#gonna post all of my flop playlists here
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bunnysdollette · 4 months ago
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˖ . ݁𝜗𝜚. ݁ Main character energy ⟢ ⭐️
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⟢ Heyy angels!! today, I’m gonna share my top secret formula on how to start attaining what I like to call main character energy. This will be a long post sharing all my secrets on how I’m working to become THAT GIRL. ♡
˚₊· ͟͟͞͞➳❥ WHAT IS MAIN CHARACTER ENERGY? 🕯️ ⊹₊⟡⋆
• main character energy is basically walking into a room with all eyes on you, full of confidence, joy, and hypnotic magnetism.
• if you want to start feeling like that girl, first you have to realize that you already ARE. YOU are the main character of your life. YOU are the star.
• it’s extremely important not to flip flop with this mindset, or it literally won’t work. in order to persist in this idea I really reccommend manifesting it and listening to SUBS that help affirm that “main character” identity you’re going for. my fav sub I use to manifest a sweet, magnetic, and feminine energy . .
the sweetest girl they know works so welll ♡
˚₊· ͟͟͞͞➳❥ SETTING THE STAGE 🎀 ⊹₊⟡*
• main character energy is a FEELING. In order for you to harness that powerful energy, you have to set the stage in your life
•what do I mean? Removing bad influences from your life. How do you expect to be an admirable and magnetic person if you’re surrounded by terrible people?
• anyone who is vibrating on a very low level threatens your ability to elevate your own self. you are who you surround yourself with so choose your friends wisely.
• you should also actively try to curate your social media feed and social space with things that are positive and helpful. social media has a HUGE impact on us and it should be used for our improvement, not to bring us down.
another way I love to do this is MUSIC! you can create an uplifting and confidence boosting playlist full of songs you like.
for example I really like songs like perfect night by le sserafim (kinda controversial ngl…) my world, lucky girl syndrome by illit, a lot of ari grande songs too. ♡ also girlblogging duh and looking at other girlblogs.
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˚₊· ͟͟͞͞➳❥ STOP TAKING SHIT 🩰 ⊹₊⟡
• Stop TAKING SHIT from others. You are a walking goddess capable of doing amazing things, who is actively trying to better themselves. Who are you to take someone else’s crap?
• Walk with purpose and confidence, show people that you are secure in yourself. BUT when people are disrespectful to you. DO NOT LET IT SLIDE. That sets a terrible precedent for how others can treat you.
• You CAN Respond in a mature and calm way. But sometimes ignoring it and simply not letting it affect you can work too. Acknowledge what was said, take a deep breath and move forward. Let it go and don’t let anyone else’s comments hinder your journey. You are the one in control.
ways I calmly respond to people trying to check me:
• friend gossiping about me? bye!
• someone’s whispering under their breath about me? block out their voice and instead think about how perfect and beautiful I am.
• someone spreading rumors about me? Correct them to people who may bring them up around me, but be okay with that being misunderstood as long as it isn’t something genuinely harmful that requires adult intervention
• literally anyone has anything to say about me? distance myself from them. they aren’t worth my time, presence nor my precious energy. make that known.
my other post on this which I’m currently working on redoing. . here
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˚₊· ͟͟͞͞➳❥ PUTTING YOU FIRST 🍵 ⊹₊⟡
• put you first ALWAYS. you are the main character in this life, not everyone and everything is worth your attention! never feel obligated to go above and beyond for someone who doesn’t deserve it.
• self care should be a huge priority in your life, because the most important relationship you will ever have with someone in your life is with YOURSELF. it will dictate everyone according to your mindset, the way you view yourself, and the WORLD.
ways I started putting me first:
• dropping the people pleaser thing: practicing saying “no” or “I don’t want to” or “I didn’t like that” in the mirror, then trying my best to apply that in everday life
• stopped answering random unplanned calls from people when I knew I was busy and texting them when I could talk
• stopped agreeing to every hangout as well
• I stayed kind, but I stopped letting people treat me like a doormat.
• letting go when people were displeased with something I said or did.
⟢ that’s basically some of the three main points I had in this post, didn’t wanna make it tooo long. I hope something in here helped someone today and as always stay cute dolls. my inbox is always open for cuties who wanna ttm ♡
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macfrog · 8 months ago
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birth of venus sex on fire chapter twelve
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these two mean the world to me. thank you for coming on this journey with them. i hope you enjoy.
pairing: ceo!joel x fem!reader
summary: if you love something, you let it go.
warnings: age gap (reader is late 20s, joel late 40s), workplace relationship, imbalance of power dynamic, alcohol consumption, lurve, fingering, masturbation, cum eating, oral (m receiving), unprotected piv, creampie, size kink, daddy kink, praise kink, cursing, some angst, soft!joel, cocky!joel (we missed him!)
word count: 12.6k
series masterlist | main masterlist | playlist | follow @macfroglets w notifs on to be the first to hear when i post 💚
“Alright, let’s get into it.”
He sits on the other side of the table, legs crossed and balancing the notebook on his knee. Twirls a pen around his thumb, catching it without looking. He’s too busy scanning the page in front of him, the list of questions he’s about to drill you on.
Let’s get into it, he says, and then stares silently at the scribbled lines.
Your shadow splits a shard of sunlight across the office. Knee jerking, palms clammy and fingers twisting around each other. You glance down at your outfit – the pointed heels Martha swore went with your dress, the jewelry she promised didn’t look tacky – and straighten your skirt.
Let’s get fucking into it.
“What are your responsibilities in your current role?” he asks.
You swallow. It feels like sandpaper. “Well, uh…”
He doesn’t look up. Not to ask the question, not to wait for your answer. Just stares down, spins the pen, bites his lip until it turns white.
Focused. Razor sharp. You’re not even in the same room.
You turn on your heel and begin pacing. “I manage my boss’s schedule, from nine a.m. Monday to nine p.m. Sunday. I get everything in order, plan out his days, make any bookings. I take calls, I answer emails, I…”
He’s still not looking. He bounces his foot, leather shoes catching the sun. His watch face leers back at you. There’s not a mark of ink on the paper in front of him.
“Hey,” you click your fingers, “Are you even listening to me?”
Joel shakes the frown from his face. “Huh? Oh,” he clears his throat, straightens in his creaky chair, “Yeah, I’m listenin’. I’m…I’m here.”
“Come on, man,” you huff, “You said you’d help me out.”
“And I am. I’m helping you out.”
You glower. “What did I just say?”
His shoulders wriggle. “You know…paperwork, and…Is this –? Is this really what they’re going to ask?”
“I don’t know,” you groan, collapsing into the couch opposite. Your arms cross, like some crumpled tantrum of a woman. “I found it online. They’re all art director questions, supposedly.”
He turns the notebook around. The first sheet flops over.
“Describe yourself in three words,” Joel recites.
“I was gonna go creative,” you count on your fingers, “driven, and then I couldn’t decide between perceptive or observant.”
He squints, tongue clicking against his teeth. He stares at your raised fingers. Thoroughly unimpressed.
“Right,” he stands, “Yeah, I don’t know, kid. A company like this, taking on a new art director, and this is what you think they got waitin’ for you? I mean, what’d I ask you?”
You scoff, twisting to watch him cross over to the window.
Between the sun and your deflated spirit, he stands like some kind of god. High up on the top floor of his skyscraper, towering over the streets. Towering over you.
He’s haloed by the blazing sun. Light arrowing from behind, spilling all over his wide shoulders and dipping in every fold and crease of cashmere. The northern compass point, the magnetic pull turning everything towards him.
Joel’s fingers snap, a hair away from your nose. “Tip number one: don’t stare at the interviewer like that. Asked you a question.”
“Wasn’t staring,” you mumble, shifting when he sinks down at your side. “You really don’t remember what you asked me?”
“Of course I do. I’m asking if you do.” He fiddles with a thread on the couch at your back.
You straighten as though his hand might be iron hot. “I remember…remember you asking what success looked like to me.”
Joel nods once.
“Remember you asking why I wanted out of my old job.”
“Yep.”
You flick a finger around the office. “I remember you asking what I’d change in here. How I’d make the office better. But I don’t know what interior design has to do with being an art director, Joel.”
He smiles. “This,” he shakes the pad, “is generic bullshit.”
“Generic bullshit,” you echo, pinching it from his grasp. You read over the bullet points – your strengths, your weaknesses, how you do under pressure.
“Yes,” Joel says. “Doesn’t tell ‘em a thing about you. Well,” his eyes widen, “I guess it tells them you tried searching their damn questions, the morning of the interview.”
A small, tired sigh falls from your lips. You melt back into the couch, horizontal under Joel’s extended arm. “I just want to be prepared,” you whisper. “I want to be the best person they meet.”
“What makes you think you ain’t already?”
“Well, for starters, I don’t even know which three words describe me.”
He chuckles. “How about more than capable? Hm? The dream assistant. Future art director.”
“Cheesy,” you mutter, batting him away. “I just…I really want it. I want something that feels like mine, you know? And I know I’d be fucking good at it.”
He falls quiet. He thumbs the corner of the pages, knuckles brushing against yours in a way that feels deliberate. Feels familiar.
It’s as though he might turn his hand, open his palm for yours to slip safely into. Lock his fingers through yours, squeeze once for good luck, twice to double it – and a third time, to tell you something he knows would make you flee.
But you don’t flinch, and neither does he.
Instead, he pulls himself up – a mighty groan as he straightens.
You bite back a snark about his age. Stupid fifty-year-old boss, stupid old bones. Stupid smartass.
Joel whips open the bottom drawer of his desk – the one you’d come to know as his junk drawer – and heaps diary after diary on the mahogany surface. Their leatherbound covers and splintered spines, the warped pages packed between.
With a tiny ha (and a click in his joints that you notice even from across the room), he pushes himself back up.
“September, September…” the pages flutter between his thumbs, “…September second, right?”
“What are you –?”
“Here,” he says, and reclines back beside you. He slides the diary into your lap. “September second, two o’clock.”
Your eyes narrow, following an inky trail linking geometric sketches and games of tic-tac-toe; the words college and assistant, a crude drawing of a house.
“So…” your lips purse, “…on September second, you were doing no work and doodling in your planner. What about it, Joel?”
He taps the top of the page, finger settling right below a name.
Penned in his neat handwriting – the trademark font that, after three years, you’re used to finding on sticky notes and signed with the letter J. It’s underlined, then boxed in by more scribbled lines. So familiar, you barely even take it in at first.
You blink twice.
It’s your name. Your full name.
“This is the day of my interview?” you ask.
Joel dares one fleeting glance at your lips. “Mhm. These are the notes I took, the day we met.”
You look down to the diary and back again. Almost an entire page of nonsense scribbles, hieroglyphic trains of thought bleeding from one drawing into another.
You frown. “You really didn’t listen to a fucking word I said, did you?”
He chokes on a laugh, shaking his head. “You had the job before your ass hit that chair, genius. All that interview was, was playing ball. Seeing how hard you could swing.”
But you’re more confused than you were before he emptied his desk. You flick through the book, spine dangling loose from the pages.
There are no other notes, no other candidates’ names – only reminders for Lunch with Mom and Massage 10AM. Meetings with past clients, deadlines long gone. One obnoxious, hot pink gel pen autograph in May, marking Martha’s birthday.
Yours is the only name he bothered to jot down. The only interview he thought to memorialize – in a gallery of distracted doodles.
“What are you talking about?” you ask.
He plays with his tie as he admits it. Nervous schoolboy, avoiding your eye like he did back on Maple Street. It’s a side to him you didn’t know existed, not until a few weeks ago – and seeing it again, you realize how much you missed it.
“There were four other interviews before yours. Every single one of them sat in that lobby waiting for Martha to call down. You –” he taps your hand, “– you got in the elevator and brought yourself up. You remember how shocked Martha was to see you?”
Sure I do, you think.
She stared you down the entire walk over to her desk. She stuttered and stammered her way through a sentence, once she realized who you were. She kept peering over the top of her monitor to steal glances at you when she thought you weren’t looking.
“I…I just thought I looked a nervous wreck,” you tell Joel.
He hums. “Well, you stood up when I opened my door. You held your hand out first. You were scared shitless – I knew you were – but you never lost your footing. You got no idea just how impressive you are, all by yourself.”
He taps on the sheets in your lap. “Now – find me a question on your list that tells them all that.”
It’s not as if you don’t know how these things go. You’ve sat in on plenty of interviews with Joel before – catching anything each quivering candidate says that might’ve slipped through his net, placing bets with yourself on who he’ll pick.
After a few months, he started asking what you thought.
You came to notice the discarded resumes of men you’d deemed sycophants, ladder-climbing leeches in tight, tawny ties – in piles to be shredded. There wasn’t a suit in the building that you and Martha hadn’t been asked to screen, before they were even considered for hiring.
Joel has the sharpest bullshit detector you’ve ever known. You don’t get to where he is without the radar for it. He knew exactly which guys were assholes of the highest order – he was just making sure you always did, too.
Stupid, stupid smartass.
A polite knock at the door interrupts your thought.
“Joel?” Martha calls, “Joel, your ten o’clock is here.”
He curses under his breath. His eyes shift sideways. “Who the hell is my ten o’clock?” he mumbles.
“Salazar,” you whisper, lips closing around a giggle. “Quarterly, remember?”
“Goddamn it,” he groans. He stands up, holding a hand out to pull you to your feet. “I’m sorry, darlin’. I’ll be an hour, tops. We can pick straight back up.”
“It’s okay,” you slot the diary and notepad under your arm, “I should get back to work anyways.”
“Calmed your nerves, at least?”
You smile. “Sure.”
“Liar.”
“Tip number two: don’t ask dumb questions, Miller.”
“Oh,” he scoffs, “We’re starting a list now?”
“Mhm. Three can be: don’t doodle during the interview.”
He elbows you towards the door, leaning close. “Four,” he murmurs, “Don’t get yourself fired.”
You grin as you slip outside.
“You couldn’t handle this place without me.”
Mr. Salazar loves to tell a story.
Joel’s still stuck with him, almost two hours after the guy showed up. With a pointed finger and something that felt as sacred as a blood oath, Martha made you promise you’d leave on time.
Whether we’re still in that office or halfway to Timbuktu, do not wait up. Just go, alright? Or I will hand you your ass, sweetheart.
Thirty minutes out, you’re pacing back and forth. Body humming with jittery nerves, what feels like a glass ball of anxiety rolling around your stomach. A text from Rand weighing down the phone in your blazer pocket: Ready when you are.
You suck in a ticklish breath. “Fuck,” you exhale, jamming your knuckle into the call button for the third time.
The wall rumbles as it delivers the elevator straight ahead. The doors part, and your distorted reflection stares sheepishly back at you.
You blink.
She blinks back.
Your shoulders life with another fractured inhale – and so do hers.
Some tiny, half-there version of yourself. Shrunken and shriveled. She moves when you move, only with half the confidence and double the pressure on her shoulders. She looks like she needs a wine date with Martha.
Scared fucking shitless, you think. Three words to describe me.
The doors close again, swallowing her whole, and –
“Nope,” you decide, spinning on your heel.
The shades are tilted enough to obscure the three figures to shadows: Joel, rocking mindlessly in his chair, Salazar talking with his arms, and Martha hunched at the other end of the couch – losing the will to live.
She’d probably welcome the excuse, to get the hell out of there.
Your knuckles rap against the door.
The investor’s lively cadence never slips – where there’s an audience, there’s a show to be had. He twitters on even over the grounding bass of Joel’s voice, the quick click of Martha’s heels.
Her shadow crosses over to the door and she whips it open. Her voice is a sharp whisper.
“You swore to me, you’d –”
You shake your head and grab her arm. Nervous, you mouth, trying to pull her over the threshold.
She won’t fucking budge. She plants herself in the doorway. Her chin lifts, eyes narrowing to study you down her pointed nose – and then she glances over her shoulder.
One second, she exaggerates the shape of the words, holding a finger up.
“Martha –” you hiss, but the door is already closing, and her shadow is already retreating.
You spin around, dragging yourself over to your desk. Another breathe squeezes past your hammering heart, trembling as you let it go. Your phone buzzes again.
This is pathetic. It’s pitiful. You bulldozed your way this far – against all your good sense. Red wine antidote, all that courage now feels more like a weak-kneed hangover.
You fiddle with a pen holder. Your body feels flimsy like rubber.
The door opens again.
“Hey,” Joel says, turning you to face him. He doesn’t look you in the eye – just slips your purse from your shoulder, squeezes your hand. “Walk with me.”
“No,” you wobble in his grasp, “Your meeting –”
He links his arm through yours, locking elbows. “Martha’s got him talking about some ski trip. We got ten minutes. Walk with me.”
Your breath sputters. “I can’t – I can’t do it.”
“Can’t do what?”
“I’m flapping, Joel.”
“Flapping,” he repeats, and the word never sounded more ridiculous than it does with his Texan twang. “What are we flapping over?”
He sways as he walks. It’s no different, no less comfortable than it was a few weeks ago. Just you, Joel, and the Parisian sunset. The light swimming in the Seine, the sweet air circling you both.
Your heel scuffs against the carpet. “You know,” you catch yourself, “just this potentially life-changing job interview I have in, like, twenty minutes.”
“Huh,” his brows quirk, “No big deal, then?”
Your eyes roll. “It wouldn’t be, if you hadn’t given me some big speech about not losing my footing. Now look at me. I’m all over the goddamn place.”
“Take it in baby steps,” he says. “Let’s just get you there first. All you gotta do is walk in like you’re already part of the furniture. Like they’ve been wondering what goes at that little desk.”
“You said the CEO is nice?”
“She is,” he reaches for the call button, “Likes red wine and racecars.”
Your brows flinch. “She likes…What?”
Joel smirks. “I didn’t say we talked for long. That’s all I got on her.”
He drags you into the elevator, hitting the button marked P. Your reflection stands a little taller, little straighter next to his. Mimicking his posture; the still stance and level head. The coolness you’re sure wouldn’t slip even if the world ended tonight.
“Look at that,” he mutters. “You made it to the elevator.”
“Shock,” you whisper, hugging yourself.
You face each other, inches apart. Nerves and momentum upsetting your equilibrium. The bones of the building drum up your spine as you plummet, floor numbers blinking down to zero.
Joel rests his ankles either side of yours. He knocks your feet softly, smiling fondly when you lift your head.
“Read over their website on the drive over,” he says, in the same polite voice he uses with clients. “Their values, the way they operate. Names and faces, all that shit. Keep it fresh, okay?”
You force your cheeks into a flat smile. “Okay.”
“Look at that,” he says. “Killer smile. Getcha any job anywhere.”
“Gross,” you giggle. “Did you wonder, before you found me?”
“Did I wonder what?”
You tilt your head. “What went at my little desk.”
He itches his nose, laughing into a closed fist. He’s blushing, though he’s trying hard to hide it. “Sure,” he shrugs, eventually giving in, “Knew it must be somethin’ pretty special. And you were.”
The elevator dings, and the doors rattle open.
Joel taps your heel and you sulk, leading him out into the garage.
Rand catches sight of you instantly. He jumps out of the Rolls, a wide grin on his lips, and balls his fists. “How we feelin’?” he asks, giving them a hearty shake.
“Little nervous, aren’t we?” Joel replies, patting your arm. “But we’re almost there.”
You’re holding onto him again. He doesn’t seem to mind.
“We’re still in the building,” you utter, tracking Rand’s kiddy jog around the car.
Joel turns, lips at your temple. “Closer than you were five minutes ago, baby.”
The driver grabs the door, turning his palm to usher you inside. “Figure we’ll get there with ten minutes to spare. Always good to be early to these things, right?”
If it weren’t for the six-inch heels on your feet and the seven-figure man on your arm, you’d reach to tighten backpack straps that aren’t there. It’s the same feeling: first day of school, walking into the unknown. Pushed off by grownups who know better.
You’re a grownup, too, you remind yourself.
The same feeling, and the same determination, too. The resolve to walk in there – bright-eyed and bushy-tailed – and be the thing they’ve been waiting for. Be the thing you’ve been waiting for. So –
“Fuck it,” you decide, slipping free from your boss’s grasp. “Let’s do this.”
“Attagirl!” Rand claps his hands and dances back to the driver’s side.
Joel helps you into the backseat, passing your purse over when you’re settled. “Okay?” he asks, one arm leaning on the roof.
“Yep,” you chirp – a crack in your voice that you both ignore.
“Call on your way back if you feel like it, let me know how it went.”
The strip lighting in the garage strains your eyes. “What if you’re still hearing about Salazar’s ski trip?”
He shakes his head. “Don’t ask dumb questions, remember? If you call, I’ll answer.”
“Thanks, Joel,” you whisper.
He clicks his teeth. You’re welcome.
“Next step, little tiger. Go get ‘em.”
After you interviewed with him, Joel took all of twenty-four hours to offer you the job. He said he would’ve called sooner – that afternoon, if he could’ve – but there had been a holdup with the paperwork. His next question was how soon you could start.
He was that sure.
On your first day, you were shown to your new desk. Wiped clean, drawers bare. A bloated water stain in the wood – the mark of a fern plant Martha thought was treated a little too much like an actual child by your predecessor.
She offered to have Joel order a new desk, but you told her you loved it – water stain and all.
You loved the view on each side – the sprawling city, the sun needling between buildings. You loved Martha’s company, and Joel’s daily ritual of strolling over to stretch his legs and, more importantly, gossip.
The job made you feel grown. A little kid in the big city – yes, sir and no, sir, caffeine for breakfast and paperwork for lunch. It was big enough that you wondered whether you’d really fill it – like you wondered if you’d ever fill your desk.
What supplies did a personal assistant need? You spent more time on your feet than sat at your desk. What knickknacks would you collect?
Well, looking at it all now: a jumble of pinched pens and hand-me-down magazines from Martha. A Wonder Woman stationery set your mom bought you; the chipped Kandinsky mug you make coffee in every day.
A plastic ruby ring, from a riverside stroll in Paris.
Looking at it now – you wonder how it ever all fit. Almost three cardboard boxes, plus an oversized Swiss cheese plant. Your desk is empty again, back to the way you found it.
Because you got it.
You got the job.
Junior Art Director. Jesus fucking Christ.
You were in Joel’s office when the call came through. Laying out travel plans for a business trip, organizing documents into the order he’d need them. Busying yourself purely to distract from playing the interview back in your head.
The entire thing was a blur, the interview – film reel already burning in your memory. One second you were traipsing into the building, the next – strolling back out, sun on your face and spring in your step.
It came back in flashing vignettes: the creative director’s cropped bob, her scarlet lips. The rhythmic dunk of her teabag into her mug, her quiet mhms as you spoke.
Her smile grew wider, the longer the meeting went on. Her tea went cold. She asked to see pictures of your artwork – made some passing comment about your skill being of some use for an upcoming project.
She liked you. Better yet, Joel noted – you liked her.
He walked back into his office just in time to hear the tail end of the phone call. Your shaky thank you, the teary goodbye. He waited until you turned, one hand lingering on your shoulder, and gasped when you broke into a giddy grin.
He pulled you into a bear hug, beats of raucous laughter through his chest. You sniffled into his shirt, staining the material with wet mascara.
What’d I tell you? he murmured into your hair, rocking you side to side. What’d I fuckin’ tell you?
A clumsy mash of work blouses and party dresses fills the office.
Glitzy gold and pressed linen, heels and loose ties. A bottle of champagne on a spreadsheet coaster, an overfilled balloon knotted around your chair. The word Congrats swirled in glitter pen.
Martha fills the latecomers in. She orders everyone to drain their glasses and grab their coats. There’s a dive bar not far, she says, with karaoke and a jukebox. Cheap drinks and heavy measures.
A dive bar. The dive bar. AC/DC and all.
You linger over by your desk, alone, swirling the bubbly in your glass. A little more than awkward, what with the gold party hat your coworkers forced over your head – and the heavy heart it’s doing little to soothe.
Your last day as Joel Miller’s personal assistant is over. As of five-thirty, you don’t belong in this office. Come Monday, you’ll have a whole new job, a whole new title behind your name.
It’s as thrilling as it is utterly terrifying.
Martha had your leaving party organized less than an hour after she heard the cheers from Joel’s office. Proof, you told him, that she’ll be just fine on her own.
Proof, he countered, that she has a very selective work ethic.
He’s in good hands, if her current crowd management is anything to go by. She rounds everybody up like cattle, corralling them into a buzzed herd.
“We are leavin’ in five minutes, alright?” she yells over their babble. “Five minutes!”
Rand dips between the bodies, smiling when he catches your eye. He wanders over, tactically dodging Martha’s waving arms.
“Hi, baby,” he says, arms wide.
“Thanks for coming,” you mumble into his suit jacket, wrists crossing at his spine.
He wriggles his tie straight, keeps one arm tight around your shoulders even when you pull away. “Of course,” he says, a dutiful nod. “You were always my favorite. Don’t tell the general over there.”
You smile, feeling it dampen when your eyes slip back over to the sliver of light under Joel’s door. He’s been locked in there all afternoon – the only proof of life the pacing his shadow has done.
Rand cocks his head towards the shuttered office. “He not coming?”
“No idea,” you pick at a hangnail, “Some emergency, apparently. I haven’t seen him since lunch.”
He frowns, watching as you shot what’s left of your champagne. It’s bitter – a sharp sting all the way down.
“I mean,” you gulp, “he’s my boss. He’s at every other party we have. What’s the difference this time around?”
Rand’s eyebrows wiggle. He swallows his first answer. He knows the difference as well as you do.
Still – he says, “He’s a lot of things, is Joel, but he ain’t an ass. He’ll be there.”
Across the room, Martha lassoes the party – leading them over to the elevator. She pauses, beckoning you over their heads. A thin-lipped scowl on her face, before she’s distracted by stragglers.
“Good Lord,” Rand scoffs, a gentlemanly arm through yours, “Bet you ain’t gonna miss that.”
You rest your head on his shoulder. “Surprisingly, I think I’ll miss her the most.”
As you hover at the back of the bunch, waiting for your very sternly instructed turn to step into the elevator, you glance back at Joel’s office.
The shades are split, pierced somewhere like six feet up. Sliver of lamplight peering through; silhouette of something – someone – staring back.
Come on, you want to call. We’re heading to the bar. Let’s pretend I never broke your heart and you never broke mine. We can dance and kiss like nobody’s watching. We can be okay, you and me.
Martha claps three times as the elevator announces its arrival.
“We’re up, comrade,” Rand quips, and pulls you out of Joel’s sight.
The bar looks the same as it ever did. All chipped mahogany and distressed leather; secret messages etched in secret corners. Slipping between shadow and tacky neon light to order a drink, feeling it hit the back of your skull before you’ve even swallowed the first sip.
It’s no Oasis Wine Bar, but it’ll do.
You’re crammed into a booth opposite some blotchy intern. Kid doesn’t look a day over twenty-one. Martha nudges you closer and closer to the lacquered panel wall, her elbow knocking into yours and splashing your drink over your knuckles.
The group is already a colorful spectrum of drunk: a couple suits slung over the bar, a handful screaming at some vintage arcade game. Rand cuts a merry figure at the bottom of the table, swaying as he garbles to Martha and Deb.
Like a replica of that first night – a playlist of dusty rock tunes, fingertips salty from picking at peanuts. The buzz of conversation fueled by swigs of bitter vodka.
You don’t remember it feeling this shitty, though. This lonely.
The intern leans over the booth, quickly yanking his tie before it folds into a flickering candle. He forces a relieved laugh, then asks, “Are you having a good night?”
“I guess,” you raise your voice over Martha’s cackling, “It’s a little bittersweet, you know?”
His head bobs in a tipsy nod. He looks from face to face, trying to latch onto any conversation that’ll take him. But they all turn away, distracted by some guy in a tropical shirt and his cryptocurrency conspiracy.
The intern stares down at his drink, thumbs tapping the glass.
Poor kid.
You knock on his beer, trying not to look too pitying. “How’s the internship? Liking it?”
He brightens, straightening in his seat. “Yeah, it’s been good,” he chirps. “I’m learning a lot. Mr. Miller is a great boss.”
It’s like being sucker punched by a toddler. Huge blue eyes and rosy cheeks, an unsteady grip around his Budweiser. If he didn’t look so much like a fucking Disney cartoon, you’d lose your nerve.
The alcohol sours on your tongue. “Yeah,” you mumble, sinking back into your seat. “Yeah, he’s – he’s a good guy.”
“Why isn’t he here tonight?” he asks.
“He’s – uh…” You throw a helpless look to your coworker – but she’s too busy showing off pictures of Henry. “…He’s busy tonight, I guess.”
“I’ll bet,” the kid replies. “He’s an important dude.”
“Uhuh,” you elbow Martha’s waist, “He sure is. Would you excuse me?” you ask, and the intern raises his hands. “I’ll be right back.”
Martha and Deb shuffle out of the booth, drinks in hand. You edge your way through the horde to the back of the bar – stopping to refill on the way.
As the muscleman behind the bar tops off your glass, something catches your eye.
Lit only by a flickering Coors Light sign – the red and blue melding into streaks of violet – an iron staircase lingers in the corner. You didn’t spot it last time – or if you did, you were too busy flirting with your boss to pay it any mind.
You drift over, evading the sloshed stagger of one of Joel’s mailroom guys, and click up the steps towards the glowing red of an EXIT sign. Your hip swings into the push bar. The heavy door groans open.
It’s no cooler out here than inside – but it’s deserted. Beer dripping from the lips of toppled bottles, candles wavering in clear pools of wax. A gentle hum from overhead – the string light canopy.
A kitschy little rooftop. A humble hideaway.
Alone, you cross your arms and amble over to the parapet.
The street snoozes, a story below. Leaves flutter along the curb, crushed by the scuffing soles of strangers. Their footsteps echo as they wander off into the dusky night.
No Rolls, you notice. Nowhere to be seen. Not parked on the road, nor in the lot across the street. Nothing but a couple of guys on bikes, standing in the cold light of a store front.
He’s not here. He didn’t come.
He couldn’t, even if he wanted to. Whatever emergency he’s dealing with, it’s taken half his day from him. Martha didn’t even bother to ask if he needed coffee, or to fill him in on her neighborhood politics since the new couple moved in next door.
Still – there’s never been anything he couldn’t drag himself away from. Not where you’re concerned. He abandoned an investor for a solid ten minutes last week, just to walk you to the parking garage and tell you shit you already knew.
He could find a way to make it to this, right?
You scoff into your glass, swallow a heavy sip. Swallow back the quiet disappointment, the burden of a broken heart trying desperately to remember the shape it used to be. Before private jets and business trips, before work parties and closed office doors.
Before Joel.
But he swaggered in, didn’t he – suit and tie and that signature smirk. He changed everything, overnight. He fit in all the spaces you thought no one ever would – nestled his way behind your ribcage, kept you warm, kept you safe.
You can’t remember the shape your heart used to be. You don’t fucking want to.
At least, even when you were fighting, he was still in the game. At least he was still sat on the other side of the checkered plain, nudging his king closer to your queen. You never intended on letting him win – but he never intended to in the first place.
He was only ever in it to watch your eyes light, any time he got close.
Now, the board is cleared. Pawns split in two, knights crumbled to dust. And you miss it.
You miss him.
And missing him is – feeling the absence of him in every room. The empty seat next to yours, your empty hand at your side. The weight you know by heart around your waist, the name always on the tip of your tongue.
Missing him is coming up with a million ways that every other man isn’t him. They don’t make you laugh the same, they don’t make you ache. They don’t know your favorite movie; they won’t pull over just to pinch the greasy bacon from your breakfast sandwich.
Missing him is looking for him. Everywhere. Hoping – Jesus, praying you’d walk out of your interview and he’d be stood, arms crossed, leant against the car. Wishing he’d show up again at your door – flowers in hand, kiss on your lips.
Missing him is existing in the negative space he left behind. Flecks of color fluttering in the breeze, fading as though they were never here in the first place.
The door chunks open over your shoulder, and falls closed with a slam. Right on cue. You don’t even flinch when he rolls a chilled beer against your arm.
Missing him is knowing him. Better than anyone ever has, or anyone ever will.
He’s here. He was always going to be here. Because it’s you, and because it’s him.
Joel holds for all of three seconds, then places the beer between your elbows. He leans back against the stone wall.
“Sorry I’m late,” he says, taking a sip. His rugged, twelve-hour-day form softens before your eyes.
“I missed you,” you whisper, and he smiles.
“Missed you too, pretty girl.”
You lean in, face smushing into his chest, and snake your arms around his waist.
Joel takes the weight of you like it’s nothing; kisses your head and rests his chin there.
“I thought you weren’t coming,” you mumble, feeling the strange chill of tears on your cheeks.
“Are you kidding?” his voice rumbles through your skull. “I wouldn’t miss it for the world, you know that.”
The alcohol lining your gums sweetens. It might just make the initial hit worth the trouble.
“I had a pretty shitty night,” you admit, sneaking a glance at him.
“Yeah,” he sighs, “You ‘n me both. Pretty shitty month.”
His cologne is fresh; woodsy and clean. His rough beard on your skin, his tired collar between your fingers. The landscape of a man you know inside and out.
Joel’s hands lift from your waist, past your ribs and around your shoulders. He lifts the broken heart charm from your chest – so tiny in his large hand, nervously twinkling in the light.
You don’t flinch, this time. Barely even notice his eyes on it.
His expression stiffens. His jaw clenches. His eyes are glassy, lined with tears behind his stone-set snarl.
“I’m sorry for what he did,” he grits, swallowing thickly. “I wanna kill him for it, you know that?”
You lift one shoulder, dropping it with a sigh. “He did what he did,” you hush, “He was a scumbag.”
Joel’s upper lip twitches. Twists, then settles when you trace it with your thumb.
“You didn’t deserve it,” he says. “You didn’t deserve none of what he did to you. You were just a kid, you –”
He lifts his head like coming up for air. Sucks a ragged breath between his teeth, shakes the tears from his vision.
“Hey,” you take his jaw, turning him back to face you, “Look at me. Look.” You flash a cheesy grin, nose scrunched and eyes crinkled. “I’m okay, Joel, look.”
His laughter betrays him, breaking from his chest and shattering the wolfish glare. He cups your head, cradling you against his chest again.
There’s nothing between you, now. No spiteful words or suffocating tension; no hurt and no blame. One heart broken and the other bruised, still beating the rhythm of a language only they know.
Still seeking the other out, through all of it.
“What we had,” Joel says softly, “it can’t have been nothing to you, right? Was it really just…?”
“No,” you shake your head, squeezing him, “It was never – You were never just anything to me. I think…” you sigh, “…I think you just pressed on a bruise I had. A bruise I thought I’d gotten pretty good at hiding. And you just…you twisted your thumb into it.”
“I didn’t – I didn’t know about no bruise,” he says. “It wouldn’t’ve mattered if I had, darlin’, I –”
You take his wrists, following the sleeves of his jacket up to his collar. “I know,” you hold his cheeks, “I know it wouldn’t. But you saw straight through me – and the more you saw, the more you cared. And that scared me.”
He blinks down to your lips. “Why?”
“Because it’s never like that, Joel. No one has ever been like that. I was so scared that I’d fuck it up – that you’d figure me out.”
“You gotta fill me in a little here. Figure you out?”
“All my shit. Blake, my dad. All of it.”
Joel frowns. “You think I don’t got shit I didn’t want you seeing, too? My dad, Avery – that ain’t exactly dating profile material, baby.”
You can’t help but laugh. As raw as an open wound, the most vulnerable conversation you’ve ever had – on the roof of a dive bar, with your boss.
And he’s as fucking breezy as though you just handed him the forecast for the day.
“You’re a better man, Joel, than all of them. You mean more to me than anyone. And before I knew it, you had me wrapped around your finger, and…”
“…And I was pressing on that bruise.”
You wince. “Little bit.”
His tongue prods at the inside of his cheek. He scans the rooftop, glimmers of gold in his eyes, and nods.
“Listen to me,” he says, holding onto you. His thumbs swipe your tears away. “I would not hurt you for the world. I wouldn’t. That goddamn email – I just – I didn’t know what else to do. I panicked, and I fucked up. I’m sorry.”
“You don’t have to –”
“Shut up,” he smiles, “I never meant to scare you. I never meant to hurt you. And if we never go back to what we were, then – I guess I gotta live with that. But you? God, baby, I miss you.
“I miss hearing you laugh. I miss being the one to make you do it. I miss talking to you, miss hearing what you think on things. Miss your goddamn Bart Simpson socks ‘n all.”
You turn into his palm, masking your giggle. “Asshole,” you murmur.
“All I want to do is take care of you,” he says. His shoulder jerks, an earnest shrug. “’s all I want. And you don’t make it easy, that’s for sure – fightin’ back at every damn turn. But – I don’t know,” his eyes thin, “Sometimes I reckon it’s what you want, too.”
“Oh,” you wrestle a simper, “You reckon, do you?”
“I reckon,” Joel repeats, bending the word in an exaggerated drawl. “See what I mean?” he tickles your waist, “You’re a pain in my ass.”
Your head tips back with laughter – the first real laugh you’ve heard pass your lips in weeks. Since you were rolling around your bed, poking his ribs for not being able to use chopsticks. A silly, girlish giggle.
The world bursts into color again.
Joel chuckles, too, as you squirm in his grasp. His hands plant on your waist, forehead rolling against yours.
Your lips brush. Your body ignites.
“I really want to kiss you right now,” he whispers. “That okay?”
“Shut up,” you echo, letting his lips crash into yours.
He tastes exactly the same as you remember. Strawberry and lemongrass. Sweet, in a way that wakens you. Brightens you, full of life and full of color.
It’s as though only a second has passed since you last felt him like this. Felt his scruff on your cheeks, the warmth of his tongue slipping past yours. Your skin feels like satin on his; your body filling in all the worn gaps that time has taken from his.
Fitting against him like you were carved with him in mind. Chiseled from the same slab of marble, finally found one another through the opaque stone.
He pins you to the parapet; one hand firm on the small of your back, the other at the base of your skull. He leans in, claiming every sense in your body as his own – and you offer them over gladly.
He kisses you like it’s all he’s thought about since that last morning at your place. Like he’s making up for lost time.
Hell, you’re both making up for lost time.
Joel breaks for air, panting against your lips, then instantly kisses you again.
Your hand threads through his hair – the soft salt and pepper, the feathered flicks at the nape of his neck. “Joel,” you kiss him once, twice more, giggling, “We’re like teenagers.”
“I love you,” he replies, kissing down your neck. “So much. So – goddamn – much.”
He trails down to your collarbone, where your chest lifts to meet his hungry lips. He drags teeth and tongue between your cleavage.
There’s a delay in the time the words take to sink into your skin. Like they’re stopping to light every atom of your being first, before they reach your brain. Every bone, every muscle and every cell.
“You…” you breathe, pulling him upright. “…You what?”
“I love you,” he repeats. “That scare you?”
Oh.
“N-no,” you press your finger to his swollen lips, “You…Say it again.”
He pauses. Nods, when he seems to make it up in his mind. His eyes flit from yours down to the mess of your lipstick, and back up.
A man possessed, so it looks, he admits it between labored breaths. “I’m in love with you,” he says. “Have been for a while, I think. You got a terrible habit of driving me fucking insane, pretty girl.”
Oh, shit.
You knew it already. This isn’t news.
He as good as told you in the copy room – and before that, in his office. He told you in Martha’s dining room, told you in your kitchen. He told you every time his lips found yours in Paris, and every time his eyes met yours before that.
If you went back and looked, there’d probably be a trail of clues jotted down in his diary – September second, two o’clock. Great AP score, enthusiastic and friendly. I think I’m in love with her.
He’s always loved you.
It’s just different hearing him say it.
Different to how it felt the last time someone said it to you. Different to how it sounded. There’s no ringing in your ears. There’s no focal shift in your vision.
There’s no…fear.
Joel takes hold of your shoulders. “Don’t run off on me again,” he says, kissing your cheek.
“No, I’m not…I don’t – want to,” you burble, playing with his collar. “You’re just…You might be a couple steps ahead of me.”
“Baby,” he says, a little laugh to it. “That’s okay. I don’t mind. I’m good where I am.”
“Really?”
“Really,” he says, and leans in again. “I’ll wait, as long as it takes.”
You melt into him; his strong hands and steady chest. Teeth taking his bottom lip, releasing it with a little pop. Your fingers twist around his hair, tugging lightly.
A low growl sounds from Joel’s throat. His hips rut against yours, fly of his jeans catches on the material of your skirt.
It nestles somewhere between your thighs. Solid, swollen. Blood hammering beneath denim, grinding into your body. He’s hard.
“We keep goin’ the way we’re goin’,” Joel hints, “and we’re gonna have a problem that ain’t solved so easily.”
You release him, licking your lips. “You think I can’t feel it already?”
He sucks on the skin over your carotid. “You think I ain’t been dealin’ with it for the last three weeks?”
“Poor Mr. Miller,” you pout, “Let me deal with it.”
His cheeks lift, brows drop. Cocky. The Joel you’re used to. The Joel you want.
The Joel you fucking need, right now.
“C’mon,” you slip a hand down his front, cupping the weight of him, “I miss my daddy.”
He squeezes your ass, catching you in a rough kiss when you writhe forward. His teeth graze your ear. “I wanna touch you, baby. I wanna feel you again. This little cunt,” he slips a hand between your legs, “She’s all I’ve been thinkin’ about.”
Fuck.
It was a feeble attempt, anyway – matching his ego. Utterly futile. The guy makes you lose your fucking mind.
You’ve done things for him that you’d never dream of doing for anyone else – would wring their necks for even asking – and here you are, keening into Joel, grinding your dripping pussy into his palm for all the street to see.
“She’s all yours,” you whine, the words tearing from your throat in a desperate plea. “All yours, Daddy.”
“That’s my girl,” Joel murmurs against your temple. “I’m gonna take you home, okay? Fuck you nice ‘n hard, make you feel better.”
You moan against his shirt. “Can we go back to yours, Daddy?”
It throws him for one heavy beat. He pauses, breath hot against your jaw, and then presses a barely-there kiss to your lips.
“Yeah, darlin,’” he whispers. “Let’s go back to mine.”
You push off his chest, cunt throbbing with each step towards the fire door. Fingers locked through his – a siren leading her sailor down the wrought iron stairs of Sam’s Saloon. Swimming through bodies, bathing in neon light, breathing in tobacco and tequila.
Joel eyes the booth where his employees sit – folding spinning tops out of beer caps, wagering bets on who’ll still be hungover come Monday.
He turns to whisper in your ear, when a voice strikes like lightning between you.
“Hey!” Martha yells, waving from the corner booth.
You’ve never wanted her to fuck off so badly.
“Just where the hell do you think you two are goin’?”
Joel stumbles into your side, hiding a teenage sort of glee behind your back. It’s contagious – and it riles Martha even more.
You throw your arms in the air, eyes bulging. Take the fucking hint, Martha. “Home?”
“It ain’t even eleven,” she protests, making to stand. “This is your goddamn leavin’ night – what are you doing?”
But you’re already retreating, following the pull of Joel’s hand around yours. Skin like fire, spattering with every touch. There’s nothing – man, myth, or Martha – that could stop you from following him.
You yell it as you swing through the doors.
“Grabbing a paddle!”
Joel leads you with his hands and with his lips down a neighboring street, where his Lamborghini sits at the side of the road. It blinks to life, headlights blinding.
A bruiser of a car – all bulk and brawn and bullish, like the thing is actually rearing. Something of a sharp smirk to it, the same devilish grin its owner so often wears.
He opens your door, steady hand lifting you into the passenger side, and strides around the car. His hand is back between your legs before he’s even switched the ignition on.
“Get – your damn – seatbelt on,” you giggle, slurring the words against Joel’s lips. “I am not letting you drive me home without one.”
His breath is hot and heady, spilling over your tongue with each punch of laughter from his chest. “Alright, alright,” he concedes, clipping the belt into place. He holds his hands out, awaiting your approval.
When you nod, his fingers slip between your thighs.
“You whore,” you snicker – though the sound scatters when he finds your clit. You grab your own belt, yanking it loose from its holder. “Jesus, Joel –”
“There she is,” he coos, pulling out into the road.
He circles her gently at first, massaging over your panties. Middle finger pulsing over the hood, matching the rhythm of your heartbeat flocking south.
Your back arches; nails dig into his wrist. “Daddy,” you gasp, knees parting. Heat quickly soaking through lace and onto leather. “’m gonna – make a mess,” you croon.
“Make a mess, darlin’, it’s okay,” Joel beckons, knuckles white around the steering wheel. “Driving me crazy, watching you like this. Dirty little girl.”
“Let me…” you reach for his thigh, “…Wanna touch you, Daddy.”
He grunts – a sound of refusal. “Give me one first, baby. Here,” and he hooks the slippery lace to the side, fingers parting your folds, “Let Daddy feel you right here.”
Your knee lifts, leg folding against the door, and Joel pushes inside. Two fingers knuckle-deep in one thrust. You yelp.
“Oh, baby,” he tuts, “She’s so wet. She miss her daddy that bad?”
“Yeah,” you whine, watching the thick shine he draws from your cunt. You lift your hips to open wider – and he slots a third finger in.
“Look at her,” he growls, “desperate little cunt. That feel better, darlin’?”
“Yeah, Daddy,” you mewl, though you’re not fucking listening to a word he’s saying.
You watch, boneless and blathering, as your hand lowers – replacing where Joel’s was on your clit. Rubbing little circles while he fucks you with his thick fingers. Your back curls again, tits threatening to spill out of your dress.
“Keep doin’ that,” Joel instructs, wrist jacking faster. “You’re close, ain’t you?”
“Shit,” you gasp, walls clenching around him. “So – close, Joel – fuck.”
The car slows to a stop. A red glow seeps through the windshield, lighting your smirk in a dangerous tinge.
Your pussy drools onto the leather seat, throbbing over Joel’s hand. Syrupy and honey-sweet, coating him in a glistening mess the harder he fucks you. A sticky sound, the slap of skin on skin, the beats of your moaning in between.
“Look at me,” Joel says, and you tear your eyes from between your legs. “Keep playing with it. C’mere.”
He tilts your jaw with his free hand and slips his tongue past your lips – the taste of him more dizzying than any drink from that bar. He kisses you until you’re right there, sucking on his tongue, teetering on the edge of your first climax. Crying into his mouth to stop from screaming at the ceiling.
“Daddy, need –”
Joel’s wrist pounds against your clit. He laughs across your tongue.
“Come on, baby,” he groans. “Let me feel her.”
“Say it,” you beg, your head lolling on his shoulder. The streetlights begin to bleed into the car. The light flicks to yellow. “Need you to – to say it.”
He nuzzles his nose against yours, turning to let you taste the words.
“I love you,” he whispers, and you break wide open.
The car rolls off again as you come with a violent shudder, crying into Joel’s chest. Daddy Daddy Daddy, fuck me fuck me fuck me.
“I know, I know,” Joel says, riding your high out to the horizon. He stares at the road ahead, only daring a glimpse at the sodden mess between your thighs when you start to come around again.
He works your swollen cunt, fingers gleaming with your orgasm. Slips them over his tongue, licks them clean – and then pushes them back between your sensitive lips.
You rock with the moving car, pulse still rattling your lungs. Your eyes drift down, down: Joel’s spread legs, the shape even bolder in his jeans than before.
You got a terrible habit of driving me fucking insane, pretty girl.
Weak and still quivering, you slip your hand over his belt – feeling his stomach jolt the second you touch it. The dark trail of hair from his navel, the thicker it grows – the harder he tenses.
“Easy,” he clips, adjusting in his seat. “Alright, darlin’. We’re…You’re gonna get us arrested.”
“Good,” you shrug, “I bet you have a good lawyer.”
You slump into his lap, the armrest solid against your ribcage. Trembling fingers loosening his belt, picking at the button of his jeans, husking them loose when he lifts his hips.
“Jesus,” he clears his throat, “Won’t let me drive without a seatbelt, but you’re – you’re fine with – fuck.”
He’s heavy and rock solid, so wide you can barely hold him. Big enough that it takes no effort at all to pull him free. Shaft silky smooth, tip flushed red and leaking deliciously.
Fuck, he’s so pretty. He’s so –
“– pretty, Daddy.”
Joel lifts his hand and holds you at the back of your neck, grip tightening when you dab his head along your bottom lip. “Prettier when you’re playin’ with it, angel.”
Your tongue circles his tip – salt and sweat stirring you from your orgasmic haze. You dribble down his cock, spit racing to the twists of thick hair at his base.
The sound he makes is guttural – a roar of a groan from his chest – when you sink down on him. He fills your mouth instantly, nudging the back of your throat in one.
The car swerves some. Joel curses over your head.
You slip back up – slow. Let your tongue trace every ridge, every vein along the way. All of it perfect perfect perfect – all of it him. Chasing streaks of saliva, the pearly shine of precome beading from his slit.
One hand stroking his hilt, lips suckling around his tip. Kneading his weighty balls – massaging them in your palm, dragging your tongue down to kiss the cushiony skin.
“Pretty girl,” Joel rasps, hips canting to meet every lick, every stroke. “You’re gonna make me come if you don’t stop.”
Mhm, you mumble, gagging around the intrusion. Tears sear across your waterline, spilling from the corners of your eyes. So big, so pretty, so perfect.
He nuzzles deep, stretching the column of your throat wide. “Baby,” he warns, voice sharper, “Baby, you gotta – you gotta stop now.”
Maple, he’d said – that day in your shower. If you say it, I stop.
Say it, you dare him silently.
“I’m gonna – c-come, darlin’,” instead.
Say. It.
“You want that?” he growls, hand surfing over your hair to cup your skull. “You wanna make your Daddy come?”
Your voice flattens, mutes under the strain of his cock. You moan instead, the sound weak and muffled.
“Shit,” Joel says, stomach tensing tensing tensing. “Shit, angel, just like that. Good fuckin’ girl.”
He twitches deep inside. He’s there. Right there.
You slacken your jaw and lick up his shaft, two hands wrapping around it. They slip around the sticky spit, swirling and squeezing while you kiss his tip.
He holds you steady, slowing the car to watch as he fills your mouth.
Two, three warm spurts across your tongue, dripping down the back of your throat. You lap up every drop, tongue swirling the salt around your lips before you swallow it down.
Joel rasps as he steers the car into a dim lot. He strokes your head, jerks when you play a little too much with him.
“Attagirl,” he sighs, “Careful with it. Tryna fuckin’ kill me.”
You giggle, swiping kitten licks at his tip before you slip him back into his underwear. You bat Joel’s hands away, buttoning his jeans and threading his belt back together. Planting heavy kisses into the plush of his tummy.
When the darkness is pierced by flickering fluorescents, you push yourself up.
“Where are we?” you ask, twisting in your seat.
“Home,” he says simply.
A plain man in a dark suit strides over to the car as soon as it parks up. The click of his shoes bouncing off the walls.
Joel swipes at your chin with his thumb. He slips the digit past your lips and you suck it clean. “Dirty girl,” he utters, stealing another hasty kiss before swinging out of the car.
You hop out the other side, tottering around the Lamborghini to meet him at the back.
The attendant’s name badge reads Owen. “Long day, Mr. Miller?”
Joel pats his shoulder in greeting, reaching for your hand. “Long day,” he agrees, and makes for the elevator.
Your head swivels, taking in each lavish vehicle parked under luminous light. Emblems with horses and bulls and wings – plenty more than you don’t even recognize. Each car polished to perfection, groomed within an inch of its life.
Joel flicks the button at the top of the panel. The doors glide closed – smooth and silent. You barely feel it as it scales the building rapidly.
“Wait a second,” you stare at the dazzling PH, “Do you live on the top fucking floor?”
He bites his lip. “Might do.”
You step back. “So you let me bring you into my – my shitty little apartment, and meanwhile you’re –?”
“Woah, woah,” he cuts in. “Your apartment is not shitty.”
“It’s not a fucking penthouse, Joel.”
“It’s a nice apartment!” he protests, squeezing your shoulder. “Do you always gotta be so goddamn dramatic?”
“I bet you could fit my entire place inside your living room. Right? Am I right?”
He clicks his teeth and stuffs his hands into his pockets. “Naw,” he says, like a little kid. Twisting his toe into the marble floor. “Dressing room, more like.”
The doors part just in time for him to escape your drumming fists – his boyish snicker filling the cream hallway.
You spill out after him, pulse fluttering dangerously through your veins.
“You know what my place doesn’t have?” Joel says, fishing for his keys. “A poster of Richard Gere. I could use one of those.”
“Oh,” you feign amusement, “Well, you can have mine. I won’t be able to look at it now, anyways.”
He slots the key in the lock and turns. Drinks in the sight of you – on a comedown from only the second-hottest car ride you’ve ever taken.
“Your apartment,” he lifts a finger, “has you in it. It wins, every time.”
Your jaw clenches. Your heart begins a warning drum in your chest. Don’t you fucking dare. Don’t you fall.
Too late, you think.
The door sweeps open, and Joel beckons you forward.
“Ladies first.”
You slip by, stepping into a regal hallway. Smooth stone on either side, dark wood under your heels. All marble and mirror, classy, glassy décor. Golden spotlights which glow to life overhead, the deeper your footsteps echo.
It’s dark, and a little moody. Manly. The perfect marriage of masculine and chic. Cold steel and warm wood.
It looks like him. Classy and luxurious – but homey, warm. Everything that draws you to him, and everything that makes you want to stay.
Joel follows silently at your back, much the same as he did in his little white house. Looking to his feet when you turn back, fiddling with the strap of his watch.
You wander to the end of the hall, where the apartment widens. A towering living room – sylvan and rustic, the same muted tones bleeding through. Cityscape backdrop, pristine glass fire. A coffee table homing ornate vases and books on woodworking; a faux fur blanket over the couch and beside it, a worn flannel shirt.
You love it. You love all of it.
And loving his apartment is probably a bit of a copout, right? The easier way, the safer way to admit something much scarier. It’s just fragments of Joel, after all. It’s all the parts you’ve come to like best.
His heart, his soul. The kid with the freckles and scruffy hair, all grown up. Thrown into a big city, thrown into a big job. Thrown into a million-dollar penthouse – and still, he turns everything he touches into…home.
Joel presses his lips along your shoulder, perches his chin on your collarbone. Quiet, a little bashful – hiding from every secret he’s letting you in on just with being here.
Your eyes catch a brushed-gold frame on the sideboard, and you float over.
Faded by the sun and the years in between, there’s a peachy tint to the photo. A dreamy lilac sky, dark cedars fringing the background. A squint mailbox, cherry red with the name MILLER printed on.
Two boys, one as filthy as the other. Matching denim shorts and lanky limbs. Smeared with paint, in the midst of a brawl which nearly blurs their figures into nothing more than one head of dark hair, the other sandy.
You’d recognize him anywhere, though. Even with his arm hooked around his little brother’s neck.
“Tommy started it,” Joel says, elbowing your side. “See that smudge on the mailbox? He pushed me headfirst into the thing.”
Your chest leaps. “Who won the fight?”
He takes the frame and dusts it with the sleeve of his jacket. “Mom did,” he replies. “Threw the camera down ‘n dragged us inside. Grounded us for a week, made us repaint the entire thing.”
“How is your mom?” you ask.
Joel nods. “Good. She’s askin’ after you.”
“She still asks about me?”
“Yeah,” he says. “’cause I still talk about you.”
It prods low in your chest. Aching, stitching itself back together thread by thread. A wound twelve years in the making, the doing and undoing of everything you ever knew. Family and love; hurt and loss.
It’s okay to lose some things, you reckon. It’s okay to let them go. To watch that beat-up Toyota tear off for the horizon. To leave that man and his ring and the promises he’ll never fulfill.
There’s someone better waiting down the line, anyway. It starts with a page of doodles; it ends with your heart in his hands.
The safest place it’s ever going to be.
You cross your arms around Joel’s neck and pull him against your body. Pull him against the wound.
“I want to go see her again, tomorrow.”
“I think she’d like that.”
“Then I want to come back here and spend the whole weekend with you.”
He swallows. “Yeah. Yeah, I want that, too.”
You kiss him softly.
“And I want you to take me to bed right now, and show me how much you love me.”
The twinkling city is the only light left on this side of the apartment.
Half-drunk in a half-dim room, you stumble in backwards – tripping over thin air and collapsing onto the bed, pulling the six-foot shadow of your ex-boss-now-something on top.
The laughter rumbles from Joel’s chest. “I’m too old for this, pretty girl,” he says, sucking a mark into your neck.
“No big deal,” you titter, fumbling with the buttons on his shirt. “I’ll keep you going.”
He hovers over you, watching as you peel the clothes from his body. The heavy clink of his belt on the floor, the ruffle of slacks down his legs. He shakes the shirt from his arms and your lips connect again in the darkness.
Hips between yours, he drags your dress from the hem up over your arms. A hungry glimpse, tongue dabbing at the corner of his mouth – like it’s Monday morning all over again, and you’re on your knees in front of him for the first time.
Back when flirting was as harmless as delivering coffee and running errands. Back when he was one third of a fuck, marry, kill debate with Martha and Deb. Back when neither of you knew these versions of yourselves even existed.
Joel lowers – taking your nipple in his mouth.
“Shit,” you pant, fingers searching for the elastic around his waist.
He helps you tug his boxers off. His cock sways between his legs, smatter of come and damp saliva across your stomach as he guides you up the mattress. He takes the lace from your hips in his fist and rids you of it in quick motion.
“See what you do to your daddy?” he asks, tapping the weight of his cock against your mound.
You reach down, wrapping your fingers around him. He’s stubbornly solid again – throbbing under your touch. He shudders when you swipe a gentle thumb over his tip.
“Already came once ‘n you got him hard all over again,” Joel adds.
You take your lip under your teeth, stroking his cock. Your clit flutters at the thought of him pushing in. The stretch that feels so impossible, the punch of pain each time he reaches the end of your pussy.
It steals a sob from your lips. “I wanna ride you, Daddy,” you sputter, a solid shove on his shoulders.
He rolls onto his back, hands finding your hips as you mount his waist.
“Let me ride you,” you’re panting, lowering onto the dense muscle of his stomach. Quickly coating the trail of pubic hair with a pearly sheen. You rock back and forth, taking the stalk of him in one small hand.
“Let me ride – just wanna ride –”
“Alright, alright,” Joel hastens, sitting upright. He slips an arm around your back.
You whine. “You never let me, Daddy, I just wanna –”
“Shh,” he holds your jaw, “I’m gonna let you. I’m gonna let you, baby. Just gotta go slow, alright? I don’t want to hurt you.”
“I can take it,” you tell him, hands on your hips.
“I know,” Joel replies, “I know you can. Always do, huh?”
He slides his tip through your core, teasing your entrance. So wide that you can already feel your little hole struggling with just his head. He’s covered in you – your slick blending with his, your breath swapping.
“Three weeks, angel,” he fusses, beginning to edge you down. “Too goddamn long,” he adds, “You know how much I missed this pretty cunt?”
Your pussy sucks his length in, blooming for him. Warm and snug, spongey walls pinching every inch as he penetrates her. Like they’re made for each other, the same way you and Joel are.
“She missed you more,” you gasp, head tilted back to the ceiling. “I missed you more.”
Joel’s teeth pluck at the column of your throat, still raw from the memory of his dick. “Doing so good for me,” he hums, “Little more, okay?”
You collapse forward, boneless and weeping against his chest. The pain and the pleasure hammering through your veins – Joel’s thunder and your lightning. Every nerve on fire, every hair on your body standing to attention.
He holds you steady, hands still locked around your waist, cock still filling you up inch by inch. When your clit reaches the coarse hair at his base, Joel kisses from your chest up to your jaw.
“You feel that, baby?” he asks, two fingers lifting your chin. “Feel Daddy inside you? All of him, darlin’, you got all of him in there.”
You wiggle in his lap, hips aching with the effort of holding his full length. “So big, Daddy.”
Joel tenses, teeth gritting. “I ain’t gonna last long,” he admits, grip firm on your hips.
“That’s okay, baby,” you coo, nudging him back into the mattress. His cock slips from your slit, drizzled with slick. You feel so empty without him – electricity fizzling into nothing, walls clamping around nothing.
You brace yourself over his torso – reaching between your legs to guide him back to your entrance.
Beneath hooded lids, heavy with lust, Joel watches as you drag his tip through your folds. He presses his thumb to your clit, rough circles around the swollen hood, and parts your lips with his fingers.
His cock lines up, and you sink down.
“Christ, darlin’,” Joel groans. He flicks at your clit, his other hand coming up to pinch your nipple.
“I – Fuck,” you moan, bouncing on him. “Feels so – good, Daddy, I –”
You fall forward into the headboard – staying upright only with your fingers locked around the wood. You’re slipping, already barreling your way towards another orgasm.
You grind forward, rutting into Joel’s palm, falling back on his cock. Your spine curls; hands drop to claw at his chest, ground yourself there.
The edges of your vision begin to blur. It’s not like this, it’s never like this. No one has ever fucked you this good, this rough and this loving.
Joel’s balls slap against your ass. He bucks his hips, knees lifting to bump you forward.
“Attagirl,” he says, slipping a hand around your neck. He brings you down, nips at your lower lip. His forehead slides against yours. “Can feel you closing, darlin’,” he chuckles, “You gonna come for me?”
“D-dick,” you hiss.
He smirks. “Always look so pretty when you let go. You don’t wanna show Daddy how pretty you are?”
You writhe over him, biting down hard on your climax.
“My beautiful girl,” Joel murmurs in your ear. “Come for Daddy.”
And it throws you under.
Blinding, deafening. Every nerve in your body overcome, each one flipped to feel only Joel. His cock, buried deep inside, your walls clamped around him; his teeth on your skin, tongue soothing the scrape.
It’s never like this.
Never so euphoric, never such a perfect meld of bruise and bliss. The feeling of your body changing, altering down to the very last atom – blossoming anew. Fresher, purer, lovelier.
When you come back around, you’re on your back.
Legs wrapped around Joel’s waist; arms linked around his neck. He must’ve flipped you, the second you came.
He slips back inside, suckling on the skin beneath your ear, and drives his hips into yours. Ignores your yelps, your short breaths – just fucks into you like you’ll be gone in the morning.
Fucks into you like he’ll never get to do it again. Like he hasn’t been doing it for weeks. He fucks you so hard that it hurts; an ache already burning that you know you’ll still feel walking into work on Monday.
“Good girl,” he chants, over and over. “Daddy’s girl.”
Like a fever come over him – beads of sweat dotting his skin, flush in his cheeks. He fucks you mindless, senseless, wordless. Sobbing beneath him, each word soaking into the next.
Good girl. Good girl. Daddy’s girl, that’s it. Daddy loves you so much, baby. Gonna fill this little cunt up so good.
When your walls pull tight again, your third orgasm flooding from every pore in your body – Joel’s movements halt.
He comes with a painful jolt – his cock shunting into you once, twice, until he’s pumping you full of his come. Twitching deep within you, pulsing warm and messy inside your pussy.
He comes with a sound like song. Your name, entangled in a throaty groan – lips tucked somewhere between your neck and shoulder.
You finally hear it – for the first time in your life.
How it’s supposed to sound: low like thunder, Texan in its swing. No one else, you realize, has ever gotten it right – this right – before. As if only his lips were meant to speak it, his tongue designed to carve around the letters. His vocal cords strung to send the sound to your ears.
It’s his, you decide. Your name – and every other piece of you. All of you. It all belongs to him, now.
“Fuck,” Joel pants, one hand on the headboard to steady himself. He lets it rain down over you: “I love you so much, you know that?”
“Come here,” you whisper, and he falls into your body, “Come love me forever.”
Half-conscious and full bliss, you laze in Joel’s bed – all fucking night.
Strong arms hooked around your shoulders, heart to heart. Breath shared, whispering nothings and everythings in the space between your lips. He’s still buried deep inside, still tucked between your legs.
Bundled in satin sheets, kept warm by his body around yours. Talking shit, poking fun, flirting and fucking around. You play with his hands, sizing your open palm against his. You compare the scars and scrapes on your skin, spill the bloody story behind each one.
“Alright, big girl,” Joel yawns, eyes fluttering shut. “I’m beat. You killed me.”
You snuggle under his chin. “Get some sleep, old man.”
He takes a second to respond. He’s already going. This is probably the closest he’s been to actually sleeping for a good three weeks.
“Love you,” he exhales then, like the thought just lapped past his lips again.
You smile. Take his big hands in yours and lift them closer to your chest, tuck your chin over your interlocked fingers.
Something deep inside you lurches. Tries to escape. You tighten Joel’s grip, as if choking the words on their way up.
Joel’s breathing slowly begins to draw out – tiny sighs passing his lips. Your thumbs trace the short hair between his nose and top lip, combing it, nail ghosting over the lines on his lips.
A warm feeling floods through your body. Suddenly – it starts in your chest and washes over in waves, dousing you and the world around you in a dreamy rose. Like a sunset paints its way across the walls, the glint of gold where the light catches on the tower in the distance.
Peace, you think.
Only – there’s no end to it. No sleek black car to drag you away. No broken promises and half-truths. The ache in your chest pulls gently – a reminder, no longer a threat.
This will never leave. He won’t let it. It’s as safe as you are, now, wrapped in his arms. Nothing and no one to break you apart.
“Joel?” you whisper.
His eyelashes flutter, like even asleep he knows it’s something worth hearing. Like everything you could possibly say – What should we have for breakfast? My foot itches. Did you know Martha box dyes her hair? – it’s all worth hearing.
You gulp. “Joel, I wanna – I wanna tell you something.”
He crackles to life, words melting into one another. “…What is it…darlin’…?”
Your lips morph around voiceless words. Your tongue lifts to the back of your teeth, trying to force the sound out.
It’s everything, you think. You’re everything. Say it. Say it say it say it.
But he’s already dropping off again. He’s already being swept away somewhere you’re too tense to reach. And you’re not brave enough to push through the fog on your own, stick a trembling hand into the unknown and swipe for his.
So you let it go. Watch the words float off somewhere Joel can’t hear them.
You shrink yourself, slotting your head beneath his jaw, your cheek to his chest. He sighs into the crown of your head. His heartbeat thuds a familiar bassline into your ear. Hi, old friend. I missed you.
Maybe in the morning, you can swing by your place and grab a bag. Pack a few days’ worth of clothes, spend the first few mornings of your new career drinking velvety coffee in bed next to Joel. Sharing the mug, sharing the newspaper, sharing the shower when it’s time to get up.
Maybe you should call Martha, and apologize for skipping your party. She can fill you in on the night – the drunken dramas, the secrets spilled. She won’t ask about you and Joel – she’ll just know. And that’s enough.
Maybe you’ll throw the phone to the end of the bed after you hang up, discarded amongst the tangle of sheets, and lie back down next to a still sleeping Joel. Lay your head on his chest, like it is right now. Listen to his heartbeat, run your fingers across the dark hair.
And maybe you’ll think over the same three words currently racing through your head. Maybe you’ll try to piece together a sentence for him to hear, when you’re ready to say it out loud.
Maybe by morning, you’ll be brave enough to admit it to yourself, first.
That…yeah.
You love him.
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jellitchi · 1 year ago
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vat7k designs in my head...
i thought their canon designs were a eensy weensy bit Unpolished so i made these mostly for myself. erm if u rly want it i think varian is 19 here, hugo 19, nuru 18, yong 12.
i also made rhem all playlists and had to draw them a cover so thats what the last img is I linked each of em under my notes for all of em... Under the cut is Like a Huge Infodump of notes i have for each chara,,,,,,
i kept varians design basically the same, i dislike the design w the orange neck thing so i just Nuked it😭... Here's Varians playlist
Hugos design i just wanted to put him in something more Loose. hes a thief, a professional escape artist. i dont think wearing clunky metal is ideal for him. i also gave him a prosthetic arm (blond w no arm design trope!) but u cant see it in the ref so i added another drawing of him in his under layering👍 i vaguely referenced russian(?) clothes for him as well... Yeah not too much changed w him i just tried to make him slippery-er. Here's Hugo's playlist
yong came relatively easy to me, if it wasn't obvious i did rip gaming from g*nshin's hoodie. i thought the lion hood was Adorable and freaking perfect for what i had in mind for hos character. since the og notes said the fire kingdom is loosely Chinese inspired i basically just kept that. i mashed tgt a buncha diff dynasties though sorry for how inconsistent i was... i think he looks Okay. anyways i changed yongs role a bit, ill explain why im adjusting some of their roles later but i kept yong as the Jinx Type character. hes the eldest in his family and has a buncha younger siblings, hes a lion dancer and does performances w his family/siblings. he rly like special effects n keeps tryna incorporate his fireworks into their performances (it flops and he has to sew up the dmg) ill explain more of yongs role in another post maybe shrugs... Here's Yong's Playlist
miss nuru was a bit of a struggle for me i might share my full design process with her coz i did a Bunch of mockups for her😭😭😭... i didnt have a specific country of reference for her but i chose to make her vaguely south asian inspired. i also really wanted to keep the sheer fabric w the star / constellation map. i love that idea its so cute so shes still technically the navigator. but she also wields a sword too, fencing or whatever. (her and varian r Huge Cass fangirls which is probably why she started tryna use a sword (snuck out to watch cass compete) Okay ill talk abt this later) in my head, okay ill Probably make a whole nother post talking abt how im interpreting/writing each chara, but in my head i think nuru is the youngest and her kingdom's archivist. shes mostly in charge of like Her kingdoms history / artifacts / etc. ok im getting too side tracked ill save the lore dump for later but thats Nurus role in the party. Here's Nuru's Playlist
uhm below i made their character stats mostly to help me with planning / role developing. the yellow is their base stats the color behind is their end stats i guess. i was gonna explain my reasoning for their stats but ermm this post is kinda Really long so sorry😭... varian max int for obvious reasons, also max charisma just coz i feel like u kinda learn a thing or two being around a couple manipulators and spending time in jail idk shrugs... (also lets not forget the "ud b surprised what ppl would do for a cookie!") Hugo slippery guy, if a brick is thrown at him as hes running hes gonna try n run faster to shatter it, his mindset is Run Run Run! i think hes relatively agile too but yeah mostly a Speedster. i think he n varian got no Physical strength varian maybe just like A little coz Farm boy but I rly doubt quirin is making him do a Lotta heavy lifting. yong has incredible stamina and agility because hed a performer. nuru is the strongest coz this team would literally Flop without a proper Offense😭... i think varian n hugo r able to outwit plenty of their opponents but i think nuru is pretty good in a fight, same w yong. Yeah Okay Sorry for a Long Long Post thanks hope u guys enjoy
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chaos0pikachu · 1 year ago
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Trends in BL (Sorta): Genre Trends
So I've seen a few posts discussing trends in BL and I wanted to talk about that from a different angle. Specifically discussing what trends are, how they're formed, and to not remove BL from the rest of their countries own media.
The latter is something I see a lot when discussing BL this kind've ~separation of church and state~ but it's BL and Country's General Media. As though BL lives in a separate bubble outside of all other media and thus never influenced by the media being made in its country of origin nor the countries they share direct borders or trade with. Or all influence began and ended with seme/uke dynamics imported from Japan and nothing beyond that (no, Pit Babe was more than likely not inspired by Supernatural) and it's been static ever since.
All of that is, untrue, but also a really limited way of viewing international media. These countries are places with their own history, culture, politics, and of course, media arts. BL is a part of all of that. Which also effects the trends and potential trends we'll see in BL individually (as it's going to change country to country with some crossover).
I think a way of identifying trends in BL and also the root of those trends is by looking at the media of the country of origin their surrounding countries, and what BLs have unprecedented success and what has the industry learned from them?
So I'm gonna break this down by: genre, technical and business trend(s) in 3 part posts. In this post I'm just going to talk about genre trends in Thai and Korean BL as that's what I'm most familiar with.
Basically this post got hella long, I'm not in college anymore, and my motivation was tied to the length of my Jennifer Hudson Best Of playlist. So I had to split it up, es lo que es.
[This will not be a comprehensive list of like all BL trends ever respect to y'all who do but I do not and will not watch every BL in existence, bendicion]
To start we gotta talk first about how trends in media tend to work and also what we mean by "trends". Because there's genre trends, technical trends, and business trends.
Here's a good article breaking down various aspects of all three. When we talk "trends" in film it's not as simplistic as "office romances" or "cross country remakes" of which, one is a genre trend and the latter a business trend.
Some examples of what I mean:
Shared Universe (genre trend)
3d boom (technical trend, trended a few times in the industry, first in the 1950s until the 1960s and then again in the early 2000s until the mid 00s thanks to James Cameron)
Remakes/Reboots (business trend, this is a business based decision b/c the risk threshold for a pre-established work is lower than for an original work that may or may not have financial data backing it)
Trends in media, whether they are genre, business, technical or a combination, tend to take time to build up, and also tend last much longer than a singular year (generally for as long as something is profitable).
Example: it took time for the Shared Universe genre trend to gain traction.
Batman v Superman (2016) wasn't released until five years after Avengers (2012). Following this, The Mummy (2017) starring Tom Cruise was meant to kickstart Universal's The Dark Universe was released six years after Avengers. Before that Dracula Untold (2014) was supposed to be reworked to also start The Dark Universe (both these films flopped so no Dark Universe, rip).
Since the Avengers release, we have the shared universes of: Monsterverse (which combines Godzilla and Kong franchises together, technically started in 2014, officially started in 2017 with Kong Skull Island), and the Sony Spiderverse (Venom, Spider-man, Madam Web, Mobius lol) and The Conjuring Universe (Annabelle, La Llorona, The Conjuring, The Nun).
It's been almost 12 years since Avengers was released (fuckin'a) and we're only now starting to see some minor diminishing returns (Disney had a horrid year financially last year) for this genre trend, and not even across the board.
I want to iterate that Avengers did not 'invent' the idea of a cross-franchise shared universe. Things like Xena and Hercules, or Hanna Barbara cartoons existed long before the Avengers. However the Avengers kickstarted a genre trend in film. Just because a piece of media started a trend does not mean it invented the genre or technical innovation (James Cameron didn't "invent" 3D but he did revolutionize it with Avatar and I suffered through many 3D horror movies because of it).
[I point this out because sometimes ppl be getting testy when ppl say kinnporsche influenced the increase in mafia/crime BLs with well, um, actually history trapped/manner of death came first - yes, yes we know this. And Bi No Isu came out before all of them so everybody drink some tea and relax, everybody's faves are pretty okay😘]
Okay to let's get to what ppl actually wanna talk about, BL.
(Some) Genre trend(s) in Thailand and Korea:
In Thai BL genre trends I'm noticing are: horror, supernatural, paranormal, action crime, and magic/magical realism. A lot of these crossover, horror shows typically are also paranormal - Ghost House Ghost House (2022), After Sundown (2023) - supernatural shows tend to cross over with magical realism like time travel, or other soft magic elements - Time (2024), I Feel You Linger in the Air (2023), Cherry Magic (2023).
For the horror, supernatural/paranormal genre trend, this isn't at all surprising if you look at Thailand's recent film output from 2020 to 2023: The Medium, The Whole Truth, Ghost Lab, Haunted Tales, Cracked, Death Whisperer, Home for Rent, The Maid, Waning Moon, School Tales, and others, are all horror, paranormal, or supernatural films of some sort.
The horror genre trend especially has been around Thailand for a while, as far back as 2018 with the smash success of Girl from Nowhere which only gained a larger following when it hit Netflix in 2021. I'd almost argue the horror genre trend really picked up with Girl From Nowhere as now one of the main acquisitions of Thai series and film on Netflix are of the horror genre.
That larger media trend is now trickling down into BL with series like: Shadow (2023), After Sundown (2023), Dead Friend Forever (2023) and upcoming projects like Vampire Project.
While supernatural/paranormal series like Ghost House Ghost House (2022), 1000 Years Old (2024), I Feel You Linger in the Air (2023), Two Worlds (2024), Golden Blood (2024?) are increasing. OMG! Vampire (TBD?) will at least be supernatural but we can't say with certainty if OMGV will be horror or not as we only have a poster.
I imagine with the success of Dead Friend Forever, and I Feel You Linger in the Air we'll see the trend of horror and supernatural/paranormal series (I know some have already been announced) continued.
Then there's the genre trend towards more action and crime focused series; which more than often crossover but not all~ the time.
In terms of the increase in crime based Thai BLs I'd argue it was a joint combo of Kinnporsche's (2022) wild skyrocketed success, and the success of Manner of Death (2020). Alongside the influence of rise of crime and thrillers from Korean media (The Gangster, the Cop and the Devil (2019) and Unstoppable (2018))
Manner of Death I'd argue influenced projects like Never Let Me Go (2022), Unforgotten Night (2022), and Big Dragon (2022) if only because of their release times and taking into account the time it takes for a production to film and be edited down.
Whilst all these series came out after Kinnporsche - NLMG released a trailer in Nov, Big Dragon in Oct, and Unforgotten Night in Jun, while Kinnporsche dropped their trailer in Apr - they're series releases are so close to Kinnporsche that I don't feel confident in saying Kinnporsche 100% influenced their acquisition. Ngl it's hard not to see influences of KPTS in at least Big Dragon & Unforgotten Night if only in terms of technical film making, so there could~ be influence but I can't say that definitively. I'm gonna attribute these to Manner of Death since it came out two years prior to these other series.
Meanwhile series both released and unreleased My Gangster Oppa (2023), Red Peafowl (TBD?), Chains of Heart (2023), Kidnap (TBD?), are def riding the crime genre trend that Kinnporsche started and I'd argue series like Pit Babe (2023), Playboyy (2023) were acquired for production in part because of the crime elements included in their respective series.
Meanwhile series like Law of Attraction (2023) (crime/action) and The Sign (2023) (crime/action/supernatural) are combining crime, action and supernatural elements together.
I've said before Kinnporsche takes a lot of cues from Korean and Hong Kong crime films like Jet Li's The Enforcer, and Fist of Legend, Donnie Yen's Flash Point, Raging Fire, and Kung Fu Jungle, Han Dong-wook's The Worst of Evil, Kim Jin-Min's My Name, along with Japanese manga like Bi No Isu and KeixYaku.
Meanwhile The Sign is def taking cues from Chinese costume dramas like Ashes of Love, Fairy and Devil, White Snake (and it's many adaptions), Guardian, & Ying Yang Master Dream of Eternity. Alongside Hong Kong and Korean cop and romance shows like Tale of the Nine-Tailed, Hotel Del Luna, Director Who Buys Me Dinner, First Love, Again.
[I think the only reason Thailand or Korea hasn't jumped on the full fantasy train and pulled an Untamed is because of budget. The Sign has done very well for Idol Factory so I could see more studios trying to go in that fantasy direction if they can get the funding for it.]
Meanwhile shows like Time (2024), Two Worlds (2024), and Cherry Magic (2023) are leaning more into a combination of magical realism and a supernatural. Which is something that's been popular in Korea (Mr. Queen (2020), The King Eternal Monarch (2020)) in the past and obviously Japan (Cherry Magic (2020).
This, again, isn't a fully comprehensive list. I'm sure there's shows I've missed, and there's going to be evergreen genres that are always produced - university, high school, office all with a general romcom flavor - because they're cheap, easy, low risk and for the most part reliable.
That's not an insult to shows like Cherry Magic TH, or Middleman's Love or Cooking Crush or whatever.
Cooking Crush is just going to cost way less than The Sign it's simply a fact. Likewise Middleman's Love cost less than The Next Prince (TBD?) and was less risk as an office romcom. What helps offset the risk of something like The Next Prince is casting Zee and NuNew in the lead roles.
youtube
youtube
[watch these two trailers and tell me they cost the same]
Think of it of like, the 50 cop procedural dramas networks are always churning out; they do so because they're cheap, easy, low risk, and reliable.
Gmmtv made Cherry Magic not for the art of it all but because it was low risk and low cost to produce with a high value return. I imagine that's also why gmmtv cast Tay and New because while I don't know who the hell they are, lots of folks in BL fandom do because of Dark Blue Kiss and the reuniting of a well liked costars will also help offset financial risk for the project. Studios will often only greenlight a project if "a name" is attached to said project.
Anyways, Korea's turn.
The data for Korea is less because Korea comes out with fewer series than Thailand. Like currently Thailand has 9 ongoing BLs in 2024 while Korea has 1 (oh City Boy Log you lonely thing you).
For Korean BLs I'm still seeing mostly evergreen genre trends: the workplace (The New Employee, Oh! My Assistant, Roommates of Ponngduck 304,), high school/university (Light On Me, Cherry Blossoms After Winter, Semantic Error, Love Class, Love for Love's Sake) and Joseon (Nobleman Ryu's Wedding, Tinted With You, Director Who Buys Me Dinner) romances - which make sense, a lot of these were the trends of romance kdramas in the early to mid-00s.
What I am hoping, is we'll start seeing the acquisition of KBLs that are closer to what's currently trending in Korea: revenge (Revenge of Others, The Glory, Marry My Husband, Perfect Marriage Revenge), thrillers (My Name, Midnight, Somebody, Celebrity, Mask Girl), more class based social commentary (Devil Judge, Golden Spoon, Vigilante, Kingdom), and an increase in both sex and violence (Somebody, A Shop for Killers).
I could totally see more revenge based KBLs in the coming years since revenge and thriller shows can be combined pretty easily and you don't need a huge budget for either. You can also set them in evergreen settings like the workplace (Marry My Husband) or high school/uni (Revenge of Others).
KBLs have mostly stuck with evergreen settings with a couple outliers like Kissable Lips (2022), Once Again (2022) for example. I enjoyed Love for Love's Sake but it stuck in that evergreen space of school based romance, with magical realism. Again, not surprising given KBLs are just following trends of romance kdramas of the past.
Whilst not a bad~~~ thing, it can be a bit stale and hopefully with a bit more budget/investment we'll see the acquisition of series that are more in line with what's trending with Korean audiences currently.
There's other things I'd like to see develop into trends for KBLs but they're mostly technical and business trends.
That's all I got in the tank, this post took me almost six hours to write b/c of all the sourcing and research I'm freaking peeked.
See y'all next time ✌️
Check out other posts in the series:
Film Making? In My BL? - The Sign ep01 Edition | Aspect Ratio in Love for Love's Sake | Cinematography in My BL - Our Skyy2 vs kinnporsche, 2gether vs semantic error, 1000 Stars vs The Sign | How The Sign Uses CGI | Is BL Being Overly Influenced by Modern Western Romance Tropes?
[like these posts? drop me a couple pennies on ko-fi]
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not-scared-of-microwaves · 11 months ago
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The Tortured Poets Department Review
Now that I've sat with it for a few days, I actually have some coherent thoughts on TTPD, though I won't know where it falls in my overall rankings for a while.
Overall
The thing people aren't getting is that this is Taylor Swift. This is, quite honestly, one of the most quintessentially Taylor albums she's ever released. It has the lyricism of Folklore, the sensibilities of Evermore, the self-awareness of Reputation, the storytelling of Fearless, the specificity of Debut and Speak Now, the vagueness and metaphors of 1989, the synths of Midnights, the rawness of Red. It's American Gothic. It's fictional. It's nonfiction. It's confessional, it's scathing, it's cringe, it's clever, it's more than a little crazy.
She admitted things in this album you couldn't waterboard out of me. People say it's the most unlikeable she's been, but it's also the most human. She's not censoring herself to keep her likeability. That's brave.
Fortnight [feat. Post Malone]
Do I like it? Yes. Do I think it should have been the album opener and the lead single? No, probably not. I'm planning on doing a track by track breakdown later, so I'm not going to go in depth on the lyrics here, but there are some interesting metaphors. You can tell she thinks she's slaying the "I want to kill her" line, and while she is, I don't think she's serving as much as she thinks. A vibe. On my playlist but not on repeat. 7/10
The Tortured Poets Department
The title track. This should have been the opener and lead single. It makes a much better mission statement for what this album is than Fortnight does. Who's gonna hold you like Taylor Swift? No fucking body. The production is.... twinkly? for lack of a better word. She's being specific and metaphorical, making cultural references, and she's self-aware--this is Taylor Swift, people. A vibe. Not on repeat, but only because I have others I prefer, not because I don't love it. 9/10
My Boy Only Breaks His Favorite Toys
It's a metaphor, it's tongue in cheek, it's self-aware, it's heartbreaking, it's a bop. She knows the relationship is toxic and killing her, but it wasn't always, and so she keeps holding on hoping it will go back to the way it started. At the end, she accepts that it won't be going back. Lyricism? Peak. Beat? Peak. On repeat. 10/10
Down Bad
Incredibly real and human. She's reflecting on the feelings of being love bombed then left behind, how it feels so good until it really, really doesn't. A call back to New Romantics. The lyrics say sob, the beat says dance. 10/10 on loop.
So Long London
A track five. Does it live up to the name? I'm not sure. It's sad, certainly, but it doesn't have the rawness of All Too Well or My Tears Ricochet. It's more resigned and tired. She's accepted that the relationship has fallen apart and now she's just tired, frustrated, and ready to be done. Even if she's sad, she still has some control, and that makes it a little easier. Drags on a little long for me, but the flip of "so long" is definitely clever, and she has some very relatable lyrics, and I see the purpose to it being on the album. 7/10.
But Daddy I Love Him
Love Story's older sibling. Again, I won't get too into it bc I want to do a breakdown. She's self-aware but it doesn't help because she's just desperate to make her own decisions. Calling out conservatives and small-town churches. Cringe in places but that's our girl. Minus a point for the baby lyric being in the chorus instead of like. the bridge. Half a point back bc you SHOULD have seen my face. 9.5/10.
Fresh Out The Slammer
This has some juicy information, but I'll save that for the breakdown. Very metaphorical, but also specific enough we know what's going on. Excellent story-telling. Really brings us into the headspace she was in at the time. I don't have it on repeat but through no fault of it's own. 10/10.
Florida!!! [feat. Florence and the Machine]
Flop. The drug metaphor isn't that creative and while there are a few decent lyrical moments, it's just not that good and the soundscape isn't interesting enough to redeem it. That said, even a bad taylor swift song is better than a lot of other artists. 5/10.
Guilty As Sin?
I don't think I've ever heard a song approaching this issue (emotional infidelity) in this way. It's got all the hallmarks of a Taylor Swift song: pop culture references, references to her past discography, religious symbolism, an outro that matches the intro. It's painfully honest, unapologetic, and human. A bop. 10/10.
Who's Afraid of Little Old Me?
Mad Woman and Mirrorball are shaking in their boots. It's giving horror, it's giving Salem Witch Trials, it's giving a reflection on fame and its effects. It's terrifying, it's haunting, it's beautiful, it's heartbreaking, it's unhinged. 10/10 doesn't feel like high enough.
I Can Fix Him (No Really I Can)
We're at the saloon and I'm happy to be there. Another song that is quintessentially Taylor: country sensibilities, religious themes, self-awareness, story telling, change in the outro, bad decisions made out of love. Not my favorite but only because I like other songs better, not because I don't like it. 9/10.
loml
This may be the saddest song she's ever written. Two meanings to "loml" as there should be. She's heartbroken and it's breaking me too. Vocals are giving "I'm on the verge of tears." Story telling, religious themes, metaphors. It's scathing, it's haunting, it's confessional. I'm not crying you are. 10/10.
I Can Do It With A Broken Heart
Lyrics are giving heartbreak, sound is giving bop. So powerful and relatable. Excellent storytelling, and tells us so much about her headspace. We know exactly what she's talking about. It's giving Youre On Your Own Kid. 10/10.
The Smallest Man Who Ever Lived
The storytelling, imagery, details--all peak Taylor. It's scathing, it's haunting, it's Taylor Fucking Swift. Wild to me that Mattie Healy's family listened to the album and were relieved because it could have been worse when this was in it. This, the take town of the century, could have been worse. Legendary. 10/10.
The Alchemy
If one more person tries to claim this is about Travis Kelsey there will be blood. "Oh but the football metaphor--" she's been doing that for years. Miss Americana, anyone? She's weirdly obsessed with high school football. This isn't about Travis, it's clearly about a rekindled relationship, not a new one. Travis can't spell "heroine" (I don't think he's stupid, but his tweets have proven he cannot spell). Metaphorical, clever, and definitely tells us her mindset. A bop. 9/10.
Clara Bow
This song. The Lucky One, Nothing New, they're both shaking in their boots. A reflection on what it's like to be a pop culture woman, the lies they tell you, and the promises they pull from you. Taylor saying her own name in a song. AND it's the album closer. 10/10 isn't nearly good enough.
Extended Album
The Black Dog
The storytelling, the way she took a single moment of stalking her ex and turned it into a beautiful lament on what it's like to lose someone and imagine what they're doing now, then in the outro brought it back to that one instant--and people say she can't write. Religious themes, references to past songs, this has it all. 10/10
imgonnagetyouback
Before people go around accusing her of copying Olivia Rodrigo, this would have been written before Get Him Back came out, so no copying occurred on anyone's part. They each took the concept and turned it into two very different songs. Imagery, story telling, craziness, a BRIDGE. 9/10.
The Albatross
Story telling, metaphors, literary references, clever turns of phrase, a change of meaning in the outro. Either a reflection on the way she's frequently depicted or is fictional, most likely a reflection on the way she's depicted through a fictional character. Just feels a little distant to me. 8/10
Chloe or Sam or Sophia or Marcus
Heartbreak, metaphors, bisexuals--what more can I ask for? All while she's imagining her ex moving on and thinking about how it fell apart. Objectively good but just not that interesting to me. 7/10
How Did It End?
Another that's objectively good but just not clicking for me. Story telling, metaphors, the lyricism is slaying. Asking how it ended through the lens of a gossip uninvolved in the relationship, but not being sure how it ended herself. 7/10.
So High School
Glitter gel pen. Objectively, not that creative or interesting. It's just a bit of fun. She's not taking herself seriously, she's writing silly song about how she feels like a silly teenager in love, and it does have some interesting lyrics. It's a bop. You know Travis heard this and was like "this is great babe I love it." Objectively, like a six, but this song has a choke hold on me for some fucking reason. 9/10.
I Hate It Here
Everyone's talking about the racists lyric and I swear reading comprehension is gone. Piss on the poor. This is for the girlies who daydream 'too much', who devoured books in middle school, who took things to seriously and too literally. 10/10.
thanK you aIMee
This song is so funny to me. "Here's thirty songs about my mental state and btw fuck Kim K." Serving metaphor, lyricism, and homicide. A mythology reference. A scathing takedown. 8/10 an icon.
I Look In People's Windows
I've not seen nearly enough people talking about this one. It's so relatable, honest, and unhinged. Storytelling, imagery, wondering what if. Heartbreak. I've never heard a song take this approach to these emotions. 9/10.
The Prophecy
The desperation, the feeling of hopelessness, they hit hard. She's reflecting on the repeating patterns of lost relationships, and how it feels inevitable at this point, and how she's willing to beg for it. She's losing hope, and willing to do just about anything to have it again. 10/10 devestating.
Cassandra
I am a mythology nerd at heart, so using Cassandra as a metaphor was a guaranteed way to get me obsessed with a song. She's serving lyricism, story telling, imagery, metaphor, mythology references, anger, sadness, what more could I ask for? Heart breaking. 10/10
Peter
Literature references, lyrics, heartbreak. Objectively, it's very good, but I'm bored. 7/10.
The Bolter
Storytelling, imagery, lyrics, literature references, the Bolter serves it all. I'm not entirely sure what it's about but it's a bop. I think it's fictional, but it's Taylor reflecting on her own life through the lens of this fictional girl. 9/10
Robin
I. Don't care. It's probably got great lyrics or something but I skip before I'm through the first verse because I'm just bored. Sonically, boring. Lyrically, the first verse doesn't redeem it. I've listened all the way through once and it was enough for me. It's not egregious, it's just not interesting. Flop. 4/10.
The Manuscript
I also skip this one but I have more of an appreciation for it than I do for Robin, just because of the subject matter. I have my theories on what it's about *cough* All Too Well Ten *Cough*. I like this as an album closer as well. French press lyric kills me. 7/10.
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pjplayground · 11 months ago
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Okay, so, uh... For some reason my ask isn't showing up on any Tumblr feed, so. I'm just gonna make a post. I got the notif that it was answered, but I can't see the post. I dunno, I think Tumblr is shitting itself.
ANYWAY. Yes, @xskywalker21, I do have a gift for you! It's actually a Meet the Robinsons AU of mine. I'll refer to it as "Compass" for now, but you can change it if you want.
Essentially, this is an AU where Cornelius lived in a cozy cottage in the woods with his pet duck Achilles. He's a field journalist who loves nature and the quiet air of the forest. Venturing outside of the forest was a small town square situated on a pier overlooking the ocean. It was here where Cornelius met Franny.
Franny lived in her parent's bakery after a very ugly divorce with Wilbur's birth father. Wilbur was five years old when Neil first met him. Neil would always visit her family's bakery because he loved the chocolate almond bread... One could say he was a liiiiiiiiittle bit addicted. Anyway, Franny's family (her brothers, mother, and grandmother) knew Neil was a good man, and could sense she was becoming infatuated with him.
One thing led to another, and two years later they're married. They all live in the cottage together now, and Wilbur seems to love it! (Especially Achilles.) I left the story off with Franny announcing to Neil they were having a baby.
That's the basic story, but here's some other stuff I thought you should know: - Achilles got his name because of what happens when you tap the back of his heel. He belly flops. - The whole AU was inspired by Cottagecore aesthetics, and the idea of cozy cottage living. Specifically this one playlist I came across really inspired it, which I can find and link if you want. - Franny's ex was a bad person. I haven't fleshed that guy out, but just know that Wilbur calls Neil "daddy", and not him. - Neil does have his family, they just live out of state. They visit occasionally, and of course they were there for the wedding! They all thought he was too wrapped up in his plants to find love. - Speaking of, instead of having a special interest and knowledge in machinery, this AU Neil is knowledgeable of fauna and flora from across the globe! - Franny can play guitar, flute, and cello. - Neil started frequenting the bakery before Franny got divorced, probably about a year before. When she saw him, it was basically love at first sight. - Their dating life wasn't something I had super fleshed out, but one thing I did have down was Neil's proposal to Franny. He proposed to her overlooking his favorite lake. The water was so clean, the moon and stars glistened in its reflection. - Both Neil and Franny know how to sing. Franny because she's just that kind of person, but Neil knows because he took choir in high school. It was a filler class.
The rest is up to you! I'm giving this AU to you because... Well I dunno. I just thought you'd like it. There's a one shot for it on my AO3 (it's in the Songtober fic, it's the "Lullaby" chapter), but that's pretty much it. That was my attempt to spark interest in it again, but meh... It didn't take. So instead of letting it die, I'm gifting this AU to you!
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bropunzeling · 2 years ago
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tagged by @msmargaretmurry to post my top 5 most listened songs so gonna do that as i flop around post-weekend trip. all of these are from my current fic writing playlist so uh you may see some themes!
renegade - big red machine w/ taylor swift
this has been on repeat for (a) the little string lick, i love a nice acoustic little sequence (b) the bridge: is it insensitive for me to say get your shit together so i can love you?
tongue-tied - grouplove
it's actually very funny bc i used to hate this song because our local indie station overplayed it the summer i worked at the golf station so i heard it like five times an hour, but now ive come around to dig it again. don't take me tongue-tied / don't kiss me good night you know???
roman candles - death cab for cutie
but i am learning to let go of everything i tried to hold too long cause they all explode - ben gibbard was talking about rat boy here
love you for a long time - maggie rogers
the last section (well, half. but DEFINITELY the last chapter-y bit) is like. big romance. biiiiig romance. big i want to feel like i'm watching my fave early 2000s movies where the logic doesn't matter just the depth of feelings romance. so like. OBVIOUSLY ive been listening to maggie rogers about it.
destination - nickel creek
im gonna see them live in july and i am SO pumped and have been catching up on the discography in preparation and this song really gets at one of the vibes i have been thinking about re: the trade - i gotta make a destination / find where i'll be loved
tagging @vivathewilddog @hopetorun @slightly @birdcage and others!!!
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cringegf · 3 years ago
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twenty-five, twenty-one // na hee do x ko yu rim playlist
listen here
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seagullcharmer · 4 years ago
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having to remind myself that i make art primarily for myself and as long as i’m proud of it, that’s all that matters
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lunarticxenia · 3 years ago
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Moon Signs Pt. 2
Hi guys here’s part 2 of the moon sign series! After I post this, I’m going to be focusing more on answering your questions, I have a lot to answer. Thanks so much for all the support! Without further ado, here’s Libra through Pisces moons! 
🌵Libra Moon: You guys LOVE attention, and you don’t even try to hide it LMAO. One of my good friends is a Libra moon and he literally loves to say outlandish things just to get a reaction from us and to get attention from us if we’re not talking to him enough in a conversation. Libra moons also love relationships and if underdeveloped they may feel incomplete without one. They can also be very dependent on their partner for happiness as well. However, they are romantic and in love with love. They’re also extremely sensitive and are very feminine. Even in men, it gives them a more feminine touch to their personality. They also hold their morals in very high regard. They have their set morals and won’t change them for anything or anyone. They also tend to hate conflict and usually shy away from confrontation. They’re also too nice, WAYYYYYY too nice. You guys need to be more assertive LMAO. They’re also extremely optimistic and if they don’t believe in that particular way they at least try to be optimistic with others. They’re always reminding you the glass is half full. Also, Libra moons are mad clingy. Even with those they’re not dating LMAO. My Libra moon friend whenever I try to leave the FaceTime Call, he’s like “Don’t go... :(”. They just love to be around the ones they love. They’re also in love with beauty, and all things beautiful in the world. They’re lovers of music, art, film, and literature. Libra moons also have a softness in their eyes, I can’t describe it. This girl I used to like has a Libra moon and her eyes were just so soft. They’re also extremely indecisive, they tend to flip flop between who they wanna be and what they wanna do. They also aren’t shy when it comes to compliments, they will compliment TF out of you. They’re the best hype man. They also put others before themselves a lot, and can be very shy upon first meeting them. However once they feel comfortable around you they open up. One last thing, I feel like they tend to like anyone who’s nice to them...don’t attack me. LMAO.  
🌵Scorpio Moon: I feel like Scorpio moons have about ten different playlists relating to their emotions and still won’t open up to anyone about how they feel. Scorpio moons I feel have such intense emotions that they just don’t deal with them and they tend to implode after a while. I relate to them a lot in that respect tbh with my Sun square Moon, because that’s how I am. You guys are also super passionate and super creative. Every Scorpio moon I’ve met has been really creative in some way whether it be makeup, fashion style, or artwork. I’ve also noticed that this is a very alluring placement, there’s this intriguing way about them, and like Aries Moons, they have a fire in their eyes. Their gaze is INTENSE. They’re also very selective with who they let close to them, they don’t let just anybody in. They’re also very good at reading other people and seeing people’s true intentions. They have an extremely good intuition. If underdeveloped this can be used to manipulate other people, as well as being compulsive liars. Scorpio moons are also very protective over the ones they love. If you mess with anyone they care about, they will kill you. End of story. Also I feel like every Scorpio moon I’ve met has been through the wringer, like they’ve really had some hard experiences, it’s so sad to me. Scorpio moons are also extremely stubborn, remember this is a fixed sign. Scorpio moons ain’t playing, once they’ve settled on something, they’re not budging. Also, can we just say, masters at investigating people. These are the friends you want stalking your ex’s social media. They will find out everything. They’re also really good psychologists as well, almost all the Scorpio moons I’ve met are actually Psychology majors LMAO. They’re very good at finding the root causes of people’s issues. I also feel like Scorpio moons undergo a lot of transformations in their lives. I’ve known a Scorpio moon for about 10 years now and he’s undergone so many different transformations in his life. Mentally and physically. They’re also extremely sarcastic and have a tendency to be pessimistic. They’re also mad scary when angry. I’ve seen them angry before, as an Aries moon, even I get a little scared.... love y’all tho. 
🌵Sagittarius Moon: The funniest people ever. Sagittarius moons always have me laughing my ass off. Their sense of humor is very diverse. They tend to stick with sarcasm and like to say outlandish things to make people laugh. Also, I feel like Sagittarius moons tend to go for science/math oriented careers or at least have an interest in those subjects. I know four Sag moons, and they’re all in STEM it’s actually crazy. They’re also extremely blunt and honest, especially when it comes to people they don’t like LMAO. They make it very clear when they don’t like someone, it’s so funny. They’re also just so much fun, like they’re genuinely so much fun to hang out with. I feel like I’ve never not had a good time hanging out with a Sagittarius moon. I feel like Sag moons however tend to struggle with asserting themselves a lot of times, until they get really fed up.  They’re very much go with the flow kinda people, and this can be to their detriment especially with the ones they love, they don’t wanna rock the boat. However, they also make really good mediators and are good at settling arguments. They also really like to travel, and likely have traveled a lot. All the Sagittarius moons I know have traveled to at least 4+ countries. They love traveling the world, and I’ve also noticed move or want to move far away from their childhood home. They wanna explore everything the world has to offer. My cousin who’s a Sag moon left her parents’ house to move a few states away and my other friend who’s a Sag moon wants to move to the other side of the country. These individuals also tend to like foreign culture as well. I’ve noticed Sagittarius moons tend to like foreign music or foreign tv shows. I feel like they also tend to ignore their emotions when they get sad and just don’t like to deal with their emotions. They also don’t like to talk about how they feel and will brush sad things off because it’s just too upsetting for them. However, once the emotions boil over, just like their anger, they will blow up LMAO. I’ve also noticed that they’re really good at teaching people things? Like my Sag moon friend explained this Chemistry equation to me I couldn’t understand and I got it after 10 minutes. Natural teachers. 
🌵 Capricorn Moon: Guys, it’s okay to open up. You don’t have to pretend to be so strong all the time, you’re not weak for showing your emotions. Anyway, Cap moons have high expectations for people, and will not tolerate any bs from people. I seriously commend them for that. I feel like Cap moons struggle with how their points are being expressed, they can say one thing, but it’s seen as something else. While Capricorn moons may struggle with expressing their emotions, I haven’t found them to be closed off or cold when meeting them. Every Capricorn moon I’ve met has warmed up to me very quickly and have been super nice. I feel like they’re very friendly and once they have a conversation with you they’re really warm and kind. Also, they’re not afraid of anything?? Except for showing their feelings maybe. But like, they’re so open to trying new things like scary rollercoasters and aren’t afraid to fight for themselves if they have to. Also, super fucking ambitious. I wish I could be ambitious. These people will really have like three jobs, be in school, and tend to household responsibilities. I don’t know how you guys do it. Now everyone says Capricorn moons are just analytical and systematic when confronted with conflict, and I personally haven’t found that to be true. If they feel wronged?? Nah. They’re not going to be systematic or logical or anything. They will go off. As for personal challenges, yes they’ll be more analytical. But I feel like everyone boils down Cap moons to emotionless and machine-like nerds, which I find to be very untrue. Capricorn moons are very soft once they’re vulnerable with you, and genuinely feel like they’re bothering people when they show their emotions and feel weak for showing them. Also I’ve noticed that their mom is a big motivator for their success. Their moms always push them to do their best in work and school. If poorly aspected, they could feel too pressured by their moms to do well. Also, they’re so underrated for being funny. They have a really dry sense of humor and it’s well developed. I also feel like they get overlooked for putting others before themselves, when it comes to the people they love they’ll do anything for them. Brb gonna go give my Cap moon friends a hug. 
🌵Aquarius Moon: You guys are just so unique. There’s something unique about each and every Aquarius moon, whether it’s a quirk or a hobby. These people are literally the best to talk to. It’s so easy to have a conversation with them, they really can talk about anything. I’ve also noticed that Aquarius moons tend to be interested in astrology and tarot and things of that kind. Every Aquarius moon I’ve met has been really interested in it, and even involved in it. I feel like they also have big dreams, and have big plans for themselves. Aquarius moons also love to get lost in their music and tend to use it as an escape. This can be a problem because they tend to avoid dealing with their feelings. They also go between reacting to things really heavily vs not reacting at all. It just seems like it goes back and forth. They speak up with things are unjust however only to their friends or online. They just don’t like to deal with face to face conflict in that regard. They also give really great advice. My best friend is an Aquarius moon and she always gives me the best advice. She knows me better than I know myself tbh. I feel like Aquarius moons relish in being unique LMAO. I’m 99% sure they had an “I’m not like other girls” phase. I feel like this placement always tends to space out and daydream a lot. They also aren’t the types to just lash out at people, their anger is more subtle (unless they have other placements of course). I feel like Aquarius moons also have a lot of friends but they tend to have a small group of friends that they tend to be super super close with. They’re also...really charming? I don’t know what it is, but like every single one I’ve met has been really charming and likable. They also have a really goofy sense of humor and love to do wild shit to make people laugh. I feel like some downsides of Aquarius moons are that they tend to be too analytical and rationalize things too much, and they inadvertently invalidate other people’s feelings. Aquarius moons are also super open minded to all opinions. I have a friend who I tend to disagree with on certain issues but they’ve always been open to hearing my opinion. They also love to travel too. I’ve noticed that as well. 
🌵Pisces Moon: To think, I was almost one of you guys. No seriously I almost was, if I were born four hours earlier I would’ve been a Pisces moon LMAO. Anyhoo, Pisces moons are just so sweet. I don’t know how else to start, they literally are the sweetest people and give off this mystical type of aura. They’re very otherworldly. Also, these people daydream 24/7. They put Aquarius moons to shame in daydreaming. This girl I like is a Pisces moon and I always catch her daydreaming LMAO. They’re also extremely sensitive too and feel things so deeply. They try to hide how they feel from people, but you can see it in their eyes. I can always tell when my Pisces moon friend is upset just by the look in her eyes. They also tend to be introverted and it takes a while for them to warm up to someone. My co-worker is a Pisces moon and it took 2 weeks for her to finally start talking to me LMAO. They also have really vivid and wild dreams too. I feel like my Pisces moon friend is always telling me about some wild dream they had like that they were in a castle or in an ocean. They also can be really moody, they can be fine one second and then get really sad out of nowhere. Their emotions are like the ocean. I feel like another downside of Pisces Moons are that they can be very manipulative however this is really with any underdeveloped water moon/sun placement. I also feel like they tend to be escapists a lot. They don’t like to deal with reality a lot, and they see the best in everything and everyone even if it’s to their demise. They’re also super friendly and are nice to everyone they meet, even if they’re reserved they’re still very sweet. They’re also extremely creative too, I feel like every Pisces moon I’ve ever met has some sort of creative hobby. My co-worker who’s a Pisces moon is working on becoming a photographer and her stuff is AMAZING. I think that’s because they see the best in the world and the beauty in everything; and they know how to show that in their work so others can see the world like they do. They’re also super empathetic and are really good listeners. You can talk to them about anything and feel understood. :) 
So this wraps up my moon sign series! I hope you guys liked it! Again, don’t take offense these are just my opinions on each moon sign! Hope you guys enjoyed, and if you don’t see your moon sign here it’s likely in part one. 
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vampzxi · 2 years ago
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untitled riri x black!afab!reader sneak peeks
it’s finished! read here: finish.
author's note: this is a WIP of a beach fic i started to write and im prob gonna post it soon. it's gonna be half fluff half smut i think, i'm not 100% sure yet. but yeah :3. i included 2 parts of it because i just think the second part is really cute. lmk if you wanna be tagged!! ^_^ @letitias-fav
part 1
“are we there yet?” you groaned, watching the irritation grow on riri’s face.
“i swear to god, ask me one more time and i’m crashing this bitch,” riri tapped the gps, checking the arrival time, “we only have 10 minutes left. you that damn excited to see me in a swimsuit?’
face turning hot, you look out the window and bite back a giggle. the answer was actually yes. riri never wears form fitting clothing, hell it’s been a while since you’ve seen her in anything but a hoodie and sweats. save for the occasional moment when y’all were-
“are you for real thinking about my ass right now?” riri asked, snapping you out of your thoughts.
you jumped, whipping your head back around to look at her, “what? no! you trippin, ri.”
“i could see your goofy ass smile in the window reflection. fucking freak,” she rolled her eyes in mock annoyance, “we’re close, i’m sure you’ll live.”
you leaned back in your seat and spent the rest of the ride listening to your playlist and continuing to annoy riri.
part 2
as soon as y’all got to the hotel, you immediately flopped onto the bed and kicked your sandals off. “finally,” you sighed, “i’m exhausted.”
riri came through the front door with both luggages. “ion understand how you so exhausted when all you did was sit and bitch the entire time.” she threw a pillow at you and it bounced harmlessly to the floor.
“hey!” you shot up, “i was also the DJ and snack-man.” 
“oh, my bad ma,” she climbed into the bed next to you and kissed you, “how could i forget?”
you gigged and reached for her hand, enveloping it with yours. you bought the back of her hand to your mouth, planting a kiss on it. “i can’t wait to spend this weekend with you, baby.”
riri snuggled under you, placing her head beneath your chin, “i am too. if you quit getting on my nerves i might just be able to have fun.”
you playfully swatted her arm as she dozed off to sleep, her breaths tickling your neck. you ran your fingers through her braids, playing with the ends until you fell asleep too; your chest rising and falling with ri’s.
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earthtooz · 2 years ago
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✧˖*°࿐ WELCOME TO THE MAIN EVENT! hello hello everyone!!!! thank you all so much for 5k followers T^T, idk why you all looked at my page and went yas let me interact bc i personally wouldn't xx, but i'm not complaining ᕙ(^▿^-ᕙ)
as a way of expressing my gratitude, i wanted to host something that allows me to gift you all something or allow you to get to know me a little better!
... SO COME ON IN !!!
the event is running from WHENEVER I POST MY FIRST FIC to whenever i get my requests done :p
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✩ PIZZA'S HERE! ✩ come on before it's all gone! this is a writing segment where you all can request a little blurb/fic from me! i'm accepting a maximum of eight requests. to help you all, i'm gonna give out a LINKED prompt list. find out more about this segment of the event HERE. MASTERLIST IS HERE.
✩ FACE MASK TIME! ✩ let's do some self-care, you deserve it! here you have the option of receiving a personalised moodboard or playlist from me, or we can play matchups for which character i could see you with! (specify which fandom) how to request: send me your name/alias, your star sign, mbti, what you like doing in your spare time, your aesthetic and music taste, and what your fav colour is, and who your fav anime character is!
✩ GOSSIP SESH! ✩ no way, they said what? in which you can ask me a bunch of things to get to know me a little better ;) likewise you could make me a moodboard, give me a playlist of your favourite songs, or match me up with a character you could see me being with! things you can ask me: • opinions on anything • ask me anything (no holding back- although keep it pg) • fuck, marry, kill • would you rather • ask for advice from a brutally honest teenager ROFL • anything? what's my fav movie/book? idk- you could ask me what's a life lesson i'm learning and i'd answer the shit out of it !!!!
if this flops i'm blocking all of you and deactivating (jk but GO!!! anyone is welcome to participate so don't be shy!!!!!)
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frostedfaves · 4 years ago
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Dark Paradise
Masterlist
Pairing: dark!WandaNat x fem!reader
Summary: You meet the infamous Avengers on spring break with your best friend Peter, and two of them seem to adore you more than expected. Requested here by my lovely 🐞anon.
Warnings: 18+ ONLY!!! dark themes, manipulation, mind control, blackmailing, age gap (reader is 21), dubcon (saying this just to be safe because Wanda uses her powers for evil a lot here), smut: oral, fingering, penetration/sex toy use, voyeurism (kinda), edging, overstimulation (if I forgot something please let me know!)
A/N: hi this is 6k words, which is the longest single fic I’ve ever written/posted here haha. also the end is not technically the end, if you know what I mean. anyway this took forever to write so enjoy this super far from canon fic and please tell me what you thought!! (also if you’re on my taglist and you weren’t tagged it’s because your age wasn’t in your bio)
-
“Here, let me take that for you,” Peter offers when he notices you headed toward the car, and you hand your suitcase to him with a smile.
“Thanks, P.”
You close the car door behind you after getting in on the passenger side, instantly reaching for his phone resting on the dashboard once you were buckled in. The two of you had an unspoken rule that you controlled the music whenever you traveled together, so his library was filled with various playlists you’d created simply because you didn’t trust him not to listen to the same five songs for the rest of his life.
“This is different,” Peter comments as he gets in on the driver’s side and catches the opening notes to an upbeat song. “I thought you were going to go with something calmer to help you sleep, like you usually do.”
“Well, I’m not usually going to meet the Avengers, so I’m too nervous to sleep.” You turn to pout at him as he drives off. “Is it too late to cancel?”
“Don’t even think about it. If I show up without you, everyone will think you’re imaginary.”
“Do they think you can’t make any friends outside of Ned?” you question as you open a bottle of water. “Because they’re not wrong.”
“I can make friends!” Peter whines and a quiet snorting sound escapes you. 
“You can’t use me as an example.”
“Why not?”
“Because we’re not actually friends.”
He picks up on your teasing nature and rolls his eyes, causing you to laugh as you lean back and settle into your seat more. You had well over three hours to stress about spending a week with the world’s most popular superheroes, and you’d rather be comfortable while you do so.
-
“Wake up, we’re here!”
Your eyes fly open at the sound of Peter’s voice, and any of the nerves that left long enough to let you sleep made a U-turn and hit you again, full force. Sitting up straight in the seat, you practice breathing properly while stretching and taking a look around as he pulls into the garage.
“Are you okay?” Peter asks once he parks, placing a hand over yours as he meets your gaze and you smile.
“I’ll be fine, P. I’m not gonna miss out on hanging out with you just because your super family is super intimidating.”
“Good. Besides, it won’t even be that bad! I’m willing to bet $1 million that they’ll love you.”
“I appreciate your optimism,” you tell him as the two of you get out of the car. “But you’re going to regret that bet when I use your money to retire early in some faraway rural town.”
Peter carried both suitcases as you made your way to an elevator, and you jumped when you suddenly heard a male voice.
“Welcome, Mr. Parker and Ms. L/N.”
“What is that?” you questioned as you faced Peter with wide eyes and he chuckled. 
“You’re hearing Jarvis, Mr. Stark’s AI. Hey Jarvis, can you take us to the common room, please?”
“Right away, Mr. Parker.”
“This is so cool,” you comment as you look around the suddenly moving elevator. “How does it know my name?”
“Knowing everything is kind of its job, I guess.”
“Underoos!” a voice calls as soon as the doors open, quickly revealing itself to belong to Tony Stark as his gaze lands on you next. “So she is real.”
“I told you!” Peter defends as you step off the elevator together. “Mr. Stark, this is Y/N.”
“Nice to meet you, kid,” Tony greets you with a shake of your hand. “I’m glad he found you. I was starting to worry that he’d build a robot to spend the rest of his life with.”
“I’m just his best friend, so it’s still possible.”
“Is this your friend, Peter?” Steve cuts off Peter’s response as he enters the room, moving to shake your hand next. “I’m Steve. Nice to meet you.”
“Okay, I’m going to show her to our rooms and then we’ll be back for dinner,” Peter tells everyone once you’d been introduced to Pepper, Bruce and Clint as well, and you’re about to head for the elevator again when someone interrupts.
“How about we take her down to her room instead?”
Your eyes widen as you watch none other than Natasha Romanoff and Wanda Maximoff enter the room hand in hand. Natasha’s hair seemed much longer than the last time she’d been in the public eye, but her all-knowing smirk was just the same and her green eyes were even more piercing in person. You noticed a bit of red glowing in Wanda’s eyes, which faded as she probably realized you’d seen, and you couldn’t help but wonder if that meant she hated you already.
“I know what you’re up to, Red.” Tony seemed accusatory as he pointed a finger at the pair. “You can’t bribe her into helping you cheat tonight.”
“Maybe I planned on giving her tips for surviving this testosterone filled tower.” 
Natasha steps forward and grabs your hand with her free one, and with a flick of her wrist, Wanda has your suitcase floating in front of you as they lead you into the elevator.
“Sorry to whisk you away like that,” Wanda apologizes as the doors close with her head tilted to see you past Natasha. “We’re just excited to meet a new woman here.”
“No, it’s okay!” you insist breathlessly, your nerves slowly returning as Natasha lightly squeezes your hand. “I’m actually really excited to meet the two of you.”
“You know who we are?”
“Well, I wouldn’t say that I know you personally, but I know that you’re one of the original team members.” You make eye contact briefly with Natasha before turning to Wanda. “And because the news stations somehow get ahold of everything, I know you joined after you helped everyone stop Ultron before he could create that indestructible body and destroy the world.”
“Yes, that’s true. Although I wish I could’ve saved my brother, too.”
“Oh, I’m sorry. I didn’t know you lost him...or that you even had a brother.”
“It’s okay,” Wanda assures you with a smile as she lets go of Natasha, shifting to the other side of the elevator to grab your free hand. “I asked Fury to keep Pietro a secret because I didn’t want to see or hear any negative opinions from people that never even met him.”
“And we have plenty of time to get to know each other,” Natasha chimes in as the doors open to reveal a new setting. “This is our floor. We set up a spare bedroom here so we can spend time together away from the boys...when you’re not with Peter, of course.”
“Yeah, that’d be great!” 
They lead you past their living room and kitchen, and you shamelessly admire the simple decor with little personal touches spread about. Turning into a hallway, Natasha walks ahead of you and Wanda to open a door to a bedroom.
“What do you think?” she asks with a smile that widens upon seeing your expression. “I’m guessing it’s good, then.”
“It’s perfect!” you cry out as you walk past to enter the room, immediately noticing the eggshell colored walls trimmed with your favorite color along the borders. “Wow, this is four times the size of a normal bedroom. Wait a minute.”
“Do you like it?” Wanda asks when she sees you pick up the glass figurine on the nightstand. “Peter mentioned your love of this animal and I have a whole collection of them from different places.”
“Like it? I love it! I have the same one in my dorm room!”
“Oh, I’m sorry. I can get you a different one.” She steps forward as she brings your suitcase to the floor beside the bed and you hug the small object close to your chest. 
“Like I said, it’s perfect,” you assure her with a grin, which brings one to her own face.
“Well, I’m glad you’re happy with the set up. When you’re ready to head up to dinner, we’ll be waiting by the elevator. Also, if you ever need anything, our room is right across the hall.”
Natasha points to the closed door a few feet away, and you acknowledge her statement with a nod before they leave the room, closing your door nearly all the way behind them. You flop down on the bed with a dreamy sigh as you gaze up at the ceiling with a night sky painted on it.
“I don’t think I’ll ever want to leave this place.”
-
On the elevator ride up to join everyone for dinner, Natasha and Wanda take turns asking you questions about your classes and any friends you’d made, what you liked to do when you weren’t studying. You had to admit that the level of interest they had with you was shocking but flattering, especially when they insisted you sit between them at the table to continue your conversation.
“You don’t seem to be nervous anymore,” Peter acknowledges as you sit down, and Wanda faces you immediately.
“Were you nervous about meeting us?”
“Well, yeah,” you answer timidly, avoiding catching anyone’s curious glances by directing a glare toward Peter. “You might be normal people in here, but to the rest of the world, you’re portrayed as powerful and untouchable beings.”
“Maybe when they’re not talking about how much damage we’ve caused,” Bruce mumbles under his breath as the elevator doors opened again. 
“I’m here, I’m here!” a voice calls as footsteps hurry toward the dining area, and Sam Wilson is revealed as he rounds the corner. “Sorry, I’m late. I was--”
“On a date, we know. You only told us that 500 times.”
“Don’t be jealous, old man. You’re married.” Sam grins at Clint as he sits next to him before his attention turns to you. “Do we have a newbie?”
“No, Mr. Wilson. This is my best friend, Y/N.”
“Call me Sam, kid.” He smiles at you as he goes for his silverware, and you’re just about to acknowledge him when his expression suddenly turns serious. “I’m sorry. You’re not a kid. You’re an independent and capable adult, and I should address you as such.”
“What the hell was that?”
“I don’t know.” Sam clears his throat and shakes his head as if he was clearing his mind. “I just suddenly felt the need to correct myself…You have any powers we should know about, Y/N?”
“No!” you quickly respond with widened eyes. “I wasn’t going to say anything, actually. I’m pretty used to older people calling me kid by now.”
From your left side, Natasha asks Clint to recall an embarrassing tale for you and the table livens up again, but you can’t seem to move past the unsettling way Sam shifted gears from calm and casual to uptight and disciplined. The image stayed with you through the rest of dinner even after he seemed to fully recover, until dishes were cleared away and replaced with games, and you suddenly had a lot more to focus on.
“I just don’t think it’s fair that he gets to be on your team again when I haven’t had him once.”
“Is anything fair with the guy who could use his personalized AI to cheat for him?”
“Could I do that? Yes. But have I done that? Maybe.”
“Wanna grab some fresh air with us?” Natasha suddenly asks you, causing you to frown.
“Aren’t we about to play another game?”
“It’ll take them another half hour before they finally decide something,” Wanda assures you as her fingers thread through yours gently. “We have plenty of time, and they won’t even notice we’re gone.”
They lead you by the hand to the elevator once more, going up a few floors before leading you out onto a balcony. Because you were so much higher than most of the surrounding buildings, there was an incredible view of the sun that was probably minutes away from disappearing to the other side of the world. The air is chillier than when you’d arrived, but you had to admit that standing in the cool breeze is worth a few goosebumps on your skin. Your hands are released as you reach a bench near the ledge, and you climb over it to sit as the other two women settle on either side of you.
“Why did Peter decide to share his secret with you?”
“Technically he didn’t,” you recall with a laugh. “He’d gone out to deal with something that activated his spider sense or whatever and I came to his dorm room to sleep after an exam because I was too tired to walk all the way to my place. Anyway, I walk in at the same time he’s coming back in through the window, and I swear we both sat there for a full two minutes before either of us could think of anything to say.”
“It’s still very nice of you to keep such a big secret for him,” Natasha praises, and your laughter quiets down as you take in her words.
“I guess I just know what it feels like to not want your life to change drastically because of one thing.” Your gaze shifts between the women for a moment. “That reminds me, I wanted to ask--”
“Wait, look at this!” Wanda quickly cuts you off with an enthusiastic grin. “You’re about to witness one of my favorite things about living here.”
She directs you to lean over and look at the streets as the sun finally disappears over the horizon, and you can’t help the small gasp that escapes you. Street lights begin turning on at what seems to be the center of the city and quickly spreading, increasing the radius of well-lit neighborhoods by the second. It was a mesmerizing sight that--until every lamp was on--nearly made you forget the question you were building toward.
“That was so cool!” you express honestly before clearing your throat awkwardly. “So I wanted to ask if the two of you were dating...or in a relationship or whatever. I mean, I don’t want to assume anything of course, just wondering because you share a room and floor, and you seem to be really into holding hands.”
“Well, I’d never really been into holding hands or a lot of other forms of affection before I met Wanda, but she seemed to flip some switch inside of me.” Natasha admitted with a bashful chuckle as she glanced at Wanda before turning to study you. “And your hands are so perfect to hold.”
“To answer your question, we are together.” Wanda rests a hand on your thigh and casts a sweet smile in your direction when you face her again. “Natasha was the first to give me a chance after everything with Ultron, and initially I thought I was just feeling grateful to receive some type of positive attention from someone other than Pietro. It wasn’t until Tash called me out on staring at her lips that I realized I wanted more than friendship.”
“The only reason I did was to confirm she was feeling the same things I’d finally come to terms with myself.” Natasha chuckles as Wanda sends over a bit of red mist to squeeze her own thigh. “What about you, love?”
“What about me?”
“Do you think you’re feeling more than friendship for Peter?”
“Oh no,” you quickly denied with a chuckle. “He’s the perfect example of a great boyfriend, but not my boyfriend. Plus I’d rather not have the same experience as MJ did.”
“What do you mean?”
“You know, the ‘close friends to a relationship that ends with each person pretending the other doesn’t exist’ experience. I’d rather not.”
“Yeah, that does sound messy,” Natasha sighs as she subtly rests her hand on your other thigh. “So you’re not looking for a great boyfriend. What are you looking for then?”
“Nothing really, at least until I finish school, but having a girlfriend would be nice. I’d like to be with someone that respects me and can take care of themselves when I’m not around, because I tried the ‘caring for someone’ thing and it sucks when they don’t put in the same effort that you do.”
“Maybe you should try someone older, more mature,” Natasha suggests as she shifts to squeeze your knee lightly, and you start to feel a bit nervous about where she’s going with this. “Maybe two people that already have their shit together and would go to the ends of the earth to please you.”
“Okay, um…” You push both of their hands away with a bit of difficulty. “You both seem great and you’re incredibly attractive, but I’m not really interested.”
“Don’t worry about it, detka.” Natasha pushes your shoulder down as you try to get up, and Wanda cups your cheek with her hand.
“You may not be interested now…” She stands with Natasha and leans in to kiss your forehead, letting her lips linger on your skin as she continues. “But you will be.”
She pulls away and winks before lacing her fingers through Natasha’s as they leave the balcony, and you gasp in air as the tension they’d built seems to exit behind them. You finally decide to head back once you’ve taken a few minutes to catch your breath and calm your shaking limbs, but you wonder how long the calm will truly last.
-
You found yourself waking up suddenly and practically flying into a sitting position as if someone had pulled you up, but luckily the room is empty. You sit for a moment to catch your breath and survey your surroundings to assure you’re truly alone, and you notice your door is cracked right before you hear an unidentifiable sound.
“Fuck.”
Despite every fiber of your being screaming at you as one would do to a character in a horror film, you decide to climb out of bed to investigate what you were hearing, justifying your actions with the excuse of seeing if your floor-mates were in danger, as if you could save them. A few seconds after opening your door fully and peeking out made you realize that they were more than okay.
“Fuck! Right there, please don’t stop.”
“Such a dirty mouth, malyshka.”
You’re quick to return the door to its cracked position, leaning against the nearby wall with wide eyes as you attempt to process the image across the hall. The bedroom door sits wide open, giving you the chance to examine every inch of bare skin of the two women spread across the bed, Wanda resting on her arched back with her hands in Natasha’s red hair buried between her legs. Her moans seem to raise in volume, pitch and frequency as she’s brought closer and closer to the edge, and you ignore the warm feeling in your lower abdomen as you hurry back to bed and throw a pillow over your exposed ear.
-
“Good morning.”
Your free hand quickly shoots upward to catch your water glass as it slipped through your fingers in your moment of shock, and you try not to make a deal of hearing two sets of footsteps headed toward the kitchen.
“How’d you sleep last night? I know how scary it can be to rest your eyes in a new place.”
“I think I did pretty well,” you answer quietly as you step away from the fridge and lean against a section of the counter that faces out into the rest of the room. “The bed’s really nice.”
“You’re lying,” Wanda accuses as she crosses the room, eyes turning red and hands lifting toward your face.
“What are you--”
“Couldn’t sleep because of us, right?” She chuckles when you go limp under her touch, and Natasha ducks between the two of you to save your glass for the second time. “Did you enjoy hearing us that much?”
“You did sound really good,” you tell her with a drowsy smile as she pins you against the counter to keep you from falling.
“I bet you wish you were in my place, don’t you?” Her tone is light and teasing at first, becoming a bit stern as she shifts to push her thigh between your legs and you instantly roll your hips against the pressure. “Or maybe you want to taste me while Natasha fucks you?”
“No.”
“No?!” she fires back immediately, leaving a red mist around your temples as she grabs your waist with both hands to keep you grinding against her. “You mean you don’t want to cum right now?”
“Well, now that you mention it…”
A breathy moan escapes you as your eyes flutter closed, and if your head wasn’t being forcefully held in place, it would’ve tipped backward. You feel what must be Natasha’s fingertips grazing along your jaw and tracing a line down the side of your neck and toward your shoulder, repeating the gentle motion as goosebumps appeared all over the exposed skin.
“Is everyone decent?”
The fog behind your eyes seems to clear in seconds, and you blink in confusion when you open your eyes to see Natasha and Wanda making coffee nearby. You try to recall even coming into the kitchen, but everything from the moment you stepped into the bathroom to get ready is a blur, so you shake your head and reach for your glass of water on the counter as Natasha responds.
“Come in, Peter.”
“Morning, everyone,” Peter greets cheerfully as he enters the kitchen, his grin falling when his eyes land on you. “Are you okay?”
You open your mouth with the full intention of telling him that you are not okay, not when you were missing at least an hour of memory, and bits of last night were slipping away from you too. But before you could speak, a cold feeling seems to pass through the back of your skull to slip into your brain, and a switch flips.
“Why wouldn’t I be?” you respond with a chuckle. “You worry too much, spiderling.”
“The world’s a stressful place,” he grumbles when you playfully ruffle his hair. “Anyway, are you ready to go soon?”
“Where are you headed?” Natasha quickly asks with a frown. “Y/N hasn’t even had breakfast yet.”
“We’re meeting Aunt May, so we’ll eat with her.”
“I just have to grab my bag,” you explain before heading down the hall to your temporary room, feeling the chilly sensation leaving you as you get further away from the kitchen, and it thankfully doesn’t return when you head back. “Ready.”
“Have fun!” Natasha calls as Peter heads for the elevator again, quickly grabbing your wrist once he’s out of sight. “See you tonight, printsessa.”
Her hand quickly shifts to grip the back of your neck as she leans in to kiss your cheek, and the two women are wearing sweet smiles as you turn away from them to catch up with Peter, attempting to shake the shell-shocked expression from your features.
“You sure you’re good?”
“I’m fine,” you insist as the doors close, in hopes that you really would be fine.
-
Meeting Peter’s aunt was much more of a pleasant experience than you expected, and it was obvious she adored you by the way she spoke to you, although part of you felt she was just happy Peter had more people around to love him. Your day was cut a bit short when MJ unexpectedly approached Peter, requesting to talk to him, and Aunt May offered to drive you back to the tower so you both could escape that awkward mess of a conversation.
“It was so great to meet you today,” you tell her with a grin as you take off your seatbelt.
“Likewise, honey. You have my number so just call me if you ever need anything, okay?”
She pulls you into a hug over the middle console and you thank her again for the ride as you get out of the car, trying not to seem too nervous when you notice Natasha and Wanda standing in the lobby. Your plan was to walk past them without speaking, but you should’ve known that wouldn’t work.
“Why was she hugging you?” Natasha asks coldly as you enter the building and you sigh.
“She was just saying goodbye--wait. Why am I explaining myself to you?”
You keep walking until they’re no longer in your peripheral, stopping abruptly as a red mist surrounds your legs, and your eye-rolling is cut short when Wanda appears in front of you and grabs your chin harshly.
“If Tash asks you a question, you answer.”
“Without attitude,” Natasha adds, which makes you want to roll your eyes again.
“Sorry, I didn’t get the rules handbook when I arrived. Can I go now?”
“You know what?” Wanda cuts off Natasha’s angry response with a smirk. “You can go.”
The red mist surrounding you disappeared, and despite the suspicious feeling that washed over you, you continued on toward the elevator with your head held high. You refused to let them get to you.
-
It was subtle at first. A slight tingling between your legs that you couldn’t seem to get rid of. In the very beginning, you were worried that something was wrong until you realized where the feeling was coming from when it turned into slow circles around your clit as you caught up with Peter in his room. By dinner, there was the added sensation of fingers curling inside you at a steady pace, and you hoped no one would notice your hips slightly bucking under the table as you attempted to repeatedly chase a release that never came.
A movie follows dinner today, and you make sure to cover yourself with a large blanket because you were still being edged and you couldn’t stop moving at this point. You even try to slide your hand into your sweatpants to finish the job yourself, and your jaw clenches in anger every time your fingers lock up because you know who’s responsible.
“Okay, you win!” you announce as you walk into the kitchen on Natasha and Wanda’s private floor, not missing the look shared between the two women. “I’m sorry I was rude earlier. Can you please just stop teasing me?”
“How about we help you finish instead?”
You should decline. You should just say ‘no’ because letting them finish you off tonight will turn into an attachment that you know you don’t want, nor are you ready for. Inviting them in will be equivalent to selling your soul, and you’re not sure you want to put a price on it. But the ache below your stomach is persistent, and if they won’t let you touch yourself, someone has to do it.
“Fine.”
“Don’t be so grumpy about it,” Wanda teases as she grabs your hand and starts leading you toward their bedroom. “I promise you won’t regret it.”
She pushes you back onto the surprisingly large bed as soon as you’re close enough, instructing you to take off your shirt and bra while she watches. Once your top half is completely exposed, she leans forward to run her hands from your shoulders down toward your nipples, circling them with her thumbs until they harden.
“I don’t like being teased.”
“Oh, you don’t?” she asks in a mocking tone as she reaches for the band of your sweatpants and pulls them down, placing her palm over the wet spot in your panties. “Then what’s this?”
“Please,” you beg through a quiet moan, bucking your hips again when she presses her thumb against your clit through the fabric. “Please just fuck me already.”
“Patience, detka.”
You watch with wide eyes as Natasha and Wanda both strip away their own sweatpants, revealing the toys tied to their legs. Natasha goes to untie hers while Wanda uses her powers to rip away your ruined panties in one fluid motion.
“There she is.”
Natasha puts her hand on Wanda’s back and forces her to bend over, and you bite your lip as her eyes flutter closed and mouth falls open while Natasha thrusts into her. You’re just about to grab Wanda’s hand to lead her where you want, when her eyes open suddenly with a glowing red surrounding her pupils, and your wrists are bound together over your head by an invisible force.
“Did you forget who’s in charge here?”
“Don’t get too cocky, malyshka,” Natasha reminds her as she grabs a fistful of her hair and slams into her, causing Wanda to moan and giggle at the same time.
“My apologies, Tash.”
You couldn’t help your sigh of relief as Wanda finally slid two fingers inside of you, her thrusts deepening each time as Natasha fucked her toward you with her hands on her hips. The sounds coming from your mouth and between your legs were embarrassingly loud, but you couldn’t bring yourself to care as she brought you closer and closer to the edge, until a loud whine escaped you as she removed her fingers and delivered a slap to your glistening folds.
“Tell me who this belongs to,” she orders through her own moans, holding you down when you begin grinding into her hand. “I’m gonna cum regardless of what you do, so you’d better answer. Be a good girl like I know you can.”
“Yours!” you cry out finally, sighing when Natasha leans into your line of sight with a brow raised. “It’s yours and Natasha’s.”
“That wasn’t so hard, was it?”
She slips back into you without warning, and your back arches off the bed as she finally brings you to orgasm. She continues to thrust into you as you whine and squirm away, luckily slowing down and finally stopping as Natasha makes her cum a minute later, leaving the strap inside of her as they both catch their breath. Wanda pulls out of you and sits up to lean against her, holding her hand up between them as they both clean your cum off her fingers with their tongues, and you sit there clenching around nothing as you watch.
“You seem tired,” Natasha comments as her eyes land on you again.
“Too bad we’re not done.”
Wanda flips you onto your stomach with a quick motion of her fingers, using her hands to pull you by the waist until you’re on your knees at the edge of the bed, and she holds one side of your waist as she delivers a slap to your ass this time. Her touch lingers as she pulls away to free her own strap, and you nearly fall over when you feel the tip of the toy rub against your clit.
“Wait, let me fuck her this time.”
You hear their soft laughter as they switch places, sharing a kiss in the process, and you gasp when a hand wraps around your neck and pulls you up against Natasha’s chest.
“I like having you this close to me, printsessa,” she whispers in your ear, chuckling when you melt against her as she pushes the tip of her strap into you. “How many times do you think I can get you to cum?”
Her grip on your throat is loose as she allows you to adjust to the size, tightening suddenly when she slams into you once, twice, until every thrust is at a rough pace that you wouldn’t be able to handle if she wasn’t holding you against her by the waist. You feel that same tingling circling your clit again, occasionally traveling upward to tease your nipples as well, and it wasn’t long before you were releasing a strangled scream as you climaxed.
Natasha eventually stops thrusting into you as your legs shake, and you breathe out another sigh of relief when she allows you to fall onto the mattress. However, the relief is short-lived when you realize that she only paused to let Wanda push into her from behind, and it wasn’t long before the two of them found a rhythm that was pleasing them and ruining you.
Your wrists are freed as Natasha pulls out of you some minutes later, and you collapse onto one side of the bed with your body aching a bit from a third orgasm, your eyes only halfway open as you watch the pair. They remove the straps from their waists and set them aside, and you become a bit more alert when you notice Natasha grab what seems to be a double-ended dildo.
“No more. I can’t,” you mumble tiredly as your wrists are bound by Wanda’s power again.
“One more, and you can,” she tells you as she flops onto the bed beside you, and that red mist surrounds her fingers again as she guides you onto your knees to hover above her face. “You wanted to cum, so you don’t get to run from this.”
Her hands grab your waist and pull you closer, and you release a shuddering moan as her tongue runs past your hole and over your clit, teasing it a few times with the tip of her tongue before diving in to wrap her lips around it. She alternates between sucking your clit and slipping inside you as Natasha climbs on the bed behind you to position herself with the new toy. 
“Fuck,” Wanda attempts to say once Natasha begins thrusting, and you fall forward as the vibration of her moans become too much, whining when Natasha slides her hands over your breasts and pulls you back up again.
“Take it all like a good girl.”
She keeps pulling until your head drops against her, and she moans against your neck while she kisses and sucks on your skin, bouncing faster on Wanda who groans loudly in response as she attempts to match each thrust. The hums of her voice has you grinding against her tongue, and you yelp when Natasha bites down just as Wanda brings you over the edge. She keeps going despite your protests, managing to get you to cum once more before they finally do.
You lie there with your bones feeling like jelly as you’re covered with a blanket minutes after everyone’s bathroom trip, too tired to even fight for sleeping in your own bed as Natasha and Wanda slide in on either side of you.
“You did so well tonight, detka,” Wanda praises as she strokes your cheek with a loving stare. “I can tell you’ll be a great addition to our relationship. I knew it from the moment I saw you.”
“I’m not doing this again,” you insist as the smile fades from her expression. “I’m not getting in a relationship with two women that don’t take ‘no’ for an answer, and I’d prefer sleeping in my own bed.”
“You’re already in a relationship with us, printsessa,” Natasha growls as she shoves you back down when you try to get up, and you push her hand away.
“There’s nothing you can say that’ll make me want to be with you.”
“It’s not about what you want to do. It’s about what you have to do.” She grabs your phone from the nightstand, and you’re somehow not even surprised when she unlocks it on the first try. “Because it’d be a shame if someone was to tell Peter about all the nudes you have of him.”
You snatch the phone from her grip, eyes widening as you scroll through your camera roll, finding naked pictures of Peter scattered throughout it. You check the date on the oldest one and began to feel nauseous when you saw it was taken not even a month after the two of you met.
“Don’t think you’ll be deleting those either, because we can replace them and make things worse.” Her smile was falsely sweet and troubling as she grabbed your chin to force you to make eye contact. “We’ve gone this long without having you, and we’ll do whatever it takes not to lose you.”
-
Tags: @cordeliaswhore @egotisticalstoner @muralskins @natasha-danvers @xxxtwilightaxelxxx @madamevirgo @teenwonder @honeyvenable @slut-for-nat
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romqnticstylez · 3 years ago
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500 Followers
hjshdjshajhxwi how. how did this happen- i literally only shitpost and reblog stupid stuff lol but. THANK YOU! i appreciate every single one of my followers and mutuals <3 you all are amazing
kay cheesy part over for now so. i'm holding a ✨ sleepover ✨ that I did not decide on in a split second. feel free to send me as many asks as you'd like! (read: please don't let this flop). i'll answer all of them.
this sleepover will be open from 27/10/21 until 3/11/21. anyone can participate, follower or not!
i was gonna do emojis but i realised it might be boxes for some people so you get the titles of my favourite songs instead
don't look down - send me a ship for a fic rec
dandelions - send me a ship/character for an attempt at a moodboard.
i think about you (mutuals only) - i'll give you a small handwritten note
steal your heart (close mutuals only)- you get a voice reveal 😌✨
heaven - send me a ship with a scenario for a drabble (if someone dares to send me drarry i will murder you/hj)
domino - cym, fmk, never have i ever, all that.
vacation bible school - i’ll make you a spotify playlist based on things i think you’d like.
okaY cheesy part is back for some of my closEST mutuals
@justadreamyhufflepuff helloo wife bestie child ok so you're so sweet and friendly i thought talking to you would be kinda awkward at first because yk new mutual 👀 and all but it was so EASY i love that and i love how we just start talking in caps lock and our convos are so chaotic full of energy anyways ily thank u for being my friend <3
@g1nny-p0tter hi mother and only mother (for now) you were so dry at first smh but you gave me a cat so i kept talking to u/j 🐈 and now we're besties and i spam you everyday lol you're amazing and you're the reason i cannot fathom typing without keyboard smashhjjsdh lol ily <3
@roonilwazlibweasley hi im in love with u you were my first moot and like when i first started posting i didn't think i'd make any friends here (not in the 'no one likes me' way but im not gonna make this long w an explanation jsjjsd 😀) but then u were (are) so cool so i sent u that ask and now we're the coolest married ppl on tumblr <3
@mx28 we don't talk as much now but. i think u were the reason i started being more chaotic here slowly and now everyone knows im unhinged 👍 but anyways ily u larry louis mel obsessed samosa with a wing kink
@lev-will-commit-treason beginning of our friendship was. beautiful <3 i never did sacrifice u tho did i 😕😕 lol anyways i love u spamming me and ur so chaotic and cool and weird but in a good way so u get another <3 one of my triplets my wife my child love ya
@loonyloopylupin5 following u back was the smartest decision I've ever made tbh i like ur dead james jokes :) jsjdjshuhid ur cool and funny and ur stories are >>> also your mum rocks 😎😎 ly other triplet wife and child
@livingincolorsagain can i start this by saying i had a stroke when you followed me lmaojskdskajd no but really i was literally :0 when u did lol anyway aijdjds you're amazing 10/10 humor and taste talking to you always makes me smile so please stop dying/j 🐬🐬
@fuck-spooky-season @sethclearwatermybeloved hello. u two together because i need to go finish my cat 👍 love murdering people with u riri and spamming u is very fun jade <3 but fr i love talking to you both 🦆 also i do not remember if u actually know each other or not but we should go murder 500 homophobes
now my other moots who i also love v much because you’re supposed to do that or something- <3
@1-until-the-very-end-1 (i'm giving u an honorary mention for that ^ because i got lazy forgive me please anyways that's why you get to be first tagged mwah) @creative-girl @toomanynotifications @dr4cking @nousheen @wolfstar-lb @simp-for-cedric-diggory @femaledoubleagent @sappho-is-my-wife @athenapotter @imapparentlycoolandfriendly @vegathebrighteststar @hyacinths-on-my-grave @alpine-loves-bucky @maraudersupremacy1 @marauders-lupin @canyon-perk @tolerate-it-tomlinson @just-a-smol-spoon @just-a-potterhead @nymphadorathebubba @siriusblackinskirts @remuslupininskirts @jamespotterinskirts @i-do-random-things-do-not-ask @regulusblackinskirts @kember-writes @myopicmeerkat @i-is-a-fangurl-weeb @i-wanna-b-yours @fangirl2o20 @they-ca-llme-princess @sassychaostrash @geetikarandamgirl @magic-is-beauty + everyone else i forgot because i, being the amazing mutual i am, forgot everyone’s urls.
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youngbeezer · 4 years ago
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6.he teaches me something with Mat brazal maybe teaches you a few guitar chords since he can play acoustic guitar after Jordan Eberle teaching him a bit plus him teaching himself also
Referenced Post
Prompt -- 6. He teaches me something (w Mat Barzal)
A/N: Here's another blurb from the 14 oddly romantic things blurb set. Sorry this is kinda late I've been slacking a little. This weekend is gonna be busy for me as well so I'm not sure how many blurbs I will be able to finish...
Thanks for requesting this, hope you like it :)
Word Count: 920
Warning(s): A curse word or two, mention of alcohol,,, ok I know like literally nothing about playing the guitar so if I got anything wrong or it's confusing I am so sorry!!
Join my taglist :)
“Who the hell are all these people? ” I lean over to whisper into my boyfriend’s ear.
We are currently at one of our best friends, Anthony Beauvillier’s house to celebrate his birthday. There are at least 100 people here all crowded around, drinking and dancing to someone’s playlist. I think I have maybe recognized a total of 10 faces tonight.
My boyfriend Mat gives me a little shrug and then pulls me even closer into his body as two drunk partiers plow their way through us and into the kitchen. I grimace as one of the guys’ drinks sloshes over the brim of his cup and onto my boots. I feel like I’m at a frat party right now, and I am not enjoying it.
“I didn’t know Tito had this many friends.” I remarked.
Mat lets out a little chuckle before bringing his mouth closer to my ear to be heard over the thumping music.
“He doesn’t. He just wanted to look cool.”
I once again scrunch my face up in annoyance when someone goes a little too hard dancing and knocks into my shoulder.
Mat scowls at the oblivious partygoer and grabs onto my hand, dragging me into one of the hallways. Trailing behind him, I watch as Mat begins searching through the few rooms in the hall. After walking in on another couple ‘hanging out’, Mat finally finds an empty room.
I go to sit on the bed while Mat locks the door. I raise my eyebrows at him when he turns around to face me.
“What are you planning to do Mathew?” I teased.
He smirks before replying back, “I just figured you wanted to get away from the noise and crowd. Why? Do you have other plans in mind?” He wiggles his eyebrows as he slowly prances over to where I am sitting on the edge of the bed. I roll my eyes at his antics and begin to search the unknown room.
“Whose room are we in anyway?” I questioned.
“Beau’s.”
“Really? Why does he have a guitar? Does he even know how to play that?”
Mat scoffs. “No. Once again, he just wants to look cool.”
Mat makes his way over to where the acoustic guitar was chilling in the corner of Anthony’s room collecting dust. He picks it up and goes to sit down on the desk chair. It looks like he was just messing around a little, but next thing I know my boyfriend is strumming out beautiful notes on the guitar.
My eyes widen and my jaw goes a little slack.
“What the hell. I did not know you knew how to play the guitar?!” I burst in both astonishment and confusion.
He chuckles a little bit before revealing, “I know a thing or two. Ebs taught me a few basic skills at one point and I decided to try and stick it out and learn a few more.”
I take a moment to admire the sight before me. Mathew Barzal holding a guitar all concentrated and sexy. I watch the way his hands glide along each and every string, zoning in on the veins protruding out with each movement. I watch the way his eyebrows furrow and his tongue just barely sticks out of his mouth in deep concentration trying to remember what Jordan Eberle taught him.
“You’re so hot.” I breathe out.
He lets out a deep belly laugh at my statement. He looks over at me and gestures to his lap.
“C’mere. Let me teach you something.”
I stroll over to where he is sitting and let him pull me into his lap. He sets the guitar on my thigh and guides my hand to the appropriate position.
I feel his breath hit the exposed skin on my neck as he explains each string, “Ok, so the first string is E. Then it’s A, D, G, B, and then E again.” I test out each string as he says the letter. He gives me a little kiss on my neck and then rests his chin on my shoulder. “Now put your thumb right here… Yeah like that. Ok. Then go ahead and strum. That’s B4.”
I look over my shoulder back at him and give him an excited smile. He grins back at me and I notice his gaze lower to my lips. He closes the gap between us and connects our lips together. His lips were warm and soft. They parted slightly, allowing my tongue to slip inside. Just as our tongues start to tangle together fighting for dominance, we are interrupted when the door slams open.
Tito comes strolling into the room in search of something. He flinches in surprise when he notices our presence and lets out a startled, “Oh shit.”
He pauses and assesses the situation before blurting, “Wait! Were you guys about to just have sex in my room?!” Tito yelped.
“Well not anymore,” Mat teased.
I let out a little tut and smacked Mat in the chest as he let out a little giggle. He gives me a quick little peck and mumbles softly against my lips “I’m kidding.”
Tito’s face scrunches up in fake disgust and mutters out, “Keep it in your pants Barzy. We don’t need any little ones running around just yet.” He gives me a cheesy little wink and leaves the room.
I roll my eyes and laugh at our friend's behavior.
Mat pats me on my thigh and gives me another little grin.
“Alright. Now let's try the chord G6.”
Tagging some people so this doesn't flop,,,
@tessisawriter @joelsfarabeee @bitchforbarzy @musiclove-12 @barzy-xoxo @matbarzys @matbarzls @gigissports @sorokns @turcsandzegras @barzysreputation @cherrylita @matsbarzals @heybarzy @hoeforaho
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mach-speed-spin · 3 years ago
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Mayblade day 10: song (reminder that Nickelback was once featured on official Beyblade merch)
Nelvana and Hasbro decided they wanted to make Beyblade be more than just spinning tops with a tie-in anime series. After several attempts, I think they kinda gave up because non of them were successful. Beywheelz, Beyraiderz, and Beywarriors all flopped (despite some cool ideas). Their trading card game back in the og series is so obscure that I can’t get any info on it besides “it existed” and “it seems poorly thought out.” And at one point they got into music. After finding this YouTube playlist with Beyblade songs (openings, endings, the dub insert songs, etc), I noticed that for some reason it included How You Remind Me by Nickelback, California by Phantom Planet, and an AMV. After some research, I found that those songs were released on official Beyblade CD’s back in 2001-2002. So I’m gonna give some thoughts on every single song in that playlist in the context of Beyblade (also to make up for yesterday’s shorter post since I didn’t have much time)
Normally I'd add a cut here but my laptop's still broken and I don't know enough about the Tumblr app to use it properly
Catch a Cannonball by White Pony: This song is considered lost media and if anyone can find it please DM me or something
Let’s Beyblade by Sick Kid ft Lukas Rossi: The original series English dun opening. It’s very early 2000′s and serves as an opening pretty well. I just wish there was an extended/ full version
Fighting Spirits by System-B: As a standalone opening, it’s pretty good. As far as Beyblade goes, it’s wildly different than any opening we’ve gotten since, which makes it stand out even more
Cheer Song by System-B: Not sure how I feel about the song itself, but if it works for anything, it’s as an ED. Also, it’s so different from Fighting Sprits that I had a hard time believing they were both made by System-B
Beyblade by Giorgio Vanni: The Italian opening for the first season. The combination of rock with what sounds like bells(?) later in the song create a weird but interesting feel to it. Also “Boy-blade” is such a stupid pun that it had to have been made ironically, right. Right?
OFF THE CHAIN by TOSS & TURN: Song is a banger. I have no idea who thought it’d fit Beyblade as an opening. Love how it’s in ALL CAPS. Also I don’t speak a word of Japanese but there’s enough English that I can kinda guess what the song is trying to say
URBAN LOVE by Shiori: Another song in all caps, this time as an ED. While I’m normally not a fan of less energetic songs, this is pretty good
Jet by Fairy Fore: The scream at the beginning of the song makes you think you’re gonna get a much harder song than the first verse. And the it slowly ramps up until by the end, you’re back to the same energy as the beginning. Brilliant
What’s the Answer? by Retro G Style: Like OFF THE CHAIN, there is just enough English for me to get a vague idea of what the song is about. I like it, but wish that they had used the song by Retro G Style in G-Revolution for obvious reasons
Beyblade vforce by Giorgio Vanni: IMO a nice improvement over the first Italian opening, but goddamn “Boy-blade” is still here. Why?
Poroporo by Hana Hana: The ED for the V-Force movie. Every other beat is out of tune but it’s done on purpose so I can’t consider it a flaw. It grew on me over time but the decision to be out of tune on purpose is still weird
Victory by Dynamite SHU: I couldn’t find official information on the artist but someone said Victory was performed by Dynamite SHU so I’m rolling with it for now. Also it may be called Victory or Victoria. It’s unclear. It’s also part of the V-Force movie soundtrack and honestly I think it’d make a better ED than Poroporo, if only because Poroporo isn’t really enjoyable on your first listen (even if it really grown on you later)
Go Ahead by Motoko Kumai: Amazing OP for G-Revolution. Probably my favorite from Bakuten Shoot. It gets you pumped for the episode and it fits the tone of early G-Rev perfectly
Oh Yes!! by Sista with Yuka: As an ED, it’s pretty good. It’s also a great way to conclude the early episodes of G-Rev
Kaze no Fuku Basho by Makiyo: Somehow manages to be an improvement over Oh Yes!! while also fitting the middle portion of G-Rev better
Identified by Springs: Finally we learn that the G in G-Revolution stands for Good. It’s also the perfect OP to end the original series on
Sign of Wish by Makiyo: Like Identified is the perfect OP to end on, Sign of Wish is the perfect ED to conclude the original series. I know that the last episode used Kaze no Fuku Basho for the epilogue, but Sign of Wish was perfect for the BEGA arc, itself a great conclusion to the original story
Never Gonna Take Me Down by Anthony Vanderburgh: I’ve been fighting every night an day. I’m gonna do my best to put you away. It’s perfect for more friendly but intense (like most of the minor battles in tournament arcs). Like most of the dub insert songs, they’re bangers but sadly misused
Round After Round by Jason Dean Bennison: Like Never Gonna Take Me Down, it’s perfect for battles where both bladers want nothing more than to just fight each other
All Across the Nation by The Black Europeans: The fact that this was used for any battle in the season 1 tournaments (you know, the ones with multiple countries) is weird, but the song itself is still good
Let’s Go Beybladers by Krystal Band: The vocals have this strange quality to them, like the musical equivalent of a 2004 homemade video project made by a high school student. Objectively bad but charming in its own way
Swing Low by Jason Dean Bennison: The vocals feel out of place, but damn that bass is epic. Also you can kinda hear samples from Fighting Spirits in the background (that “DORAIGA” scream is hard to miss after a few listens)
Underdog by Mudd: In all honesty it’s a shame Mudd didn’t go one to have more success after Beyblade. Underdog was great
Always Be In the Game by Jason Dean Bennison: Normally I’m not a fan of rap vocals over rock instrumentation but Jason pulled it off. Not sure how or why, but it works
Switchblade by Lenz: Good song but someone messed up when they rereleased it. Also the contrast between the music and the lyrics in the chorus is fairly specific. Maybe it was written to be a character theme?
Hang On by Chris Szczesniak and Mike Dunca: It took 20 years for this song to be released. Amazing bass, amazing vocals, and I can’t think of a song that better fits Kai vs Brooklyn (the time where Kai wins, that is)
Rise Above the Storm by Daniel LeBlanc and Creighton Doane: Oddly uplifting yet very energetic. When I say this is one of the most uplifting songs I’ve ever heard, I am not exaggerating
I’m Not Going Down by Jonathan Evans and Gerard Tevlin: If Hang On fits Kai vs Brooklyn, then I’m Not Going Down fits Tyson vs Brooklyn. It’s just a powerful declaration of victory, being the musical embodiment of that final battle
Start the Circus by Far From Heroes: Good song but I don’t see what it has to do with Beyblade. Still a banger
Cinderella by Adam Crossley with 9 Point Landing: Just like Start the Circus, a banger that is completely unrelated to Beyblade
What the Girls Say by Jennesy: For a show with such a skewed gender ratio for characters, this song feels extremely out of place. It’s good, but manages to feel more “off” than Cinderella
Running Away by Project Wyze: A friend of mine likes to say that early 2000′s music was 80% pop rock and 10% rap metal. Running Away is part of that 10% and it is the perfect example of what rap metal is. If you like rap metal, you’ll like this song. If you don’t like rap metal, you won’t like this song
Let It Rip by Ego Massive: It truly relates to Beyblade and it isn’t an insert song. I’m surprised. The song itself is alright, but pales in comparison to some others
Split the Atom by Edwin and the Pressure: Great song. Unrelated to Beyblade. I’m starting to notice a trend
Pretty Girls by Prozzak: Good song and I have though the glass break sound effect was real and in my house on one occasion
Girls & Boys by Good Charlotte: This song is 50% less out of place than What the Girls Say
Year 3000 by Busted: Possibly a warm take, but the Jonas Brothers’ cover of the song was a downgrade
Buck Rogers by Feeder: I first heard this song playing Gran Turismo and forever associate it with that game. I can’t judge the song on its own because of that
Movies by Alien Ant Farm: Honestly it’s probably the weakest song that released on that CD. It’s not bad per se, but it’s less good than the rest
Teenage Dirtbag by Wheatus: Hit early 2000′s song that was shoehorned into Beyblade merch and honestly, it wasn’t a bad idea
Nothing by A: Google “A Nothing” and see if you find this song. Other than that, it’s great. Love it
How You Remind Me by Nickelback: It’s Nickelback. That’s all there is to say. Take that how you will
California by Phantom Planet: If only Beyblade saw the US as more than New York and Las Vegas (and later, Moab, Utah). The west coast isn’t even acknowledged. Had they made one of the characters be from California (like any of the All-Starz), this would’ve been more fitting
Metal Saga by Clifton David: While the English OP for mfb isn’t bad, it feels like a remix of the Japanese OP, but without being different enough to stand out
Metal Fight Beyblade by YU+KI: YU+KI did an amazing job in every season of mfb, and the first opening is no exception
Boys ~To the Radiant Tomorrow~ by MASH: I thought Boys was the artist for far longer than I should. It’s a great ED, and has IMO some of the strongest visuals for a Beyblade ED even though it’s very simple
Beyblade Metal Fusion by unknown artist: I don’t know who made the Italian opening for Fusion but it was pretty good
Galaxy Heart by YU+KI: It takes everything that made Metal Fight Beyblade good an multiplies it tenfold. Absolutely amazing
Oozora wo Koete Yuje by Odoriba Soul: Pretty good ED. It kinda gives me similar vibes as Oh Yes!! but I’m not sure why
Beyblade Metal Masters by unknown artist: An improvement over the Italian Fusion opening, taking it from good to great
Spinning the World by Noa: Love it. Great ED for the Sol Blaze movie. Probably on the same tier as Kaze no Fuku Basho for me
Kokoro no Yuki by YU+KI: the 4d opening slaps even harder than Galaxy Heart
Destiny by YCHRO: Just like Kokoro no Yuki managed to outdo Galaxy Heart, Destiny managed to outdo Oozora wo Koete Yuke. God 4d had great music (if only it wasn’t a shortened season)
Shine On by unknown artist: Absolute banger. That’s all I have to say about it besides that the artist deserves to actually be credited
Let It Rip by The Lodge: I did not expect bars of this level from a song made for a toy commercial. Even though the dub adding rap in anime is usually an unpopular decision, this was good
Game Changer by the Lodge: Another banger
To the Extreme by the Lodge: Why couldn’t the XTS toyline go as hard as this song?
Deploy and Destroy: This song is great and makes Stealth Battlers seem a lot cooler than they were irl
Own the Dome: Somehow a team of people got Hasbro’s worst stadium ever, and made the best commercial out of it. And part of that has to do with this absolute bop of a song
Stunt, Race, Crash by the Lodge: Like To the Extreme, Deploy and Destroy, and Own the Dome, this was a great song that advertised a terrible product
Zero-G Bey! Go! by YU+KI: I’d rank it between Metal Fight Beyblade and Galaxy Heart. It’s good, but not as much as the previous Japanese OPs (granted the bar was pretty damn high)
Looking Up Smiling (We Go!) by YCHRO: It manages to be just barely better than Destiny, which is pretty impressive
Beyblade: Shogun Steel by Sugar High Bunny Punch: Does it fit Beyblade? Not really. Is it good? Maybe not great, but better than I’ve seen people give it credit for
Let the Games Begin by Arunachal: The Beywheelz OP that was used for the English and Japanese versions alike. Like the English OP for Shogun Steel, I think it’s better than given credit for. Although like Beywheelz, it pales in comparison to the other seasons
A Better Place by Jonathan Evans: One of the guys behind I’m Not Going Down makes his return. A Better Place is a pretty good ED< even if it doesn’t stand out
Beyraiderz Theme by iSH and Nicholas Walsh: I’ll be honest the chorus is the only part I like from this. The rest is serviceable as an opening, but I wouldn’t call it good
Come Around by SPACEMAN MUSIC: I like Come Around, and consider it an improvement over A Better Place, but I don’t think it fits Beyraiderz as a season
Beywarriors: Cyborg by unknown artist: A better OP than Beyraiderz, but still a tad below Let the Games Begin
Hold Tight by unknown artist: Like anything relating to Beywarriors, the artist name is hard to find. It’s a strange ED, but I can’t put my finger on why. Like Poroporo, it’s interesting, even if I’m not sure whether I like it
Burst Finish! by Tatsuyuki Kobayashi: A good OP that fits the first season of Burst. It’s great
Believe by SHIKURAMEN: The only Burst ED to get a full version, and it’s certainly deserving of it. Like Burst Finish! it fits the first season of Burst perfectly
Our Time by Steven Allerick Chen: A great opening in par with Burst Finish
Battle Above My League by Fenwick & the Futures: The instrumentation is ok I guess. The vocals have this weird feel to them, like lofi but not really. Like Poroporo and Hold Tight, this song interests me because I don’t quite understand what I’m hearing
Evolution Burst! by unknown artist: The Beyblade Burst God OP is great. I'd call it the best of Japanese Burst openings but Cho-Z exists, making Evolution Burst! a worthy second
Beyxercise by Señor Hanami: If we ignore the visuals in the ED (so no Markiplier dancing), it goes from hilariously good to just regular good. The beat is catchy, but the vocals really make this song. It's performed by Hanami's VA, which makes that last "BASUTO FINISHU" so much better
Beyxercise 2 by Señor Hanami: It's Beyxercuse but again. The beat is different, and a bit of a slightly downgrade, but everything else is as good as the original Beyxercise
Evolution by Dave Vives and Steven Pagano: It's a great opening. Not much to say other than it's really good
Made for This by Vaski and Ian Everson: Amazing. Absolutely amazing. It's hard not to sing along and go "We were made for this"
Chouzetsu Muteki Blader by Ryosuke Sasaki: Easily one of my favorite Beyblade openings ever. Everything about it is fantastic
Bey-Pop! by Shun Kusakawa: Catchy and cheery is the best way to describe this. Lovely song
Bey-Pop Swing! by Shun Kusakawa: It's Bey-Pop bit more energetic. Still catchy and cheery, but with a tad bit more excitement
Turbo by Nate Wants to Battle: Best of the English OP's according to many, and a very close second best in my personal ranking. Nathan Sharp has delivered everything one could ask for from an opening
Gatti'n'Roll by unknown artist: I genuinely dkn't know why anyone though this was a good idea. I guess they thought they couldn't beat Chouzetsu Miteki Blader at its win game and went in the opposite direction, being very cheery rather than adrenaline-pumping. For what it's trying to be, it's pretty good. It just doesn't really work as an OP
Rise by Jonathan Young: IMO the best English opening in all of Beyblade. Jonathan Young made a high-energy OP that gets you pumped for the anime. Also his JJBA OP covers are great
Journey Into Tomorrow by Tony Rodini: I have a hard time deciding between this and Made for This for which is the best eyecatcher theme. Journey Into Tomorrow is just as good as Made for This and Made for This was great
Sparking Revolution by unknown artist: Not a bad OP but it doesn't really stand out. It's good, but it's just "there"
We Got the Spin by Konrad OldMoney and Johnny Gr4ves: Like Gatti'n'Roll, they were trying to go in the opposite direction of the previous opening. However, GT was a more lighthearted and comedic season, while Sparking is more serious than its predecessor. This means that to fit the season, we'd need something as intense as Rise, or at least Evolution, and instead we get this. And unlike the original series or mfb using rap on occasions, We Got the Spin lacks the energy present in songs like Shine On and Always Be In the Game
Clash! Dynamite Battle! by NORISTRY: Great opening. Probably my second favorite Japanese Burst OP behind Muteki Blader
We're Your Rebels by Nate Wants to Battle: Massive step up from We Got the Spin, and it's just what we expected from the guy that made Turbo
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