#he doesn't just fight bad guys

[frog-with-no-therapy]

You know, I'm not much of a fan for superman (haven't read a single issue of his) but I really really respect him

Like, his whole thing is that he is an alien who was raised by humans, and decided to become a hero later on

Many people find him lame and boring, or even naive to be this nice to humans, and hate on him because of that. but the thing is

The thing is that he isn't naive. He gets it, he has super hearing, he hears every cry and scream for help. He hear every break down, every sad moment, every violent one too, yet he still fight for humanity

Because he also hears every laugh, every shout of joy, every squeal of joy, every "I love you" said, every happy moment, every lovely moment, and every humane one too

He heard and saw all of those and decided we are worth fighting for, that these moments are worth fighting for

And he isn't lame and boring, he is a lonely guy trying to fit in very hard, eating and sleeping even when he doesn't need it, just so he can have a small imaginary picture of what it means to fit in

I don't know exactly how his story goes, or the kind of hardships he face (hopefully ones that challenge his perspective, ones that challenge his human side ) but just his concept alone is more than enough for him to be a very interesting character

He too have his own problems, mostly with fitting in and loneliness, and if you can't understand that then perhaps you're part of the problem he face, being seen as "too powerful" to have such mundane problems and all

[beanghostprincess]

A bit tired of people complaining about Sanji's principle of "not hitting women" being misogynistic when it has been clearly stated multiple times that he does not choose it and it's heavily tied to his trauma and admiration for his dad and respect for women and definitely not from seeing women as somehow weaker than him

[makiswirl]

can i just say. and this is probably a niche hill to die on. that i am so gobsmacked every time someone vaguely hints at the idea that jotaro doesn't care meaningfully for the other crusaders, usually particularly kakyoin and joseph, when those two actually tend to be the ones he reacts to being hurt the hardest

like he cares for his loved ones!!!! that literally plays into his character motives in every single part he shows up in!!! stop lying to me!!!!!!!

[mollysunder]

What if Ekko and some the Firelights are the only Zaunites that came to help defend Piltover?

I noticed in what is supposedly the big battle between PnZ vs Noxus, we actually don't see Zaun fighters attacking Noxian forces. The only Zaunites we see fighting Noxians, or at least providing support to Piltover is Ekko and the Firelights.

Between Ekko and the Firelights, only Ekko is wearing Jinx's X tag. From the trailer we can see that other Zaunites that rally behind Jinx or just support her either wear her pink X, dye their hair blue, or wear burgundy red (like Silco). The firelights don't dress like this, but Ekko does while he leads them in this fight. It could be a sign that they separated recently and came back together for this fight.

From the battle scenes we get in the trailer, it's more likely that Ambessa's forces had tried to take hold of Zaun, but were ultimately pushed out. In the shot where Ambessa's topside fighting against Piltovan enforcers, her mask is clearly damaged. If you look closely, you'll notice that there's at least three deep diagonal scratches across it.

There are only two seasoned fighters capable of leaving that kind of damage, Warwick or Sevika with her new arm (or maybe dhe got her claws back). Since I'm confident Warwick would turn Ambessa into ribbons, I think it's likely her and Sevika traded blows instead.

And then there's the scene where Ambessa has lead her forces in what must supposedly be Viktor's territory in the Sump. From the few shots of the place, we know there's about 6-7 people there including Viktor, and somehow they'll manage to repel Ambessa's army back?

Really, all the teasers and trailers have shown that Noxus will try to occupy every level of Zaun from the Sump to the Promenade, and even in Stillwater. The battle in Piltover probably only happens once Ambessa's forces are completely pushed out of Zaun and back into Piltover, and suddenly it's Piltover's problem.

Ekko and the Firelights are probably only helping Piltover because they assume leaving Ambessa in control would make everything worse. Meanwhile Jinx, Sevika, and Viktor's factions won't see a difference between Piltover and Noxus since they were literally working together (really it's a lateral move to most), and are content to watch them fight it out.

Obviously we see Jinx in what could be an airship over Piltover, but what makes us think she's there to help?

Tldr: Jinx, Sevika, and Viktor's factions respectively when Piltover asks for aid against Noxus.

[feroluce]

So this ficlet-ish thing was inspired by @hydrachea, nsfw super genius extraordinaire, but also by the fact that in addition to Boothill's left eye being cybernetic, I like to hc even the parts of him that look human aren't fully natural. I mean the dude eats bullets, after all. I think he should also have vents in his mouth so he can literally blow smoke/steam, it would look super cool. Think Father Gascoigne or Studio BONES' Todoroki. We as a fandom deserve that!!

So anyway, of course, sometimes these vents get blocked up and need to be cleaned manually. Thankfully, Dan Heng is super helpful ☆

Like there's one day where Boothill is lazing around in the archives, fresh off a bounty and happily soaking up the luxury of the Astral Express after however long he's spent tracking his prey through all the dust and dirt with almost no rest.

Boothill likes it in the archives. It's not silent, but it's quiet. There's no music and only muffled voices from outside, but there's the hum of all the computer systems. It makes for a nice place to hide away and recharge when he's just finished exhausting himself.

And besides, Dan Heng is there.

Sometimes the two of them talk back and forth, but today it's mostly quiet...except for-

"I didn't know it was possible for you to get sick."

...Except for Boothill having to constantly clear his throat. That's the thing about your mark trying to flee into the desert. You either go after them and get sand everywhere (and even worse, sticky sand once it gets all bloody) or you wuss out and lose out on the bounty. Personally, Boothill likes being able to afford to eat.

"Grit's stuck in a vent somewhere, 'n' the usual maintenance ain't gettin' it. I'll prob'ly have ta manually dig it out." But later, when he's not laid out half asleep on Dan Heng's extra futon. Usually after a chase as long as this one took, he can shut down for almost a full day. He doesn't want to get up yet.

Something shadows over him, and reflex demands Boothill's eye open. Dan Heng steps around him on his way to some drawer built in the wall on the other side of the room or something. Boothill closes his eye again.

From under his hat he hears the sounds of rummaging, drawers sliding open and shut, the swish of a long coat. The shadow returns.

"Sit up, just momentarily. I have something to help." And Boothill groans a tired don't wanna, but he does it anyway, he hauls himself upright into a kneel. And then he sits up a little straighter because he realizes Dan Heng is standing right over him.

Dan Heng tells him "open your mouth," and Boothill's jaw pops open without his permission, without even a second thought, and hey, what protocol in there ok'd THAT?!?!

Before he can really unpack whatever the heck that just was, though, Dan Heng murmurs for him to say so if he needs them to stop, and then he's sliding a long, hard rod down Boothill's throat, tipped with some soft little brush he probably uses for all his fancy archival equipment.

Dan Heng tells him the handle of the brush is straight and can't be bent, he needs to move his head to be able to reach the vent in his throat. Boothill hums affirmatively; he can't do anything else with his mouth occupied.

Dan Heng's free hand holds him by his jaw, tilts it up slowly but firmly so he has to look straight up at him.

Boothill feels dizzy.

The cycle of blue blood through his artificial heart whirrs just a bit faster, his temperature sensor pings an internal alarm to warn for imminent overheating. Boothill curls his fingers into the guard over his knee as Dan Heng carefully brushes at the dust irritating him. All other sounds- the hum of running equipment, the occasional beep from the computers, the noise of the crew outside of this room- seem to pull away, until all Boothill can focus on is the steady and measured breathing from the man above him.

"Almost done."

Thank the aeons, maybe one of them likes him after all.

"Your tongue is in the way... I'm going to hold it down, ok?"

Nevermind.

The fingers holding his jaw curl around his chin, thumb slipping past open lips to dip into his mouth and pin down his tongue. One of his teeth catch on the digit, breaking skin just enough to bleed a drop where he can taste it. Dan Heng doesn't even flinch. Another temperature alarm pings off in his brain, then another, then another.

Boothill has never been shy about eye contact but oh, god, it nearly kills him when dull green irises flick away from their task and look down right at him as his mouth is held open. He quickly squeezes his own eye shut for some relief.

With his vision cut off, the rest of his senses automatically recalibrate to compensate. He can hear every breath even more distinctly now, every soft inhale and exhale, feel the strain in his neck, the softness of the brush, the hard floor beneath his knees, the hand holding his jaw and the fingerprints that feel like they should leave burns in his skin, the taste of Dan Heng heavy on his tongue-

Forget it, eye open, eye open!!

"Alright. There's one last pebble stuck."

Boothill had been trained to endure torture, back on his homeworld. It was part of being in a gang, part of being a bounty hunter.

Somehow, keeping himself quiet and still as Dan Heng inches the brush even further down the back of his throat is a profoundly similar experience.

The seconds tick by, Dan Heng's brow furrowing, face growing ever more concentrated and Boothill struggles not to watch him too closely, fights down the noise that suddenly tries to escape him as the brush withdraws-

"Swallow."

Stars and aeons, Dan Heng is going to be the death of him.

Boothill swallows. He feels it when the movement finally dislodges the loosened pebble from his vent.

His face feels shockingly cold now bereft of touch, even though Dan Heng's hands are always cool. He asks to see, and Boothill's mouth is already open again to show him, even as he belatedly realizes he could have just told him it had worked.

"Good." There's the slightest smile on Dan Heng's lips as he finally, mercifully, leans back out of his personal space, goes to put away the brush. "That should feel better now." Boothill spends a moment dizzy and dazed, feeling the need to blink spots out of his eye even though his vision is clear. He still hasn't moved off his knees.

What the fudge.

[lazycranberrydoodles]

COME ON GUYS DON'T LET DIANXIA DOWN

[ruvviks]

The Dobrynin family is a corpo family through and through, rooted in Arasaka and Orbital Air going back by several generations; though their powerful position within the corporate world ends with the children of Nadya and Matvey Dobrynin. With Vitali and Daniil fired from Arasaka and Kang Tao respectively— the former indirectly getting his parents fired, too— and Roksana having refused to set foot within a megacorporation from the start, the family begins crumbling apart at the very seams when clashing interests lead to grudges, betrayal, and pointless acts of revenge. ↳ read the unrevised fic here if you're interested!

taglist (opt in/out)

@shellibisshe, @florbelles, @ncytiri, @roseeway, @stars-of-the-heart;

@lestatlioncunt, @katsigian, @radioactiveshitstorm, @estevnys, @adelaidedrubman;

@celticwoman, @rindemption, @carlosoliveiraa, @noirapocalypto, @dickytwister;

@killerspinal, @euryalex, @ri-a-rose, @velocitic, @thedeadthree;

@kanos, @swordcoasts, @ordinarymaine, @claudiawolf, @strafethesesinners

[the-furthest-city-light]

My unhinged thoughts on Luffy and Garp's relationship post-Marineford

Y'all have a very lovely comment on one of my fics to blame for this rant on Luffy and Garp's relationship and where they stand after Marineford:

Luffy and Garp as they relate to each other is so interesting because I think despite his absences, Luffy acquired a lot of his ideas about what family is and isn't from Garp. And, maybe, learned to separate what a person is to him from who that person is, too. In a way I think that's why he imprinted so hard on Shanks--he's the first person Luffy met whose role in his life matches who he is as a person and it's why he builds himself a family by acquiring people whose goals match his own so that there IS no conflict. Fast forward to Luffy as a teenager, we see that when Luffy is confronted by a person who has a conflict with his own ideals and goals, it doesn't present an inherent issue for him--that's the primary way he relates to people anyway (for ex: Coby).

Garp is also the one who modeled for Luffy that presence/time spent doesn't correllate to the strength of a relationship, that just because Garp wasn't there all the time doesn't mean they don't have a bond. And yes this gave Luffy all the abandonment issues but it's clear that Luffy has accepted it by the time canon comes around. At some point he clearly decided to view it as "Gramps gave me what he needed and made sure I had a family to grow up with and that's plenty, of course he loves us," and not "Gramps abandoned me and never loved me."

On top of all of that, whatever else Garp did or did not think about him, Ace, and Sabo, and their dreams, Luffy grew up knowing that Garp valued them and their lives above the letter of the law and his job. Luffy never cared who Ace's dad was, but he grew up knowing that Garp also knew and always thought he deserved to have a chance to live, and always loved Ace even if he never approved of the kids' desire to be a pirate. He knows that Garp values family over the law.

And then there's Garp. Garp who Sengoku describes as "a family man more than a marine." Garp who refused (multiple!) promotions to the Admirality because he didn't want to serve the Celestial Dragons, Garp who Roger trusted with his very own kid. His parenting techniques might be...questionable (read: If this was a real man he would have CPS called on him so fast but we're going with the intended reading of him from the manga) but it's clear he loves the kids. We also know the man has a flexible view of the law, he's a Marine because he believes it's where he can do the most good/help the most people. He views the rules as things he can bend if not break (a quality that clearly gets stronger as the generations pass lmao). He doesn't seem to respect authority, but he DOES seem to respect the need for the perception of it, or at least the role the Marines need to play in the eyes of the public. He believes people need heroes to believe in, and he believes the Marines should fill that role, and that's what he spent his life trying to embody.

And then Marineford.

Garp is caught between these two things: his family, and the institution he devoted his life to. And it sucks, obviously. He goes to visit Ace in Impel Down and he tells him a few things, but Garp says 1) No one can stop the war (not even him), 2) he's proud of Luffy for everything he did at Enies Lobby and Sabaody, (which also tells Ace that he's not condemned in his eyes for being a pirate--the condemnation of his life is coming from the institution Garp works for, not from Garp as a judgement of the man he became).

Ace responds by saying Whitebeard is the only father he has (ouch--Garp is the only father figure Ace grew up with), which is the last exchange we have until this:

Garp believes in the need for the execution and the war in general--the problem for him is that this is his family. This is the baby he took responsibility for, a kid he's loved for years. So Garp doesn't do anything in the war, doesn't object or condem. All he does is take a seat next to Ace, keeps him company. And to be fair to Garp? It doesn't seem like Ace expects anything more. And it seems like he appreciates it.

So he's got one kid on the execution stand, and he's resolved to let him die for the sake of what he thinks is the greater good. And his other kid, the one chasing the same fate that's getting Ace killed now, is trying to save his life. And he just...watches it unfold, because he's trapped by his own convictions--another thing he passed down to both of the boys, so how can he betray what he told them and not hold steady to his own beliefs?

I think for Luffy, he probably didn't have much time to process Garp's presence at Marineford or his role in Ace's execution at the time. In fact the only time they really interract directly is this moment from a chapter literally titled "The Execution Platform":

The title obviously refers to the literal execution platform Ace is on that Luffy has been trying to reach the entire arc but metaphorically? It's also about this. Luffy, being confronted with a grandfather who is for some reason putting his job over his brother's life, and Garp, making a last ditch effort to stand by his own conviction.

There's no way Luffy can understand this decision in the moment--he already made the same one on Amazon Lily, where he was faced with the option to either go and meet his crew on Sabaody (keep following his dream) or go after Ace. He chose Ace, because Luffy always chooses people over his own goals. I think he would understand Garp more if he had been present for Garp and Ace's conversations on the scaffold, but he wasn't.

There's an argument to be made here that Garp is giving Luffy the opportunity to save his brother by stepping in himself and letting Luffy punch him. It would be more plausible except for the fact that Garp calls Luffy "Straw Hat" here instead of "Luffy." He drops the familiarity, and he sets himself in Luffy's way, even when Luffy begs him. I don't think Garp knew he was going to let Luffy knock him away until the very last second. Not until Luffy committed to punching him.

He gives Luffy this one last piece of advice, this one last chance to be his grandfather, where he says "this is the path you have chosen, and it will be difficult, but you're on it now and you have to commit.":

And he remembers Ace saying he wants to live, and lets Luffy hit him to get to his brother.

This is the last we see of their relationship. Luffy doesn't mention him again except to tell Chin Jao off in Dressrosa. Presumably he processed how his relationship with his grandfather has changed in the aftermath, but what he thinks about it? Mostly a mystery. All the things he got from Garp are still true, and I think he still probably manages to compartmentalize most of it as a person vs. dreams/conviction thing. Luffy wouldn't judge Garp for his decisions, and he wouldn't hold resentments either. Whatever he feels or doesn't feel toward Garp, it's definitely overshadowed by Ace's loss.

For Garp's part, the man retired immediately after the war. Luffy literally says "If I don't do everything I can to save Ace, I wouldn't be able to live with myself" a few chapters before the execution stand, and Garp didn't live with himself, at least not without changing his circumstances. He gave up his commission to run escorts for royalty and train people. We do know he's still proud of Luffy, like he told Ace in Impel Down, and he laughs when Luffy's New World exploits are brought up. Garp's the one with regrets, not Luffy, and I think if they ever speak again (who knows, with Garp being...y'know), it'll be about those regrets.

What else do you talk about with estranged family?

[bumblingbabooshka]

Harry Kim saying Naomi is lucky to be born on Voyager and that he would have given "anything" to have her life when he was a kid...

[dont-offend-the-bees]

Fuck I hate being an adult. I need a more adult adult to help with the volatile emotional situation.

[totaleclipse573]

Tw for some blood I guess?? Not very well drawn but still counts I think. The thing with this drawing here is that I can't draw backgrounds. Or do proper lighting and shading. a lot of stuff sdbkssldk

Why'd you do that, Shadow....?

[ilivelikeimtrying]

Nimona AU where Ballister is a villain but like, he's not even really that evil, like, at all. He's just, really bad at being a Villain.

And him and his "Nemesis" have the worst relationship, meaning that they have a great relationship because they don't even actually hate each other like Nemesis' are supposed to.

V!Ballister, doing an 'evil' monologue: Well well well, sir Goldenloin, it has been quite some time since we've last- What's wrong?

Ambrosius, whose face was scrunched a bit: Huh? Oh, it's nothing, these ropes on my wrists are just- they're burning and itching is all- you can keep-

V!Ballister, panicking and running over: Really?! Oh Ambrosius you've been here for hours! Why didn't you say anything sooner?! Are they too tight? Is it this new brand? I told Nimona not to get these ones but no-

*cue to Ambrosius staring fondly at Ballister as he continues to ramble about never buying this specific set of ropes again*

Half the time Ambrosius doesn't even know why he's fighting the guy, like, The Director is all "He's the personification of an Evil Villain" at Ballister and Ambrosius is staring at the same guy seeing him help a little girl get her kitten out of a tree and give a good bit of the money he stole to people in need and points at him like "Really????? "

[worstloki]

di feisheng: i don't want you to die weak and a loser! li lianhua: this would be sweeter if you didn't want me to die in a better condition

[p1harmonie]

I JUST REWATCHED PIWON MOVIE AND I HAVE THINGS TO SAY

[mymarifae]

sunday was such a good character...

i don't want to call him a villain i feel like that oversimplifies everything he did. he was all compassion and love, just born from a deep-set pessimism. he wanted to make the world a better place but just didn't believe it to be kind enough for any other path

the philosophy tackled here was interesting... he's not wrong. the astral express crew + firefly weren't wrong either. how do you, in good conscience, set people free when you know they'll just march into an early grave or lose themselves in otherwise miserable situations? like. the problem with the baby bird. what are you supposed to do in that case? when you have the power to preserve and nurture at the cost of certain autonomy (but under your preservation and nurturing would the bird even know what it was missing?), or do you relinquish all that to let it go just to Die? truly. honestly. which of these options is the inhumane one?

...idk.

i don't have an answer here either.

you could always argue that sunday was wrong because the lives of Humans require more nuance but, ? do they? why does one life have more value than the other? sunday's perspective was literally that all lives have the same value, and that's why he was willing to do what he did. because he believed All should be comfortable and happy. safe. preserved.

idk it was just really interesting. it's a good thinkpiece. there's no right or wrong answer. it's just something you have to chew on while you examine your own perspective of the world

[bylertruther]

kind of crazy how mike said in a moment of vulnerability and weakness that he wants to be needed and to be of use and good at something, and then a large chunk of the fandom just decided to validate all of his worst thoughts & fears and suddenly reduce him to a weak, incapable, mindless, unloved wastoid wimp that's everything his low self-esteem tells him he is and nothing like how the people in his life see him (or what the narrative itself has shown us since the very first episode). even crazier when the people that do that call themselves mike fans lol but i'm 😴😴😴