#gil studies

[glmshver]

King of Heroes personally wishes luck to anyone who is about to summon him ✨

[neversetyoufree]

Alright. Okay.

So the entire time I've been reading VnC, I've been assuming that Noé is the sole known survivor of the Archivistes in a relatively normal way. I've been assuming that something happened to the Archiviste clan within Noé's lifetime, just before his human "grandparents" found him in the snow. Obviously I wondered about what happened—who slaughtered them if they were killed and what else might have happened if they aren't all dead as we've been told, but I never questioned the timeline. I assumed that the Archivistes must have been alive and kicking until recently, even if Noé's last remaining family was living in hiding from the rest of vampire society or something like that.

But. We don't actually know that that's true. We don't know a single thing about the timeline of the Archivistes' extermination other than what Nox says about them having all died "long ago." Noé is nineteen years old, and we have no idea how old Nox is. Could the fifteen to seventeen years between Noé's first adoption and the present day be enough to count as long ago?

This is Jun Mochizuki we're talking about. There is extensive precedent in her work (by way of Pandora Hearts) for characters turning up seemingly out of nowhere, often with no memory, and in Pandora Hearts, these cases never had a simple answer. It was always caused by the time-bending properties of the Abyss.

It is entirely within the realm of possibility for the rest of the Archiviste clan to have died years, decades, or even a century or more before Noé was found by his human grandparents. We don't have precedent yet for anything that messes with time in VnC like PH's Abyss, so I don't know how this could have happened, but I don't think we can fully discount the possibility. The outer bounds of world formula rewriting as a power are yet to be fully explored, so it's hard to say firmly that anything's impossible. There might be a way for Noé to exist in the present even if the rest of his clan was killed well over nineteen years ago (be it by PH style time-bending or by some entirely different mechanism).

It's still possible (and even likely) that the Archivistes died or disappeared less than twenty years ago, but it's not quite the concrete fact that I've been thinking of it as this entire time. It's entirely possible that Noé's backstory contains Mochizuki Timeline Fuckery, and now that I've had that thought, I can't unsee it. The author of Pandora Hearts going out of her way to say that her protagonist was found mysteriously alone and crying with no memory of how he got that way is. conspicuous as hell.

[ludoka]

I'm reading posts that talk about a rewrite of G3 to make it look like G1? Honestly... Why? Let the newcomers have fun with G3. Let children and adolescents feel identified with characters that adapt to new generations.

Instead: why don't they demand a continuation of G1? What do I care about the life of a teenager between 14 and 17 years old? GIVE ME EXISTENTIAL CRISIS OF YOUNG ADULTS BETWEEN 20 AND 30!!!!

Give me a Deuce who feels stuck because he doesn't know what to do with his life!!! Give me a Gil who is looking to move out of his parents' house because he can't stand them anymore!! GIVE ME FRANKIE GOING INTO CRISIS BECAUSE SHE KNOWS HOW TO BE AN ADULT!! IT COST HORRORS FOR HER TO BE A TEENAGER, BEING A FUNCTIONAL ADULT IS KILLING HER!!!

Show how Clawdeen strives to be a dressmaker! What the world of modeling is like!! IT'S NOT AS EASY AS IT LOOKED WHEN I WAS A TEENAGER! Show how Jackson and Holt try to balance their lives so that each one fulfills what they dream of! Show how you organize yourself so that Holt has rehearsals and goes to concerts!! While Jackson manages his college study schedule!! Show Cleo struggling to grow up. This girl was a princess from ancient Egypt and probably had a pre-written life. Now that is not possible. She is grateful but horrified in equal parts because she no longer knows how to continue. Damn, show Toralei trying to achieve a better future but with a background that complicates her life!! OH MY GOD!!! SHE WAS IN A JUVENILE PRISON!!! THAT FILE IS BITTING HIS BUTT IN THE WORST WAY!!

I want characters I can identify with too. But I am no longer a child or teenager, I am an adult. I want adult characters that I can empathize with, identify with, and want to hug because I know how hard it is to try to be a functional adult.

Please leave G3 alone and give me a big sequel to G1.

[explosivewhales]

[therukurals]

Fahadh Faasil in Aavesham (2024)

[whats-your-initiative]

The way the YouTube lore experts have just accept Veilguard wholesale without any complaints and are actively making excuses for it's flaws disappoints me... but I suppose that's on me for assuming people interested in something published by EA would hold it to a standard

[stellaepluviae]

"What in the world do you find attractive about that boring brute?

Have you seen my handsome face?"

[stampedestring]

Study of a pensive trail boss...

I was hoping to do a lot of little sketches of Rawhide character faces to understand them better, but unfortunately, I spent all my time on Mr. Favor, drawing, erasing, and re-drawing his face because it's so hard to get his face to look like him! (The Rowdy drawing with flowers was done directly without a pencil sketch, so Clint Eastwood is easier to draw somehow, at least from that angle, maybe.)

Did a bit of an out-of-order rendering process here: pencil sketch, then markers for shading, then fineliner last. I haven't been very good with inking first then shading, so reversing those steps seems to help me balance the outline against the other tones better, by building up from light to dark, with the darkest being the fineliner ink. It's interesting how much is left unlined! I also left the pencil lines and light pencil shading, which leaves a bit of texture.

I'm still figuring out how to use markers effectively, but it'll be a fun process if I get to practice by drawing the Rawhide cast...

[mudwerks]

(via Nude Figure Study Sketch • Grapefruit Moon Gallery Pin-Up & Glamour Art)

Gil Elvgren 1950s

[parme-san]

handholding

[glmshver]

finished while rewatching zero for Nth time

pls tell me some good words tumblr feels too much like throwing art into the abyss

[nezukoo-channn]

"I'm a visual learner"

The visual:

[wesdoesliterallynothing]

Malcolm Bright, a man desperately pursuing his own destruction merely because he was born

Tw: Needle, Suicide, Grooming and Prodigal Son Spoilers (and it's related triggers)

Malcolm Bright kneeling himself in front of a serial killer who is mimicking his father, the man who tried to groom him into a being just like him, haunting him even after ten years of no contact, and offering himself to be killed. Malcolm Bright, kneeling in front of a serial, confessing his parentage in front of someone who has so far had an untainted opinion of him.

The moment he admits to being The Surgeon's son, Martin's son, how it hurts him to say.

Malcolm Bright, hoping to kill two birds with one stone, get rid of himself, ending all the torment at the hands of the closest thing to his father, and saving a life while doing it. Holding a needle to his wrist, all but begging this killer to kill him instead.

His disappointment is palpable, so very clear when he isn't killed, painfully, excruciatingly. The serum had been perfected, the most painful way to die, and Malcolm was on his knees for it. And Gil saw it, Gil knew, seeing that face. How many times had Gil seen that face? How many times had Malcolm tried something similar? How many times had he felt that same fear? Gil has known Malcolm for 20 years, through the worst times in his life, how many times had he seen Malcolm like this?

Malcolm Bright is one of the most self-destructive characters I have ever seen, from moments like these where he intentionally puts his life in danger, hoping for a moment where it ends, disappointed when it doesn't end with him dead. To moments where he sabotages his own relationships, pushing people away, lying and making himself out to be this horrible burden to everyone, to be this danger to be around.

Malcolm Bright has always been afraid of himself, of being what his father tried to groom him into, so deeply into that belief that his father succeeded and that he’s such a terrible person, merely for existing, for being the son of the surgeon. Malcolm is fully under the belief that he deserves pain and even death for what his father did, he’s so afraid of hurting people, of being like his father. Everything he does is penance of being alive, hoping to make up for the risk of him still being around. He’s so scared, even of death itself. Malcolm, generally speaking, tends to be passively suicidal, having shown fear of death and being hurt, but it’s moments like these that you really see how far he’s willing to go to keep everyone else safe, and how deeply this fear goes. How ready he is to lay down his life.  But that's just my two cents

[thetimelordbatgirl]

One more design for now for the random Winx AU me and my friend, @dani-luminae , have going on, this design being for:

Hailing from the realm of Atlantica like her twin sister, Uma, known as the Witch of the Depths, despite her mother's best efforts to ruin the twin's relationship once Una turned out to be a fairy and Uma a witch like the rest of their family, still keeps in contact with her sister while studying at Cloud Tower...or at least the best she can, anyway, given the relationship between the tower and Alfea, both sister's seeing their respective schools as an escape from home and their mother, really. But despite Una's worry about Uma potentially getting corrupted over time by the school due to it's...reputation and rumors, Uma so far has yet to do so, keeping to herself, sometimes helping her sister and the Winx and slowly leading her own group, consisting of a mix of witches and specialists...

[jackredfieldwasmyjacob]

sancho iv wanted to be alfonso x so bad it's kinda embarrassing fr

[oswaldthatendswald]

An unappreciated problem with being a fan of both Very Old Stories (I dont know how to quantify this any other way I'm sorry) and Lord of the Rings (plus associated lore) is that I regularly get Gilgamesh and Gil-galad mixed up. And you would think this would not be a major problem, just an amusing quirk.

You, however, are not the one currently looking at a midterm where I wrote about the Epic of Gil-galad and its significance in our understanding of Ur.

That's not even CORRECT, it's about the city of URUK.