#grief and love and everything in between

[lady-of-the-tambre]

The way they fell into each other’s arms and buried their faces in each other’s necks and inhaled each other and held onto each other and ignored the hurricane around them

[poorly-drawn-mdzs]

Happy Birthday to Fallen London; My favourite British people beefing it with bats simulator.

[currentlyonstandbi]

[gingermintpepper]

One of my biggest pet peeves is the assumption that something has to be sad for it to be tragic.

I've always been a big believer of the 'Apollo has an awful love life'/'Apollo is plain unlucky with love' line of thinking but it does bother me that the general reasoning for that statement is given to the concept of 'Apollo is somehow undesireable and thus rejected' (Cassandra/Daphne/Marpessa) or 'his lovers die young and thus their love is unfulfilled' (Cyparissus/Hyacinthus/Coronis). I personally think that's a very unfortunate way of looking at things - not only because it neglects the many perfectly cordial entanglements and affairs Apollo has had, both mortal and divine - but because it presents a very shallow interpretation of the concepts of love and loss and how loss affects people.

Apollo can still grieve lovers that have a long, healthy life. The inherent tragedy of an immortal who knows his lovers and children will die and cannot stop it does not stop being tragic simply because those lovers and children live long, fulfilled lives. The inherent tragedy of loss does not stop being tragic simply because someone knows better than to mourn something that was always going to end.

What is tragic is not that Apollo loves and loses but that loss itself follows him. Apollo does not love with the distance of an immortal, he does not have affairs and then leaves never to listen to their prayers again. He does not have offspring and then abandon them to their trials only to appear when it is time to lead them to their destinies. He raises his young, he protects the mothers of his children, he blesses the households that have his favour and multiplies their flocks that they may never go hungry. He educates his sons, he adorns his daughters and even in wrath he is quick to come to his senses and regret the punishments he doles out.

Apollo loves. And like mortals, there will always be some part of him that wishes to protect the objects of his affections. Apollo, however, is also an emissary of Fate. He knows that the fate of all mortal things is death. He knows that to love a mortal is to accept that eventually he will have to bury them. There is no illusion of forever, there is no fantasy where he fights against the nature of living things and shields his beloveds from death. Apollo loves and because of that love, he also accepts.

And that, while beautiful, is also tragic.

[muchmossymess]

Like they just did that and moved on

[tetzoro]

i don’t think i’ve talked about it much on this blog because tbh it’s a really difficult thing for me to talk about in general but a year ago today, i lost my baby kitty zelda and i miss her so very much ᰔ

[galindatopland]

the way my ears perked up like a dog's when i heard it's confirmed ella is in s3

[skwivr]

-

[imminent-danger-came]

It's just me and the 2 different season 4s that destroyed me

[liedownquisition]

I'm so tired.

Bonus meme under cut:

This is both for him in general (or at least the fanon version dominating fics) and extra for him as Robin specifically tbh. Let him grow up and find an identity outside of being Bruce's emotional support child. It's not like it's actually helping anymore anyways.

[technikki]

thinking about how easily ray was willing to make an exception to his firm ‘i can only save emma and norman’ stance once don and gilda are actually in on the escape. the fact that, during his ‘deal’ with norman in ep 5 ‘we can bring don and gilda too’ isnt a condition norman had that ray begrudgingly agreed to but rather one that ray brought up completely unprompted.

ray has spent years coming to terms with the fact that saving everyone is impossible, years putting emma and norman over everyone else because they were the most precious people in his life and because risking a bigger escape could get everyone killed. he thought it was better for the others to live ignorant, happy lives until their shipment than to get killed on the outside. 

ray never had that same ignorant bliss the others had, emma and norman lost it after seeing conny, and while don and gilda aren’t given the full truth at first, they are given enough to have that illusion shattered for them as well. i just think a lot about how ray knows what it’s like to be trapped in that house without that happy illusion, and the moment don and gilda lose it, he can’t allow himself to push them away anymore.

[poorly-drawn-mdzs]

Lan Wangji Goes To Lotus Pier AU: Part 3: Enveloping Feelings.

(Part 1, Part 2, Part 4)

[spokelseskladden]

Oooh im gonna make the most toxic romance possible, I've been struck by inspiration and the answer is to make the goofy ghost story into a psychological horror. But it's still a little goofy though

[pochapal]

had a migraine all day then sat in the shower for almost an hour rotating life is strange thoughts in my mind and now the headache's gone and i'm also mad

[quietly-sweetly-yearning]

you make me want to be better. healthier. happier

[imaginarianisms]

1 day i will make a meta of sansa's dynamic with her metaphorical champions/suitors & how that correlates to the ashford theory (i.e sansa being betrothed to joffrey baratheon, then promised to willas tyrell, then being married to tyrion lannister, then being married to harry hardying then married to aegon vi targaryen & aurane velaryon but it is not this day. lmao. when i make that meta it'll be so over for y'all.