#he served in this episode

[mnetn]

alex 🎼

comment aurais-je pu prédire que j'allais éditer un épisode de columbo un jour dans ma vie ???? j'adore cet épisode ohlalalalala

par contre il est vraiment ODIEUX genre redescend arsène lupin

non par contre il est trop charismatique c'est dément

[marinecanary]

SHUT UP!

[louferrignojrofficial]

BUCK IN 7x01 - ABANDON SHIPS

[eightspringdays]

Death Note 29: Father

"Your true name is Mihael Keehl."

[rainebownerd]

You guys he was being so plain because he knew!!!! He knew that if he went all out all the time like Aabriya, we wouldn't survive it

[sophsun1]

Sam Reid as Lestat de Lioncourt in 1.06 "Like Angels Put in Hell by God"

[secriden]

*cracks knuckles* Okay lets talk about the elephant in the room: Style going to the support group for those who've suffered loss and telling what appears to be a fake story about losing his pet dog.

I'm going to point out a few things that I think provide a framework for Style's actions here. Not because I think it excuses what he did, but because I think a nuanced read is what the character deserves.

Point 1: An irresistible opportunity

The subs put the "Support Group for Loss" on the image in the notebook, but I'm not sure there's anything to suggest that Style would've known that was what this image represents until he showed up and saw the sign on top of the door.

In episode 2, Bison says, "He plans everything down from years, months, weeks to days" and then tells Kant:

So Style is literally just going to addresses/locations at given days and times, potentially not knowing what to expect. And as much as Fadel is certainly attending this meeting as a response to having that heartbreaking flashback (😭), this is also something he attends regularly and has planned to attend way in advance. So Style has no reason to think Fadel is attending this meeting because of a recent resurfacing of his pain.

What we, the audience, and what the characters know are very different things.

Now, should Style have turned his cute ass right around once he realised what this meeting was? Of course he should. But that wouldn't have been true to Style's character. We've been told by his best friend that he is "crazy" and been shown repeatedly that he lives right up to that description.

Style is impulsive. He's all base instinct and he acts on his desires without thought or contemplation. And by this point he is desperate for a deeper connection with Fadel. He's fascinated, captivated by the mystery that is Fadel and this is an excellent opportunity to finally see behind the wall Fadel so carefully maintains.

When Style sees the sign above the door, Style looks at the notebook (which, again, shows nothing but people sitting in a circle with the words RISE UP) like he's just realising what it means. He then gets this amused, almost rueful look on his face (like he's thinking "am I really going to do this?") before it shifts to determination and he walks through the door.

(My soul for the ability to once again gif something because FUCK Dunk is doing SO MUCH in this show!!)

To Style, this is just too good of an opportunity to give up.

Because let's be real, Fadel is so clearly lying and hiding something:

Fadel is shady as FUCK. He is simultaneously actually a really good cook (Style finally tries his burger so he knows, now), and also has the skills to work at a strip host club, and also can take on 3 guys in a fight, and also can break a man's arm with his thighs. Can you honestly blame Style for losing his mind just a little bit about wanting to get his hands on something, anything, to figure this man out?

Style is being absolutely consistent in his persistence to understand Fadel. This isn't about the car or about finally 'winning' the fight (thank you @airenyah for giving such a detailed framework to understand what Style's been doing until this point) anymore. This is about Style wanting to know Fadel himself.

Point 2: The potential implications of the setting

Now, what might give us a bit of insight as to why Style is this way? I have a theory (albeit one that could prove to be very wrong, but hear me out). I think this whole entire show is set in what could potentially be quite a small town/suburb.

There's a few things that make this theory plausible:

(1) Fadel and Bison are in hiding after Bison blew their previous cover. They're probably on the run from some section of the authorities and so it makes sense to settle in a quiet/out of the way place.

(2) Style seems to be really familiar with the people in the area. Like he grew up there and its the kind of small town where everyone knows everyone and everyone is in everyone else's business.

(3) Style is clearly the darling of the market aunties and uncles.

Style just lost her a sale and potentially a loyal customer, and she's still rooting for him? In episode 2, when Style asks the uncle to let him borrow his cart, it takes nothing but his word for the uncle to give Style his entire cart of produce for his ridiculous scheme.

Style is so clearly someone they all know well and have great affection for, and a very plausible explanation for this is that they all watched him grow up and the entire market (town/village) is fond of him.

And honestly?? Yeah, we see the way Style is actually quite sweet in that careless, guileless, thoughtless way. He goes the extra mile to fix his mistake with Fadel by replacing his car parts for free in episode 1. He helps out by taking orders in episode 2 without being asked and takes it seriously. In episode 3, he tries to drive more business to Fadel's store (bless him, he so clearly does NOT understand how restaurants work, but he MEANS well!!), and can we all acknowledge that it works?? He understands how to appeal to potential customers in the area because he knows the people there. It's not (entirely) his fault that Fadel wasn't remotely prepared for an actual rush crowd and Bison was off getting kinky with Kant and not doing his (fake) job. He is so clear about not judging Fadel's host job and tries his hardest to help him (to absolutely NO effect, but still) when the 3 guys gang up on Fadel.

Style is so loved and more importantly so very loveable.

Point 3: What this could mean for Style's character

So, potentially, Style is someone who grew up in a small town, who has been well loved, potentially spoiled and coddled, but also very much kept within the confines of the narrow viewpoint that a quiet, country town places on you.

It's in the way his dad scolds him as if he was still a child when he's at least in his mid to late 20s. It's in the way Style was so mad at Fadel for scolding him ("thanks for the lecture, dad"), like that hit a sore point for Style. It's in the way no one in the market takes him seriously; they're fond, but he's still a kid in their eyes. It's in the way he has an abundance of free time like he doesn't REALLY need to work at his dad's shop. It's in the way he sees Fadel beat 3 guys up with ease, starts wondering if Fadel is an assassin or a hitman, and is completely unfazed like he doesn't quite have a handle on reality.

It's in the way his best friend is a man who has no qualms about lying to him and putting his life in danger, and how Style seems to have no other friends or people (aside from his dad) in his life.

@wuxian-vs-wangji made a comment to me about Style being desperate for a meaningful connection, and I think she hit the nail on the head. Because along comes Fadel, a mysterious stranger with a suspiciously versatile set of skills who is also very hot and keeps giving Style these wonderfully complex reactions? Who sometimes wants nothing to do with Style, but at other times seems to be at war within himself about desperately wanting him? Who treats Style with anything but apathy?

This is catnip to Style; he never had any hope of resisting this.

Breaking news: Style is a complex and imperfect character...

Here's the thing, though: he was never going to try. The show has been incredibly upfront about who Style is as a person. Regardless of whether I'm correct about why he is this way (ie. that he is very much the product of the environment that didn't know how to handle a kid with Style's personality), episode 3 shouldn't have surprised anyone about Style. He's been incredibly consistent and true to himself.

He wants Fadel and he's "crazy" enough to go all in, no holds barred about it, and the Support Group was the biggest doorway to finally discovering something REAL about Fadel.

And its not just about sex or to prove his superiority anymore. Because if it was just that, then Style would have reacted very differently to their first time.

In this scene, Style is pleased and evidently enjoying himself, but he isn't exuberant. He isn't overcome with joy. If anything, he was more happy and excited when Fadel let him help out in the diner (I mentioned this in the tags in this post too) than he was when Fadel is literally fucking him. He lets Fadel set the pace; barely moves to touch Fadel except to hold him close. Almost like he doesn't want to accidentally mess this up, like he's worried he'll take too much, so he'll take what Fadel gives him and no more (please appreciate @braceletofteeth's amazing tags on this post). For a character that has been so aggressively on the offensive, this is shocking until you realise that sleeping with Fadel - while it's a step in the right direction - isn't Style's end goal anymore.

And he makes that abundantly clear in this episode:

Does Style even fully realise the weight of this desire? I doubt it. But I do believe that Style is in earnest. He doesn't fully understand his own feelings, but he also doesn't really care to either. All he knows is that he wants Fadel, wants his attention and his passion and his focus and his heart.

...but Style is also kind of, sort of, perfect.

Because he's exactly, precisely, breathtakingly exactly what Fadel needs.

Because Fadel is hurt and broken and bleeding inside. Because Fadel is barely holding it all together for Bison's sake, but has already given up hope for any true happiness for himself. Because Fadel can't trust anyone or anything in his life, when he's been used and used and used by the family who should've loved and cared and protected him.

Because it's going to take nothing short of this kind of unwavering, unshakable, uncomplicated determination to give Fadel even a chance of healing and opening his heart to love again.

[shinythingsarecool]

They gave me this spoon at a restaurant and

I now refuse to believe Hezekiah wakely would use any other kind of spoon

[stagefoureddiediaz]

As so many of you are filling my inbox asking about salad and why I found the fact they had two types of salad for dinner in the Buck and Tommy dinner scene so funny, I'm guessing you're new to the 911 fandom - Welcome if so! I am going to give you a very brief rundown of salad and Buck and Eddies various relationships, but @clusterbuck is actually the keeper of salad theory and you can find far more detailed analysis over on her blog than you’re getting from me here!!

I can't find gif of the actual salad moments so have pictures!!

Chris smashed salad bowl that he is making a salad in with his dad in season 4 (in Breaking point) - when he finds out about Ana being the person Eddie is dating.

We have Ana turn up at the firehouse with Chris during the black out in 5x02 with 5 - yes 5 - types of salad When Eddie has his second on screen panic about Ana - when Ravi mistakes her for his wife.

Then in 5x03 just before they break up - Eddie, Chris, and Ana are at the dining table in the Diaz house and they are eating fruit salad

Then in 5x05 we have Taylor with her prepackaged fruit salad breakfast the she has 'made' for Buck when he gets home

she is making a bean salad in 5x09 during the most awkward I love you scene in the history of television!

Then we have a caprese salad in front of Natalia during the Dinner Buck cooked for her in 5x17 - when she finds out about various aspects of Bucks past and present - Taylor on the tv and Kameron turns up

Then in 7x07 - when Eddie is daydreaming of a do over with Shannon during his lunch with Marisol they are eating a salad

then we now have Buck and Tommy eating two different types of salad (a pasta salad and a salad salad) on their dinner date

so basically it's become a bit of a running joke that if salad is involved with Buck or Eddie and one of their dates (especially in their own homes) , the relationship is doomed!

[rockpaperscissuhs]

HISPANIC HERITAGE MONTH + BAND OF BROTHERS:

ANTONIO C. "TONY" GARCIA

Born October 15th, 1924, in Inez, Texas

Died August 18th, 2005 (age 80), in Burlingame, California

Tony Garcia was born in Texas but he grew up in Cheyenne, Wyoming. His parents were from Mexico and had immigrated separately into the States. Tony and his siblings grew up speaking English and Spanish. He decided to drop out of high school in order to enlist, and even borrowed a friend's prescription medicine to cover up a heart murmur for his Army physical. He was accepted for training in 1943, and he served a Technician 5th Grade with Easy Company from Holland all the way through the end of the war. After the war, Tony returned to Cheyenne where he finished high school, then he moved to San Francisco, working and attending college. Later, he met his wife, Nancy, and started a family. They were married nearly 60 years, and had four children together. When he wasn’t working at the department store warehouse which he managed for three decades, he enjoyed spending time with his family, traveling, dancing, and reading. He was described as a kind, generous, and gentle man, with a “playful sense of humor that belied his quiet demeanor.” The Band of Brothers series bible describes him as “very gung-ho and game” and a “family man and extremely compassionate.” He kept in touch with several of his friends from Easy, and he participated in many Easy Company reunions and events in the U.S. and in Europe. His family has said that he was very reluctant to talk about his combat experiences, but he did like to talk about the people he met, and the families who helped him. Appears in Episodes 3-5 and 7-10, portrayed by actor Douglas Spain

Sources below

SF Gate Obituary for Antonio Garcia

[shitpostingkats]

Wandering my hallways and pacing around my home thinking about Final Fantasy XV and its myriad examples of the core cast casually dehumanizing themselves for the sake of what they believe to be something greater. Ignis has perfectly fine vision but wears glasses to correct to 20/20. "When you can't focus, I focus for you." All of Episode Prompto. Ravus seeing his sister's death as a tragedy, not just because she's dead, but because she's dead and she doesn't even get to rest. The repeated imagery of getting closer and closer to Noct's destined goal is literally him trying to hold very still and not flinch as he lets a sword hit him. The goddamn ending. The game is not in conversation with this theme. These are things that are true to the characters and they cannot imagine a world where they are not. I'm climbing on the walls.

[hyakunana]

Interrupting all my chores for a very important event

[fromamelodytoasong]

EVE BEST as ELEANOR O'HARA in “Nurse Jackie” S1E7 | Steak Knife

[ruanbaijie]

XIA ZHIGUANG as SIKONG CHANGFENG DASHING YOUTH 少年白马醉春风 (2024) 1.34

[clowndensation]

it's like. louis attempted to tell this story to daniel the first time, broke down, and attacked him before he could finish it.

and then decades later he's convinced himself that it was leaving the story unresolved that's holding him back from living his life fully now. so he invites daniel back again. and louis is sitting poised and put together, confident in his ability to recite his history in a pretty, poignant, neat little narrative that will resolve all the guilt and yearning and emptiness inside of him. that if he can just tell a compelling, satisfying story, maybe it will actually be that, and not the life he lived through, with all the pitfalls of his own failures lurking inside.

and then season 1 ends with him once again being forced to confront that the story he wants to imagine and the life he actually lived aren't the same thing. the boundaries around his narrative are shredded and he's left exposed, and subsequently able to face his past for the first time since that original interview. and you think, you think, "well this is it. they've crossed the event horizon. there's no use hiding the truth anymore, not after it's come flooding out into the open like this"

and then season 2 opens. not only is it back to the original, practiced distance, we now have armand literally enforcing that distance. a man sitting at the table who's interjections must be disregarded, an intentional interruption to the flow of the story. he doesn't exist to aid or add detail, he exists to distract louis when he gets too deep in the story. the only time we do get louis allowing any deep truth to come out is when armand leaves the room.

it's like. louis wants a story that's true, and the truth is what he's convinced will leave him satisfied. armand wants a story that will satisfy louis, to the extent louis will accept it's true.

[theaceace]

Though Roderick and his followers didn't realise it at the time, the magic in the circle and the glass orb meant that the only people who could see Dream were the ones that were there when he was summoned, so as far as the guards are concerned they're guarding an empty glass sphere that a delusional old man thinks holds something. And then of course, Hob gets hired as a guard and it's dealer's choice if Dream has realised by then that no one but Burgess and his Order can see him.

But then because Hob is sort of aware that magic and esoteric things do exist, he sees Burgess (sr or jr) talking to the globe and is like, huh. Maybe there is something in there. But maybe it's a demon like the rumours say and I shouldn't let it out. But Hob starts talking to Dream anyway while the other guard takes longer and longer smoke breaks.

Whichever Burgess is around at the time realises that there must be something about this guard, because the next time he comes down to yell/bargain/threaten, Dream has moved. He's hidden his face, there are handprints against the glass, and the dreamlord's shoulders are shaking.

It doesn't take him long to figure out the pattern - that this only happens around Robert, for whatever reason, and the man himself has no notion of what's in the circle - and eventually he sends the guards out so that he can tell Dream exactly what he'll do to this Robert if Dream doesn't comply. That he may not understand what it is about this one man that compels one of the Endless so, when he has been so unaffected by everything else but the death of his familiar, but that doesn't matter. He will find out, and he will leverage it, however he needs to.

He turns and leaves, and basically I want Hob to wander back in none the wiser and settle into his chair and his usual routine of talking all moony eyed about his stranger, while Dream is roaring his fear and fury and beating his fists bloody against the glass