#giving him a kiss on the head
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waitineedaname · 3 months ago
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guys idk if you know this but I love Luo Binghe
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kingcrow01 · 9 months ago
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him. he is speaking to me
it’s crazy how much diversity there can be in one species…these are all pictures of the same bird species (red-tailed hawk)
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n4rval · 9 months ago
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i lied. here's a bonus.
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fairsweetlonging · 6 months ago
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the svsss extras are actually so insane, one moment you're reading about the heartbreaking past between shen jiu and qi yue and about trauma and cycles of abuse, about luo binghe mourning shen yuan and staying with his body every day for years, about shang qinghua being offered the chance to go home and not taking it because he was miserable and lonely, and then the next tianlang-jun is trying to set zhuzhi-lang up with shen yuan and encouraging him to bride-steal?? and then shang qinghua is ordering mobei-jun to make him noodles while fantasizing about writing a danmei peak lord orgy?? cottagecore bingqiu?? everyone thinking shen qingqiu got pregnant with luo binghe's child??? og pidw fans apparently being qijiu and binggejiu shippers?? hello what??
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an-established-butt-dent · 7 months ago
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"What have they done to you,
Old friend."
Trapped in the fade, Solas comes face to face with the remnant of his spirit.
The Dread Wolf was his wisdom, mirror to his pride. In the wake of the wrathful Evanuris, it too, has succumbed to their taint.
Or, where I'm making wild plot speculations surrounding Solas trapped in the fade. while turning my brainrot into art pieces and gifs. I'M PACING MY ENCLOSURE. Looking for crumbs and scrabs of Veilguard. Please Bioware I'm begging, feed me. 😭
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timethehobo · 2 months ago
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Somebody is still waking up.
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kendyroy · 4 months ago
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confused little kitten
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spidehpig · 8 months ago
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thinking about bird who was sleeping peacefully only to be woken up to soap mauling her. he was so mean and rough with her after a nasty 3 week solo mission got him all frustrated and worked up. shaking and limping into the living room after soap falls asleep snoring on the the bed. simon cooing at her to cmere. was the stupid mutt too rough with you sweet girl? :( he promises to kiss it all better, stroking her sides while he pulls her onto her lap so she can sniffle and shake into the side of his neck. he’s not a good man though and her tears are getting him all worked up :(((( it’s not his fault she looks so pretty when she cries and johnny got her all wet and pliant for him. why shouldn’t he bounce her on his cock? :((
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plutonious · 21 days ago
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wahtever I like emmie and gogo I want to talk about them.
after emmet gets to hisui ingo is verrry cheerful due to the amount of affection he recives from emmet
ingo's been basically trained out of initiating physical contact from being a part of pearl clan for so long, but that doesn't mean he doesn't like it, just that he forgets he's allowed to do so when theres someone he can do so with, so everytime emmet touches him he practially melts. emmet is latched onto ingo half the time so that's really often. something something he grew up with one million affection and then didn't realize he was missing it until he got it back. now he doesn't like being apart from his brother for too long. because it's warm and cozy to be hugged.
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soft-pine · 3 months ago
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when i think about this scene from 15.15 it makes me want to chew glass and tear up the walls in rage.
AMARA: I wanted two things for you, Dean. I wanted you to see that your mother was just a person, that the myth you'd held onto for so long of a better life, a life where she lived, was just that, a myth. I wanted you to see that the real, complicated Mary was better than your childhood dream because she was real. That now is always better than then. That you could finally start to accept your life.
for the record i want to say i am a known amara-hater. don't like the non-con shit. don't like that she's doing what so many beings in spn do and narrativizing dean's life back at him while judging him because she drew the wrong conclusions. but i think fandom does have a tendency to take those claims at face value because that is easier than combing back through to check if it's correct or not. (see for example, rachel saying dean only calls cas when he needs him in 6.18. narrativizing, incorrectly. but i digress)
so let's talk about mary. because, through the seething rage, i think two main things about this claim. 1. dean does not have this mythos around mary and 2. mary has arguably more of that mythos around dean.
first off, we'll tackle the claim that it's a myth that if mary hadn't died, dean wouldn't have a better life. because that is absolute, utter, dogshit. OF COURSE HE'D HAVE A BETTER LIFE. while i will always maintain that clearly mary and john were far from stable before she died, her death was what speared john forward into hunting, into turning his kids into soldiers, into neglect and parentifying, and every other god forsaken thing he did. "a better life, a life where she lived, was just that, a myth" - girl, i DON'T CARE IF YOU'RE DIVINE, SHUT THE FUCK UP.
like please don't come here acting like dean grieving the future he could have had that didn't include him taking care of his younger brother alone in motel rooms for days while maybe actually being left as bait for the Kid-Eater is a character flaw on his part that he needs to learn better from.
next, amara claims dean needs to see the "real, complicated Mary."
but hasn't he? dean goes back in time and meets his mom in 4.03 and 5.13. and both times he treats her both as a competent hunter and a colleague. like to be clear, before that, i dont think he was wrong to be relying on a four-year-old's memory of what his mom was like because that's literally all he had access to. but dean actually did meet and interact with the whole, complex woman who was his mother long before amara decided to teach him a lesson with her as the homework. in both 4.03 and 5.13, dean tries to give mary advice to save her life but he doesn't belittle her experience hunting or her desire to leave and life a normal life. i don't know what more you want from him in terms of interacting with his mom as a whole, real, complex person?
this also applies wholly and completely to his interactions with her when she returns in s12. he apologizes for being nervous for her safety (AFTER SHE WAS JUST RESSURECTED) at first. mary says she wants to hunt, dean gets on board. mary says she needs space, dean asks clarifying questions to best support her request. he gets mad at her not for being who she is or needing what she needs but for lying to him for months and working with people who tortured him and sam.
in fact, s12 is what i would point to to indicate how well dean articulates and navigates the nuance of being hurt by someone's actions while still understanding and empathizing with why they did it and forgiving them. for example, he says this in 12.04
DEAN: This whole mom thing, it's... I mean, we get her back, and then she leaves. I hate it, but I get it. I do. I guess I'm just...still working through some of that crap. I'll try to be less of a dick about it.
[you're not a dick, dean, ilu]
in fact, dean's much maligned "how 'bout for once, you just try to be a mom?" isn't even about dean wanting anything particularly maternal from mary. it's about him not wanting her to ditch them to hunt alone and/or with the aforementioned torturers.
so circling back to amara's speech about expectations and myths. cause while her words do not apply to dean. amara's speech does remind me of something that happens upon mary's return in s12. these lines from 12.03:
DEAN: Mom, it's okay. All right? You're home now. MARY: No. I'm not. I miss John. I miss my boys. SAM: We're right here, mom. MARY: I know. In my head. But I'm still mourning them as I knew them. My baby Sam. My little boy Dean. Just feels like yesterday, we were together in heaven, and now...I'm her, and John is gone, and they're gone. And every moment I spend with you reminds me every moment I lost with them.
of course she has every right to grieve the time she lost with her kids. but someone in this room is having trouble really looking at the people in front of them because of their idealized memory of who they were compared to are and It Is Not Dean.
and i just think about dean's speech in 12.22. cause it wasn't dean that needed to see the real mary. it was mary, tucked away in her dream world where sam is a baby and dean is a little elementary schooler who likes pie and has never held a gun, who needed to see the real dean.
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lemonwrap · 6 months ago
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Thinking about Alone Ghost whose three heads can’t ever quite get along, always arguing and pissing each other off—but they unanimously come to the agreement that they really, really like Soap and they want to get all five of their hands on him as soon as possible, thank you very much
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canisalbus · 1 year ago
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I've been following you for years, and I love your art. Seeing you repost your older art pieces reminded me how much I loved the angry, bitter, miserable Machete art and how it resonated with me... but a part of me is also so happy to see the current art of him being happy. Cute art of him as a unicorn, or chilling in a bathtub with Vasco. Like, we're all growing and healing :')
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lathbora-virann · 6 months ago
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I love how proud and happy he looks at your reaction when he first shows you Skyhold
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noperopesaredope · 4 months ago
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Me: Ooooo, I wonder what this "Mouthwashing" thing is that everyone's been obsessed with lately. I should check some of it out.
Me, 30 minutes later: I would kill myself for you, Anya.
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#i'm so obsessed with her#you don't even understand#i love her so much#she deserved better#she deserves the world#mouthwashing#anya mouthwashing#anya deserved better#anya deserved so much more#anya my beloved#mouthwashing game#look at her#i love her#fuck jimmy#all my homies hate jimmy#i will stab him for what he did to my girl#i will rip him apart with my mouth#she deserves to stab him to death at least a little bit#but honestly i love anya for so many reasons#not only is her plotline interesting and tragic as hell and she deserves better#but she is a legitimately interesting person and character outside of what happened to her#her dedication to her job and the fact that she was able to keep curly alive by herself for so long is extremely admirable#and i've heard about how she can act pretty playful and fun when outside of situations like the one she was in throughout the game#i really wish we got to see that side of her more#because it seems like her anxious and more timid personality is a bit of a trauma response which is understandable#so yeah i love her and i want to give her a pat on the head and a hug and maybe a gentle kiss on the forehead if she's okay with it#i prefer to comfort others via physical affection and i want to comfort her so badly#i don't know if i'd be the most helpful if i were a crewmate who learned what happened to her#(my way of helping would be offering to murder jimmy and i'm not sure if she'd want that because not all victims want that)#and sometimes physical affection/hug aren't helpful or preferred
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smiley-maize · 7 days ago
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Please tell maize he's very special and his silly smile is a joy to all. I think he needs to know
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Thank you!! A special Maize smile just for you!
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eyesteeth · 7 months ago
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i know the given reason why we never get Richard's last name is because the narrative is meant to resemble religious stories where people are only referred to by one name, but given the fact that his whole character motivation revolves around family and his identity issues, it feels deeper than that.
like, we know Carpenter was formerly Mallory Glass from very early in, and by season two, Paige is Paige Duplass and Hayward is James Hayward. crucially, this is because people know them. there's still people within the church who know Carpenter's last name and family linage, like Mason. and Paige has coworkers, as does Hayward.
but Richard isn't close with anyone who'd feel the need to use his last name. his brother and his father never have a reason to, and he has no connections to anyone besides them that know him as Richard and not Faulkner.
it just feels like a metaphor for how he's become disconnected to his family despite his longing for that kind of love. Carpenter has actively chosen to abandon her family name out of shame, so her lack of last name is intentional. Paige Duplass has her struggles with her father, but still comes to him for help and still writes his name in remembrance in the finale. James Hayward has his mother in his thoughts all the way into the final season, and we hear how she set him on the course he's on.
but Richard's last name is never known to us. and, in a way, it feels like the process of Richard being slowly consumed by Faulkner has taken his last name from him. his attempts to become this ideal self have turned him into something alien, and now he's lost what he truly longs for - his family's love. and, because he cannot have them, he can no longer have his last name, that final anchor.
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