#hc discussions

[herbarimoon]

A handy lighter

[sevsbunny]

maybe this an unpopular opinion on here, but i really don’t like how some people write sevika like a brute. angry, short tempered, like borderline abusive and just mean, manipulative and awful.

it kind of reeks of racism because she’s a brown woman and she has muscle, she’s buff and naturally tall and big and standoffish. but that doesn’t mean she’s abusive, or she uses women just for her satisfaction.

i know she’s a character, but i read a thread of sevika’s name meaning, and i just think that having that information with knowing some people out there write her like an abusive woman just makes me sad for her. we don’t have enough information or backstory on her in the first place — why make her an abuser?

maybe this is just me, i’ve been on this site for so long and have seen so many different kind of awful takes. this kind isn’t the first, and it sort of reminds me of the way some people treat bucky barnes, like he’s abusive and mean bc of how he looks and how he was exploited (not saying the same for sevika. just similar attributes ive noticed)

anyways, let’s stop giving sevika abusive and mean head-canon — she would not ignore you for days on end if she made at you, and she wouldn’t take out her anger on your body or cross your boundary of saying the word no

[narsh-poptarts]

my dark link thoughts coalesced into wonderful headcanons and crazy amounts of forced perspectives and dutch angles

also sorry HW i would have included your dark link(s) but i do not have passion for your game <3 maybe next time

Some thoughts below

I have thoughts about dark link that boil down to basically two things: 1. it's always the same dark link, and 2. dark link has a very difficult time changing.

No matter how many times dark link is brought into existence, he is formed from the shadow of link usually to test link's will. that shadow can be duplicated (as seen in HW) but generally speaking it's the same guy, sharing the thought space, you know how it is. In terms of sentience/thinking for himself, I don't think there's all that much of it. He is a dark reflection/shadow of link, so shares his abilities and thought patterns (for combat) with added aggression and. evil. i guess.

As said by navi, "conquer yourself", and all that. He's a challenge to the inner will power.

That being said!!! he can have a little bit of individuality, as a treat. Just in the form of being mean and sadistic <3 he's got thoughts, he's not just a combat doll (tho in times of low power, or a greater power having the reins, he reverts to that), so he can be frustrated, vindicated, happy, etc etc. though when your thoughts are mainly "evilevilevilevilevil" your idea of these emotions are a bit skewed.

When he's summoned for each different link, i hc that it's all the same magic, so the same dark link every time. he "remembers" in an abstract sense of his role in the same way a link or zelda "remembers" their own reincarnation. tho his is less of a reincarnation and more being used over and over again. a persistence.

The iteration that's summoned reflects the current link at the time, the part of link that needs testing/defeating, so it's not an existence that he himself can change to match the present. he's locked to that first copy/shadow only. So if he were to have a second encounter with an older link, he'd look like the first time they fought, unless he was specifically re-summoned. i hc he's got limited magic, so this is not something he can do himself.

in a links-meet scenario, his form would be limited to those specific forms of the links, and it would always be the points in time in which he first encountered them, unless there's other magic either he or someone else has access to to allow him to change forms to match.

now you might be saying at this point "wouldn't he be a weaker match if he was put up against an older link?" yeah probably lol. but also!!! i like the idea that with the limited magic he has, he's able to change juuuust enough to stay relatively evenly matched. being able to play to different strengths and all that. but the base stuff is still the same, so he is decently easy enough to read if link remembers the kind of stuff he was pulling back when he originally fought dark link.

dark link also knows about all this so while limited to the particular skillset, is able to adapt slightly.

but yeah been thinking a lot about a links-meet au where dark link is there choosing a different link to be every time he appears to the party.

though there are a couple links that he never impersonates in their games!!! so can't change into those guys unless he gets a new round of copycat magic.

Anyways goodbye guy standing there with standard camera angle, i have dutch angles and forced perspective

[cr4yolaas]

my new big pet peeve is ppl writing nanami like a bland, formal old man. like no he isn’t exactly cheery but he isn’t super monotone either imo. i don’t think he’d bother excessively w the whole elegant or “floral” speech, nor do i think he’d be slower when it comes to things like gen z-esque convo or online trends. do i think he cares less abt these things and employs them less in regular convos?? yeah. do i think he IS gentlemanly and romantic to an extent?? absolutely. but i’m soo tired of the same “Darling, I’ve prepared you XYZ. Please be so kind as to…” script. don’t reduce my man to this </3

[purplew]

when im in a loser competition but my opponent is suo

[a-walking-fandom-reference]

it’s gross that every aroace character’s identity is seen as a threat to fandom… that it becomes a battle of semantics and excuses to find ways to ignore it… maybe think about why a character not feeling romantic or sexual attraction (and possibly not being interested in those relationship/partnering) is so scary to you… why it threatens your enjoyment of media/fandom…

[fresanita]

Angel Dust Turns Human pt6

"Alastor & Angels background 3"

Pg1 Pg2 Pg3 Pg4 Pg5

Originally this was part of pt5, but Tumblr doesn't allow more than 31 pics so☹️ Sorry it took awhile, I've been putting off positing this mainly cuz I've been busy w assignments and wanting to catch up w my hobbies💔 but I finally finished fall classes so YAYAYA🙂

Antoní is PLATONICALLY blushing bc he's flustered that someone would care enough to give him something in general🙂🫶!! He's thinking, 'Woah, a whole scarf! Omg, this is so sweet and kind!!' (NO ITS NOT IT'S THE BARE MINUMUM-). Also, sorry, Alastors shoulders kinda look less broad😓! Also, pg 15 (or 16?) Angel dust's cheeks look more pinchable than I remember lol🤭!

Anyways, we're finally kinda back to the present!😁 but uh-oh, Angel knows there'll be consequences eventually☹️ I feel like Alastor has only been saying Antoní, but I promise he'll have more dialogue in the next one😥!!! He just missed his little boy; he hasn't said that name in years!! Also, I should let it be known that Angel Dust's human form WILL be getting a haircut‼️ it may look aesthetically messy, but it's actually just clumped up hair!🤫

Again, sorry for the delay and hope you like pt6🙂🫶

Tag list: @diffidentphantom

[gloriousburden]

Wait I don’t know if anyone’s talked about this before, but in Jotun Loki fics, people always have the reader touch him while he’s in that form which sort of… never made sense to me.

Considering the fact that he’d be reverted to his Jotun form, wouldn’t anyone who touched him began to freeze? Hence why (perhaps one of the reasons) Loki in Thor 1 was so apprehensive about grabbing Odin’s hand, with the hand the Jotun grabbed him by and reverted him with in Jotunheim?

I… don’t think you’d be able to touch him. And he wouldn’t just be cold to the touch. Loki is ALREADY quite cold to the touch canonically (right bottom corner shown in the picture above), so in his Jotun form… he’d be freezing.

Anyone please correct me if I’m wrong, though. Was just wondering because I always had the sort of idea that if you touched Loki while he was reverted to his Jotun form, that it would be dangerous. Just like touching any other Jotun.

Which is one of the reasons he was probably afraid to grab Odin’s hand. Not only at the thought of himself being a “monster” and untouchable in that sense, but also literally being untouchable because it wasn’t necessarily safe and he was hyper conscious of it, even if he had already been reverted back.

I get people excuse things for the sake of Fanfic, but I actually don’t think I’ve seen people talk about this before. So I don’t know if it’s just them excusing it, or a fandom-wide misconception.

May reword this later. Probably sounds a bit stupid and might be straight up incorrect in some areas because I just woke up.

[aroaceleovaldez]

smosh redraw but make it Titan Army

[dolleriumfluffle]

I just desperately want more recognition of traumagenic experiences that lie outside of the usual "childhood abuse" assumption that everyone forces on that label. what about trauma from bullying? what about trauma from undiagnosed illnesses? what about trauma from queer experiences like transphobia? what about trauma from medical experiences like surgeries, hospitalizations, psych wards, and other areas where the medical field failed you? what about trauma from eating disorders? what about trauma from racism?

there are so many experiences that can fall under traumagenic, but are yet swept under a rug in favor of a strict, stereotypical narrative that's easier to comprehend. I think we as a community need to make an active effort to expand our understanding of traumagenic, especially where it may overlap with experiences traditionally considered endogenic, and understand that trauma can come in so many different forms. so often people are shunned for trying to create roles and labels that describe their specific traumagenic experiences, and I don't understand why. there can be no progress towards acceptance for all systems if we don't accept that traumagenic is an umbrella label too.

[queen0fm0nsterz]

I really like how Little Nightmares explores masculinity and femininity.

The experience of a female presenting LN protagonist (and even character, if you want to extend to the antagonists, notably the Pretender) is generally one of survival induced solitude, where companionship can be sought but ultimately denied due to circumstance - especially among each other. Six, Noone, Alone and Raincoat Girl all display different degrees of longing for someone to understand them - Six being an extreme on the side of isolation with the occasional source of comfort (the Nomes), Alone being a comfortable middle where she is indipendent and curious while also having a companion, and Raincoat Girl being the other end, an helpful force who seems to desire companionship. In Little Nightmares 1 especially femininity is displayed as the painful experience it can be. It's raw, visceral, and worst of all it's isolating both when you conform to it until it destroys you, like the Lady does, and when you reject the standard of what is expected of someone like you, like Six.

The pain you feel, physical and emotional, doesn't seem to be as important no matter how deep it cuts you. Noone's tumor being hidden and neglected, her headaches being dismissed... and of course Six's hunger, unforgettable in how much it hinders her, but I could also point to her monster form and the physical and mental toll the entire ordeal in the Tower has left on her.

The conflict between Six and the Lady becomes especially poignant under the lens of this argument because it is a confrontation of the two opposing sides of the spectrum, metaphorically. It's a little girl who has yet to experience the devastation of conformity performed as a means of survival facing a woman who lived all her life so set on following these rules that anything outside of them is perceived as a threat.

(One can't ignore the more obvious point of the class difference with Six being at the very bottom of the chain and the Lady being at the top, which certainly influences the dynamic, but I digress.)

Femininity is hyperindependance in the Little Nightmares world. It's the desire to be left alone while also longing for understanding. It's ambition and curiosity, but it's also the loss of identity both in the pursuit of it and in defiance of it. You end up being alienated either way; you can't really win.

On the other hand, I find that generally, masculine Little Nights protagonists tend to be driven by sentimentalisms and emotion. They are often defined by what community surrounds them, be it a single friend, family member or group; the most lampant example of this are, of course, Mono and the Thin Man, but the same argument can be made for the Runaway, whose story ends up leading him into finding a genuine community with the Nomes, something that no female protagonist experiences. You could argue it was clever foreshadowing, and it was! But does it make the observation any less valid? Personally I don't think so. Low also seems to be pretty set on keeping Alone by his side, although it might be too early to tell; however we do know he's a dreamer who dreams of a future where he and Alone can escape the Nowhere. You could call him a romantic.

Masculinity in this world can be care and fortitude, but it's also singlemindedness. It's the ability to find companionship and meaning while also letting one's own hubris destroy it.

Otto himself is an incredibly interesting example of this because we can hear how his desires, his emotions, are eventually what ends up driving Noone into the arms of the Ferryman. It's a prime example of how masculinity and femininity clash with one another -how his emotional wounds and eventual loss of clarity caused a little girl to fall prey to that hyperindependance where she refuses to be helped by him even when he does mean it.

(Along with his vaguely misogynistic remarks, but again, I digress...)

This singleminded focus on one's own emotions is what I think makes the Thin Man and Mono as relatable to many as they are. His is an endless cycle of violence caused by his own hand; by his own inability to process his emotions in a way that can allow him to progress and move forward. It's not a justification of Six, whose eventual exhaustion was what caused her to react the way she did, but rather it is an observation through again metaphorical lens.

The Thin Man is stuck in a dark room that gets progressively smaller because his inability to understand his wrongs causes it to shrink. He's locked in a bubble that is not entirely of his own making, but it is his responsibility to burst. But how can you burst it when you have no conscience of the fact that the room has been getting smaller to begin with? How can you care, when all you can think about is the emotional hurt that brings out the worst of you, the part that you don't even realize is the worst of you?

Masculinity can be just as isolating as femininity not because it's visceral but because it's fragile. It's unaware of itself while also being incredibly concentrated on the self. It's based entirely on how one is perceived and treated and thus easily destroyed once one is left alone to their own devices, which is why it requires community. Once that community is taken from you, it shatters, and leaves one without the tools to rebuild it.

I suppose the true difference here is that, at their worst, while one is self aware to the point it is actively damaging to the self and everyone around you, the other is so out of touch with itself that it can cause unintentional hurt to the self and others which can't be processed properly.

At their worst, they're monsters that help make each other, you could say. At their best, they're companions who help each other.

(This is in no way an attempt to diminish one or the other, by the way, nor does this reading apply to every single character. Both social constructs have their good sides and bad sides. The main quartet of Six, Lady, Thin Man and Mono are very strong cases, but I was simply making a general observation.)

[1000sunnygo]

The Rocky Port incident... (2)

was trending in Japan last night, so here's a post magazine release follow-up.

I was looking forward to hearing japanese readers' thoughts, but the source text itself is pretty vague which didn't help them either.

At least now the JP version is available, so I tried my hand on translating it as literally as possible.

Here's a simplified summary from Japanese user @manganouA (x) :

Just a clarification that "Hachinosu" and "Pirate Island", "Wang Zhi" and "Ochoku" are used interchangeably.

A common interpretational agreement is that Law definitely got onboard the wrong ship, and very likely the ship wasn't even going to Hachinosu. Artur's translation was incorrect, Law didn't board the smuggling ship. Pew's team updated their translation with Artur's version, even though their initial interpretation was right.

Law gained information that a smuggling ship heading to Hachinosu used a specific Kingdom's flag as their cover, and mistakenly hopped onboard a REAL ship belonging to that Kingdom- full of passengers and the King himself. The level of catastrophic clumsiness you'd expect from Luffy...

Man scratch that. it was clumsy even for Luffy's standard 😔

Another point to note, the term used to describe Law-Koby-BB combo was "共闘する形", so a combative pact is more appropriate than an alliance (同盟) - which was used for Law's pact with Luffy, and later Kidd (vs Big Mom). Nothing unexpected though.

My entire timeline is people cracking jokes about Law's blunder so I'm cherry picking a few of them.

Law: Crap, I blew it up... This is the wrong ship isn't it? (Cora ghost: Gee, Law... you're also the clumsy type aren't you?)

Zen (@GOKUJOUNOMAGURO) (x). (x)

Blackbeard arrives on luxurious Saber of Xebec, Koby arrives on a naval ship, and Trafalgar Law is somehow on a passenger's ship.

No matter how big of a mistake I make in future, I might be able to console myself thinking, "well, even Law kun got on a wrong ship."

Koby: Misunderstanding? What do you mean? No matter how you look at it, it's an act of terrorism against a Kingdom!

Law: How annoying... I'm in a state of confusion myself! I've no time to deal with the marines.

I got onboard a wrong ship!!!

Koby (after having Alvida flashback): I see. What a disaster, my heart goes out to you. Let's call it a temporary truce and defeat Ochoku first.

Law: You're convinced?!

.

My favorite has to be this low - effort comic summarizing their understanding:

"Rocky Port spinoff" was another buzzing keyword last night, I hope Shueisha is taking notes.

[danadiadea]

okay pals, if Severus was a flower, then which one?

not in a "his favourite flower" way, but the one that represents him, like an animagi form represents a wizard through an animal, and I don't want to hear anything about lilies unless you think they fit HIS character in some way♡

[aventurineswife]

one request <3 (im really bad at explaining)

how some hsr characters would react to a reader that are into otome games?

HSR characters with a Reader who's into Otome Games

Synopsis: How would some of these characters react to having a Reader who's into Otome Games?

Tags: Veritas Ratio x Reader, Aventurine x Reader, Jade x Reader, Kafka x Reader, Blade x Reader, Jing Yuan x Reader, Headcanons, Fluff, Established Relationship or could be read as Platonically, Psychological Themes, Banter, Supportive, Deep Discussions.

Warnings: Teasing, Occasional Dark Humor, Discussions On Morality And Psychology, References To Manipulation, Themes Of Ambition And Power Dynamics, Light Romance, Exploration Of Past Trauma(?).

A/N: I wish there was a HSR mod where we could romance the characters 😪😕

Dr. Veritas Ratio

Ratio would be intrigued by the narratives and character development in otome games, seeing them as an interesting exploration of human relationships and emotional intelligence.

He might initially scoff at what he considers shallow romantic tropes, but upon further discussion, he'd appreciate the complexities and motivations of the characters.

He’d encourage you to analyze the storylines critically, turning your hobby into a learning experience about psychology and social dynamics.

He’d love to engage in debates about your favorite characters and choices, often challenging your views to foster deeper discussions.

Aventurine

Aventurine would tease you about your obsession with fictional characters, using his charm to poke fun while secretly enjoying the playful banter.

He’d be fascinated by the strategic elements of the games, perhaps even comparing life to a game of chance, finding ways to apply his risk-taking mentality to the scenarios.

He might surprise you with gifts that reference your favorite games, like custom trinkets or stylish outfits inspired by characters, showing his support.

Jade

Jade might initially appear skeptical, viewing otome games as frivolous, but would soon become intrigued by the underlying themes of ambition and emotional manipulation.

She’d encourage you to see beyond the surface, urging you to analyze the dynamics of power and desire within the narratives.

Jade might even suggest treating your interest as a business endeavor, perhaps exploring ways to monetize your passion through game-related content.

If you have any game merchandise, she might admire your collection, possibly wanting to trade valuable items or share insights about the game's market value.

Kafka

Kafka would find the psychological elements of otome games fascinating, especially the manipulation of characters and narratives, seeing parallels with her own skills.

She’d casually drop remarks about the games, comparing the characters’ strategies to her own, which could lead to deeper discussions about morality and choices.

Kafka would be especially interested in the character designs and fashions, perhaps wanting to discuss or even replicate certain styles for herself.

If the games feature memorable outfits or coats, she might express a desire to acquire similar pieces, leading to playful banter about your mutual interests.

Blade

Blade might initially express a cynical view of otome games, seeing them as naive distractions from the harsh realities of life.

He would likely make darkly humorous comments about the characters’ romantic dilemmas, providing a contrasting perspective that could spark interesting conversations.

Despite his cynicism, he might secretly enjoy the escape they provide, finding a strange comfort in the fictional dramas.

Blade would likely appreciate the themes of love and loss, connecting them to his own tragic past and engaging in deeper discussions about the nature of relationships.

Jing Yuan

Jing Yuan would appreciate the storytelling aspect of otome games, often relating it to historical tales and strategic narratives he values.

He might offer calm, insightful perspectives on the choices you make in games, helping you to consider the ramifications of those decisions.

Jing Yuan would be supportive of your passion, perhaps asking about your favorite games and characters, fostering a sense of connection.

He’d likely inject gentle humor into the conversation, lightening the mood and making the topic of otome games feel more engaging and less frivolous.

[rambyol]

I know ‘Ma Meilleure Ennemie’ is intended for Ekko & Jinx but boy did I wish there were a few background pixels of Vander and Silco during that scene since the lyrics speak so strongly to their relationship.

I mean…come on now:

There’s the explicit ‘Your past will follow you and wage war on you’ which is applicable to every character in this show. But the hereditary nature of Vander and Silco’s conflict which haunts the entirety of season ones narrative, reinforces the extent to how deeply routed their emotions were in this ideology and this commitment to Zaun and also to each other, until it wasn’t. Hence the doomed tragedy of it all.

The repeated blurring of lovers and enemies, and the line ‘why does your name hurt me when it hides right there in the vicinity?’ Does that not remind anyone else of when Vander was searching for Silco. And the paradox that was their ‘Vicinity’ where there was a physical distance between them yet they shared the mutual knowledge that they could always meet at The Last Drop if ever Silco wanted to contact Vander. Since that location was - emotionally - ground zero for them; ‘Blisters and Bedrock’, They were so close yet so far from one another during that time.

Somehow, whatever your interpretation, Alt universe Silco and Vander overcame those adversaries.

And since this song exists in-universe and is playing IN THEIR BAR, it means somebody added it to the bars playlist.

Aka the owners,

aka,

Vander & Silco.