entrapta, either one is very nice to see from other creators.

Frosta - gonna be honest, though i prefer her character introduction over how she is in the rest of the show, she's kinda an ass for no reason. kinda felt like they were trying to make a 'Toph' like character without understanding Toph at all. there's no explanation for why she feels the Horde isn't a threat to her, especially considering that the two noticeably Horde members ( Catra and Scorpia ) invaded only because Frosta let them, then pinned the blame on Adora for 'causing a scene' at her party?

Spinerella & Netossa - we don't know much about them, and we know nothing about their Kingdoms. literally nothing. we know Net is a strategist and doesn't take shit from anybody ( even if that only came s5 ), but Spin doesn't seem to have... much going for her? i didn't like the "calm lighter person angry darker person" thing they did, that wasn't cute, and i didn't like the thought of Netossa using the fact that Spinerella was involved in a cult and chipped as a way to avoid doing chores in the future.

Scorpia - honestly, there's so much we don't know about her that it drives me nuts. i really wish that we had Catra actually earn something for once, and it would've been awesome ( and tragic, considering s3-s4 ) if it was Scorpia's love, trust, and respect. a lot of her lore is just said, not even really referenced or implied, and hardly ever shown, if at all. and i would've loved her to be called out for her enabling by someone other than Lonnie, since... well, that's kinda just hypocrisy, isn't it?

Angella - ohhh, how she hurts me ( /pos ). one of the better written characters, but still had wasted potential and should've been respected much more, even if it wasn't going to be by Glimmer. dying // being trapped between dimensions while believing that you had been a coward all this time when you actually weren't and not being able to reunite with your husband because he turns out not to be dead is fucking tragic, and, at the very least, her death deserved to be respected and remembered.

Micah - uhh, man, where do i begin with this one? kooky man trope in the beginning, that wasn't cute. don't even recall why he was on Beast Island to begin with. he only got to grieve his wife for a minute or two. the rest of his character either has to do with just being a dad ( when Glimmer isn't even there ) or being chipped, so yay. also, for a supposedly women empowering show, they changed Castaspella from being one of the best sorcerers on Etheria to Micah. and also made them related, with him being the older brother. hm.

Castaspella - speaking of. she's just the unbearable aunt until s5, and even then, she doesn't have much relevance to the plot. the show also made her dynamic with Shadow Weaver fucking weird for no reason. just make them similar ages, if that's the case, you cretins. there's not much input from her about Micah's supposed death, even though, according to the show, Angella doesn't talk to her, for some reason.

Shadow Weaver - RAAAAAH ( /pos )!!! i'mma say it, she was another one of the better written characters and i love her. that said, she does fall under the 'would you look at that, your racism is showing' still, for similar reasons to Hordak and Horde Prime. basically, the bad people... the colonizers... are black. yeah. okay. also, demonizing disfigurement ( ableism ) is not cute, go fuck yourself 🤍.

Hordak - wasted potential, 100%, and could've been an angsty badass bastard if it weren't for how weak the writers made his character. instead of a domineering, powerful lord, he's kinda just a sad blanket that's sometimes cruel and effective. also deals with the racism and ableism issue, wooo.

Horde Prime - ...he's boring, made to sound smarter than he actually is, and falls under the racism ( and potentially under the ableism? ) category, second verse same as the first.

Wrong Hordak - i don't appreciate how he was never taken seriously, in terms of his traumas and struggling to come to terms with it, meanwhile everyone was catering to Catra's. that, and i don't like his name. i prefer calling him 'Horro'.

Lonnie - angry black woman trope. again. is also a bully, never gets that resolved, and somehow ends up with her victim and her enabler?

Rogelio - ... i don't know what to say about him, to be honest, aside from him enabling Lonnie's bullying and not really having a reason for it, considering he's supposedly Kyle's friend. oh, and the fact the only mute character ( apparently he has a speech impediment??? but i don't recall him ever talking??? ) is a big lizard is also not cute.

Kyle - 'everyman' trope, but i love him, and he deserves better than the abuse he faces for literally just existing, and i love when people acknowledge him. i genuinely feel like he deserved either a way out or a villain arc, i don't care how unserious it sounds.

DT - 🤮!!! only non-binary character is a lizard, a creep, act smarter than they are, and simply a plot device for future Catra angst and setting up drama between other characters for no reason.

Flutterina // Peekablue - does it even matter? they're not even real, apparently. ...okay, fine. Flutterina is just a damsel in distress who's pretended ( by the writers ) to be bigger just because it's DT in disguise, and Peekablue could've saved me a lot of headaches if he was introduced to the series earlier. but then again, they never used his abilities when he was introduced, so never mind.

Huntara - repeat after me, everybody: 🎉WASTED POTENTIAL🎉 just like the Crimson Waste, Huntara's character isn't ever explored beyond one episode and, half of the time, it's not even taken that seriously. she could've been an interesting foil or parallel to Adora.

Mara - tragedy. pure tragedy. i think there were a lot of missing details, but i still really like her character and her story ( except for the finale, but i honestly don't consider that the real her? maybe i'm just nitpicking and favoring, though ), and i will always believe she deserved better.

Light Hope - this might get me some heat, but i think she deserved better, too. i would've loved if her character was taken to a 'chained by protocol' route ( COUGHtotally not because i did the same thingCOUGH- ), especially since there were moments we saw her warmth and friendliness, and her attempt to comfort Adora was always kinda nice for me. i get that most people don't like her, or only like her because of her interactions with Mara, but after knowing of how she ( he ) was in the original, i feel like she was wasted and used as an obstacle.

Madame Razz - uhhh... i mean, kooky old grandma trope. once again, lots of waste of potential, especially considering i'm pretty sure that, in the original show, she's the reason the Rebellion could even hide in the Whispering Woods in the first place? or at least part of the reason.

Swift Wind - i prefer elegance and wittiness over this, sorry not sorry.

Imp - i mean. he's. there. that's kinda it.

Melog - deserved sooooo much more than just being Catra's therapy cat. lore was never utilized, the entirely wrong person was comforting them ( Catra. you cannot tell me an overtly aggressive, hostile person would be able to actually help an alien creature that doesn't trust anyone. especially since Catra has no positive relationships. why is she suddenly calm in the face of someone she attacked? ), and they're just an excuse for a 'shipper friend'. that, and i really wish that Melog was able to have an amazing transformation after Adora heals them, like in the original. Melog could've been a great friend to Adora and co. and a powerful asset to the Rebellion. someone talked about the possible trans metaphors Melog could've had and i am FERAL.

essentially, the show's writing is basically:

you had potential. and you fucked it up.