#grounded theory

[medsocionwheels]

Sociological Theory and the Canon

It's Sociology Sunday! Today we're talking theory.

What is sociological theory?

Sociological theory is a set of interrelated ideas that allow for the (1) systematization of knowledge of the social world (2) the explanation of that world, and (3) predictions about the future of that world, and which are falsifiable through empirical research.

Theory provides a possible answer to questions like, “why did this happen?” or, “why did they do that?” This means theory is speculation, not fact, but unlike “ideas” generally, theory is speculation driven by a more formal, systematic, process, which incorporates the work of previous theorists and research findings.

The Sociological Canon

Some theories are more popular than others. Some theories, while unpopular, are considered “pivotal” to the foundation of sociology. The “sociological canon” helps us identify the “popular” and “pivotal” theories.

The sociological canon is defined as the theories, ideas, and texts that are widely considered as the most important in the field of sociology (Ritzer and Stepnisky 2018) 

“I’m not a regular mom theory, I’m a cool mom theory!”

The canonized theories are sort of like the “cool mom” in Mean Girls (oshowing my age here, the original 😘) – others exist, but these are the ones we tend to think of first when we think of “the mom in Mean Girls” (or, in this case, “sociological theory”).

Critics of the canon argue that the canon is not a neutral construction; rather, it is affected by power and the politics of the theory. To some degree, they are right.

The field of sociology has historically privileged theories that have testable hypotheses, known as “positivist” theories, and theories produced by white men faculty. In this, we can see that the canon, and relatedly, the field of sociology,  have tended to reflect power structures in society more broadly. Which means that, yes, technically the canon is full of theories created by old white dude philosophers in Europe in the late 1800s to early 1900s. Nowadays, though, most sociologists agree that the canon includes much more than Marx, Weber, and Durkheim. 

Meaning the canon is now considered to  include theories from other classical theorists writing during the same time as Mark/Weber/Durkheim, like W.E.B. DuBois and Ida B. Wells. The canon has also expanded in the last 40 or so years to include contemporary theories, such as emancipatory, feminist, and queer theories. These expansions were important steps towards accounting for the reality of the field as it presently exists, and to correctly reflect the field’s foundations which expand far beyond whiteness, masculinity, and western imperial culture. Presently, women make up the (quantitative) majority of sociology faculty, and while this women majority was historically white, the number of women, including and especially women of color, in sociology continues to grow, substantially outpacing white men. 

Sociological Theory and Empirical Research

Empirical research is rooted in theory.

Sometimes these theories are the driving force behind research, constituting the research question for an empirical study. You begin with the possible answer to the question, the theory, and you investigate to see if it holds up–your results may call into question some or all of the theory’s propositions. This is called “deductive reasoning.”

Theory is not always the starting point of research, though. Sometimes theory is generated from research. This process is called “inductive reasoning.” In this case, you begin with observations, draw conclusions, and from those conclusions, generate new ideas about the social world. 

Deductive reasoning is often linked with quantitative research. Quantitative researchers usually have some idea of theory before forming their research question, and some quantitative research is constructed with the goal of testing (falsifying) theoretical propositions.  Qualitative research, in contrast, often uses inductive reasoning, beginning with observation and developing theory as part of the study’s conclusions. This is not always the case with qualitative research, though. One approach to creating contemporary sociological theory assumes the “best” theory is constructed via inductive reasoning, and thus, begins with observation, absent of pre-existing ideas. This is known as a “grounded theory” approach, because it produces theory that is “grounded” in observation of tangible facts instead of based upon pre-existing abstract ideas. The sociologists Barney Glaser and Anselm Strauss are often credited with popularizing the “grounded theory” approach, which they outlined in their 1967 book “The discovery of grounded theory: Strategies for Qualitative Research”.

Other approaches to qualitative research, like content analysis, may start with theory or observations.

Summary:

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Watch full lecture:

[the-wormwormworm]

Failure to Fail

Failure to Fail #FOANed #nurseducator #healthcare #competence

Journal Club Article: Gingerich, A., Sebok‐Syer, S. S., Larstone, R., Watling, C. J., & Lingard, L. (2020). Seeing but not believing: Insights into the intractability of failure to fail. Medical Education. Background Inadequate documentation of observed trainee incompetence persists. Documentation could be impeded if assessment language is misaligned with how supervisors conceptualise…

[nicholasandriani]

In Defense of Play: A rereading of Caillois’ “Man, Play, and Games”

Groos came to seein play the guarantor of youth: “Animals also do not play be­cause they are young; they are young because they have toplay.”82 He therefore distinguished play ac­tivity involving (a) the sensory apparatus (the sense of touch,heat, taste, odor, hearing, color, shape, movement, etc.); (b )the motor apparatus (feeling about, destruction and analysis,construction and synthesis,…

[dansemacabre]

(tw unreality!)

ayo new theory just dropped and bad news! the implications are cosmically horrifying

in the bulletin from time baby in book of bill, he says bill is a “danger to narrativity”, and that he risks the fourth wall. this kept bothering me. why reference the fourth wall here? why have time baby reference it? yeah the heaven page and shit is a bit meta, but thats just how bill talks, right? Well i was a fool

when you put “seven eyes” into the lost files site, this warning pops up from the oracle question mark? from journal three:

the therapese at the bottom translates to “set coords for dimension: r34lity”.

and putting r34lity into the website gives us this image:

the text below it reads they found a new home. those are “real” fucking images. the henchmaniacs are in our “reality”. the cryptids page might not have been a goof goof bit- they were “real”. (“real” meaning our reality in the book of bill sense of it but still our reality. is that tracking.)

none of the rest of the cast actually references us as a specific audience, or the fandom, or acts like we know them at all. the cast addresses everything they write to a mystery “reader” who needs to be saved from the book’s influence.

meanwhile, in the book of bill:

because bill’s not talking to a mystery “reader” who’s reading this book.

bill fucking sees us.

bill sees reality. REALITY reality. like this earth the one with alex hirsch and gravity falls the show and tiktok and shit. book of bill is a book in our reality for us the reader. (ie. there’s a reference to “they both reached for the gun” if you put gun in the website, which would only make sense if bill was sentient in this “reality” right now.) and someone is trying to get here to hide from him. maybe they’re already here.

[morganski-19]

Steve seeing something on tiktok and trying it on Eddie

Steve: You know what I kinda really want right now, an orange

Eddie: Do we even have the oranges?

Steve: I’m not sure

Eddie: *getting up* Let me check. Nope, be back in ten

Steve: *to the camera* I was not expecting him to go that far

Ten minutes later

Eddie: *comes back to the apartment with a bag of oranges* Do you want peeled or sliced

Steve: Peeled

Eddie: Ok

Steve: *looking at the camera* I think he passed

Eddie: *handing Steve a bowl of peeled orange slices* Passed what?

Steve: Nothing

[kizzer55555]

Core Gems

So when a ghost becomes injured, they have a last ditch defense where they retreat into their core. And I mean, injured badly where their body is rip apart to the point they can’t hold a solid form anymore. And they basically go into a hibernation state until they are strong enough to form again.

Ellie, Danny, and Dan are all injured in a final battle against the GIW. The organization was destroyed and the ghosts were safe but the halfas ended up being so injured that they reverted to core form and then went to sleep for a bit. When they woke up, they were still weak but at least recovered enough to gain consciousness. And realize…they are in some kind of auction…in the middle of a heist. It appeared that two furries (one in a bat costume and one in a cat costume) were ducking it out. And they…they were a necklace. All three of them had been turned into a necklace with their cores as gems accompanied by sapphires, pearls, and opals. And frankly gorgeous craftsmanship as the metal was crafted around their cores as if to cradle them and the other gems.

Unfortunately, they were too weak to take a form properly, they could still feel the strain on their bodies. But at least they could still communicate through their auras. Then the cat lady punched a hole in the glass container surrounding them and grabbed their necklace.

However, the bat grabbed the other end and it resulted in a sort of tug-a-war. Meanwhile, Danny, Ellie, and Dan were having a back and form commentary on the situation and what they should do. Completely unheard by the other party.

In the corner of their eye, the three halfas finally noticed a third contender. Some kind of clown who was…hold on…holding a gun?! And it was pointed straight at the two fighting furies who had yet to notice him. The ghosts’ protective instincts went into overdrive and they frantically tried to shout, yell, move. Just do something to warn the two but their cries fell on deaf ears. All they succeeded in doing was faintly glow which immediatly caught the attention of the fighting duo. The two turned to look at the strange necklace but right at that moment, the clown fired and a gunshot rang throughout the auction room. Having no other options, Danny and the others poured every ounce of ectoplasm they had to try and phaseshift, making the two furries intangible as the bullets passed right through them, but in their shock, the two jumped away in opposite directions and accidentally ripped the necklace apart. Gems and pearls went flying and the three cores bounced along the ground.

Luckily, the two finally noticed the clown and went to deal with him and his minions who had appeared. Seemingly putting their fight on hold and forming a temporary truce. The three halfas could only watch as the battle finally wound down, ending with the cops barging into the place and arresting the clown and his grunts, the cat managing to escape with half the scattered gems and pearls from the broken necklace along with a few other jewelry pieces (none of their cores though) and the bat leaving through a skylight.

The auction continued and in the end, despite being broken, their necklace seemed to have caught someone’s interest. A man named Bruce Wayne bought up every piece of the shattered jewelry wear. The auctioneers appeared relived that the item managed to sell in the end and gratefully gave it to him.

Bruce had no idea what happened at the auction, but he could have sworn that some of the gems faintly glowed right before he and Selina were shot. If the necklace was some sort of magical item, then he needed to understand exactly what has been brought to Gotham. It was unfortunate that Selena had taken some parts of the necklace but he utilized his vast wealth to make sure all the other parts ended in his possession. Now he would take them back to the mansion for examination.

[swan2swan]

Yasammy: Reunited

[starryeyed-seer]

me: I'm not a bat

Mr pages: (stuffing novels under its robe): I must abscond

[emdotcom]

Yeah, so while I was on my "I'm going to read into Vanny/Vanessa as much as possible" journey, I noticed an odd quirk in her animations in how she moves. At first, I thought it reminded me of a ballerina, 'cause she's kinda tip-toeing, & she has this way of keeping her head & chest in one place as she moves, but I looked again & realized --

That's not ballet! She's doing a tight-rope act. Like, look at this one:

This is like standing up on the wooden boards before you do the actual tight-rope walking, & the ring leader is hyping you up as you do some fun movement for the crowds. &, then, these:

These are all instances where she walks with one foot directly in front of the other. In that third, she's doing the "woaaah" wiggly-ass balance movements & everything, as if she's swaying up at the top of the tent, even though she's down on solid ground.

Idk, I feel like the way her feet are placed isn't accurate (pretty sure they should be pointed left & right, not both forwards...) doesn't make this 100% correct, but I like it. It also connects back with her first SB teaser, wherein she's up in the rafters.

[captain-sunshine-11]

I dont remember who said it or where the post went but to whomever said Jeremy has mafia ties, I'm blaming this partially on you!

Ok so we know that TSC2 is "The Golden Raven"--now hear me out.

What if the Golden Raven isn't Jean, but Jeremy?

Jeremy being related to some Raven business because Mafia ties because reasons????

[gingermintpepper]

Tbh, I'm kind of obsessed with the almost tragedy of Eiland and Caldarus in Fields of Mistria. Eiland's dedicated his life to uncovering the secrets and stories hidden in Mistria's archeology - he's single-mindedly devoted to it, so much so that even his side hobbies are influenced by his love of history and desire to know more about Mistria's but it's that devotion that makes him so blind to the magic right in front of him.

It's Eiland's sharp eye that sees Caldarus' statue behind that tree on the farm. It's Eiland who whacks away at the bark with the axe fruitlessly until he's assisted. It's Eiland who coaxes the player to help repair Caldarus' statue and subtly ropes them into joining his History Society. It's Eiland who is devoted to the steles, who gets so excited at the prospect at uncovering a new piece of old Mistria's puzzle that he cuts his outing short to rush to the museum. It's Eiland who realises that all of the different eras of artefacts dug up in Mistria's soil must mean that Mistria itself was once the cradle of civilisation for Aldaria.

And yet, with all of that knowledge, he's still so, so blind to what's right in front of him. He doesn't realise that Juniper is a witch, he merely knows that she is familiar with all manner of the arcane and assumes it's a scholarly pursuit like his instead of what it actually is - Juniper's lifestyle, Juniper's culture. And ultimately, I think that's why he's blind to Caldarus and the magic right in front of him.

Eiland isn't taking the time to stop and really think about what all these artefacts and armaments mean. He isn't considering that remnants of old Mistria still live, he isn't even able to grapple with the question of whether or not it's right for him to dig up the armour at the stele when it's clearly hidden there for a reason. Eiland is completely detached from the history he's searching for and that's why, even with magic and the truth about Mistria right in front of him, he'll remain blind to it.

[mangosaurus]

a little late sharing this but DreamWorksTV asked the cast and executive producers of JWCT what their favorite JP/JW moments are 🦕 lots of great answers here!

[iwtv-az-hours]

he's so me

and hello Real Rashid

[demodraws0606]

What Cyberpunk DeadBoy Means and What it's Potentially Foreshadowing (aka very complicated analysis that makes a lot of sense and could happen depending on how colorpalet is feeling while writing the story)

Now I'm seeing so many people like running around wondering what this event could mean for the future for multiple reasons and like I've made like one post throwing my hat into the ring.

I've been frustrated with people's unwillingness to realise that this comm is prob foreshadowing because this is not the first time Colorpalet has hidden foreshadowing into comms weither subtely or not

Exemple's being :

-Akito's second comm foreshadowing his third event

-Lower's cover art literally foreshadowing what would happen to Mafuyu's phone in her event

-88 vocals being emurui and nenekasa foreshadowing the kind of dynamic the disbandement arc had with nenekasa wanting to move forward with emurui being scared of isolation

-Probably way better exemples that I forgot

I've seen people make Some assumptions which I don't agree with but there is one thing I think is true

There is 100 pourcent gonna be struggle between corporation/reality and WxS.

Purely because that's been WxS's entire theme since the beginning. They constantly bash you over the head with the theme of compromising with reality and the importance of dreams. In fact the pick of Maiki-P is not at all surprising as he basically has the same message WxS has just... well harsher.

The Big thing people have ignored however is by focusing on the lyrics, they've ignored something that's personally to me even more telling and that's the line distribution

We know for a fact colorpalet loves to mess around with line distribution, weither it's to make characters say lines that fit them or to kind of foreshadow their headspace.

Now something Big happens with the line distribution of Cyberpunk Deadboy that i've seen NO ONE notice and that's in the last chorus (that and also Tsukasa's lines which people have pointed out but it works less on it's own which is why I'm gonna analyse his lines afterwards).

This is the only time the chorus is like that, the others have a much more even distribution.

In fact the distribution choice makes it look like the rest of WxS is Talking to Rui.

It's even more evident considering the lines they chose to make WxS sing compared to only just Rui

Emu/Tsukasa/Nene saying kimi (you)

Rui saying boku (i)

Which honestly makes me think this is colorpalet foreshadowing some kind of issue reguarding specifically Rui. Remember Emu's second event ? The story of Rilley whose imagination was crippled by the industry to the point where he didn't really have any artistic vision until Emu's grandpa helped him.

In fact remember how the flashback that showcases that has Rilley working on a film

Now we get to Tsukasa's line which have been pointed out to be kind of sus but it's not just his lines.

Tsukasa refuses to sing with Rui (unless it's a line they all sing together but i consider those exceptions). In fact pretty much everyone has a duo line with each other except those two.

In fact in the section where Rui has duo lines with everybody, Tsukasa is the only one he doesnt sing with and the visuals make it clear that it's something that we're supposed to find strange

And then we of course have Tsukasa's solo lines

Tsukasa is the only one that say "fuzakeruna" outside of Rui (of course ignoring entire group WxS lines) and i've seen some people pointed out how it sounds like he's saying it in response to Rui's lines. Which I agree with.

Then we got his big boy solo lines

These lines will make more sense with my theory/analysis but right now if we go with the idea that WxS in the last chorus were speaking to Rui and Tsukasa in this comm refuses to sing with Rui then this implies those lines are Tsukasa speaking to Rui.

And this is where the insanity begins because people have pointed out a concerning trend with Ruikasa that I know some people use for shipping fuel but for me kinda feels more so like foreshadowing.

IGNORING all the ARG ass weirdness of the Fixer 2dmv, this choice to switch Ruikasa's colors have to mean something in my opinion outside of just wholesome shipping influence especially considering the two songs they do this are less than jovial.

What this kind of color switching signifies to me is that, Ruikasa somehow are/or will switch places.

And with that let me bring back Tsukasa's lines

These lines stand out because Tsukasa before remembering his dreams was extremely shallow only doing things for fame and probably the money that would come with it.

Now if you think about everything I've layed out I think you can gain a pretty clear picture.

Of Rui falling into the trap Rilley did, becoming jaded and losing the true motivation of his dream (or at least starting to have doubts). Becoming stuck with the struggle of managing dreams and reality.

Rui's costume even has a mask which can be a metaphor for his artistic voice and individuality being silenced .

Which now you get into the line distribution where WxS is implied to be talking to Rui.

And you get to Tsukasa, who is refusing to sing with Rui and in fact seems to be arguing with Rui if we really want to overthink it. In fact almost switching their roles from the main story.

Because Tsukasa has grown now and how else to show that growth than to switch Rui and Tsukasa's perspectives/roles.

Now how this would happen really depends since there are multiple ways they can go about it with the time they have.

There is obviously mystery dude dude (who i know now is sakaki) who still gives me bad vibes. However there is actually two way they can make mystery dude trigger this sort of plot :

-Mystery dude is malicious and actively manipulates/confronts Rui to make him rethink his worldview

-Mystery dude isn't malicious but instead is just jaded/has been through a lot of industry bullshit which ends up rubbing off on Rui accidentally

But you can even just not have mystery dude involved with this at all (which i doubt but still) because you know what loose plotpoint is still lingering over WxS, fucking Asahi

Rui still has not talked about Asahi to WxS, in fact Curtain Call ends on an explicit cliffhanger which is never really emotionally concluded (at least in Rui's own events, technically the arc ender did but there are still a lot of loose threads from that arc). Why would Colorpalet make Asahi come back after Rui graduates, they could've just had him disappear into the sunset but instead they hint at his potential comeback.

Unless Rui will be forced to again confront similar feelings he did during Curtain Call this time with possibly an added layer of whatever happens during WxS's freelance arc.

Anyways yeah this is overly complicated but then again colorpalet is not being easy with us so...yeah.

[arabella-strange]

lots of intense (and sometimes heated) takes On Here about what Ludinus thinks Bells Hells are going to think of this Downfall window, about what BH will actually think, about whether Luda or the Primes or Aeor is right -- lots of debates

What if the disagreement is the point?

Because what's clear to me is that there is no right answer for Aeor. There are entire schools of ethics and philosophy and justice and action/intention/agency devoted to debating what a "good" choice would be here -- good for the Primes, good for Aeor. Is it the Trolley Problem; is it meliorism; is it the law of unintended consequences; is it the categorical imperative or is it the paradox of tolerance; etc. etc. etc.

But what if Ludinus's goal is to sow division among BH? What if the point is that he doesn't care if he convinces all of them -- he just needs to divide them. What if he saw this recording -- saw the oh-so-close divisions and cracks and flaws in the bonds among the Gods that took them out of this plane -- and said, "Hey. Now there's an idea for how to clear the field!" Because I can imagine half the party being really moved by the way the Primes were trying to save some people even as they were trying to maintain a perspective beyond what any mortal could see; and just as easily I can imagine half the party being livid and unmoved by this impossible situation and determined more than ever that the Gods are just people who have high-level power, not perfect beings or omniscient ones or even ones who should get to decide what kinds of extreme solutions are okay and which are not. I can imagine a debate -- a heated debate, maybe even a fracturing one -- among Bells Hells.

And so I wonder (and I apologize if this is the rise of the fash in 2024 on my mind) if the division is the point.

[columboscreens]