#guess who all the monsters are!

[chalkrub]

dinosaur in a lab coat - would you trust her with operating the centrifuge

[vaguely-concerned]

So much of Garak as a person starts to make sense once you know his childhood was a fucking gothic novel. His main playground was a graveyard and he'd play pretend by perfoming improv eulogies to an imagined audience. For a long time his main touchstone for most important figures from recent history is 'oh yeah I know about that guy my dad buried him. great flower arrangements for that one'. He finds out later his 'parents' are actually a brother and sister who had to get married to avoid the utter shame and social devastation of having a child born out of wedlock, and they live in the basement of his biological father's house. (the madwoman in the attic vs. the tiny elim in the basement.) His biological father calls himself his uncle and locks him in a closet whenever he fails to live up to his insane and unpredictable expectations and everyone just has to act like that's normal and expected, and his will hangs over everything at all times, unseen but always felt keener than anything else. The father who actually raised him grows the world's most beautiful (and as it turns out, most poisonous) orchids and keeps the mask of a god hidden in a box in his work shed. Everyone in the house is choking down secrets like it's the only air they know how to breathe anymore.

What I'm saying is that right from the get-go this guy never had the faintest shot at turning out normal, so I'm glad that by middle age he's found a way to get a bit silly with it as he continues to be deeply deeply not normal about anything ever <3

[lockerlungs]

Godzilla Minus One was so good man

Id kiss it on the mouth if I could but movies don't have mouths

[marypsue]

Man, it's cool and all if you see a metaphor for marginalisation in the monstrous, and if you want the power fantasy of 'what if you could just eat anybody who threatened you/pissed you off'. Me too.

However, as soon as you start saying 'no, these monsters are a 1:1 on Specific Marginalised Group, and you have to treat them in the fiction like they are directly representative of real human members of the marginalised group', BUT you also, in the fiction, make them hurt/kill/eat humans? And then try to shame me, your audience, for noticing or engaging with the bit where they kill people, because you made them directly representative of a real-world marginalised group? You have lost me, and also, I think, the plot.

[vanitasmagoria]

metamorphosis. yes there's a man transforming into a literal monster and yes it's about sam's descent into demon blood freak monsterhood but to me, above all, it's the episode in which dean's controlling codependency takes a monstrous turn.

he's petty and he's jealous and he's violent and he hits sam for lying and he hits sam again for talking back and he's trashing the motel room and he's the image of an abuser. dean is threatening to leave sam and to hunt sam and they both know he's not going to do either (i can't escape you, you can't escape me). there's dark fury and despair and panic in dean's eyes because sam (in tears, bleeding, taking it) is becoming more than he can control.

sam says "this blood, it's not in you the way it's in me" and dean can't fucking stand it. he immediately tries to write himself into this, sam's not doing this alone. that's his brother, his blood, how dare he go there. their blood not being the same is the gravest, most personal insult to dean.

sam says "i'm not doing it for you" and "this is my choice" and dean cannot STAND IT. sam still craves autonomy and dean STILL. CAN'T. STAND. IT.

[psalmsofpsychosis]

This is what a point blank shot to the head at 6.30AM feels like by the way

[luck-of-the-drawings]

"I think this is the most inhuman; and human, that I've ever felt.." MUCH CAN HAPPEN IN A YEAR. IN FIVE YEARS. A DECADE. imagine how much can happen in a century. just ONE (1). How will you grow? what phases do you find? even in 5 years, you will find patterns.

[torchstelechos]

You know I think it's kind of funny how much LBH and SQQ mirror each other, like do you guys think about how to everyone around them in canon LBH knows everything about SQQ down to a single birthmark but SQQ doesn't seem to know anything about LBH? Despite everything they've gone through, SQQ seems to be playing catch up in their own relationship while LBH was already getting their wedding ready? But for us, the viewers, we know that SQQ knows everything about who LBH was suppose to be while LBH knows nothing about SQQ's own past and what he was suppose to be? SQQ knows everything that doesn't involve himself, while LBH knows everything that does involves himself. It's so funny to me how that must look to outsiders versus themselves <3

[h20milk]

what if we were in love ? but also stuck in vocaloid songs ?

[egophiliac]

so have you heard about the ride kamens app game? seems like it's gonna be a twisted wonderland like game with all the riders being hot anime guys now, and it's also gonna be written by yuya takahashi and produced by naomi takebe (apparently it was in development before geats), with designs by the person who did sk8 the infinity, so take that for what you will

have you ever gotten the feeling that a piece of media came into existence just to appeal to you specifically, or

(brb preregistering immediately)

(as far as I can tell you play as an agent who maintains a secret superhero base for riders in the basement of the rider-themed cafe that you run with your butler, and there's some other plot stuff going on but honestly I'm way past sold at this point, this sounds amazing)

[bonkalore]

So the scepter here is what makes you Primus, who is in charge of all of the magic world basically... and is also the key to opening the coffer to the rest of the Dread magic that Jayce has been trying to get this entire time. He thought it was something he could start "a new Golden Age of Magic" with, but eventually realized it would only do more harm than good and now is out of plans as he's being torn apart from the Dread.

In the AU towards the end of the story, he and Lucy got the scepter together but he's the one that technically got it, even tho he gave it to Lucy so she could become Primus and avoid further temptation.

So during Lucy's coronation, the scepter ends up shooting across the room into his hands in the audience bc he's the actual owner. This isn't just his nerves about becoming Primus instead and is FAR, far worst unfortunately... Apocalyptically bad even! 8')

Was everything he had wanted before and now it's a literal nightmare.

(Also "Everything You Ever" from Dr. Horrible's Sing-ALong Blog is very fitting for this part whoops.)

[cookinguptales]

I love how ConcernedApe was like "no, you may not have children with your adorable monster roommate" and instead of making me less feral, that just encouraged me to marry villagers, divorce them, take full custody, then introduce our children to their new monster daddy.

You made me worse, ConcernedApe.

[silentsockfeet]

with the obvious addendum that act 3 isn’t out yet and we can’t form true opinions until the show’s officially done, i’m still really feeling like it could have maybe benefited from a third season. they’re hitting all the right plot points and those moments are full of really intense emotion, but everything in the middle feels so underwhelming in comparison and so much of it still feels rushed to me. idk

[scribf1nite]

This page full of doodles

[fiapple]

i'm getting towards the end of the skypeia arc, & i'd like to say just how much i adore the way the female strawhats have been treated.

just... every aspect of how the way their characters have been previously contextualized influences the story-line is treated with a masterful amount of consideration. we're given so many layers to both of them that enrich not only their characters specifically, but the arc, and the one piece world as a whole. without nami & robin having their specific skills, and their specific values, without those being built upon, the story would have come to a halt.

you could not have skypeia without nami & robin being who they are as individuals. not just because they never would've gotten there without nami, but also because the way these women think is itself foundational to the machinations of the arc as a whole.

to be totally upfront, if you think any other strawhats were more central to the skypeia arc than nami & robin were you are full-on fucking lying to yourself.

[rearranging-deck-chairs]

obligatory rock murder mention