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whencartoonsruletheworld · 24 hours ago

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hey you’re really good at explaining viddy games. what’s the full story behind Amanda the adventurer bc it looks really cool but I doubt I’ll ever be able to play

Well first off if this is just based on "can't play game" and not on triggers/disabilities, I would recommend watching CoryxKenshin's playthrough of the first game, and there's plenty of playthroughs of the second, I just haven't picked a fav yet.

But otherwise, here you go:

I'm telling this in two sections: The Story As Told, which details lore as you learn it, and the Summarized, which just spells out everything as simple as possible.

Story As Told

The game starts in the year 2023 with you as the character of Riley Park– gender is left ambiguous, but in the second game Amanda uses they/them to refer to you, so we're probably enby. Our Aunt Kate, a librarian, has recently died, and left us a note that says we not only get her house, but she has something very important in the attic for us to check out, though she's hesitant about actually giving it to us. She tells us to watch some VHS tapes in the attic, but warns us that there's no going back once you do.

In the attic, we play VHS tapes of Amanda the Adventurer, a TV series from the early 2000s starring Amanda and Wooly, an energetic little girl and her more cautious sheep sidekick. However, there are two very suspicious things that immediately pop out: one, viewers can actually interact with the tapes, and our answers to Amanda's questions change how she reacts. Two, Amanda is saying some very eerie things that don't seem good for a kids' show, such as "It's good to be brave [and use knives without supervision] when you're alone!" and "I'm not sure where [my parents] are now."

The third suspicious thing is that after watching the first tape, the attic around you changes; suddenly, a toy oven appears on the table behind you, and when you mimic what Amanda did in the first tape to make an apple pie, you find a second tape. This sort of puzzle-solving is the main gameplay; the tapes change the world around you, and you mess with that world in order to get the next tapes.

Exploring the attic, you can find a newspaper clipping saying that the creator of Amanda the Adventurer was a man named Sam Colton, who had his daughter, Rebecca, star in a live-action pilot version. We also see a note from a girl named Joanne, saying that two years prior, her brother Jordan got addicted to watching Amanda, and then he disappeared without a trace. Now that her parents are dead, she has taken over investigating, and that she believes Kate's paranormal investigations could help.

In playing the tapes, Amanda gets more and more irritable and dark, often making jokes about death or disassociating when she's not snapping at you or Wooly. Wooly is desperately playing damage control, trying to guide Amanda to more child-friendly activities. At one point, Amanda tries to mail cookies to Kate, and Wooly tries to stop her; upon replaying the tape, Amanda is aware that something bad has happened to Kate, and Wooly tries to rewrite the tape so that she's sending him a gift instead. Both of them are also terrified of the Butcher, a stick figure with googly eyes who runs a butcher shop in their town. When you have to go there, Amanda pleads for you to not send her there, and asks, "Why can't I stop it?"

The first ending comes when you play a tape titled "Everything Rots." Amanda explores several things that are rotting, and asks you if everything rots; this is the famous line you might've seen around. No matter what you answer, the tape ends, and a giant Monster emerges from the attic trapdoor, before attacking and killing you. This Monster has the same afro-buns as Amanda, so we'll call it the Amanda-Monster. However, information you got in this ending will help you in future playthroughs. As well as this, doing "secret" activities (such as following Wooly's hints and making a peach pie instead of an apple one) will net you Secret Tapes, which you need to collect to get the true ending.

Here is the information gathered through the regular tapes:

As mentioned, Amanda knows Kate and considered her a friend. When she's aware of something bad happening to Kate, she's upset. Both times, Wooly does not want to talk about Kate or send her anything.

Amanda does NOT like Wooly. At first she treats him with neutral disdain, just kinda ignoring him, but in several tapes she actively encourages hurting him.

Amanda has a fascination with death. In the "Everything Rots" tape, she says, "Sometimes I can feel myself rotting... but it seems far away."

In certain points, if you reference words such as "butcher," "Hameln", "Sam", or "Rebecca", Amanda will have a stunned reaction and Wooly will look uncomfortable, before the tape glitches. Using "Sam" in one instance gets you a secret tape.

In one tape, Amanda encounters a "lonely kitten." She asks Riley if you'll help the kitten. If you say "Yes," she looks surprised and the tape ends. If you say "No," she'll start begging and pleading for you to as the world glitches around her. The tape will end and you will be killed by the monster.

In order to get the tapes, you sometimes have to do upsetting things, such as cutting off a doll's head (causing it to scream), or breaking a toy robot that begs you to stop. At one point, you have to kill a rat in the attic and place it in the toy oven.

And the secret tapes:

Amanda was originally a live-action program starring Rebecca Colton. It was acquired by a company named Hameln to make it into an animated show, but they started having Rebecca say suspicious things into the mic which made her dad uncomfortable. (Such things were seemingly innocuous phrases such as "bye yell," which when said quickly sound like the name of demons like Bael). Sam Colton then disappeared mysteriously, leaving Rebecca in the care of Hameln.

Children other than Joanne's brother have disappeared while watching Amanda; we see a little girl glued to the TV as Amanda plays, and her mother leaves the room for a minute, before returning to find her completely missing.

When you have enough tapes, you get a second version of "Oh No! Accidents!" in which Wooly is supposed to be injured, but isn't. Amanda insists he's still injured, but in the head, and that they need to make him better. She then drugs him and takes him to a dingy hospital set, where she says she's going to use several tools to do surgery on him. Whether you help Wooly of Amanda, she attacks and seemingly kills the sheep. You have to solve a final puzzle, in order to get a tape entitled "We Can Share." In the tape, Amanda is alone, with Wooly edited out of the intro and suspiciously lamb-based products in her lunchbox.

She will then ask Riley if she can share a secret with them. She will ask this three times, giving opportunity for Riley to refuse. Here are the three endings this tape will give you:

If you say "No" at any point, Amanda will get upset, and say "I thought you were different." The tape ends, and when you turn around, the attic is completely empty except for a note that says "Leave."

If you say "Yes" every time, Amanda will then say, in a voice ungarbled by TV static (implying she's in the room with you), "I'm out there. Somewhere." The TV will glitch and start screaming, and you have to throw a brick at it to break it.

If you say "Yes" every time AND have all five secret tapes, the same thing will happen, but a Masked Figure will appear behind you. This is the True Ending as confirmed by the second game.

There is also a final, optional ending: If you pause "What's a Family" during the weather reports and play with the weather toy, the attic trapdoor will start glowing. When you enter, you awaken as a piece of meat in the butcher shop, and the game ends. This is known as the Butcher Ending, and implies that those who disappear into Amanda's world are killed by the Butcher and subsequently eaten, likely by the Amanda-Monster that's been attacking you.

This is the end of game one. The second game picks up immediately afterwords; the Masked Figure speaks in a feminine voice, telling you she was a friend of Kate's and that she'll help you. She drives you to the library, asking you to gather the tapes inside while she keeps watch outside. Once inside, you can indeed find several new tapes while the Figure occasionally contacts you, saying that a monster seems to be following her outside; at one point, she also tells you that Kate's house has burnt down after you both left. Your goal in this game is to get into Kate's office, which is locked.

For the first few tapes, Amanda is alone without Wooly; however, a mysterious Possum will show up and try to mess with her. When it does, she is genuinely surprised to see it, not knowing who it is. Amanda is more open with Riley, often trying to say that she can't go anywhere, that she feels trapped, and that Hameln and the Butcher scare her. In fact, ANY reference to the Butcher will make her terrified and angry, and at one point can softlock you in the game. If you let her have a nightmare in the "Goodnight" tape, you see her nightmare of being watched while the Butcher looms over her; if you give her a nightlight, she calls Riley by name.

In the tape "Let's Practice Patience," suddenly Wooly appears, as if late to the program. Amanda will get angry and attack him, before the tape glitches back to the beginning. As she tries to intro the segment, Amanda snaps and says she doesn't want Wooly there; it will once again glitch to the beginning and they will continue the tape. All following viewings of the tape will have this third intro, as if Wooly was always there. It should be noted that the Hameln logo only appears in the tapes that Wooly does, and that Wooly also does not know who the Possum is.

In a following tape, Amanda will try to hunt for treasure. If you lead her to the wrong place, she will dig up what seems to be Sam Colton's clothes, look distraught, and then rebury it at Wooly's prompting. If you play it normally, Amanda will get angry that she hasn't found any real treasure, and tell Riley to give her something that will make her happy. The Amanda-Monster will then appear from behind the TV, and no matter what you give it, it will kill you, leading to the first ending.

However, once you "start over" the game, the first tape is different, with Amanda asking you to do something different than you did last time. When you do, a train set appears behind you, and having it go to the places Amanda wants to go will get you a new tape. Taking it to a different exit will also get you a secret tape.

An important tape is the one titled "When You're Feeling Bad." Amanda is having a bad day and lying on the couch, snapping at Wooly. Wooly tries to tell her a story about a knight saving a princess from a dragon; if you help Wooly tell the story normally, she will get angry and the Amanda-Monster will kill you. If you follow the story told by Amanda's drawings in the background, a mysterious narrator will tell a more tragic tale, of a princess being turned into a dragon which her beloved knight then slays, which upsets Wooly but makes Amanda happy. She will then tell the Amanda-Monster not to kill you and send it away.

Upon finishing this and replaying the "Hunt for Treasure" tape, you now have the option to give the Amanda-Monster a Wooly toy when Amanda demands treasure. It hears a roar from elsewhere in the building and runs off, breaking open Kate's office door. You can enter and find several puzzle pieces you'll need, as well as a locked desk and a broken tape titled "We Can Fix It!" First playing that tape will show nothing but horrifying glitches, but repairing it makes it only mildly glitchy as Amanda tries to fix Wooly's box of junk. After the Possum attacks Wooly in this tape, he says he's tired of this game and will try to sit down, as if waiting for the tape to end.

It should also be noted that in this tape (iirc), you can see the Butcher figure, telling you to "count backwards from ten," and that you may feel a pinch. If this seems confusing, it's what doctors usually say while putting you under anesthesia before a surgery.

The Bad Ending comes when you reach the final tape without having all of the other tapes, and you have to complete it in order to get the True Ending later. You'll watch a tape titled "Do You Feel Safe?", where Amanda expresses distrust in Wooly and a slight trust in Riley, before hearing the Masked Figure over the radio and saying she doesn't trust new friends, ending the tape. The Masked Figure will enter and tell you that she's gathering a few things, and tell you to finish up. Completing a final puzzle will get you three keys to unlock Kate's desk, which has a tape recorder (which you can't play until the True Ending) and a button that opens a door to a secret bunker, with a ladder leading into the ground.

The Masked Figure will arrive and tell you it's time to destroy the tapes. She will smash one with a hammer, causing light to emerge from it. However, the Amanda-Monster will then attack her, and Riley flees into the bunker at her urging. You'll close the door and descend the ladder as the Figure screams and dies, ending the game.

The True Ending comes with the secret tapes, which give you the following information:

There is a tape of several adults investigating the paranormal activities around the Amanda tapes, as they're noticing several references to demons of multiple religions. They conclude that Hameln is connected to a cult that hasn't been practiced publicly since the middle ages; however, as the adults start disappearing, they get more antsy about what's going on with the company and if they can actually contact "Rebecca" through the tapes. Kate believes she is talking to Rebecca through Amanda, but she's volatile. It should be noted that this tape seems to take place "fifteen years" after the show first aired, placing it in mid-2016, several years before our game takes place.

One tape shows Hameln trying to coerce Sam into telling Rebecca to trust them. They are holding him hostage and refusing to let him see his daughter unless he complies, claiming that his contract allows them to do this. He refuses, saying he did not agree to lie to his daughter.

Someone secretly filming in a hospital shows an adult woman strapped to a hospital bed being monitored by doctors who talk about "incidents." They spot the person filming and chase them; it should also be noted that this tape is labelled in the files as "Rebecca's Room."

Getting all of these will unlock the True Ending, which starts the same as the Bad Ending, with the "Do You Feel Safe?" tape. However, as the Masked Figure talks to you, this time the Possum will arrive, and seemingly recognize the voice. It jumps at the screen, shouting, "JO- JOA-" before playing dead. (It often plays dead at the end of tapes, but whether it's playing or not in this one is unclear.) Amanda and Wooly will throw its body into a dumpster and leave; if you refused to help them, they will be angry at you, and if you did, they will simply ignore you.

The Masked Figure comes in and tells you to collect everything as she gathers items. However, this time, you will be able to play the cassette tape in Kate's desk, and hear audio of her death; she is in a car, having a breakdown and telling you not to investigate the tapes, that everyone who's done so is dead, and "Joanne is dead; she trusted me." You hear the car crash, then, which is what killed Kate.

The Masked Figure enters, stunned, and reveals herself to be Joanne. She says that someone approached her and told her that if she destroyed the tapes, she could free her brother. She went to Kate, who wouldn't let her destroy the tapes, and the Amanda-Monster attacked, likely trying to protect the tapes. She pushed Kate out and told her to run, and while she survived but ended up scarred, Kate died in the following car accident. Joanne suspects that whoever told her to destroy the tapes may not have had the best intentions, and tells you to take one specific tape and run into the bunker, and finally destroy Hameln. As you do, the lights go out and Joanne is attacked. However, you see a different monster than the one that normally attacks; instead of Amanda-Monster, this one looks eerily like Wooly. Joanne's death sounds will be much more brutal and painful as you escape and end the game.

This is where we're left off until Amanda 3 inevitably drops.

Lore Summarized

In the early 2000s, Sam Colton started a local live-action television show starring his adopted daughter, Rebecca, Amanda the Adventurer. It became a local hit, and he partnered with the library and head librarian Kate to use it to promote literacy and exploration. The show was acquired by a company named Hameln, who wanted to turn it into an animated program. However, they started making Rebecca record suspicious lines that sounded a lot like demon names, and Rebecca expressed discomfort at "a man in the headphones" telling her to do bad things. When Sam started showing hesitancy at letting Rebecca do things, Hameln kidnapped and held him hostage, telling the rest of the world that he'd abandoned them and his daughter. It's most likely that they eventually killed Sam and buried his body.

Now with full control of Rebecca, Hameln had her continue their strange experiments until she too disappeared from the public eye. What is most likely is that they had her put under a medically-induced coma that transferred her consciousness into the animated world, literally turning her into Amanda; somehow, this also enabled a demon to enter the physical world with a connection to her.

Rebecca remains stagnant in the animated world, continually luring children to join her in this world, where the Butcher kills them and uses them as a meat source. Amanda doesn't seem to want to do this, and is disgusted and horrified by the Butcher, but she also doesn't seem to have a choice. The Butcher may also be connected to the doctor who put Rebecca into this procedure.

While Wooly is still ambiguous, the leading theory rn is that Wooly was a Hameln employee who was placed inside the world as a way to keep Amanda from questioning them or divulging from the path, and Wooly does not realize how long he's been in there or that Hameln has also abandoned him and made a demon out of him as well. Amanda, however, starts to pick up on this in the first game, which is why she is so violent towards him and eventually kills him.

Kate and her paranormal investigation friends began investigating the tapes after she noticed Demonology in it, but they slowly disappeared one-by-one. Kate became convinced that she could contact Rebecca through the recorded tapes of the show, which Amanda seems to confirm as she references Kate as her friend, but which Wooly didn't like.

In about 2021, a boy named Jordan Cook disappeared while watching the show. His sister, Joanne, became obsessed with finding him, and someone told her that destroying the tapes would free her brother. Kate refused to let her, and the Amanda-Demon attacked, resulting in Kate's death as she tried to escape in a car crash, and Joanne's scarring.

Following Kate's death, her house was given to her nibling Riley Park, who began playing the tapes and piecing together what happened as they also communicated with Amanda. Amanda attempted to kill and eat Wooly to prevent him from returning, but the next game shows this was not a permanent solution. Amanda does communicate to Riley that she is out there somewhere before the TV freaks out and Riley has to break it.

Joanne then meets with Riley and brings them to the library, hoping to get into Kate's office. Joanne is stalked by a monster, likely the Wooly-Demon, while Riley plays more tapes. Amanda shows even more disdain for Wooly, as mentioned, and Wooly keeps trying to steer her onto the scripted path. In these tapes, a Possum will appear and try to stop whatever they're doing; both of them are surprised and confused by its appearance.

If you destroy the tapes, the Amanda-Demon arrives and kills Joanne. But in the True Ending, the Possum hears Joanne's voice over the radio and recognizes it, implying that the Possum is Jordan. When Riley hears the audio of Kate's death, Joanne will break and tell them to run with a tape. They enter Kate's secret bunker, before seeing the Wooly-Demon kill Joanne. Riley escapes into the unknown, until Amanda 3 drops at least.

#amanda the adventurer #ata #ata2 #amanda the adventurer 2 #mine

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2demondogs · 3 days ago

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Hi! Could I kindly request headcanons between Charles x reader? No specific topic, just want Charles content ♥️♥️♥️

Sure!! I did random ones :3 Gender-neutral reader!

Charles is a living furnace. Even if he's cold, he'll be running much hotter than you are. It makes for both good and bad evenings spent together. Laying on him for a while never fails to be comfortable at first, but unless it's freezing outside you'll wake up feeling — and sweating — like you were tucked in a Dutch oven all night.

Often times, you try to keep him company as he stands guard. Key word: try. Charles is always focused while on duty, falling into this near-disassociated headspace of both zoned out and tuned in. It'll take him a while to understand that you just want to spend time with him, or miss him. Reading a book nearby while he watches the treeline is valuable time together, anyways.

Easing into conversation is not his strong suit, especially if he's very invested in the answer to whatever question he's thought of or if he's got an observation he'd like to share. Be ready to talk about some deep shit well past midnight, or to have him ask about your relationship with your parents like he's talking about the weather.

Less stressful conversations are started the same way. Charles rarely breaks a silence first, unless he takes special note of it and grows anxious. Unlike how he feels about most people, he quite likes your conversation, and so he feels a need to make his end of it meaty. He's shown you how to pack a pipe, how to whittle various little tools, and other things that are useful enough to pass as worthy of telling you.

Charles is both bad and great at comforting you. After a while, he'll figure out what you respond to the best, whether that's physical comfort or talking things out. If you ask him for something in tears, he'll break a few bones — his or another's — to get it to you. But if you've got no idea what to do, he doesn't really, either. And he's not apt to start lying to you of all people, and in a vulnerable state like that, to boot.

In more romantic moments, he'd like to think you will leave a stain on one another's lives. When you haven't got much, you start to carry pieces of everything that's not yours to make up for it; ask Charles to describe a stranger from every year of his life, and he can tell you how they looked and why he thinks of them still. Lonely people tend to treat life like a story, and he was lonely for a long time.

Charles can dish out the tooth-rotting nonsense, but he can't always take it. Expect a lot of filler words and crutch phrases if you ever open your heart and then prod more than an I love you, too out of him afterwards, because his usual reaction is to smile or kiss you and let his brain go completely empty for a minute.

#charles smith rdr2 #charles smith x reader #rdr2 headcanons #charles smith headcanons #headcanon #neutralreader #red dead redemption 2 #rdr2 #sfw #fluff #Charles be like “You have authority problems. What was your relationship with your father like?” as a greeting.#ask

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utilitycaster · 3 days ago

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anyway. taking an extended break to get some stuff done but Veilguard Findings:

I do get kind of carsick from video games it turns out, though some of that is that I am just not good at any controls so I keep making the camera flail wildly, and frankly I think movement should be exclusively point and click. It is getting better and I'm taking breaks and drinking a lot of water, so on some level this is probably doing wonders for my hydration. Advice would not be unwelcome, however;

I am also so bad at combat but I'm in Story Mode so whomst cares. I've sort of figured out how to like, manage my companions' strategy but I literally do not know if I am activating abilities. it's pure mouse/keysmash land out here. This is fine because I am in fact here for the story and making decisions that make Neve disapprove of me, almost all the time.

I'm also literally just bad at video games because it is not a thing I have done, so like, it does not necessarily occur to me outright to just fucking slash the rickety wooden gate open instead of climb over. I am improving on this however.

I am not romancing Neve bc I want her and Lucanis to romance each other, but man she's doing it for me. She is also by FAR the most judgmental companion so far. Literally she disapproves of SO much. I love her.

Harding and Bellara are both very endearing. I am aware of most of the NPC/NPC romances and think they sound fun which means I'm going to romance Bellara, who doesn't have a romance otherwise, and also bc she is smart and beautiful. Unfortunately I have had zero opportunities to do this so far.

Rook out here hating the nobility; this is very fun.

I love Strife, he is so done with everyone's bullshit.

I also like that it's literally Girls Night so far. Just girly things (shooting pure fade at ogres, freezing blight, getting possessed by ancient daggers).

Minrathous sucks. sorry Neve. I haven't gone to docktown specifically yet, but like. Bellara lives in a beautiful magic forest and you live in Cyberpunk Hell.

Has someone made a mod that makes all the helper spirits look like Clippy. they should. "you look like you're trying to enter the Crossroads! Do you need help with that?"

first solas conversation made me want to stab him. second one was actually fucking great.

I've heard that the dialogue is cheesy and I need to stress AGAIN, I'm new to this medium but I'm an old hand at epic/heroic fantasy and sorry that you hate heightened dramatic dialogue and detest fun, I'm enjoying myself greatly.

I keep picking the honest or tough options for dialogue. very stoic and direct out here. the drama mask options do NOT do it for me.

#m guards the veil #hoping to gather lucanis after i do errands/have dinner

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lemotmo · 16 hours ago

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https://x.com/jinxediaz/status/1856377468040454200

I am

So confused what they are doing. Because I’ve been begging for Eddie character growth for years and for him to let himself want for years but…

This literally reads like Eddie’s going to be like “hmm sucks to suck to be you right now buck. Thoughts a prayers. But I don’t have time for you right now sorry not sorry”

And that’s just not. Eddie. Or buddie. Or their relationship at all. Like why are we ruining their relationship to give Eddie the character development he needed?

Like I’m getting major season 6 flashbacks now. And the way we haven’t really seen much excitement from them past episode 6, if this is what’s coming I can see why.

NO NO NO Nonny!

This part of the interview is actually such a great thing to read! This is soooo good for us!

Eddie has the RIGHT to think about himself first! He NEEDS to think about himself first. There is no room for him to change if he doesn't work on himself FIRST.

There is NO Buddie if Eddie doesn't first figure some things out about himself. That will take some time to work through.

There is NO Buddie is Buck doesn't first figure some things out about himself. That will take some time to work through.

If you read that part of the interview closely, you'll see that this is NOT about Eddie abandoning Buck at all. He'll still be there for him and he'll still be a listening ear. His home will still be a safe haven for Buck. Eddie will just be too busy trying to figure himself out to be more than that listening ear, which isn't a bad thing at all.

So Eddie will still be there for Buck and Buck will still be there for Eddie, but they'll both be figuring out themselves ON THEIR OWN!

This isn't like season 6 at all. This is something new we haven't seen before and that is exactly what we've been waiting for.

So yeah, when I read that part of the interview I get really excited Nonny, can't lie. Sorry. 🤷‍♀️

#eddie diaz #evan buckley #buddie #nonnies galore

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minerpore · 2 days ago

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so, finally deciding to share this with more people- (how long has this post waited in drafts? for a while fof sure-)

Monster4 be upon ye or smth nxhcjcjyd

yes, another AU-

basicaly, the idea is simple..

what if during IGBP the demonic keyboard not only posessed 4, but also corrupted his physical form?

(hchfgg gotta love how i basicaly kinda gave him the Rot, from Rain World-)

(i still haven't figured out how to draw leggies shaped like that, forgive me-)

have some hug art!

also i guess it (the art) partially inspired me to write a fic bit heh

(tags to give this ficlet? content warnings?: hurt/comfort, mentions of body horror? i'm not sure if it's a fitting tag [please let me now if it is or not], smg34, slightly suggestive if you squint i guess, brief thinking about eating someone)

***

How long it has been since the It's Gotta Be Perfect incident?

Weeks? Days? Months??

Four didn't bother to count.

All that time blurred into one thing anyways, a period of constant guilt and shame.

He couldn't even look at his reflection anymore.

He was a monster.

Literally.

That cursed keyboard not only took control over him back then, its powers managed to corrupt his physical form.

And it did not fade away, not even after the castle went down.

It hurt like a bitch when his legs deformed, thick tentacles sprouted from his back..

The claws were the least of his concern, unlike those strange cysts with "x"s on their surface.

They invaded most of the left half of his face, he also found out some have grown at the tip of his tail, and on his back..

Not to mention what happened to his-

No, he doesn't want to think about THAT.

The corrupted guardian had isolated himself from everyone, afraid of seeing them look at him in disgust (at least he imagined they would, and he wouldn't blame them..)

A loud growl snapped the youtuber from his thoughts.

He was so hungry.

He was ashamed to admit that his appetite could now rival Mario's(!)

Suddently his good ear registered the sound of approaching footsteps.

Four turned around to see his ex-enemy, partner.. Three.

Oh how nice and plump the guardian in purple looked, imagine just how delicious he'd taste-

WHAT THE-

Smg4 was terrified by himself, how could he have such a thought about his friend?! How disgusting of him..!

The guardian in blue quickly moved away, not wanting to risk him giving in to those thoughts.

His stomach hurt, and he began to feel nauseous.

Three stepped forward to get closer to the other man.

"What's going on dumbass? And don't pretend everything's fine, can't fool our cosmic link." the streamer said, avoiding eye contact. "Not like I care or anything! I just don't want the crew to constantly bother me over this!" a noticable blush formed on his cheeks in the typical Tsundere fashion.

Before Four could reply he got hit with another wave of nausea. Three either noticed or felt that, as it caused him to look back at his partner. "Dude, did you eat some weird mushrooms or something? You look like you're about to puke your guts out-"

The smg in blue chuckled weakly. "Nah, can't get sick from some bad food if you haven't eaten anything to begin with" he attempted to turn this whole situation into a joke. That's what he used to be good at, right? Making people laugh at dumb humor?

Smg3's eyes widen in shock, certainly not finding that amusing at all.

"Four, when was the last time you ate anything..?" He asked, fearing the answer.

The corrupted guardian gulped nervously. "Last time..? I think it was when I locked myself in my room.."

Three sighed in dissapointment, pinching the bridge of his nose, his tail swishing in annoyance.

"Of course... Alright scrub, wait here, I'm getting you some proper meal. And I won't take 'no' for an answer!"

Four only nodded lightly, he didn't plan on leaving anyways.

And so he waited, scrolling through his phone in the meantime.

After a solid while the guardian in purple returned, carrying big bags of food.

Smg4 watched as his partner took all the contents out, setting them down so Four would't have to dig through the bags.

The guardian in blue and white rushed towards the food, soon devouring it like a starving animal. However he did notice Three looking at him with a certain kind of hunger in his eyes.

But it was a brief moment, as Smg3 quickly turned away from him once he saw Four's gaze and picking up a burger for himself.

Once satiated the youtuber sighed in content, laying on his side (as he found it uncomfortable to lay on his back now, due to the tentacles).

Ohh it felt great to have a full stomach like that.

"Four, I.." Three started.

The streamer sat down not far away from his partner. "Look, I know how it feels like to have your body corrupted, mashed with whatever eldrich shit that keybo-" he was suddently cut of by the guardian in blue.

"BUT THIS IS DIFFRENT! YOU ACTUALLY GOT YOUR NORMAL BODY BACK! Meanwhile I'M stuck as this.. abomination!"

Three moved in front of his soulmate, then cupped his right cheek.

"Four, listen to me. I don't find you disgusting in this form, alright?? You're actually kinda hot- WHO SAID THAT-" The guardian in purple quickly covered his mouth to avoid saying more (TOTALLY UNTRUE) things (he DID NOT!) think about 4!

The corrupted guardian looked at him wide-eyed.

"What I MEANT to say is-! It could have been worse! Like, you didn't become a twig or something-" Smg3 attempted to "correct" himself.

Smg4's body tensed up as he felt arms wrap around him, pulling him into a hug.

The feeling of Smg3's warm body touching his brought him a sense of comfort.

"Four, I... Remember what I said? We're friends.. So what if you look diffrent now? It's not like we never got redesigned! So what if you have those kinda goopy.." Three swallowed hard before continuing "Thick tentacles..? So what if you're.. the way you are now.."

The corrupted guardian felt tears form in his eye.

"I'm not leaving your side, whether you like it or not.." Smg3 said with a fond smile on his face. "And that's a threat!~"

#smg4 #smg3 #smg34 #traditional art #monster4 au #minerpore's fanfic

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bibibifemme · 4 months ago

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always forget how see-through my white pants are... not a good combo w my red underwear today 🫣🫣

#maybe i'm just self conscious #but still #what was i thinking when i chose my clothes this morning? 🙃#it's making me squirmy #haven't figured out if it's a good or a bad thing #hehe 🙈#oops i guess #babygirl thoughts #my post #.txt

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journey-to-the-attic · 2 years ago

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happy birthday to the three realms' most specialest girl!!! (i promise i love you even though i put you through so much)

#(that's alatus with her by the way!! little guy)#art #obey me #as you can see i figured out one (1) cool-looking thing in that satan piece and am refusing to let it go #in my defence. i'm so bad at backgrounds #so once i've found one that looks good (i.e. big moon) i'm just gonna do it again #same applies for the whole shading process (i have once again employed my ultimate move: pale yellow on an overlay layer at 30% opacity)#i was gonna add the rest of the newspaper club too but i still haven't designed demon forms for them and i wanted them to fit the theme #(mephisto doesn't count since in present he never takes demon form anymore anyway. also it's mephisto)#(shhh you can't see him)#alright here come the character tags #jtta ik #obey me lucifer #obey me mammon #obey me leviathan #obey me satan #obey me asmodeus #obey me beelzebub #obey me belphegor #obey me diavolo #obey me barbatos #obey me simeon #obey me luke #obey me solomon

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rocketbirdie · 2 months ago

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#hey y'all mind if i [HORRIFIC GUTTERAL SNARLING NOISES] real quick about something utterly inconsequential #ok! so:#listen i know this is gonna be a VERY controversial opinion but. generally i think macOS is a good operating system #and that apple's proprietary software is high quality and intuitive to use. never had any issues with 99.9% of my experiences.#that being said #FUCK imovie. WHAT THE ACTUAL FUCK were they fucking thinking with imovie.#every time i open this application it makes me want to gouge my eyes out and scream and rip something in half like a whiny toddler.#there are so many extremely simple problems with ZERO FUCKING SOLUTION WHATSOEVER #it's straight up impossible to use. every tiny thing you want to do you have to search it up in their horribly organized guidebook #and then the guidebook is outdated and useless which means you have to google search whatever it is you're trying to do #and the results are full of people with the same fucking problem with NO answers.#i just spent the past hour trying to figure out how to add a single PLAIN TEXT BOX to a video. that's how unusably bad imovie is.#and then there's people in the forums who are like. 'why would you want to add text lol videos are for watching not for reading. idiot'#SUBTITLES MOTHERFUCKER?????????????????? EVER CONSIDERED THAT??? NO OF COURSE YOU HAVEN'T. DIP SHITT #[FOAMING AT THE MOUTH WITH RAGE]#i've never had worse displeasure working with any other program in my entire life. godawful. why is it like this. FUCK #*DEEP BREATH*#ok i'm fine i just had to scream into the void for a moment lmao #you know how it is~👉👈🥺#back to your regularly scheduled blond man mockery

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strawberryicemoon · 7 months ago

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Why I can't watch the Ducktales Finale

I'm not the kind of person who struggles to watch the last episode of something. I love to finish a show, and let it sit in my brain. I'm the kind of person who often enjoys spoilers because it adds to my understanding of the media. I love to view the media in their entirety just as much as I love a journey to get there.

But I can't get past the first few minutes of Ducktales 2017, The Last Adventure. And it's because of spoilers that I couldn't deal with. I don't like them, and even years later after I've had time to digest, and have seen so many finale clips, that I still can't just sit down and watch it. And I've made attempts. I've looked through the summary of the episode to prepare. But I can't.

And there's... a couple of things that rub me the wrong way about the Finale that keep me from being able to just watch it.

1. Webby is Scrooge's Clone Daughter

2. Webby is April, of April May and June

3. Donald and Daisy are going on vacation.

Now, I don't actually hate any of these... conceptually. And I'm well aware that Frank Angones has stated the Webby twist was planned from very early on. And usually I am completely down for whatever a finale is, as long as I can tell that this was something the creator really believed in.

I'm a fan of such "controversial" endings as, Amphibia and Digimon Adventure 02, because I know exactly why they ended like that. It's written in the themes. Even if it took me time to understand Adventure's ending, I've grown to understand it and love it once I learned more about the original Japanese version and the shows production (and also grew up myself). Amphibia ended exactly as I expected based on one of the very earliest things I heard about the show from Matt Braly: "an ode to past friendships". Even if I think there are things they messed up I GET IT. I wouldn't want them ending any other way.

So I understand WHY the decision is made. Conceptually it does make sense. Webby exists as a composite character of April May and June, and I believe shares the same name as April in one language. Webby being Scrooge's clone daughter is an effective way of full-circling her relationship with him. Strangers in each other's home to father and daughter. She's family not BECAUSE of Blood, but because of Love. She still loves her Granny, it's just the non blood relationship wasn't the one she thought it was. And Donald deserves a vacation, and to have the more down to earth life experiences he wanted, especially after raising his sisters kids alone for 10 years.

But they still twist me up inside.

And I think it comes down to three reasons: 1. Lack of Continuity between episodes 2. An over-focusing on Scrooge 3. Handling of Word of God

1. Lack of Continuity between episodes Part of what got me to fall in love with Ducktales was S1 and the continuity of the Spear of Selene subplot. We got hints at a semi-regular pace, but it successfully overhung the entire series. It was what separated Scrooge and Donald. It was why Della was gone. The subject matter was of course not something that needed to be overstated, as most of it was being kept hush hush. Sure it was a mystery, but not an urgent one. Dewey had never had his mom, so it wasn't like he couldn't focus on anything else for a while

But in S2 I started noticing that the show stopped explaining or foreshadowing things. Maybe it always did, I haven't re watched it properly. But I definitely noticed something off about the storytelling then. But it was definitely a problem throughout the show.

Webby never brought up Lena after her sacrifice until the relevant episode.

Lena living with the Sabrewings was something never brought up until episodes later we saw her with them.

We had Della talking about the boys with their "Uncles" setting up the pain of not knowing how things fell apart after her departure, only to get no payoff.

We didn't get ANYTHING about Webby's parentage until the final episode, and barely a hint in 1 season 3 episode.

Almost every finale episode changes the status quo in some way. The question is how much. Lots of final episodes kind of have things going back to the way they were before plot kicked off but better (like with new friends or a new government). Sometimes someone dies.

Webby being Scrooge's clone is paradigm shifting. And that kind of thing needs to be set up. You CANNOT catch your audience off guard with something like that.

In Digimon Adventure 02 the series ends with everyone on earth with a digimon partner which is controversial but at least built up throughout the series at hints of other digidestined until an arc near the end showcased many international digidestined. Hilda ends with the reveal that Hilda's mother is half-fairy, and despite not being present throughout the first two seasons, it was hinted at through the third season, and contextualized some of the few things we did know before about Johanna's childhood. The Hollow's first season ends with you finding out it was all a game, but it had been hinted at before with the video game nature of the world. Sure Avatar didn't hint at Aang getting the power to take away bending, but we knew he was a pacifist who didn't want to kill so was looking for a solution, getting the power to remove bending (ie power over others) works thematically, in the same way Anne using the power of the stones and getting brought back to life by a god like being worked. Sure, Scratch turning out to be a wraith at the end of The Ghost and Molly McGee was rather sudden, but people had been theorizing that Todd was Scratch's body for a long time, so it wasn't like there weren't any hints, and while the show was cut short and had to rush to end, the build up of Scratch's memories at least gave some sort of foreshadowing link to what was going on.

There's a reason people rarely throw in new characters at the very end of a show. It can absolutely work. Amphibia and The Owl House threw in "God" at the end, but that gets a pass for being the kind of figure they meet once and then move on with their lives. On the other side, you can sometimes have secret big bads that were pulling the strings the whole time too. I can't speak for the finale of Ducktales (because again, can't bring myself to watch it), but adding two new characters on top of changing the entire dynamic of how the family is set up at the very end of the show does not sit well with me. We won't get to see how this change in status quo effects the characters. We saw how learning about their mom affected the boys relationship with Scrooge, her return and having to build a relationship with her and her presence conflicting with Launchpad's. But we don't get that with Scrooge and Webby? Basically too many status quo shifts in the finale all at once.

All we got was Beakley was a spy, was overprotective of Webby, and a few episodes before the end it was revealed Beakley was lying to her. Webby didn't seem to care about her parents. And this was a girl who was very dedicated to unraveling the secrets of clan mcduck. Couldn't they have had one hint at some point in the show where it was unclear if it was the boys or Webby who were recognized as a McDuck? Some offhand mention where the boys ask her about HER parents, because she helped them with her mom?

You couldn't tell what was or was not going be important in the way they dropped. It's very hard to set your expectations when you had no clue what to expect. And while there is something to be said for unexpected surprises and twists in a story, an audience really needs to know what is or is important or they're going to go on wild goose chases and get disappointed when they build up hype for something the show then refuses to address.

In HINDSIGHT, I find it extremely odd that Huey and Louie, prior to finding out about Dewey's investigations, did not pry at ALL into the fact that hey: if Donald was an adventurer with Scrooge, then he had to know their mom. Like that’s weird right?

2. An over-focusing on Scrooge Scrooge is the Center of the Universe.

I'm not a Disney Ducks fan. Aside from 2017, and pop culture osmosis, I know very little. But the thing is I am someone whose first inclination once I become a fan of something is to check out the wiki pages for information. Find about what longstanding fan mysteries there are. I understand the importance of cross continuity callbacks. I'm a fan of other longstanding series and have rubbed elbows with several others. I get really long franchises with several iterations.

Which is to say that I, despite not having a horse in this race, understand how this works and how it should work.

Now a bit of this is the fact Ducktales is ABOUT Scrooge. But Scrooge isn't the center of the Duck universe. Something I find pretty interesting is the fact that Donald has reasonably fleshed out family trees on both sides of his family. That's cool. That's how real people work, a meeting point of the stories of those who came before. But Ducktales doesn't care, the only adult the show cares about is him. I get that to a certain extent it was the show execs insisting on focusing on the kids. And again, he's kind of the main character. But you brought back Donald, and Della. There are other characters here with rich lives, he doesn't need to take over everything.

It's especially egregious ANY time the McDuck clan gets involved. Could Matilda be the youngest child now? Sure. But that's a really arbitrary change, that they don't use for anything. And even if that was purposeful, the fact is that the first thing they established is Donald's mom is still Scrooge's sister, so Donald is the grandson of Fergus and Downy McDuck. Not nephew? Surely they could recognize him? But where is Hortense and Quackmore? They brought them up in the first episode, and then they never made any appearances aside from references. Why were Donald and Della staying with Scrooge for Christmas? Never clarified. Fans (reasonably) assumed they were dead. Scrooge called Donald his ward (admittedly when he also called him Fergus and Downy’s nephew rather than grandson). I mean where else would they be when their DAUGHTER DISAPPEARED. Would they not want to meet their grandchildren? But that was never clarified. And I've seen some fans alternatively interpret them as bad parents, which I think is just really unfair. Scrooge gets to be the good parent? It's once again Scrooge to the rescue. The CAPITALIST? I mean it's also a little bit just a family issue in general: It's Uncle Gladstone and Cousin Fethry when they are theoretically the same: technically cousins but old enough to be honorary uncles. It's fair enough. But really that brings us to the Duck family in general.

Grandma Duck? What about Gladstone and Fethry's parents? Gus Goose? Are they all dead? Does Fethry have any siblings? Do the boys not know or not care about the Duck side of the family? They know Gladstone but no one else? I mean Scrooge's parents, who should be dead, were magically kept alive but nothing for the duck family. Speaking of which, they constantly bring up how old Scrooge and occasionally refer to the causes of his supernatural age, but that does not explain how young Donald and Della are compared to him. Overall, we get nothing on the Duck family except for its existence at least, so even removed from the context of Disney Ducks legacy its weird to introduce a side of the family and just gloss over it.

The one episode about the Duck family legacy is a Webby episode. Which, fine, she's not a Duck, but she's part of the family. Except wait. She's Scrooge's daughter/clone, and you gave her the focus on the one episode about the Duck family not the McDuck's? You couldn't leave Scrooge out of anything?

So for Webby's great twist in the finale, was taking not just one, but two characters NOT related to Scrooge (April and Webby), and tying them to Scrooge. I think I could deal with Webby being April, and (HUGE MAYBE) Webby being Scrooge’s clone or April being Scrooge’s clone but not both. Not to mention April, May and June are DAISY's nieces... not random three girls who are her boyfriends uncles clone and and boyfriends uncles clones clone? It doesn't sit right with me that a character who I thought was supposed to be learning that he was sometimes in the wrong, and not the center of morality (see how he made Glomgold a villain through his own ego), continue to be made the center of the universe in ways he simply shouldn't be.

He's literally an old rich guy. Like there is historical context for why this character is like this, but why does the world revolve around him in this show.

3. Word of God Word of God is useful. As are interviews and statements made by the creator. It helps to provide insight into the themes. I love seeing the person behind the art.

But here's the thing. Word of God is clarification, insight into how you should look at the work to set expectations. It's supplementary. It doesn't replace text.

This is a little bit difficult to really talk about now that I'm several years removed from the experience, so grain of salt and all, but I really think the way Word of God was handled did the show a disservice.

Back to Lena becoming a Sabrewing, we didn't get that in show. Lena just dropped off the face of the earth, not until S3’s premier we got a clarification on that in show.

We never got Della's reaction to learning that Donald and Scrooge were estranged, she just suddenly stopped speaking under that assumption.

So Word of God became an essential part of understanding the text, because a lot of necessary information was left unexplained by the canon its a huge problem. And Word of God is often fluid. It can be changed later if during the writing process something changes. (We should probably cover this topic in show and want to do it a bit differently, I have a great Idea of what we can do to turn that error into foreshadowing, I was lying to the fans to keep a secret).

But when word of god is necessary, word of god becomes essential for tempering expectations about the show.

This is probably going to be less of an issue for people who come and watch the show later. Sure, things are still unexplained, but when you can binge the show Lena's unexplained absence is less obvious, you're so busy moving on to other things that Della's change in understanding about the situation is clearly unimportant and you can move on.

But what ended up happening is that Frank Angones struggled to balance clarifications, keeping show secrets, and a sometimes changing story. Which sometimes left characters completely sure on where the story was sitting, only for it to be ripped out from under them. Also, tying back to the first point, of plot points being dropped until the episode where they where they were relevant made it VERY difficult to tell what was or wasn’t going to be relevant, and what emotional beats to get emotionally invested in.

Prior to the finale there was a bit of a community of Webby/Triplet shippers. Personally, I see that as a complete dismissal of the themes of the show and a bit heteronormative. I avoided all such content. But at the same time, shipping doesn't hurt anyone. At the end of the day, the boys and Webby were not related by blood, and hadn't even met until age 10. There wasn't... really a reason you couldn't ship them. There are TONS of shows out there with 10 year old characters and love interests. Just off the top of my head: Any Ship with Ash Ketchum, Sprigivy, Phinabella, Kenyako, Sorato. Even if they don't get together at 10, (or at all) the fact of the matter is 10 year olds getting shipped is old news. I'm still attached to Pokeshipping and Takari to this day, even if I tend to see them more as platonic relationships these days. So I avoided all shipping with them, but I understood why people (particularly younger people) were shipping them. Until the finale hit, and the ships that people thought never going to be canon, but were safe, weren't. To a certain extent, that's the game you play with shipping clearly noncanonical ships. But I feel that the way questions about shipping were answered didn't help, because iirc he tended to say the show wouldn't focus on that more than he explicitly stated the kids were family. He called Webby/Triplet shipping highly unlikely for example, giving it more legitimacy than a no, which leant to it being taken as a solid fact prior to the finale that Webby was definitely not related to the boys, because a lot of what else was said was solid fact.

4. (Bonus): of course, I do also feel it kind of isn't enough to justify breaking the found family. So much of Webby's arc was being accepted into the family. Becoming the 4th triplet. So for her to have been blood all along is a little cheap. Sure it doesn't break the becoming family despite blood before. But, having meta-knowledge of Launchpad probably finding family with Gosalyn and Drake Mallard, it's just Beakley whose left as not blood related (and she's technically the help...). And yeah, there's the Granny/Grandaughter adopted relationship. But....

Webby is one of four kids. Again, she became one of the kids. So yeah. I'm happy that she became one of the kids. Able to call him uncle scrooge. But it feels weird to me that she, the kid who already lived in the manor with Scrooge even if they kept their distance, displaced the triplets as Scrooge's natural heirs. The uncle relationships in this show being parental/grandparental was already good. Not all families look the same, some people parent their siblings' kids for one reason or another. Scrooge's presumed "heirs' ' was his sister's descendants, not his, but he loved them like his own. That's good. So to not only break the "not blood related at all" to "actually daughter", kind of ALSO meant a "my niblings are my legacy" got overtaken with "my daughter is my legacy".

And maybe I'd feel less sour about it if we had more time after the show. But on a fundamental level it didn't just alter Webby's place in the family, but her grandmother's, and the Duck Twins and Triplets. Again, especially with the triplets. I wanted the four of them to become functional equals. The 4th triplet. But for her to have a secret Scrooge connection that overtakes the one she was jealous of the triplets of having doesn't sit right to say the least.

I feel I could get over this one, especially maybe if they gave us more time. But it just didn't make it worth it to me.

5. (Bonus Bonus): Now I don't use the term Mary Sue lightly. But what I do think of canon Mary Sueism is a tendency to make female characters on predominately male casts "special" in some way to justify their presence. They have to be the level headed smart ones and the ones with . They have to be likable so they're robbed of character. I wouldn't say Webby is a particularly bad example of this, and it's not like Ducktales lacks other flawed female characters (Della my beloved).

But the way Webby is treated reminds me of April from TMNT 2012, and Allura from Voltron Legendary Defender (and kinda Larmina from Voltron Force). All are 80s characters in shows that had a predominately male cast of characters, and who were both an outsider, and defined by being a girl. And then the reboot both doubled down on making them special, integrating them into the group more, but also making them generally tougher the boys in some way, and also sometimes more in the know about things. Webby is aged up to match the boys age rather than aged down to match the boys age like April but the effect is still the same.

The girl is now a peer to the boys, 4th triplet, rather than a little sister. Webby is more capable and well-read than any of the boys. And at the start of the series she's socially awkward enough it feels like it will work. And I'm not saying Webby isn't flawed, she is. But when it comes to the things the family finds important: adventuring, she doesn't have any obvious shortcomings. Louie quits easily and isn't as coordinated, Dewey is reckless and generally uneducated, and Huey isn't flexible. And Webby... used to be socially awkward???

It’s kinda trading 1 sexist trope for another. And yeah, all shows do have OTHER female characters who kind of avert this. But it doesn’t change the fact the leading lady is more “special” than the boys. Like being a girl has to be special.

In short, at the end of the day Webby being Scrooge's daughter doesn't help her character, her grandmothers, or the rest of the family. It kinda helps Scrooge’s character, but while I haven’t seen the episode myself, I’m not sure there would be enough time for it to be meaningful. And again, I think a lot of the characterization and worldbuilding of other characters were already sacrificed for Scrooge’s sake in the show already.

Oh and the Donald/Daisy thing.

The reason Daisy/Donald's trip doesn't sit right with me is we barely got any Donald and Della having to coparent. Get used to each other again. We barely got any of them and we're heading back into separation. It doesn’t feel cathartic when we still have unanswered questions from this stage in their life. And even if the trip is well, a trip. It feels weird.

It feels kind of unexpectedly "conventional family", even if it's still really unconventional. Donald is going to go be happy with his love interest, away from the boys he raised who aren't actually his sons (and yes, I know he takes May and June with him but still, knowing that May and June are by default Daisy's nieces kind of has "new kids with new wife" implications to me but that's neither here nor there). Adding this to "Webby being Scrooge's daughter is a good plot point for him" and it's just really weird, and kind of feels like the final nail in the nontraditional family dynamics coffin. If feel only way they could have buried it more is if Beakley died or something.

I was already kinda uncomfortable with the “Daisy being the only one to understand him” thing because like. That’s sweet. His soulmate is the only one who really hears him. But also that’s a fucking speech impediment Donald has. Are you telling me that no one in his family cared enough to effectively communicate with him despite his disability? Like if it is REALLY that much a problem he should have an effective communication method. Sign-language for example?

The triplets he raised don’t always understand him. His twin sister doesn’t always understand him? But this random woman does? I am all for Daisy and Donald being basically soulmates. But uh? This feels both ableist and allonormative in a show that really wasn’t those things before. (well okay it was kinda ableist about Donald but it felt less weird to me when there wasn’t one person who could magically understand Donald). And Daisy understanding him still could be a big thing? The first person who understood him without getting to know him first/wasn’t literally raising him/raised with/raised by him?

I want to like Daisy so much, but she just feels a bit like Webby does: a legacy female character they are trying to make too cool, who gets some of their coolness incidentally defined by a male character, rather than a full-fledged character on their own. (For instance if we saw Daisy with anyone other than Donald, her overbearing boss and… whatever Storkules is).

I feel some of these may have been resolved with more time. But some of these problems had their seeds planted as early as S1. That said I think if the quality of S1 was maintained they would have been fine. Overall, I think Ducktales is a good reboot, and a good show, but it really could have been better. Was so close to being better.

#ducktales 2017 #it's been years and I'm still thinking about this #for my part #I disregard the finale #Webby has dead parents that she knows about hence never needing to learn more #I disregard the family not understanding Donald #because Daisy being the first STRANGER who understands him right away is just as sweet #idk what I’m doing about Boyd or April May June yet though #I can do what I want its not like Ducktales was wholly original or anything #probably still better than vld's finale #but I started to have critiques in s3 #and all of s8 was a dumpster fire so I was emotionally checked out by the time it actually came to that point #again I haven't seen it so maybe I'd like it more if I did see it #but the fact that knowing this has put me so intensely off watching it really isn't a good thing either #and I have never had this issue with a show before even if it's bad #to be clear though I do overall like 2017 Webby and Daisy I just wish they were allowed to be a little MORE #to fuck up a little more #I really do want to finish my abandoned ducktales fics but also staring at the finale and trying to figure out what I should do with this #ah #ducktales

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