#gif analysis

[angevinyaoiz]

Was compelled by these tags but I wanted to put my personal analysis here! Trying to keep it strictly based on the events of the movie and not on pure speculation or external historical stuff, bc I think they do a LOT of interesting things in this short scene and what it implies about the Richard and Philip and Henry (and Louis) relationship dynamics.

I think because this happened right after his back and forth with Henry where Philip felt like he was getting somewhere until Henry did his whole smug ass "Haha I win I squeezed all the information out of you ;D goodnight!" It made him jump out of his more calculated "facts and logic" mode and into a more deeper sense of his burning resentment and inferiority complex, hence the whole "you made my father nothing...and then you made him love you for it" speech. Love is kind of established as a sign of weakness and submission, even if in this case it's not in a romantic context. Louis is a "loving man" who (in the world of TLIW) gets taken advantage of by Pushy men like Henry and Philip is frustrated with that weakness. And so when Henry smugly reveals he was just probing Philip for info, Philip feels like he is "losing" and being demeaned again and so decides to pull out his secret weapon.....His Super Special Scandalous Information jfjdif to throw more fuel on the fire.

Course the main thing is Henry isn't even that scandalized like you said ("Richard finds his way into so many legends, let's hear yours" and in the play after the telling he's just like "I've heard better" lmfao...3 out of 5 stars. Also let's not forget he's also a boydiddler too from his speech to Alais in the opening scene. The royal corkscrew is NOT easily shocked!!). Philip is playing an interesting paradox where he's basically framing Richard as the Older Predatory type taking advantage of him, but also Richard is simultaneously Pathetic and weak at the same time for caring so much about not just sex presumably but wanting to be loved and desired. Philip also casts himself as the Victim in this scenario, as the younger, innocent and un-desiring party, but also positions himself as being the strong-willed clear-headed one where it's like "yes I succumbed ...but NOT because I was too Weak to Resist or out of Fear but because it was my Genius Long Game Plan All Along."

Why does he do this??? I would say like earlier, it was kind of his last card to play in their battle of wills, and allowed him to feel like he had a one-up on Henry after Henry had been smugly putting him down the whole day. I feel the purpose of this is similar to Eleanor's outburst about fucking Henry's father later in the film. Where it really doesn't do anything helpful for her, since he just leaves to do his thing. but in the moment is an emotional weapon that she knows will hurt him. Also there's something fun and cathartic about both Philip and Eleanor's outbursts where after a long day of conniving they really relish in talking about Being Bad in a more straightforward way. For Philip it does end up being helpful in that it sets the ball rolling to reveal all the sonbetrayals in the room and gets the feelings all heightened and sows distrust amongst the family.

Also, to get a bit more speculative, but still basing strictly off what is in the earlier scenes: in the end we don't know the truth of what happened between him and Richard in the forest during the event that he recounted, or what his true feelings are. I personally feel what is implied from his earlier interactions with Richard is that there was a sincere emotional connection, and that they did both miss each other during their time apart. There's implied also a little frustration on Philip's part over Richard not keeping contact and maintaining their friendship after the marriage. But also I sort of interpret it as he wanted to reframe the story in his mind as well, maybe to himself, in a way where he comes out of it feeling like he had control over the situation, especially if their encounters were really as dubiously consensual as he implies it as being. If he did love Richard at some point, that would mean he was the one being "weak" like his father, and so to be strong and be a man and respected ruler ("No man's boy" as he keeps Insisting Very Hard in public the whole movie), he can't afford to indulge in affection the same way. The sexual element just adds another layer that, viewing both from the medieval and 1960s homophobia POV, is already assumed to be deviant and something to distance one's self from. If having the affair with Richard was only A Genius Plan to Sabotage Henry all along, with only Disgust and No Real Feelings of Affection Ever, then he can manage to wiggle out of being implicated or having any responsibility for Sodomybehaviors while pinning all the shame onto Richard (and by extension, Henry.)

So the motivation I can see as being a mix of being mad at the history of Henry overpowering his father and belittling him, being conflicted with Richard for either 1) taking advantage of him back then or 2) having had maybe for real a pleasant affair but getting ghosted 3) most likely a mix of the two. Whatever the case, his main goal was to destabilize Henry and it fit into that goal, so he just poured some extra oil on the fire I guess XD

*in some ways, it's a very 60s homophobia more than a medieval kind, since I feel in early and medieval era there's nothing that would feel off about intense emotional, borderline romantic love between men if expressed in specific socially approved venues. but in modern times even emotional affection is an expression of weakness and timidity, or if a sign of a separate lesser identity being revealed, as how it is portrayed in this movie. The sexual element as deviant is important to the luridity but the part Philip emphasizes as particularly shameful is the vulnerability of asking for love from a man and wanting it returned.

a king like you has policy prepared on everything. well, what’s the official line on sodomy? how stands the crown on boys who do with boys?

THE LION IN WINTER 1968 | dir. anthony harvey

[artist-issues]

It sounds like Stitch but it just doesn’t have the Stitchiness of Stitch. His mouth is too small. His nose is too small and too low down.

His ears are too furry. There’s too much teddy-bear-bunny, not enough insect-shark.

His ears should look almost-translucent, with fine fuzz, like bat ears! His nose should look stamped onto his face with gigantic nostrils, like a bulldog’s. His eyes should look bigger and blanker.

His mouth should make you think shark, like his whole head is resting on the hinge of his jaw. And the fur around his eyes should be much thinner and more peach fuzz like so that you can see the wrinkles in his flesh when he squints or makes snarly faces.

Why

Why is that so hard

he’s not cutesy and only-pretending-to-be-fierce. he’s not a kitten. He’s not made to appeal to the Minions and Toothless-but-only-Toothless-in-HTTYD-3 crowd.

There are NO BLACK LIPS. He’s not a dog. There are NO CAT-MUZZLE-UPPER-LIP-MUSCLES. He’s not a kitty. OR a bunny. Why are those two-front-teeth so so much smaller than the rest of his teeth? Why are all of the teeth so small??

Don’t you guys understand why he’s supposed to look more than just cute-but-acting-naughty?

He has to be able to look convincingly disgusting, and genuinely fearsome.

Look how whip-thin his eyes and eyebrows are. Look at how, like a snake mid-eat, you can see some of Pleakley’s head swelling Stitch’s throat. It is important that he look like a monster when he needs to because he is a monster.

If Stitch doesn’t look like the kind of small monster that can take big disgusting bites out of you, with jerky, spider-like movements and tiger-scrunched eyes then the whole emotional weight of the movie looks flimsy. We’ll forgive a cat for scratching us and giving us cat-scratch fever because it’s cute. If Stitch looks too cute, then the human brain goes, yeah, he pushed that little girl down and laughed at her pain, but look at his wittle face, he’s a babydoll, who could stay mad at him

We can easily see why Lilo puts up with him.

When the point is, we shouldn’t be able to see why Lilo puts up with him—not in and of himself. Stitch does nothing to deserve Lilo’s love, including being cute— actually, he’s gross and unsettling. He’s not even cute enough to want around as a snuggle-buddy. He’s certainly not cute enough to look unthreatening. Nobody in the movie runs up and asks to pet him. Nobody even looks like they want to. He’s not appealing in that way. The dogcatcher screams at him on sight. The tourists just stare when he walks up dressed as Elvis. Her friends immediately think he’s the ugliest thing in the world and don’t want him anywhere near them. David is sure it’s not a dog. Even the aliens in an intergalactic council find him not-appealing, on sight. They take him, as a threat, seriously, even before Jumba lists his powers.

All of that is not because Stitch really looks outrageously ugly.

⬆️ THAT is ugly. Can we all agree? That’s ugly. Whereas this:

Less ugly. Obviously I know that. But there are a couple things about Stitch that are not traditionally appealing, when the filmmakers could have made him traditionally appealing. If they wanted his nose to look muzzle-y, they could’ve. If they wanted his spine to bend at the hips like a human toddler’s they could’ve. If they wanted his mouth smaller and more cartoon-y, with kitty-cat lips, they could have done that. They chose to do the slightly more ugly thing instead. He’s still appealing. But he can look and be convincingly threatening, unattractive, and disgusting when he needs to be for the story.

The cuteness was a by-product. It was an artfully-done side. It was not the main course of what he’s supposed to look like. Again I say to you—he is not your Minions-loving Facebook Mom’s bumper sticker. He is supposed to walk the line between most-disgusting-pet-you-could-have and Gremlin-meets-E.T.

These teasers are totally catering to the people who like Stitch T-Shirts from WalMart but probably couldn’t explain the first thing about him as a character. And whatever, that’s fine. But the design affects the story, and the original story was so good.

This does not bode well.

[crimson-constellations]

One of the things I’ve been thinking about since I finished arcane was Jayce’s last speech to Viktor bfr the ending.

When Jayce said his imperfections are not weakness but instead beautiful and made him the man he was today and it worked , it kinda downed on me just how perfectly crafted the timing had been, and how It just wouldn’t have worked any other time. Don’t get me wrong it would have a lot of impact on Viktor, but it wouldn’t have been nearly as groundbreaking as it was in the moment of that last scene. in s1 before he began using the hexcore on himself for example, he’s definitely feel somewhat better about himself but not enough to give up on trying to change everything. Maybe he’s think about it further but I don’t personally think anything would go differently. After he died and absorbed the hexcore though, it really wouldn’t have changed a thing, no explanation needed.

But when he came back as machine herald we could see how the idealization of the glorious evolution evolved to a different level of obsession, the perfectionism all tied up to the emotions that formed him, that self hatred that came with his incapability of getting rid of his illness and disability, it reflected directly onto what drove machine herald’s ambition.

And then comes Jayce, fresh out his worst nightmare of loosing everyone he loves along with the entire fucking planet. Days of walking around injured absorbing the reality of what the world will turn into if he doesn’t end the life of his partner. Then the cave happens, and he suddenly has to endure everything that happened to Viktor in a fucked up, symbolic and faster paced way. (There’s a lot of parallels in there tho I’m not covering them I’m sure someone else already did that)

then he got out, shot Viktor, following the wishes of the Viktor he met in the other realm. After this he got an insight on what Viktor went through all his life, and that, along with what he told him about the perfectionism of the glorious evolution, he had time to fucking think about it and I’m sure he spent some nights awake with that on his mind.

So when Jayce got his last chance to try and convince Viktor he knew just how to crack him. I don’t think he thought of it strategically at all though. He said it not only because he meant it but because when face to face with him his emotions got the best of him (again) and the wish to just get Viktor back that’s what he thought Viktor needed to hear. After what he went through in the arcane, they were connected again and that moment was the only one he could have reached Viktor. His emotions were so strong they were inhuman already, the sole source of his motivation. That recognition from jayce in his most fragile state ( into the hive mind )

It’s the words he needed to hear the most all his life from the person who understood, the one that brought him back.

[biceratops7]

Dang it guys

we only ever talked about HALF of why these scenes were a big deal, like I just realized this today and my heart is going insane.

It’s not just that Crowley’s pissed at Gabriel for treating who he thinks as Aziraphale this way, the last thing he says to the people about to kill him is a benign and peaceful wish to see them again.

And like- this is Crowley trying to replicate Aziraphale to a T. So he legitimately just sees him as this endless well of compassion, someone who is always warm and accepting. It’s not just their friendship throughout the years, he remembers Aziraphale’s kindness on the Eastern Gate. When the angel had absolutely no reason to trust this random demon who just slithered up next to him. Crowley knows that he’s loved. Maybe not like that quite yet (although he’d be very wrong), but he knows that around his friend he’s always welcome and safe.

And Aziraphale?

Well he just thinks Crowley’s the coolest fucker alive, like he is laying it in THICK and enjoying every second. Listen to that charisma, look at that smirk. These are traits that are typically only appreciated in the context of how good it makes Crowley at tempting, a job he hates. But Aziraphale doesn’t see someone manipulative or regard this persona as signs of his “demonic nature”, he just sees Crowley. Someone charming, fun loving, and cute.

This is when we get to know precisely why they love each other, what exactly they see in the other.

edit: this is now my most popular post, good work team, lol

[gregarious-cervine]

[Image Description: starcrossed-sky's tags on the above post, reading '#me trying to figure out what fucking intersection this is #it's SOMEWHERE in tacoma - #wabloggin'. End Description]

@starcrossed-sky The intersection of S 15th St and Fawcett Ave in downtown Tacoma, looking southeast.

[catcake24]

God, I love Sentinel’s weapon so much. The fact that it can shift from a hilt, to a normal sword, to a double sided sword, or to a sword but pointing down is so cool. And it makes sense to have a weapon like that - he doesn’t need to adjust the hold on his sword in order to change which direction he’s stabbing or slashing at. (Spoilers for the movie below)

The fact it transforms is just so fitting for Cybertron too, with transformation being a major motif through the movie’s worldbuilding and character’s abilities- and the fact they have transforming weapons makes so much sense.

And it’s the same white and gold as him, meant to look like a weapon a hero would wield??? That it’s a weapon that could stab you just as much as it could stab your enemy, like how sentinel betrayed his own race while pretending to fight the quintessons?? Just so fitting for him…

(I’m definitely reading way too much into this, it’s likely just meant to be a cool weapon, but it’s too fun to do lol. I’m in a hyperfixation, you can’t stop me)

[jadeluz-official]

I love this GIF because it's Lydia realizing Beetlejuice is actually in love with her. She probably agrees to the marriage at first because she figured "he wants out" from his ex-wife and the Afterlife, let's make a deal and get it over with — only to wind up engaged to someone who loves her for who she is. Knowing how Rory tries to weaponize therapy and medication against her, Beetlejuice breaks her free from her toxic relationship and promises to make her happy.

[i-like-media]

I was wondering when they were going to play with the fact the Doctor is black now. 13 being faced with how people think of women was one of my favourite things in her era, so I was curious how they were going to treat his skin colour this season, if at all.

And honestly, Dot And Bubble exceeded all my expectations on the matter!

What a lot of episodes about racism and bigotry do is coddle the viewer. They make clear early on "this is an episode about RACISM and why it's WRONG!" As if you've never heard of the concept before and don't know it's bad. The episode will often portray racism in an extreme sense and show the viewer the main characters are above that.

What Dot And Bubble did, for the entire episode, was letting the viewer figure it out on their own. There was no coddling, only racism as it silently existed. A perfectly pastel and white community with not a single person of colour and the only visible outlier being a goth white kid. And in this world, the first thing the character we follow did, was to block a black guy with a face of disgust.

The title screen rolls and you're left to rationalise it. Surely it was because he was not in her contact list/saying all kinds of mind blowing stuff... Right? Except when Ruby enters her feed and talks about it, she actually replies back... With an eye roll, but she replies... and keeps talking... and listening.

The episode continues, still not a single POC besides the Doctor. They reveal this is an exclusive place for rich people, and eventually the character in question even admits she thought the Doctor was a different person because "I thought you looked the same".

What this episode also does well, is portraying a character we wish to see change and find a better life behind that change. We see Lindy struggle to navigate the world without her bubble, calling herself stupid, and we genuinely hope she DOES learn to be better, even as you slowly pick up on what's been going on sofar. You are left to hope she'll thank him and realise the error of her ways, and maybe find a new drive to think for herself.

And then she doesn't.

She stays in her bubble, doubling down on how she feels about the Doctor, how they're excited to be like their settler ancestors, and finally CLEARLY revealing to the viewers what's been off this whole time... and the scene asks: did YOU notice the signs? Did you see what went wrong along the way, or did you only notice just now when it's explicitly shown to you? And why do you think that is?

It challenges the perspective of the viewer and tells you to reflect on why you didn't see it coming, and that is so so powerful.

The Doctor's reaction to this scene..... 👌👌👌👌

His mouth is ajar, stunned beyond belief that after all he's done and all he can offer, the offer to literally save their lives, he is reduced to someone who's nothing more than the hue of his skin. He yells at them, telling them he doesn't care what they think of him because he's still the same doctor he's always been, and to still get rejected with a dirty look... Which hits extra hard when you remember how much the Doctor loves being himself. He LOVES being the Doctor again! And he walks with such a pep in his step, celebrating his existence and sharing it with all he meets... and then he tries to save some rich white kids from certain death.

His performance in that moment was literally phenomenal. It's a narrative that's so powerful and so creative in its execution, my jaw was still on the floor throughout the credits.

This episode is definitely up there as one of my favourites sofar

[aheavenofhell]

Aziraphale raising his wing for Crowley hits so different with the S2 context. I feel like we all looked at it as, here’s this sweet little principality, he’s kind and naive so he’ll shelter even a demon—but it wasn’t really that, was it? It wasn’t just some random act of kindness.

It was a message.

When Crowley slithered up that wall, Aziraphale was nervous. Because he gave his sword to the humans, sure—but also perhaps because he was seeing this angel again for the first time since he had fallen. He learns Crawly’s new name (Crowley never asks him for his name, he knows it already) and they have a brief exchange that was probably a lot like the ones they used to have.

Then when the thunder starts, it’s Crowley who’s first to move to him, to shuffle hopefully to his side.

I think when Aziraphale lifted his wing up, it was almost a way to say I remember who you are, I remember the kindness you gave me. I’m still here.

He wasn’t just playing umbrella. He was letting Crowley know he hadn’t been rejected by all of Heaven.

[zorobae]

Zoro in episode 3:

Zoro in episode 5:

Zoro doesn't dispute being Luffy's first mate — because of course, he doesn't; at this point in the story he is already devoted to following Luffy even if he hasn’t declared it yet — but when it comes to actually acting as the first mate, he needs to be told what to do. So he asks Luffy if he is okay and doesn't actually ask about Garp and that's it. To put it differently, he is the first mate but only in name.

Zoro in episode 7:

The possibly most integral part about Zoro’s character is that he is a man of honor and a man of his word. So after declaring his undying loyalty to Luffy, he is no longer just the first mate in name but also in his actions. This time, he doesn't need to be told to follow Luffy, he does it on his own and without hesitation. He doesn't ask Luffy any empty questions either but simply stands by his side. He gets ready to leave again at one point but that’s the exact moment Luffy takes to open up — because he does need Zoro there with him and of course, Zoro stays. As far as the actual conversation goes, Zoro gently questions if Luffy is doing the reasonable thing but Luffy trusts his own intuition and knowing how well that served him before, the matter ends here for Zoro. He trusts Luffy and his course of action.

Luffy really said "I need you, Zoro" and Zoro in turn vowed to stand by his side forever. And he does; he honors his word.

[apocalypticginger-blog]

The fact that Crowley grabs Aziraphale's lapels the same way in season 2 as he did in season 1 shows how that action was always meant as an intimate gesture by him. It meant intimacy to Crowley back then, and it means intimacy now.

We're talking about a deliberate acting choice from David, here. He chose to grab Michael that way in episode 6 for a reason. He's creating a connection to season 1, bridging two separate moments in the characters' relationship with a single gesture.

Crowley and Aziraphale have loved each other for a long, long time. They were never able to say or act on it before. But they both knew the meaning behind every little touch, every look, every lapel grab.

Yes, they both knew it. Aziraphale didn't feel threatened the first time it happened. Well, he certainly doesn't feel threatened now, either. Look at how he lets himself get dragged into the kiss. The amount of trust between these two! He's leaning in even before he realises where Crowley is dragging him (towards those gorgeous lips, of course).

It gets worse... Neil knows precisely how much we've treasured that scene from season 1 since it aired, so he decided to use it against us.

Absolute genius!

...Evil.

.......but still genius!

[chilfucked]

You guys ever think about how terrifying and violating this scene must have been for Chil? (analysis under cut)

I want you to put yourself in Chil’s shoes for a moment. You’re at minimum a head smaller than everyone in your party. The only combat skills you have are long range and mostly support, plus you don’t even have your gear right now. You’re balls deep in the dungeon. You’re starving. You just had a near death experience when your party did NOT have the means to revive you (nothing to replace calories. assuming the mimic beat you). And now the people you’re essentially stuck with are ganging up on you.

I get that this is played as a gag but. This is like. Real fear in his eyes. He’s actually scared. TERRIFIED. And rightfully so.

Here you have:

Senshi: The guy you just met who clearly doesn’t respect you or you autonomy not only suggesting to use your tools against your will, but he’s actively physically restraining you. Something that is known to be very demeaning for his entire race and especially to him.

Marcille: The girl you only met a couple of adventures ago who also kind of doesn’t respect you, like, at ALL who’s just sitting there watching.

And Laios: The ONE GUY HERE that even remotely respects you that you’ve just BARLEY started trusting, who is now betraying that trust by being the one to take your belongings and use them against your will. In front of you. After you told him to stop.

Like. Don’t get me wrong, the cutaway gag to this was funny, but that doesn’t change the actual disdain he’s feeling here. This is someone realizing he’s stuck with people he cannot trust in a situation far too dangerous for him to deal with on his own. There’s no respect for him. His autonomy. His belongings. Nothing. None of what he believed earlier is present. I don’t know if this was a contract breach or not, but it was a personal one for sure. I can only begin to imagine what’s running through his head right now, and how powerless he feels here to the mistreatment by people he doesn’t know and or JUST started warming up to.

Sure, he has a moment to justify it to himself here. Everyone’s tired. Hungry. They didn’t mean any harm by it, and in the end it was better for everyone, right? (Ignoring the fact that they could’ve de-shelled the mimic using Senshi’s wok but that’s neither here nor there I guess.) But deep down he knows that doesn’t really make it right. That doesn’t change the fact it wasn’t handled properly. It doesn’t change the fact that he’s not being respected at all in this decision. Not even being taken into account other than to be removed from the vote entirely.

And, at the end of it, you’re still being demeaned. Still being treated like a child who shouldn’t get a say. Your justified anger just being used against you to show how immature you’re being. The louder you yell to be taken seriously, the less seriously you’re taken.

Sure, everything works out in the end. He’s made some of the best friends he’ll ever have in his whole life, but here? Now? Chilchuck is alone. Isolated from anyone he could go to. Trapped, used, disregarded, and more closed off than he’s been in a very long time. Because he was actually starting to trust the people around him again. And for what? It just happened again.

[artist-issues]

I’ve only seen it once so forgive me for not saying more—

—but my favorite sequence is by far the part where ROZ is watching Brightbill finally take flight, and she looks up to try and see him as he gets farther away, but then her view of Brightbill is blocked by the pop-up screen saying “Task Complete.”

And she has to rush after him to get her final look, because of that. Because the Task was getting in the way of her seeing him.

[enanansbbg]

Anhane’s relationship, and it’s complexity:

this was originally uploaded onto twt, but I wanted to reupload it here because I was very proud of this analysis, so please enjoy and feel free to add anything I may have missed or skipped over!

With that being said, here we go! ٩(๑❛ᴗ❛๑)۶

Let’s start with the basics. The pure power of their aibouness, and its connections to vivid street.

To begin, you must understand what a partner is in VBS terms. In this case, it’s ‘a person who brings out parts of you never knew existed’.

In relations to Anhane, this is based off pure raw emotions. This is shown through An’s abandonment issues and Kohane’s want to make her heart pound.

Kohane wants to recreate that feeling she felt when she first heard An singing inside of An, to ‘make her heart pound’, while An’s abandonment issues cause her to fear Kohane’s rapid growth may lead to Kohane abandoning her.

This also plays into a certain factor about Kohane and the idea of her and angst, I believe.

Many people want Kohane to have some kind of angst event, especially related to her backstory, but that would go against all her motives.

See, Kohane’s pure movies for pursuing music—for working to surpass Rad Weekend all tie back to An. It was hearing An singing at WG that made her heart pound and An asking her to be her singing partner that caused her to even consider music as an option.

From here, their relationship develops into a lot more, and it’s when the idea of partners ‘bringing out an ugly side of you’ comes to play.

You can see even in the maim story An not seeing Kohane as an equal. It only gets called out and resolved in Singing in Sync.

Singing In Sync, ep. 1 and 3

🎧: “In the unlikely event that something does go wrong, I’ll cover for you and get you back on track, okay?”

…

🎧: “I failed as her partner…I couldn’t protect her…

…

🎧: “I mean, she’s my partner…And I wanted to guide her so that she could sing without worrying…”

…

🥞: “You don’t think of Kohane as one of the team.”

An telling Kohane “I’ll protect you if you mess up” subconsciously puts the idea into Kohane’s head “I’m not good enough, so I’ll probably mess up” This is what caused the entire issue in SIS to begin with.

But it’s once An tells her “you can protect me too” that Kohane is able to subconsciously think “I have the power to make her heart pound too”

Singing in Sync, ep. 8

🎧: “If I miss a cue at the next event…”

🎧: “Could you cover for me?”

🐹: “An… Sure, I can do that!”

After this we get Awakening Beat. Kohane is able to come out of her shell and fully adapts the idea “I can make her heart pound too” and has a large boost in confidence because of it. An both brought her confidence down and back up in the spam of one rotation.

Awakening Beat, ep. 8

🎧: (“It’s like she’s not even the Kohane I know. Could this be because she’s completely resolved herself?”

🎧: (“But even with just that, she can really change this much…?”)

However….In the same event, An’s insecurities begin to bloom and in Bout for Beside You, An has to face them for the first time.

Awakening Beat, ep. 8, BFBY, ep. 4

🎧: (“I was just gonna tell her she did amazing… That I never knew she could sing that amazingly, but…”

🎧: (“What’s going on? I just can’t get the words out—”)

…

🎧: “Kohane is…going to leave me behind?”

Here, An realizes her and Kohane ‘perfect’ relationship is more complicated now. While Kohane’s adapted the idea of “I want to make her heart pound”, An opens to idea of “I wont he able to make her heart pound anymore” (they doki doki more than ddlc i swear)

At the end of the event, An ask Kohane the golden question. “If I were to leave somewhere far away, would we still sing together?”

BFBY, ep. 8

🎧: “But what would you do if I said that I’d be going somewhere far far away someday?”

🎧: “And I wanted to reach greater heights just like what Uncle Taiga did exploring the world. If I were to go to someplace even greater and far far away from here—”

Of course, Kohane affirms this. Naturally, Kohane takes a lot of pride in being An’s partner, being the only partner for her. (as said in ORS) She wants to keep singing with An forever.

BFBY, ep. 8

🐹: “Even so, I would want to keep singing with An-chan!”

🐹: “No matter where you go or what you become, I’d still want to be with you!”

🐹: “I want to properly stand beside you and sing with you!”

We’re gonna skip ahead a bit and jump up to KIUAN, where we get our lovely “She looks like Nagi-san” line, the line that killed every Anhane shipper in the tristate area.

But what makes this line so special? Well, for that let’s discuss what made Nagi’s death (and the lie surrounding it) so impactful.

Nagi was someone An looked up to highly. So, when she was suddenly told that Nagi moved, not even saying goodbye, to pursue her music career, it left a mark on An. Added to the fact that Nagi wasn’t returning An’s messages or calls, just completely disappeared.

Now, looking to Bout for Beside you and KIUAN, you can see the importance of these lines. An fears that Kohane will improve so much that she leaves without a word, never talks go her again and just moves on. It’s why she looks so distressed.

VOT ep. 8, BFBY, ep. 8, KIUAN ep. 7

🎧: “…Aww. I wonder what Nagi-san is doing over in America? I wish she’d give us a call at least.”

🎧: “Ah! Maybe I’ll send her a text then! I wonder if she’ll be surprised~?”

…

🎧: “But what would you do if I said that I’d be going somewhere far far away someday?”

…

🎧: “…She looks just like Nagi-san…”

And, it’s why she can’t even believe Kohane when she says just how important An is to her, how much she loves her and wants to sing with her because Nagi said the same thing and now Nagi is gone.

This manages to reach a resolve in WTWG, where An ‘fights’ Kohane, takes all those raw emotions out in a healthy way, through her song.

An’s card in WTWG is more than just ‘An takes her anger out on Kohane’, because in truth that’s not entirely what she’s doing. Instead, it’s An’s raw emotions taking form.

An wants Kohane to grow, she wants Kohane to thrive fully, but that fear of abandonment—Fear that Kohane will leave and never speak to her again makes her want to hold her close and never let her go anywhere.

So what about Kohane?

Well, starting with thr WTWG card/story, Kohane wants to be An’s best partner. As she states, ‘to make An’s heart pound’.

So, to be vulnerable here is to accept all of An’s raw emotions. Let her lean on her and feel everything because to Kohane, that makes her a worthy partner.

She says over and over throughout the fight that An is amazing, that she wants to be like her, how much it makes her heart pound. Really, it reminds me of Kohane’s colorfes story.

WTWG, ep. 7

🐹: (“An-chan…really is amazing.”)

🐹: (“…Whenever I hear An-chan sing, it really makes my heart pound like nothing else. It makes me wish I could sing like her.”)

In it, Kohane goes to Vivid Street, but everyone thinks she’s An. This happens after she thinks about what it would be like to be An, but only going through this dream does she realize that she doesn’t want to be An, she wants to be her. She wants to be An’s partner.

Colorfes Kohane ep. 1 and 2

Record Store Onee-san: “You caught me off guard, using polite like that, An-chan!”

🐹: (“Did she just say An-chan…?”)

…

🐹: (“—An-chan’s so cool and strong…and there’s times I wish I could be like her…”)

🐹: (“I have to be me! Because—”)

🎧: “—Y’know, I was thinking, your singing is always so amazing, Kohane.”

🎧: “Whenever I hear your singing, it makes my heart race. The tension rises, and it makes me feel like I have to start singing right now!”

🐹: (“Because I’m An-chan’s partner—!”)

And to be An’s partner, is to drag all those raw, vertical emotions out of An, just like she does in WTWG.

In conclusion, Anhane explosion their relationship is so complex and strong and I love it

[biceratops7]

This, this fucking image...

It drives me insane, just activates something visceral, and I finally realized why. It's not just an appropriately placed close up shot to denote intimacy between Gabriel and Beelzebub, it's a fuck damn pov shot.

Gabriel is not dressed in accordance to his preferences, he is borrowing Aziraphale's clothes. And Beezlebub, well lets just say a black blazer is a black blazer, not exactly the easiest thing in the world to differentiate. Just looking at those hands joining, the individual identities of their owners melts away. The moment could have so easily belonged to Aziraphale and Crowley... and it's just- it's... it's just like the Rats of Nimh. They've seen this sign everyday for almost their whole lives, and have never once known what it says. They can make inferences, use context clues, wherever they are, it seems to be too so it must be about them, but they couldn't ever know for sure. Until one day, without warning, they looked at the words, and understood them.

And the sign communicated a way out.

Aziraphale and Crowley are the first of their kind. I don't think we really appreciate or understand how utterly unfathomable what they feel for each other is in their lived contexts, even to them. All this painful fear, all these lengths they go to, all to keep safe this precious experience they don't even have the language to name. It's not just unallowed, it's unreal. So then just imagine what the actual fuck they must be feeling when they see someone else... just fucking do it. Just like that. An angel and a demon. In love. Intimate, affectionate, in front of heaven, in front of hell, in front of humanity, in front of GOD, and She knows who the hell else.

For literally the first time, they’re seeing the things they feel for each other exist in others like them.