#god these were fun to write

[dragonanon]

Death!Reader and God!Brother head cannons

Note: you can thank @sherlockhomies-42 for this, my brain hasn’t known peace since I read their stuff about the reader being Death in Hazbin Hotel. And if I don’t get my thoughts out right now I might honestly combust. 🙃

Lore HCs:

- Before Hell, Earth, and even Heaven existed, there was nothing….Until by some cosmic miracle, God popped into existence. God started by building himself a luxurious paradise; the same paradise that would eventually become Heaven.

- God relished in his wonderful new home for a while, but quickly grew bored with being alone. So he began creating animals and other small creatures to keep him company. At first, this worked out great! But to an ageless, immortal being like God, several years felt like mere moments to him; and before he knew it, his beloved creations had become incredibly old and were in ever increasing pain and discomfort as they continued to age, and there was nothing God could do about it. All he could do was create life, and once life had been created God was powerless to do anything to stop it or take it away.

- Just when it seemed God would be forced to watch his creations suffer forever, another incredible miracle happened; you popped into existence. Sporting six mighty black wings and a set of horns gracing your head, you gently touched each of the suffering creatures, and with your touch each one FINALLY had their suffering come to an end as they died, and their now freed souls traveled down to a newly created realm to rest and wait for whatever came next; Limbo.

- God watched in awe as you gave his beloved friends what he couldn’t; an ending. God realized quickly, based on an instinctual pull he felt towards you, that whatever force had created him had clearly struck again, and brought you into existence.

- God was now in the presence of a being just as powerful as him, but while you may have been his equal in terms of how you both came to be and the sheer power you both held, your powers were VERY different from his; almost like they were the opposite of his. That’s when it dawns on him, you’re his sibling! His counterpart! If his powers are to begin and yours are to end, then you’re meant to bring balance to everything! After all, there can never be a beginning if there’s no end, and there can never be an end if there is no beginning.

- It’s then that you’re given your name; “Death”, and as both the younger sister of God and the only one capable of bringing an end to any life he creates, your very existence leads to you both creating balance in the universe for the very first time.

- As the first order of business, God started creating ageless beings, like the Seraphim and other Angelic beings. And with your input, he gave them the gift of sentience so they could all think, feel emotions, and communicate with each other and you and your older brother, and the ability to create just like him.

- At some point though, God started getting more lazy and careless, given he didn’t have to do much now that he’d created ageless beings capable of thinking and creating things themselves. He suddenly had more free time than he knew what to do with, and it culminated in him pretty much just sitting back in his fancy palace, and allowing allowing his children do as they pleased while he casually observed from time to time from the sidelines. (Dude basically just became super depressed because now he essentially had nothing to do, and felt like he no longer served any purpose in existing. He hasn’t told you or anyone about these feelings tho, just drinks himself silly everyday and vibes in his palace.)

- This annoyed you GREATLY as you now had to essentially step up and provide guidance to the Seraphim and other Angelic beings when they needed it, because your brother couldn’t even be bothered to do that. You started to resent God for his “hands off” approach to running things, while God began to resent you for being “nagging and controlling”.

- The resentment eventually boiled over when Lucifer and Lilith inadvertently created Hell, and the other Seraphim and Angelic beings banished them both into the realm they’d created. Outraged by what God’s lack of involvement had caused, you got into a nasty fight with him as you pleaded with him to intervene and FINALLY put an end to the chaos he’d allowed to run rampant for centuries. God vehemently refused, insisting that the Seraphim and Angelic beings knew what they were doing and didn’t need his input. Furthermore, God believed that the punishment was justified given it was their actions that caused evil to invade the Earth.

- You were getting NO WHERE in this argument, so for the sake of your own sanity, you returned to Limbo to continue your work of bringing death to those who needed it. Along with the new task of taking dead souls back to Limbo, where they would stay until you determined whether to send them to Heaven or Hell based on how the soul had behaved while alive.

- That’s how it went for centuries before you decided you needed a little break, and informed Heaven and Hell that you would be taking a well deserved nap. This would mean that they would need to work together to sort souls in the meantime, as your reapers would ensure that death still continued appropriately on Earth while you sleep. Heaven and Hell agreed to this, and with that you curled up in bed and went to sleep.

- Speaking of reapers, reapers are permanent residents in Limbo. They are neither Angels nor Demons, but they’re ageless all the same. God actually made the first reapers for you, so they’re essentially the Limbo equivalent of Seraphim and other Heaven born angelic beings. These reapers, often called “First Ones”, have sentience and emotions since they were created by God himself. So you typically have First Ones lead the other reapers.

- All the reapers you’ve obtained since the First Ones are Limbo’s equivalent of Sinners, often called “Hollows”. Hollows are souls who in order to avoid eternal suffering in Hell, instead opted to willingly relinquish their humanity entirely and become an undead being working for you. In giving up their humanity however, the souls lose their ability to feel anything whatsoever. They’re little more than robots; doing what they’re told and not questioning it, all while feeling absolutely nothing. They’re called “Hollows” because that’s essentially what they are, hollowed out husks that now only exist to serve you.

- Regardless of whether they’re a First One or Hollow though, they all have the same job; find the humans whom you’ve given death to, reap their souls from their bodies, and guide them down to Limbo and care for them until you’ve sorted them into Heaven or Hell. The only real difference is the First Ones are usually in charge of the Hollows, ensuring that the Hollows reap the correct souls and are doing their jobs.

- If you had only known what your absence would cause, you would’ve NEVER went to sleep. For as SOON as you were out, Heaven took it upon themselves to decide where the souls went, completely defying your orders that Heaven and Hell work TOGETHER to decide that. To add insult to injury, Heaven also became incredibly elitist and picky about who got into Heaven, and this resulted in a vast majority of souls being sent to Hell for even the smallest infractions. The unbalanced approach of sorting souls eventually caused the over population problem and subsequent annual exterminations.

- With Heaven’s incredible arrogance and Hell’s complicity in this, both realms are in for a VERY rude awakening when you eventually wake up prematurely and see what they all have done. You’re gonna read Sera, Lilith, Lucifer, Adam, Lute, AND God the riot act for fucking your shit up

Okay lore time over, here’s the silly, more generalized, shit you’ve all been waiting for!

- When making the Seraphim, God made them in your image. He really just wanted to show his love and appreciation for you in some way, and he decided the best way to that was by basing the physical appearances of his first sentient creations on you. Hence why all the Seraphim are beautiful and have six wings like you do. It was literally like a kid excitedly making a piece of macaroni art of their sibling and being super excited to show it off to them

- All of the beings directly created by God are considered his “children”, so they all refer to him as “father”. Given that you’re God’s younger sister though, it also technically makes them your “nieces/nephews/niblings” and it makes you their “aunt”. You get called “Aunt Death” or “Auntie Death” by them a lot, but you’re cool with it because you think it’s cute.

- You weren’t supposed to have any favorites, but you always did have a soft spot for Lucifer in particular. He reminded you a lot of how God used to be back when you’d first come into existence; so energetic and excited to create things. You affectionately called him your “favorite nephew”.

- You haven’t seen God since the fight you had with him after Lucifer’s banishment into Hell. You actually miss your older brother dearly, but you’re still so pissed at him that you don’t feel like talking to him for the foreseeable future. You temporarily go back on this decision long enough to chew God out for allowing his children to make a complete mess of your realm, and destroying the balance you worked so hard to create and maintain. You’re back to giving him the silent treatment after that.

- Limbo is ONLY accessible by you, Cerberus, dead souls, and your reapers. No one else is capable of entering Limbo, hence why everyone assumed that the exterminations were successful in getting rid of excess Sinners. In reality however, all the “killed” Sinners were really just getting yeeted back into Limbo for re-sorting since something that’s already dead can’t die again.

- The persistent wailing and cries of the millions and millions of souls who were now trapped in Limbo was eventually what managed to wake you up early from your nap. You were not pleased in the slightest.

- Despite having a very gothic and menacing appearance, you’re incredibly gentle and kind. You feel great honor in being the one tasked with giving everyone the ending they need and deserve, and you take pride in caring for the souls that may have to stay in Limbo for an extended period of time whilst you decide where they will go next.

- You take no satisfaction in having a send ANYONE to Hell. It doesn’t feel good to know that you’re condemning someone to an eternity of suffering, no matter how deserving of that punishment they may be. Hence why it can sometimes take awhile for you to decide where a soul goes, because you want to be sure you’re really making the right decision.

- You’re saddened by how much like your brother Lucifer has become after his banishment, and you wholeheartedly believe that the ONLY reason he hasn’t completely turned into his father is that he has Charlie to think of.

- You and God are both fucking MASSIVE in your true forms. Like, “skyscrapers BARELY reach your hips”, massive. You’re both capable of shrinking down to be able to better interact with people, but even at your smallest you STILL tower over most Sinners.

- You’re low key salty that Lucifer went and had a baby while you were sleeping, because you missed out on getting to play the role of “doting great aunt” while Charlie was growing up. You’re trying really hard to make up for the lost time by visiting frequently. Much to the minor annoyance of a certain radio demon who doesn’t like the feeling of being in the presence of someone FAR more powerful than him. He deals with it and is polite tho because it’s FAR better to have someone as powerful as you be an acquaintance than an enemy.

- You can walk the streets of Hell with complete impunity because everyone either knows EXACTLY who you are and goes out of their way to stay in your good graces, or they end up finding out real fucking quick that you are NOT to be messed with.

- That being said, your presence is generally more accepted in Hell than it is in Heaven. In Hell, you’re far more likely to be willingly approached and have a nice conversation with a Demon. Whereas in Heaven, everyone is scared shitless of you except for Emily and actively tries to avoid even making eye contact with you. It’s like pulling teeth just trying to get someone to tell you what time it is. Of course you can ask anyone in Heaven anything and they’ll respond because they’re too afraid not to lol. But they’ll look like they’re on the verge of fainting then entire time you’re talking to them.

- The aversion to you in Heaven gets better over time as you’re seen having friendly interactions with Emily, but most Angels still get a bit uneasy in your presence. Sera is one of them because she knows that you’re BEYOND pissed at her and she’s one more fuck up away from getting dragged to Limbo and being made into one of your reapers to serve you AND the souls she hurt.

- Much like sending souls to Hell, you get no satisfaction in turning someone into a Hollow. Completely stripping someone of their emotions and sentience is not an enjoyable experience, even if it does result in you getting more help in Limbo. Despite this, you’re still required to make this offer to all souls set to be sent to Hell. You do your best to explain though what the consequences of this decision are though, and thankfully most souls see what becoming a Hollow entails and opt to keep their humanity. However every now and then you’ll get few who insist that becoming a Hollow will be a better fate, so you end up with new reapers.

- Vox is BIG MAD that his biggest rival is now rubbing elbows with the LITERAL Goddess of death. Dumbass had no clue who you even were at first so he didn’t care, but as soon as found out you were Death, the ensuing meltdown he had knocked the power out for the whole Pride ring. Alastor is aware of how pissed Vox is about this, so he purposely goes out of his way to play up his interactions with you when he knows Vox is watching. He can practically hear Vox’s apoplectic screeching when he does it, and it brings him immense joy every time.

- You’re often accompanied by Cerberus; a massive, three headed, doglike beast. God made him for you as a gift AGES ago to be a bodyguard and companion for you. Not that you ever NEED a bodyguard, but the thought was appreciated all the same. You ADORE Cerberus, he is the goodest good boy that ever did a good in your book. Cerberus loves you just as much and loves to give you kisses and cuddles.

- Lucifer was dog sitting Cerberus for you while you slept. Cerberus was a little shit during this time because he missed you, so he would often purposely ignore any commands Lucifer gave him. Charlie loved him though and he was actually great with her, so Lucifer put up with it.

[mamawasatesttube]

something i like to think about sometimes is that. man. you could really create some kind of perfect storm with the combo of tim's post-infinite crisis fear of losing kon again + kon's intense, but generally passive, suicidality. guy who was so convinced he had to die a hero that when it happened he didn't even seem bothered by it (because he can't be traumatized by his own death if it was what he was literally made for, right?) x guy who has developed a whole new type of mental illness out of the survivor's guilt 100x combo. put them both through the wringer at the same time with one easy trick (make tim think kon will try to sacrifice himself for something) (and kon very well might!)

[sciderman]

the mcrib is back

[mayasaura]

Going into Alecto, I think it's important to expect that the series won't conclude with a clear lesson. Either about morality—what makes a good person, evil getting their just desserts, ect—or a thesis on decolonization. It's not that kind of story.

Deep down, this series is two drunk girls bearing their souls in a dark corner of the bar. An hours-long conversation that wheels wildly through pop culture, past trauma, theoretical physics, dreams and aspirations, global warming, hairstyling, friends, family, gender, personal insecurities, world history, favorite foods. It has a lot to say, and a lot of it profound, but it's not trying to teach anything. At the end of the night, the point was how fucking cool that girl was, and the potent electric potential for something lgbt to happen

[necrotic-nephilim]

for the ask game, an AU where (somehow…) jason and tim (begrudgingly) team up in the search for a hero/battle for the cowl era (either when jason says tim should work with him on the gang stuff or when batman jason asks tim to be his robin) :]

for the ask game!

god, Search For A Hero my beloved. for the Search For A Hero version of their team-up, I think I'd write it something like this

I think the biggest reason Tim says no when Jason asks him is Jason asks Tim too early in the arc. as the storyline develops, Tim gets more and more desperate to best Ulysses, which is what pushes him to make the mistake that gets Ulysses' siblings killed. he's in a tight spot and he misjudges the situation. (i think the guilt he carries from that moment is one of the biggest inciting incidents for becoming Red Robin) so, i'd introduce Jason to the plot just a little later. just as Tim is on the edge of desperation. Tim isn't entirely adverse to working with villains if he thinks he can stay on top of them. so instead of sending Jason to prison, i think if Jason came to Tim at the right time, Tim would begrudging accept Jason's help

part of Tim's plan would be leveraging Jason's power with the mafia/mob scene in Gotham. they'd agree that topping the gangs would just cause a power vacuum (i'm pretty sure that's actually addressed in SFAH but i could be misremembering) so it's more about a balancing act, which is where Jason thrives. Tim is right on the cusp of being willing to do more morally questionable things, so it'd be a fun internal war for him to second-guess himself at every turn.

there would be such a delightful lack of trust in their partnerships. TIm has *zero* reason to trust Jason, and while Jason likes Tim enough, i don't think he's naive enough to put any trust in Tim. so there'd be moments where they don't fill each other in on aspects of the plan. Jason kills people behind Tim's back, Tim keys in his cop friend behind Jason's back. it builds the tension between them with a lot of hot arguments that get more and more charged.

the jealousy. there would just have to be a scene where Jason gets wildly jealous over Ulysses' complex over Tim. Ulysses tries so hard to pit himself as like, Tim's biggest adversary, his opposite. and Jason would *despise* that. sure, Jason is working with Tim, but part of the fun is that they're still enemies as they do it. i think it'd be sort of fun to have the moment where Ulysses blows Tim up be something Jason witnesses and he raises unholy hell about. because if anyone is going to kill Tim Drake, it's going to be him. and that angry possessiveness is what makes the romantic/sexual tension something neither of them can ignore anymore.

Tim deciding to put on the Red Robin suit to fight Ulysses would be where Jason just. goes full tilt possessive "he's mine i marked him that's my suit. see. mine. i said so." and Tim would push back but. what ground does he have to stand on bc he could've picked any suit with any cowl to protect his head after the blast, but he did choose Jason's. it was his own open invitation to Jason in a way. and well. they fuck nasty about it. and then Damian becomes Robin, so why not Tim keep the suit and just maybe, keep Jason in his back pocket.

and!! for the Battle for the Cowl version. man on one hand i love "Tim accepts Jason's offer to be his Robin" fics but i feel they lack a bite to them, so this is personally how i would try to pull it off, while being relatively in character.

so the biggest thing for me is, TIm agrees to be Jason's Robin not because he trusts or likes Jason, but for the same reasons he became Robin in the first place: to keep Batman stable. being Jason's Robin isn't about wanting to work with Jason, it would be Tim knowing there's no world Jason is ever going to stop and seeing Jason slowly tip over the edge of madness and well. if Tim was self-sacrificial enough to do it for Bruce and attempt to do it for Jean-Paul, he can do it for Jason.

him agreeing would i think startle Jason. like, Jason's offer was never particularly serious because he's at the point he knows Tim wants nothing to do with him. so when Tim says yes it sort of. snaps Jason out of the rage BftC puts him in. he's so startled but enticed by the thought, he willingly agrees to stipulations Tim sets, like no murder. like even if just to see where this goes, Jason jumps on the chance.

i'd really want to keep Dick and Damian as Batman and Robin, and the weird divide that would exist with Dick/Damian and Jason/Tim both running around as Batman/Robin and how off kilter that puts Gotham. like Gotham is so baffled by it, it actually makes criminals easier to handle. because they have no clue if they're getting the Batman who needs Robin to keep him in line, or the Robin who needs Batman to keep him in line. people know there's two Batmans, two Robins and no one knows quite what to do with that information. who's the "real" Batman? who's the "real" Robin? and on the personal level, the divide between Dick and Tim would be unmistakable. Dick would know what Tim's doing and try to convince him Jason is a lost cause bc well, Dick at this point *really* believes Jason is a lost fucking cause. So Dick's genuine care and concern for Tim just drives a further wedge between them.

i think there'd need to be a scene where Tim flat out asks if Jason even *wants* to be Batman. in a sort of attempt to slowly ween Jason off of being Batman, but also because i don't think Jason ever really wants to be Batman, he just wants Batman to be what his vision of justice is. and it'd be the first real heart to heart they have, discussing the legacy of the Robin and Batman mantles and how it's affected them. it'd be heated, but it'd be their first real conversation as just. Jason and Tim.

to me, i think the end goal of this AU would be Tim successfully "taming" Jason, and not in like a soft way, but in like a manipulative way, where even Jason knows that's what Tim is doing, but he just goes along with it because it's the first real human connection he's had in a while. also, i would work in Scarlet, Jason's sidekick in Batman & Robin (2009) as like. a pseudo daughter figure for them to help Jason find his humanity a bit. so it's not just Tim as Jason's rock, but also this misguided girl they'd both try to help. and well, then they ride into the sunset and all that, but still have a complicated, toxic dynamic they're both aware is unhealthy, but as balanced as it can be.

[gingermintpepper]

"…Do you like snakes?" The question is innocent, natural. It sprouts up from the well of Ares' mind and passes through his lips like pollen on a careless breeze. Apollo isn't angry at it. He isn't even a bit surprised. It doesn't stop his instinctual flinch, doesn't stop that phantom scent of venom and stale blood from clogging up his nose. "I'm actually rather afraid of them." Ares looks up from where he's beating his brush into the marble, his frown more a pout as he glares at Apollo, "I thought you couldn't lie? Everyone knows you're not afraid of snakes." He sniffs, annoyed and testy, bangs his brush against the marble again ruining its sable brush-hairs for good this time, "You don't have to make up nonsense to try and make me feel better." Apollo very patiently does not bang Ares' head into the marble for destroying one of his most precious paintbrushes. As a child who has not yet partaken in the hunt, he knows not the skill it takes to capture a mink, nor the labour that goes into plucking their hairs, nor the artistry that comes from binding those fine hairs to a suitable piece of etched birch. Instead, he dips his own paintbrush in the setting salve and pointedly paints in large, obvious and even strokes, "It's not nonsense. I do not like snakes." "But you killed Python." Ares digs into the salve and spills thick globs of it about the floor like a boar at the trough. Apollo graciously notes that next time, he'll endeavour to put old linens down so as to skip the hard work of scraping sealant off his tiles. "You weren't afraid then. You bathed in her blood. You enjoyed it. I felt it."

"Yes," the wet squelch of the salve is as bubbling blood in his ear. He'd shot her full of arrows then flayed her open on their points. Black from head to toe, that's how he'd returned. His hair dark with her venom, his skin soaked in her guts. His smile black with her death. "I suppose I did enjoy it." Apollo puts his paintbrush down, takes a step back to gauge the breadth of work that remains before them. "I do not think I'd enjoy such a thing now." Ares' eyes are hot on his cheek. He's rolling Apollo's words around in his head, contemplating them with a graveness he rarely lets the others observe. Apollo just wishes his gaze wasn't so probing, so snake-like in its intent. Almost predatory. "You can't change what you were born to be, Phoebus. None of us can." "On the contrary," he meets Ares' dark stare - viper versus cobra, two snakes in their little circular pot, "I have it on good authority that change is necessary for living."

[jerreeeeeee]

i don’t know if i’m ever gonna write the fic but i’ve been thinking abt like. the eternal stockade. the implications. lup, a lich who was trapped in a dark featureless cell for a decade completely isolated with nothing to keep her sanity but her own mind. she has to put people in the eternal stockade. how many liches does she see herself in. how many liches started out just like her. how many liches are truly too far gone. and the only liches we ever see other than her and barry are edward and lydia. they’re certainly evil, but mad? they seem pretty sane. they’re not, like, tattered echoes of souls, they’re definitely still people. even as much of a grudge as lup surely has against them, wouldn’t they remind her incredibly strongly of herself? do they deserve to be trapped just like she was? for eternity? isn’t eternity what turned john to existential despair in the first place?

[sapphic-terror]

See what if I just -

Erik has always had a complicated relationship with God, and Charles.

[fellamarsh]

another thing i've been trying to do recently is read more self-published stuff. "but fell," you say, "you're a self-published author. surely you've been reading self-published stuff all along" and then i laugh for so long in response we both become uncomfortable.

see, the fear (which has for a long time been killing my mind) that i'll read other self-published stuff and find out that it's so much better than mine that i might as well stop writing forever kept me from doing that basically ever. i have a hard time not unfavorably comparing my work to others and had convinced myself i was being smart by withholding an avenue of de-motivation (reader: i was not being smart). it also doesn't help that i'm pretty low income and have a hard time spending money on books i haven't already read, and that self-published stuff isn't always available at the library---but really a lot of it was just me being a coward. which i'm working on. i could talk about how this particular cowardice is Very Silly, but i think enough has been said about it on writeblr and in the Writing Space in general that i don't feel the need to (though i will if anyone wants me to).

instead, i wanna talk about the self-published things i have read in the past few months and ask about the self-published things you love!

so: what happened was i got real sick, and while i was real sick i (naturally) read over 200,000 words of ace attorney fan fiction in the span of a few days. eventually i got bored of it (and also maybe annoyed at how people were characterizing some of my guys), but i still wanted to read something gay and romantic and nice, something i knew was gonna end happily, which isn't my typical fare.

now you may be saying (having gotten over all the uncomfortable laughter from earlier) "fell, you write gay romance. what do you mean that's not your typical fare?" listen. until a couple months ago i hadn't read a cut and dry romance novel since before i finished college. for context: i graduated in 2015. i know it doesn't make sense. i'm a guy who doesn't make sense.

but in this case it worked to my advantage. not the not making sense thing, but the not having read Published Romance in 1000 years thing. I didn't know where to start. I was very skeptical of everything the library had Available Now in the Gay Fantasy Romance category. what if it was all bad and also not good?

and then i scrolled past the familiar cover of our very own @ashen-crest's A Rival Most Vial.

now this was comfortable territory! this was a novel by a very nice writeblr person whose posts i enjoy! i already loosely knew the plot, i was familiar with the characters, i knew the names of things like rosemond street and the griffin's claw and that ambrose had blue hair and that at the end of it all there would definitely be Boyfriends. i didn't have to worry that this would be bad! i only had to worry that it would be really good!

but i wasn't worried about that, because i was officially Not Writing at the time, and because why the hell hadn't i read this book yet Ash literally emailed me some very kind words last year when my cat died??

Y'all, I devoured ARMV. If you haven't read it yet---especially if cozy fantasy is more your thing than it is mine---you should check it out Immediately. It was fun! It was heartwarming! It was sweet and earnest and confident! I was delighted to find it was occasionally hot! Ambrose and Eli snuggled up into my sick exhausted heart and found a permanent little place there. (Especially Ambrose. I have such a thing for Stiff Guys who Kind of Suck for Tragic Backstory Reasons and are So So Lonely They Don't Even Realize It. gawd)

(And a very small part of my brain spent the whole time wondering why I had been so afraid to really engage with the work my community is doing. The community that I'm in. The one I'm a part of. Why?! Maybe more on that later.)

But from there the curse was broken! I immediately devoured @stjohnstarling's What Manner of Man in a similar sort of frenzy (and hooooly shit guys am I excited for the expanded, finalized version to come out at the end of next month!) and started digging into @lurinatftbn's The Flower that Bloomed Nowhere (which I can already tell is going to be an All Time Favorite).

And now I want to ask you what your favorite self-published books are so that I can read them, too, but I think I will in another post that doesn't dedicate so much space to talking about my various and sundry Issues and isn't Terminally Long

[hanzajesthanza]

it is absolutely so weird to me to try to imagine a version of geralt that is like, my age. like, no. get back to being an old man

[aroaceleovaldez]

Not to get pedantic (oh who am i kidding that’s most of this blog) but I am genuinely fascinated by the potential applications of the established canon in HoO and TOA that the gods canonically have both historic and regional forms, and can appear as specific versions of those forms and have kids of those specific forms, which influence what powers the kid has/what pantheon they fall under/etc etc (and also the implication that demigods can be born under multiple forms of a singular deity). This is somewhat backed up even earlier in the first series when we’re told that Percy has earthquake powers because of his father being Poseidon “The Earthshaker” (which is Mycenaean Poseidon) - which could also tie into why Percy generally takes leadership roles, is hopping in and out of the Underworld a lot, and is apparently particularly powerful for even just a Big 3 kid, since all that would line up with Mycenaean Poseidon being generally put at the head of the pantheon and also being a chthonic deity.

Now this gets really interesting when we start looking at deities being combined and conflated, because a.) the Romans weren’t the only ones doing that and b.) the Romans had their own gods originally, they didn’t just take the Greek ones and slap a new name on them. They merged a lot with their own preexisting deities alongside adopting worship of deities from other cultures as the Romans spread (and the Greeks also did this), and c.) the ancient Greeks and Romans did exist at the same time.

Like, we know in terms of the Greeks and Romans that if their godly parents are “equivalent” then their demigod children are siblings, just like if Greek demigods have the “same” godly parent then they are also siblings. However, very few Greco-Roman gods are one-to-one, and a lot are like three gods in a trench coat, and then if you want to get into historical forms then you can start running into weird things like “Well, if you go back far enough, these two Greek gods may have originated from the same thing-” and also if we’re talking historical forms, again, the Greeks and Romans existed at the same time! Which means there would be historic forms of godly parents that are both Greek and Roman! So like, where do we go from there? Would Hazel be equally siblings to a child of Plutus as she is to Nico because both Hades and Plutus were conflated into Pluto? Orcus was also conflated with Pluto - does that mean when Nico killed Bryce Lawrence, he was killing his half-brother? (cause then that parallels just a couple chapters later when Will faces off against Octavian-) Are there demigods who, depending on their godly parents’ form(s), are technically both a Greek and Roman demigod? If Hermes and Pan possibly originated from the same god, does that mean all the satyrs are siblings with the Hermes kids? If we want to get into all the nonsense of Dionysus’ origins and Zagreus and Hades, does that mean Nico is technically siblings with Dionysus kids? Does Dionysus joke about this during their therapy sessions? Are some demigods in certain cabins siblings with kids in other cabins but each others’ siblings aren’t siblings depending on what form their godly parents were in?

I have a headache now.

[crispycreambacon]

Spice In, Time Out!

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Wanna read a semi-crack fic about Beef Boy hanging out with a bunch of puppets? Maybe even do a little ramen challenge with his little blue fuzzy nerd friend? You're in luck, 'cause I wrote 6500 words of exactly that!

Among those thousands of words are a bunch of cool stuff such as:

Puppet shenanigans! Two of them may have planned to kill their friends (disclaimer: that murder will not be shown in the fic)

Actual history??? Yeah that's right you're gonna get hit with a Puppet History-style question so STUDY UP ON THE HISTORY OF RAMEN (or not) 👹

God being the worst! Again! They may have actually killed someone (disclaimer: that murder WILL be shown in the fic)

God/Professor allegations. Whether those allegations are true or not will be up to you

Overall a (hopefully) funny and wholesome bonding time between everyone at this table. They're all friends! :]

If all of that sounds like a jam to you, you can read the fic via clicking here, clicking the title, or searching up "Spice in, Time Out!" by crispycreambacon on AO3.

I hope y'all will enjoy this fic! I'm pretty proud of how it turned out especially since I was honestly not feeling it at the start and even contemplated not publishing it at all. Even if you don't read it, I hope you enjoy the art (bonus doodles down below btw!) and I hope you'll have a schmaculous day!

[ragnarokhound]

hey sweetie how are you. I made banana bread for breakfast tomorrow but DON’T touch it till then, it won’t be as good

there’s a post going around about the dynamic of a guard dog character, a lamb, and a wolf (one wants to possess and protect the lamb, one wants to devour it). How do you think jaytimkon fits in this?

ps… 10 things i hate about you? thoughts?

hey sweetie, i'm pretty good uwu had a nice day yesterday walking around my neighborhood with a friend! <3 And ough herrghh mrregghh gragghhhh (<- actively holding myself back from tearing into the banana bread immediately, i'll be strong for you bb but know that you are testing my limits in new and exciting ways)

Putting my responses to both (!! >:0) the jaytimkon and 10 Things ideas under a cut because *deep sigh* it got long lol

BRUH. BRUHHHHHHH. You cannot simply say this to me. You Cannot. Simply. SAY THIS TO ME, YOU'RE NOT SLICK

Once again testing my limits in new and exciting ways because I have a different WIP deadline fast approaching so I simply cannot write more for my actively inspired by guard dog x lamb x wolf jaytimkon WIP to SHOW YOU, in DETAIL, EXACTLY how i think jaytimkon fits into this, BUT

My feelings on this are many, and partially answered in these asks already. But I'll reiterate that they are all three facets simultaneously, baby. Depending on who's talking, they think of themselves as this, that, or the other; the loving, vigilant protector - the helpless, vulnerable bleeding heart - the hungry, slinking interloper. The story I have been brooding over for almost a year now (egads) WILL feature a somewhat slowburn where each of them takes turns realizing which one they are and slowly changing their minds as the narrative progresses and their relationship heats up 🔥w🔥BUT BE PATIENT BECAUSE I SURE HAVE TO BE (*whining and whimpering i crave this banana bread)

P.S. I love the taming of the shrew, and it's absolutely perfect jaytim material are you KIDDING. Cramming two different concepts into one ask. Evil. Diabolical. I love my wife.

10 Things I Hate About You is such a fun movie, and I could honestly see the role of Kate being played equally well by either Tim or Jason lol, and in a somewhat reverse robins style, Dick taking on the role of Bianca. Wally or Kori or [Your Choice Here] in the role of Cameron, wanting to date him. In fact, ohhhh OHHHH okay. Okay bear with me while i cook--

Consider Oldest Child Dick Grayson-Wayne who is super popular, super well loved, everyone wants to date him - but he always begs off because he doesn't want his younger brother, Jason, to be left in the lurch. Standoffish, bookish, i-heard-he-did-time, 'whats it to you' Jason, who has maybe two friends but they go to a different school so he doesn't have anyone to sit with at lunch besides his charming older brother. Dick's party line is, "If you wanna be my lover, you gotta get with my bro. Good luck! :)" (Something something, Dick and Jason are both adopted, something something Dick doesn't actually wanna date anyone, send tweet)

NOW. Fast forward to when Dick meets someone he might actually want to date. But to keep the ravenous hordes away from him, he still, regretfully, must stick to his guns. Jason needs to be dating/friends with/hanging out with/etc someone else before he and this person (again, Your Dickship of Choice Here) can boogie down.

Cue Dick nudging Jason out of the blue to strike out on his own and Jason getting squinty-eyed suspicious (and secretly a little hurt) that Dick apparently sees him as some kind of burden to be offloaded or whatever. Thanks bro. :(

Thus, Dick and his prospective SO hatch a Scheme. A Scheme to see Jason Woo'd in such a way to keep the heat off Dick from both the collective horny student body AND his sensitive younger brother. Enter Tim Drake.

Tim transferred this year and people have been speculating like crazy about him. His grades are insane so people think he'll be a nerd, but he skateboards to school so people think he'll be a stoner, but he's crazy athletic so people think he'll be trying out for the swim team or something - but mostly? People don't know shit. He's friendly enough, but stays apart. An enigma. Cuts school at least twice a week, hasn't seemed to pick any one crowd with which to integrate, is unaffiliated with any one piece of the greater student body. The most anyone can really tell is that he's just a little unhinged and strapped for cash. He'll pull some crazy stunts - if you've got the money.

Which makes him perfect.

Cue Shakespearean shenanigans leading to Some Asshole (your choice of Dick notp here) offering to pay Tim if he dates Jason Todd-Wayne. Tim thinks it's kinda stupid and an asshole move at first, but apparently the money is too good for him to pass up. So he bites.

Tim stalkers his way into interacting with Jason (something something Jason shoving Tim against the wall outside a 7-11 after school and snarling in his face, "i know you're following me. the fuck do you want" and Tim smirking at him, "to ask you out." Jason blinking, then dropping him like he's been burned. "Bullshit." Tim shrugging and running to catch up, falling into step beside him. "It's the truth." Huge Jason side-eye.) and events spiral from there.

(Vulnerable conversations. Jason: People look at me like I'm trash. Like I'm one bad day away from snapping and proving that they were right not to trust me all along. Like I don't have feelings that matter. I like that you're not scared of me. I like that you seem to fuckin'... like me. Or whatever. But I don't know how to trust it. Tim: People only want me around when they think they can get something out of me. They don't like me just what I can do for them. You've never made me feel like that. You don't give a shit about what I can do. It makes me want to-- it makes me want to give you things. To do things for you. I dunno. I guess I'm just waiting for you to tell me to fuck off and finally mean it.)

The reveals go badly. Hurt and betrayal on every side. (Turns out Tim needed the money because his mom's dead, dad's in a coma, and the family company that was supposed to keep Tim afloat has gone belly up. All of his parents' money is tied up in trusts and behind red tape. He's on his own.) Jason is pissed at Tim, but pissed at Dick especially.

The brothers fight. It's a doozy. Dick apologizes for going over Jason's head and manipulating things. Jason apologizes for being an asshole and making Dick feel like he has to be the responsible golden child 24/7, and also for punching Dick in the face. They promise to do better. Then Jason tracks Tim down to his shitty apartment (Tim had seemed super nervous the one time Jason had tried to come home with him, and now he thinks he knows why) and bangs on his door. He hasn't been to school in over a week.

They fight. It's great.

("What you did was shitty." "Yeah." "I don't forgive you for it." "...yeah." "So you better start thinking about how you're gonna fuckin' make it up to me." "Y-yeah?" "Yeah. Like fuck I'm missing prom this year when I finally have a fuckin' boyfriend.") (Now kiss)

[don't ask me how old they are/what grades they're in. i simply do not want to contemplate it. i'd call this a college au for my own sanity, but the very premise and interest in social hierarchies is just so inherently high school that it would fall apart lmfao]

[homoqueerjewhobbit]

Been thinking a lot about characters who don't have tragic/complicated/lore-filled Backstories cause I just finished Neverwhere and Richard is just like some guy. Neil never explains why he's special and he can see door, he just does.

Tolkien never explains why Gandalf chose Bilbo. I don't even think we ever find out what career Bilbo had before going on his journey. He has no Backstory at all.

Rose Tyler was just a totally normal girl. So was Arthur Dent. So was... Another example, sorry I'm tired, I already gave you four.

Look, I'm not saying elaborate/tragic/mythic Backstories are bad, my WIPs are chock full of them, I just think writblr sometimes acts like they're mandatory and they don't have to be.

[necrotic-nephilim]

I’m gonna be honest I didn’t realize the new 52 messed with Kon that much till I read your post and now I can’t get over the potential. I’m a Tim/Kon girly at heart so I would devour anything you write exploring the 52 vs typical Kon. Also Time being in a clone sandwich is 👌.

the new-52 messed Kon up SO bad it's ridiculous. like, to the point i would personally argue he's a completely unrelated character to pre-Flashpoint/Rebirth Kon. his personality, his suit, his origin, all different. the only real similarities are the name and powerset. and even New-52!Kon's powers are slightly different from pre-Flashpoint!Kon. New-52!Kon is a clone of a future version of Jon Lane Kent, cloned by N.O.W.H.E.R.E. to provide genetic material to Jon Lane Kent, whose body was not handling being half human/half Kryptonian well, it was a whole thing. New-52!Kon is also where we get the infamous "Kon-El means 'abomination of the house of El' and Kara basically named him a slur in Kryptonian culture" tidbit, because that is the only time that's canon. (originally Kon-El was a name gifted by Clark to accept Kon as his family way back in the 90s) he also never went by Conner Kent. New-52!Kon just straight up didn't have any real human identity or connections, outside of being very close to Tim and some Titans.

the very TLDR of Kon's history is: during post-Crisis/pre-Flashpoint, a clone called Superboy is created by CADMUS. at first, he's considered to be a clone of a dude named Paul Westfield and is not Kryptonian whatsoever, he was simply made to look like Superman and only has Tactile Telekinesis as a power. then, it was made canon that actually he was a clone of Lex Luthor and Clark Kent, but Lex hid this fact and slowly, Kon developed more Kryptonian powers. he's given the name Kon-El by Clark, and is taken in by the Kents, getting the name Conner Kent. then Flashpoint happens, we get the New-52, and we're given the above version of Kon-El, who is a clone of Jon Lane Kent, created by N.O.W.H.E.R.E. who has mostly very strong telekinesis powers and some Kryptonian powers. he's with the Titans for a bit, then at the end of the New-52, he kills some aliens and feels bad about it so he decides to fuck off and is never seen again, it's presumed he's dead but never confirmed. then Rebirth happens and DC makes Jon Kent the current Superboy, we get Supersons and all that, and it's assumed that no version of Kon-El exists. just at all. he's not around whatsoever, Jon is our only Superboy. *but* in 2019, we get a new Young Justice run and the pre-Flashpoint Kon-El is back, and we're given the explanation of: Kon got accidentally teleported to this alternate realm called Gemworld and then Flashpoint happened, and since that was a Crisis Event that changed the timeline, the poor lad got *erased* from the timeline, causing most people to *not fucking remember him* and for him to remember a timeline that no longer exists. some of the Young Justice team vaguely remember him, Ma and Pa Kent remember him, but notably, Clark *does not remember him*. it's not an issue of "Clark ignored Kon in favor of Jon" it's an issue of "Kon was erased from the timeline and didn't exist for years bc he was stuck in Gemworld and Clark just doesn't remember Kon or Kon's timeline" which to me, is far more tragic but i digress. since then, Kon has been back and is present in most significant Superfamily runs, with his own recent mini-series, Superboy: Man of Tomorrow. (which was very good btw)

so basically: the New-52 fucked Kon up so bad they wrote him out of comics for years and then brought back the pre-Flashpoint version, but never *explicitly* killed the New-52 version off. so hypothetically, it's possible that there are currently two characters existing in the DC universe named Kon-El who have been Superboy. and like i said above, one of New-52!Kon's only real significant relationships was with Tim, it was the only thing the New-52 managed to get right about Superboy, his closeness to Tim. they have a *lot* of moments that read incredibly queer. and ofc, it's just outright confirmed in Dark Crisis: Young Justice that Tim had a crush on pre-Flashpoint!Kon at some point. so while comics are intent on pretending New-52!Kon doesn't exist, i am intent on putting Tim in a clone sandwich.

because i do think it's fun to play with Tim having genuine feelings and potentially a relationship with both of them. and the fucked up nature of him not fully *remembering* his relationship with pre-Flashpoint!Kon (which is a canon thing, in YJ(2019) Tim has vague memories of Kon he's struggling to piece together and understand why he cares about this guy he doesn't recognize so much) and how frustrating that is for Tim. he knows he loves Kon, but it's all foggy besides that. and so it's even *more* fucked up if Tim dated New-52!Kon before he got emo and ran off into the unknown. obviously in canon no one has told current Kon about New-52!Kon bc comics are doing the good ol' tried and true of "sweep that shit under the rug" but for fanfic, i think it's fun to ask the question of: would anyone *tell* Kon? especially Tim? who now remembers dating both versions of them? would he admit to Kon that briefly, he had another Kon? how would Tim cope with that and move on? personality wise, they could not be more different. they dress and act and look different. they're not the same person, but there's certainly a questionable factor of Tim's dating history including two Kon-Els.

the idea i've had for a while is Tim slowly starting to date pre-Flashpoint!Kon again. it feels familiar and like home. and Tim has grieved and accepted that wherever New-52!Kon is, he doesn't want to come home, he didn't love TIm enough to stay and try. so Tim takes the Kon he has, and genuinely has a happy relationship. like for once, life is good and things almost make sense for Tim. but then, of course, New-52!Kon comes back. he decides he wants to try again and he finds Tim. only to find well. he's been replaced. and technically, he's been replaced with the *original* that he didn't even know *existed*. and if being a clone is bad enough, that just makes it a hundred times worse. because imagine knowing you're actually the second Kon-El your boyfriend who you never *technically* broke up with fell in love with. that's gotta give you some kind of complex.

so i think it's fun if both Kons try to step back and let the other Kon date Tim. both of them have reasons to feel like the "replacement" or "fake" Kon, and it makes them incredibly awkward with each other. do they count as the same person? bc they definitely don't *feel* like the same person to each other, but with weird timeline stuff, who can really say. them settling on an awkward throuple that's really meant to be Tim just dating them both but somehow they end up dating each other too is so fun for me. they both feel like imposters to the Superboy name but are so deeply in love with Tim Drake, it's the one thing truly connecting them. and then of course, Tim feels bad in that somehow, he's betraying both of them for having feelings for the other. but they make it work, with a lot of awkward angst and miscommunication. i just think it'd be fun. very difficult to write to get all the weird timeline nuances down in a way that's understandable in a fanfic (bc you can't just. infodump like i did on this post) but doable. also difficult to tag, because even though i argue these are two different characters, i'm pretty sure Ao3 groups them under the same character tag. so it'd be difficult to convey it's not *really* as selfcest-y as it would imply. comics, man. DC will never acknowledge New-52!Kon again, and he's admittedly a terrible adaptation of Kon-El, but. i think he was sort of neat in his own right and i'd *love* for DC to just inexplicably bring him back and make the current Kon deal with the consequences of all that. and them make Tim kiss them both. obviously.

[gingermintpepper]

One of my favourite little things about Apollo is how casual his and the Fates' relationship was.

Now, this isn't to understate how grave the Fates were in any way, as a matter of fact, it's written multiple times about the complex interplay between the Fates and Zeus (Stobaeus even wrote that the Fates were given the seat closest to Zeus' throne so he could better give counsel on all things from their machinations)

Indeed, even Zeus was beholden to them and even though the Fates usually left things up to natural course (and Zeus in his position as Moiragetes - that is, the Leader of Fates could even intercede on these events, even interrupting when a someone was set to die) in a lot of ways, there are many, many things that even Zeus could never interfere with, things that were above even the King of the Heavens. Some really good examples are things like Persephone's Abduction which the Fates ruled as necessary for the propagation of the seasons and his marriages to Themis and Hera.

By all accounts really, the Fates were incredibly stern, incredibly grave deities who presided over law, order, birth and death and even worked with the Furies to punish those who broke the sacred laws!

And then you have Apollo who was also known by the title Moiragetes (In Delphi, there were only two Moirai depicted and in place of the third was Zeus and Apollo Moiragetes according to Pausanias) but who did things like, checks notes, send the Fates to be the midwives of his paramour Evadne when she had to deliver his son alone in secret (by the way, he also sent the actual goddess of childbirth to help. The Fates absolutely did not need to also be there, he was taking every precaution:

and get the Fates drunk so they would agree to save his bestie Admetus' life:

Keep in mind btw - this con Apollo pulled for Admetus was multi-layered and even included getting Heracles to wrestle Thanatos and keep him still so Apollo could proceed to help Admetus cheat Alcestis away from Fates when Admetus expressed regret for making his wife die in his place:

And I cannot stress enough that Apollo faced zero consequences for this nonsense. NONE. The Fates weren't even cordial with other Gods - they're almost never referred to directly, they were often depicted apart from other deities or described as old, ugly and unable to walk (though, generally speaking they were artistically depicted as young maidens!) and apart from comforting Demeter by going to personally explain what happened to Persephone in some versions of the story, they didn't really get humanised the way most of the other gods or spirits did. Usually they're referred to euphemistically, or someone will speak distantly about a prophecy they once heard was designed by the Fates but Apollo? Apollo knew the Fates! He was good friends with the Fates! And I think it's even cooler when you consider that both instances of Apollo showing off his Fate's Favourite privilege have to deal with birth (of Iamus) and death (of Alcestis/Admetus) which were the two points most deeply associated with the Moirai and why there were usually depictions of them as a pair over that of a triad.

(Excerpts sourced from Theoi, Aeschylus' Eumenides, Pindar's Olympian 6 and Statius' Silvae; though just a note, one instance of the Fates' involvement with Apollo is misquoted on Theoi - that is the Fates being present for Apollo's birth, that's actually a misinterpretation of Evadne's birthing of Iamus.)