#deep discussion
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one request <3 (im really bad at explaining)
how some hsr characters would react to a reader that are into otome games?
HSR characters with a Reader who's into Otome Games
Synopsis: How would some of these characters react to having a Reader who's into Otome Games?
Tags: Veritas Ratio x Reader, Aventurine x Reader, Jade x Reader, Kafka x Reader, Blade x Reader, Jing Yuan x Reader, Headcanons, Fluff, Established Relationship or could be read as Platonically, Psychological Themes, Banter, Supportive, Deep Discussions.
Warnings: Teasing, Occasional Dark Humor, Discussions On Morality And Psychology, References To Manipulation, Themes Of Ambition And Power Dynamics, Light Romance, Exploration Of Past Trauma(?).
A/N: I wish there was a HSR mod where we could romance the characters 😪😕
Dr. Veritas Ratio
Ratio would be intrigued by the narratives and character development in otome games, seeing them as an interesting exploration of human relationships and emotional intelligence.
He might initially scoff at what he considers shallow romantic tropes, but upon further discussion, he'd appreciate the complexities and motivations of the characters.
He’d encourage you to analyze the storylines critically, turning your hobby into a learning experience about psychology and social dynamics.
He’d love to engage in debates about your favorite characters and choices, often challenging your views to foster deeper discussions.
Aventurine
Aventurine would tease you about your obsession with fictional characters, using his charm to poke fun while secretly enjoying the playful banter.
He’d be fascinated by the strategic elements of the games, perhaps even comparing life to a game of chance, finding ways to apply his risk-taking mentality to the scenarios.
He might surprise you with gifts that reference your favorite games, like custom trinkets or stylish outfits inspired by characters, showing his support.
Jade
Jade might initially appear skeptical, viewing otome games as frivolous, but would soon become intrigued by the underlying themes of ambition and emotional manipulation.
She’d encourage you to see beyond the surface, urging you to analyze the dynamics of power and desire within the narratives.
Jade might even suggest treating your interest as a business endeavor, perhaps exploring ways to monetize your passion through game-related content.
If you have any game merchandise, she might admire your collection, possibly wanting to trade valuable items or share insights about the game's market value.
Kafka
Kafka would find the psychological elements of otome games fascinating, especially the manipulation of characters and narratives, seeing parallels with her own skills.
She’d casually drop remarks about the games, comparing the characters’ strategies to her own, which could lead to deeper discussions about morality and choices.
Kafka would be especially interested in the character designs and fashions, perhaps wanting to discuss or even replicate certain styles for herself.
If the games feature memorable outfits or coats, she might express a desire to acquire similar pieces, leading to playful banter about your mutual interests.
Blade
Blade might initially express a cynical view of otome games, seeing them as naive distractions from the harsh realities of life.
He would likely make darkly humorous comments about the characters’ romantic dilemmas, providing a contrasting perspective that could spark interesting conversations.
Despite his cynicism, he might secretly enjoy the escape they provide, finding a strange comfort in the fictional dramas.
Blade would likely appreciate the themes of love and loss, connecting them to his own tragic past and engaging in deeper discussions about the nature of relationships.
Jing Yuan
Jing Yuan would appreciate the storytelling aspect of otome games, often relating it to historical tales and strategic narratives he values.
He might offer calm, insightful perspectives on the choices you make in games, helping you to consider the ramifications of those decisions.
Jing Yuan would be supportive of your passion, perhaps asking about your favorite games and characters, fostering a sense of connection.
He’d likely inject gentle humor into the conversation, lightening the mood and making the topic of otome games feel more engaging and less frivolous.
#hsr#honkai star rail#x reader#honkai star rail x reader#hsr x reader#hsr aventurine#aventurine x reader#aventurine x you#hsr aventurine x reader#kafka#kafka hsr#hsr kafka#blade honkai#blade hsr#my headcanons#hcs#headcanons#fluff#established rp#established relationship#can be read as platonically#platonic#psychological themes#banter#supportive#deep discussion#teasing#dark humor#dark humour tw#hsr jing yuan
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my favorite underrated duo. we needed more of them
#they're sharing so many juicy details#julian and quark are at the other end of the bar with the most nervous expressions on their faces bc. what are they talking about#i love that every star trek crew is ALL just a bunch of gossipers. anything that happens WILL be discussed with EVERYONE on board#star trek#star trek deep space nine#deep space nine#ds9#star trek ds9#star trek fanart#fanart#art#odo#odo ds9#elim garak#garak ds9#also i drew them with no references and when i went back to check how accurate it was i got startled with their real faces. theyre so scary
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Just thought abt olderbf!simon fucking you in his rugby/football jersey and growling right in your ear something about giving you a pretty ring on your finger and his last name
there is nothing older bf!simon wants more than to see “RILEY” across your back as he’s hitting it from behind.
it’s only sunday morning local-rec-over-21’s rugby. it’s nothing special.
but there is you on the side lines, so cold he can see your breath and wrapped up in one of his thicker jackets.
he likes the way you smile and do a little jump when it’s a penalty for his team.
and he likes that little frown you get when someone tries to take him off at the knees.
and he really likes the way you get a little dazed when he’s tackling sorry bastards across the grass.
that same dazed look you get when he comes off the pitch covered in mud and smelling like sweat. when you pass him a towel and tell him to shower at home.
which is actually code for “get me home now and i’ll do that thing you like”
and it leads him to this, bending you over on the bed so he can see his last name stretched across your shoulders and imagine what it’ll be like when it’s finally yours.
he can feel the caveman-primal-madness coursing through him when he sees you with his name on his back. inexplicably hard at the thought-
the thought of you as his.
and whilst he hasn’t got it all planned out yet, he can pretend like he does. when he presses his chest to your back so you can hear his voice loud and clear.
“y’all mine? hmm? get t’keep y’forever? till death n’all that?”
#you’ve probably discussed marriage atp but i kind of like it better if you haven’t#he’s definitely the type to tell you he loves you the second time he fucks uou#and brings up marriage for the first time when he’s balls deep#he’s just got bad timing#older bf!simon#simon riley smut#simon ghost riley smut#simon riley x reader#simon ghost riley x reader
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This is how black sesame dessert is REALLY made
Dusk may seem like an unemployed shut in, but she actually works really hard to supply the world with this delicious treat
[Full Version]
#There have been many deep discussions about what sort of liquid each sui would produce#Dusk has gotta be either in or black sesame soup but the soup is much better for drinking#arknights#art#digital art#artists on tumblr#suggestive#pixel art#pixel#nsft#Dusk#Suiblings
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i adore Maruki as a character because he's simultaneously the most relatable depressing character that will make you cry with empathy, and the goofiest wettest cat loser in the game like what do you mean youre a licensed therapist and your first response to trauma is to brainwash a girl, project ur relationship issues onto a 17 yr old boy, and then rule the world in a golden leotard? bro went from 0 to 100 so fast??? anyway he's like 30% of the reason why p5r works as well as it does
#maruki is so essential to why p5r works and im so serious about that#i should do a post one day just deep diving into what makes him the best antagonist. like narratively and thematically#maruki 10000% projected his life story onto joker#he called joker the light guiding his research and then his treasure is a torch?#he discussed his trauma at not being able to save rumi right before tempting joker to save akechi?#guys i think the therapist needs therapy#also he's so funny#remember when he sprinkled salt trying to act cool and then it blew in everyone's faces and stung a bunch of students#i love reading fics w him because its a toss-up#some of them call him out for being an insane world-dominating manipulator (valid)#and in some of them hes like the phantom thieves' weird neighbor that they invite sometimes bc he brings nice snacks (also valid)#i love it guys maruki the gift that keeps giving#persona 5#my post#persona 5 royal#p5#p5r#maruki takuto#takuto maruki#shuake#phantom thieves#akira kurusu#sumire yoshizawa#p5r maruki
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Just a lil post about Taash and how I'm feeling about how ppl are reacting to them as someone who relates to them very strongly not only on the gender journey front, but also on the mom-issues front.
Cut for length b/c of course this won't actually be a "little" post lol
So I hear a lot of "Taash is too young" "Taash acts like a child" "Taash is too brash" "Taash has wildly binary views of the world" "Taash is thinks their reality is the world's reality" etc etc etc
And I'm here to say that as someone who realized that non-binary was a thing later in life, grew up trying to be them, but society was not only unwelcoming to that, but openly hostile at points, with a mom who had totally different interests, who very much wanted to protect them from the outside world to a point where it left them unprepared to deal with nuances of the world, etc, a mom who thought they were "just doing their best" but was never meant to be a mom, and never wanted to be a mom, didn't have the tools for mom-hood, who wanted to protect their child, but had no real idea how, and how every comment turned into the mom trying to steer her kid the right way, but just came out as a dig or a "you're not good enough" remark, AND looking after your mom in a world that is wholly unsuited to her, that she can't really adapt to and fit into, and kinda becoming her mom to a point so that your life completely revolves around her until you leave home?
Yeah. I get Taash. It's actually kinda freaky how, fantasy elements aside, I get Taash on a frightening level. (aside from the dragon stuff, we're both the same with that HELL YEAH DRAGONS)
Taash doesn't read young to me because I've always read young because of how I was raised. I didn't get the chance to figure myself out until I left home. I also had the benefit of being able to leave for college at a younger age, and got a chance to experience things away from my mom earlier. But seeing things in such a binary way, that's how it is when you're protected like that.
You don't want to admit how similar you are to how your mom sees the world, b/c she sees it in one way, and as you go through life, you get to learn differently. You come out of this situation INCREDIBLY judgmental at first. Why aren't THESE things conforming to MY reality. You come across as brash and childish. And when you get treated as such, it's triggering b/c that's how your mom treats you.
You hate how you look, you think you look like a freak b/c your mom is constantly commenting on your appearance. She does it out of love (she wants you to be healthy & not mocked by your peers) but she doesn't consider that constantly telling you not to look a certain way does damage. My self confidence only recovered in my thirties. I'm 4 days from my 38th birthday, and it took getting pregnant to finally be like "you know what, I don't hate myself & my body" which is MASSIVE for me.
So where do we get our self confidence? In things we enjoy, in hyperfocuses that we're good at. For me that's comics, naginata, fantasy & DA lore lol XD For Taash it's dragons, fighting, and working out. And when we falter there, it's devastating b/c it's the only way we can feel good about ourselves b/c our SELVES are disconnected and tucked away b/c they make us feel bad.
So I totally get how Taash reads to people. The autism aspects are more like my wife (who is autistic & has issues with social cues, while I'm HYPER AWARE of social stuff which fuels my anxiety b/c of the type of person my mom was and how I had to look after her), but I get it.
But it makes me sad when I hear people dunk on Taash as "bad writing" and "unrealistic" and "annoying" and it's like...is that how you see people like that? Is that how you see me and people like my wife? I feel like people aren't willing to look deeper so often (an issue with all the companions tbh & some day I'll have to get into my Davrin feels b/c BOY do I have them. Neve too, WHOOF) but I feel like if you do that in a game, I hope you don't do that irl.
anyway TLDR this is a Taash defense post b/c while they have a lot of issues, stuff they need to work out & have wrong opinions on stuff, they're growing, they're learning & they have to do it later than most. They're an incredibly complicated character with tons of nuance, and I can't wait to get deeper into their story and banter with companions in round 2 of my playthroughs, and then again in round 3
Sorry this is too long, and I'm sure not all of this was intended when they were written, but this is how it all clicked with me as someone who has lived a large portion of that stuff. Like, again, I'm nearly fucking FOURTY and I don't feel like I should be there yet b/c I started so far back. It ALSO doesn't help that ADHD wild child I was, I was held back in preschool b/c neurodivergence also makes a kid read younger, AND the choice to have me be the youngest in the class would have been a very bad one. So I'm older than most of my peers BUT I've always read younger, felt younger, and have had a sore spot when it comes to all that.
Thank you for coming to my Taash Talk, I'll be here all week to think about more stuff, including how their body makes them read as lady, and they're not sure how to feel about that, but they don't want to CHANGE it, but is it right?
ANYWHO this is why Taash is a fascinating character & deserves better than to be regulated to "annoying kid"
#dragon age#taash#datv spoilers#my spoiler tag#dragon age the veilguard#da companion deep dive#warning for Elaine childhood discussion too lol#mom trauma#this post is more of a vent place than anything#but if you like the digging into “why person like that” stuff on characters#you might like this too#also for anyone pulling a “find me one person who actually is like Taash b/c it's soooo unrealistic” it's me you found the one person#there are other ppl too of course but here I am
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911: Lone Star | Judd & TK Parallels
#911 lone star#911lsedit#tk strand#judd ryder#my gifs#tw: addiction#tw: discussion of suicide#911 lone star spoilers#that pause before TK says 'no' has always haunted me ngl#but also judd's 'it's me' breaks my heart cause that means nothing juddy. *anyone* can have those kinds of thoughts#i know the bottom one isnt quite right since judd hasnt technically gotten his chip... but he WILL.#so who is gonna shove these two into the 126 bunk room to have a deep conversation?#the 126 bunk room is where all serious conversations at the 126 are had it feels like lol
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Charles' thing is that he wants to feel alive and that's part of the reason why he decided to never move on to the afterlife right? Meanwhile Edwin thinks Charles will move on and that he'll be alone again because 'he isn't good with people'.
But then when the Night Nurse shows up a second time Charles is ready to go wherever -including Hell- as long as Edwin shouldn't have to go back there, meanwhile Edwin refuses that they be split up, and both are okay with being sent together to the Lost and Found Department to be sorted out later as long as they're together-
#does this make sense#like#charles -> stay on earth#then charles is like -> fuck earth edwin n°1#edwin -> stay out of hell and wander alone ig#then edwin -> stay with charles#although you can argue that charles wanted to stick around the one dude that was nice to him since the start but like#idk how to explain it#he'd rather argue for edwin's case than argue to stay on earth#edwin not going back to hell is his main goal in the discussion#meanwhile edwin's goal is that they stay together + that he doesn't go back to hell#i do wonder what it would've looked like if they'd gone to the lost and found department#do they try to escape it#does charles find out where he was headed#anyways another day of being very normal about this show#dead boy detectives#charles rowland#edwin payne#paynland#payneland#i know that charles' whole motivation isn't just that he wishes he were still alive and that he wish he hadn't had his life stolen from him#but my thoughts are not coherent enough for any type of deep character analysis essay and i would probably mischaracterize him horribly#wonder what was edwin's plan when he came out of hell cuz he went back to his highschool so was he just doing a bit of visiting#“oh hello place where i died”
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people have been fawning over how humanlike the gods are for a month now, but now its wrong to compare them to mortal powers because they're otherworldy beings that can't possibly be thought of in human terms? or is the suggestion that they're like mortals, but they're just an innately superior group of people that deserves to have power over everyone else?
Hello anon! Are you the same person who got all up in my askbox yesterday? You certainly seem to have an equally poor grasp on what I actually said and a willingness to make it somebody else's problem. However, I no longer have a headache and am feeling less cranky, so lets treat this as a genuine question.
I never said it's wrong or even inaccurate to compare the gods to humans/mortals. What I said is that some seem over-eager to equate them with groups or systems where they don't actually fit, or to project our own world onto them. This tends to lead to poor textual analysis. For example, equating the gods with mortal rulers (specifically tyrannical rulers, even), the one percent, a higher social class, rich people, or colonizers of mortals all read as comparisons made from the assumption 'gods are the most powerful sentient beings of Exandria; therefore I will compare them to the most powerful people of our world'. Do these comparisons make actual sense as parallels? No! Kings and rich people and colonizers aren't innately more powerful than others because we don't live in a fantasy world where magic is real. You can take said power from them and redistribute it fairly. You cannot do this with the gods.
Ultimately, the last few words in your ask neatly sum up the problem with this mindset: do the gods deserve to hold this power over everyone else? Lets look at this through a comparison: do sorcerers like Imogen deserve to hold power over everyone else? She, like most sorcerers, was born with powers others do not have and has no way to get rid of them. They cannot be taken from her and redistributed to the masses to make things more equal, because they are a part of her innate self. In using them, Imogen can do good, but she also sometimes ends up hurting people by reading their thoughts without consent or, at times, even meaning to. So, does Imogen deserve this power? By now, you might see the problem. It doesn't matter whether she deserves her power because you can't take it from her without killing her, no matter how unfair you think it is that she has it. 'Do they deserve their power' is an irrelevant question that people keep coming back to. What you're actually asking is, 'do the gods deserve to live', or even 'do we have the right to kill them' which is a lot more loaded.
The gods already evened the playing field as much as was possible by locking themselves behind the divine gate, severely diminishing their influence on Exandria. They can no longer cause any more harm than any mortal, because now they must act through mortals such as clerics and paladins, through which they do a lot of good (or have we already forgotten about c1 and c2, or even the resurrection of Laudna by a divine cleric and the actions of FCG in c3?). If this still isn't enough for you, you might want to ask yourself whether what you actually want is fairness and the good of the people of Exandria, or if you're just looking for pointless revenge for the sake of it.
#critical role#cr3#nella gets asks#nella talks cr#anyway. this has been fun (lmao no) but i'm turning anon off now#if you want to genuinely discuss the show feel free to hit me up!#if you just want to harass someone for holding a different fandom opinion than you you might want to try deep breaths and soul searching
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Right in front of our faces
So I've been thinking about self-eating a lot. Not only because it's weirdly on brand with everything in Claudia's arc (drinking her own blood, treating her own body basically as dark magic parts just for other people's metaphorical consumption, at least in her head, rather than for her own desires) but also because... Why, y'know? Why have this be a thing, why reserve it for the third arc, an arc wherein with the Archdragons gone Aaravos' main goal will be to dismantle the Cosmic Council?
In some ways, I think I was so focused on Aaravos' side of things—the easiest way to get revenge on the Stars (since they don't care about the destruction of their creation, not really, according to him) would be to kill them but he, for whatever reason, cannot do that—that I was missing the obvious other side of things.
Aaravos asks in 7x08, "Are you watching?" but wouldn't it be really bad for him if they were? What is stopping the Cosmic Council from transporting Aaravos to the same place they took Leola and permanently killing him, since permanently killing a Startouch elf is something we know the Cosmic Council, uniquely, can do? He couldn't stop them before when he was more powerful than he is now as a 'Fallen' Star.
Aaravos' plan hinges on eventually getting the Stars' attention, and they are presumably still at their full power, just no longer involved with Xadia. He is seemingly never concerned, even when making the choice to live and plot against them, that the Stars would just kill him the way they did with Leola.
Or maybe, perhaps, he already has a reason that they can't.
As he collapses in tears at Leola's trial, Aaravos' chest star is complete and right side up. After, presumably, 100 years of weeping, his star is inverted and the centre piece is missing when the Merciful One comes to see him.
The reason I brought up self-eating is because we see it's used as a form of chasing immortality, even beyond what Kim'Dael does. I've long speculated that Aaravos purposefully carved out his chest piece, whether to place it in something or to help create dark magic. He may not have done anything with it, even if it was on purpose, but I wonder... if he ate it, in order to ensure that the Cosmic Council couldn't kill him.
This is especially noteworthy since from what we see of Leola's trial, her destructive glow begins in her chest star and then spreads to her fingers, and the destruction of Aaravos' mortal form is radically different.
This doesn't really make sense. Leola was destroyed while in her mortal form, given that moments before she'd been living and interacting with things on earth, just like her father. Aaravos' destruction stems from the bite mark at first, but then begins elsewhere that's entirely separate (the foot) and never broaches the hands. Leola becomes entirely light, while Aaravos' body seems to be shattered, and does bear a striking resemblance to how dark!Callum crumbles in the 2x08 dark magic nightmares.
Furthermore, when Leola is killed and her star energy is sent down (for lack of a better description), we do see a symbol of a star being inverted, despite that not being a part of her character design.
We also know that Aaravos' body being destroyed differently in 7x09 isn't due to dark magic use, at least not in terms of his body. As of season seven, he hadn't done any dark magic in his new body, which is a soft reset. However, we also know that dark magic affects your soul/spirit (6x06) which would, presumably, be the same no matter the body in this case. Therefore, the reason Aaravos' body might've crumbled (beyond differences in execution style) might be because of the dark magic he's used that created a permanent hole in his spirit/self, and one that Leola, of course did not have.
I also think some of this in my head is connecting to the ideas of sacrifice. Other characters, especially parents, can sacrifice themselves in TDP canon in hopes of a better future for their children / the next generation (the three queens, the archdragons, Harrow, etc). Aaravos divorcing himself from the ability to sacrifice himself, especially after thousands of years with no daughter to speak of (until Claudia, but on her in a second), purposefully robs himself from the ability to make a meaningful contribution to the cycle. Death, permanent death, provides meaning and consequence, both things he's seemingly devoid of.
Sacrificing his ability to die (his heart) and at least, in theory, reunite with his daughter / no longer exist without her to ensure he can 'avenge' her is a hell of a thing, after all. And on a certain level, that seems like his endgame goal regardless. Even if all the above speculation is untrue and wily, unless he can execute himself, in destroying/killing (?) all the other Startouch elves, he will be alone and eternal... forever, with no way out, carrying only the pain of his child's death and withering satisfaction at punishing her murderers, unless he decided to eventually change.
Like I said: a hell of a thing.
#tdp aaravos#tdp#the dragon prince#tdp meta#aaravos#analysis series#predictions#arc 3#tdp theory#s7 spoilers#deep lore dive#i also want to talk about how the show discusses longevity / immortality bc. goddamn did s7 complicate it#analysis
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Should Silver have a deep voice?
Yes, It fits with his backstory
No, he should sound as young as possible
Yes, 14 year olds can have deep voices
No, he should sound prepubescent
Yes, Silver is a serious character and needs a serious voice
No, Silver is a goofy character and needs a goofy voice
He inhaled smog his whole life so he should sound like smoker
Thanks anon! Polls for the Sonic fandom on just about anything. Share polls you like to get more data. Asks and submissions always open.
#Should Silver have a deep voice?#Poll 433#Character: silver#Silver the hedgehog#Voice acting discussion#Design discussion#Sonic the Hedgehog#Sonic Fandom#Sonic#Sega#StH
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Friendly reminder that canon can be thrown out of the window when it comes to fanfiction, selfships, roleplay and headcanons ✌🏻
#omi.rambles#make that character do whatever you want it’s your fun#*deep sigh*#defending canon when discussing canon is fine but not when it’s someone’s else space.
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rewatching the lone star cross over with the knowledge/confirmation that buck's bi is sooooo funny, because look at him
if you saw these still out of context in what world would you assume they're from a scene where buck is consoling tk about his dad being presumed dead? like no wonder tk clocked his ass.
it's even more hilarious that this interaction apparently set off zero alarm bells in buck's head and so it took him a whole three more years to come out. he really just thought he allied too close to the sun.
all i'm saying is buck's lucky tommy was single because otherwise he would've carried on accidentally flirting with hot queer firemen and never putting the pieces together.
#you can't tell me mr oliver 'i was planning on leaning into anyway' stark didn't read that script and decide it was his time to shine#the bit of my brain that loves pain could write a super angsty meta about how buck obv never brought this situation up to anyone#because they'd immediately raise some questions#and deep down he wasn't ready to answer them so he just doesn't mention it#911 abc#evan buckley#evan buck buckley#tk strand#bucktommy#911 discussion#oliver stark#tevan#kinley
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Ian Gallagher Being His Own Person, and Why That's Controversial
A meta about Ian's story during his time away from Mickey, and the hate his character receives for it. Inspired by @dazzle02 :)
How many times have you heard somebody say that they skipped season 8 of Shameless because Mickey wasn't in it? How many times have you heard somebody say that season 7 is only good during Mickey's episodes, or that the story is boring without Mickey in it, or that Ian's S6-8 arc was boring without Mickey? How many times have you heard somebody proclaim that Ian wasn't a good partner to Mickey?
Mickey is undeniably THE fan favorite character of the show, and with that comes a tendency for fans to defend him tooth and nail, even when he is in the wrong, and refuse to see any other points of view. Characters who go against Mickey in any way receive a harsh amount of criticism that sometimes is not fully justified. This applies even to Mickey's main connection to the story: Ian.
During season 5 and onward, some fans hold Ian's actions against him very harshly when I feel he deserves a bit more empathy. Of these, there are three main things people criticize his character for during seasons 5, 6, and 7 that I feel are not given proper analysis and thought by fandom.
Disclaimer before we get in because people feel very passionately about these two: Every interpretation of a character is entirely unique to each individual viewer, and these are just my opinions. This is in no way an anti-Mickey post, so as you read, keep in mind that any criticism toward him is not meant to make him out to be a bad character. Don't bite me.
Season Five: The Breakup of All Time
I think a large part of why people get so upset with Ian for the breakup is because of the growth Mickey experienced in seasons 4-5 leading up to it.
Mickey in seasons 1-3 is in extreme denial of being gay, and when he grows feelings for Ian, he lashes out and treats Ian like shit. Seeing Mickey's slow growth starting in season 3 brought interest to his character, and in season 4 with his major growth during his coming out, he becomes very compelling to a viewer. After all the angst that it took to get Mickey to finally open up, there's a natural desire to see that positive growth and relationship development continue. When Ian throws a wrench in that by breaking up with Mickey in season 5, people get upset, and they're going to direct that toward Ian because he is the easiest to blame.
There's the sentiment of, "Mickey came out for Ian, took care of Ian, and supported Ian when he needed him most despite his faults. Why is Ian leaving Mickey in the dust when he now needs him most?"
This is honestly not an unreasonable thing to feel when looking at things from Mickey's perspective.
But, when you take a look at Ian's character, and you really think of his motivations in that moment, his decision to break up is actually very understandable. Ian didn't break up with Mickey because he thinks Mickey is a bad partner or because he doesn't love Mickey enough. He broke up with Mickey because he thought that's what was best FOR Mickey.
I think comparing the breakup to their fight over marriage in season 10 to be an effective way to understand Ian better.
In season 10:
"How do you know you love me? Huh? How do you really know? I'm bipolar, right? I don't know who I am from one day to the next, and I can't guarantee shit. So why do you wanna spend the rest of your life with me?"
- Ian to Mickey, S10E9
Compare this to this conversation during the breakup:
"You used to love me. Now you don't even know who I am. Shit, I don't know who I am half the time... You don't owe me anything."
"I love you."
"The Hell does that even mean?"
- Ian and Mickey, S5E12
I feel that Ian's mindset is pretty similar in these two moments. In season 5, he is still grappling with his diagnosis, and he has no frame of reference of how a healthy life with bipolar can look. Everybody has been comparing him to Monica, and he himself seems to oscillate between thinking he is like her and not like her, so in his mind, he has nothing to offer anymore.
Then, in season 10, in his mind he proved himself right. He tried to get his shit in order, lived happily and found peace with his diagnosis, and then he fucked it up. He had an episode, and he lost everything he fought so hard to have. He has practically ruined his life because he DID what he FEARED he would:
"I hate the meds. You gonna make me take 'em?"
"You get fucking nuts when you don't."
"Are you gonna want to be with me even if I don't?"
- Ian and Mickey, S5E12
That conversation isn't Ian saying he isn't going to take his meds, given how in season six, he IS taking his meds. I interpret his above statement to be a warning to Mickey. Because Monica has tried to get on her meds before, has tried to get better, and has failed many times. IAN has gone off his meds willingly twice now. This is him telling Mickey, straightforward, "I do not like the meds, and there will always be a risk of me deciding not to take them."
And in seasons 8-9, he does exactly that. He goes off his meds, and he destroys everything he built for himself. That's part of the reason why he hesitates to marry Mickey in season 10, and part of the reason he breaks up with Mickey in season 5.
Ian views himself and his disorder to be a burden on the people he loves. He believes that Mickey will be better off without him.
"I don't want you sitting around, worrying, watching me, waiting for me to do my next crazy shit."
- Ian to Mickey, S5E12
Because Mickey HAS been doing that. Ever since he was diagnosed, Mickey has been watching Ian like a hawk, acting like a nurse, which frustrates Ian.
"Fuckin' nurse now?"
[...]
"I'm sick of your whiny, pussy crap. I don't need a fucking caretaker, alright? I need the shit-talking, bitch-slapping piece of Southside trash I fell for. Where is he? The fuck is he, Mickey?"
- Ian to Mickey, S5E10
But, of course, Mickey doesn't see it that way. To Mickey, Ian is anything but a burden he wants to unload.
"It means we take care of each other. [...] It means thick and thin, good times, bad, sickness, health, all that shit."
- Mickey to Ian, S5E12.
Mickey would do anything for Ian. He confronted his worst fear by coming out, stayed with Ian even after the infidelity, defended Ian after he kidnapped his son, and tried his best to understand a mental illness he had no prior knowledge about. Yet, Ian still won't commit to him. After everything, he still isn't good enough.
"I'm not saying never!"
"No, you're just saying you don't love me enough now."
- Ian and Mickey, S10E9
And Ian, meanwhile, thinks that HE isn't good enough for MICKEY. He has been diagnosed with a lifelong condition, one that he has seen ruin lives firsthand, something that will be a part of him for the rest of his life, and he doesn't wanna tie Mickey down to that life.
It's all one massive miscommunication.
Finally, I think the part that is the most confusing to fans regarding Ian's mindset during the breakup stems from his moments with Monica in S5E11 and S5E12.
Specifically, the parallels between these two conversations.
"Ian, there's always gonna be people that are gonna try and fix us. And you can never make those people happy. Like it breaks their heart just to look at you."
"Yeah, um, even Mickey now."
"He's your boyfriend, right? [...] I'm sure he means well, but you need to be with people who accept you for who you are. And they're out there. You should never apologize for being you."
- Monica and Ian, S5E11.
Vs.
"What the hell is wrong with you?"
"Too much! Too much is wrong with me. That's the problem, isn't it? Too much is wrong with me, and you can't do anything about that. You can't change it. You can't fix me, 'cause I'm not broken. I don't need to be fixed, okay? I'm me!"
- Ian and Mickey, S5E12.
Monica's interpretation of the relationship seems to paint Mickey in a negative light. "He means well, but he doesn't get it," or something along those lines. Based on her previous experiences with the diagnosis, she has come to the conclusion that people like Mickey or Fiona, who try to get them to take medication and are saddened by the diagnosis, are being controlling, and do not love them for who they really are. That's why she always went back to Frank; he actively tried to get her to NOT take her meds or get better, and did not encourage her when she DID try to get better. So, to her, being off her meds IS the TRUE version of herself, and the people who can not accept that do not accept her.
But I think, while Ian's lines parallel Monica's, that he does not think the same way that she does.
Toward the end of season 5, Ian seems to do a complete 180 from his previous statements on his similarities with Monica.
"You flushed your pills? You get thats a full-on Monica move, right?"
"I'm not Monica."
- Ian and Fiona, S5E8
Vs.
" [...] Cause they all say how alike we are."
"That's probably not a compliment."
"Uh... No, I think it is."
- Ian and Monica, S5E11
This happens in the wake of his arrest, after Ian's siblings talk about him to the military police. Many of their comments seem to hit Ian in a way that makes him feel misunderstood or like a burden.
Debbie: But he's been acting crazier for longer than that.
Lip: Yeah, at least this past year.
Officer: How would you characterize his behavior?
Debbie: Compared to how he used to be... He's different.
Lip: He'll go back and forth from, you know, being depressed, to, you know, incredibly wound up. I mean, he ran off with a baby for no reason.
Debbie: He almost hit me in the head with a baseball bat.
Fiona: Our mother was bipolar, so we know what it looks like. She put us through Hell, and- I'm not saying you put us through Hell, but when they're manic they can be destructive.
Officer: In your opinion, does he require medication?
Fiona: Yes.
Officer: Is he unable to care for himself?
Fiona: Sometimes, yes.
So, when Ian talks to Monica when they reconnect, Ian expresses loneliness and a feeling of isolation.
"I'm really glad you came, yknow? I just... I needed someone to talk to who... gets it."
- Ian to Monica, S5E11
When Monica tells Ian to not be ashamed and that she loves him for him, she is kind of acting like his Frank. The meds have been taking a toll, and recovery is so difficult that running with her and getting validation from the only other person who could "get it" is an easy choice to make. I think the combined factors of Mickey treating him so delicately, his siblings laying out his flaws so plainly, and his mother's open acceptance creates a feeling of bitterness or shame, and Ian is hoping to find comfort in his mother.
But it doesn't go the way he expects it to.
At the diner, he thinks that Monica is going to prostitute herself for money, and is relieved when she doesn't. It's likely he was thinking of his own stint at the Fairytale in this moment.
Then, he recalls a moment from his childhood that he does not look upon fondly, only for Monica to refer to it as "good times."
He meets Monica's partner and discovers he is an aggressive teenage meth dealer that she is helping to sell the meth.
I think Ian has a true moment of clarity during this. He had thought that he was vindicated, that everybody else was wrong, that they didn't understand, that Monica was right, and that he was perfectly fine just the way he was. But then he sees what Monica considers to be "a happy life."
"Ian, I'm finally happy. People like us, we can be happy. I love him, and that's the most important thing, to find somebody to love, right? Who loves you back for who you are. I want that for you. I love you. We're gonna be okay. We're gonna be okay."
- Monica to Ian, S5E12.
Monica's perception of life is warped. What she considers a good life is living in a trailer selling meth. Good memories are traumatic memories for those around her. True love and support is an aggressive teenage dealer, or Frank Gallagher.
A simple drive to Ian was a horrifying kidnapping to Svetlana. Doing a porn that was no big deal to Ian was a betrayal of trust to Mickey. Joining Monica and ignoring the calls of his well-meaning but ignorant family to Ian was a painful and worrisome disappearance to them. Ian's perception HAS been warped, and he's crashing back to reality, realizing that he has run off with MONICA, realizing that he can't continue down the same path as her, and needs to go home.
He's come to accept that he is bipolar. He's internalized what his family has kept repeating, that he is just like Monica, and looking at her living like this, believing that she is living well, is terrifying to him.
So he goes home, believing that he is just like his mother, and he's doomed to be a piece of shit. He goes back, and he breaks up with Mickey. Because he doesn't think that people like him can be happy, and he doesn't think he'll be okay. And that isn't something that Mickey can change. Too much is wrong with him, and Mickey can't do anything about it.
Really, it's just a matter of Ian operating under the "if you love them, let them go" mindset, and Mickey interpreting it as a rejection. It's the two of them both believing they are not good enough for the other and internalizing it instead of properly communicating.
TL;DR: Ian's breakup with Mickey in S5E12 is not done in a healthy OR selfish mindset. To him, he will do nothing but drag Mickey down, and in his unmedicated and clearly altered state of mind, he thinks the best thing is to let him go.
Season Six: Dating Caleb and Other Blasphemy
The first time we see Mickey in season six, it's behind a pane of glass in an orange jumpsuit.
Mickey had tried to murder Sammi, Ian's half-sister, and had been sentenced to prison for 15 years. It's established that Ian has not been to visit Mickey much and is trying to move on past that time in his life. But, upon being bribed by Svetlana, Ian visits, and during this visit Mickey asks Ian a question:
"You gonna wait for me?" - Mickey to Ian, S6E1.
And when Ian shows hesitation:
"Fuckin' lie if you have to, man, eight years is a long time." - Mickey to Ian, S6E1.
So, Ian replies:
"Yeah. Yeah, Mick, I'll wait." - Ian to Mickey, S6E1.
Before even meeting Caleb, fans absolutely tear into Ian for his decision to not commit to Mickey in this moment. They call it selfish, or out of character, or unfair to ice Mickey out when he is going through this difficult time.
But, let's look at it from Ian's position.
Ian has dealt with abandonment issues his entire life, with both Monica and Frank being unstable and infrequent providers during his adolescence. Throughout his relationship with Mickey, they had been separated on three separate occasions, one of which was entirely voluntary on Mickey's part. Now, due to committing a major crime, Mickey has been sent away for up to fifteen years. They would both be in their thirties by the time Mickey would be released, or close to it if he got out early, and that's not even considering that he was actively taking part in jobs / activities that could extend his sentence, like stabbing people.
Ian has dealt with recurring disappointment and abandonment his entire life, and throughout their time together, Mickey hasn't really established himself as stable.
Now, before you bring out the pitchforks;
"But Mickey was there for Ian and supported him through seasons 4-5. He grew as a person and proved he IS reliable."
Yes, that's true. He did undergo massive development that allowed him to be a better partner and more reliable person to Ian. But, canonically that period of time only takes place over a few months.
Mickey, for the better part of 2-3 years, was NOT a good partner to Ian. Multiple years of an unsteady situationship is not so easily forgotten. Yes, Mickey 1000% had valid reasons for acting the way he did. It's made very clear in S3E6 and S4E11 why Mickey hides his sexuality and lashes out when forced to confront it. But that isn't an excuse. His reasons for acting in a negative way towards Ian the first three seasons is understandable, but he went about it in a bad way.
Not to mention that, despite his growth, Mickey has just been sent to PRISON. No matter how you spin it, his decision to go after Sammi was NOT justified and does not necessarily bring forth confidence in his reliability and stability.
It's not unreasonable for Ian to not want to wait for over a decade for a man who has not always been the best for him. It sucks as a viewer who is invested in them, but Ian was not in the wrong.
Beyond (justifiably) selfish reasons, Ian also already thought that he was bad for Mickey, was worried that he would ruin his life, and with Mickey's justification for his torture attempt being that he did it FOR Ian, that Sammi had it coming because of what she did TO Ian, Ian probably felt responsible for that as well. There was probably a level of guilt in Ian from the whole situation, both for Mickey being in prison and for leaving him there.
But from his point of view, it's better for everybody to try and move on.
What really bothers me about this criticism toward Ian is the sense that he OWED Mickey his time and loyalty. Because Mickey had given and sacrificed so much for Ian during seasons 4-5, it's like people think Ian is then obligated to return that for Mickey, no matter what Mickey did. It's a very transactional way to view the situation, and it just leaves me with an icky taste in my mouth. Nobody owes anybody anything in that situation. Ian does not owe Mickey companionship, and Mickey did not owe Ian support when he got put in prison in season 9. Returning to Ian was Mickey's decision to make, and not a decision Ian was obligated to make in season 6.
Now, onto the actual "dating other people" part of the conversation.
For months, Ian has done nothing but get his meds on track while working at Patsy's, then at the janitors job on Lip's campus. During this time, Ian expresses having a very low sense of self-worth.
"He as smart as you?"
"No."
"Yeah, he's smart."
"Lip is the genuis of the family."
"So that gives you an excuse for not finishing [high school]? You seem plenty smart, and Dav's uniform doesn't really suit you."
- Ian, Lip, and Professor Youens, S6E3
And:
"This is it for me, Lip. This job. This is where I land."
- Ian to Lip, S6E3
Which Lip comments on in a very concise way:
"Yknow, he thinks... Being bipolar means he's doomed to be a piece of shit like our mother."
- Lip about Ian, S6E3
Ian feels no sense of purpose during these months. He feels he has no worth and that he is doomed to work a dead-end job and have no happiness. He thinks he is just like Monica.
That only changes when he witnesses an accident on the highway, and he saves a woman's life by pulling her out of a burning car.
This leads us to Caleb.
Now I'll admit, this is where I take issue with the storytelling, because this would've been a PERFECT way to segue into Ian's EMT arc, but regardless of what I personally think would've been better, the way it plays out in canon does actually still make sense for Ian's character.
After saving the woman from the burning car, Ian collapses due to smoke inhalation and exhaustion. A firefighter on the scene provides Ian with oxygen, thus saving his life. Ian immediately fixates on this particular firefighter.
Now, Ian has a very complicated relationship with feeling his emotions post his diagnosis. In season five, when he is numbed by his meds, the only way for him to feel again is through pain, via self-harm or starting physical fights, and sex. In fact, sex plays a major part in many aspects of Ian's life.
From the age of fifteen, Ian had been consistently subject to sexual abuse. He's been used for his body by countless men throughout his teenage years and has been oftentimes reduced merely to his sexuality and what he can provide to his partner. Even Mickey, in season 2, tells Ian as such in a panicked rage.
"You think we're boyfriend and girlfriend here? You're nothing but a warm mouth to me."
- Mickey to Ian, S2E8.
(No, I'm not saying Mickey sexually abused Ian. But he did contribute to the way we see Ian default so heavily to objectifying and sexualizing himself.)
So, due to this recurring trauma, Ian has a tendency to default to sex as the primary way of getting satisfaction, be it emotional or physical.
So, when Ian gets a rush of adrenaline from the crash, after months of that numbness, he chases the emotions in the most effective way he knows how.
Ian goes to the firehouse with cookies to give as thanks to the firefighter who saved him, but with a clear ulterior motive of getting laid. When he finds out that the particular firefighter (who happens to be part of the "gay shift" which is an odd writing choice) he saw on the highway is married, Ian meets Caleb. In this scene, they speak all of one line to each other when Caleb invites Ian to a firehouse softball game. The next time we see them on screen together, Ian acts very flirtatious toward Caleb, which sets forth their relationship.
"You ever pitch?"
"... Usually, but I'm open depending on what you're into. Where we doing this?"
"Follow me."
[...]
"Wait, we're actually playing softball?"
- Ian and Caleb, S6E5
I think Ian receives hate for this simply because he's expressing interest in a guy that isn't Mickey. Fans get the impression that Ian is moving on too fast or that his interest in Caleb is sudden or rushed. However, I think the rushed nature actually works to show Ian's intentions. In this moment, Ian is not really looking for a full-on relationship. Given how little they interacted thus far, the fact that Caleb wasn't even who Ian was originally interested in, and how Ian's comments consistently err on the side of sexual, its safe to say Ian was just looking for a hookup. In fact, it's Caleb who pushes so hard FOR the relationship.
Mickey, in a deleted scene, hooks up with an inmate right after talking with Ian. If Ian's relationship with Caleb had only been a fling or hookup, I don't think Ian would've been as heavily criticized. As it is, fans get upset at this relationship because it IS a relationship. They go on dates, Ian starts staying with Caleb, and really they seem to be very domestic.
But I don't think Ian was as dedicated to the relationship with Caleb as fans make him out to be.
From the jump, Ian seems uncomfortable with the quick-moving pace of it. At first he only seems interested in sex with Caleb, but upon the negative reaction that provokes, Ian conceded to going on a date with Caleb (which is a bit of a slap in the face to Mickey fans after Gallavich's ruined date.)
"[...] I was hoping to get my hands on your hose."
"Is that what this is to you? A fuck?"
"You say it like it's a bad thing. Come on, let's get out of here."
"No. I knew you were younger than me, but I thought you were a grown-up."
"Fuck. Okay. Okay. Hey, I'm into you, alright? I thought you were into me."
"I am."
"Then what's the problem?"
"I don't stick my dick in just any guy."
"What do you want, then?"
"Seriously? Do I have to spell it out for you?"
"Yeah."
"A date."
"With, like, flowers and chocolate and shit?"
"No, we could skip the flowers."
"Okay. You're on."
- Ian and Caleb, S6E5
(Side note, pulling a "is that all this is to you" after two non-romantic interactions is not just quick in terms of hookup culture, which Ian is more attuned to, but is quick in any terms. More on that later.)
During this date, Ian is visibly very uncomfortable. Some would chalk this up to him having never been on a date before, and the writing even seems to imply that,
"Okay, look, I have no idea what I'm doing. My last boyfriend wasn't much of a talker, his idea of a conversation was to insult me a bunch and then punch me right before we banged."
- Ian to Caleb, S6E6
but that's actually not true, DESPITE the writers forgetting that.
"You know, Mickey and I never went out on dates. Ned never took me out, Kash and I fucked in the back of a convenience store, and I don't think jerking off strangers in a nightclub counts, so..."
- Ian to Lip, S6E6.
He actually HAD gone out on a "date" with Ned in season three, where he was visibly less uncomfortable than on his date with Caleb. He also went to many loft parties during his time dancing at the club, wherein he blended in very well and was able to sorta chameleon himself with the northside crowd. I think the show wants us to believe his discomfort is from him "never having been on a date before" or being unfamiliar with a "slower" pace, but I think his discomfort actually would stem from him just genuinely not being interested in Caleb in a romantic way, and thus feeling awkward on a date that's in a more romantic setting (compared to his one with Ned, which was undoubtedly more sexual.)
I also think his discomfort stems from being completely out of his element. Ian has taken a massive hit to his confidence since his diagnosis, so his Southside roots bring about a bit more hesitancy in him than it might have before, and he may be less confident in his ability to chameleon. That's why, during the date, Ian shows discomfort with Caleb when he shows more "class" than Ian.
"Usually, I get a bunch of apps to share. You good with that?"
"[Uncertain hum] ... Appetizers! Sure, yeah, big- big fan of apps."
[...]
"You seem like a very pensive kinda guy. You an only child?"
"Uh, no."
"Brothers and sisters?"
"A bunch, yeah."
"Older or younger?"
"Both."
"What about your parents? Both still alive?"
"... Yeah."
"... Fantastic. I'm learning so much."
[...]
"Where I'm from, people communicate with their fists."
"Where's that?"
"Southside."
"Mmm. Hands of steel. Okay, so you're a street rat. A brawler."
"Is that a problem?"
"Only if you make it one."
- Ian and Caleb, S6E6.
Then, beyond their first date, we have the actual relationship to dive into.
Throughout his scenes with Caleb, Ian seems to oscillate between neutrality, discomfort, or mild enjoyment in the situations he finds himself in.
There's this interaction, for example, where Ian lets Caleb take charge in defining their relationship:
"So what are we doing?"
"Whatever you want, I guess."
- Ian and Caleb, S6E7.
Or this moment:
"What are you smiling at?"
"I like having you over here. What are you smiling at?"
"I like having a purpose."
- Ian and Caleb, S6E8.
Or when Caleb invites Ian out with his friends, and we see Ian slip into his chameleon persona, mirroring the petty mannerisms of the most vocal participant of the conversation, as well as avoiding diving too much into his personal history.
"You haven't told me which one is your ex."
"Guess."
"Old guy, pink sweater."
"How'd you know?"
"Ooh, a redhead, Caleb? Does his carpet match his drapes?"
"You're a good sport."
- Ian and Caleb, S6E8.
[...]
"If we had known you were bringing a middle school student, Caleb, we wouldn't have come to a place that cards."
"Oh, no, it's cool, I don't drink. I hear it makes your skin old and leathery."
"That's-that's how we're playing this?"
"Hey, you threw down first."
"Where you from, kid?"
"Back of the Yards."
"Local boy. What's your story?"
"Story?"
"Who you are, what you do, how did you meet this chocolate bundt cake?"
"Met him at the firehouse."
- Ian and Gregory, S6E8
[...]
"We like this one, Caleb. Don't we, Gregory?"
"I mean, If young, beautiful, and kind of a smartass is something to like, sure, fine, I guess we do."
- Caleb's friends about Ian, S6E8.
OR, in a deleted scene where Caleb expresses frustration at Ian keeping the distance between him and Ian's family, as well as Ian's lack of communication, while Ian seems unbothered or even perplexed by Caleb's frustration.
"So, where'd you sleep last night?"
"Home. Got done at three, told you I'd be late."
"Yeah, like nighttime late, not next day late."
"Well, I didn't wanna wake you, and I had to go back there to grab some stuff: clothes, towels..."
"Where's there?"
"Home, you mean?"
"Yeah."
"Back of the Yards."
"Right. You did mention that once. I still don't know where it is or who I'd call if there was an emergency?"
"Uh... my brother, I guess? Or my sister."
"Brother or sister. Okay. I'll just track down Ian Gallagher's brother or sister on the internet."
"I'll... put their numbers in your phone."
"Great."
- Ian and Caleb, S6E11 deleted scene.
OR any of the follwing:
When they go to get Ian tested for STDs, he is visibly uncomfortable having Caleb in the room with him.
He is only comfortable revealing his bipolar disorder if it is done in exchange for another secret from Caleb.
He isn't very comfortable sharing his past, only references his previous relationship in a lighthearted manner, and he only reveals his sexual history upon feeling pressured to do so, which he purposefully presents in a callous way.
To me, the entirety of Ian and Caleb's relationship reads as Ian's desperation for validation through sex, which leads to him putting up with a relationship he isn't entirely comfortable in or commited to or ready for. To me, it seems like he's truly just looking for companionship in any way he can get it.
Out of everything, though, I think what really gets to fans most about this storyline is the constant comparison of Caleb to Mickey as a means of demonizing Mickey.
Throughout the entirety of Ian and Caleb's relationship, there is a constant comparison between the two relationships, seemingly with the intent of painting Mickey as a horrible partner.
When Ian tells Lip about his upcoming date with Caleb, he remarks that he never went on dates with Mickey, which comes off as an unnecessary jab.
During his date with Caleb, Ian talks about his lack of effective communication skills, which reflects negatively on Mickey, to the point Caleb brings forward the idea of domestic abuse.
During the wedding that Ian attends with Caleb, Ian mentions Mickey's marriage to Svetlana, and he uses a tone that comes off as belittling the situation and how difficult it was for Mickey.
There's this line, when Caleb asks Ian to kiss for the first time:
"Can I kiss you?"
"I thought kissing comes after you've had sex a bunch of times."
"Ian, kissing comes whenever you want it to. Even now."
- Ian and Caleb, S6E6.
Then, there's Mandy stating that Caleb was better than Mickey.
"A hot black fireman. Also an artist."
"Upgrade from my brother."
"I miss Mickey, but uh... This new guy's nice."
- Ian and Mandy, S6E9
These near constant comparisons to Mickey are frustrating to fans, because it can often feel like Ian, or even just the writers and the narrative, are trying to belittle Mickey's character and reduce him to a one-note toxic ex, which completely spits in the face of the development that he went through. THAT is what is most frustrating to fans.
Because it's true that Mickey was not always the best partner. In real life, Mickey would be a walking red flag, and Gallavich would be undeniably toxic. But that applies to EVERY SINGLE CHARACTER in Shameless. That is the entire point of the show. None of them are particularly good people. They all do shitty things, but they all have compelling reasons for doing it. That's why we can look at these characters and feel connected to them instead of just absolutely hating them.
It's a really odd writing choice for a show that focuses on morally gray characters, or the idea that nobody in the show is really a good person, to decide to play moral high ground in this particular instance, and have Ian suddenly turn his nose up at Mickey's behaviors.
But is this really how Ian feels?
Because, as established, Ian is VERY good at playing chameleon. He is good at shaping himself into whatever a partner wants him to be. He mirrors his partners mannerisms, beliefs, and attitudes.
And Caleb, for all that the story wants to make us believe he's better than Mickey, is actually not the best partner either. Not just for cheating on Ian in season seven and then gaslighting Ian about it; he shows some toxic behaviors in season six as well, including being lowkey judgmental about Ian's Southside roots.
Take, for example, Caleb implying that the Southside is trash, but that he can see the beauty in Ian despite being from the Southside:
"That's my latest. I love to find the treasure inside the trash. Trying to find the secret life in things. What it wants to be instead of what it is."
"Is that what you're doing with me?"
"Good question. Can I kiss you?"
- Ian and Caleb, S6E6
(Which, funnily enough, this line from Caleb goes pretty against the sentiment that Monica had in season five, of Ian finding somebody who loves Ian for who he already is, as Mickey did.)
Or, for another example, Caleb judging Ian pretty heavily during the softball game for being "not grown-up." Simply because Ian expresses sexual interest in him above romantic.
"Cmon, let's get out of here."
"No. I knew you were younger than me, but I thought you were a grown-up."
- Ian and Caleb, S6E5.
Which, as I pointed out before, is really strange behavior. Participating in hookup culture isn't something that Ian needs to be shamed over. There's a sentiment of "Hooking up is beneath me, it's immature," to Caleb's tone, which is unfair. Now, he has reasons for this, that being his experience with getting HIV from a hookup who lied to him, which draws a pretty interesting parallel to Ian.
"Don't worry, guy I did the scene with said he was clean."
"He didn't use a rubber? Are you out of your fucking mind?"
- Ian and Mickey, S5E5.
Vs.
"Guy in college. He lied to me."
- Caleb to Ian, S6E8.
(Which I actually find to be a very interesting plot point and is actually a pretty good scene.)
So, while Caleb was not wrong to put forth a boundary by not hooking up, he was wrong for acting as if IAN was the problem in the situation. Not to mention, his behavior at the game is very strange when taken into account how little they've interacted thus far. He had understandable reasons for his negative reaction, but he went about it the wrong way. Sounds familiar, doesn't it?
Anyways, I could talk about the relationship between Ian and Caleb more, but that's not what the point of this is.
The point I'm trying to make is that Caleb, however covertly, expresses a negative or biased view toward the Southside lifestyle. And Ian, being the type to mimic his partners, follows along in that.
Ian already fears that he is going to be left. He is afraid that showing Caleb who he really is and not being the idealized version of himself will lead to Caleb breaking up with him.
"I'm enjoying it while it lasts."
"You think he'll dump you?"
"Well, I've told him I'm bipolar, and my family's screwed up, and he took it pretty well. But it's one thing to hear it and another to live it, so... We shall see."
- Ian and Mandy, S6E9
So, he chameleons. He makes himself the treasure in the trash. He distances himself from the image of a brooding, Southside street rat.
Because, after so long of constant pain and numbness during and post his diagnosis, Caleb is the first good thing he's found.
"I haven't been this happy in a long time."
- Ian to Caleb, S6E8.
And really, everything that I just talked about doesn't matter when you think about it that way.
No matter how dedicated or invested Ian was in his relationship with Caleb, it still provided him with companionship and validation, which as we know, is something that Ian has an unhealthy dependence on to find self-worth.
And I don't think Ian was wrong in searching for that connection simply because that connection wasn't with Mickey. He could've been well and truly in love with Caleb, and he wouldn't deserve some of the hate he receives for his canon actions.
It's easy to look at Ian's relationship with Caleb and get frustrated because of all the time that was put into Ian and Mickey's relationship. But beyond the instinctual negative feeling that comes with seeing Ian with anybody other than Mickey, his relationships outside of Mickey deserve to be analyzed and observed for what they actually do for HIS character, and not just immediately cast aside as unnecessary or ooc.
So, to summarize:
Firstly, Ian wasn't selfish for not waiting 15 years for somebody in prison. Whether he was serious about Caleb or not, Ian was under no obligation to dedicate himself to Mickey. Ian did not owe Mickey anything simply because Mickey was there for Ian when shit got tough. If they had been together, sure, Ian would've been a lot shittier for leaving Mickey alone. But as it was, they were broken up, and even if they hadn't been, Ian would've had every right to not want to continue seeing Mickey after his decision to harm Sammi, just as Lip was justified in not wanting to be with Mandy anymore after she ran over Karen.
Secondly, Ian dating Caleb wasn't bad for his character. In fact, I think their relationship in season six was actually a very interesting way to progress Ian's character and get more insight into his mind and how he operates.
Thirdly, Ian and Caleb's relationship deserves to be analyzed for what it is, rather than what it isn't. Just because Ian is not with Mickey doesn't mean that he doesn't undergo some huge development in this season, both in and outside his relationship with Caleb. Furthermore, Ian entering a new relationship gives us the opportunity to see more sides of his character, and as such the relationship should be analyzed as it's own separate entity, and not just as a hurdle in the way of Gallavich.
Fourth, Ian was not just waiting to cast Mickey aside to jump on the next dick possible. I've seen this criticism before, and when looking at his actual arc at the beginning of S6 and analyzing his general character, that's just simply not true. Entering a new relationship is not equal to immediately disregarding Mickey.
TL;DR: The hate Ian gets from this season mainly stems from "Ian date somebody aside from Mickey, bad Ian" without any further thought behind why he enters the relationship and what the relationship actually means to him. There is no separation in the minds of fans between Ian and Mickey, and therefore, Ian having experiences and an identity outside of Mickey is negatively perceived.
Season Seven: Putting His Own Wellbeing First
This one will be less long winded than the previous one, because I have less to say on it, honestly.
During the entirety of Ian's bipolar arc, it is pretty clearly shown that to maintain mental wellness, Ian needs stability.
When Mickey shows up and asks Ian to run away with him to Mexico, that's threatening to uproot every amount of stability Ian has managed to secure the past two seasons of the show.
I honestly don't see as much hate directed toward Ian for his decision to leave Mickey at the border as I see for his previous decisions. I'd say the main thing I actually see directed toward this season is just that Ian's story is boring without Mickey in it. Mostly because he enters another new relationship with Trevor after his relationship with Caleb, which really just follows the cyclical Shameless cycle of, "Don't know what to do with a character? Give them a new love interest!" But because I talked about the judgement for non-Gallavich Ian relationships above, I don't particularly feel like doing a deep dive into the Ian and Trevor relationship in this meta.
What I want to talk about relates to the Mickey Mexico storyline, though, and that's the hate other characters recieve for trying to dissuade Ian from going.
After finding out that Mickey escaped from prison, Fiona and Ian have the following conversation:
"What are you doing up?"
"Couldn't sleep. You ever, uh, think about about what would've happened if you'd run off with Jimmy-Steve?"
"Lying sociopath Jimmy-Steve? My life would be a nonstop psycho-thriller. I definitely dodged a bullet with that one."
"What if nothing ever gives you that same thrill again? Still feel like you dodged a bullet?"
"I don't know. Probably. Where's this coming from?"
"Things have been weird between me and Trevor since Mickey got out."
"You mean since Mickey busted out of prison and has got half the Chicago Police Department circling the Southside looking for him."
"Can't get him out of my head. Just trying to stop myself from doing something I shouldn't."
"You turned your life around. Mickey would set a match to it. You've done really great without him, and I'm really fucking proud of you."
- Ian and Fiona, S7E10.
I've seen this conversation criticized many times because of how "unfairly" Mickey is treated in this scene. But I truly think that nothing said in this scene was wrong, and Fiona was 100% right.
In the past, Fiona has definitely shown a prejudice against the Milkovich family before. Specifically with Mandy, Fiona seems to look down upon her and disapproves of the relationship between her and Lip. This on its own is unfair treatment and is annoying to witness.
But in this particular case, absolutely nothing she is saying is wrong or biased simply because Mickey is a Milkovich.
People take the line, "Mickey would set a match to it," and compare it to his behavior in late Season 4 through season 5, where Mickey is taking care of Ian, and say that Fiona is being untruthful or hypocritical. If Mickey had never been sent to prison, or even if he had just been released legally, and Ian was simply thinking about cheating on Trevor and getting back with Mickey instead of running away with him, then the criticism toward Fiona would be more justified. But as it is, Mickey is a wanted fugitive, and Ian running away with him would make Ian a fugitive as well, and WOULD effectively set a match to the life Ian had spent the past two seasons working toward. He would be giving up a career he worked hard for and fought to have, he'd be living in stressful conditions on the run, he'd have no support system, and he would have less ease of access to his medication. Running with Mickey would have been the wrong decision for Ian's wellbeing, and honestly, Mickey should never have asked Ian to go with him.
I think that many people have rose colored glasses on when it comes to Gallavich, specifically with Mickey, and that makes it harder to view these moments unbiased. But, looking at it objectively, Mickey was so wrong for asking Ian to come with him to Mexico. He KNOWS that Ian needs stability with his bipolar diagnosis, and he KNOWS that this would be a stressful life he'd be forcing Ian into.
Simply put, he's acting selfishly in that moment. Having your own interests in mind is not always a bad thing, but in this specific case, Mickey would have thrown a huge wrench into Ian's life is Ian hadn't made decisions in HIS best interest.
Again, I have less to say on this as I did other subjects, because to me it feels much more cut and dry. Mickey was in the wrong here 100%, Fiona was not being wrongfully judgmental toward Mickey, and Ian was not in the wrong for not going with Mickey.
After so long of seeing them apart, it makes sense to want to see them together again. So when Ian, again, is the one making the decision to end their relationship, fans are going to lash out at him and those around him.
But it's important to put aside biases and allow your favorite character to be in the wrong occasionally. Mickey is not perfect, and criticism against him, both from characters in the show and fans, is not unfounded nor unjustified.
TL;DR: Mickey was wrong for asking Ian to uproot his life and run to Mexico, and calling that out isn't defamation of his character.
To End This Yap Session:
Ian is by no means a faultless character, and he is not exempt from criticism both inside and outside of his relationship with Mickey. However, I often feel that the criticism he faces is for the wrong reasons, and not much contemplation or exploration is done on him as much as it is for Mickey.
I love Mickey. He's an amazingly complex character, and his relationship with Ian is one of my favorite parts of the show. But in being a complex character, he is also an imperfect character.
I feel that many fans get very protective over their favorite characters, to the point that anything that goes against that character's interests is labeled as bad, and any criticism toward his character is disregarded immediately.
In this particular case of Gallavich, I feel that post season three, fans often see things from Mickey's point of view without looking at Ian's as much. This meta was simply to give my own thoughts on Ian's most "controversial" moments among fans. Obviously this is mostly condensed to season six and his relationship with Caleb, which I feel is the biggest example of jumping to conclusions and only seeing the surface level of his character.
However, I would like to acknowledge that Ian is also an insanely popular character in the Shameless fandom. While he is misunderstood in many instances, he is given much more sympathy and understanding than many other characters in the show, especially many of the female characters. This long-winded meta is only focused on the concerning tendency for fans to link Ian's identity to Mickey entirely without allowing him to be an individual, but a majority of the time he is still a beloved character who is treated favorably by fans. Compared to a character like Debbie, Ian sees much more support, and I feel that the energy I put toward this meta and trying to understand Ian should also be applied to (almost) EVERY character in the show.
Anyways feel free to leave thoughts.
#shameless#shameless meta#ian gallagher#mickey milkovich#monica gallagher#shameless caleb#shameless trevor#gallavich#does any of this really matter? no probably not cause at the end of the day its a silly tv show#but i find it personally interesting to think about so i made a long ass meta about it#but its seriously not that deep so fandom discussion is great#but if the stans take my post to twitter and grill me like my dbh meta i will get gen mad lol#also sorry to the ppl who follow me for dbh ive def fallen off that hyperfixation at this point in time#this could've been cleaned up a bit but ive had this in my drafts for like 3 weeks or more so
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I can’t believe a boyfriend made a silly sex joke to lighten the mood after both partners had a moment of vulnerability. The audacity. The horror. The normalcy! Unbelievable. How dare a conversation about feelings turn to levity. How dare a couple have a light chat about trauma-related things over dinner that doesn’t turn into an incredibly deep heart to heart instead of a joke and moving on. Unbelievable. I’m never watching this show again! 👎🏻
#911 spoilers#bucktommy#Evan buckley#Tommy kinard#look#as a queer person in a relationship with another queer person#both of whom have major familial trauma#trust me when I say you generally DONT WANT ever reference to your feelings and trauma to turn into a huge deep discussion#sometimes you just say something vulnerable#and the other person does too#and then you joke about it and move on#humour is powerful coping mechanism as well#one that is pretty common especially among guys#people need to freaking relax ffs#Tommy is not a horrible person for making a flirty joke#things were said and feelings were acknowledged#and then they moved on#this is all perfectly freaking natural#Buck is not some sensitive flower that can’t handle a silly joke about daddy issues#please I beg you all to look at this at a distance with some common sense#rather than the ‘but Buck is traumatized and must always be treated delicately!!’ lens#and I am saying all of this as someone who really doesn’t give two fucks about the joke itself#I’m not into daddy kink idgaf#but if the idea that a queer couple isn’t allowed to insert a flirty joke to lighten a moment of vulnerability#then I don’t know what to tell you#you personally finding something innapropriate does not mean it’s actually innapropriate#please just chill out ffs#no one wants to hear about how evil Tommy is for hitting on his boyfriend for months and months to come
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