#he is such a complex and complicated character

[the-artist-grimm]

Im sorry if you already answered something similar but does the twins ever reunite with Forneus in your au? If so how does it exactly work out, does Narinder, Anthea, and Forneus share custody?

Crimson Angel AU - The Situation between Forneus and the Twins

(Anon, @gerroacarnival  and @xquaserh Putting all these asks in 1 cause oh boy this is a COMPLICATED question to answer oof. I wanna preface this that while I love Forneus just going by the characters personalities/themes of this AU the reunion is not as fairy-tale happy as it is in game)

Anyway-the boys do reunite with her technically, but not in the way Forneus dreamt. Reunions are good in theory, the long lost children reunite with their ‘real’ family, hug their mother, go ‘home’ with her, start life anew, but life isn’t so simple, now is it? It’s never that easy, not when one side clings to the memory of three day old infants and a reunion she'd dreamt of for so long it just became her expectation, and the other side has no memory and complex feelings on the whole matter with this slight feeling that perhaps while their mother loves the idea of them, she doesn't actually love them.

It's messy, complicated, and no matter what, will NEVER be the reunion Forneus wanted. The second they left her embrace, she lost the chance to be the mother she'd wanted to be for them, yet never realize till too late what else died with them.

(Putting this under the cut cause it's longgggg. The Twins and Forneus's story has so little in-game text that it's become this favorite thing of mine to interpret/expand)

The Two Parents

Forneus did and didn’t have a choice to give the boys up. When Shamura appeared, the newborn, extremely premature kits were already doomed to die, so the choice to either let them pass naturally or to allow War to take them as gifts with a potential of reunion was an either damned if she did or damned if she didn’t, situation. And in her grief and desperation, she chose the option that gave the potential for hope. She gave the twins to Shamura, accepted the golden skull, and waited. Waited for her babies to come home, waited as a mother who never really ever had a chance to be a mother-one who works off feelings but no experience. 

Meanwhile when it came to Aym and Baal, Narinder never told them who their parent(s) were. How could he, when he himself had no certainty as to who they were? Though his 7th Vessel, Forneus, had left service specifically because of pregnancy, he had no means of tracking how much time had passed since when they first arrived (it could've been a century since for all he knew), nor any means to confirm without doubt that the black, newborn kittens were hers even once his next vessel gave him the date-he couldn't ask them to investigate something so personal and unrelated to their cause.

Their box held only their bodies, a spider-silk cloth which was their burial shroud, and a note penned in Shamura’s hand. ‘A Gift’ that’s all the note said. No names, no clues, no nothing. While Narinder had suspicions, he could not in good conscious tell the boys of a potential mother out of risk of being wrong-of getting their hopes up for a heroic parent only to be proved that it wasn’t her, or worse, told heroic tales just to learn they were abandoned all along. Vessel 7 was heroic yes, had a sense of justice yes, but during her service her luck had made her grow arrogant, had transformed flirting into a game of hearts and people into a way to get the upper hand-for all he knew, if they were hers, they could've all along been her means of trying to easily get out of vesselship. He just didn't know.

And thus Narinder raised them from there. He tried to use the title of ‘Master’ as a barrier in hopes that, if they did have a family awaiting them, he wouldn't take their place, (it was also out of guilt for being the reason they were trapped) but he also couldn't bring himself to fully shut them out either. The moment their dead bodies healed in the gate and they started to mewl for attention his unbeating heart bled for them, and he just couldn't deny them love because he knew how much it hurt to be without.

The Twins

As centuries passed Aym and Baal were content with Narinder as their 'Master'. He who told them stories of his time above, who taught them how to fight, who fashioned them clothes from whatever scraps of cloth he would get vessels to send-he was all they had and knew. When they felt the time to sleep it was in his paws they curled up, when they got hurt training or got bored it was from he they received comfort and attention. It was his magic which allowed them to age against the Gateway's stasis, it was he who saw their eyes open, watched as they learned to speak and walk.

But that’s not to say neither did think of whoever was left behind from time to time. Baal tried to keep hope that he and his brother were taken-stolen by the Bishops, with whatever parents they’d had having desperately tried to keep War away. Aym, meanwhile, only felt anger, bitterness and resentment, for who lets two three day old kits be taken and sacrificed? Narinder himself simply tried to keep neutral on the subject, not wanting to feed into either side in hopes that'd avoid a heartbreak or the smooth transition to their 'real' kin.

The Lamb

When the Lamb appears and starts to befriend them, it's then the boys suddenly find themselves feeling the same sense of security and comfort Narinder gives them towards Anthea. As the lamb brings them toys and books catered to their interests, teaches them to read, uses the crown to show them the world above and encourage their boundless curiosities. As nights suddenly see the lamb visit in their nightgown book and quilt in hand, letting the twins snuggle into their sides as the three are cradled against Narinder's chest while reading a book, and the boys fall asleep to a heartbeat for the first time. Narinder had always been stability and security, Anthea became tenderness and warmth.

Anthea teaches them what a 'Father' is as well, and the boys realize that's what their master actually is-he's their dad and tentatively start testing calling him as such, and while it's not until just before Silk Cradle they realize it (yet don't call them Baba yet) Anthea's long on their way to feeling like a parent too.

Which then begs the question…what of the parent(s) left behind?

First Contact

Baal still wants to meet them, he's always been curious and just wants to know who they are, while Aym is still angry and wants nothing to do with them. They got a parent in their master, and Anthea's their friend and practically a parent too, so why bother with the ones who abandoned them? Narinder overhears the boys debate over it more and more, and as Anchordeep’s door opens, Narinder hesitantly asks the Lamb for a favor.

He’d heard rumors of a shopkeep she-cat who wore a golden skull, and Anthea had been the first to confirm that cat's name was Forneus. He’d never asked a vessel to do such a thing before, mainly out of not feeling close enough to ever ask such a personal, unrelated to the Bishops, task, but he wants to give the boys closure, and Anthea would happily do anything to help the kits. And thus they're sent out, and in a bit of a side quest work their way to getting Forneus to sit down and just...talk.

She explains her side of what happened, how the boys were born too soon, how she had really no choice, breaks down, and as the cats had been listening in and Aym who's now uncertain feels bad, and he requests Narinder for permission to speak.

“Save your tears for when we meet” is what he says, and that’s all that’s said through the crown.

For Aym it’s an olive branch-he’s sorta gotten an answer as to why he and his brother were sacrificed, though he's not entirely sure how to feel since well...she still gave them up, but she looks sorry so... Baal's eager and happy to hear that they were cared about but is a little disappointed at realizing that she didn't really hesitate despite the situation, but regardless, both are willing to give her a chance. They want to get to know her, and then they'll decide how they feel after that.

They, do not, see her as a proper 'Mother'. Just someone who shares their blood who they want to meet. To then Narinder's still Dad-he's still the one who makes them feel secure.

Meanwhile for Forneus it’s proof that she’ll get what was promised. Her boys are not only alive, but they’re children-they’re still children, so she'll now get what she wanted and more. They'll reunite and she'll then take her children home to travel by her side-she’ll get to raise her dear little babies just as she’d planned, and while it took so long it's going to be perfect.

She's dreamt of the boys seeing and running into her oncoming embrace crying. That they'll love her instantly and had already because she's their mother so of course that's how they'll feel. How could they not? Children ALWAYS love their parents.

The Lamb promises to help her meet them once they’re free, and every visit after, Forneus tries to get the boys to talk again-offers gifts for the lamb to bring to the Gateway, rambles on about all the things they'll do together while the Lamb browses her shop. And...well they're things, at least. Most of the toys she offers are either baby toys or things that just don't interest the boys, and some of her plans are...plans. They're elaborate-taking them to X mountain, to X landmark, traveling here and there and everywhere. Big and grand and...and never mentioning their Dad or Anthea being there.

Baal thinks it's sweet how excited she is while Aym is getting more and more unsure-but even Baal eventually admits that she's a little...loud. Forneus is loud-she's energetic and eager and while he and Aym can be too, seeing it from a stranger about them is...weird. She keeps calling herself their Mama , and calling them Zamir and Delshad despite being told otherwise because apparently those were their names (a fact not even Shamura had been given. Narinder had to name the boys himself). She keeps talking about those three days they were with her, and it kinda feels like she loves the babies she gave up and not them.

Anthea tries to tell her about them, but she usually doesn't realzie since she's busy talking to her babies and not them, it's as if the lamb isn't even there. The boys can't even try to think of trying to talk-she never leaves an opening for them to try. Eventually the boys ask Narinder to mute the crown during the Lamb's shop visits the more uncomfortable it gets.

It's like going to a family reunion and being brought to your great Aunt who last saw you as an infant at your christening. She insists on kissing your face and hugging you tight and going oh how big you've grown sweetiepie and this and that and...and you put up with it because she's family but...well she's a stranger despite the shared blood. She doesn't actually know the you of now-and you don't know her.

Reunion

When the final Bishop falls is when Forneus suddenly finds herself left in the dark. For 6 months she sees hide nor hair of the Lamb, and gradually gets worried because where are her sons? The Bishops are dead, why hasn't she been given back her babies?

(The Lamb had been avoiding her cart during crusades out of both grief and guilt-Aym's dying word of calling them 'Baba'...it broke something in them, made them realize just how much the boys had meant. They had a shattered heart and endless guilt, and having to face Forneus and explain she'd never meet her sons? It'd been too much as a grieving parent themself)

The twins were revived after 4 months but Anthea only finally approached Forneus after 6, and she was too relived to finally hear she could meet them to bother asking what'd happened. Anthea invited her to come to the cult that weekend, and Forneus happily accepted, not even noticing the tiredness in the Lamb's eyes nor the uncertainty in their tone. Even on the day she arrived at the cult, she didn't mind the lamb, not even as Anthea gave her a final warning.  

"There was trouble setting them free…they’re wary, skittish, they’ve been through a lot... I know you’re excited but please be gentle when you speak to them, be calm and keep your distance please they’re so easy to startle."  

Meanwhile the boys waited at the temple with Narinder, who, for the hundredth time, asked if they were certain they were ready for this. Though it'd been 2 months, the toll of dying so traumatically via turning to ash, of being trapped in the gateway, the trauma of resurrection, the fear of being alone without their parents because that's what he and Anthea were to them, Narinder had wanted them to wait as did Anthea. The boys could hardly sleep without at least one of them there with them in bed, were just starting to be ok interacting with other people, could only handle the touch of a select few and even then sometimes would just break down into panic attacks out of seemingly nowhere. They weren't ok, but the boys had insisted. This woman who claimed to love them had been kept in the dark for so long, they felt bad and wanted to try.

They felt guilty for not being ok. Even as Narinder and Anthea repeatedly and gently reminded them that it was alright-that their feelings were valid, that they could take all the time they needed and they'd be right there to support them, the boys had insisted and they just couldn't deny them their choice.

But once Forneus arrived no one got the chance to even properly introduce the boys to her-she just saw them, ran towards them for the reunion she dreamt up, swept them into her arms, and next thing she knew she had two yowling, struggling kits trying to break from her hold. In her excitement and in not listening to Anthea's warnings she'd done the worst thing anyone could've done-she was louder, bigger, stronger, scarier than them, and as the kids managed to shock her into dropping them suddenly Baal was hyperventilating, and Aym was working himself into a panic attack. And Narinder and Anthea, having two months practice in calming them like this, and having long been the twin's safe people, immediately fell into place. Narinder got Baal, Anthea got Aym, and Forneus could only watch.

Could only watch as Baal started gasping for Dad as Narinder tried to get him to breathe, as Aym started sobbing for Baba and practically tried to bury himself in their embrace, as her babies looked at her in fear and clung to someone else.

And then all she can feel is anger. She'd waited 300 years-those boys were hers. Why are they clinging to someone else?

From there it just becomes a mess, she gets into a very loud, very heated argument with Narinder especially for 'stealing' her sons which just scares the boys more, and in a very poor move tries to just grab one of them which prompts Anthea to use a show of godly power and threaten her to get out of the Cult which she does since a crowd has also formed (the Cult was ALL aware of the twin's poor mental state, and they'd all grown very protective of the community's first children despite having to keep their distance because by gods those kids deserved more than what fate had given them).

Forneus leaves angry, and Narinder and Anthea now got two kits who had been tentatively healing temporarily back at square one, and who are now gonna start having nightmares of a stranger taking them away on top of preexisting ones.

I wanna note that Forneus isn't a bad person. She isn't, but she's also not used to things not going her way. As a vessel she was 'Lady Luck', she who rarely died, who always had the upper hand, who would pop curse shots at the Goddess of Famine for fun and be the heartbreaker of her own cult able to flirt and tease and talk her way to whatever she wished. She's kind and cheerful and charismatic sure and she genuinely does want to help people and do the right thing, but there's still this...ignorance, arrogance-that she doesn't even realize is there.

Like how above in Starfall Part 1 she VERY casually mentions how she 'knows what it's like missing her own twins' and 'how 'hard' it must be for Anthea to have nothing of their family to remember them by', but the thing is...she doesn't know. She's so hooked on this idea that she WILL get her boys back that she completely has just ignored the grief that comes with loss entirely this whole time. The way she misses her sons is NOTHING like how Anthea misses their brothers-she misses them like a relative you haven't seen in awhile but will see soon. Anthea misses their brothers because they're DEAD and they know that they will NEVER see the two again, especially now. Like Forneus has not considered how she's lost a LOT of moments with her children. They're still kids yeah but they're not returning to her as blank slates-though physically and mentally 11 they've been with Narinder for over 300 years, that's a lot of time to be without her. She loves them, but kinda more-so the sons she thought she'd get back.

Thus when you've been envisioning this 'perfect' reunion the entire time only for it to not go your way...it's a hard pill to swallow. She gets disappointed/angry understandably-anyone would, but instead of stepping back and realizing she can't fault the boy's feelings she takes it out of the ones who 'took' her place instead, which then turns her into this loud scary bad-guy to the boys.

And Aym and Baal aren't to blame in this situation, like they're kids, and like with my 'great aunt who last saw you as a baby' analogy, it's not their fault they don't immediately love her. She's a stranger-one whom, the more she tried to force interactions via the crown during their imprisonment, seemed to have little interest in them personally and more in whatever children she assumed she'd be getting back. And after that disaster of a first meeting? They don't want anything to do with her she scared them that much.

As for Narinder and Anthea they both feel awful because they understand why Forneus is angry, she only gave them up because she was promised a chance for reunion (though she ignored the CHANCE part of that), but in the same breath Aym and Baal are their sons and they'll take their side first over anyone else's. And the thing is there's nothing that could've been done on their part to prevent this really either.

Anthea telling Forneus the twins had died? Anger, grief, then upon their revival a fierce insistence for the boys to NEVER go near the Lamb or Narinder again, which the twins would've been just as terrified and against.

Narinder not showing care to the kits for those 300 years? They would've gotten attached to him anyway since he was literally all they had, though they might've turned out worse emotionally because of neglect

Telling the boys to wait longer to meet Forneus? She likely would've just shown up on her own within another month anyway since by that point Anthea had just freed Heket from Purgatory and word was starting to get around about the new God of Death so this would've happened but worse.

The only way Forneus could've had the reunion she'd wanted would have been if Narinder never forced the twins to start aging against the stasis. But then there would be two 300+ year old infants, which is a whole other can of worms.

Notes/Explaination

Again I love Forneus in-game she's so adorable and my one of my favorite NPCs to visit, but I also like making imperfect characters, especially parents and their relationships with their children. And while I love the idea of her being this wonderful, sweet, amazing mother, I also like the idea of her being really flawed about it to.

Crimson Angel is about learning to communicate with your loved ones, and in this case, it needs to be her looking at things from the twins view and realizing that if they don't want her in their lives, she has to accept that. She needs to realize that she's not entitled to their love just because she gave birth to them. She also has to let go of the sons she gave up that day-those three day old infants who were perfect little blank slates, and get to know the boys they became without her. She has to realize someone else took her place in their hearts, and realize that if she wants to join them, she HAS to let the boys come to her, and that she has to work on THEIR terms.

She cannot try and force a love if she wants a chance for it at all, and must swallow her pride and listen to others who know the boys better-Anthea and Narinder, alongside the boys themselves.

She'll get a relationship with the boys eventually, but it's not going to be the one she hoped for. She's gotta work on herself first and realize her flaws, maybe get some practice with handling children via unintentionally adopting a certain fan-favorite grave spider kid after finding him all alone, and just...wait. Narinder and Anthea are the twin's primary parents, and while Forneus does eventually get to a place where they're comfortable with her, it's never going to be on the same level, and they all just gotta contend with that.

Boarders are by @/lambouillet

[invinciblerodent]

While I'm on the topic of being hopelessly in my feelings about these characters, I just finished the last part of the Gloom Howler quest, and I'm thinking about Davrin and names at the moment.

I really, really love how, once we learn the truth about her, Davrin seems to make a point of always referring to Isseya by her name (mostly on its own, but sometimes in conjunction with calling her "The Gloom Howler" when necessary), and even correcting others who would refer to her only by the latter name. (Which, honestly, both Solas and the Inquisitor could also talk at length about a title that all but replaces your name- it definitely feels significant that Davrin would pointedly reject the thought of doing that to someone, but I digress.)

And that reminded me of how I previously made an idle, kind of shitposty little post about how nice I found that during his recruitment mission, Davrin calls out the specific names of each griffon if you interact with their cages, and he attempts to comfort them like that- by reminding them who they are, that he's there, and promising that he'll be back for them.

In retrospect, I think that's so interesting, how his core story seems to boil in part down to... well, in part to the burden of duty, the questioning of tradition and authority (he questions both Dalish- and Warden traditions from very early on, one by joining the Wardens and the other by joining Rook) and, yes, living past what one thought to be their purpose, but also... to these moments, that invite some contrasting of his elven-, and his Grey Warden identities.

Isseya being an elven Warden is a very direct parallel, and a very clear image- it, I think, is meant to show what happens when authority goes unquestioned, and one side (the Warden) triumphs over the other (the person). His uncle then acts as a counterpoint and a thread of connection to the past- he shows what happens when tradition goes unquestioned, and while peaceful, how that existence is not one Davrin wishes for himself.

This all comes to a head in the final choice concerning the griffons... which, I can't say what a "correct" choice is, but I find it really cool how one option embraces a more rigid tradition and acts as a vow for reforms within them, honoring them, while the other embraces a different tradition, one born of fluidity, choice, and change- a more personal freedom.

Purpose and nature, respect for the past and hope for the future, all strain against each other sometimes (in multiple companions' stories, I feel), and it's often a name that represents the complicated harmony between two halves.

Be that Assan, noble descendant of a hero Warden's griffon wearing an Elvish name, Isseya, the monster and mage brought to peace, the idea of "turlum", harmony and understanding forged between vastly different minds, or just... Davrin, the Dalish Grey Warden, who is not more one than the other.

Maybe that's why calling people (and animals, and feelings) by their proper names seems so casually important to him. Because if you give something complex, messy, and muddled up a name, it's easier to just live it.

(.......... and yeah, that makes it a bit ironic how so far he's been calling Rook, "Rook", but, yknow, technological limitations. I've a feeling I've at least one important scene to go still, but honestly, the name "Rook" does also kind of represent a similarly complex matrix of ideas condensed into a person. It could be that "Rook" feels more accurate than any "friend", or "love", or "boss", or even "vhenan", for what they are to him, or it could be that he's still looking for the right name, but either way, I'm looking forward to seeing how it all ends.)

[sepublic]

I think there’s a lot of implications to Evelyn that people ignore in favor of making her into their white everyman’s Manic Pixie Dream Girl instead of like, an actual character with motives who came to the human world for a reason.

There’s the very obvious implication that she made the archway in Gravesfield??? The one that uses Titan’s Blood to open a temporary portal each time? And there’s another archway located by her house; I dunno if Evelyn made it herself, or if she had parents who were just never shown because they’re not too important to the story.

Evelyn obviously would’ve been a child when she visited Gravesfield as well, because there’s no way the writers would have her romance with Caleb begin if only one of them was a minor. So that points to her being a kid prodigy, which is something you can see in her descendants Eda and Lilith (Yes, Lilith as well; She’s very skilled herself and even figured out Glyph combos, it’s just that she’s being compared to Eda constantly and let her inferiority complex downplay herself).

But how did Evelyn even get to the human realm in the first place if the other archway hadn’t been built? Did she just magically connect hers to a pre-existing human archway?

We know Eclipse Lake exists, it’s how Philip entered the Boiling Isles, and others in the Demon Realm knew of it. Plenty of witches speculated on how a permanent portal to and from the human realm worked; So interdimensional travel was already a field that wild witches in the Deadwardian Era were interested in.

Portals in this show are two-way, so Evelyn must’ve entered Eclipse Lake, emerged somewhere in what would be known in the present as the Connecticut area, and then wandered until she came across some humans… And alas, she came across some of the worst humans to ever exist, RIP.

She made Flapjack, and Palismen you create don’t awaken until you state your wish. If Flapjack resonated with Hunter for sharing Caleb’s wish, then he must’ve resonated with Caleb for sharing Evelyn’s wish; To decide her own future. Flapjack himself is introduced trying to leave and go places, despite people telling him to stay put.

Caleb is someone for whom that wish came in leaving his ‘home’ in Gravesfield, he’d already moved there from someplace else prior! When Evelyn is established to be someone skilled in interdimensional travel, is there not an obvious connection to be made between this and her shared dynamic in Caleb, and the Palisman who resonated with both?

Did Evelyn live with her parents? Was she by herself as a kid? When a teenage Eda runs to the human realm to escape her complicated relationship with her parents, is it the same as her ancestor? The Boiling Isles was never perfect (but the coven system was an objective downgrade), and Dana even mentioned it herself at one point. Its people are just as humans as humans, and so just as capable of being messy and flawed and even cruel. The Coven Heads were willing to fuse their realm with ours under the expectation they'd be treated like royalty for it.

Like Gus, did Evelyn find human detritus and become interested this way? Like Luz, did Evelyn hope she could escape her problems in one world by finding another? I wonder what magic Evelyn liked? Probably stuff to do with portals (Eda uses them in the first episode), teleportation, warping space, etc.

With all this in mind, with Evelyn already being established as someone who can create portal devices, Philip’s tendency to plagiarize and take credit, his inability to make a second portal without using the first one as a base, and the portal itself being found right by Evelyn’s home and archway…

What if Evelyn made the portal, with Caleb’s help. It does change the context of these notes in Philip’s journal, if they’re transcribed from those of Evelyn, a wild witch who revered the Titan and her way of life.

Evelyn went through Eclipse Lake, traveled until she found Gravesfield; Evelyn posed as a human and trusted Caleb after seeing how he and Flapjack got along. Evelyn built a working archway and when Gravesfield suspected a witch in their presence —possibly due to her experiments— they went on a hunt for her.

Evelyn revealed her identity to Caleb and Philip, and brought the former to her world, possibly as a test run or to celebrate its completion, before bringing him back to Gravesfield. Evelyn and Caleb would meet in secret for their own safety, communicating via rebuses, as Caleb stayed in Gravesfield until Philip was old enough to take care of himself, and/or even changed his mind and went along!

But he didn’t, and if Philip tried to do something about the archway, Evelyn still had Eclipse Lake. She might’ve even made the Portal by this point and that’s how Philip has notes on it prior to reuniting with Caleb. So Caleb moved to her home (possibly after Evelyn showed up in his house using the Portal), and Philip eventually found the Eclipse Lake portal. But in those subsequent 5+ years, Evelyn used the Titan’s right eye to create a new portal, that would use a little bit of Titan’s Blood as a battery but not deplete it with each use.

Evelyn and Caleb programmed this portal to open in his childhood home where Caleb expected Philip to be, because he still hoped to have his brother with him and always had. Evelyn agreed to let this happen despite Philip clearly wanting her dead, even if he was not going to get Caleb implicated and killed to do so.

But Philip decided to cross that line, because at some point Evelyn and Caleb had a child, and knowing he was related to a mixed child pissed him off so bad. He pretended to be accepting, even as Evelyn and Caleb revealed a Portal and their plan to go back to him anyhow. Despite this, he attempted to murder Evelyn and/or Caleb anyway. Caleb died, and the Portal was damaged, but Evelyn chased off Philip. He eventually went back for Caleb’s body and stole it, and attempted to replicate the Portal that Evelyn and Caleb had showed off, believing he’d broken it beyond repair.

Evelyn decided she wanted nothing else to do with the human realm and buried the Portal; Maybe she left the option for anyone else who was still interested. Which gets me to another point, that maybe Evelyn made a grave mistake in accessing the human world, but let’s be real the onus is always on those who act in bad faith, not someone who acted in good faith and had that taken advantage of. But in the long, long run, even longer than 400 years, past the ending of the series…

Gus is not the first, but he might be more successful than Evelyn, and succeed where she failed. He’s a witch who was also fascinated in the human world, and now he’s cultivating a Human-Demon Realm Exchange Program, so both worlds can get to know each other, so people from both worlds can find new places. Because Evelyn’s portal was reclaimed by her ancestor, who did need it after all; And it led to Luz finding the isles, to Vee finding Gravesfield.

Luz and Vee were also taken advantage of to commit genocide, but Luz helped stop it. She helped right a great wrong in freeing the Collector and giving the Titan’s son a friend; Evelyn was a wild witch, so she would’ve respected the Titan, and did use his right eye to create the Portal. During that time, the Titan was also able to peer into both the human and demon realms, though he wouldn’t have had much reason to care about the human realm for a while.

(And if the Archivists ever return; There’s a Collector who could be very helpful in resolving that threat, who was freed thanks to the butterfly effect of Evelyn’s actions.)

So in the long run, perhaps centuries after the show ends? Maybe Evelyn did good after all. There’s a lot our worlds could learn from each other, and perhaps healing magic would’ve helped someone like Manny; If not him, others down the line. Plant magic could also be very helpful. The Collector was able to create a second Portal to establish more permanent contact through Caleb’s old home, as Evelyn intended. Not to mention the work of her descendants she had from meeting Caleb! And Gus is helping more Calebs and Evelyns find homes, just as Evelyn helped Caleb, Luz, and Vee.

[darkwing-ramblings]

In order, depicted are: Frodo's embroidery, Celebrimbor's embroidery and Celebrimbor's bowl turned impromptu necromancy conduit. They're matched as best as I can manage to their descriptions in @chthonion 's fanfiction series Your shadow rising to meet you on Ao3, to my knowledge they're specifically drawn from the work Anastasis within it, I can't remember the chapter information specifically however.

Oof writing that image description took it out of me, matching colour shades is harder than it first appears, in the name of Smaug the Great and Dreadful! As such I won't particularly elaborate more, but needless to say I find the fanfiction to be an interesting read and shows everyone in it with suitable complexity in their characterisation that I find very fair to all parties involved on the whole! I quite appreciate the approach taken where no character is absent of agency- their choices are not attributed by @chthonion to anyone else, this is handy when practically every character has at least one or two moments of dubious decision making to their name.

Characters can be sympathetic and still have committed rather objectively awful crimes on the more extreme perspective of the spectrum shown, wherein their feelings and personhood afterward are not as a result less real but there is no skirting around the fact that they did indeed willingly commit their actions and that it will almost inevitably impact their interpersonal relationships (often badly). Cthonion, I feel, pulls of demonstrating the principle in practice and hitting the point home extremely well.

At least I can reuse it in the individual images more or less unchanged included below:

Behold, in isolated form, Frodo's embroidery...

Behold, in isolated form, Celebrimbor's embroidery (which I shake my fist at for being so damned complicated to describe, overachiever that he is, grumble grumble grumble)...

Behold, in isolated form, Celebrimbor's bowl turned impromptu necromancy conduit (pre being broken and thrown across the the room etc)...

[bratzkoo]

into you | kim seokjin pt. 2

Author: bratzkoo | navi Banner made by: @shadowkoo Pairing: actor! seokjin x journalist! reader Word Count: 4.5k~ Genre: fluff, more fluff, angst, more angst Rating: PG-15 Possible Warnings/Note: enemies to lovers seokjin is *chef's kiss*

Summary: Kim Seokjin finds himself entangled in a complex web of emotions when he meets the journalist covering his new series, challenging everything he is.

taglist (hit me up if you wanna be added): @aretha170 , @jinniegenie , @mooniyooni .@we8joon​ , @njrwifey​, @woncheecks, @armycarat2612

requests are open, but you can just say hi! | bts masterlist

Jin was staring at his reflection in his trailer's mirror, adjusting his cravat for what had to be the fifteenth time that morning. The period costume was immaculate – it had been for the past hour – but he couldn't seem to stop fidgeting with it.

"If you keep fussing with that tie, you're going to wrinkle it," Kyrie observed from her spot on his trailer's sofa, not bothering to hide her amusement.

"It's a cravat," Jin corrected automatically, hands finally dropping from the fabric. "And I'm not fussing. I'm ensuring historical accuracy."

"Mhmm." Kyrie's tone was knowing. "And I suppose that has nothing to do with a certain journalist starting her behind-the-scenes coverage today?"

The tips of Jin's ears turned pink, a telltale sign that Kyrie had hit the mark. He chose to ignore her, instead pulling out his phone to check the time. And if he happened to glance at the saved tab of Y/N's article about him – well, that was purely for professional reference.

A knock at the trailer door made him nearly drop his phone. "Mr. Kim? Y/N from Spotlight has arrived."

Jin's heart did a complicated little flip that he steadfastly ignored. "Coming," he called out, shooting one last glance at his reflection.

"Just remember," Kyrie said, her teasing tone shifting to something more serious, "we have a lot riding on this show."

The unspoken reminder of their complicated situation hung in the air. Jin nodded, squaring his shoulders. He was an actor. He could handle this.

That confidence lasted approximately three seconds after stepping out of his trailer, because Y/N standing in the morning sunlight was somehow even more devastating than he'd prepared for. She was dressed professionally in tailored slacks and a blouse, her hair pulled back in a neat bun – though a few stubborn strands had already escaped to frame her face. Jin's fingers itched with the inexplicable urge to tuck them behind her ear.

"Mr. Kim," she greeted, her tone perfectly professional. The same tone that had dissected his career in her article, seeing through his carefully constructed image with unnerving accuracy.

"Ms. Y/N." He managed to keep his voice steady. "Welcome to the 19th century."

Something flickered in her eyes – amusement? skepticism? – before she checked her notebook. "Shall we begin with the scheduled interview?"

And so began what Jin would later refer to as his own personal form of torture. Because Y/N, it turned out, was even more perceptive in person than in print. She had this way of looking at him when he gave one of his practiced answers, one eyebrow slightly raised as if to say 'really? that's what you're going with?'

It was infuriating. It was fascinating. It was definitely not making his heart race.

"You still haven't answered how you're approaching Lord Hawthorne's emotional complexity," she pressed during their third interview session. "Your previous roles have been quite different."

Jin resisted the urge to loosen his cravat. The period costume suddenly felt stifling under her direct gaze. "Every role requires finding the character's truth," he replied smoothly, falling back on his media training.

"That sounds rehearsed," Y/N said bluntly.

The honesty caught him off guard, making him forget his carefully crafted persona for a moment. He looked at her – really looked at her – and found genuine interest beneath her professional exterior. She wasn't trying to trip him up or catch him in a scandal. She actually wanted to understand.

It was terrifying.

"Perhaps we should move on to discussing the costume department?" he suggested instead of admitting how much her observation had affected him.

Later, during a break in filming, Jin found himself drawn to the library set where Y/N was examining the book collection. She was so absorbed in a leather-bound volume that she didn't notice his approach.

"Jane Eyre?" he asked, recognizing the edition in her hands.

Y/N startled slightly, nearly dropping the book. "You know it?"

"Rochester's a bit of an ass, if you ask me," Jin said before he could stop himself. "The whole 'hiding my wife in the attic' thing? Major red flag."

The laugh that escaped Y/N was bright and unguarded, so different from her usual professional demeanor that it made Jin's chest tight. He wanted to hear that laugh again. Wanted to be the cause of it.

The thought sent a jolt of panic through him.

- The ballroom scene that afternoon proved to be Jin's undoing. Every time he turned Kyrie in their practiced dance steps, his eyes would involuntarily find Y/N in the corner. She was taking notes, but her body swayed subtly to the period music, an unconscious movement that made her seem softer somehow, more approachable.

"That's the third time you've missed your cue," Kyrie murmured during their fifth take, quiet enough that only Jin could hear.

"Sorry," he muttered, forcing his attention back to the choreography.

"You're not exactly being subtle, you know."

Jin's step faltered slightly. "I don't know what you're talking about."

"Cut!" the director called out, frustration evident in his voice. "Jin, can we talk for a moment?"

As Jin made his way over to the director, he caught Y/N hastily scribbling something in her notebook. Probably noting his repeated mistakes. Great. Just what he needed – more ammunition for her to see through his professional facade.

The afternoon dragged on, each scene requiring multiple takes. Not because of any particular difficulty with the choreography, but because Jin's focus kept betraying him. He'd catch a glimpse of Y/N biting her lip in concentration, or tucking those stubborn loose strands behind her ear, and suddenly his carefully maintained Regency manners would slip.

His phone buzzed in his pocket during a break:

Jungkook: "Saw the behind-the-scenes photos the crew's been sharing. Subtle as a brick, hyung 😏"

Jin groaned internally, shoving his phone back into his pocket. Was he really being that obvious?

"Here."

He looked up to find Y/N holding out a cup of coffee – his exact order from the cafe cart that had been set up for the crew.

"You seemed like you could use it," she explained, a hint of uncertainty in her voice.

Jin took the cup, trying to ignore how his fingers tingled where they brushed against hers. "How did you know my coffee order?"

A faint blush colored Y/N's cheeks. "I'm observant. It's part of my job."

"Right. Your job." The words tasted bitter in his mouth, a reminder of why he needed to maintain his distance.

Y/N lingered for a moment, as if wanting to say more. The late afternoon sun streaming through the set windows caught her face just so, making her eyes seem impossibly bright. Jin found himself holding his breath, caught in the moment.

"Y/N! Got a minute?" One of the crew members called out, breaking the spell.

"I should..." Y/N gestured vaguely in the crew member's direction.

"Right, yes. Of course." Jin straightened, rebuilding his walls. "Thank you for the coffee."

He watched her walk away, the coffee warming his hands but doing nothing for the cold knot in his chest.

"You know," Kyrie said, appearing beside him with her uncanny timing, "for someone who's supposed to be keeping his distance, you're doing a spectacularly bad job."

"Not now, Kyrie."

"I'm just saying." She leaned against the wall next to him. "Maybe if you told her the truth—"

"The truth?" Jin let out a hollow laugh. "Which truth would that be? That I'm involved in covering your secret relationship with Jungkook? That I'm supposed to be focusing on maintaining our public image but instead I can't stop thinking about—" He cut himself off, running a hand through his hair in frustration.

"About her?" Kyrie finished softly.

Jin's silence was answer enough.

Later that evening, after most of the crew had left, Jin found himself lingering in his trailer. Through the window, he could see Y/N in her temporary office, illuminated by her laptop screen as she worked on her article. She looked tired, but determined, occasionally pausing to reference her notes or check something on her phone.

His own phone buzzed with a series of messages:

Kyrie: "Stop brooding and go home."

Jungkook: "Everything okay? Kyrie says you're being extra moody today."

Kyrie: "He's not moody, he's pining."

Jungkook: "Ah. The journalist again?"

Kyrie: "You should see him when she's around. It's actually kind of adorable."

Jin: "I can see these messages. This is a group chat."

Jungkook: "We know 😉"

Jin was about to type out a retort when movement caught his eye. Y/N was packing up her things, but seemed to be struggling with her laptop bag. Before he could think better of it, he was out of his trailer and halfway to her office.

"Let me help," he offered, reaching for the bag just as she turned around.

They ended up unnecessarily close, the bag trapped between them. Jin could smell her perfume – something light and floral that made his head spin.

"Oh! Mr. Kim—"

"Jin," he corrected automatically, then immediately regretted it. First names were dangerous territory.

"Jin," she repeated softly, and god, he was not prepared for how his name would sound in her voice. "I... actually wanted to ask you something."

His heart rate picked up. "Oh?"

"Yesterday, in the costume department... that phone call seemed intense." She hesitated, studying his reaction. "Is everything okay?"

The genuine concern in her voice made his chest ache. For a moment – one dangerous, tempting moment – he considered telling her everything. About the pressure of maintaining appearances, about the complicated relationship he shared with Kyrie and Jungkook, about how her presence was simultaneously the best and most terrifying thing to happen to him in years.

Instead, he took a careful step back. "Everything's fine. Just business." His voice came out colder than intended.

The hurt that flashed across Y/N's face felt like a physical blow. "Right. Of course. Well, good night... Mr. Kim."

The return to formality stung, but isn't this what he wanted? What he needed?

Back in his apartment that night, Jin lay awake staring at his phone. Y/N's contact information glowed on the screen – obtained for "professional purposes" only. His thumb hovered over the message field.

He wanted to apologize for being cold.

He wanted to ask what she thought of Jane Eyre.

He wanted to tell her that her coffee order was one sugar, no cream.

He wanted...

A text from Jungkook interrupted his thoughts: "Meeting tomorrow about the album rollout. Also, hyung? She looks at you too."

Jin pressed his face into his pillow with a groan. He was so, so screwed.

- The next few days on set became an elaborate dance of avoidance and inevitable collision. Every time Jin tried to maintain his professional distance, he'd find himself gravitating towards Y/N like she had her own magnetic field. And she wasn't making it any easier – not with the way she'd watch him during scenes with those analytical eyes that seemed to see right through him.

"You're doing it again," Kyrie whispered during another take of their ballroom scene.

"What?" Jin muttered, trying to focus on the steps.

"Looking at her like she's the only person in the room."

Jin nearly missed his next turn. "I am not—"

"Cut!" The director's voice rang out. "Jin, what's going on? You nailed this scene yesterday."

From her corner, Y/N glanced up from her notebook, her expression unreadable. Jin caught her eye for a brief moment before she quickly looked away, a faint blush coloring her cheeks. The simple reaction sent his heart into overdrive.

"Sorry," he called out to the director. "Let's go again."

During their break, Jin overheard two crew members talking:

"Have you noticed how the journalist looks at him when she thinks no one's watching?"

"Please, have you seen how he looks at her? The sexual tension is insane."

Jin's hand tightened around his coffee cup. He shouldn't care about their gossip. He shouldn't feel this flutter in his stomach at the thought of Y/N watching him. He definitely shouldn't want to know exactly how she looks at him when he's not looking back.

His phone buzzed:

Jungkook: "The album's almost ready. We need to be extra careful now." Kyrie: "Jin's a bit distracted lately..." Jungkook: "I noticed. The photos from set are... telling." Jin: "Can we focus on the actual issue here?" Kyrie: "Your crushing on the journalist IS an issue, babe." Jin: "I'm not crushing on anyone." Jungkook: "Sure, hyung. And I'm not the most successful soloist of the year 😏"

Jin shoved his phone away in frustration, only to look up and find Y/N approaching his spot by the refreshment table. She hesitated a few feet away, and he could see her mentally debating whether to continue forward or retreat.

"Ms. Y/N," he acknowledged, hating how formal it sounded.

"I was wondering if we could discuss the emotional progression of your character," she said, all professional despite the uncertainty in her eyes. "For the article."

Always for the article. The reminder was like a bucket of cold water.

"Of course," Jin replied, gesturing to a quiet corner of the set. As they walked, he noticed she kept a careful distance between them, as if afraid to get too close. He tried to ignore how much that hurt.

"Your scene today," she began, consulting her notes. "It seemed... different from yesterday's take."

"Different how?" He knew exactly how, but he wanted – needed – to hear her perspective.

Y/N bit her lip, a habit Jin had noticed she had when choosing her words carefully. "Less... controlled. More authentic, maybe? Like you were letting real emotions bleed through."

The accuracy of her observation made him want to laugh. Or cry. Or maybe both.

"Method acting," he deflected, offering his media-ready smile.

Y/N's eyes narrowed slightly. "You don't do method acting. You said so yourself in your interview with Vogue last month."

Of course she'd remember that. Of course she'd done her research. Of course she'd see right through his excuse.

"People change," he said weakly.

"Do they?" Her voice was soft, almost vulnerable. For a moment, neither of them was talking about acting anymore.

The air between them felt charged, heavy with unspoken words and carefully maintained boundaries threatening to crumble. Jin found himself leaning forward slightly, drawn in by the question in her eyes.

"Y/N..." His voice came out rougher than intended.

Her phone rang, shattering the moment. It was her editor, Yannie, requiring her immediate attention. Y/N practically fled, leaving Jin standing there with all the words he couldn't say stuck in his throat.

"That was painful to watch," Kyrie commented, appearing beside him with a sympathetic expression.

"Don't," Jin warned.

"You know, this would all be simpler if you just—"

"Nothing about this is simple," he cut her off. "Nothing about us – about any of this – is simple."

Kyrie's expression softened. "Maybe that's okay. Maybe it doesn't have to be simple to be right."

Before Jin could respond, a commotion near the costume department caught their attention. Someone had dropped a box of accessories, sending period-appropriate jewelry scattering across the floor. Without thinking, Jin moved to help, only to find himself reaching for the same necklace as Y/N.

Their hands brushed, sending electricity up his arm. Y/N jerked back as if burned, the necklace falling between them.

"Sorry," they both said simultaneously.

Behind them, someone cleared their throat. Jin turned to find one of the crew members holding up their phone, having clearly captured the moment on camera.

"Just for the behind-the-scenes documentation," they said with a knowing smile.

Jin felt the blood drain from his face. Y/N was already backing away, her professional mask firmly in place but her eyes betraying her panic.

His phone buzzed again:

Jungkook: "We might have a problem. Some photos are circulating..."

Jin looked at Y/N's retreating form, then at the message from Jungkook, then at Kyrie's concerned face. Everything was spinning out of control, and he had no idea how to stop it.

-

The headlines that morning were particularly nauseating:

"BRIDGERTON'S GOLDEN COUPLE: JIN AND KYRIE'S CHEMISTRY SIZZLES ON AND OFF SCREEN" "FROM PAGE TO PASSION: ARE JIN AND KYRIE BRINGING ROMANCE TO LIFE?" "COSTARS TO LOVERS? INSIDE JIN AND KYRIE'S INTIMATE SCENES"

Jin scrolled through his phone with growing unease, hyper-aware of Y/N's presence across the set. She was interviewing one of the costume designers, but he caught her glancing at the entertainment news headlines on her laptop. Each time she looked his way, her expression would become carefully blank – a journalist's poker face that made his chest ache.

"We need to play this up more," his manager informed him during their morning meeting. "The publicity is perfect for the show. I want you and Kyrie to be seen having lunch together. Maybe take a walk in the park where paparazzi just happen to be."

Jin's jaw clenched. "More staged photos?"

"Whatever it takes. The networks love this narrative."

Meanwhile, Kyrie was dealing with her own storm of emotions. Jin watched as she checked her phone for what had to be the hundredth time that morning, no doubt looking for messages from Jungkook that she couldn't publicly acknowledge.

"He understands," she whispered to Jin between takes. "But it's still hard."

"I know," Jin replied, equally quiet. They both watched as Y/N made notes in her journal, probably documenting their apparent closeness for her article.

The irony wasn't lost on him – everyone watching them, thinking they were witnessing a romance blooming, while the real story was completely different. Kyrie's heart belonged to Jungkook, and Jin's... well, his kept betraying him every time Y/N walked into a room.

"Ready for the love scene?" the director called out.

Jin felt rather than saw Y/N's head snap up at those words. He desperately wanted to look her way, to explain somehow that this wasn't what she might think, but he couldn't. Instead, he took his position with Kyrie, both of them professionals playing their parts.

"Big smile," Kyrie muttered through her teeth as cameras flashed from the approved behind-the-scenes photographers. "We're madly in love, remember?"

Jin smiled on cue, all too aware of Y/N watching them with those perceptive eyes of hers. He wondered what she saw – did she buy into the publicity narrative? Or did she sense something off, the way she seemed to sense everything about him?

His phone vibrated in his pocket:

Jungkook: "The photos of you two are everywhere. You're trending again." Kyrie: "I miss you." Jungkook: "Soon. Once the album drops..." Jin: "...This is the gc, little flirts"

But focusing became increasingly difficult as the day wore on. Every staged intimate moment with Kyrie felt like a betrayal – not just of Y/N, who kept her professional distance but couldn't quite hide the hurt in her eyes, but of the truth itself.

During their lunch break, which they were required to take together at a visible table, Kyrie sighed. "This is exhausting."

"Which part?" Jin asked, though he knew. All of it was exhausting – the pretense, the secrets, the careful dance of public perception.

"Jungkook saw the new photos," she said quietly. "The ones where we're 'gazing lovingly' at each other. He laughed it off, but..." She trailed off, staring at her untouched salad.

Jin understood. It was one thing to agree to this arrangement, another to watch the person you love being paired with someone else in the public eye.

"Y/N's watching us again," Kyrie noted, changing the subject. "She looks like she's trying to solve a puzzle."

"She's good at that," Jin muttered. "Too good."

"Maybe that's not a bad thing?" Kyrie suggested carefully. "If she figures it out—"

"She can't," Jin cut her off, even as his heart protested. "There's too much at stake. Your career, Jungkook's album launch, the show..."

"Your feelings for her?"

Jin didn't answer, but his silence spoke volumes.

Later, during a scene break, Jin overheard Y/N interviewing Kyrie:

"Your chemistry with Jin seems very natural," Y/N said, her professional tone perfectly maintained despite the slight tension in her shoulders.

"Oh, you know how it is," Kyrie replied with a practiced laugh. "When you spend so much time with someone..." She let the implication hang in the air, playing her part perfectly.

Jin wanted to scream. Wanted to tell Y/N that none of it was real, that the person Kyrie's heart raced for was currently in a recording studio across town, that his own heart was currently doing somersaults just watching Y/N tuck her hair behind her ear as she took notes.

Instead, he walked over and placed a gentle hand on Kyrie's shoulder, just as they'd been instructed to do whenever cameras were around. "Ready for the next scene?"

He felt Y/N's eyes on them, saw the way she pressed her pen a little too hard against her notebook. The urge to explain himself was overwhelming.

His phone buzzed again:

Jungkook: "The album teaser drops next week. Everything has to be perfect until then." Kyrie: "I hate this." Jin: "Just a little longer. We can do this."

But looking at Y/N's carefully composed expression as she watched them play their parts, Jin wasn't so sure he could.

-

The next morning brought fresh hell in the form of a gossip column featuring candid shots from the garden scene. The photos were artfully arranged to tell a story of blooming romance between costars, complete with "inside source" quotes about Jin and Kyrie's off-screen chemistry.

Jin found Y/N in her makeshift office, the article prominently displayed on her laptop screen. She quickly switched tabs when she noticed him, but not before he caught sight of her browser history – she'd been researching his previous projects, interviews where he'd talked about dating, articles about method acting and on-screen chemistry.

"Good morning," she said, her voice carefully neutral. Professional. Distant.

"The articles are exaggerated," he blurted out before he could stop himself.

Y/N's eyebrows rose slightly. "I wasn't aware you owed me any explanations, Mr. Kim."

The formal address felt like a slap. "I don't," he agreed, hating how everything he said came out wrong. "I just..."

"Places, everyone!" The director's voice saved him from fumbling further. "Jin, we need you in costume!"

He lingered for a moment too long, watching Y/N return to her laptop, her shoulders tense. His phone buzzed:

Jungkook: "Music video filming starts next week. Everything needs to stay under wraps until then." Kyrie: "Just saw the gossip columns. 🙄 You okay?" Jin: "Define okay." Kyrie: "That bad, huh?"

The morning's scene was particularly challenging – a quiet moment between his character and Kyrie's, full of loaded glances and unspoken feelings. The irony wasn't lost on him that while everyone thought they were watching two actors falling in love, they were actually watching two friends trying to protect someone else's romance while his own heart was being pulled in a completely different direction.

"Cut!" The director called out. "Jin, you're supposed to be looking at Kyrie like she's your whole world, not glancing off-camera every five seconds!"

Jin's ears burned, knowing exactly who he'd been unconsciously looking for. Y/N was studiously taking notes, but he caught the slight flush on her cheeks. She'd noticed too.

During their break, Kyrie cornered him behind a set piece. "This is getting messier by the minute," she muttered.

"I'm handling it," Jin insisted.

"Are you? Because from where I'm standing, you're about five minutes away from either kissing that journalist or having a complete breakdown."

"I'm not—" Jin started to protest, but Kyrie cut him off.

"You literally brought her coffee this morning. Her exact order. And yesterday you snapped at a crew member for interrupting her interview. And don't even get me started on how you keep finding excuses to walk past her office."

"...Is it that obvious?"

"Only to everyone with eyes." Kyrie's expression softened. "Look, I get it. Trust me, I understand complicated feelings. But we need to be careful right now. Jungkook's album—"

"I know," Jin cut in. "I know, okay? The album, the show, our careers. I know what's at stake."

"Do you? Because every time she looks at you with those big questioning eyes of hers, you look about ready to spill every secret we have."

Before Jin could respond, they heard voices approaching:

"—just think there might be more to the story," Y/N was saying.

"Like what?" Another journalist's voice. "It's obvious they're together. The chemistry—"

"Seems practiced," Y/N cut in. "Almost... choreographed."

Jin's heart stopped. Beside him, Kyrie tensed.

"You're too cynical," the other journalist laughed. "Next you'll tell me you think it's all for publicity."

"I just think..." Y/N paused, and Jin could picture her biting her lip the way she did when choosing her words carefully. "I think there are layers here we're not seeing."

The voices faded as they passed, but the damage was done. She was getting too close to the truth.

Later that afternoon, following their manager's instructions, Jin and Kyrie had to do a "candid" walk through the set's garden, knowing photographers were stationed nearby. As they strolled, arm in arm, Jin caught sight of Y/N watching from her office window. Her expression was carefully blank, but he saw her hand tighten around her pen until her knuckles turned white.

"She's hurting," Kyrie whispered.

"So am I," Jin admitted quietly.

That evening, as most of the crew was packing up, Jin found himself drawn to Y/N's office again. She was alone, staring at her screen with unfocused eyes.

"The article's not going well?" he asked, trying for casual.

Y/N jumped slightly, then composed herself. "Actually, I'm looking at your old interviews. Trying to understand..."

"What?"

She turned to face him fully. "How someone so supposedly transparent in interviews can be hiding so much."

Jin felt the blood drain from his face. "I don't know what you—"

"Don't," she cut him off softly. "Please don't lie to me. Not again."

The plea in her voice undid him. For a moment, he wanted to tell her everything – about Jungkook and Kyrie's secret relationship, about the album collaboration, about how every staged romantic moment with Kyrie felt like a betrayal of not just the truth but of his growing feelings for Y/N.

Instead, he took a step back. "I should go."

"Jin," she called after him, dropping the formal address. He froze. "Whatever you're protecting... I hope it's worth all this."

He didn't turn around. Couldn't. If he looked at her now, he might break.

His phone buzzed one last time as he fled:Jungkook: "One more week. Just hold on for one more week." Kyrie: "We're losing him..." Jin: "I'm fine." Kyrie: "No, you're not. And neither is she."

[creatingblackcharacters]

I apologize in advance, this guy spent a decade rotating in teenage me's brain.

I feel really complicated about the Drizzt article for a couple of reasons. One, Drizzt was invented in the late 80s/early 90s, and was one of the first attempts to have a 'good' Black character in mainstream Written By White People Fantasy. Two, he was also one of the first canonical portrayals, if not the first, of any moral complexity in the canon of the D&D multiverse. Before him, drow (dark elves) were completely evil cannon fodder. Suddenly there was nuance, and entire races that were considered universally evil in the canon had the opportunity to be reconsidered. Three, the author who invented him was not the author who invented the 'dark elf = evil' canon, he was working in an existing universe with existing rules and turned everything on its head, for the better.

While he is not a perfect character, or perfectly written, he is a very important milestone and should be treated as such.

I am not in any way trying to criticize you, I however do feel like that article did not give him the context he deserves.

I hope you receive me respectfully because I am speaking respectfully.

You are right about the importance of context! It should be provided when making arguments like this, and this character existing was an important milestone for D&D as a form of entertainment. I do favor the high top fade on the elf.

That being said, even with the context, I personally don't have to value that the milestone for making D&D more complex with better, fuller writing for everyone else, was through a misunderstanding and misapplication of racism via a Black character that continues in fantasy to date. By that time, there were Black writers and players that could have contributed, and I wish that the white author had referenced them so that he'd done it properly. So I understand the importance in the character's existence! It's just that the intent was there, the delivery was not.

[foreststarflaime]

I think that’s my favorite thing about CC in general honestly! The subversions and contrasts with all the characters it introduces! What you said with Seph of course, and then with Genesis being presented as the villain of the game when really it’s much more complicated than that, and his volatile personality as he’s shown when angry with Shinra vs the little hints you get at his kindness with him reading to the younger soldiers. And then with Angeal too, of course—you think he’s going to be Zack’s mentor character for the whole game, but that ends up being more Sephiroth, since Angeal is hurting and lost and can’t bring himself to stay by Zack’s side as constantly as you’d expect. And his personality too—outwardly the kind loving rock, inwardly bottling up so many dark emotions. No matter how little they gave us of them and how poorly it may have been handled, these characters are so inherently complex and I adore how it highlights their humanity!

Sephiroth, in the simulation:

Tries to kill Zack

Sephiroth, in reality:

Protects Zack 💙

[cherrylight]

have i mentioned how much i love five because i do. a lot. he means so much to me. i need to walk around in a circle and scream

[poorly-drawn-mdzs]

Bros before Ho(oh my god is that Hanguang-Jun?)

[First] Prev <–-> Next

[heartsgettingwiser62]

So when are we as a fandom going to stop pretending that jonathan byers isn't one of the best written and most interesting characters in st

[messiahzzz]

When I came across that "joke" from Tav to Quill and Z'rell's comment (plus Halsin), I had to take a minute to process what happened. Gale might be a bit silly and eccentric but he's the kindest, sweetest and most passionate character in that party. No wonder the poor man has deep insecurities to solve, so many people reduce him to an easy target! Ofc one of the side effects would be overconfidence and ambition as a defense mechanism. He's obv lonely; only Tara and Morena ever loved him for him.

his eccentric nature might be a part of it. he is loquacious, outgoing, and doesn’t see the point in hiding his enthusiasm. he is considered to be the weird one. naturally, wizards in general being seen as somewhat squishy and physically weak might also add to it.

personally, i really don’t like the implications of the (widely considered) autistic-coded character being the one who faces the most ridicule by far by other characters and fans (and larian) alike.

some might disagree with me on that, but i don’t find it funny by any means either. mostly it just makes me feel bad. “he deserves it. cocky, arrogant, hubris-ridden wizard needs to be taken down a peg” like he isn’t… y’know… already at his lowest. it also disregards the fact that much of his bravado is part of his carefully curated Great Wizard of Waterdeep™ persona that he has skillfully adopted to mask his general feeling of being defective. being fiercely proud of your skill and knowledge and being doubtful of having something truly worthwhile to offer are mindsets that can coexist. according to fandom, gale is either secret hubris incarnate that is only waiting to be unleashed upon the world or pure baby that can do no wrong. instead of a character that is just as flawed and traumatized as all the others, but no less deserving of genuine love.

to me, the constant ridicule just reads as further feeding into his deep-rooted insecurities and his belief that he (as gale, the person) isn’t someone who holds inherent worth. it really, really doesn’t sit well with me.

[adamnablelittledevil]

Full offense, but I think it's funny how some fans immediately accept book changes like Armand's parents selling him as a slave (when on the books he was kidnapped and his family became a wreck after it) or him 'pretending to be a Muslim' (which they left unresolved, but nobody confirmed it to be an act either? we must wait for answers?), but the moment it is something making him worth of empathy, like being a sexual slave, or making a white character that isn't even on the show yet look bad, suddenly people care about book canon? And even justify their arguments with things that go against the books, like, "Armand is lying about his sexual trauma to manipulate people" when on the books it is canon that he was kidnapped, trafficked, abused and objectified several times? And I don't want to get into the whole thing Marius (my feelings about them aren't a secret), but I think everyone can admit that wasn't the best, healthiest, most respectful, romantic and balanced relationship (even by TVC standards) at all? Everything appears to be pretty in line with the source material, though there are some adjustments, the main essence is still there.

It seems to me that the problem isn't book changes, but Armand not being an one-dimensional villain caricature (and he isn't that in TVC either, so I don't understand the surprise) and having crumbs of positivity in his life.

[sparky-is-spiders]

Thinking about Jon mourning his relationship with Elias and doing it alone.

Thinking about Jon having so many little fond memories of Elias. Discussions with him when he still worked in research. Little bickering arguments from when Jon was first promoted. His fondness for scheduling. Thinking about Jon missing those times so much that it aches. Thinking about Jon mourning the person he thought he knew, the person he did know, the connection they always had. When Elias is in prison and won't even see him. When Elias is in the panopticon above the world, far away from Jon. Thinking about Jon still caring about Elias, missing him despite everything.

Jon would have all those little memories of Elias, I think. And he would pick over them, and wonder which ones were real (all of them, in a way), and which ones were lies (all of them, in a way). And he would never be able to say anything. Because he's the only one who ever had that connection to Elias, and by the time Elias is out of Jon's reach nobody who would understand is left.

Just. Just thinking of Jon mourning his relationship with Elias, and having to do it alone.

[spacespheal]

When I say that Leona's murder attempt on Ruggie lives rent free in my head I'm not joking.

(Version without the sand and close-ups under read-more)

[electric-friend]

wait hang on 😭😭 are people seriously debating “he’s a complicated man” right now??

i agree that izzy’s an unreliable narrator, and i think that some of the things he’s said about ed aren’t necessarily true, much as many other things he’s said are also not necessarily true. he’s not really aware of the full picture the whole time, poor duck, as much as i adore him.

but like… besides the fact it really doesn’t have anything to do with wether or not you think izzy’s doing complex evil shit to ed on purpose, and people seem to be making it about that…

ed is VERY MUCH a complicated man. as someone who relates to ed probably more than stede or izzy… he’s absolutely a complicated man. ed can be violent, and suicidal, and he clearly experiences some form of emotional dysregulation, and he’s done things to people that weren’t justified. the crew was traumatised by ed’s behaviour and how much violence he placed them in a position to commit.

the way ed responds to rejection is so violent and out of proportion, his consecutive raids, his suicidal antagonism towards the crew… and for me and my personal issues, that’s extremely relatable… but it is NOT mentally well behaviour.

ed also exhibits patterns of disordered alcohol use, and his anger often causes him to lash out (yes, often at izzy who pushes his buttons, and yes, izzy’s behaviour is a factor in this. but it’s also worth noting ed has agency as a character and his violence is still violence, provoked or not) and one of his most integral traumas is how an act of violence saved him from the violent alcoholic who was his father.

there’s nothing about ed that’s not a complicated man. he’s done bad things that weren’t justified. that doesn’t make him a bad man. it makes him a complicated one. it’s very clear he knows how to be a better person. and that he can be. that the show left out a lot of that journey is really disappointing, but ed feels like he’s a monster and he does bad things to become the villain he thinks he deserves to be treated as, you know?

he is SUCH a complicated man. that doesn’t mean he’s irredeemable or bad, it doesn’t mean there’s a moral obligation to dislike him either. none of that’s the case. but izzy got it right when he called ed complicated. i think in some ways izzy had finally realised that he wasn’t always going to understand ed because ed wasn’t always going to think the way he did, but he was coming to accept that he didn’t need ed to be someone he could understand as long as ed was happy? does that make sense? i know that’s a sappy outlook on a canonically toxic relationship but i just cannot believe that there’s a genuinely widely accepted take going around which boils down to people thinking it’s wrong to call ed a complicated man. like, huh???? girl….

[galactic-rhea]

Thoughts on Padmé x Anakin x Rex?

Padmé and Anakin are so mutually obssesed they would first have to check into that before trying to bring another person to their carefully-balanced-kind-of-damage or something it's going to explode.

Honestly it's a fun ship! But I don't have too many thoughts about them because when I consider them is usually in very low-stakes-fun-AU-scenarios.

And I'm actually a bit of a fan of Rexwalker myself! Athough I tend to like them more as very good buddies, the covering-for-you-dynamic it's so funny for them, lol It's also angsty and complicated because, y'know, the power-imbalance and unchecked trauma? Is funny that the clone that's actually a slave for the republic is the most normal if you bring him into the anidala romance circus.

Also shout out to @phoenixyfriend , she has a lot of rexanidala fics and recs for anyone interested reading this!