#nicholas colasanto
Explore tagged Tumblr posts
Text
#cheers#diane chambers#shelly long#filmtvcentral#filmandtv#80source#userstream#smallscreensource#cheersedit#sitcomedit#cheers tv#rhea perlman#carla tortelli#coach#ernie pantusso#coach pantusso#nicholas colasanto
24 notes
·
View notes
Text
Raging Bull (1980) Martin Scorsese
August 23rd 2024
#raging bull#1980#martin scorsese#robert de niro#cathy moriarty#joe pesci#frank vincent#nicholas colasanto#johnny barnes#the life of jake la motta#the prizefighter#the raging bull
9 notes
·
View notes
Text
#80s tv#cheers#ted danson#shelly long#rhea perlman#george wendt#norm peterson#carla tortelli#diane chambers#sam malone#coach#Nicholas colasanto#Ernie pantusso
32 notes
·
View notes
Text
Columbo: Season 3 (1973-74)
This is a pretty solid season that continues the series' overall consistency. The stories move at a good pace and play with the typical murder mystery format of the series in clever ways. The series keeps many of its core elements but they are often presented in refined and exciting new directions. Columbo is given some added character depths here, which allows for some of Peter Falk's best bits in the series thus far, and the guest characters are given some nice variety. The guest actors continue to shine here with some iconic figures used in unexpected ways. The direction plays with the series' style while letting each episode stand out in their set pieces. The visuals make great use of the settings while having distinct moments for each episode. This is a fun season that matches the previous seasons and in some episodes surpasses them.
Episodes Ranked:
8.Candidate for Crime
7.Mind Over Mayhem
6.Publish or Perish
5.Double Exposure
4.A Friend in Deed
3.Swan Song
2.Lovely But Lethal
1.Any Old Port in a Storm
#columbo#tv movies#series#1973#1974#jeannot szwarc#leo penn#boris sagal#richard quine#robert butler#alf kjellin#nicholas colasanto#ben gazzara#first time watch
5 notes
·
View notes
Text
alex 🎼
comment aurais-je pu prédire que j'allais éditer un épisode de columbo un jour dans ma vie ???? j'adore cet épisode ohlalalalala
par contre il est vraiment ODIEUX genre redescend arsène lupin
non par contre il est trop charismatique c'est dément
#columbo : etude in black#nicholas colasanto#1972#john cassavetes#ses regards noirs c'est trooooop#he served in this episode#i like this small guy energy
10 notes
·
View notes
Text
Og under the cut
Plus profile icons
#cheers#autistic cheers#sam malone#carla tortelli#diane chambers#coach cheers#ernie pantusso#nicholas colasanto#ted danson#reah pearlmen#shelly long
10 notes
·
View notes
Text
Columbo: Swan Song (1974) Nicholas Colasanto.
6 notes
·
View notes
Text
Nicholas Colasanto as Ernie 'Coach' Pantusso
📷 Herb Ball/NBCU Photo Bank/NBCUniversal via Getty Images)
2 notes
·
View notes
Text
Up next on my 80's Fest Movie 🎬 🎞 🎥 🎦 📽 marathon...Cheers: The Tortelli Tort (1982) on Hulu #tv #television #comedy #sitcom #cheers #thetortellitort #teddanson #shelleylong #nicholascolasanto #rheaperlman #georgewendt #johnratzenberger #hulu #80s #80sfest #durandurantulsas6thannual80sfest
#tv#television#comedy#sitcom#cheers#the tortelli tort#ted danson#shelley long#rhea perlman#nicholas colasanto#john ratzenberger#George Wendt#hulu#80s#80s fest#duran duran tulsa's 6th annual 80s fest#Spotify
0 notes
Photo
Cheers, "Fairy Tales Can Come True" (season 3 episode 4, originally aired October 25, 1984)
#Frasier Crane#Kelsey Grammer#Edgar Allan Poe#Nicholas Colasanto#Coach Pantusso#the Mad Hatter#costumes#Halloween#Ted Danson#sitcom#1980s#comedy#vintage#80s tv
635 notes
·
View notes
Text
Cheers 2x19 ❝ Coach Buries A Grudge ❞
#cheers#diane chambers#shelly long#filmtvcentral#filmandtv#80source#userstream#smallscreensource#cheersedit#sitcomedit#cheers tv#ernie pantusso#coach pantusso#this was such a beautiful scene#so i just had to gif it#rip nicholas colasanto
13 notes
·
View notes
Text
Columbo: Season 2 (1972-73)
This is a very good season that keeps up the quality from its predecessor. The stories are consistently engaging and allow for some new perspectives on the Columbo character. After establishing the formula in season 1, this season gets to experiment with the stories and settings in ways that keep things exciting while retaining the series' core elements. The guest cast remains excellent, with a nice mix of classic Hollywood veterans and rising talent, while Falk's easy charisma is always a treat. The visuals keep the style of the first season and allows the murder plots and the humor to be more distinct from other mystery shows. This is a great season that works as a nice expansion of the series so far.
Episodes Ranked:
8.The Greenhouse Jungle
7.Dagger of the Mind
6.The Most Crucial Game
5.The Most Dangerous Match
4.Requiem for a Fallen Star
3.Double Shock
2.A Stitch in Crime
1.Étude in Black
#columbo#tv movies#series#1972#1973#nicholas colasanto#john cassavetes#peter falk#boris sagal#jeremy kagan#richard quine#hy averback#edward m. abroms#robert butler#first time watch
3 notes
·
View notes
Photo
Carla: That doesn't make any sense. Coach: You shoulda heard it before I said it.
42 notes
·
View notes
Text
I know that. You told me.
Étude in Black (Columbo Ep. 2.1, dir. Nicholas Colasanto)
#he is so dead behind those eyes lmao. gay sex would free him. gay sex would free both of them ngl.#jenny: alex i want something better than this. so do you.#ajb who has been constantly experiencing the low level humming of want for something he has no words to articulate: 😶#Columbo#John Cassavetes#Anjanette Comer#etude in black#alex benedict#*mine
54 notes
·
View notes
Text
Columbo: Étude in Black (1972) Nicholas Colasanto.
0 notes
Text
Robert De Niro in Raging Bull (Martin Scorsese, 1980)
Cast: Robert De Niro, Cathy Moriarty, Joe Pesci, Frank Vincent, Nicholas Colasanto, Theresa Saldano, Mario Gallo, Frank Adonis. Screenplay: Paul Schrader, Mardik Martin, based on a book by Jake LaMotta, Joseph Carter and Peter Savage. Cinematography: Michael Chapman. Film editing: Thelma Schoonmaker.
Lots of people think Raging Bull is a great film. The American Film Institute in 2007 ranked it No. 4 in its list of 100 best American movies, behind Citizen Kane (Orson Welles, 1941), The Godfather (Francis Ford Coppola, 1972), and Casablanca (Michael Curtiz, 1942). The 2022 Sight and Sound directors' poll of the greatest films of all time placed it at No. 22, in a tie with Mulholland Dr. (David Lynch, 2001), Pather Panchali (Satyajit Ray, 1955), and The Battle of Algiers (Gillo Pontecorvo, 1966). It is certainly an accomplished film: Michael Chapman's cinematography uses black and white in ways that hadn't been seen since color came to dominate filmmaking in the 1950s; Scorsese and his editor, Thelma Schoonmaker, accomplish wonders, especially with the fight sequences and the occasional eruptions of violence; the set decoration by Phil Abramson, Frederic C. Weiler, and Carl Biddiscombe evokes the shabby milieu and its changes over the decades convincingly; and the performances of then-unknowns Joe Pesci and Cathy Moriarty made them into overnight sensations. And then there's probably Robert De Niro's greatest performance, which won him a best actor Oscar. The film critic Mick LaSalle likes to categorize Oscar acting nominations as either "transformations" or "apotheoses." In the former, actors create new images for themselves, while in the latter, they simply take their existing images and raise them to newly vivid heights. But in Raging Bull De Niro does both: He transforms himself into both the self-destructive young boxer Jake LaMotta and the bloated older LaMotta, living on his long-ago laurels, but he also brings something new and more intense to the existing image of De Niro as a fiercely inward actor. For these reasons, I think, the film makes many lists of the greatest films of all time. So why does it leave me cold? Why, among the Scorsese and De Niro collaborations, do I prefer Mean Streets (1973), Taxi Driver (1976), and Goodfellas (1990)? Is it that Mean Streets is more varied and colorful, Taxi Driver more probing in its exploration of psychosis, and Goodfellas smarter and wittier? Could it be that Raging Bull lacks texture, depth, and humor? Is it that Jake LaMotta is one of the most unsympathetic figures to receive a biopic treatment, or that Scorsese was never able to find a multi-sided personality in the screenplays credited to Paul Schrader and Mardik Martin that were worked over by both Scorsese and De Niro? In another American Film Institute ranking, Raging Bull was proclaimed the best sports movie of all time. But Scorsese has said that he doesn't care for sports in general and boxing in particular, and I think it shows. His movie is about the brutality of boxing, not about the sport that involves both offense and defense, and requires not only a well-honed skill but also intelligence -- or if not that, at least a greatly developed cunning. There is nothing of that in his portrayal of LaMotta. The movie's reputation, therefore, remains something of an enigma to me.
4 notes
·
View notes