#he can't get her out of his mind

[lelio]

Lestat using that wooden plank as a piano hits harder when you realize that the last time we saw him play the piano, Claudia was also playing with him

[bacchuschucklefuck]

space sweepers but they're delivery people and are at no point on screen through the entire movie

[dykedvonte]

Can you talk about trans!Curly a little bit more? I'm curios if you have any headcanons and the like

-💀

It's just such a thing in my mind because it adds a truthful sadness and differing aspect to mouthwashing.

If Curly was trans it adds the horror of the horribly selfish thought he could have easily been in Anya's situation. It could've been him but it wasn't and he so conflicted on the pit it put in his stomach that brings and the shameful relief it wasn't. In this scenario he is friends with Jimmy for a long time still. Jimmy likely knew him pretransition. Maybe he gave Curly weird looks then, maybe they never stopped after, maybe they seemed meaner. They are guys now, bros, both of them are. He doesn't really have to worry what those looks mean anymore, Jimmy just has that face with him sometimes. It's recontextualizing a lot of things for him that he was in denial about or too ashamed to admit. How naive he was being and how he let that get another person hurt.

Specifically with Anya, it's he knows the dread and fear she's feeling. He can understand it because he had to live with it for a good portion of his life, he knows it cause he still does, just in a slightly different way. It makes him think of all the times he's been alone with Jimmy, all the times he's been way more drunk off his ass and not remember the night, Jimmy was always with him the next day. Makes him think of the comments he would laugh off both because that's what guys do but because that part of being a girl says to laugh so Jimmy doesn't do something. It's the selfish realization that he was never safe and he's uncertain now too. Mad at himself for forgeting that feeling, espcially since for a long time he would've been considered the only woman on a crew (with all that implies) for a long time.

He should've taken those blinders off, step back into that position for just a moment and it's so much more painful that Anya likely came to him because he should've gotten it. Those thoughts don't leave his mind after the crash when he's in an even more vulnerable position than she was...

[sskk-manifesto]

Bungou Stray Dogs: Dead Apple and how “ability users” (opposite to “normal people”) learning to accept themselves through the acceptance of their own abilities is a queer metaphor of acceptance of own's sexual orientation and gender: an essay by me

[sysig]

Well aren’t you so popular (Patreon)

[starry-bi-sky]

i have... ✨Danyal Al Ghul Headcanons✨ but specifically for my yaelokre danyal oneshot

There's also the tumblr post here but I recommend the link in the title because its the ao3 version, and that one is edited and has some stuff in it that's not in the tumblr post, and will be the version I'm using.

So for summary: this Danyal is also from a Demon Siblings Au where Danny is five years older than Damian. However, things turned out a bit differently, and Danny and Damian had a fantastic relationship with one another. Danny loved music and regularly came up with songs to sing to Damian with. Specifically the folk band Yaelokre's EP "Hayfields" (seriously go fucking listen to it its sooo good. Harpy Hare is the second song but its my favorite. Special shoutout to @gascansposts for introducing the band to me)

He falls off a train when he's twelve and Damian is seven while the two of them and Talia are on mission. He ends up with magically induced amnesia and wakes up in Arkansas while the Fentons are on their yearly Divorce-iversary visit to Aunt Alica, and since he can only remember his name, he ends up being taken into their care.

---------------

Yaelokre Danny has the same facial scar as Things in Threes Danyal, since he was initially another version of him where things turned out better. I'm debating on whether or not I should take it away however, and give him a different scar (maybe from when he fell off the train?), just because the scar is a pretty key identifier for Ti3 Danyal.

-----------------

Danny frequently visits Aunt Alicia in Arkansas! Well, only after he gets settled in and stuff. He doesn't really like the city that much and prefers the countryside where Alicia lives. I know she lives in a cabin but I'm changing it to a farm, so she puts Danny to work and gets him to help her.

I don't want to confine his hobbies to only being star stuff, because people tend to have more than one hobby and I feel like it reduces him to one-dimensionality, so he likes to garden, and learns guitar. His room becomes filled with plants, and he turns their roof into a rooftop greenhouse right below to OPS Center.

He has a complex relationship with the weapons from his past, but he's not... like... appalled by it? When he finds his weapons in the Fenton attic all he thinks is that they're his weapons, and he starts carrying a knife on him afterwards. Essentially he becomes fascinated with weaponry because its one of the few physical ties he has to his past, and while he's not training like he is in the League, he allows his strong muscle memory to guide him through his katas.

Danny likes climbing things. This causes Problems For Everyone Else.

----------------

Danny was not the "kinder Al Ghul" in the League. His kindness extended to his brother and family, and that's it. To everyone else he had high expectations out of them, and the pride you'd expect from the grandson of Ra's Al Ghul and trained by its top members. While he wasn't like, unnecessarily cruel or anything, he wasn't merciful either.

This transfers post-train fall as him coming off as no-nonsense and unforgiving. He's not fond of the idea of giving people second chances, and is skeptical of the idea. He's disgusted by incompetency and views it as an unforgivable offense, especially if he thinks that the person should know better, although he's not sure why. Some egocentrism for the soul.

He doesn't like being touched by anyone who isn't family, and gets irritated when anyone grabs him or holds onto him for extended amounts of time. Dash has gotten hit so many times. With Jack Fenton's tendency for abrupt physical affection, it doesn't make it any better. I'd argue it'd make it worse because Danny doesn't want to be touched more often than not.

------------------

Danyal had a red scarf in the League that he wore on his last mission, it came off before he fell off and caught itself on the roof. Damian still has it and took it with him to Wayne Manor. He's got it locked in his room and takes it out when he's alone and missing Danny the most. One time he forgot to put it away before leaving his room, and Dick was visiting the manor for something and found it. Damian found him holding it and freaked out.

Dick could only say "I've never seen you wear this, Damian, this is really pretty--" before Damian shoved him to the floor and stole it out of his hands, before screaming at him; "Don't touch this! You don't ever touch this! This is mine! You hear me!?"

It caused such a commotion that the rest of the family present came to see what the fuss was about, and Damian kicked them all out of his room. Dick is the one brother Damian's the closest with, so the fact he reacted so strongly shocked them all.

This is likely what leads to the "Danyal" conversation.

[baphometsss]

if i see one more post about how solas/mythal/elgar'nan had a weird love triangle thing going on i'm gonna scream

[illmoraineakoi]

Fic where through Rocket Corp Shenanigans and/or Orange Power Craziness, the Color Gang, TCO and Victim all get spat out into the human world, where Alan then has to reveal to his wife that surprise! Living stick figures are real, he's made living stick figures, two of them don't like him, and one of those two is actively trying to kill him, while the other five see him as their Dad.

All while trying, and just barely succeeding, in wrangling a very ferally angry Victim who is trying his hardest to inflict great bodily harm onto Alan despite Alan being literally five times his size while the others are panicking trying to figure out how to help. Except for TCO, who is just WAITING for Alan accidentally drop Victim so he can return the favor of the Box beatdown.

And Kaori, who Alan never told that his animations were based on real events and real living stick figures, is just sitting there watching this lunacy like this:

[schmweed]

[indecisive-dizzy]

thinking about Julie going into hibernation, but also how she was participating in winter activities and was at the Homewarming party.

obv an in-universe excuse is writing inconsistency within the show but nahh. i wanna get sad.

My headcanon is that Julie begins hibernation after the Homewarming party. Right after. And later in the evening it turns into a different party, Julie's Goodnight Party (name in progress).

It's fun, because any party with this rainbow monster's name in it is gonna be fun! but there's an underlying somberness. They eat, play games and talk about everything and anything like the Homewarming party, but it just feels different.

(continues below, sad warning bc I made myself sad)

When Julie starts getting sleepy, the party ends with her neighbors giving their farewells, goodnights, and big hugs.

Frank is the one to walk her home, of course. He brushes Julie's hair, makes sure her and her nest has everything she needs, and stays with her as she falls asleep. But not before they share a big, comforting, long hug filled with every unspoken "I'll miss you" and every ounce of love they can pour into it.

It's the longest Frank has ever hugged anybody. "A hug long enough to get him through winter," according to Julie.

He wished that were true.

Either way he smiles, he smiles for Julie as it's the last expression she sees before finally closing her eyes to sleep.

The tears that later soaked into his pillow are the only secret Frank's ever kept from his best friend.

[shadowed-dancer]

Death Note AU where everything is the same but L's name is literally just L but specifically in that font he uses as his logo

[tobias-hankel]

Everyone always talks about how much Spencer loves his mother, Diana, but the relationship just hurts when you think about it.

Here Spencer is after having an incredibly long day. He flew from Las Vegas back to Quantico, figured out an extremely hard puzzle, found out his mother was in danger - then had to admit his mom is mentally ill and that he could be too one day. His mom is rude to him about his body, letters, and over the fact she was flown there to save her life. He then failed a negotiation and a man killed himself in front of him. He was hurt by a bomb, caught on fire, and helped rescue a victim while escaping a burning house.

And then after all that, he stands in front of his mom - exhausted, charred, vulnerable - and he doesn't tell her how he was hurt or about what he did. He says how she helped save Rebecca's life and Diana doesn't even look up.

Diana doesn't give any indication that she even knows who Spencer is and she doesn't ask about the ash all over him. It's clearly nighttime and she asks if it's lunchtime. She doesn't remember that she read the books she asked him about to him.

Then Spencer, even though he is so tired, has to help his mom on the flight back across the United States, while reading to her and taking care of her while Spencer has no one taking care of him.

And this is medicated, well taken care of, Diana. If this is Diana on an alright day, on medicine - what was she like when Spencer was a child.

[killjoy-prince]

DAYBREAK MENTION FOR THE FIRST TIME IN 65 CHAPTERS!!! BABYGIRL I MISS YOUUUU

[childrenofthesun77]

Back when mahiru thought his uncle might be dead he had a flashback to the accident that resulted in his mother's death, but one thing I noticed is that we don't actually see akira in this memory? It feels like either mahiru (or someone like lily or jeje) is supressing his memory here.

And if someone possibly killed akira on purpose, who was it and why?

[sysig]

Still a thief at heart, stealing kisses (Patreon)

[wyvernquill]

Finally some more Dreamling Anastasia AU!

(Obligatory link to the masterpost with all the other posts in this AU - it's also pinned at the top of my blog!)

So, it's been... a while... but I've recently finally got some motivation to write a bit more of this. Apologies to everyone really looking forward to the finale/resolution - I've decided to go all the way back to the start of the story, instead. I hope you'll enjoy it nonetheless!

(Tag list: @10moonymhrivertam @martybaker @globglobglobglobob @anonymoustitans @sunshines-fabulous-legs @dreamsofapiratelife @malice-kingdom - since it's been a, uh, really long time, please let me know if you're no longer interested in this AU/fandom and don't want to be tagged anymore, I won't mind! On the other hand, if someone else would like to be tagged in future updates, please let me know!)

---

“Sister… it’s me.”

The man on the dilapidated theatre’s stage shrugs a heavy, moth-eaten velvet coat off his narrow shoulders. It crumples into a dark semi-circle around him, releasing a dramatic cloud of dust.

“Dream… of the Endless~”

.

“Ah. Hm.” A somewhat fussy older gentleman in the empty space usually reserved for the audience adjusts the small circular glasses on his nose, grimacing in a polite and distinctly English way - which he has, once, after first coming to this realm and taking this form, spent hours practising in the mirror - while checking a long list in front of him. “Mr… Carter, was it…?”

“Oh, please.” The man on stage flicks back his white-streaked bangs. “Call me Hal.”

“Yes. Of course, Mr. Hal.” The gentleman purses his lips. “That was… not, er. Not terrible, I suppose. And we’re pleased to note that you appear to have… brought your own cloak.”

“Don’t get used to it. Zelda and Chantal only let me borrow it for the audition.”

“Well, it is a lovely cloak. Only, ah, while Dream of the Endless was known to have quite striking eyes, I do think that, perhaps a little less eyeliner…”

“I could tone it down, I suppose, but I really think the performance would lose something without the makeup.” Hal sighs melodramatically. “I can sing and dance too, if you need it for your… what is this audition for, actually? Play? Music hall show? Ooo, one of those moving pictures?”

“Er.” The gentleman fidgets with his cane, grass-green eyes flickering around the empty theatre. “Well-”

“Thank you, Hal.” The younger man beside him interrupts with a winning smile that only barely covers the boredom and frustration lining a rather ruggedly handsome face. “We’ll let you know.”

“Hm.” Hal, clearly enough of an old hand in the acting business to know a polite “you’re not getting the role, piss off” when he hears one, frowns, and bends down to gather up the borrowed cloak, stalking off towards stage exit right with his head held high, not deigning either of the two men with even one more look.

“...I really do not think this will work, young Robert.” The older man mutters, decisively striking through Hal Carter’s name on his list. It is the last. “None of them look even remotely like him. And the voice-”

“I know, Gil. I know.” The younger man, Hob - only Gilbert is proper and precise enough to call him Robert - rubs at his temples, as if to stave off a headache. “They never manage to get the voice right, do they.”

“Ah, if it were only that…” Gilbert sighs, setting the list down. His eyes are soft and unfocused, seeing far into a past that has long since been razed to the ground. “His Lordship, he… he had a certain air about him, you understand. An otherworldly strangeness. He was the dream-maker, and dream-made, and to look at him was to gaze upon infinity.”

A soft scoff.

“Even if we claim that he has been greatly reduced by being turned into a meagre human - no offence, dear friend - as long as he does not have some spark of endlessness about him, nobody who has ever met him would fall for the ruse. And we are attempting to con his family. I simply cannot see any viable path to success.”

Hob does not respond, for a moment, picking up one of the flyers on their table.

It reads:

.

SEEKING Actor, slender, pale, tall, dark-haired, in the 20-40 age range to play the role of Dream of the Endless (method actors preferred). Generous pay and further benefits await. Auditions each weekday at 6pm at the Old Whickber Street Theatre, Soho. Ask for Hob and Gil.

.

“We’ll find him.” Hob insists. “The perfect pretender. He’s out there, I just know it.”

“We are not the first fools who have attempted a, a caper of this sort.” Gil points out, almost gently. “None of the others ever succeeded.”

“Yes. Well. None of the others managed to find and correctly identify the late Dream’s own pouch of genuine dream-sand on sale at the black market.” Hob shoots back, gesturing at the cord just barely peeking out from under Gil’s collar. (They’ve decided it would be safer if Hob comes into contact with the sand as little as possible, and Gilbert has taken to carrying it as closely to his heart as he can manage.) “It’s hard evidence, Gil, it’s a sign, it’s our chance - and it might just be enough. The trick with a good con is really making it look like you’re giving the mark exactly what they desperately want… and there’s nothing in the world Death of the Endless wants more than to have her brother back.”

.

(She wants it so desperately, in fact, that she’s offering immortality to any sentient being who manages to procure Dream for her.

And, well.

There’s nothing in the world Hob wants more than to live forever…)

.

“Your word in- or, well, kept out of Destiny’s ears, young friend.” Gil sighs, collecting his lists and notes and the remaining flyers, tucking them into his coat and reaching for his cane. “In the meantime, how about we go down to the public house and have a bit of a snifter to wash away the memories of all those atrocious performances, eh, my lad?”

“Best idea you had all day, Gil.” Hob grins, clapping a hand on Gilbert’s shoulder. “Are you buying?”

Gilbert raises one grey brow. “At the risk of provoking a joke regarding my non-human status: in your dreams, Robert.”

Hob laughs; and, together, they step out into the winter night, old snow crunching under their shoes and new flakes beginning to drift, gradually, down from the sky.

.

.

.

It has been a decade since the end of the Endless’ reign.

Ten years since humanity tore Destiny’s book from his hands and burned it.

Ten years since Destruction abandoned his siblings, hiding away in his own, separate exile. 

Ten years since Despair’s first aspect was killed, and another took her place.

Ten years since Delight went mad with grief and became Delirium…

.

And ten years since Dream of the Endless was captured, bound, turned human, and killed.

.

People still whisper about it. Still speculate, trade gossip and hearsay back and forth. Some insist that the Dream King yet lives, hidden away, turned human, just biding his time, waiting for an opportunity to return to his siblings.

It’s a lovely legend, Hob supposes. A fitting end and non-end, for the Lord of Stories, to live on in one… but that’s all it is. A pretty tale, which will breathe new life into a myth only for as long as it’s being told. It isn’t true…

…but now, ten years later, Hob and Gil will damn well make it so.

.

.

.

Ten years is also, coincidentally, all that a man a few streets down from the old theatre can remember of his life.

Ten years since he was found, naked and emaciated and bleeding, in a ditch next to some countryside road in East Sussex.

Ten years of fighting his way through a life in poverty, with no family, no friends, no-one to care for him, except perhaps the birds.

Ten years of strange and haunting dreams, blurred faces calling out to him with names he can never remember later but knows are his; ten years of waking every morning with tears on his face and a longing for someplace - and someones - he wishes he could remember; ten years of a woman’s voice begging him night after night to come home to her, to them.

.

Ten years of being much too busy starving and freezing and barely surviving to spare even a single thought to the dying legends of the Endless.

.

This man turns his face up to the sky, snowflakes catching in his dark hair and on his coat like stars glinting in the night; and he shivers, his breath clouding mist-white in the air, curling thin arms around a narrow torso.

(For a moment, just a moment, his eyes glow dark and infinite, a mirror to the night sky and the endless universe beyond.)

And then, he ducks his head down into his scarf, shivers again, and continues on through the snow.

Ten hard years have taught this man better than to waste his time standing about and daydreaming.