#give it to a busy person

[iamamythologicalcreature]

What the WIP Wednesday am I doing?

Okay, sooo apparently everyone is doing WIP Wednesday, today. (Okay maybe not the entire internet, but you know, there's a lot of wipsday action, today.) I thought, "Okay. Sure. I can get lost in this crowd. It's a good crowd."

So, I say to @alexalexinii, @monbons, @prettygoododds, @you-remind-me-of-the-babe, @mooncello,

@blackberrysummerblog, @fiend-for-culture, @shrekgogurt, @bookish-bogwitch, @noblecorgi,

@drowninginships, and @artsyunderstudy (who is the devil on my shoulder today apparently XD)... You are all to blame for this. Yup. Your fault. Peer pressure! (Thank you for tagging me though, I look forward to seeing what all you have happening in your creative minds. <3)

Cause. Well. I don't usually post art in progress. I'm far too anxious a person to do such a thing. It's fine if it's a sketch that's like... finished as a sketch. But in progress? *gulp*

Well, here goes.

This is what I've been working on, usually when I'm supposed to be working on something else:

Mermay!

(sorry for the low contrast, my eyes are delicate orbs that shy away from bright light...)

I did three sketches. One of which I will endeavor to color and make all nice and pretty. I've already determined it's not going to be the first one. The other two are neck-and-neck and it will likely come down to who has fins I like better. Which will it be? Tender snowbaz or playful snowbaz?

(Either way, I'm very determined to give Simon mermay wings. So that's going to happen come hell or... high water... *ahem*)

Honestly, I just really love merpeople. I'm surprised it's taken me this long to attempt this. The very first thing I ever learned to draw as a little bittle babe was a mermaid. (My teachers did not appreciate my dedication to anatomical accuracy the way I did.) Soooo Mermay? Mermay is a THING? Well, twist my arm, guess I have to snowbaz it.

(Oh, and shoutout to another guilty party, the SSCoNE server. They put the idea in my head. OH, and @cutestkilla. For general encouragment. And @hushed-chorus. For general encouragment and writing a gorgeous fic with merman Baz in it. )

Even more tagged people under the cut:

HELLO OUT THERE! @rimeswithpurple @run-for-chamo-miles @youarenevertooold @whatevertheweather @that-disabled-princess

@arthurkko @raenestee @facewithoutheart @emeryhall @agni-ashes

@skeedelvee @thewholelemon @supercutedinosaurs @tender-ministrations @bazzybelle

@ic3-que3n @imagineacoolusername @valeffelees @roomwithanopenfire @ileadacharmedlife

@aristocratic-otter @best--dress @technetiumai @brilla-brilla-estrellita @onepintobean

@palimpsessed and anyone else who wants to join in/say hi.

(I love getting tagged, because I tend to miss out on things if I don't get it stuffed into my notifications. Feel free to hit me up on Discord, too, send links. I just can't often browse tumblr as I wish. Not if I want to draw and... read... I need to do some reading...)

*Pitch Manor is still happening, I'm just taking a break to draw fish boys in between doing a few too many other things. I like being busy.

[kagoutiss]

pelican town, ‘72

[nipuni]

Ten and Missy! Our Halloween costumes 🥰

[certified-bi]

Okay all my thoughts because some people have been saying that not supporting this change is not supporting artist and creators and as an artist fuck that.

1. Audiences owe you nothing. You have to convince them to engage with your creation not the other way around. This is something both the nonprofit theatre I work with recognizes and huge companies realize. It's just part of life. There are so many talented people in the world making amazing art, videos, music, writings, and on and on, and there's only so much time in the day. I'm not saying you shouldn't know your worth, just that being flippant about how little you care about those who can't pay isn't a good move. On that note...

2. PR is everything. If you haven't made a visible effort to push patreon, channel memberships or other avenues of making money, don't be suprised that your creation that was previously accessible to those without extra cash and to those who can't support foreign subscriptions due either to conversions or because it simply doesn't work, being made private isn't popular. There's a big leap from "We want to have more artistic control" to "We can't afford to make our content accessible to most of our audience," and people are smart enough to see this. You either have to make budget cuts or give into sponsors. This isn't unique to Watcher, it's part of literally every production from broadway, to Hollywood, to YouTube. Unless you can fund it yourself or get viewers to pay(which given how many are already strapped for cash...) that's life.

Not to mention they simply do not have enough followers to make the switch to a paid only site(dropping the first epsiode only on YouTube isn't going to draw people in, they're just going to say "oh why start if I'm not going to see the rest" and not watch) especially not one that is buggy and a security risk. Even if the switch had been supported its not going to end well. The only reason services like nebula and dropout work is because of the large amount of series and creators and the fact those creators still are partly on YouTube so new people are drawn in.

3. As for the price, 6 dollars a month is a not a good starting price for only their content and that's as someone who pays for nebula. I'd be paying the same amount for a fraction of the access to others work. Actually it'd be twice as much. And before someone says "it's only a coffee-" that's for you. Not everyone has your lifestyle. And with every other patreon and subscription service that says the same thing, it all adds up and I simply don't think 60 dollars for 48 videos a year on a subscription basis where you don't get to keep the videos if your situation changes, some of which don't appeal to every viewer is a good move. If you were able to buy physical copies of your favorite series they've made that'd be different, but that's not what this is.

4. I do believe that the employees deserve a livable wage. I also did not hire them. It is not on the viewers that they hired more people than they could afford to. They can charge that much if they want to to try and balance this out. They also shouldn't be suprised if not many can or will sign up. They also don't have to be based in L.A. L.A has ridiculous costs associated with it, and quite honestly it doesn't really add much to the content. I'm not saying they need to move to the middle of nowhere Kansas. Simply that living and basing your studio in a super expensive city and then being suprised money is tight is just weird.

5. Something that occurs to me is that they might get more views if their playlists were better set up. Only some series are given playlists. It'd be easier to find all of the series and binge them if they didn't just show off their more popular shows. Honestly the only draw the streaming site has to me is that the series are actually labeled well.

Do I think the weird ass energy towards Steven is necessary? No. He's not the only one at the company and they're all adults. I actually liked grocery run and homemade, and like to see them back. The parascoial attachment to Ryan and Shane is annoying in people's criticisms, but that doesn't make them completely wrong. If you're going to brand yourself as the anti capalist underdogs you can't get away with being dismissive of your poorer fans. The dissonance is what is causing this backlash and makes you look like hypocrites. I definitely think Steven is turning into the fall guy which is fucked up, his statement and the fact dish granted is one of those shows that make people uncomfortable about wealth flexs doesn't help matters.

[numbuh424]

the 2nd half of death note should've just gone full comedy complete with a laugh track and had these two dissing each other the whole time

[mosaixe]

I love the art you made of twilight princess link making bread and cheese.

What other food do you think he can cook? Fried fish, yeto's soup? Pumpkin bread, honey cakes, jam? Tamales?

yes, yes, yes and yes! (thank you!!)

[ruporas]

lonely

[ID: A limited palette of green and pink, Vashwood comic. The first page serves as a prologue. The first panel shows Vash speaking to someone off screen while Wolfwood is lingering behind him. A black arrow is drawn pointing at him. In the second panel, Vash is buying donuts in the distance while Wolfwood is once again in view, lingering. and the black arrow is drawn pointing at him. In the third panel, Vash is leaving a cubicle and turning towards his right with a slightly peeved expression. He sees Wolfwood, leaning against the cubicle, waiting for him, and with the black arrow drawn, pointing at him, implicating the consistent hovering of Wolfwood’s presence during Vash’s everyday. At the bottom of the page, they’re drawn out of panel with Vash turning to Wolfwood and saying with an irritated expression, “You’re really following me everywhere, huh?” Wolfwood responds, “What, you got a problem?” Vash responds without hesitation, “Yeah, kinda...”

The second page starts with a new day. In the first panel, Vash is seen alone, weighing apples in his hands at a mart, with crowds passing behind him. In the second panel, he turns to his right and starts to say, “Hey, Wolfwood...” In the third panel, he’s startled from seeing a stranger, whom he’d accidentally called out to when he was expecting to see Wolfwood. He says, “Oh, you’re not him. Sorry!” In the fourth panel, the stranger walks off and Vash muses, “Right, he said he had something to do today...”

The third page begins with a close up of Vash's miffed expression, the continuation of Vash's thoughts, "Now that he's not here, this is just like how I used to be, but... It feels lonely somehow. Oh well, I'll see him again tonight, like always." In the second panel, it shows Vash walking through the marketplace crowd, alone. In the third panel, the door panel is a close up of the door opening with a peek of Vash's head. He says, "Wolfwood!" In the fourth panel, Vash is holding a bag of food with a bright smile and says, "Are you hungry? I got you something to eat today!"

The fourth page begins with a shot of the room, two beds being highlighted, one of them being made properly with the blanket draped over the bed and the other with the blanket folded and pillow sitting on top of it. There's no sign of Wolfwood. The second panel shows Vash with a disappointed look as he thinks, "He's still not here?" The third panel shows Vash putting the bag of food on the table. Stapled to the paper bag is the receipt with a written note "For Wolfwood." Vash's thoughts continue "He does like to stay out so, I guess there's no reason to worry..." The fourth panel shows Vash sitting his bed somberly with his thoughts continued, "It's not any of my business anyway..."

The fifth page starts with a close up his blank expression as he looks downwards, thinking, "Even if he left completely... That'd be understandable and better for him. I'll just travel alone again... like before... Huh?" The next panel shows Vash's composure break, tears welling up in his eyes suddenly, as he didn't expect to cry. He starts to sob, putting his hands to his face to quiet himself and wipe at his tears, as he says, "Ugh... Dammit... I miss h..." The last panel shows Vash leaning over into his hands, still crying, and in the back, the door swings wide open with a bam as Wolfwood walks through with the punisher swung behind him. He shouts, "SPIKEY! You in here?!"

The sixth page starts with Wolfwood confused, looking at Vash and Vash looks back, just as confused, with tears in his eyes and snot out of his nose. Wolfwood starts saying, "Ah? You..." No longer in panels, at the bottom of the page, Wolfwood takes the Punisher off of himself and starts to walk towards Vash, continuing with slight concern, "What's wrong with you? Did something happen?" Vash, hurriedly begins to wipe at his tears, denying immediately, "No! No, I'm fine! Nothing happened!"

The seventh page, Vash points towards the table, with a hand still wiping at his tears and he smiles as he says, "I uh got you food. On the table." Wolfwood looks towards to the table and responds, "Oh. I was getting hungry, thanks." He turns his head back to Vash immediately after with an uncertain expression, knowing the other wasn't responding to his concern, and says, "But, I know you're an idiot with this stuff, so I'm reminding you again. Don't brush it off if it's an issue, alright?"

The eight page, Vash's tears have dried and he looks to Wolfwood with a soft smile and responds, "Yeah. It's okay though..." A panel at the center shows a side view of Vash approaching Wolfwood. At the bottom of the page, with no panel, is a close up shot of Vash's hand, holding onto the edge of Wolfwood's jacket sleeve, as he says, "Because you're here now. Wolfwood."

The final page is a back shot of both of them standing next to each other, Wolfwood's head tilted slightly to the left, not fully believing Vash as he says, "That doesn't answer anything, Spikey." Vash responds, "There's no need to talk about it! You should enjoy your food. Let's have a drink too?" Wolfwood responds, "Tsk, tsk. Fine, yeah. I could use one." END ID]

[kedreeva]

Actually had mice to take to a reptile expo for the first time in MONTHS (between selling out immediately after listing any mice and taking my end-of-year break, I simply haven't had enough mice to make it worthwhile to bring them since last summer!), and had a blast again. It seems like every time I bring them, there's never a single second where there's not someone at my table.

It's very funny to me that I have to put out a sign that says "these are PETS not feeders" and how often someone starts to walk by, sees the sign, and comes over. I actually have a whole Display Sign that has info about my mice, why they are different, how to handle them, and like a dozen photos of some of the beautiful mice I've had, and I catch people stopping to actually read it, too. The font is pretty big, but it's juuuust small enough they have to come a little closer, close enough I can hold a mouse out to them.

I've also learned that people don't always believe me when I say the mouse won't bite or jump off their hand. I see the tension, I see the anxiety. I tell them, they've been bred for this. I have told people, I will pay you $5 if this mouse bites you, I'm that confident, because I wouldn't bring them if I thought they might. But the only thing that really gets through to some people is to just plain show them. Close my fist around them (gently, but firmly enough I can flip them upside down securely), scrub them up, smoosh my face to them, rub a finger on their cheek/jaw/mouth. Nothing happens. At worst the mouse is lightly inconvenienced for a moment. But the transformation that comes over the people who see it is complete and instant. A visual "oh." moment. They relax completely, which makes their handling experience so much better. People straight terrified to hold a mouse in the first place hold out their hands for one. Small children who said no thank you (which I always respect, I have even told parents no, it's okay if they don't want to hold one, we have to respect their no thank yous too) will often ask if actually, can they can hold one?

I had one little girl who held a mouse that was a little squirmy at first because the girl was holding just a liiiittle too tight, and she was having trouble for a few seconds, but I kept an eye on her in case I needed to intervene, and she quickly figured out to be more gentle, and the mouse quickly figured out she was fine actually, and she ended up flopping down in this girl's hand and getting her face and head rubbed while she bruxed for like twenty minutes. I was surprised she didn't go home with a mouse, but I have a feeling I may see her family again.

I also had some guy ask if I wanted to be on his reptile podcast, for the mice, because he never knew there could be a difference between feeder mice and other mice. So I guess we'll see!

[sleepdeprivedlilbean]

Here look! A post 😱

anyway lol I’m gonna color these and make them into buttons cause I have a little button press thingy so it’s a thing I can do hehe

soooo i’ll get back to u guys on that when i eventually do that i just figured i’d show im still kicking haha

[turtleblogatlast]

Things I make for myself when insomnia kicks in

Just a chart about what I wanna change up and keep consistent in my art - I mainly wanna draw Raph with a tail because he deserves one, it fits too well. Donnie gets a long tail too because I didn’t realize how dino-like he looks until I gave him one, and now it’s a must for me haha.

[14dayswithyou]

I can see you, saint... ^^

Is it okay to make fan comics and such about Ren and angel???

✦゜ANSWERED: aaaa of course!! Everyone is welcome to create any kind of content for 14DWY so long as it's not offensive or illegal. And thank you very much for considering making a fancomic for da game! I really appreciate it ;v;

Tagging me (either @14dayswithyou or @cutiesigh) will also give you a better chance of having me see + reblog it!! ^^ I also encourage everyone to look at and follow the #14DaysWithYou and #14DWY tags to see all the amazing content from people in the community!

[tswwwit]

Bless that trophy wife anon because they’re right. There’s no way mindscape citizens see whatever dipper does in the real world as a real career and he has no job in bill’s realm either, whether he likes it or not he’s entwined with bill’s world and his people and he can’t blame them for thinking his job is being bill’s husband.

That’s what pisses him off, the fact that they’re right.

No matter how Dipper protests that yes, he DOES have a job, the beings in the Fearamid don't believe it's 'real', or worse - humor him, then give Knowing Looks to the other demons in the room.

Meanwhile, Bill knows it's real - but sometimes he plays along like it isn't just to piss Dipper off.

[dreamwinged]

anyway HIIIII!!! i'm sorry for going inactive out of nowhere! i missed u guys, and i hope every1 has been doing well :> to be honest, i've realized this site makes me really anxious so i likely won't be coming back or being active like i used to be. i'll still keep my blog up, and might pop back in every now and then to say hi, but i probably won't post consistently or anything like that :<< however, i srsly love and value all the connections and friends ive made via this blog so much, all of u are so lovely, and ill miss u lots 💘 i am (embarrassingly) active on twitter, so if anyone has it, dm me and id love to be your mutual there! :D fair warning i talk a lot about my selfship, but i find that for whatever reason im just more comfortable there :} ((OH AND DISCORD. IF ANYONE WANTS TO EXCHANGE DISCS MSG ME!))

sooo yeah!! ueueue i dont know how to end this... wishing peace and love and f/o kisses for all my moots

[gumm1defloor]

Vox can understand Velvette just fine. They don't necessarily need to get along all the time, but they have a mutually beneficial contract that guarantees her support in the most efficient way possible, just how they both like it, short and strict and to the point. Vox does not understand Valentino. It drives him unimaginably, disgustingly insane. He knows how to handle him, make no mistake. Valentino is a never-ending powerhouse that wrangles out content from his employees like there's no tomorrow. He's proven himself to be Vox's most lucrative investment yet. He is resourceful, well-connected and most importantly predictable enough to rein in. Because he listens to you, because he needs you.

He is also, undeniably, out of his goddamn mind. Yet you've already invested too much in the corporate empire you've built together and there is no point turning back now that you have him so close to your side. It's OK however! He couldn't possibly be stupid enough to throw away the best partnership deal he's ever had just for the sake of something petty cause -oh, wait - he genuinely might just be that stupid and you never would've guessed because he's so cocksure of his bullshit that 80% of the time it ends up working in his favor anyway.

Fuck his life indeed. The kicker for this of course is that Valentino, genuinely does believe he has struck gold with Vox. Valentino is a clingy, possessive, immature, perverted, sadistic, egotistical man-child with severe rage issues and zero impulse control. No he is not aware of this at all. No he does not know why nobody is able to tolerate him and why every single person he gets close to hates his guts with every inch of their burning rotting souls. All he knows is that hell has now given him a flat faced prince in shining liquid crystal armour, riding on a cash filled horse with promises of power and luxury, who's practically handing him success on a silver platter. Doesn't mean that Val trusts him, doesn't mean he doesn't enjoy seeing him lose his shit. But at the end of the day vox has his back, and as long as Val keeps calling for him, he'll eventually turn up and make everything better. Cause hey if Vox hasn't left him yet for this long he must be doing something right. Right?

[gabriela-liar]

[ruporas]

soft (and some bittersweet)