#gotta make sure the inspiration is real and plot the best way to make them disappear | Explore Tumblr posts and blogs

idle-flower · 3 months ago

Text

Dear Yuletide Author - 2024

Thank you for your time and attention, and I hope your wishes are granted this holiday season!

Likes:

I prefer plot and angst and adventure to fluff, though a nice warm fluffy scene can make a good dessert at the end of the pain and suffering. I lean more to f/f and m/f than m/m. I enjoy forbidden relationships. I love exploring the 'what if' spinoffs of a small change in a canon. I swoon for lovers who take dramatic risks to protect their loved ones.

I also enjoy detailed description of clothing/furniture/jewelry/pretty things in general. Not just heaping up brand names, but sensory detail.

Dislikes:

Please avoid sweeping tropey AUs like 'what if noir' or 'what if everyone was in high school'. No excited rambling about pregnancy or babies. (Older kids are okay.) While I am okay with pretty dark stuff, please don't gorily torture characters to death on screen. If people gotta die, limit the details! I am generally not keen on crossovers. I dislike PWP unless it is exceedingly hot smut (see below). Please don't do gender/sexuality swaps unless I specifically mention it as an option

Smut:

I certainly don't expect it, but I do read a good bit of filthy porn. So if you actually want to go there…

Kinks I find interesting: mild bdsm, pain mixed with pleasure, dubcon, sibling or cousin incest, strap-ons (for f/f not for f/m), futanari and other magical appendages (also generally for f/f, unless we're in a setting where 'man turns out to have tentacles' actually makes sense), teasing, teenagers, drugs/magic with interesting effects, people making terrible decisions due to being emotionally overwrought or really really horny, trying to stay quiet and failing, overwhelming desire, struggling against programming or social expectations, biting that marks but doesn't break the skin (unless vampires), just barely losing control

DO NOT WANT: rape or painful sex that one party is not enjoying at all, inserting anything edible (licking off boobs is okay), aggressive face-fucking, choking, degradation, scat/watersports, bukkake, parental incest, anyone younger than teen, anyone being called "baby girl", emphasis on 'virgin blood' (some writers make it a huge deal with tearing pain and fountains of blood, please don't).

NOTE FOR TREATS:

Absolutely fine with people getting inspired by my ideas and doing whatever! I don’t know if we have to actively say this this year but yeah if you want to have a go, sure.

Jet Lag: The Game (Web Series)

Sam, Adam, Ben

The canon: Free on YouTube for the most part - While there are many seasons, if you're starting from scratch you're probably best off looking at one of the Tag seasons. Try Tag Eur It 2. Or whatever you like, but the Tag seasons are easy to understand and involve just the main three boys. The entirety of Tag 2 will take about 3 hours to complete but you'll get the idea faster than that.

What I like about the show: fun travel facts, seeing cool places, amusing challenges, clever plans which can go awry in unexpected ways, strategy, tension, friendship moments.

What I want to add for spice: peril, angst, and potentially-tragic bromance.

Basically, please whump these boys up with all the insane over-the-top drama that should never actually happen in the real game. Put them in life-or-death situations. Hunted by men for sport, FOR REAL. Trying to pull someone up who's fallen off a cliff/edge/something in a panic that you'll lose them. (Especially in New Zealand where there was apparently legitimate danger of Ben falling off a cliff at one point). Pressed to make horrible decisions about whch friend to help. Cracking jokes to try and keep spirits up while secretly dying. Defusing a bomb. Tending wounds. Rescuing each other from death-traps. Nearly drowning. Pursued by a bear. Trapped in an underground labyrinth with no cell signal. Stranded in a blizzard and trying not to freeze. One kidnapped or mistaken for a spy and hauled off for interrogation while the others frantically search for them. Holding an injured partner's hand and desperately trying to keep him awake and talking in dire circumstances. Declarations of how much they mean to each other when they think all hope is lost.

I would prefer it if you did this with archive warnings off and keep the tension up so I don't know if they're all going to survive this or not. Maybe they pull through, or maybe only one of them is left standing, mourning over the corpses of the others. We'll find out at the finish line. I accept the risk of heartbreak! (You can't tell me you don't want a "Buddy please, please wake up…" in your life) I like poignant pain; I also like happy endings and they're happier if they're a surprise. Seriously, I go both ways.

If the above is too dark for you, I'm also okay with a new travel adventure - set anywhere. They play Jet Lag in a video game world. In a book world. In your hometown. Whatever. Describe some interesting new sights and scenery and tell me the quirky challenges they do there and how they outsmart each other and have some big hugs when they win and I'll probably have a good time.

IF YOU WANT TO SHIP IT: Ben/Adam, Sam/Ben, or Sam/Ben/Adam, but not Sam/Adam alone. But shipping is definitely not a requirement. Intense friendship is good!

IF YOU WANT TO WRITE SMUT: Please, no explicit sex for this request. Hugs and touches and a kiss on the head and deep feelings are fine. Contrived suggestive scenarios (mouth-to-mouth resuscitation, gotta get your wet clothes off so you don't freeze, cuddling for warmth, There Is Only One Bed in the rest location) are also fine. I enjoy the ambiguous edge of is-this-romantic-or-isn't-it? (romantic friendship, the kind of subtext where the characters act like everything is normal with zero angst about it and the audience thinks this is the shippiest thing ever) so feel free to push that tension hard. (But if you really want them to make out I'm not going to object, just as long as it doesn't get into E territory.)

DNW: Sex. Fluff. A story totally focused on shipping without plot/action. Sexual violence or any threat of sexual violence.

TREAT ONLY: if you're here for wrapping paper i would LOVE art of Ben baking cookies, or Ben and Adam cuddling in an adorable besties way. All my "fluff is boring" comments? DO NOT APPLY to art. CUTE ME.

Exiles Saga

Felice Landry

The canon: It's a four book series so that's probably a bit much to take in if you haven't already read it.

I am recklessly drawn to poor broken Felice and want to see a story where she gets to be more than the boogeyman.

The nicey-nice version: What if she meets a woman who can both love and challenge her (a hybrid who sympathises with the lowlives? A Firvulag woman? Something else? Feel free to make up OCs) and comes to operancy through the emotional trauma of being known rather than Culluket's tortures? What would a happy Felice be like? (And if she WASN'T driven to the madness necessary to pop the cork and flood the plain, what would happen to everyone else? Or would she still do it, to disrupt the Tanu power structures, but possibly with a little more planning?)

The not-so-nice version: What if Felice and Aiken swap places in the story? What if, instead of hiding her light and retreating with the slaves to plot rebellion, Felice impresses the Tanu with her power and insists on the full rights and respect of a man, traveling to the capitol to eventually challenge the High King herself? Felice would certainly not agree to sex with the Thagdal but depending on her powers of creativity she might not have to - THAT might be what causes her to issue the Shape Of Fire challenge, rather than the need to protect Stein and Sukey. Her right to own herself. And after Aiken, as a great jest, brings the ocean crashing in, what if Felice ends up married to Mercy? (Mercy would certainly be terrified of her, and thus highly passionate!) A Felice whose talents for violence are embraced and applauded by the Tanu could become a terrible witch-queen indeed…

Felice/Mercy has potential to be extremely hot and to go spectacularly wrong in many ways. Mercy could drive her mad with 'love'. They could come to true alliance and make each other even worse. Or they could fall into a small Unity with a third (Elizabeth?) to become the Triple Goddess…

I generally don't want to hear about pregnancy/babies but if you're doing Felice/Mercy it is okay to touch lightly on a version of her canon pregnancy, just don't make "yay babies" a major focus.

IF YOU WANT TO WRITE SMUT: go for it as long as you note my DNWs (see the smut-specific ones up top)

DNW: Felice/any man, including Culluket, I want an AU where that never happened. Felice/Amerie. The books vaguely hint that Felice's parents were abusive, I would rather not see explicit details of anything horrible happening to a child. If Mercy is pregnant, DNW abortion/miscarriage.

Picnic at Hanging Rock (2018 TV Miniseries)

Hester Appleyard, Sara Waybourne

The canon: It's six hour-long episodes. May be streamable on Amazon Prime?

Note: I have not read the book or seen the 1975 movie, I've only seen the miniseries. You can draw ideas from other versions if you want but you'll have to explain what you're talking about or I may not get the reference.

First off, TV Sara is the cutest thing and I want to protect her (and, well, THAT obviously didn't work out). Second, I feel like the relationship between Hester and Sara is interestingly ambiguous (what isn't, in this show?). Hester seems both antagonistic and friendly to Sara in different ways, and it seems clearly suggested that she's reminded of her own orphan past. She sometimes wants to bond with her and othertimes wants to furiously reject her. She fears that Sara knows far too much, and she's tempted to tell her more.

The circumstances of Sara's death are very unclear, though we see that Hester knows something and is covering it up. What happened between them on that final night? Did Hester push Sara out in a rage? Did they struggle, up in the tower on a windy night, and a careless shove let Sara fall? Did Hester try to save her? Did Sara leap from the tower in despair? Did Sara try to climb out to escape and fall? How did Hester find out that Sara was dead, and why did she choose to deal with it in the way she did (pretending Sara had left but not disposing of the body)? What was she thinking? Or did she truly convince herself Sara had just 'disappeared' like the other girls?

So things that I'd be particularly interested in, storywise:

A depiction of the details and the drama of that final, fatal night Any scene in which they really open up to each other and share secrets we didn't see in the series (which might or might not end with Hester threatening Sara to shut her up) AU in which Hester adopts Sara herself and trains her to follow in her footsteps? Possibly where she uses Sara as a bridge to marry Mr Cosgrove? (Dark and mysterious things should still happen, just DIFFERENT ones) AU in which it's Hester who falls to her death after their last confrontation in the tower. Sara lives! But she might be suspected of murder, especially if for some reason Hester named her in the will and left her the school. What happens to the school and Sara now?

Angst and drama are likely. Killing either or both characters is fine. Depictions of self-harm and child abuse consistent with the series are fine, but tag it. No sexual abuse please.

IF YOU WANT TO WRITE SMUT: Not with each other! In keeping with the style of the show, some light sexual scenes might work well for filling in character info (what IS hester's sexuality anyway? If Sara Lives, how does she eventually move on from Miranda?) but this is not a kink request.

DNW: Hester/Sara slash. A super-happy fix-it fic. This is a dark canon, so I'm okay with the threat of someone being pruriently interested in Sara or young Hester, but I absolutely don't want anyone to do anything sexual to Sara while she's underage. It's okay to imply that young Hester might have been molested or prostituted but I don't want to see it happen in detail.

Poison Ivy (1992 film)

Sylvie Cooper, Ivy

The canon: It's a movie about an hour and a half long (there are different cuts with more/less skin). I don't think it's currently streaming anywhere but someone uploaded it to the internet archive, assuming that comes back up from the DDOS...

I was struggling through the confusions of puberty, Ivy was hot, this film left an impression on me. More than it necessarily deserves, because while the elements I remember best are compelling, they're a much smaller part of the film than they should be... In a way trying to build any sort of happy ending for Ivy feels out of place, but on the other hand there's a lot of loose ends left after the story.

Throughout the film, there's a lot the audience never knows about Ivy, including her legal name. Did Coop know it? (Maybe, probably.) Did her father? (Quite possibly not). How do they handle all the legal responsibilities of her death? Were Ivy's stories about the aunt she was staying with true? How do they break the news? How does her funeral go?

What do Sylvie and her father have to say to each other about Ivy after the truth comes out? Does he admit everything that he did? (The movie seems to let him off way too easily by implying things are all Ivy's fault, when he ABSOLUTELY knew how wrong his actions were) How does he handle the guilt? How do they rebuild their relationship? Or, speaking of guilt, Sylvie kind-of-sort-of was responsible for Ivy's death, even if it wasn't 100% intended and she was not quite in her right mind at the time. She did push Ivy. How does she handle THAT?

What is school like, afterwards? What rumors escape? How does Coop handle them? Does this attract new weird friends? Does she adopt any of Ivy's traits as her own?

Or - what if Ivy survives the fall? Seriously injured, possibly paralysed, but alive? How do they deal with her, once the truth comes out? Do they cover up her crimes? Do they keep her in their home? What happens to their relationships?

Did Ivy ever care about Sylvie? Did she legitimately want to be friends before she started trying to seize hold of the world and the wealth that Coop lived in?

Sylvie ends up kind of pushed out of a lot of the middle of the movie so the film can spend more time perving over Ivy. More about her character and her thoughts in general would be great. We know she can be a troublemaker and a fantasist - who else has she been telling lies to? Or is the whole movie itself a lie she's telling us? And if so, what is the story behind the story?

For AUs, what would have happened if Ivy had met Coop when they were several years younger, so she couldn't get her hooks into Darryl as easily? What if they met at summer camp and Ivy was just as messed-up and needy but the situations were different? What if the movie plot is actually a fantasy younger-Ivy spins about her future to her fascinated-and-appalled friend, who then has a chance to react to it? Or what if Ivy tried to replace Sylvie rather than her mother? Or what if it's Darryl that she wants to kill, as revenge against the men who've mistreated her in her life? Or if it's Sylvie she really wants to be with, and we get some twisted bad-girls scenario where BOTH parents are conveniently disposed of so the girls can live together forever, lying to each other and the world and refusing to acknowledge the truth of what they've done?

IF YOU WANT TO WRITE SMUT: I'm on board with Sylvie/Ivy sex, I don't want to have to see Ivy/Darryl in too much detail. Brief reference if necessary is okay but not a focus.

DNW: Sylvie to die, Ivy to end up with Darryl

#dear yuletide author #yuletide letter #yuletide 2024

0 notes

loststolenorstrayed · 2 years ago

Text

You all gotta watch Flip Flappers it’s such a fucking trip

#my post's #my post’s #that shit was my first real anime and it gave me such wild unliveuptoable expectations #magical girls going to beautifully designed weird as hell alternate universes every episode #bizarre things that I’m not sure if they are fanservice or are making fun of fanservice or both but I wouldn’t take them out #even though I kinda hate them it would ruin the absolutely insane tone #a fucking wish granting cult that genetically engineered more than half of the cast and is the antagonist #a trapped young girl with magic powers growing up to continue the cycle of abuse and control with her magic powers #lesbianism. so much lesbianism.#the most autistic pair of main characters.#mommy issues (previously elaborated on)#musings on whether your problems make you who you are #RENOWNED for having the best OP & ED ever #several genders of mad scientist #sidekick creatures with unclear levels of sapience and bizarre plot relevance #telepathic twins #lore shit dropped in your lap that you just gotta keep up with #and THE MOST BEAUTIFUL AND MOST ANIME ART STYLE I HAVE EVER SEEN OR WILL EVER SEE #look maybe I’m biased because it was my first after the ghost stories dub (no kidding) but flip flappers is my favourite anime of all time #it and the shelter music video inspired a trope in my own writing that persisted all the way from middle school to 2020 #(the isolated girl trapped amid beauty. specifically in her room)#a bunch of my ocs were just Mimi #god. flip flappers is so good and so crazy.#flip flappers #anime #anime recs #GOD AND I FORGOT THE EMPHASIS PLACED ON FRIENDSHIP. IN THIS KINDA FUCKED WAY THAT SPEAKS TO ME SO MUCH #This anime. man. it’s just me this is my brain with 75% more shiny colour and frills

4 notes · View notes

no-droids · 4 years ago

Text

The Secret

Pairing: Anakin Skywalker/Reader

Word Count: 4.2K

Rating: Explicit

Summary: On a dark and dreary night, Anakin tries to see if he can influence your dreams.

A/N: idk what in the hell this even is tbh I just started writing it two days ago idk what happened this is some inception shit but not the crazy ass mind bending plot twist part at the very end of inception but like just the cool middle part where you kinda get what’s sorta going on but not really okay anyways I gotta go

Warnings: There are DUBCON/NONCON ELEMENTS to this, smut/oral sex, a splash of m/m (sorta?), dark Anakin uses the force to mess with your dreams without your knowledge or consent so please read at your own discretion

***

Anakin knows it’s wrong.

It’s the middle of the night on a moon he never bothered learning the name of and Anakin knows it’s wrong when his eyes shift over to you for the fifth time in the past minute. Curled up with your back to him and the crackling firelight illuminating this tiny little cave, breathing soft and quiet through your nose as you sleep, the wind roaring monstrously outside. Anakin acknowledges it—the moral impropriety of even sitting here thinking about things he shouldn’t be with you so close by. It’s wrong, no getting around it.

But there’s also something inside him that… wants the wrongness.

He likes it. Anakin likes having secrets, he likes breaking rules even when nobody is consciously here to witness it. It makes him feel alive in a way that battlefields just can’t anymore, not after two years of constant conflict where the only enemies to feel his wrath have been comprised of nuts and bolts, their robotic cries never leaving him with any satisfaction anymore. At the start of the Clone Wars, sure, it was a thrill to slice through voice boxes and body parts, even if they were mechanical. But the droids aren’t afraid of death, they’re just programmed to stay alive. It’s like killing large, dumb swarms of bugs—it needs to be done for the common good but there’s never any true fulfillment in it anymore, it just feels like a task to be completed instead of an earnest, hard-earned goal.

He’s also been given direct permission to do it. He’s even been ordered to carry out enormous droid massacres on behalf of the Republic, but that’s the thing. Anakin isn’t looking for permission, see, it takes away half the thrill.

No, he wants to feel wrong. He wants to wonder if he shouldn’t have. He wants the quiet guilt, the sparkle of holding a secret he’ll never breathe a word about, the addictive power trip from having real influence over something, something equally as real.

Technically, Anakin is supposed to be on lookout right now. He’s meant to stay awake and patrol the perimeter of the cave for enemy combatants, but he doesn’t even bother pretending to be diligent when it’s just you two here. It’s not necessary. He’d be able to sense another lifeform miles away in this secluded, barren wasteland; there’s no threat to be found right now. He can keep warm by the crackling firelight in this cave, sheltered from the dust storm that spontaneously broke out a few hours ago. He can stay awake without moving a muscle and listen to your slow breathing all night long, letting it fill him with shameful desires he spends the daylight hours fighting and suppressing.

He silently flicks his gaze over to you once more, blinking as he studies you. He can sense your mind becoming creative in its slumber, beginning to swirl into dreamlike possibilities around yourself, about to choose a path for your consciousness to follow tonight. Yes, this is what he’s waiting for. He can’t force you to dream—that’s beyond his expertise as a Jedi. But if he finds himself in the right place at the right time, he can certainly try his best to… give you a suggestion.

The wind whistles outside and the fire pops quietly and you continue to breathe. In, and out. In, and out.

Anakin closes his eyes, and begins.

He first maps your body with the Force, trying to understand it on a deeper level. Gauge it—its proportions, its ambience, the thrumming lifeforce flowing through your veins even as you sleep. He has to be careful—as a fellow Knight, there’s no guarantee you won’t immediately be able to spot him exploring your energy in this way, there’s nothing to stop you from suddenly rolling over and asking just what exactly he thinks he’s doing.

But Anakin is patient. It’s one of the only times he can remember truly exercising that untapped potential inside him, perfectly content to allow you to drift while he works to find his bearings with you. Minds are complex, especially when they’re unconscious. They’re finicky and never stay in the same spot for long—it’s not like they evade, necessarily, but instead, they just… float around. Pulsing. In and out of existence, hiding behind and under immovable things, no rhyme or reason for it, vanishing into uncertainty and nothingness as soon as he thinks he’s found it. Like trying to find a microscopic air pocket in the depths of a pitch black ocean. He’s not losing any oxygen by existing right at the edges of your sleep, but it takes hard concentration to stay here, hidden, not allowing himself to slip. He’s looking, he’s looking… but he soon realizes he just needs to wait longer. He needs to wait until you float your way back around to him, until you present the opening yourself.

So Anakin waits.

And waits…

And then suddenly—

—There. He locks onto a flicker in the Force and holds, finally isolating and breaching the surface of your inner subconscious. Anakin smiles softly, a bead of sweat slowly dripping down his temple at the effort it took to locate you without alerting you of his presence. There you are. Maker, it sure is pretty in here, isn't it? He has you, he’s cradling the buried, hidden, most fragile part of your soul as you slumber, not knowing any better.

His heart thumps with excitement even though he’s barely done anything yet. To someone without sensitivity to the Force, they might just think the both of you are asleep right now. Just the two of you sitting still in this relatively small space, eyes closed, neither of you are touching, nobody has said anything or made any substantial movements in hours, nothing has changed in this world. All of it is existing in another plane, a place most people wouldn’t be able to recognize unless someone informed them of its existence, and even then, it would be beyond understanding.

But he has you now. He’s there, and he’s not going anywhere. He can allow his focus to dip just slightly, knowing your mind will pull him along through the comatose current. He senses you already working through the beginning whispers of dreams, but they’re not the kind people can ever remember. These aren’t formed, there’s no substance to them—it’s just pure, abstract dreamspace for your mind to drift through while you slumber.

Finding your true consciousness through all the murky, shapeless slumber was the test in skill. Now comes the luck.

Very carefully, without arousing any suspicion or drawing undue attention to himself, Anakin begins to drag the tip of his tongue against the back of his teeth. He doesn’t open his mouth, he doesn’t move a single muscle outwardly—he just lets his tongue begin to flitter around slowly in its enclosed cavern as he breathes, making the movements as soft and hypnotic as he can, matching the aimless way you’re carrying your mind and his shadow through the darkness.

He’s tried this before. Once or twice, with a pretty Ambassador he was tasked with protecting for a few months at the start of the Clone Wars, but the results were always less than ideal. He could never seamlessly transfer his desires through her consciousness before she awoke, perhaps because she wasn’t Force sensitive. The dream would either never happen, or he would push too hard and it’d turn into a rabid nightmare that fractured her thoughts and made her terrified to close her eyes for weeks. Not this time, though, Anakin isn’t going to allow it. Not with you, not after all the unprecedented effort it took to even just get himself here.

He finds a bit more passion to put into his movements, his jaw beginning to work with more purpose. Stars, he wants this to work, and while it’s probable that there’s an easier way to accomplish it, this isn’t something the Academy trains for. There’s only so much he can do except just be patient and giving with his soft, muted thoughts, urging you to make use of them without ever saying them aloud.

And suddenly, like the dark waves of your sleep decide to illuminate for him all on their own, your subconscious mind responds to the gentle stimulus. It carefully reaches out and studies the suggestion he’s silently offering, having spent what feels like an eternity trying to entice your rawest, most fundamental being into going somewhere it normally wouldn’t go, all without letting you know he’s even there.

His tongue is still moving. With purpose, with a specific intent in mind, Anakin allows his head to slowly fall back as he lifts his chin up towards it, wanting it more and more the longer you take to consider it, as if your mind is actively trying to tease him by playing hard to get. He can feel you right there, feel you thinking about it, and the whole thing is almost like some elaborate courting ritual while he waits with bated breath for you to decide whether or not to humor him.

But then, just when Anakin fears you may be too strong to be swayed, too powerful in the Force to be tempted by an outside source, you abruptly snatch the idea from him and start to run with it.

Suddenly parts of your spirit begin illuminating that should be dormant right now, and Anakin follows you, wherever you’re leading him. He knows none of this is necessarily intentional on your behalf—nobody can consciously pick and choose their dreams, not even Jedi. But this endeavor proves that it’s absolutely possible to subtly inspire them in each other, regardless of the morality behind it.

The wind continues to howl outside the cave and remind him that an entire universe still exists beyond your beautifully soporose mind, but the dreamscape gradually begins unfolding around him without any further prompting, requiring nothing more than what he’s already provided. Anakin’s tongue continues to simulate and suggest regardless, only now he feels the ghost of it beginning to materialize somewhere else besides the roof of his mouth, the sensations appearing before the images can be conjured to fill in the gaps. His hands suddenly tighten on his thighs at the soft, enticing feeling beginning to take root in you.

And oh. It’s… good. It feels different when his own body isn’t really the target of the stimulation, when he’s doing nothing more than simply experiencing it vicariously. Anakin supposes he could’ve bypassed all this effort, just aimed the pleasure more directly from the very beginning instead of working to inspire and coax it out of your own consciousness, but that was never his intention and it misses the point entirely. Where’s the challenge in it? The finesse is lost, it doesn’t appeal to him. It’s brash and brutish and not his style. No, this is what he wanted. He wanted to get just close enough to plant the most basic, fundamental idea in your head and then witness the rest of it all play out as a phantom passenger. Step back, strap in, and see how you kindle and manipulate the desire yourself, exactly the way you want it.

Anakin starts to breathe a little heavier through his nose, shoulders tense as he works to ride the slow swelling of your own prolonged pleasure with you, not knowing if or when it’s going to peak. He’s never made it this far before, he has no idea what to expect. Your consciousness does all the heavy lifting for him, your floor muscles move and contract without him needing to do anything to encourage it, the dream he seeded now completely taking over and whisking you both away.

But then… then suddenly Anakin doesn’t understand. Because yes, your mind works exactly the way he hoped it would—everything goes the incredibly precise direction he intended, and yet the destination is somehow… here? Back at the very beginning?

You dream of a cave. It’s exactly the same as the one you’re both silently holed up in for the night, and no new faces have appeared. If Anakin fluttered his eyes open at this specific moment, absolutely nothing around him would change. Except, perhaps, the subtle glow around everything—the watery way the air seems to be moving, as if it can’t decide whether it wants to exist or not so it strangely succeeds in doing both at the same time. He’s not really here—at least, he doesn’t think he is, he’s just seated on the dirt floor, appearing as nothing more than an invisible witness to it.

No. No, actually, he takes that back, he… is here. It takes him a moment to see the full picture as you’re still putting the puzzle pieces together, but… that’s him. A projection of himself at least, looking only slightly different but recognizable enough. Dark robes, robotic right arm, steady gaze.

But where are you? Anakin looks around the empty cave, still trying to understand how you’re painting this, his conscious mind moving much more rapidly than your own abstract one and yet also somehow taking so much longer to catch up to you. You’re not here. Why aren’t you here? He’s getting stuck on the details, he knows he’s lagging behind.

It takes a moment longer. Just one, before Anakin suddenly realizes that… he’s not just an invisible witness, is he?

He looks back down to see his own head now buried between his thighs.

But they’re not his thighs, not really. They’re yours. He’s just seeing everything from your point of view, feeling everything you’re feeling from the small little space he’s occupying in your mind.

At this point, Anakin needs to anchor. He feels himself—his real self, the one currently stuck in a cave in the midst of an unexpected dust storm—curl inwards and clamp his legs together. This will work. If he focuses enough to pinpoint the way his knees feel pressed tight together, he can have a tether to separate himself from your dream, the way yours are currently… wide open. This is all too similar to your true surroundings—he didn’t expect this, he doesn’t want to get lost.

And yet… Maker, it feels good. His long curls feel so soft in your hands, his tongue drags slow magic between your legs. When Anakin first suggested the idea to you, he didn’t think you’d assign the role back to him. He assumed you had someone else in mind, somewhere else you wished to be besides this dull, dreary setting. He gave you just an inkling of a prompt, and this is what the most creative part of your mind created. Something he could be doing at this exact moment, if only he’d known you’d be interested.

Then again, Anakin thinks, you may have just recognized him subconsciously. You may have attached him to the idea already, if only because he was the truest originator of it. But it doesn’t matter now, he can’t process such complex thoughts while maintaining the suspended mental state he’s in—he feels like he’ll either completely fall into it or out of it if he tries.

But as your muscles continue to work and your pleasure continues to build, it becomes harder and harder to separate where he is in relation to you. Anakin clenches his legs tighter together as you open yours wider apart, the dream gaining more strength as it develops. Stars, it’s—it’s—

Anakin starts to lose it and he needs to tug on that tether to his surroundings again, but it’s way more difficult than it should be to recognize himself. His calloused fingers on his left hand tremble as he reaches up and uses them to cover his face, biting his tongue to stop the low rumbles of ecstasy that want to claw their way out of his throat. Maker, this feels so… different from the build he knows. He thought—if he was successful—that he’d be able to handle it as silently and stoically as he’s able to handle his own pleasure, but this is something else entirely. Why does it feel so… so spectacular? Maker, he never realized the sensation was all that different on the inside, much less that he was actually missing out by having a dick between his legs.

But then suddenly there’s a pause, a break in the way you’ve been rhythmically squeezing and flexing your body for him.

The dream adapts to it. Anakin looks down between your open thighs just in time to see himself pulling away from your warmth, putting two fingers in his mouth, before slowly easing his hand back down between them.

No, he thinks, a bright flare of panic sparking inside him as he immediately snatches and yanks the tether to reality, popping his eyes open and pulling away from your mind entirely, oh no—wait, that’s not what I—

But see. That’s the thing about being so meticulous about conjuring something that doesn’t actually exist. Once his brilliant creation decides to backfire on him—a fool-proof way to escape it doesn’t actually exist either.

He… he can’t wake up. No matter how much his body struggles backwards on the dirt floor of the cave, how wide he can feel his eyes are right now, how excruciatingly aware he is that none of this is real, none of this is actually happening to him, he’s caught in the dream he planted and you’re hauling him along for the ride. The closest he can describe it is like having footage play in one eye while the other can see perfectly fine. He knows where the line that separates reality is, but he can’t escape your consciousness’s crushing gravitational pull; it’s too massive and overwhelming now, he can’t gain enough velocity to get home. Real life exists but only through a window, and being stuck on the other side like this—knowing he’s dreaming but not being able to jolt awake when he’s very ready to leave—is suddenly more terrifying than any nightmare Anakin has ever experienced.

It also has unintended consequences. Clinging so desperately to his own body has made him completely aware of it in the purgatory he’s now trapped himself in, but the pleasure is still there so the source of the stimulation is still there. They’re not your thighs anymore, they’re his thighs again. But that’s also still him between his legs, continuing to ease his fingers forwards.

He keeps retreating back and away from them no matter what, but there’s nothing more he can do.

Anakin helplessly watches on as his own fingers slowly disappear up inside himself, and his eyes instantly lose focus and his jaw goes slack as he feels it the way you would. They’re not real, so there’s no pain, no true pressure or stretch, just… hard, unadulterated stimulation starting to burn up inside him.

He doesn’t realize his body kept moving until he suddenly feels the wall of the cave slam into his back and he has to brace himself against it, frantically shoving himself back into it as far as he can with his legs and digging his nails into dirt at the base, scrabbling for breath and stability. Anakin tightens up wickedly as you both bear down on the phantom intrusion, sweat beading at his hairline as he works to process the foreign sensation and you whimper quietly in your sleep. His cock is rock hard between his legs and he shudders to think that his mind will compensate for the difference and his alter ego will actually take it into his mouth—but no, the projection doesn’t change because it’s still coming from you, still being led by your own desires. Dream-Anakin’s mouth drops and his tongue comes out to keep licking your slit but to the real Anakin, it just looks like his mouth disappears somewhere near his balls, and then a magnificent swell of bliss suddenly kicks in before he can fight as savagely against it as he wants. He’d normally be repulsed, and maybe he currently is to some extent, but because your pleasure spikes so dangerously with it, his hips stutter into the sensation just as desperately.

He’s making noise, he knows he is—he can feel his throat working too hard for just air to be moving through. No, he’s whimpering, or moaning, or doing something but he can’t hear himself at all. His instinct is to yell as loudly as he can, to try and wake you up manually, but it doesn’t seem to work, you’re way too far gone now. He listens for the dust storm that should be screaming outside, the popping of the fire somewhere in this cave, but they’re suddenly nowhere to be found. He’s being dragged under by your enormous current that’s somehow still continuing to build in strength, losing oxygen by the second. He’s not ready for it, he doesn’t want it, he’s terrified, he needs to wake up—

Anakin slams his head back against the wall hard enough to make himself bleed and gasps raggedly as he loses his grip on everything, shutting his eyes tight with his fist shoved up against his teeth. Nothing exists at all anymore but the swirling typhoon that continues raging forth. Beyond purgatory, and then beyond heaven.

When you finally do manage to find the absolute peak of your climb, he’s sure he all but blacks out with it.

It’s pure, blinding rapture on all levels—physical, metaphysical, whatever else exists after that. It surges up with razor-sharp claws of merciless ecstasy and he’s just not equipped to experience anything anywhere close to it. The connection between your minds thrums and sparks violently; Anakin feels the way your body practically soars over top of the pleasure while his is just being ruthlessly pummeled into the ground by it. He’s not meant to handle this, he literally wasn’t made to survive the devastating anomaly—it’s as wicked and excruciating as it is dazzling, and he wonders if he’ll ever truly be able to come back from it.

Eventually, Anakin manages to find his way back to himself. Eventually.

His cock is throbbing, that’s the first thing he‘s able to notice. The dirt floor beneath him that somehow feels slightly different than before, the fetal position he’s assuming on top of it, the once sturdy wall now crumbling to dust against his back.

The next thing he notices is the utter, complete mess he made. Blood slowly drips in a line down his neck and more cum than he’s ever felt himself produce before drenches the front of his pants. Anakin slowly blinks his eyes open, trying to fight the vertigo and wondering if he might have a concussion right now. There are cracks and fractures in the ground that branch out from the small crater at his back, and the fire is completely extinguished now, charred logs splintered and strewn about like somebody detonated a bomb in here.

At some point, his gaze drags over towards you, and remarkably, you haven’t moved. Still curled up on your side with your back to him, still breathing slow and steady and undisturbed.

Anakin pants in exhaustion and waits for you to turn over to address him and what he did. There’s no way you’re still asleep, not after what just happened. Anakin couldn’t get through it without sending a giant shockwave through the entire cave and quite literally rupturing the ground beneath him, he’s surprised you even managed to stay in one spot the entire time. He doesn’t know if you feel violated right now and are refusing to acknowledge him, or if it’s just taking as long as he is for your brain to catch up and start functioning again.

That is, until he hears a small snore come from your unmoving body once more.

Anakin blinks.

No. You have to be awake, he figures, moving to prop himself upright and wipe the blood from his neck with the dark sleeve of his robe. There’s no possible way that the orgasm you both shared is actually… normal, no, the sheer power of it had to be influenced by his presence somehow. He must have… increased it, or something. Anakin doesn’t know how, but he knows he must be directly responsible, this had to have been the strongest you’ve ever cum in your life and you just don’t know how to confront him about it right now, so you’re pretending to sleep. Yes, that’s what it is, that’s what it has to be.

He’s not going to check, though. He’s not going to find any lingering energy left within himself to summon and look for the thick darkness of sleep still enveloping you, he’s not going anywhere near your signature right now. No, Anakin is fine just like this, exactly where he is. Instead of verifying or confirming his own understanding, he’ll just be extra confident in it, that’s always worked well for him.

So he just sits back and takes a deep, shuddering breath, feeling like his whole body is weak and trembling with fatigue. Maybe you are asleep, he shrugs. Maybe he’s wrong, and selfish, and an idiot. Or maybe.

Maybe you just like keeping secrets, too.

#anakin x reader #anakin skywalker x reader #anakin skywalker #anakin x you #anakin skywalker x you #Smut #reader insert #dark anakin #no-droids

3K notes · View notes

dannyphantom-rewrite · 4 years ago

Text

Timekeeper's assistants AU

Alright y'all! This is gonna be my info dump post for the Timekeepers assistant Au- buckle up cause it's gonna be a long one!

Inspired by @queendibz post here

The entire purpose of the assistant squad is to keep all the time lines running smoothly- this can range from stopping a world ending event to making sure things misplaced by natural ghost portals get put back into the right time and place.

So First up on the crew list,

Dan:

-Dan definitely isn't a homicidal maniac anymore but he's not 100 percent "redeemed" either.

-I mean he's probably still a bit of sadist but he tries not to be?

-The best description I can give is that he's in recovery, basically.

-So, Clockwork knew that Dan would eventually bust out of the thermos just because it wasn't built to hold a ghost of his power level for a prolonged period of time. But beyond that?? He has no idea about anything in regards to Dan. Since Dan's creation was averted, his timeline doesn't exist anymore. He's a paradox that exists outside of time, and unfortunately, that means he's the one entity in the multiverse that exists in Clockwork's blindspot. There's no way for him to know what Dan's going to do next.

-Anyway, Dan eventually breaks out of the thermos fully intending to Fuck Shit Up, And Clockwork makes a point of informing him that if he leaves the clock tower he will cease to exist. (Like Dan, the tower exists outside of time, so he's safe there.)

-Dan is the first member of the assistant squad. Granted, it took a while for him to come around to the idea of helping Clockwork but he got there eventually.

-Dan is an entity that was born out of the rage and grief of two very broken people and he has so much shit he's working through as a result

-One of the first things he had to do was recognize and accept that he's an entity that's completely separate from Vlad and Danny. He might have all their memories and the weight of their mistakes on his shoulders, and on top of that, the atrocities he himself committed because of them. The first step is realizing that he doesn't have to be defined by the people that made him.

-It's a really fucking difficult thing to do tho and he's got a lot of weird emotions in regards to Vlad, Danny and the Fentons as a result. A near constant identity crisis, self loathing, daddy issues, something that could arguably be called an Oedipus complex, (FUCKING THANKS, VLAD)

-Cannot stand the smell of fast food, it makes him nauseous and the sight of Nasty Burger sauce alone is enough to make him vomit Ectoplasm.

-He's just a hot mess all around y'all

-He tries to keep his interactions with the Danny's as minimal as possible at first bc of this. The first time he meets them in person he shape shifts into Danny like he did in TUE and just pretends to be one of them. Some of them have had interactions with their respective Dan's already and would be super wary of him and probably pretty freaked out otherwise.

-Dan is eventually allowed to leave the clocktower for supervised "Field missions" with the aid of a time medallion to keep him from poofing out of existence, but it takes a while for clockwork to build up that level of trust.

-Dan's shapeshifting ability Actually comes into play a bit on a lot of those missions, since he can Mimic Danny it also makes sense that he'd be able to impersonate Vlad in the same way. Granted he's not incredibly comfortable taking on either of their appearances but it does help him hone his shapeshifting ability to the point where he's able to pick and choose features from both Vlad and Danny and sorta make his own human disguise.

-Most of the time he acts as the eye in the sky from the tower, monitoring for timeline anomalies and then notifying the appropriate member of the assistant squad.

-He has a room under the clock tower that he operates from. I kinda like the idea of there being like, catacombs down there? Anyway he's got all kinds of monitors and view screens and he very rarely leaves. It also doubles as his "living space." He doesn't need to sleep but he's got a big mess of a pillow fort that he crashes in regardless bc sometimes you just NEED to be unconscious for a while. The catacombs are also absolutely full of those little blob ghosts that wander around the zone bc They're attracted to the ecto energy the tower gives off. He's really annoyed by them at first but they grow on him after a while and now he just dotes on them.

-There's a specific throw pillow sized one that likes to hang out in Dan's room a lot and he ended up getting a little over attached to the stupid thing. His name is Dorian. Bc he's a gift.

-SIR THATS MY EMOTIONAL SUPPORT BLOB

-Dan's appearance has changed slightly. He wears his hair loose now and it's kinda just this big fiery mane when it's not contained. His cape is more of a cloak now, it has a hood and he wears it sorta pinned together at the shoulder so the DP logo is covered.

-Dan's relationship with the rest of the Danny's is kinda weird, and a little strained. He has a hard time being around them for very long because, well, he used to sort of be them? Except not really? He does care about them tho, and the last thing he'd want is for one of them to end up like him.

-His relationship with clockwork definitely starts out pretty familial, after he becomes his assistant, anyway. There's room for that to develop into meddling minutes but I'm not entirely sure if I'm gonna go that route yet.

-The Danny's only ever hear his voice for a while before he finally let's them meet him for real, so they end up calling him Charlie for a while as a joke. Cause Ya know. Charlie's angels. Even after Charlie still ends up being his designated name on missions.

Mer! Danny:

-Was recruited bc a lot of the shit that gets sucked through natural portals ends up in a body of water somewhere and when that happens he's on call to retrieve it.

-Is Actually not at all ghostly! Mer Danny's situation is basically the plot of H2O (just add water), or if you haven't seen that, Aquamarine. And by that I mean he's only a merfolk in water.

-He's an electric eel

-His Jack and Maddie are marine biologists, with a particular interest in marine cryptids

-We're taking sea monsters baby!!!

-Not entirely sure how this Danny ended up half mer yet but I'll figure it out, lmao.

-14 years old

-His nickname/ designation is "Moray"

Crown Prince! Danny:

-Nickname/designation is Prince / Princey

-16 years old

-Not allowed to go anywhere in the zone without the Fright knight bc of some ancient ghost law bullshit, so he has a constant babysitter.

-He's next in line bc he sealed away Pariah, but can't take the throne until he is both, A) at least 18 years and B) Completely deceased

-Vlad is his Regent bc he did have a part in the whole sealing the previous king thing, but he's also not completely dead so his power is super limited there.

-As Prince Danny has the crown of fire in his ghost form, although now the name is kinda ironic seeing as it's completely frozen over. It's blue now and it smokes like dry ice.

-As Regent, Vlad has the ring of rage for "safe keeping"

-Vlad and Danny are pretty much constantly at each other's throats, fright knights probably had to shut down more than a few of Vlad's attempts to usurp the crown from Danny through combat.

-Princey deals with the timeline issues that involve the ghost zones' internal / political affairs, and he's gotten very well versed with dealing with the Observants.

Winged! Danny :

-15 years old

-Mallard duck wings

-His Vlad is a swan

-Comes from a family of waterfowl, Jack is a goose, and Maddie is a white swan. Both he and jazz are ducks bc of their grandparents.

-As Fenton his wings are white, like jazz, and as phantom they turn black with a green iridescent sheen.

-He's trans

-Nickname/ designation is inviso Bill. Bc ducks have bills haha get it-

-Ghostly wail?? Nah son he's gotta killer QUACK

-Absolute besties with Mer!Danny/ Moray, sometimes they go swimming together after a mission.

Clone! Danny:

-Physically he's a 12-year-old, but he's only been alive for a few months.

-Alt universe where Vlad manages to stabilize the perfect clone with his own DNA.

-Dani still exists, and the original danny from his time line also rescued the other problematic clones.

-Doesnt like the fact that he's a clone, and very much wants them all DEAD. Bc them running around is a reminder that he's not the real danny.

-Human half looks the same aside from the widows peak and the mallen streak. His ghost half takes after plasmius. Blue skin, and the Hazmat kept it's original white colors.

-Probably has fangs and a forked tounge.

-Not so much a member of the squad as he is someone that they need to be keeping an eye on.

-Does NOT get along with them.

-Dan enjoys making him uncomfortable.

-Designation is Masters / the brat (not to his face tho)

Family Breakfast AU! Danny:

-A BABY

-The boy is a fucking overpowered todler okay. He's an 8 year old.

-The biological son of his Vlad, was born a Halfa. Jack, Vlad and Maddie got their shit together and are in a healthy poly relationship.

-Got separated from Vlad one time in the zone and inadvertently adopted by the assistant squad and clockwork.

-His Vlad is aware of the squad and just. Dad's the crap out of the Danny's as a result. It makes for some..... interesting interactions.

-I can't think of a nickname so I'm just gonna be lazy and say he gets to be the one Tru Danny bc cute little kind privileges lmao.

Full ghost! Danny:

-15 years old, will always look 14.

-Nickname/designation is Toast

-Died in the portal accident and got fucking FRIED.

-He always smells like somethings burning.

-He's really bright and sorta sparks a bit, you can see his bones glowing through the hazmat.

-He still leave the zone to protect his version of amity, but lives with clockwork full time.

Canon Danny (NOT PHANTOM PLANET COMPLIANT) :

-Basically show Danny, except phantom planet never happened fuck you

-Joined the crew after the events of de stabilized

-Also he's trans fuck butch

-Franken! Danny

-Yall remember that Headless Danny Au? This is my take.

-Is Actually 20 years old, but physically stuck at age 14. Bc he's a walking corpse :)

-Came from a timeline that was directly parallel to Full ghost! Danny. He dies in the portal accident, but jack and Maddie are in the lab when it happens and manage to sort of bring him back using a combination of science and freaky ghost junk.

-So he's basically possessing/ stuck inside of his own dead body. Which, is thankfully not rotting or going into rigor mortis bc Ectoplasm is rather similar to formaldehyde, but he's not the most durable thing and bits and pieces fall off from time to time.

-Like his head. For example.

-He's pretty desensitized to it at this point and if he loses a leg after a ghost fight he doesn't see anything wrong with sitting down on the curb of a main street to stich it back on. His being dead isn't exactly a secret.

-Don't ever ask him to "give you a hand" bc he can and will not hesitate to pop one off and Chuck it at you.

-Said hand and any other body part will continue to function just fine even if it isn't attached to anything, btw.

-Nickname/ designation is Adam. Bc. Ya know. that's the name Frankenstein's monster gave itself.

Post Phantom Planet! Danny:

-A very jaded 22 year old who is driven only by spite and enough caffeine to kill a horse

-Very, very tired of the hero thing.

-Being a global celebrity isn't all it's cracked up to be.

-Decided to follow Vlads lead and fuck off to space for a while. Partially to get away from everyone and also partially bc he kinda feels responsible for the fact that the only other person like him and probably floating DEAD in the void somewhere? And yeah Vlad fucked up all on his own but what if he'd tried harder to get through to him things could have been different-

-Joins the crew after a natural portal opens up in space and decides to help out and use clockworks resources to try and track down his Vlad.

-Nickname/ Designation is Polaris, aka the north star.

176 notes · View notes

irondad-creator-awards · 3 years ago

Text

Winner Spotlight - Mshermia

Today we’re talking to @mshermia who wrote the fabulous If They Knew All About You which was the winner of the Plot Twist Award in the 2021 Awards.

How did you get into Irondad?

I think I just stumbled upon it on AO3 at some point. I used to read a lot of fanfics when I was still in school and in the first couple of years of university and then lost touch when I spent less time in my main fandom (Potter). But after Infinity War, I was just craving more Marvel content and found AO3. Back in the day, I used to read on fanfiction.net. It must have been in the phase where I was reading a lot of Stony post Civil-War break-up fics, that's when I must have stumbled upon Family by petersnotkingyet, a pretty short fic post Civil War where Peter had been co-parented by Tony and Steve and then found out that Tony got hurt by Steve in Siberia.

And then it spiraled from there.

What’s your favourite Irondad scene?

It has to be the rooftop scene in Homecoming. It's such an intense scene with both RDJ and Tom at their best. A close second would be Tony flying after him Peter and the space donut in Infinity War, telling him “Pete, you gotta let go. I'm gonna catch you.”

I fell out of love with the movies after Endgame, but I still love to watch these two scenes.

When did you start writing and what made you sit down and write that first story?

I used to write in school a lot. I got into fanfiction when I was about 14-15. Mostly it was me writing down my daydreaming about Orlando Bloom, so I'm not sure if that counts as a first “real” story, but that's what I used to do instead of paying attention in class. Thankfully, I was a good student despite it ;)

What do you like about writing most?

It's a one-person kind of task. I like that I can just sit down whereever and write whenever I feel like it. Yes, sometimes it's nice and necessary to speak to someone about a scene or a conflict when I get stuck (shout out to my lovely betas Spagbol99 & tufteatsunglasses for their help and time), but mostly it's something I just need myself and my imagination for, not a whole team of people that need to be coordinated. I write mostly for myself, stories that I would want to read, so it's nice to put something on the page that will work out the way I would want it to work out for once ;)

Which of your stories is your favourite and why?

It changes all to time but right now, “Like You'd Know How It Works” is probably my favorite out of all my stories. It's a fixit for Endgame that I started writing only a couple of days after watching that horrid movie and likely the story of mine that is closest to the actual MCU canon. I often write AUs that aren't anchored in any particular part of the MCU canon. “Like You'd Know How It Works” is different because I intended it to be a real fix it to Endgame picking up right after the battle and incorporating the scenes of the movie but making it better and make actual sense. I've also created a series that contains different stories from that alternate timeline and I find it really challenging to stick to a sound logic how all these stories fit together, which is a lot of fun to me.

What’s your favourite trope to write?

Miscommunications. Is that a trope? I love it when Tony and Peter are both stubborn idiots and get into a lot more trouble because they are being stubborn and harbor a heavy helping of internalized inferiority, feeling like they aren't good enough for each other or the world in general only to learn how much they mean to one another.

Also, hiding or playing down injuries and the other one freaking out about it.

What inspired the story, If They Knew All About You?

That one is easy. I read “Lost Boy” by winterda and just loved the Bio!Dad trope immediately. Back then, there were very few stories of that trope and none of them were finished and I really wanted to read one that would be finished, so I decided maybe I'll have to write it myself.

Can you tell us a little about the experience of writing it — did anything stand out or was there a particular person that helped more than others?

Well, I can tell you that when I started I mapped it out, I thought it would be about 25 chapters. As I've just been polishing up chapters 90 and 91, well... it grew into something I couldn't have ever imagined. It's also been a lesson in patience for me because the scene that I started to write the story for in the first place – Tony finding out and the struggle he goes through in what to do with that information – turned out to be chapter 43! It wouldn't be published until a year and 4 months after I started writing the story and I'm still amazed that I didn't just shorten the whole thing to just get to that point in the story already, cause I'm generally not a very patient person. At all.

I ran a lot of the story by my sister at first. She's a great writer and also a Marvel fan, so it was really fun to hash out some of the plot points with her when I was struggling with how to bring all the strings together.

In the second half of the fic's life, @spagbol99 has been an amazing beta for me. And many thanks go to her for listening to me ramble about the plot details of this story.

How did you feel to be a winner of the Awards last year?

I was super happy of course, when the story was nominated. I was honestly surprised that it won because there were so many awesome writers nominated who I really enjoy and that have so many people reading and avidly commenting on their work. It's incredibly flattering that the story was picked by the IronDad community as one of their favorites and I do want to thank everyone who has been part of this.

Thank you for chatting with us @mshermia xxx

#Irondad Creator Awards #Iron Man #irondad #ironman #spider-man #spider son #Irondad and Spiderson #spiderson #peter parker #tony stark #fanfic

26 notes · View notes

imaginationintowords · 4 years ago

Text

Folklore [song series]

my tears ricochet

Modern Day AU! Bucky Barnes x Natasha Romanoff; Steve Rogers x OC!Reader

Plot: Inspired by Taylor Swift’s new album Folklore. The story follows the timeline of Bucky and Elizabeth’s life throughout the years

[warnings: death, and funeral]

word count: 4829

[a/n: sorry for such a long wait. I've been busy. I thought once I was done for the semester I would have a lot more time to work on my stories, but if anything my summer break has been more hectic. Just because I haven't been posting, doesn't mean I haven't been working on them. Just know that I am working on the new chapters for this and for TKWBA, just need a bit of patience from you all. Also thank-you for the continue love and support on all my work]

Series Masterlist

Tag list info here [if you want to be tagged please read this]

Age: 21

Year: Sep. 2015

Location: Brooklyn, NY & Stanford, CA

Elizabeth was sat at her desk doing her homework. She was anxiously waiting for Steve's call about the baby arriving. He had called her two hours prior to let her know that Natasha had gone into labor, and they were at the hospital. Steve told her that he'd call her as soon as he heard the news. She tried her hardest to focus on her homework, but she found herself constantly checking her phone for any updates.

Suddenly her phone started going off. She instantly picked it up and answered the call.

"Is the baby here?" She immediately asked.

"Liz," Steve choked out.

"Steve, what's wrong?" She could hear the distress in his voice.

"Natasha, she," he tried to say but the words got caught in his throat, and she could hear the soft cries.

"Steve, breathe," she tries to calm him down the best she could without actually physically being with him.

Elizabeth was simultaneously trying to keep herself calm, and not rush into any assumptions.

"She died," he said after calming himself down enough to tell her what happened.

"She died?"

"I guess there were complications, he tells her, still unsure of what exactly happened.

Steve hadn't thought to ask further into what exactly happened when Bucky's mom called to tell him the devastating news. He couldn't wrap his head around what she was telling him. He just never imagined that this would be the outcome of his best friend welcoming his first child into the world.

Steve clears his throat trying to force the lump back down.

"I'm catching the next flight out to New York," he tells Elizabeth, "I just gotta be there for Bucky."

"Yeah, of course," she says, completely understanding.

"I know you can't exactly fly out now, without letting your professors know, so as soon as I find out all the funeral," his throat catches at the word, he takes a small breath, "all the funeral information I'll let you know."

"Okay that works," she agrees.

"Okay. I haven't to pack real quick and get to the airport within the next hour," he tells her.

"Okay, I'll let you go."

"Wait, Steve," she calls out before he could hang up.

"Yeah?"

"I love you," she says with a shaky voice.

"I love you too, so much," he says, "I'll text you when I board the plane."

After one final goodbye, Steve hangs up the phone.

The flight seemed like Steve's longest one he's ever been on. As soon as he landed he quickly grabbed his carry on, the only thing aside from his backpack that he brought with him. Elizabeth had messaged him letting him know that she could bring more of his stuff once she flies out.

Steve made his way out of the airport to find his mom waiting for him by her car. He quickly made his way towards her and wrapping his arms around her.

On the drive to Bucky's apartment Steve sent Liz a text letting her know he landed. He then called Bucky's mom to let her know he was on the way.

"Thank-you for coming out Steve," Winnie thanks him, "The baby is just about to get discharged, we should be at the apartment before you get there."

"Of course, I'll see you guys soon," he says hanging up the phone.

Steve then sends a quick email to his boss and professors explains his absence and why he'll most likely be gone for a couple of weeks.

An hour later Steve's mom was stopping outside of Bucky's building.

"Let them know I'm here if they need anything," his mom tells him before he exists the car, "I'll come back at noon with lunch for everyone."

"Thanks Mom," he says leaning over to kiss her cheek.

Steve exists the car leaving his bags with his mom. He takes one final breath before walking to the front doors. Steve presses the call button for Bucky's apartment and was immediately buzzed in.

As soon as he reaches Bucky's door, he knocks quietly. The door opens and he's welcomed by Rebecca. He takes in the sullen face on the teenage girl.

"Hey Bec," he says.

"Hi," she quietly says, as they hug each other in the door way.

When they pull apart she steps aside letting him inside.

"It's just my parents and I here. Bucky didn't want to deal with a lot of people right now," she explains to Steve.

"Steve," he hears from his left, Keith, Bucky's stepdad makes his way out of the small kitchenette over to him, and embracing him, "Thank-you so much for coming. We know you're a very busy person."

Before Steve could respond Bucky's mom Winnie walks into the living room.

"Oh Steve," she immediately wraps her arms around him.

"Thank-you so much for coming on such a short notice," she says. Steve could hear the shakiness in her voice. He could tell she was trying to keep it together. No doubt the last 12 hours being the most stressful and emotional she's ever been.

"There's no need to thank me. This is where I need to be," he tells them.

"Let us at least pay you back for the flight," Keith says.

"No, don't worry about that," Steve waves him off, "I had a lot of miles that needed to be used."

"Well, thank-you again," Keith nods his head, understanding where Steve was coming from.

"You can go on ahead Steve. Bucky is waiting for you in the nursery," Winnie tells him, giving him an assuring nod, he nods back making his way towards the nursery.

The short walk seemed like it was much longer. Steve has never felt so nervous in his life. When he approaches the closed door, he softly knocks on it.

"Come in," Bucky calls from inside.

Steve walks in, closing the door behind him. He's immediately greeted by Bucky sitting in the rocking chair in the corner of the room, feeding his newborn daughter.

"Hey," Steve softly says, not sure what to say.

"Hey," Bucky greeted Steve with a sad smile.

It had been 12 hours later and it still didn't feel real to Bucky. The hospital had even offered the chance for him and Poppy to stay a couple of days, but all Bucky wanted to do was to go home and get away from the hospital. But now being back in the apartment without Natasha was surreal. He was trying his best to keep it all in, at least while the baby is awake and needs him.

He was determined in being the one that cared for her, even when his mom offered to take care of her for a few hours while he gets some rest. He assured her that he needed to do this. He had to do it alone, because he knew that soon enough it would just be him and Poppy.

Bucky was very grateful when he heard Steve was flying out. He felt like Steve was the only one he could really talk to about everything going on.

Steve was still standing by the door, just watching his best friend be a dad for the first time. He had no idea what to say in this kind of situation. The words were caught in his throat the moment he actually saw Bucky.

"Thanks for coming," Bucky says breaking the silence. Steve immediately looks away from the baby to meet Bucky's eyes.

"You would've done the same thing," Steve says, "And like I've said before, I'll always be here for you."

"I don't care how far, I'll always be on that first flight to you," Steve continues, he glances down at the now sleepy baby, "You're my brother Buck."

There was a moment of silence between the young men. Both understanding what the other one means with such few words.

Steve watched as Bucky gently placed the sleepy baby on his shoulder to burp her.

"It suits you," Steve quietly remarks.

"What?" Bucky looked up at him confused.

"Fatherhood, it suits you," Steve says again, stepping closer to his friend.

"You think?" Bucky looks back down at the now sleeping baby.

"Yeah. I know it's only been less than a day, but you look natural. Make it look easy."

"Thanks," Bucky smiled, getting up for the he chair and walking over to the crib to gently place Poppy in.

Steve walked over, standing next to Bucky, watching the little one sleep peacefully.

"What's her name?" Steve whispered, realizing that he hadn't found out what the name of the baby was.

"Poppy James Barnes," Bucky proudly says.

"That's cute," Steve commented, he placed his right hand on Bucky's left shoulder and gave it a squeeze.

Bucky looked over at Steve and they both nodded their heads in agreement, before falling into an embrace.

"I am so sorry," Steve quietly says.

"It happened so quick, she barely even got to see the baby," Bucky quietly cried into Steve's shoulder, "I never even thought of this would be the outcome. I never imagined I'd be coming home solo with the baby."

Steve tightened his embrace on Bucky, just listening to his friend.

"I don't know how I'm going to do this Steve. I don't know how I'm going to raise her without her mom. I'm trying to keep it together to not worry my mom, but fuck Steve, I don't know what I'm doing. I'm scared I'll screw this all up. I'm scared I'll screw her up.

"I'm so scared Steve," Bucky cries.

"It's okay to be scared," Steve tries his best to comfort Bucky, "I'd be more concerned if you weren't scared. This is entirely new territory for you. You're raising a child, a child who unfortunately no longer has her mother. That alone is a fucking terrifying thing to go through.

"It's not going to be easy. There's no point in lying to you, and saying it will. You and I both that won't be the truth. But if there's anyone I know who could do this, it's you Buck. You're the strongest person I know. Whatever has happened before this doesn't matter. The only thing that matters now is that little girl. And I know damn well you're going to give her the best life she will ever have," Steve pulls away from Bucky and holds onto his shoulders.

"And you're not alone in this. You have a lot of people who care about you, and now Poppy. You will never be alone. You'll always have someone to call, someone to help you. You're crazy to think we would ever leave you to do this alone. We're here, and we're not going anywhere. You and Poppy will never have to be alone. She might not have her mom, but she's got you, and I know damn well you won't ever let her wonder what being without one parent truly feels like.

"You've got this Buck," Steve assures him, "And we're here every step of the way."

"Thanks Steve," Bucky sniffles, wiping the tears away.

"No need to thank me," Steve smiles, "Now why don't you go take a nap. Get some rest. We're here if Poppy wakes up."

"Yeah I could use some sleep," Bucky yawns, his adrenaline from the last 12 hours fading away.

Steve walks Bucky to his bedroom and watches as he gets into his bed, and quickly falls asleep. He quietly closes the door behind him, with the baby monitor in one hand checking to make sure Poppy is still asleep.

He walks back into the living room, placing the monitor by the tv for everyone to see and hear.

"They're both asleep," Steve announces to the room.

"Oh thank goodness," Winnie sighs, "James hasn't taken a moment to rest since everything happened."

"Knowing Bucky, we'll probably have to be forcing him to rest for the next couple of weeks," Steve says.

"I just got off of the phone with Natasha's father," Keith said walking back inside the apartment.

"What did he say?" Winnie asked.

"He said that the funeral is all up to us," Keith sighs, "Something about how Natasha made her own path with getting pregnant, and that once she left she was no longer his responsibility."

"He really said that?" Winnie asked mortified.

"I'm afraid so," Keith sighed, "I tried reasoning with him saying we would handle everything financially and he can come to the funeral but he said no."

"What kind of father doesn't show up to his own daughter's funeral," Winnie shakes her head in complete disbelief.

"Explains why Natasha was the way she was," Rebecca whispered, so that only Steve could hear her.

He reluctantly agrees.

Two weeks later

Elizabeth was helping Steve with his tie in his childhood bedroom. She had flown in yesterday for today's funeral services. Elizabeth had gotten in late last night, so she still hasn't seen Bucky or Poppy yet. She was a let to get a week off of work and her professors gave her an extension on her assignments when she explained to them what happened.

"I still can't believe Natasha's dad isn't going," she says as she straightens out Steve's tie.

"Bucky's mom is still holding out hope that he shows up," Steve says.

"What does Bucky think of it all?" Elizabeth asks.

"He's not worrying about it," Steve explains, looking over himself in the mirror, "His only concern right now is Poppy and only Poppy. If Nat's dad shows up then he does. But as of now Bucky has made the decision that he will not be in Poppy's life. Not until he proves himself."

"That's very mature," she says grabbing her purse.

"This Buck is like a whole new one you've never seen before. Fatherhood has made him a thousand times more grown up these last couple of weeks."

"That's good."

"Ready to go?" Steve asked her, grabbing the keys to his mom's car.

"Yup," Elizabeth says following Steve out.

Bucky had asked Steve to pick him and Poppy up, and Steve had of course agreed.

They arrived to Bucky's apartment in fifteen minutes. Walking up to Bucky's door they could hear a lot of commotion coming from inside. Steve used the key Bucky gave him to let himself and Elizabeth in.

As soon as they walked in they were greeted by the sounds of a baby crying.

"Buck?" Steve called out.

"We're in here," he calls from the nursery.

They go to the nursery to find Bucky looking frazzled while trying to change Poppy's diaper.

"I'm so sorry. I'm running so behind," Bucky tells them, glancing over his shoulder quickly,

"Poppy didn't sleep well last night. And nothing I've tried has been working."

"It's okay Buck, just take your time," Steve calmly says.

"I still need to shower, shave, and get dressed," Bucky rambles, "She's going to need another change of clothes because she spat all over herself, and my mom only bought this one outfit for today."

"Hey Bucky, calm down," Elizabeth calmly spoke up, placing her hand on his back, "Take a breath."

Bucky felt the warmth and comfort from Liz's touch. He listens to what she says and takes a deep breath.

"Okay good," she says, "now you go get ready. Steve and I got this."

"Okay," he nods his head, handing the baby over to Elizabeth, "thank-you."

"Of course," she softly smiles at him, "now go get ready."

Bucky quickly makes his way out of the room and into his own to get ready.

Elizabeth looks down at the small baby in her arms. She could see so much of Bucky in the baby with hints of Natasha. It was a little strange for her to be holding Bucky's baby and it not being her baby as well. Not that she ever wanted to get back together with Bucky, because she didn't. There was just a little voice in her head, that of her teenage self, saying how it was supposed to be them, doing this together.

She quickly shut the voice down.

Elizabeth was incredibly sympathetic of Bucky's situation. All she wanted to do was be there for him, as a friend. She wanted Bucky to succeed as a father, and she would do what she could to make that happen.

Steve silently watched Elizabeth watching Poppy. He couldn't really read her expression. He hates to admit it to himself, especially with everything going on, but he was slightly worried about how Liz would react to all of this. He had faith in their relationship, of course he trusted her immensely. But he still couldn't help but feel like she might decide to leave him for Bucky. Elizabeth turned around to see Steve looking at her with a distant look in his eyes.

"You good?" She gently asked, breaking him from his self-destructive thoughts.

"Yeah. You?"

"Yeah," she nods her head, handing the baby over to him, "I'm going to try and find her a new outfit.

"Okay," Steve says sitting down with the baby.

"I love you," Liz quietly says to Steve, knowing what could possibly going through his mind, if hers was also wandering.

"I love you," Steve replies back, finding himself relaxing at just hearing those three words, any doubt slipping away.

30 minutes later Bucky was ready to go. He walked out to the living room where he found Steve and Elizabeth sitting with each other holding the baby. He paused for a moment taking in the scene in front of him. He felt a sense of warmth and low flow through him as his closest friends admire his daughter. In that moment he knew he had made the right decision in what he would tell them next.

Steve glanced up to see Bucky leaning against the frame of the hallway.

"Ready?" Steve asked.

"Yeah, but I actually wanted to ask you two something before we go," Bucky says walking over and sitting on a chair next to the couch.

"Sure, what's up?" Steve leans forward, leaning on his knees, giving Bucky his full attention.

Elizabeth tears her eyes away from Poppy to also give Bucky her full attention. She smiles at him, letting him know he could continue on.

"I first and foremost just want to thank you Steve, for what probably is the hundredth time," Bucky says, "I know you have a lot going on with work and school. So I really appreciate everything you've done for me and for Poppy. And you too Elizabeth, I know you're incredibly busy especially with law school prep. And with everything that's happened between-"

"Don't," she stopped him, "What's past is past."

"Well anyways, thank-you," Bucky says, "Now here comes what I wanted to ask you two. There's no other two people I wouldn't trust more with Poppy. So I wanted to ask if you would be her godparents?"

"Really?" Elizabeth asked taken back by Bucky's request.

"Yes," he nods his head, "There's no one else I wouldn't trust with her if anything happens. It'll help me sleep better knowing she'll have two people who'll love her like I would. Two people who have so much love between them, that I know will always be together."

Both Steve and Elizabeth were taken back by Bucky's last statement. They knew Bucky had accepted their relationship, but to actually have him not only say it out loud but to practically give them his blessing, it meant the world to the couple.

Steve and Elizabeth both share a look with tears glistening in their eyes. Elizabeth nods her head.

Steve turns back to Bucky, "We'd be honored to be Poppy's godparents."

Elizabeth and Steve stood up to hug Bucky. All filled with a wide range of emotions. Bucky felt a huge sense of comfort after asking Liz and Steve to be Poppy's godparents. He knew he made the right decision, and he knew he could now sleep better at night knowing his daughter would be taken care of. And by two people he knows can love her the way he does.

After what happened with Natasha, Bucky just wanted to make sure Poppy would be taken care of. If she couldn't have her parents, then she would have the closest thing to having parents. And Bucky knows Steve and Elizabeth would be amazing parents.

That alone allowed him to be at peace for whatever may happen.

Arriving to the funeral location Bucky felt his nerves start to spike. He sat in the backseat looking out the window at the familiar faces walking into the chapel.

"You okay?" Elizabeth asked turning in her seat, after Steve parked the car.

"I don't know if I can do this," he mutters, glancing towards the sleeping baby in the car seat next to him.

"We'll be right next to you along the entire way," Liz calmly says.

"If you feel too overwhelmed we'll leave whenever you want," Steve tells him, "We won't stay if you absolutely can't handle it. No one will hold it against you."

"Okay," Bucky takes a deep breath.

"Stay here, I'll get the stroller out," Steve says, getting out of the car.

"No one is expecting you to be brave, Buck," Elizabeth says, "You're allowed to be vulnerable. You're allowed to show emotions."

He nods his head, taking in what she's telling him.

He reaches into his pocket and pulls out a small necklace. Clutching onto it as if his life depended on it.

Elizabeth catches the small 'N' on it, realizing that that was the necklace Natasha wore everyday since she was 13.

Bucky takes one final deep breath, trying to calm his nerves.

"Okay, I'm ready," he tells her.

"Okay, let's do this."

Bucky was grateful that they arrived only minutes before the service started. Everyone was already seated in the pews.

He slowly walked down the aisle pushing the stroller, Steve and Elizabeth walking right behind him.

Bucky tried his best to avoid any eye contact with everyone. He couldn't bare to look at the pity in their eyes.

He caught sight of his family siting in the second row. He also noticed a man sitting alone in the first row.

He instantly knew who it was.

Once Bucky reached the first row, the man made to movement to greet Bucky.

Bucky cleared his throat, "Mr. Romanoff."

The older man looked over at Bucky, then at the stroller.

"James," he stiffly said, turning his attention back to the front.

Bucky awkwardly sat down placing the stroller next to his legs, away from Natasha's father, while Steve and Elizabeth sat next to Bucky.

The service was going smoothly up until the priest announced that Natasha's father would be making a speech, catching everyone off guard.

Bucky looked at the older man as he walked up to the stand. He turned around to face his mom, "Did you know this?" he whispered.

"No I didn't," she shook her head.

Right as Mr. Romanoff was about to start speaking, Poppy began to cry. Bucky quickly went to get her out of the stroller, while Steve quickly went to grab a bottle to help him out.

As soon as the baby calmed down Mr. Romanoff began to speak.

"First and foremost, I want to thank everyone for coming," he begins, "I really appreciate it. Natasha would be eternally grateful for all of you."

Bucky started to get annoyed by the beginning of Mr. Romanoff's speech. As if the man didn't turn down the invitation for the last two weeks. Now he's trying to act like the perfect father, as if he didn't kick her out and cut off his pregnant daughter.

"Natasha was a kind hearted person. Only wanting the best for those closest to her. She was the most selfless person you would have ever met," he continued on with his speech.

Elizabeth couldn't help but be confused by Mr. Romanoff's speech. She hated thinking ill of the dead, but that man had no idea who his daughter truly was.

"Natasha was so smart, earning her way into Yale. She was only months away from graduating. I was so incredibly proud of her. If only we would've gotten the opportunity to watch her walk across the stage.

"Other than leaving an everlasting impression on all of us, she also left behind a part of her. Her last moments on Earth was spent bringing in another Romanoff," he says.

Bucky's head snapped up to Mr. Romanoff, then towards Steve.

"Romanoff?" Bucky whispered, "This man has the fucking nerve."

"Ignore him," Steve whispered back, trying to calm Bucky down, "He's just saying all of this to make himself look good."

"Natasha brought her daughter into the world," Mr. Romanoff continued, forcing fake tears to fall, "I remember being by her side as she was in labor."

Bucky clenched his jaw, forcing himself not to call Mr. Romanoff out on his lies.

"As she was dying," Mr. Romanoff paused for dramatic effect, "Her only request was to name her daughter after her."

Steve paled his hand on Bucky's shoulder, trying his best to calm him down. It was too late, Bucky was already placing Poppy in Steve's arms.

"What a fucking lie," Bucky stood up shouting at Mr. Romanoff, causing everyone to gasp.

"James," Mr. Romanoff said through gritted teeth, as a warning.

"How could you just lie to all these people?" Bucky shouted, "How could you lie as if you didn't disown Natasha months prior when she told you she was pregnant. Or when my parents kept inviting you to the funeral, you kept saying no and how Natasha's decisions led to their death. How dare you say you were in the delivery room. As if you didn't have her number blocked. My mom and I were there when things took a horrible turn. We were there when the doctor walked out and told us Natasha didn't make it. Not you! Us!

"Then you go on to make some shitty story about Nat's last words. Which is completely false. Natasha never wanted to name the baby after herself, you'd actually know that if you were actually present in her life. But you weren't. And you sure as hell will never be a part of your granddaughter's life."

Bucky turned to Steve and Liz, "Let's go."

They nodded their heads and helped put Poppy in the stroller. They followed Bucky as he walked out of the chapel.

After leaving the funeral services, Steve was able to calm Bucky down. Winnie had called Elizabeth to let her know that the burial services the next day were officially going to be private. Liz agreed that that'd be best for everyone involved. Especially with what happened during the funeral services.

The burial service was only attended by Bucky, and his family, along with Elizabeth and Steve.

Everything went along smoothly. Everyone giving Bucky the safe space to grieve.

After the burial, everyone gave Bucky a few moments alone at the grave site so he can say his final goodbyes.

"Hey Nat," he pauses taking a deep breath, "these last two weeks haven't been the easiest. But boy have they been amazing. I may be more exhausted than I've ever been, but boy is she worth it.

"She may only be two weeks but I can already tell she's going to be the most amazing person ever," he softly cries, "You would've loved her so much. But like I promised back at the hospital, she'll never not know who her mother was. I will always make sure she knows who you were. Always."

"Goodbye Natasha," he whispered, before walking away to join his family waiting.

Age: 26

Location: Brooklyn, NY

Year: 2020

"Daddy, what's this?" Poppy calls out to her father from his bedroom.

"What's what petal?" He asked walking into the room, finding her surrounded by boxes, as they prep for their move uptown.

"This," she holds up the small necklace with the 'N'.

Bucky kept that necklace in a small box in his nightstand. He kept it at the bottom of his nightstand for safe keepings. Planning on one day to give it to his daughter. He always planned to wait until she was 16, but he figures now is as good as ever.

"That was your mommy Natasha's," he said walking over to her, and sitting next to her on his bed, "She got it when she was 13, and wore it every day up until when she died."

"It's pretty," she says admiring it in her hands.

"It is isn't it," he smiles at his little girl, "It's now yours."

He grabs the necklace from her little hands. He unclasps it, then gently moves her dirty blonde hair to the side. He places the necklace around her neck, and clasps it shut.

"Thank-you daddy," she smiles brightly at her father, admiring the necklace that now lay on her chest.

Bucky smiled at his daughter, watching as she kept admiring the necklace. It was a little big on her, but he knew she would grow into it.

"Anything for you baby," he kisses the top of her head, "Anything."

65 notes · View notes

thebookreader12345 · 3 years ago

Text

750 Followers Celebration - Q&A

Thank you so much for supporting me through this journey! You guys don't know how much this means to me. Every single one of you is amazing.

Below the cut are my answers to the questions that you all submitted.

Q: Do you think Jay is going to become Sergeant this season? A: There has been a lot of debate over this question because of the past few seasons and all of the "Easter eggs", like the sergeant exam poster hanging in the background of the show. In my opinion, I do not believe Jay will become Sergeant. Yet. I think it won't be until the beginning of next season because, if this is a possible storyline, I would expect that the producers and writers would make the finale of season 9 about Voight stepping down/getting promoted, etc.

Q: Did Chicago Justice deserve more episodes? A: I'm sort of split with this question. I loved the fact that there was a big episode involving Kevin, and they always included people from Med, Fire, and PD in some of the episodes. However, the whole plot of the episodes was kind of slow because it wasn't like they were police officers and could go out and chase suspects and arrest people and what not. Their job was just to gather the evidence and then present it in court. I think for many, the show fell flat because there wasn't much action, and part of me does agree with that, but the whole idea of the show itself was kind of cool.

Q: What would make you stop watching each Chicago show? A: This is a tough question because I've only ever dropped one show that I can think of, and it was only because the plotline got really dumb. Maybe if some major characters died in each show I'd stop watching it? But then again, I love the One Chicago universe so much that I don't think even that would stop me from watching. So yeah. I really don't know.

Q: Do you believe in magic? A: As much as I would love for magic to be real, I don't believe it is. But I feel like everyone thinks that way. Cause lets be honest, Harry Potter and Disney make magic look so cool. However, we all know deep down somewhere that it's almost impossible for certain things to be real, and magic just so happens to be one of them.

Q: Are you superstitious? A: I'm not the most superstitious person out there, but I do somewhat follow a few superstitions. Whenever I find a penny on the ground with heads facing up, I pick it up because I believe I'll get good luck. Doing the whole "fingers crossed" thing is something I do a lot. I believe you shouldn't open an umbrella in the house or else you'll receive bad luck. Broken mirrors are bad omens. Those are the top 4 I believe in, but other than that, I'm not really too superstitious.

Q: Is your perception of yourself similar or the same to how others perceive you? A: I mean, I would hope so. I appreciate my level of smarts, and whenever my friends acknowledge them or compliment me on them it makes my day. However, with that, people think that I'm always only doing things to boost my intelligence. For example, I love to read. So whenever I say that I didn't do much over the weekend, people always assume that I read a bunch, when I really didn't. Or that I always study for tests or do homework like a week before it's do. That is not the case. But for the most part, I believe my perception of myself is the same as how other people perceive me.

Q: Who is your favorite couple on each One Chicago show? A: Okay, so for Med, there aren't really any couples at the moment besides Maggie and Ben, whom I love but they aren't my favorite, so I'm gonna pick a past couple. When I first started Med, Manstead was my prime ship, so I'll choose them. Will had been pining after Natalie for so long so I was glad when they finally got together. For Fire, it's gotta be Kelly and Stella. They were literally made for each other, and they support each other with everything. Also, they are so cute together and all of Firehouse 51 ships them as well! And for PD, while I do love Burzek, Upstead is my favorite ship at the moment. I've seen the connection between Hailey and Jay since season 5. You don't understand how angry I was in season 7 when Hailey was so close to confessing her feelings. So season 8 made me very happy when Jay and Hailey finally got together.

Q: Jay and Lindsey or Jay and Hailey? A: I respect everyone's opinions on this matter, so hopefully you all respect mine. I thought that Erin was almost toxic in a way for Jay. She continuously broke his heart when all he wanted to do was help him. But what really does it for me is that she left Chicago without telling him goodbye. Hailey, on the other hand, has pushed Jay to seek out help when he needed it, like when she recommended he take seeing a therapist seriously to help with his PTSD, and she is always there for him, no matter what. That's why I believe Hailey and Jay are the better pairing.

Q: Which character death got to you the most? A: There have been too many sad deaths in the One Chicago world. But if I had to pick one, I've gotta go with Otis on Chicago Fire. Otis was always one of my favorite characters, even way back when I watched Fire with my dad when it was first coming out. He was witty and funny, and his friendship with Cruz was everything. So, when I watched the episode where he died, I was full on balling. I had to pause the episode for 10 minutes because I couldn't stop.

Q: Who is your favorite character on each show and why? A: I'm gonna do favorite male and female character because I've got too many favorites from each show. On Med, my favorites are Will and Natalie. Will has been my favorite since day one, and I like that he will go out of his way to help patients, even if it means he could get in serious trouble. Natalie, even though she's not in the show, always pushes for the best of care for her patients, and whenever she dealt with kids it was always the sweetest thing. On Fire, I like Kelly and Sylvie. Kelly is so headstrong and driven, and he will do anything to protect the other members of Squad 3. Sylvie is such a hard worker and you can tell she is passionate about her job. I feel so bad that she's had to go through so many partners. On PD I love Jay and Hailey. Jay has not always been my favorite male character. Back when I watched the show for the first time, I adored Adam. However, I love that Jay has such good morals and is always pushing to do the right thing even when Voight disagreed. Now, it took a few episodes for me to warm up to Hailey, but after seeing her be so badass, it was hard not to like her.

Q: Where do you get inspiration for your stories?/How do you get inspiration when there's not a request? A: This question is always hard to answer because I really don't know. Most of the time I'm fulfilling requests sent in by you guys and I just write what comes to the top of my mind. If there are requests that are not requested and I come up with them on my own, chances are I saw the plot somewhere else, like in a book or show or movie, and I just tweaked it a bit to fit the One Chicago universe. Either that happens, or while I'm trying to fall asleep, I make up random scenarios in my head, and if I find one that I really like, I'll make a note of it on my phone so I don't forget it, and then I'll write about it.

Q: Do you think Brett and Casey are endgame? Why or why not? A: I'm gonna go with yes on this one. Now, Brettsey is not one of my top ships in the universe. However, they are cute together, and I've been expecting them to get together for a while. The two of them, even when Gabby was around, had a great relationship and always cared for each other. Plus, Matt jumped out of a firetruck to go help Sylvie when the ambulance flipped. He was willing to risk an injury just to make sure she was okay. And now that they are officially together in Chicago Fire, you can see that they really love and care for each other.

Q: What inspired you to start writing? A: I always seem to get this question whenever I do a q&a, but that's okay because I don't mind talking about it. I first got into stuff like this as a reader. Basically, I went on to Wattpad and Tumblr to read other people's stories. I had no intention of creating my own. And then, one day, I started imagining myself in some of the fandoms I was apart of, and I thought, "If I'm imagining myself in these fandoms, chances are others are too," and I began creating stories that followed the plots of movies and shows exactly, just adding Y/n in it. However, that got tiring after a while because I wasn't able to have much freedom because I was following a set script, and that's when I remembered I had a Tumblr account I never used. So, I revamped my account just a little bit and started posting story ideas I had that I couldn't post on Wattpad because either they didn't fit with the stories or they were for someone I didn't write for on Wattpad. And now, here we are. For anyone interested, I've posted this before but I'll post it again, my Wattpad handle is @Writer_Reader05.

Q: Jay or Will Halstead? A: I'm sorry, but I really can't choose between the two of them. I love them both so much. Will and Jay are two of my favorite characters in the whole One Chicago universe. While they do have some qualities that I'm not the fondest of, at the end of the day, I adore the both of them, and I could never choose between them.

Q: Who would you rather date: Jay or Will Halstead? A: Why do you guys do this to me? I love them both so much! But, if I have to choose, I'm gonna pick Jay. The only reason is because I like the characters in PD more than Med, so if I'm dating Jay, chances are I'm friends with Hailey and Adam and all of Intelligence. Will is just as awesome as Jay though and I feel like sometimes people sleep on that.

Q: Which of the requested fics you’ve written is your favorite? A: I think I'm gonna have to go with a Jay Halstead x reader I wrote titled Two Becomes Three. Something about the plot just makes me smile. And to think of Jay being a father......So yeah, while I have so many amazing requested fics thanks to you all, that one has to be one of my favorites.

Q: What’s your favorite series you’ve written so far? A: I love all of the series I have written. Something about creating a whole story that's more than just one part is always fun. If I have to pick one series, I'm gonna pick On the Loose. It was the first series I wrote on Tumblr and the plot of it is something I'm really proud of. However, From the Big Apple to the Windy City, Identity Loss, and Difference of Opinion are all amazing! The first two are finished series and the last one still has a few chapters left to go. Go check them out if you haven't already.

Q: What's your favorite imagine you've come up with and why? A: I don't have a lot of fics that are solely my ideas. Most of my stories have plots that were sent in by you all. However, if I had to pick a favorite out of my stories, it'd be Back Home for Christmas, a Halstead Sister fic I released when I was somewhat new to the platform. Something about writing sibling fics always makes me happy because I get to express the familial side to the characters.

Q: If you had to be roommates with 5 of your mutuals/fellow writers, who would you pick and why? A: I love all of my fellow writers/mutuals so much! I know how much work we put into whatever we post, and most of us are very active on this site. As for who I would pick to be my roommates, I'd choose @hereforhalstead @fighterkimburgess @halsteadlover @resanoona @sylviebrettsey because I feel like we'd all have great conversations, mainly over One Chicago. And every Wednesday night we'd all watch the episodes live together and experience them as a group and then freak out over what happened..........Now watch me fantasize about this all day.

Q: Do you listen to music when you write? A: It depends. On some days when I plan that I'm gonna write, then yes, I do put on some music. When there are days that I have a few minutes to spare, I don't put on music just because I'm only writing for a few minutes and I don't want to waste time. But mostly when I'm writing I do play music in the background.

Q: Do you know how your fics/stories end before you finish writing it? A: This is a really interesting question. The answer is no, I do not know how I'm gonna end a fic before I finish writing it. The only story I had a set ending for was my series On the Loose, but that one wasn't even fully planned out until I got a chapter or two in. Obviously, if I get a request that includes a set ending, like two characters get together or something like that, then I know what the ending will be. Otherwise, I have no clue.

Q: Have you ever met someone who had a very similar personality to your own? Did you get along? A: You know, I can't say that I have. Everyone is different in their own way, and that's what makes us all unique. I would imagine if I did meet someone with a similar personality we'd get along because we'd basically be a carbon copy of each other, but who knows. Maybe our similar personalities would cause us to clash.

Q: Do you hold yourself to higher standards than you hold others? A: Not really. I know myself more than anyone else so I know what my limits are and when I've reached them. With people, on the other hand, I always feel like they can be doing more with themselves and their lives. So I do not hold myself to higher standards than others.

Thank you to all of you who sent in questions! I never thought I'd reach 750 followers on this platform. The only reason I have is all thanks to you wonderful people out there!

@winterberryfox @maximeevansblog @scarletsoldierrr @i-like-sparkly-things @dreamingmanip @soph0864 @ryliegh8 @lorenakaspersen @wanniiieeee @nevertoofarfromivar @securityfriendly-jay @pinkbay-love @stephie123

#one chicago #q&a time #q&a session #question and answer #750 followers

18 notes · View notes

angelinasway · 3 years ago

Text

Regaining Hope

Chapter Eight

Pairing: Clark Kent/Buffy Summers Warnings/Triggers:Torture, Violence, Mention's of Major Character Death, Bad Language, Sexual Tension, Eventual Smut, Mentions of Sexual Assault Summary: Takes place during Man of Steel. When Buffy discovers the U.S Military trying to keep quiet about an object buried in a twenty thousand year old glacier, she immediately thinks the worst. However, when a surprise visit to the Canadian Arctic puts her in the path of a mysterious stranger her whole world is changed forever. Authors Notes: Thank you all so much for being so very supportive. You guys have been absolutely wonderful. Seriously I couldn't ask for a better group of readers. I need to warn you all that this chapter has quite the graphic and gruesome scene in it, so if that's not your thing I highly recommend skipping the part where Clark starts to watch the video. Some major questions answered here. Hope you all enjoy, and keep the reviews coming. Special thanks to my ever amazing beta Hipkarma. She always helps and inspires me. Disclaimer: All publicly recognizable characters, settings, etc. are the property of their respective owners. The original characters and plot are the property of the author. The author is in no way associated with the owners, creators, or producers of any media franchise. No copyright infringement is intended.

Previous Chapters: [Chapter One] [Chapter Two] [Chapter Three] [Chapter Four] [Chapter Five] [Chapter Six] [Chapter Seven]

[TTH] [AO3] [FFN]

Chapter Eight

Dawn smirked as she saw the caller ID flash. So, Buffy had talked to Wes. That was good. She really didn’t want to have to break into the Watchers Council just because she was nosy and worried for her sister. Buffy hadn’t told her much when they talked yesterday, just that there was some sort of prophecy about her and this Clark guy, which just raised all sorts of red flags for her. Dawn had insisted on seeing a copy of the prophecy and her hackles raised even more when she found out how quiet Wes and Willow were trying to keep this. Looks like big sis came through however, and now it was time to give the man on the other line hell for keeping something this important from her.

“Xand, honey, can you take Abby? Wes is on the phone and it’s time for her nap anyway.” Dawn said, reaching for the phone.

“No!” Her one and a half your old screeched at the top of her lungs, making Dawn cringe. When they coined the phrase, ‘children are your parents secret revenge,’ they weren’t lying. Abigail was just like her too, even in looks.

Xander came out of their shared office, a crooked and amused smile on his lips. “You should know by now not to say that word in front of her,” He said, kissing Dawn on the forehead before reaching out and swooping up their toddler. “Come on Abby,” he said as Dawn answered her call. “Daddy will read you your favorite story.”

“Try to get Joyce down too,” She added, before saying into the phone, “Hello Wes, so good of you to finally call me.”

She heard the groan on the other end of the line and smiled. “How much do you know?”

“That there’s a prophecy about my sister and some uber-powerful guy she’s been spending time with, on your instruction I might add.” Dawn said in a mockingly sweet voice.

She heard him sigh. “Yes, that is all true. Look Dawn, I’m going to send you a copy of the prophecy through your secure fax now. We’ve been able to translate some of it, but there are certain areas where…I don’t think the language is of this world. It’s nothing like we’ve ever seen in any human or demon writings before.”

Dawn got up and walked into the office, a frown on her face. “You mean like interdimensional, there’s gotta be a reference somewhere Wes.”

There was silence over the line and for a second and she thought Wes had hung up. She’d just opened her mouth to see if he was still there, when he finally said, “No Dawn, that’s not what I meant at all.”

Her frown deepened as the first page spat out of the machine. She slid it off the rack and looked at the prophecy. There were several different languages written on the copy, Etruscan, Ancient Sumerian, Ancient Greek, and Latin. At the top were strange symbols unlike anything she’d ever seen before, almost flowing together like cursive. The next page that came out was Wesley and Willow’s translation of that page. She bit her lip, walking over to her desk and went to work making sure what they had translated so far was correct.

“So,” she began casually, “what I’m getting from the first page is that this guy is much farther from home than just another dimension.” She paused, huffing in annoyance as she snootily added,” It was Sun God by the way, not Star God.” She sighed. “Who are you using anyway, Basile?”

“Vonten,” He answered and Dawn rolled her eyes. Of course, he was using that moron’s guide.

“Vonten is an arrogant prick Wes, that book confuses people more than it helps. Burn it, it’s better as kindling. Bachman is the best at Etruscan and Ancient Sumerian, and you already know Ancient Greek and Latin enough not to need a reference.” She said, before frowning as she came to the part about the soulbond. “Wes, what the hell is a soulbond, and why is this referencing my sister and Mr. E.T. having one?”

As Wesley began to explain what they knew so far, Dawn's face began to pale. Oh, this was not of the good. Buffy was gonna wig to the nth degree when she found out.

"Does she know any of this?" Dawn asked, turning around and grabbing more of the pages that were still spitting out of her printer.

"She knows about the bond. I told her this morning." He answered.

"And what, you’re waiting until she gets pregnant before you tell her the rest?" Dawn asked angrily. "You know this is gonna freak her out..."

"Which is why I decided not to tell her." Wes interrupted.

"If you'd let me finish," Dawn snapped, slamming her hand on the desk. "I was going to say this is gonna freak her out, but it would be better if you tell her now." She huffed in frustration. "This just proves how little you guys know my sister. She absolutely will freak and she'll probably fight it at first. Just the idea of her own children having to live the life she has, is not gonna be a happy, joyous moment for her. She's already worried that Joyce or Abby, or maybe even both will be called one day.” Dawn said, before emphasizing her next words, "However, my sister is not stupid, and when push comes to shove, she'll make the right decision like she always does. I get that you’re worried about the Slayer line Wes, we all are, but keeping this from her is not the right way to go about it.”

She heard Wes’s sigh, “I realize that Dawn, but with the bond itself needing to be fulfilled, I thought that was more than enough for both of them to handle at this time.”

Dawn looked at the pages covered in the strange flowing script, similar to the symbols on the first page. Wes was right, it was a language. "We need to find a way to translate this. Do you think this is Clark's language from his home world?"

The line was silent for a moment, before he said in annoyance, “Yes, that’s what I meant when I said I don’t think the language is of this world.”

“Do you think Clark knows how to read it?” Dawn asked.

A sigh came over the line, “I honestly don’t know. I believe he just discovered where he came from, so I don’t see how he could.” He paused in thought and then murmured to himself, “But even if he can’t, perhaps the ship has a historical archive or maybe there is some form of AI technology that could translate it for us.”

Dawn frowned, “What ship?”

As Wesley explained how Buffy and Clark met and the danger Buffy had recklessly put herself in, Dawn found her ire sparking at Buffy’s stupidity. “I’m gonna kill her!” Dawn growled. “She hasn’t done something that reckless since Joyce was born. God fucking dammit, she promised me!”

Wesley sighed. “In her defense, it could have very well been her fate that made her act so rashly.” He paused before saying, “In any case, Clark was there and according to Buffy, he saved her and watched over her after she went into a healing sleep.”

Dawn was quiet as she processed that information. So, she didn’t die, which meant Buffy actively tried to stop it from happening. That was good, she was still getting smacked when Dawn saw her, but at least she hadn’t completely broken her promise from three and a half years ago. It was also good to see that this godlike Champion the prophecy spoke of wasn’t just a creature with a penchant for destruction playing at being a white hat because of a curse. That was a nice change.

“What else do you know about him?” Dawn asked. “I’m assuming you started trying to find him as soon as you started translating this.”

“Well,” Wesley began, “We first caught wind of a possible candidate about a year ago. We’d been monitoring airwave chatter for possible beings with superhuman strength when we caught a lead. A distress call came in about an oil rig off the coast of Canada in flames and about to explode. In that communication there was talk of a man rescuing the crew members aboard the rig and preventing the tower from collapsing on the rescue helicopter with his bare hands.” He paused for a moment, before saying. “We managed to find a few other incidents of him saving people, one that happened when he was thirteen. According to the incident report, his school bus went off a bridge and into the river. Three witnesses stated that a young Clark Kent managed to push the bus out of the water and rescue his classmate.”

Dawn whistled, “So this guy really is the real deal white knight, huh?”

“It would appear so.” He sighed.

“Wes we’re gonna need to access that ship.” Dawn said, looking over a small section of Sumerian that talked about a trial of choice. The rest of the page was in the alien script however, so any clue as to what that meant was beyond her.

“I know,” Wesley agreed.

“Which means, we’re gonna have to tell Buffy and Clark everything.” Dawn reiterated.

She heard Wesley groan, but he conceded nonetheless. “Alright fine, Willow needs to bring them some pendants to stave off the worst of the compulsion the bond is creating. I’ll have her stop by and get you on her way, unless you want me to tell Buffy myself, that is.”

Dawn shook her head, “No, no. I think it will be safer for everyone if I’m the one to do it.” Then she bit her lip in thought, “And don’t bother with Willow, just call me when she gets back. I think I need to do this one on my own.”

“Very well,” Wes agreed. “Willow should be finished within the next few hours. I’ll call you as soon as I know she’s returned.”

“Alright, in the meantime I’m gonna go over this and make sure all the parts I can read are translated correctly.” Dawn said, adding, "Talk in a few," before hanging up.

She sighed, rubbing her fingers along her forehead. "Well fuck," she muttered to herself.

"Everything alright?" Xander asked, coming into the office.

"No, not really," she answered handing him the translated first page of the prophecy.

She watched his eye scan the words before he blew out a breath. "So, this guys an alien?"

"Looks like." She answered.

Xander snorted, "Man the Buffster really knows how to pick 'em, doesn't she?"

Dawn mock glared, before she couldn't contain her amusement at the absurdity of the situation. "Well, you know Buffy. She doesn't do anything by halves."

****<S>**<S>****

As Clark followed Buffy down the hallway, his thoughts were a jumbled mess. He knew she had been trying to reassure him, but her words only had the opposite effect. Were they only feeling any of what they were because of the prophecy and furthermore, given the choice, would she even choose him? She had basically confessed to falling in love with her best friend. The history they had both shared, as disturbing as it was, was an important one to her. She had cared very deeply for this man. How could he ever live up to the memory of a man who had essentially changed a piece of himself for her? Part of him wanted to erase Spike’s memory from her mind, to do whatever he could to drive this man, this demon from her past and another part of him just felt wholly lost. He didn’t want to be anyone’s second best and he certainly didn’t want her to want him only because some guy thousands of years ago decided they were destined. God, he wished his dad was still alive. This would definitely be the type of thing his dad could help him through.

She stopped at a large set of double doors and turned, catching his expression before he had time to school it into a much more neutral one. She blinked in surprise, "Clark...what’s wrong?"

He shook his head, “It’s nothing Buffy.”

Her frown deepened, “Oh no, you definitely have something face. Talk to me. I promise whatever it is, I’ll try to understand.”

Clark shifted uncomfortably, before finally admitting, “I’m just feeling a little unsure about all this.”

Her eyes widened slightly, “Because of Spike?”

Clark sighed, “Well I mean think about it Buffy. You basically told me that you fell in love with your best friend and were willing to marry him for eternity, but the only reason you didn’t is because you were too scared. Would you even look twice at me if he was here now? Are the feelings I’m having for you even real, or is this just destiny trying to force us together?”

Realization flooded her expression, and she quickly shook her head. “I can’t speak for what-ifs, because I would be lying if I answered that either way…” She swallowed, “As for how you’re feeling, I’ve been under love spells before and granted you usually don’t know you’re under one when you are, but if the feeling’s part was being fabricated, we…we wouldn’t be able to fight this like we are. We would have probably already slept together.” She blushed, looking down. “Fabricated feelings they’re false obviously, but they’re very strong…strong enough to make people dangerous. If what we were feeling was a manifestation, you wouldn’t have these doubts Clark, you wouldn’t even realize there was doubts to be had.” She met his eyes then, her expression serious and stoic. “And as for the fear part, I didn’t want to get into it because…” She sighed again. “You remember how I told you that Angelus showed up right when I was starting to get my life back together?”

Clark nodded, “I remember.”

“Well, what I didn’t say is that I was planning on retiring.” She rolled her eyes, “I had this grand plan of going back to school and getting a degree in Art History and moving to Hawaii to open a gallery.” She shook her head, “It was stupid, I know.”

He immediately shook his head, “That doesn’t sound stupid at all.”

Buffy blushed. “I just mean it was stupid that I ever thought it could happen.” She shook her head, “Anyway, I started training a girl named Rayanne when we were first getting the new Watchers Council on its feet. She was bright, witty, resourceful and she already had the makings of someone who could be an excellent leader.” She looked at her feet, her hands clenching. “Me and Giles had agreed, in three-years-time, when Ray was eighteen, she would step in and fill my shoes. Faith didn’t want the position and the only other possible candidate that actually did, I flat out refused due to her inability to get along with just about anyone but Willow. I mentored Ray for over a year and she became…well, like a little sister to me. After the whole General Voll fiasco, I was ready to promote her to Senior Slayer status. She had been on it more than any other girl at the compound, helpful and demanding when need be. She’d fought through a horde of zombies and we came out of it with zero losses. The attack was completely unexpected and if she hadn’t been there, I don’t know what I would have done.” She met his eyes, “I was so proud of her.” Buffy sighed, “A few months later is when the first girl, Alicia went missing, and by the time Ray disappeared, there were already six that seemed to have just dropped off the planet.” She swallowed, “Angelus revealed himself and killed Giles a few weeks later, and almost three weeks after is when we found Alicia. She was the first and youngest to go missing and she was the first he dropped on our doorstep.” Buffy shook her head squeezing her eyes shut, “I knew what he was doing to Rayanne then, and that she would probably get the worst of it because of her association with me. Alicia was just a taste of what Angelus was capable of.” She opened her eyes, meeting his. “I wanted to have Spike claim me so we would be strong enough to save her and the rest of them, and I was scared because I knew I’d be asking for the wrong reasons. I was afraid Spike would know it too and I would only hurt him by asking. Does that make sense?”

It was Clark’s turn to avert his eyes. “Yes,” he said quietly.

She pulled out her phone and began to scroll through it, “Well just in case you have any doubts…” She swallowed, “I don’t even know why I kept this. Angelus loved tormenting me and we didn’t know it at the time but there were several Watchers from the old regime who were very unhappy with the way we were running things. Some of them made deals with Angelus, gave out my email and phone number and my location.” She looked at him, her lips pursed in anger. “One of them would even take video or pictures, documenting my pain for him when he couldn’t be there hiding in the shadows to see it.” She handed him her phone, “I’ve never watched this one, it’s the morning I found Rayanne, he saved her for last. I don’t need to see it, I lived it.” She nodded at her phone, “When he sent it, I didn’t even open it. I just dropped it in an archive and it’s been there ever since.” She shook her head, “I highly recommend only opening the third video file, the one that says, ‘Are you broken yet?’ She met his eyes then, “The first two will be what he did to her. So, unless you feel like throwing up, I would skip those.” She gestured with her chin at the double doors. “I’ll be in there beating on a bag, meet me when you’re done.”

She turned without another word and went through the double doors not looking back. Clark looked down at the phone swallowing heavily, before opening the file. The video began with the image of the front of a house, not unlike the one they were in now, except there was a large tree in front and something very obviously dangling from it. It looked to be sometime in the middle of the night or perhaps early morning, but he couldn't tell either way due to the lights on the house illuminating everything.

The person carrying the camera ran towards the house and a refined British voice in distress yelled, "Ms. Summers, come quickly. I think it may be Miss Stevenson."

The front door flew open and there she was, except she looked nothing like she did now, her eyes were wild, feral even, and she was so pale and sucked up. She looked hollow, worn-down, nothing like the girl he’d spent the last couple of days getting to know. The scream that tore from her lips and the look on her face when she saw what was hanging from the tree, tore through him like a tidal wave of emotion. Clark felt himself growing angry at the Watcher, who was obviously playing both sides. Another man with bleached hair and nothing on but a pair of black jeans came flying through the door next, his eyes wild and worried.

The camera panned and followed Buffy as she ran out to the tree, falling to her knees and screaming again. Clark saw what was in the tree then and his stomach almost rebelled right then and there. It was a young girl, no older than sixteen and the only skin left on her body was on her beautiful face and near her pelvic region. The girl’s expression was frozen in a horrified scream that no one who cared ever had the chance to hear. A large white sheet wrapped itself tightly around the girl’s wrists and tied over the lowest branch, the excess linen draping behind the dead girl as some sort of sick backdrop silhouette for the body hanging lifelessly from the tree. There was hardly any blood to speak of, just a pinkish residue from where the body had touched the clean white linen, which told Clark she had been dead for more than a few hours. It wouldn’t be visible to a human through the recording, but because of his enhanced vision Clark could even see puncture wounds in places and deep gashes from where the girl had been restrained.

The blond man came into the picture then and the Watcher came towards them, circling around so he could see Buffy’s expression, or at least that’s what he assumed the person with the camera was doing. Buffy's mouth was open in silent gulping sobs, giant tears dripping down her cheeks.

“Love,” The blond man whispered in an apparent British accent not nearly as refined as the Watchers Clark had heard so far. The man fell to his knees behind her looking up at the tree. He shuddered as tears sprang to his electric blue eyes. “Don’t look Buffy…please kitten, please go back in the house.”

The man placed his hand on her shoulder, and Buffy turned at the gesture and Clark could no longer see her face as she flung herself into the man’s arms and began to sob harder. “It’s Ray,” she howled. “Oh god, it’s Ray.”

“Shh,” The blond man hushed, rubbing hands along her back in a comforting gesture. “I know,” He choked. “I know, love.”

“We…we can’t leave her like that.” She sobbed. “I-I have to get her down.”

Clark watched the blond man close his eyes and shake his head, “I’ll do it. Go back in the house, please Slayer.”

“No,” Buffy shook her head as Clark caught the silhouette of another man flying from the house and over to them. The sound of retching could be heard, and it took Clark a second to realize the sound came from whomever had just come from the house and seen the body. “It has to be me. Don’t you see, don’t you get it? I knew,” she sobbed. “I knew what he was doing to her and I didn’t do anything.”

“Oh, sweet girl, you’ve been trying to find her. We all have. This isn’t your fault.” The man choked.

“It’s not good enough,” She screamed, shoving away from him and falling on her rear, “And it is my fault, all of it! They were called because of me, because I was too chicken shit to just except the power that was offered to me!”

A sob broke from her lips, and she turned looking directly at the cameraman a sudden realization dawning in her hollow eyes. “You!” She snarled, her eyes flashing. “It’s you, isn’t it?” She started marching towards the cameraman.

“Ms.…Ms. Summers,” Whomever was holding the camera stuttered and then she was there, a well-aimed kick flying towards the camera before Clark saw sky for a few seconds.

“I’ll kill you, you son of a bitch!” She screamed suddenly hovering over the man, the wild fury in her eyes telling Clark that she had every intention of killing this man, and part of Clark couldn’t agree more. “No one else but an Angelus minion would have called me out here for Rayanne! Everyone else would know better!”

Clark watched as she threw a punch, the sickening sound of cartilage breaking ringing through the speaker as the guy howled in pain. The way her arms were angled next and the gurgling sound through the phone told him she was choking the man before three sets of arms suddenly grabbed her, pulling her off. Clark could hear the man wheeze as he tried to catch his breath while Buffy screamed and fought the three people who had pulled her away. Faith was one of them, and then the blond man, which Clark was pretty sure by now was Spike, and another man, tall, brunet, with an eyepatch. He saw Willow in the distance coming towards them and when she reached them, she touched Buffy’s shoulder before she could react and muttered a few words that sounded like Latin. Buffy suddenly collapsed and Clark realized Willow had put her to sleep. All eyes then turned towards the cameraman.

“Get her in the house, Xander.” Spike growled.

“Uh, Spike–” Xander started to say when Spike turned on him.

“Get her in the bloody fucking house, now!” He snarled, a sound like grinding bone emanating from the man as his voice altered to something more sinister. “I’m not going to kill him.” He said turning back towards the camera as two glowing amber eyes stared at Clark.

“Speak for yourself,” Faith said marching towards the man. “I’ve been getting those fucking emails too.”

“So have I,” Willow said, her eyes black as she stared the camera down.

“We won’t have to kill him,” Spike clarified as he fell in step with Faith. “Angelus will do that for us.”

“How you figure?” Faith asked, her eyes just as enraged as Buffy’s had been.

Spike suddenly sprung forward, his arm reaching out and a ripping sound emanated as the man screamed. His hand came back with what looked like a wad of hair. “This enough Red?”

“Plenty,” Willow said, sudden realization dawning in her black eyes.

“Now,” Spike said, a sinister grin stretching his fanged mouth, to the whimpering man. “The way I figure it, you got three options. The first being, you can go back to Angelus and give him this tape, at which point he finds out we now have a way to track you, and oh trust me Marcus, he will most definitely kill you for that.” Clark heard the man begin to sob, and part of him wanted to turn off the video at that point but couldn’t look away at the furious amber eyes that stared back at the camera. “Option number two, you can destroy the tape and run, which if we’re being honest would be the preferable of the three, but I’m sure you are well aware of the kind of wrath he would bring down on you if he didn’t get to see his almost masterpiece complete, so I’m sure you won’t.” Spike’s hand suddenly flew forward and the man screamed in pain, “Or option three,” He growled, “Where you run like a coward and keep the tape for leverage, hoping that your usefulness hasn’t run its course.”

He suddenly had the camera in his hands, staring directly into the screen his eyes burning into the lens. “Looks like your mole got ousted. This is your last one, Angelus. We’re coming for you and when we’re done there won’t be anything left.” The screen suddenly went black as the video cut off.

Clark let out a trembling breath looking around him and realizing he had slid to the floor at some point, his heart pounding in his chest. God, he didn’t know, he didn’t understand until that moment. That poor girl, no wonder Buffy was desperate. How many girls did she find like that before this one was left for her? How many videos did she force herself to endure before this one was sent, even Faith and Willow had said this wasn’t the first one? Clark squeezed his eyes shut, she had told him, so had Gunn but to see it. She was driven half-crazy by what that vampire had done and he could not blame her for that. What would he do if it was his mother in that position? God, he could only imagine.

He shakily got to his feet, listening as he heard the sound of a fist hitting leather, he walked to the doors and threw them open, not stopping when she paused to look at him. He had to reassure himself that she was okay, that she wasn’t that angry creature that he saw in the video. He went straight to her, his arms coming around her in a crushing embrace before his lips met hers. God, she was so strong, he didn’t realize how much until that moment. Buffy immediately melted into him, her lips parting for him as he slid his tongue into her mouth. She was such a small woman, everything about her was deceptively tiny, except her strength and fortitude both physically and emotionally. To go through what she had and still be able to function on a normal level was just short of a miracle.

He pulled away and looked down into her green eyes, haunted by her past but not dead and hateful like in the video. He bent down and laid his forehead against hers and closed his eyes. “I…” He started, “I didn’t…I’m so sorry Buffy.” He whispered, and he could still feel himself trembling. “I didn’t… You hear words like torture, rape, and murder but–”

“They’re not real until you see it for yourself.” She finished in understanding.

Clark sighed, hugging her closely, her head resting against his chest. “I get it now, not…but I understand how desperate you must have been to try and save the girls from that.”

He heard her sniffle, “I didn’t know what else to do. I watched all the others you know, even…even what he did to them. It was my fault, you see; those girls lost their lives because they had a connection to me.” She shook her head, “If they hadn’t been called, they would still be alive today.”

Clark pulled away and used his hand to raise her chin so he could see her eyes, “You blame yourself for every one of them that dies no matter how it happens, don’t you?”

She closed her eyes a shuddering breath hissing through her lips, before she opened them, meeting his gaze head on. “How can I not?”

He sighed, hugging her close again and shook his head. He had no response to that; he didn’t think she should. He didn’t think it was healthy, but he didn’t want to get in an argument about it with her right now either.

They stayed like that for a little while before she whispered, “You’re shaking.”

Clark nodded. “I know, the video…I’m still upset.”

She pulled away, meeting his eyes again. “Do you want me to show you how to throw a punch properly? The heavy bags have been warded well, we can start there.” She looked down, “It will…it will help relieve some of what you’re feeling at least.”

“Yeah,” He nodded in agreement. “Yeah, okay.”

****<S>**<S>****

To say Clark was a fast learner when it came to training would have been the understatement of the year. He was an absolute natural. He moved with precision and grace, sometimes striking so fast she almost didn't see him move.

As of now she was simply holding the bag for him as he got comfortable with the rhythm of landing punches and even with the wards on the bag, she could feel the impact of his strikes. At this rate she would need her suit within a few days to let him get the feel of fighting a moving target. At some point she might even bring him back to Cleveland to put him up against multiple fighters and see how he did.

"Remember to move your feet,” She reminded. "A moving target is harder to hit."

He nodded, bounced on the balls of his feet and struck, the impact of the punch making her bones rattle. "Whoa, nice one Clark." She laughed, "Felt that one in my toes."

He grinned, striking the bag again harder. "You were right," he said casually in between punches. "This does help."

She grinned, "Nothing like getting your aggression out with a bit of violence." And then she blushed, smirking, "Well almost nothing."

He chuckled as he threw a few more punches in quick succession, his own smirk forming on his lips. He had a mischievous look in his eyes and had just opened his mouth to comment when Buffy’s phone rang.

Buffy sighed, releasing the bag. "That will either be Wes or Willow."

It was now around three in the afternoon; Clark had told her he had to pick his mom up at six and it was an hour drive to Smallville from where they were. So, she was grateful that they were going to be able to get this taken care of before meeting his mom.

Buffy walked over to her phone and answered. "Hey Wes," she said in greeting. "What's the haps?"

He was silent for a moment and she could almost hear him roll his eyes at her butchering of the English language. "Willow," He began, "should be there shortly. Dawn would also like to see you. I told her I would call her once Willow was done securing the pendants."

Buffy frowned, “What? Why?”

“Dawn and I have come to the conclusion that one of the languages in the prophecy that I have been unable to identify, is most likely written in the script of Clark’s home world.” He paused, “We are going to need access to the ship, unless of course Clark can read it.”

Buffy looked at Clark and raised an eyebrow, but he quickly shook his head. “Only a few words,” He confirmed. “I think the computer on the ship might be able to translate it though.”

“That’s a negative, Wes,” Buffy answered, beginning to pace. “But he agrees that the computer on the ship should be able to do the job.”

“Very well, I’ll inform Dawn to dress accordingly. The ship is still in the same location I presume?” He asked.

“Whoa,” Buffy said halting her steps, realizing what he was suggesting. “You want us to go tonight? Clark has to pick up his mom from work, Wes.”

“I think it would be for the best. The sooner we get this prophecy translated, the better.” He paused. “Lorne told me I needed to send out more Slayers to India, Kansas, and Metropolis within the next two weeks and I would very much like to know if I should be sending two or a few hundred. If this prophecy gives any indication of what’s to come, I would very much like to know what it is.”

Buffy and Clark exchanged worried looks. “He only told me something was coming for Clark, and we’re gonna need all hands-on deck when it does.”

Buffy watched Clark swallow nervously. “He told me my time for hiding was almost up, but he said it was in the coming month.” His eyes widened in realization. “We need to translate that prophecy.”

Buffy nodded in agreement, “And I need to train you harder than just beating on a bag, which means it’s gonna be eight-hour days from here on out.” Clark opened his mouth to argue and she held up her hand, “We’ll get as much as we need to do in the mornings done, but if for whatever reason we can’t, I would loan you the money before I would let you lose your home.”

Clark frowned, “Buffy–”

“Take it from someone who knows what those kinda money troubles feel like,” She interrupted again. “I think in the scheme of things saving the world is a little more important than pride, don’t you?”

His frown deepened. “You think it’s going to be that big?”

“Lorne said all hands-on deck and it’s you. Someone coming after you has got to be as powerful, if not more.” She watched his face fall and reached out her hand out running it down his arm, “You’ll be ready, and now that we have a general idea of where this stuff might take place, we’ll all be even more prepared.”

“Wes,” she said, addressing the Watcher once more. “Were gonna need Willow to keep close, and I would call Illyria back from Cairo.”

“I agree,” Wesley said, just as a portal opened up and Willow walked through. Her smile melting away at the look on both Buffy and Clark’s faces.

“Uh-oh,” Willow said nervously. “I know that face.”

“Is that Willow?” Wesley asked over the line.

“Yeah,” Buffy said.

“Let me speak with her, please.”

Buffy held out the phone to Willow, who frowned but took it anyway. “Hey Wes,” Willow said in greeting as Buffy walked over to where Clark was standing looking more than a little worried.

“Hey,” she said quietly.

He attempted to smile but he couldn’t pull it off. “Hey, yourself.”

She bit her lip watching him, seeing the turmoil play across his face of having an unknown enemy out there that could be responsible for hurting others when they decided to rear their ugly heads. She didn’t blame him, if she needed to pull out her big guns as Lorne hinted then it could definitely get bad. She was optimistic however, because of what she’d had to face in her past. Clark didn’t have that same luxury.

“I-I know you’re not exactly used to going up against big bads, or having to fight gods,” she started. “But I promise you Clark, no matter what it is we’ll deal with it together. Tonight, I’ll have my sister meet us at your place and we’ll go to the ship and find out what this prophecy says. Whatever’s coming, we’ll deal. I promise you; we won’t lose.”

“How do you know?” He asked, a bit of hope showing in his eyes.

She stared at him seriously, “Because I don’t lose when it’s the world.”

His lips quirked slightly, and he opened his mouth to say something when Willow walked up to them. “Wes wants me to fit you for a suit,” She said to Clark, handing Buffy her phone before saying, “And, he wants to talk to you.”

As Buffy reached for the phone Clark said, “I already have a suit and it’s Kryptonian.”

Both Buffy and Willow blinked in surprise at his words, their voices ringing out in unison. “You do?”

He nodded, “Yeah, it’s on the ship still, but I have one.”

Willow smiled, “Well then, that’s gonna make this quicker. Can you bring it to me? I can enhance it with magic, add some safety features and protect you against the mystical.”

“Will that still work, even if the material isn’t of Earth?” He asked.

“Yeah Wes,” Buffy finally said into her phone, pulling herself away from the conversation. So, Clark already had a suit, she wondered what it looked like.

“So, for the time being I’m going to send fifty Slayers to each location, but keep the others on standby incase things go pear-shaped.” He said, already planning ahead. “I’ll also be moving quite a few closer to all three locations, that way all the girls have backup nearby. I think Willow should stay there at the safehouse that way she’s not far from either of you.”

“And Dawn, Xander, and the kids? They live in Metropolis after all.” Buffy asked.

“Perhaps you should explain the situation to her when she gets there. Staying there at the safe house with Willow might also be a wise move for them.” Wes said, adding, “As well as a few Slayers. I know Faith’s been itching to get out of Cleveland for a mission, maybe she and a few of the other girls should accompany her.”

“Just as long as it’s not Tanya, that girl’s a liability and she doesn’t listen to anyone.” Buffy said.

“I concur,” Wesley agreed. “Only the girls who are focused and dedicated will be allowed to participate in this mission. I would like as little casualties as possible.”

“I agree,” Buffy nodded, “What about the mystics, how many of those can we tap?”

“I have sixty-eight on file, I’ll start making phone calls now.” He sighed. “I’m just glad we have this much to go on.”

“Me too,” Buffy agreed. “I’ll call Dawn when Willow gets done here and tell her where to meet us and to put on her suit and a warm hat.”

“Very well,” he said. “Call me when you know more and I’ll begin the preparations.”

Buffy hung up, walking back over to Willow and Clark as they spoke to each other a bit awkwardly. “So, let’s get this over with Wills.”

Willow quickly nodded opening a small bag she brought with her. “So,” she said quickly. “These were a bit difficult to make since from what we’ve read the compulsion itself seems to be based purely on hormones as well as a need to unite your souls.” She looked at them both, “It took me a little while to find what I needed and even longer to put the spell together.” She sighed, “The pendants themselves will be made out of several crystals used to block compulsion, amethyst, ametrine, chrysocolla, and ruby.”

Willow pulled out two small corked vials filled with multicolored stones and handed them to both Buffy and Clark. “Now, hold out your hands and link your free ones together.”

Buffy and Clark did as she asked, holding their hands out palm up. Willow placed a vial in each of their hands and then covered them with her own hands, closing her eyes and beginning to chant. Buffy immediately began to feel her hand heat up and for a second it almost became unbearable and Buffy even watched Clark wince from the heat. It was gone just as quickly however and in its place were two hard looking marble like multicolored stones with a dark metallic chain that would hang from each of their necks. Buffy heard Willow mutter one more spell that she recognized to be a ward against breaking.

“Well go on.” Willow said smiling happily at her work. “Try them on, see if it worked.”

Buffy quickly slipped the necklace over her head and a sigh of relief left her lips. The sexual tension that had never fully abated her all day finally easing enough to where she wasn’t thinking about sex every few seconds.

Clark had a similar reaction, his face seeming to ease slightly, but Buffy was surprised when he turned to Willow and asked, “You said the compulsion is only based on hormones, does that mean any feeling we have that aren’t sexual are real?”

Willow nodded, “Of course, real love is something that can only be based off of free will. Its why love spells don’t ever work. You can’t force someone to love you.”

Buffy watched amused as Clark seemed to sigh in relief, and then quickly blushed when he noticed her watching him. “Come on stud,” she said hooking her arm through his and dragging him towards the door of the training room. “Let me go grab my stuff before we go get your mom,” a grin creeping over her face as she turned and wished Willow a good night and a promise to catch up tomorrow. “And for the record”, she added quietly as they walked out of the training room. “I still want to jump you, that hasn’t changed even with the necklace on.”

He quickly reached out to grab her arm, but she easily dodged him and took off down the hallway, a blush and a giggle leaving her lips.

Clark was suddenly there in front of her, a crooked and devilish smile on his lips. “Is that so?” And then his lips were on hers, his tongue sliding into her mouth as she squealed in surprise.

26 notes · View notes

winterhawk-olympic-bang · 4 years ago

Text

Let’s Get It On

How To Write Sex

Guest Poster: CB

Here is our second Writer Workshop post, written by CB. Have a read and then head over to the Discord Server where we have a channel for you to take part in a discussion based on the post, with chances to share your own ideas too.

So Your Characters Want to Bang

Welcome to my Ted Talk on How To Successfully Write Pornography! We’re going to cover a few bases here (first, second, third, and home base, to keep up with the metaphor), but feel free to reach out if you have any questions either on the Discord server or here on the Tumblr. If you take a look at my body of work you can see that a significant portion of it is explicit fic, which I’m told is a struggle for some folks. Apparently my CPU is 80% porn.exe, so I’ve got a bit of a niche. Additionally, I’ve got a medical professional background that includes a very specific nurse certification in sex-related shenanigans, so if you’ve got questions, I’ve got answers.

When I decide to write porn (or when my characters decide it for me), I have a few basic things that I keep in mind in order to make sure the story stays on track, the character arcs fit with the scenarios, and that everything doesn’t start to feel too formulaic. I’m going to share my methods and maybe you will find something that helps you out or inspires you to give writing explicit fic a try!

The Mechanics

Let’s start with the basics. Fictional pornography can start to feel, well, a little bit formulaic, especially if you read or write a lot of it. There’s a standard formula of kissing, rubbing, fingers, dicks (or other bits), everybody comes, the end! There’s nothing wrong with sticking to the basic formula, especially your first time (ha!), but here are some thoughts on how you can make sure you’re getting the specifics done and done well, and how to avoid feeling like you’ve written the sexual equivalent of an English essay.

Lubrication. It… really doesn’t matter exactly what kind of sex your characters are having, you can’t go wrong with lube. Getting things wet and slippery is half the fun and also twice the enjoyment. Sometimes characters decide to get it on in unfortunately risque locations, and lube may not be readily available - here is a nice list of MacGyvered lube solutions you may find helpful in that circumstance. That being said - if you are writing anal sex of some sort, lubrication is an absolute must have.

Preparation. Otherwise known as foreplay. Prep is and can be sexy! Everyone involved wants to have a good time, some preparation is required! I don’t just mean fingers in the butt (although that can be important too, we’re gonna get to that), but just generally building up the level of arousal over time adds to the dynamic you’re trying to create between two characters. Even if it’s fuck-or-die, sex pollen shenanigans, just talking about how hot the character feels for it is still a form of preparation/foreplay. Specifically speaking to buttsex - the amount of prep your character needs is heavily dependent on the circumstances. For your consideration - is this a first time sex situation, or does your character regularly bottom? Are they pressed for time, or is this a long, drawn-out affair? There is not (despite what fanfic writers would have you believe) a certain number of fingers that you have to insert into anyone’s anus that makes them ‘ready’ for sex. A person who regularly bottoms may not need any fingering at all, in fact, but they are still going to need lube. (See point 1.) If your character has never bottomed before, they’re going to need more time and patience than a character that does it a lot, but that doesn’t necessarily mean they need more and more and more fingers. It just means they need a partner with consideration for their comfort. And lube.

Coming. People (and thus, characters) don’t often come at exactly the same time. Frequently someone comes first. The other person may not come at all! They don’t have to! If it’s important to you, that’s fine. But it can be fun to play with the dynamics of one character coming and the other character not, because they’re caring for the first character, or because they want to wait and enjoy the burn for later, or because of whatever other reason - which brings us back to character and story dynamic. Also, playing with this particular dynamic can make your pornography feel a lot less formulaic. Character B didn’t come because they wanted to wait and savor the feeling, and maybe in a few hours or days, Character A gets to really have a good time paying them back with a truly spectacular orgasm. Maybe they just really wanted to see their partner fucked out and happy, and coming really wasn’t that important to them. Maybe they’re sex-postive ace, or maybe they take medication that makes sex and orgasms hard to achieve, but they still enjoy the intimacy. It’s up to you (and your characters!), but it’s not necessary for both people to come for the scene to be satisfying.

Penetration. Penetration is not the end-all-be-all of sex. Penetration isn’t even required for something to be considered sex. Some people never want penetration, and that’s okay. This is a good time to consider your characters’ boundaries, a good way to involve consent, and a good way to consider what kind of bedroom dynamic your characters are going to share - even or especially if it’s completely different to the dynamic they share outside the bedroom. Is penetration necessary or important to the characters, the story, or the development of the relationship? Even if you just want to write it, that’s fine, but considering your characters’ perspective and feeling will give the act more depth and nuance.

Expectations (and subverting them so that whatever you’re writing feels fresh and different). Like I said before, there’s a certain amount of ‘this is what’s going to happen’ expectation in fictional pornography. A series of steps that you can pretty much guarantee is going to get you from point A to point F in the sexual alphabet. One of the biggest ways that you can make your sex scenes feel more intimate, more character-driven, and more unique is by subverting those expectations and doing something different that fits your dynamic better or isn’t “the norm”. For example, in a recent fic I had a character fantasize about what it would be like to have the object of their affection on their hands and knees - but when it came time for the sex, said character flipped the script and climbed on top instead! Fictional pornography isn’t real, and people don’t necessarily want realism in their fiction, but adding some realistic elements (oh no, I’ve lost the lube!/it turns out I don’t like this one thing can we try another thing/a hilarious thing has just happened) can be fun and unexpected, and make the reader more invested in your story.

So You Want To Add An Explicit Scene

You’re writing a lovely enemies to friends back to enemies to lovers arc and the time has come to do the do. I’m excited for you! I’m excited for your characters! But now you want to know how do I add this to my story organically? How do you make this feel like a natural progression of the story, how do you segue from fighting Doombots to sweating it up in the sheets?

The trick, in my experience, is to build up to that moment way before you get there. You have to lay the groundwork for attraction before anyone takes off any clothes. Does Character A get distracted during the fight by staring at Character B’s biceps? Was that an absolutely beautiful sniper shot at an impossible angle and it was so good that Character A’s breath literally catches in his chest and he nearly gets hit in the face by a robot fist? Did someone else in the battle have to remind Character B to pay attention to the fight? Is it movie night and Character A doesn’t even know the plot of the film because they’ve been too busy staring at Character B’s face in the light of the television screen?

A little pining goes a long way, but you have to establish attraction before your characters can act on attraction. It feels jarring to your readers if the characters hated each other two paragraphs ago and now they’re fucking in a public space. Even if it’s hate sex, you gotta have the POV character hate how attractive they find the other character. Then you just need an inciting event - one character takes off their shirt because it’s ripped from the fight, or they bump into each other in the communal kitchen and that hot line of their bodies pressed together sparks a kiss - and then you’re off and running!

The exception to this might be an established relationship Plot What Plot fic, but even then, you’ve probably got an idea that sparks the actual sex - include that in your fic!

Help, This Is Moving Way Too Fast!

Oh no, the pacing is off! It happens to the best of us, don’t worry. You get in a hurry (just come already, oh my god!), and you push through to the end and then on re-read or in beta, you find that the whole thing just feels flat and rushed. It started off so well, and then you lost something somewhere in the middle.

The way I combat this is by focusing on how the characters feel and/or how they react to what’s happening.

Someone’s mouth is on someone else’s body - how does the POV character feel about this? If they’re the recipient, is this the hottest thing that’s ever happened to them? Are they afraid to let go and enjoy it? Are they 404 Error: Brain Not Found? Play around with it. Does the non-POV character say something unbelievably hot/romantic/sappy/hilarious? What kind of mood are you trying to set? This is a character interaction as much as dialogue is, so you’re still working with the back-and-forth of two people who are communicating, but with their bodies. (And words too, to be honest). If the scene is too rushed, slow it down with some internal dialogue, external dialogue, or something emotional (like a realization or an acknowledgement - oh no I love them/oh no I don’t hate them/they always take good care of me). If the scene is too long (to be honest this rarely happens, but it can), consider whether you’ve added too much dialogue or other extraneous interactions that have slowed your scene and taken attention away from what’s happening.

Help, It Sounds Like A Medical Exam

This is nearly always a terminology problem.

I’m not here to tell you what words you can and cannot use in your sex scenes. Everyone feels differently about acceptable terminology (though we have all laughed at dick euphemisms). And that’s not even getting into writing fics with trans characters or different gender identities. Personally, I tend to use cock/dick for penis, and I avoid specifically naming parts for vagina-havers because I’ve never found a good one that I liked that I felt flowed smoothly in my own writing. So this one is more nebulous because it’s a personal choice you’re making about what words do it for you and what words don’t. It’s also, again, about your character’s perspective. If you have a character who prefers certain terminology, that’s the terminology you use.

Here’s what I can suggest. Don’t focus as much on the parts of the body you’re writing, and focus much, much more on the sensations you’re creating. There is a mouth on your POV character’s penis - how does that feel to them? Is it: hot, tight, wet, is there something happening with the tongue, are they sucking really hard, are they going really deep? Alternatively - is the non-POV character enthusiastic? Are they into it? Is how into it they are super hot to the receiving character? Are they sloppy but determined? Beyond the physical sensation, how about emotional reactions? Has your POV character never had this before, or has no one ever treated them with such tender care? Is it the best blowjob they’ve ever received? The worst? (This can still be hot - can the POV character give them careful, precise instructions on how to do it better? Does the non-POV character find THAT extremely hot?).

Keep in mind that you’re not writing technical directions for the characters in your scene. (Unless you are, because you’ve discovered Gentle!Dom!Bucky, who is telling Praise!Kink!Clint exactly what to do.) You’re writing a scene that conveys something emotional to the reader. Is it a sexy emotion? Yes, yes it is. It might also be a sad emotion, or a happy one, or any of the range of human emotions, really, but the point is that readers probably know how the sex works mechanically, what you’re trying to do is give them feelings about it.

Speaking of Feelings

Let’s talk a little bit about motivation. Yes, even sex scenes need motivation. Not to be the prima donna actor over here, but ask yourself: Why am I writing a sex scene?

Generally speaking, well-written sex scenes are better received if they accomplish a goal. Writing a sex scene well is easier if you have this goal in mind before you ever sit down in front of your computer.

Does this scene advance the story? By this I mean: is this an emotional resolution, does it convey something about the characters’ relationship that cannot be conveyed in another venue or does it better express that aspect of their relationship, does it have meaning beyond the immediate gratification of an orgasm or add to the fic in some way?

Does this scene advance the relationship? Is it a big step for one or both characters? Are you showing vulnerability/trust/compassion/concern/etc? Is it an emotional milestone? Is it an expression of love that one of the characters can’t make with words but can demonstrate physically?

I’m going to pull some very specific examples from my own work, helpfully crowdsourced and reviewed by a trusted friend so that I can talk more clearly about what I mean.

Russian Red: if you haven’t read this one, it’s a story about Bucky wearing lipstick and then giving Clint a blow job. That’s it, that’s the fic. When I put it like that, it doesn’t sound all that exciting, really, and maybe it doesn’t even sound like something you’d like. A man wearing lipstick may not be your thing!! That’s okay! (And as an aside, people enjoy reading/writing things that they have absolutely zero interest in in real life, and that’s okay! Fantasies are weird like that, and a normal part of human sexuality, and we aren’t judging anyone for their kinks here.) But this fic employs very specifically some of the points I’ve made so far, so I want to talk a little about it, especially foreplay and emotional investment.

Bucky wearing lipstick in this fic is not about Bucky at all. It is explicitly about fulfilling a fantasy for Clint. In fact, later in the fic, Bucky has a moment of insecurity about it because he had what he thought was a great idea, and in the moment of truth it becomes a bit of screaming panic because what if the whole thing is stupid!!!! We’ve all had that moment. So readers can relate. But also - throughout the course of the fic it becomes something that Bucky also enjoys and finds sexy. So there are multiple motivators: emotional satisfaction for Bucky because he’s doing something for Clint, physical satisfaction for Clint because he is getting his fantasy fulfilled, and then the added bonus of Bucky finding the whole thing unexpectedly hot means that he is also satisfied by the encounter. I have created an emotional need that is satisfied through porn.

Emotional investment (also known as the character is putting in work). Bucky goes through a lot to make this fantasy happen. He has to tell Natasha what he’s doing for one thing, which is uncomfortable. A little bit of character discomfort makes the payoff at the end better, because your reader is invested in your character having a good outcome! It also shows that Bucky cares about Clint more than he cares about the mild discomfort/vulnerability of asking Natasha about lipstick for a mildly kinky thing he’s doing.

Foreplay - the more invested Bucky gets in doing this thing for Clint, the more he starts to find it hot and exciting, the more like foreplay it becomes, which means the payoff in the end is that much better. (Revisit the point on preparation from earlier!). There is a lot of build up from the moment Bucky puts the lipstick on (tactile sensations, memories tied to lipstick, etc.) to the moment he leaves the very first red imprint of his mouth on Clint’s skin and realizes oh shit, this is hot.

This fic is very, very close, tight third-person POV. Keeping the POV so close and tight means that your reader is very much in your POV character’s head - the reader is getting their experiences (emotional, physical, tactile senses) but they’re only able to interpret the other characters’ motivations and reactions through the lens of your POV character. It’s trickier writing, but it means the reader is more connected to the character and therefore the porn. Also, it means that the reader is much more in tune with the non-POV characters’ reactions, which means incoherent mess is just that much hotter.

Personal Security/Security Failure: So these fics are… their own claim to fame in fandom. Gentle!Dom!Bucky and Praise!Kink!Clint have sexy, sexy adventures. The first fic is their first meeting, the second one is fondly known as Circus Spanking. If you haven’t read them, that’s the basic summary, but please mind the tags if you choose to explore this series. Here we’re going to hit on consent, which is important and sexy, and vulnerability/trust.

Again it’s very close, 3rd person POV, which means you’re very much in Clint’s head when he’s a wrecked, incoherent mess. In the previous fic Bucky was watching the incoherency happen, which is very hot. In this fic the reader is experiencing the incoherency. There’s also a lot of buildup in the first fic of Clint experiencing this inexplicable attraction to Bucky, and the confusion he has that Bucky is equally attracted to him - so like foreplay, you’re building it up before they ever take their clothes off.

Consent. If you are dabbling anywhere in the kink neighborhood I cannot express to you how important it is to include explicit consent. Please get a kink sensitivity reader. Don’t surprise your audience with dubious consent - make it clear and explicit from the start, even if it’s consensual nonconsent (which is a tag, but can also be addressed early with a line like ‘this is something they’d talked about previously’). But also! Consent can be sexy! It can be fun! It doesn’t have to be a drawn out contract of hard limits and detailed diagrams (though I have seen that done and done well!). Consent can be as simple as checking in with a partner if they’ve gone quiet or seem so wrecked they can’t express themselves. Consent can be one character telling another exactly what they’re going to do to them (hot hot hot!!), asking if they’re okay with it, and then doing exactly what they said.

Vulnerability/trust. Just like with the previous fic, vulnerability adds a sense of emotional intimacy that can be super hot. If you’re writing kinky fic, vulnerability and trust go hand in hand, and show how deeply invested characters can be in each other - and that they respect and care for one another as well. One character making themselves vulnerable to another with the understanding that the other character isn’t going to take advantage of that trust can be supernova hot if you employ it correctly. The key here is making sure that the character in the position of power respects the vulnerable character’s boundaries. Security Failure in specific sets up an emotional need (increased trust) that is fulfilled physically by the porn that follows. Clint needs to trust Bucky more, and Bucky needs to know that Clint trusts him. Clint making himself super vulnerable in this fic lets both of these needs be fulfilled.

Interactions outside the bedroom compared to interactions inside the bedroom. In this fic, I chose to have these mirror each other - Bucky is in control of himself and in command of the situation in all of their interactions, so before they ever get naked you know what to expect from the dynamic. What can also be fun, however, is subverting expectations, so that how characters interact outside the bedroom is very different from how they interact inside the bedroom - so this is another time when knowing what your characters want/prefer is important motivation for your writing!

Character moments in your porn - there’s a scene in the first fic where Clint (this is all Clint POV) thinks about how much he likes performing a certain act, because it makes him feel good and useful. It’s a very short interaction but it tells you a lot about the character - it tells you he likes to be useful, that he likes to be considered good (hello praise kink!), and it tells you he has low self-esteem which makes you want to wrap him up and a blanket and tuck him in and tell him how good and useful he is, but you also want Bucky to wreck him. Your characters still have characterization, even during porn. In the second fic, we see character growth that mirrors growth within the relationship, but there’s still room to grow because Clint is still uncertain and insecure, and the fic helps advance their relationship to a new level of trust. Through porn.

Communication, communication, communication. Especially in kink fic but honestly in most porn - your characters have to communicate with each other! It can be nonverbal, but you’ve gotta make it clear to the reader.

The Big Finish

Everyone came (or maybe they didn’t), now what CB?

Oof, good question.

To be honest, endings are the hardest (ha!) part. And luckily, we’re going to have a Workshop specifically about how best to accomplish them! But as far as sexy scenes and how to wrap them up and move on, I like to use resolution of whatever need I was trying to meet, and then open the next scene with something that demonstrates a new level of intimacy/relationship dynamic/etc. if it’s part of a larger storyline, or just fade to black if it’s a one-shot.

I hate to keep beating a dead horse, but this also depends on your motivation for writing your sex scene. If you were trying to accomplish something with the story, then you need to somehow demonstrate that goal has been met - are they more comfortable around each other now, are they happier to show off their relationship to their friends, are they finally admitting they’re in a relationship? If you were trying to accomplish something with the relationship itself (which, as you can see, may go hand in hand with the story), then how can you show that? Does the one who usually leaves finally fall asleep in the other person’s arms? Is there a big flowery declaration? Does someone crymax? Does one partner tenderly clean the other partner up with a warm cloth and snuggle them into submission? The world is your oyster! Do what feels right for your characters and the journey you’re taking them on!

And don’t forget the lube.

#winterhawk #WHOB #winterhawk olympic bang #writer workshops #writer workshop: smut #guest post #kangofu-cb #cw: sex mention

37 notes · View notes

uwurakax · 4 years ago

Text

teardrops on my guitar ♡

pairing: semi x f!reader ♡

genre: angsty // unrequited love // pining ♡

summary: it was like the plot of any rom com; two kids, a boy and a girl who were best friends since childhood and inseparable. you fell in love with him, and maybe he could’ve loved you too. such a shame he grew feelings for someone else ♡

word count: 1.7k ♡

author’s note: i love the pretty setters so much why am i doing this t-t which one next? lolol jk - not proofread sry. also wtf tryna write this on the train then some nub slams into my seat from behind dude u wot ♡

♡ (inspired by teardrops on my guitar by taylor swift) ♡

“What’s this?”

“A flower duh”

“But.. why...?”

“My dad gives them to my mum. He says he loves her after”

“But why are you giving it to me?”

“Because we love each other right?”

“Yeah”

“And one day we’ll get married and stuff”

“Hahaha, yeah! And then you give me all the flowers!”

A sweet memory, one from many years prior had always managed to pop into your mind at the most random times. You wished it didn’t, an adorable and innocent reminiscence had no place here, only offering confusion and complications. Semi Eita is your best friend, you wouldn’t let your feelings ruin your friendship with him.

Sometimes you’d wonder what would happen if you did actually confess to him. Wondering if he actually did remember the childish promise the two of you made. Neither of you had known of the power and meaning of the words uttered between you at barely 6 years old. The innocence of it all turned into something different.

Something deeper.

You also wondered if he would’ve looked at her. It was way too easy to fall into the mindset of ‘if I had told him, would he have looked at me the way he does her?’. ‘If I said my feelings sooner, could he have held me the same?’.

If I had told Semi I loved him, would he kiss me like that too?

There was way too many ifs going through your head, it was a marvel you could concentrate on anything else. At least during these moments your heart had some reprieve, a minuscule break of the pain you had to endure everyday you saw him with her.

Everyday during lunch, she sat next to him. The couple sitting opposite you at the table and you absolutely loathed it. It didn’t seem fair, the two of them being all lovey dovey, the sight of a picture perfect couple. Flaunting the perfect love they shared to anyone and everyone who saw. It just sucked that you were in the front row.

Everyday at practice she was there, cheering on Semi. Her yells and squeals echoing against the court walls. They easily overshadowed your silent ones. She’d jump excitedly next to you, clapping and screaming for the team. If you squinted, you could’ve pretended that the warm smile he threw over at the both of you was for you only.

You knew better though. Knew that any affection of love held was hers, and only hers. Knew the cheeky winks and blown kisses were reserved only for her. Knew that the uncontrollable feelings you felt for your best friend would never be reciprocated.

For only small moments, you could delude yourself into believing that Semi Eita had loved you the way you loved him.

⋅•⋅⊰∙∘☽༓☾∘∙⊱⋅•⋅

Jogging towards you, you handed Semi his water bottle, a small smile tugging on your lips. He wasn’t looking at you though. Honestly he never looked at you anymore, not with her around. Even when she wasn’t his eyes scanned for her. Like nothing else even mattered as long as she was there.

You had to hold back a sigh, quietly watching as he stared at her with such loving eyes. You wanted to hate it. Absolutely despise the way he looked at her, but you couldn’t. He looked so happy. Like a scene from a romance movie, he eyed her as if she was the sun, and everything just revolved around her. The whole nine yards of feeling goosebumps and a quickening heartbeat, Semi felt it all.

You wondered if she even knew the adoration he held for her. Despite her back being turned, despite the fact that she was engaged in conversation with someone else, Semi was undeniably smitten.

“You know, I think she’s the one” Semi whispered to you. This was the harsh reality of it all. No matter how much you wished, Semi Eita just wasn’t meant for you.

“You think so?” You tried to hide your exhaustion, numbness taking over your body. You could still feel the pinpricks of heartache however, no matter how much you tried to push it down. And sooner or later, it would overwhelm you until you buried your face into your pillow and cried til you fell asleep. That was a problem for future you though.

“Yeah, I do” he smiled wistfully at her, your heart fracturing little by little. You knew that look all too well. The look of longing, admiration and pure love. Recognised it all to well, because it was the way you looked at him. In class, at lunch and during practice. Whenever he wasn’t looking, you’d lower your wall by the tiniest bit.

You weren’t unknown to the fact that she looked at him exactly the same way too.

Whenever he was concentrating on his work, his serves or chatting with his friends, she’d gaze at him with the same affection that was unknown to Semi himself. It wasn’t hard to be envious. Not just because you were in love with Semi too, but to find something so special was so incredibly rare.

“I’m really happy for you Semi, I’m glad you found her.” You looked away, not wanting Semi to see your face. Sure that if he saw your eyes, he’d see the heartbreak swimming beneath the glistening tears that had just barely started to form.

“Semi!” You heard her squeal, bouncing her way to the both of you and throwing herself in his arms. It truly was unfair how they seemed to meld together so well. Like ying and yang, the moon and tides. You couldn’t have one without the other, so complimentary in existence.

You tuned them out, not wishing to subject yourself to anymore heartache for the day.

“You should join us Y/N! We don’t hang out much and I wanna get to know Semi’s best friend more” she smiled. Her wonderfully radiant smile beamed at you. Pearly whites shining under the lights, it was like God himself blessed her, an invisible spotlight on her at all times. Guess God really did have favourites, and she was impeccable.

“Ah I’d love to but I really have to get this homework done or I never will. Plus don’t wanna intrude” you shyly said. You didn’t know how much you would’ve been able to take.

“Alright fine but next time! Gotta promise ‘kay?” She giggled and snuggled up to Semi’s side.

“Of course, it’s a promise”

⋅•⋅⊰∙∘☽༓☾∘∙⊱⋅•⋅

You were slow packing up your books and pens, the lunch bell normally alerting your body to speed your way to your lunch table to prolong the little break you did get.

When you finally did make it to your friends, you noticed Semi hadn’t arrived yet, and the only open seat was next to her. With a quiet sigh, you reluctantly sat down.

Opening your school bought bento, you picked at the egg, too exhausted from everything and just not being in the mood to eat.

“Y/N, you alright?” Her super sweet and feminine voice rang in your ear. Honestly, it was just grating to you now. You plastered on a fake smile.

“Yeah, sorry just super tired” you continued to stare at your food, probably looking like you hated the mix of meat and vegetables. Just for today, you didn’t want to pretend to be okay. Pretending that you were happy for your best friend. Pretending that you weren’t in love with him. Pretending that you didn’t hate his girl even though she did nothing to warrant any form of hatred from you.

“Guess who!” You saw Semi over your shoulder, playfully covering her eyes and hiding one arm behind is back. She giggled out his name, pulling his arm off and giving him a quick peck. You had to fight the urge to roll your eyes, their public display of affection eating away at you, and making you more infuriated and annoyed.

Semi pulled a beautiful bouquet from his back and handed them to her, her eyes widening in surprise.

Flowers huh?

“Wow Semi, these are gorgeous! But you didn’t have to..” she stared starstruck, unable to look away at the assortment of flora. Pinks, reds and whites decorated the bouquet, and were wrapped in a gorgeous purple cellophane.

“I know, I wanted to. You do give flowers to the person you like right?”

And just like that, your heart completely shattered.

She gave Semi another peck, thanking him for the thoughtful gesture.

You quickly arose from your seat, throwing your napkin and chopsticks into your bento, packing it up and quietly leaving the table.

“Hey, where are you going?” Semi called out to you, both of them looking at you curiously.

“Sorry, just need to go to the bathroom real quick” and you scurried off, throwing away your barely eaten meal with a bit more force than necessary.

When you finally made it to the bathrooms, you slammed the door and leaned your back against it. You started to inhale deeply, the once cute memory that brought you happiness now only gave you pain. You pulled the toilet lid down and sat, not caring if it wasn’t as hygienic as it should’ve been.

Curling your knees into your chest, you buried your face in them and let out the anguish and hurt that had been waiting to spill over. The hot burning tears that you only had yourself to blame for, because you were the idiot who fell in love with their best friend.

You cried until your eyes felt swollen and heavy, the constant friction of repeated rubs on the sleeve of your blazer added to the redness in your eyes. You looked down at your black polished school shoes, unaware of how much time had actually passed. It didn’t matter anyway.

Steadily, you got up from the seat. Once you left this bathroom stall, you’d never cry over Semi Eita ever again. You’d be the best friend, the one who would always be happy for him; and you wouldn’t fake it this time. You’d actively and attentively listen to him about his relationship, no longer going to feel bitter. You’d smile and cheer, and be the most supportive you could be, how you should be. They deserved that.

You’d let Semi go.

Perhaps tonight, with the newly made promises to yourself, you’d finally be able to get some sleep.

#haikyuu x reader #hq x reader #haikyuu!! x reader #hq!! x reader #semi x reader #semi x you

39 notes · View notes

popwasabi · 4 years ago

Text

“The Mandalorian” S2 is a power fantasy with mini Star Wars trailers

The term “Plot armor” is often used by readers and viewers to describe the myriad of ways writers keep their heroes away from any real danger no matter what choices or actions they make in the narrative. It’s typically a derisive phrase for the way a writer’s hero seems to escape death no matter what is thrown at him for the sole purpose of moving the plot forward.

In Disney+’s “The Mandalorian” this term takes a far more literal description in the form of our main anti-hero, played by Pedro Pascal, in his beskar armor which seems to be, by all accounts the most indestructible material in the galaxy far, far away.

(I mean, it still looks really cool too, of course.)

The result of this narrative decision in this series is that action scenes often don’t have real tension to them. In another series you might be able to reasonably believe the hero might be in danger with blaster fire shooting all around them but with beskar it’s almost comically not the case at all. Stormtroopers fire laser blast after laser blast at The Mando and each time they bounce harmlessly off him as if he were fucking Superman. It makes scenes feel devoid of stakes and danger no matter what situation they are in.

The show thus becomes a power fantasy, as action scenes serve as extended highlight reels for the Mando. Where season 1 of the show mitigated the power of the Mando’s plot armor by putting him more often in situations where his beskar alone wasn’t enough to save the day, season 2 goes mostly full power fantasy as The Mando rarely runs into a situation he can’t just quite literally walk through.

(“Aim for his armor, men! That’s his weak point!”)

This isn’t to say the season wasn’t without its high moments or even that it wasn’t enjoyable plenty of times but the series’ devotion to fan servicey action and callbacks to “Hey remember ____” makes it a fairly shallow story. At least for myself.

Season 2 of “The Mandalorian” continues the story of Din and his small Yoda-like companion, The Child (later known officially as Grogu), as he looks to complete a quest to return the burgeoning Force wielder to the Jedi. As he seeks to reunite The Child with the ancient Order, he encounters other Mandalorians who are on a quest to retake Mandalore and right on their tail is the nefarious Grand Moff Gideon who is still bent on capturing Grogu for whatever it is he has planned for the Empire.

Let me start this review by saying power fantasies aren’t inherently bad to watch or read. They can be good, cathartic junk food for the soul and can also be compelling, artistic, or even deeply metaphorical in their own way. A movie series like “John Wick” for instance is a power fantasy that aims to reinvent the wheel in action film-making with Keanu Reeves performing perhaps the best gun kata of all-time onscreen. Another film like Paul Verhoueven’s “Total Recall” can satirize the power fantasy to show how ridiculous it is in concept.

So, making your hero an unstoppable killing machine isn’t necessarily always a bad thing if used properly.

(Seriously, this is one of the smartest action films ever made. Don’t @ me.)

Now that that’s established, however, “The Mandalorian” season 2, despite some strong moments here and there, is a power fantasy that lacks these elements for a more interesting narrative. If you believe killing dozens of stormtroopers onscreen while never suffering so much as a scratch for eight episodes equals compelling storytelling then boy does Disney have a series for you.

Through the first four-ish episodes, the new season is mostly just fine and even quite enjoyable. We have the Mando getting a fun side quest with Timothy Olyphant on Tatooine where they get to wrangle a sand worm in a callback to the Westerns that inspired much of the franchise’s aesthetic. The Mando gets to escort a frog lady to her home planet to give birth to some tadpoles and they run into some actual danger in this episode in the form of kyrnknas/space spiders. And we get the return of Bo Katan from Dave Filoni’s “Clone Wars” and “Rebels” cartoon series, with Katee Sackhoff herself reprising the role in a fun Mandalorian team-up episode.

(I’m just so happy to see my girl, Starbuck, again more than anything honestly ;_;)

But the wheels started officially falling off for me in the next episode.

Episode 5 marked the live-action debut of fan favorite Ahsoka Tano, played by Rosario Dawson, and she meets the Mando by getting the jump on him with her lightsabers. In virtually any other situation we have been told lightsabers can cut through virtually anything. Now, beskar has been shown to be plenty durable throughout the series so far but lightsabers? Surely not.

Well…

It is an overall good episode despite this but it marked the point for me where I badly wanted The Mando to just go the rest of the series without it. Obviously, the writers aren’t going to actually kill our hero, afterall The Mouse needs more money and he can’t have it unless we get 50 more Mandalorian episodes and spin-offs, but at some point I gotta feel like there’s a possibility at least that our hero might actually die or at least is in danger. It is actually super funny to me each time The Mando ducks or seeks cover in a shootout when I know, and the viewer damn well knows, he can literally walk right into the middle of it and shoot all these motherfuckers at his own leisure cause his actual plot armor is the stuff of adamantium and vibranium combined.

Episode 5 is mostly good though, it’s a nice callback to old school samurai flicks and for an old fan like myself it was enough to ignore beskar again saving the Mando’s ass.

(This was cool...This...was...cool.)

If episode 5 marked the point in which the wheels began to come off though, episode 6 is where the show really spun out into the ditch for me. Perhaps, this series worst episode, personally, episode 6 reintroduces fan favorite and series inspiration Boba Fett back officially into the fold and the result was perhaps the most self-indulgent entry of the series.

(I mean, it was directed by Robert Rodriguez so...)

Boba arrives to demand his beskar from The Mando who promptly tells him “no” before they are ambushed by a platoon of stormtroopers. Alongside Ming-Na Wen’s Fennec Shand, the three do battle with the stormtroopers with ridiculous ease. I’m aware that stormtroopers exist to be on the highlight reel of our heroes in this franchise and have a long history of not being able to hit the broad side of a bantha but again, I can only watch these guys die by the dozens onscreen over and over again while our heroes get away without suffering even a bruise before it starts feeling boring and repetitive.

It only gets worse once Boba actually puts on his armor. In a sequence that I would describe as “gratuitously” fan servicey, Boba wastes just about every last stormtrooper in this scene culminating with him destroying their two get-away vehicles in a single shot with a rocket. Considering he was killing them with ease just moments before with nothing more than a battle club and a bathrobe, it seemed almost hilariously needless that he donned his iconic armor.

youtube

(It would be tempting to say the stormtroopers fought as ineptly as the Putty Patrol here but even the Power Rangers have struggled a few times against these guys...)

I get that Boba is really important to a lot of fans, based on their perceptions of him in the original trilogy and subsequent books and graphic novels that came out in the following years, but here’s a hot take; this series didn’t need him in it. Maybe they didn’t need to keep him rotting in the Sarlacc Pit but this episode, alongside Ahsoka Tano’s feels more like marketing choices for the story rather than narrative ones. I’ll concede that there is a bit more substance to having Ahsoka there to commune with Grogu but their additions to the plot don’t actually show much of anything about the Mando outside physically helping him in a fight.

The way they tease, in both cases, stories that exist outside the internal narrative between Ahsoka’s search for Admiral Thrawn and Boba taking over Jabba’s palace at the end of the final episode, it feels like Disney threw in mini trailers for fans to nibble on at the expense of telling the Mando’s own story and letting it stand on its own like the first season.

The choice to have these characters shoved into this season again appears to be market driven not narrative. Once more, I get that these characters are important personally to many fans, but the appearance of these characters alone DO NOT equal good storytelling.

(Me when a fan tells me “But Boba was such a badass in *obscurely titled EU book that a handful of general audiences have read*! He deserves this moment!”)

The final episode of the season is truly encapsulating of all these issues “The Mandalorian” has, however. Moff Gideon, played by the always sharp Giancarlo Esposito, has Grogu imprisoned aboard his ship. The Mando and his friends plan a rescue mission to save him and, just like nearly every episode before, it is stupidly easy for our protagonists.

The crew of five, again, walk through every Imperial on the ship. I don’t mean this metaphorically by the way, I mean this literally as Cara, Fennec, Bo Katan and Koshka Reeves (played by WWE’s Sasha Banks) without a single moment of real adversity just blast through every stormtrooper on the ship and never get hit once in the process.

A good action scene needs an element of danger, a sense that our hero might actually not come out of this alive even though we all know they will. An action scene without this has no tension and without tension it becomes booooooooring.

(Even John fucking Wick is capable of bleeding, guys...)

The finale had a chance, however, to add real stakes and danger to the scene in the form of this season’s new enemy; The Dark Troopers. These Imperial battle droids were foreshadowed as these super soldiers at the end of episode 4 and seemed to be billed as a real dangerous match for our heroes to faceup against. When the Mando finally gets himself face to face with one he finds they are not as easy to kill as the nameless stormtroopers from before. To see The Mando briefly face real adversity for a change snapped me out of my cynical mood so sharply for a moment I thought I had turned on another series by accident.

But of course, danger never lasts long in this series as The Mando’s armor again saves him first from getting pummeled to death by the droid’s super fists then he uses his plot spear, cause of course he has one of those too, to finish the job.

Danger over.

Moff Gideon doesn’t fair much better in this episode. This villain who had been built up for two seasons as this calculative monster gets stopped rather easily with Mando and his friends barely breaking a sweat. This character feels wasted because of this, even though I’m sure Giancarlo Esposito will return in the next season. He just feels about as much like a pushover as the nameless stormtroopers in this series.

The episode had one more chance though to show these Dark Troopers meant business toward the end as we found the heroes cornered on the command deck with nowhere to run and a dozen of these droids ready to blast and pound them into the floorboards. But help arrives in the form of a Deus X-Wing Machina.

Without having to face even one Dark Trooper, Luke fucking Skywalker arrives on the ship and kills every droid without breaking a sweat. It plays as inspiring in the moment but again I just found myself bored and irritated. A chance to see the series heroes actually use their wits and show their creativity in a moment of true danger thwarted to please fan boys.

I get that Grogu called out to him in episode 6 but creatively this felt like an extremley lazy way to solve the heroes’ dilemna.

(“Hello my name is Jedi. I enjoy doing...*computes script* Jedi things.”)

This season wasn’t all bad. It certainly had nice production value that made each alien world pop and beautiful to look at. Every actor and actress played their parts expertly well, with what they were given, and made for interesting characters at times. There are also nice homages to both Western and Samurai cinema throughout the season that fans of both will appreciate. And Pedro Pascal is just so good on his own, especially in tender moments with Grogu, that you forget that his character is kind of a Gary Stu.

But the main crux of the issue here that I’m trying to get across is the reason you need to remove the plot armor of your heroes is not just because action scenes need tension and stakes, it’s that when faced with danger these scenes reveal who these characters are. I used to believe that the reason Mandalorians and Jedi had such a fierce rivalry in the lore despite the obvious advantages of wielding the Force was because these famed bounty hunters were just that fucking good at killing. That despite being, on paper, normal people they had great martial prowess, athletic skill, and the tactical wit to outsmart people who can literally sense their feelings. But now with beskar and the way this series is written, it appears the Mandalorians were challenging warriors just because they happened to harness the most OP armor building material in the galaxy.

It makes you wonder how the fuck they were conquered to begin with…

(Maybe they just needed more knee rockets...)

This takes away from the mysticism of the Mandalorians for me. It makes The Mando less interesting to me in the way he fights. Yea he can shoot really good too but really it’s the armor that makes him the fighter that he is and I find that kind of boring. We occasionally get this character to remove the armor during the series, including a whole episode that was easily one of the best of the season, and in every case he’s more interesting once the helmet comes off. I get that fans hold a lot of reverence for that armor, yea it still looks really cool, but making it this impenetrable super material doesn’t add anything to the story.

If anything, it takes away from it.

(Plus how could you not love Pedro Pascal when he’s out of armor? uWu)

I wouldn’t go as far as to say I hate season 2, even though I spent 2000 plus words just now lambasting it but I guess I just want to say I am unimpressed more than anything. I feel like I’ve seen better Star Wars be it in the movies, cartoons, books, video games, etc and I’ve certainly seen better action in the franchise as well.

Considering fan reaction so far appears to be overwhelmingly positive, I am definitely in the minority here and you are welcome to enjoy this series as much as you want in spite of how unimpressed I am with the season. But considering all I have seen of this fandom the last few years, regarding complaints about fan service (“Rogue One”), easily defeated/underdeveloped bad guys (“The Last Jedi”), and Mary Sues (The sequel trilogy in general), I have to ask again what is it actually that fans like or don’t like about new entries in the franchise? It’s not that there isn’t valid criticisms there and “The Mandalorian” is enjoyable in sincere ways too but it has many of the issues I hear commonly said of more divisive entries in the Disneyverse. So why does it get a pass?

I’ve been told it’s not worth my energy to talk too derisively about the fans in one of my earlier write-ups, so I’ll leave it at that but it does make me wonder.

(“Rogue One” admittedly has a simarily self-indulgent action sequence though haha...)

Season 2 of “The Mandalorian” isn’t the worst piece of Star Wars media ever created, far from it, and for most part its solid enjoyable Saturday morning cartoon theater but if the series wants to really take steps to become more compelling in the future it might be good to stop bubble wrapping their heroes in plot armor. Literally.

Until then this is the way…I guess…

Me getting ready for the backlash...

42 notes · View notes