#he has grown as a person and i love that

[i-set-my-autism-on-fire]

Me: *pre-writes scenes for my fanfic*

Me: wow this is so much easier than just keeping track of it in my head, I should outline like this more often!

One of the main characters: *finally lands on a personality that would fit the story, but it's the opposite of the one shown in literally all of the pre-written scenes*

Me when I realize I'll have to rewrite them all when I get to them, instead of copy pasting them like I planned:

[laniidae-passerine]

There’s a very easy way to get around the fact that Assad is unable to pass for a teeenager if the show wants to adapt TVA and that’s to rely on the theme of unreliable narration. Armand begins retelling his history and according to him, he looked like he was in his early adulthood. No older than twenty four, for sure, but also not any younger than twenty. And then, just when the audience has bought it, just when this version of events has been presented as the truth for long enough, someone questions it. Asks if he really looked like that. Asks if he’s being honest with himself. And for the briefest moment, we flashback to Amadeo, the age he was when Marius first saw him. Beaten, shackled, afraid. And undeniably a child.

[gunstellations]

boop! 💙🤍

[peace-hunter]

tfone au where OP is created as the last of the primes but way after them, a sparkling born at what were thought to be the last days of the war against the quintessons, the beginning of a new generation of peace after eons of war. a child meant to be loved and raised knowing nothing of war nor sacrifice.

he's kept mostly out of the spotlight by his siblings, who don't wish to expose him to everyone's optics so young, and want to wait until the war is done and over to properly introduce him to their people.

except of course the primes are betrayed and murdered by sentinel, the war is lost and everyone who knows and cared for the truth is either banished or outright killed in order to suppress it.

and the high guard, the ones the primes trusted the most, the ones that were supposed to protect them, the ones who failed in their most important duty, have to make a choice. to take the last prime, their last hope, with them to the surface, a hostile environment where there's little to no supplies and where they'll be hunted down by both sentinel and the quintessons as the biggest threat to their regimen.

or hide him in plain sight. place him where sentinel won't think to look for him. one more sparkling among many. and hope it will be enough to keep him alive. pray to primus that he'll protect his last child long enough for them to come back for him when it's safer (even if most of them have already lost their faith on him when he allowed the rest of his children to be massacred like that)

they almost lose their resolve when they realize they will have to take the little one's cog away in order to make him blend in with the rest of the newborns (and oh do they burn with murderous intent when they see what sentinel has done to their people but it's not the time yet-) but in the end they decide an impaired little prime is better than a dead one.

and so in the chaos of thirteen dead primes and a sudden energon crisis, a little sparkling who very few mechs really knew about and even fewer had seen completely vanishes. and in the depths of iacon a mech in charge of a new batch of newborns scratches their helm in confusion as they realize they must have miscounted the first time.

optimus prime is quietly erased from any official records by sentinel, written off as dead when they find a sparkling's frame mangled beyond recognition after an attack on the base of those rebels that insist on being a thorn on his side. killing the sparkling hadn't been precisely in his plans, he probably could've found some use for it after all, but he's not particularly upset about it either.

and orion pax grows up with an ache on his spark that tells him he's missing something far more important than a t-cog and dreams of gentle and loving hands, cradling him against the frames of mechs he cannot recall the faces of.

[secriden]

*cracks knuckles* Okay lets talk about the elephant in the room: Style going to the support group for those who've suffered loss and telling what appears to be a fake story about losing his pet dog.

I'm going to point out a few things that I think provide a framework for Style's actions here. Not because I think it excuses what he did, but because I think a nuanced read is what the character deserves.

Point 1: An irresistible opportunity

The subs put the "Support Group for Loss" on the image in the notebook, but I'm not sure there's anything to suggest that Style would've known that was what this image represents until he showed up and saw the sign on top of the door.

In episode 2, Bison says, "He plans everything down from years, months, weeks to days" and then tells Kant:

So Style is literally just going to addresses/locations at given days and times, potentially not knowing what to expect. And as much as Fadel is certainly attending this meeting as a response to having that heartbreaking flashback (😭), this is also something he attends regularly and has planned to attend way in advance. So Style has no reason to think Fadel is attending this meeting because of a recent resurfacing of his pain.

What we, the audience, and what the characters know are very different things.

Now, should Style have turned his cute ass right around once he realised what this meeting was? Of course he should. But that wouldn't have been true to Style's character. We've been told by his best friend that he is "crazy" and been shown repeatedly that he lives right up to that description.

Style is impulsive. He's all base instinct and he acts on his desires without thought or contemplation. And by this point he is desperate for a deeper connection with Fadel. He's fascinated, captivated by the mystery that is Fadel and this is an excellent opportunity to finally see behind the wall Fadel so carefully maintains.

When Style sees the sign above the door, Style looks at the notebook (which, again, shows nothing but people sitting in a circle with the words RISE UP) like he's just realising what it means. He then gets this amused, almost rueful look on his face (like he's thinking "am I really going to do this?") before it shifts to determination and he walks through the door.

(My soul for the ability to once again gif something because FUCK Dunk is doing SO MUCH in this show!!)

To Style, this is just too good of an opportunity to give up.

Because let's be real, Fadel is so clearly lying and hiding something:

Fadel is shady as FUCK. He is simultaneously actually a really good cook (Style finally tries his burger so he knows, now), and also has the skills to work at a strip host club, and also can take on 3 guys in a fight, and also can break a man's arm with his thighs. Can you honestly blame Style for losing his mind just a little bit about wanting to get his hands on something, anything, to figure this man out?

Style is being absolutely consistent in his persistence to understand Fadel. This isn't about the car or about finally 'winning' the fight (thank you @airenyah for giving such a detailed framework to understand what Style's been doing until this point) anymore. This is about Style wanting to know Fadel himself.

Point 2: The potential implications of the setting

Now, what might give us a bit of insight as to why Style is this way? I have a theory (albeit one that could prove to be very wrong, but hear me out). I think this whole entire show is set in what could potentially be quite a small town/suburb.

There's a few things that make this theory plausible:

(1) Fadel and Bison are in hiding after Bison blew their previous cover. They're probably on the run from some section of the authorities and so it makes sense to settle in a quiet/out of the way place.

(2) Style seems to be really familiar with the people in the area. Like he grew up there and its the kind of small town where everyone knows everyone and everyone is in everyone else's business.

(3) Style is clearly the darling of the market aunties and uncles.

Style just lost her a sale and potentially a loyal customer, and she's still rooting for him? In episode 2, when Style asks the uncle to let him borrow his cart, it takes nothing but his word for the uncle to give Style his entire cart of produce for his ridiculous scheme.

Style is so clearly someone they all know well and have great affection for, and a very plausible explanation for this is that they all watched him grow up and the entire market (town/village) is fond of him.

And honestly?? Yeah, we see the way Style is actually quite sweet in that careless, guileless, thoughtless way. He goes the extra mile to fix his mistake with Fadel by replacing his car parts for free in episode 1. He helps out by taking orders in episode 2 without being asked and takes it seriously. In episode 3, he tries to drive more business to Fadel's store (bless him, he so clearly does NOT understand how restaurants work, but he MEANS well!!), and can we all acknowledge that it works?? He understands how to appeal to potential customers in the area because he knows the people there. It's not (entirely) his fault that Fadel wasn't remotely prepared for an actual rush crowd and Bison was off getting kinky with Kant and not doing his (fake) job. He is so clear about not judging Fadel's host job and tries his hardest to help him (to absolutely NO effect, but still) when the 3 guys gang up on Fadel.

Style is so loved and more importantly so very loveable.

Point 3: What this could mean for Style's character

So, potentially, Style is someone who grew up in a small town, who has been well loved, potentially spoiled and coddled, but also very much kept within the confines of the narrow viewpoint that a quiet, country town places on you.

It's in the way his dad scolds him as if he was still a child when he's at least in his mid to late 20s. It's in the way Style was so mad at Fadel for scolding him ("thanks for the lecture, dad"), like that hit a sore point for Style. It's in the way no one in the market takes him seriously; they're fond, but he's still a kid in their eyes. It's in the way he has an abundance of free time like he doesn't REALLY need to work at his dad's shop. It's in the way he sees Fadel beat 3 guys up with ease, starts wondering if Fadel is an assassin or a hitman, and is completely unfazed like he doesn't quite have a handle on reality.

It's in the way his best friend is a man who has no qualms about lying to him and putting his life in danger, and how Style seems to have no other friends or people (aside from his dad) in his life.

@wuxian-vs-wangji made a comment to me about Style being desperate for a meaningful connection, and I think she hit the nail on the head. Because along comes Fadel, a mysterious stranger with a suspiciously versatile set of skills who is also very hot and keeps giving Style these wonderfully complex reactions? Who sometimes wants nothing to do with Style, but at other times seems to be at war within himself about desperately wanting him? Who treats Style with anything but apathy?

This is catnip to Style; he never had any hope of resisting this.

Breaking news: Style is a complex and imperfect character...

Here's the thing, though: he was never going to try. The show has been incredibly upfront about who Style is as a person. Regardless of whether I'm correct about why he is this way (ie. that he is very much the product of the environment that didn't know how to handle a kid with Style's personality), episode 3 shouldn't have surprised anyone about Style. He's been incredibly consistent and true to himself.

He wants Fadel and he's "crazy" enough to go all in, no holds barred about it, and the Support Group was the biggest doorway to finally discovering something REAL about Fadel.

And its not just about sex or to prove his superiority anymore. Because if it was just that, then Style would have reacted very differently to their first time.

In this scene, Style is pleased and evidently enjoying himself, but he isn't exuberant. He isn't overcome with joy. If anything, he was more happy and excited when Fadel let him help out in the diner (I mentioned this in the tags in this post too) than he was when Fadel is literally fucking him. He lets Fadel set the pace; barely moves to touch Fadel except to hold him close. Almost like he doesn't want to accidentally mess this up, like he's worried he'll take too much, so he'll take what Fadel gives him and no more (please appreciate @braceletofteeth's amazing tags on this post). For a character that has been so aggressively on the offensive, this is shocking until you realise that sleeping with Fadel - while it's a step in the right direction - isn't Style's end goal anymore.

And he makes that abundantly clear in this episode:

Does Style even fully realise the weight of this desire? I doubt it. But I do believe that Style is in earnest. He doesn't fully understand his own feelings, but he also doesn't really care to either. All he knows is that he wants Fadel, wants his attention and his passion and his focus and his heart.

...but Style is also kind of, sort of, perfect.

Because he's exactly, precisely, breathtakingly exactly what Fadel needs.

Because Fadel is hurt and broken and bleeding inside. Because Fadel is barely holding it all together for Bison's sake, but has already given up hope for any true happiness for himself. Because Fadel can't trust anyone or anything in his life, when he's been used and used and used by the family who should've loved and cared and protected him.

Because it's going to take nothing short of this kind of unwavering, unshakable, uncomplicated determination to give Fadel even a chance of healing and opening his heart to love again.

[autumnoakes]

okay but going back to zagreus and melinoë for a second... i think when they meet they're going to have a LOT to work on with each other if they're going to get along. zagreus likes to push boundaries and he doesn't like leaving things unresolved if there's something he can do about it and melinoë is a LOT like hades in so many ways (temperment and sometimes her tone in particular). they're going to get on each others' nerves. they're going to drive each other up the wall. they're going to need time to get to know each other and understand each other and they might not get the chance to during hades 2 (what with mel's task seeming pretty nonstop. i know she's a goddess but girl don't you get tired???).

[m0on-boys]

they had to make Vanessa break up w wade in the film because they'd already kidnapped her and killed her and they couldn't just have her in the film as a person like peter, obviously she could only be there if she was being used to motivate wade somehow

[userautumn]

so. who is eddie diaz when he has none of the things that make him eddie diaz? who is he at his core? i'm so fucking interested and excited to know. as an eddie girlie(TM), i used to PRAY for times like these. break him apart !!!!! make him cry !!!!!!!!!

[ywpd-translations]

Ride 777: Sohoku's sprinter

Pag 2

1: Houruaaagh

2: Buooraah

3: It's not.... “he's going to attack one more time”!!

Pag 3

1: He's attacked already!!

Pag 4

2: Fifth stage!!

He used the last curve!!

3: Feelings at full throttle!!

He got his “three seconds” in the curve and then accelerated!?

This guy has been tearing apart-

Pag 5

1: Aventador!!

Orange*!!

-road racing common sense over and over again!!

(*NdT.: Issa's attack's name)

Pag 6

4: One guy has jumped ahead as they were turning the curve

Hakogaku and Sohoku are chasing him!!

The guy who's ahead with two strong guys following him.....

Pag 7

1: I've never seen his jersey before!!

Hyaaa!!

Who's that guy!? An unknown cyclist!?

But he's here at the sprint line

Can something like that really happen!?

Pag 8

1: Words things like “of course”, “I already know that”, are like shackles that bind our thoughts

2: There is discovery in “common sense”, yon!!

4: Even so, in road bikes

5: there are two or three ways to hold the handles, so you can change your posture

Pag 9

1: and use various muscles to accelerate, yon!!

2: Three people passed the 300m point, and now it's just a straight road

Pag 10

1: There's still one person running ahead!! The two people behind him can't catch up!!

2: They can see the sprint gate already!!

3: Tch, really, he forced his way through with an ambush like this

4: But

5: My “number one in Japan” plan hasn't wavered one bit!!

Pag 11

1: Lat year's autumn

Woooah cap!!

2: Gap!!

3: Guaagh.... it's always just me saying “gap”!!

Whatcha talking about, Kabu

4: About Doubashi!! I wanna leave him “gaping”!! Me!! Since I lost to him in the summer Inter High!!

You’ve lost the ability to differentiate between the words ‘gap’ and ‘gaping’, haven’t you?

5: Huh? I was able to say this properly when I talked to Aoyagi-san

… which was it again?

6: By the way, Naruko-san, you're supposed to be a good sprinter

Supposed to be!?

Don't you have some secret weapon? Like an ace up your sleeve

7: I'm a genius, so I think if you teach me I'll get it right away!!

I really don't feel like telling you... honestly

8: No, but.... I also thought of myself as a genius, but surely I wasn't that stupid

Pag 12

1: But it's a favour to a kohai, it can't be helped

I've grown too, after all

2: Listen carefully to this “secret weapon”

When you're sprinting

3: The “cog-wheels” you imagine, try imagine them more accurately!! Until the tiniest details!!

4: The....

5: … cog-wheels!?

6: Ah? What does that mean!?

7: Be more specific, please... you're not very reliable, huh

Ugh!! This guy....

I've been thinking this since before, but me and you really don't think alike, Naruko-san...

I'll kill you....

Pag 13

1: As expected from Naruko-san

2: Aoyagi-san was more reliable (even thought he was taciturn)

What does he mean “imagine”?

Hop

3: Ohhh, amazing, Kaburagi

4: Hahaha, I know, right

6: I can do this too

Ohhhh... a blind catch!!

7: How did you do that!?

Hahaha, I'm a genius, so I can do anything just by imagin....

Kaburagi is so cool!

Pag 14

1: Imagining!!

2: Just now I did a blind catch just by imagining it!!

Do it again!

What's wrong, Kaburagi?

3: Oi oi, wait, wait- is this what he meant?

4: Does that mean it'll work? If I apply this to biking!?

6: Imagine

The cog-wheels

7: accurately

8: until the tiniest details

9: Detailed

10: Times and times again

Pag 15

1: I imagined it over and over again!!

And then my “cog-wheels”evolved into “gears”!!

2: Oi, San-na!! Do you have one more special move?

4: Tch

Pag 16

1: Buah!!

Of course!!

I need one more shot to crush you!!

2: It's “Huracan*”, which is stronger than “Aventador”!!

(*NdT.: written as “raging bull” but read as “huracan”)

3: Use it now!!

5: I, too

Pag 17

1: will pull out “golden yellow” now!!

2: If we use them at the same time, it'll make us catch up!!

3: You understand it, San-na

There's no time for complaining about it

4: This guy..... the “golden yellow” that he absolutely wanted to save until the last minute before the sprint line!!

5: We have to close the gap and line up to him now

At this rate, that guy

Pag 18

1: He'll be the first to arrive!!

2: The lead is passing the 200m sign!!

3: Who's that, Gunma!?

I thought the Gunma team was supposed to be Jousui?!

Did the team debut this year!?

There's a guy that strong in Gunma

4: Waaaa

5: That number 181 is debuting now.... but

His career and profile is crazy!!

Pag 19

1: It's Kiji Kyuui!! He's the MTB Inter High two-times champion!!

Huh!?

2: So, the two chasing him won't be able to catch up, at this rate!?

Pag 20

1: Huh!?

What was that just now

For an instant, behind those two

2: I saw blooming golden yellow flowers, and a raging bull

Pag 21

1: This year's may

2: I see

3: Please

Basically

4: Doubashi, you mean you want to race me in a serious sprint battle... now that I've become an university student!!

[natjennie]

i cannot believe the "do you find yourself distracted, ms. jane" captain moment. he literally goes check adam out. what a whore.

[backpackingspace]

Okay listen odysseus is ha! I was lying to you wasn't that funny rat bastard and penelope is no no I was telling the truth it's not my fault that you didn't catch the deliberate misinformation rat bastard

[afterlife-2004]

[ministerofchaosabsolute]

He's teaching him how to game

[fire-in-my-woods]

So often in media, when abuse is talked about, the little boys in the household are shown to be combative - the "protector" of the family (an utterly depraved and insane idea). What makes Simon's younger self portrayal so special to me is that he's none of these things as a child. He was scared, timid, because he was just a kid in a horrifying situation. Being a male should not strip you of the right to involuntary responses that come with being abused.

This is not to say that the former example does not exist in the real world, because it very much does - it's just usually the only example of a young boy in an abusive household. Though the themes itself are not pleasant, I am incredibly happy to see representation of the quote-on-quote "softer" side of men who faced abuse growing up.

[xxplastic-cubexx]

I saw the hairless cat part and I want to had a fun fact to it.

Hairless cat are really oily because they don’t have fur to collect it, so their oils get everywhere and STAIN a lot- Erik will fully loose his minds with all the oils stain the cat would made.

the cat is ABSOLUTELY to go NOWHERE NEAR his closet alright he can excuse it using the kitchen table as a scratching post but he draws the LINE at his silk robes

[nefertittythegreat]

Ferdinand: Did you finish all your work, or did you slack off reading again?

Rozemyne: I don't know. Have you eaten real food today?

Ferdinand: