#getting to drafts as i type this

[arachnaemboss]

  ... IS THAT CARMILLA WITH Valentino?

[laurasimonsdaughter]

“The first thing you need to know,” the stable master announced loudly to the gaggle of school children trailing behind her, “is that these are not unicorns.”

Eleven-year-olds tended to be loud. Their silent scepticism was deafening.

“You cannot keep unicorns in captivity,” she continued. “These are all crossbreeds, mostly with specific breeds of horses.”

There was a small murmur of curiosity and a gangly arm shot up into the air.

“Yes?”

“Only mostly horses?”

It was always fun when some of them paid close attention. “Only mostly horses. I only deal with European breeds, and they tend to cross well with horses. See this here is a cross between a grey Thoroughbred and an English Unicorn. They’re large, and reasonably docile.” They also had that champagne sheen most showy folk preferred. “For people who come here looking for a steed, this is their best bet. Although I've only ever seen it done by people who personally broke them as yearlings.”

By now she definitely had the whole class’s full attention.

“But this French Licorne cross is actually half fallow deer.” She gestured to the pasture beyond the fence. “Look at them. Slight build, slender legs, built for speed and agility. They need a lot of space but they are beautiful to look at, and they’re relatively easy to tame for the pure of heart.” There was still something distinctly deer-like about them and they were all so beautifully cream coloured that they almost took on a silver hue.

“What’s those hairy ones?” a voice piped up.

“That’s a Unicorno/Shetland mix, from central Italy. Traditionally they tend to be crossed with Monterufolino, but they are hard to come by and make their coats even darker.” Unicorni were naturally built more like ponies, some with considerably shorter horns, and their coats were often a much darker gold, or even brown. They were less flighty than the French breeds though, even if they showed blatant favouritism towards certain caretakers. They would even pull a carriage if properly motivated.

“Do you have any bigger ones?”

The stable master turned around. “What was that?”

One of the boys was standing behind her with a determined look on his face. “Do you have any like that but bigger. With the beards and the furry hooves.”

“Feathering,” she corrected automatically and the boy nodded eagerly. She frowned. “What exactly do you mean?”

“There’s really big unicorns,” he pressed. “With wild manes and tails and split hooves like the French ones but hair like those ones!”

“Buddy,” she laughed, “what you’re describing there is a Scottish unicorn and let me tell you, they cannot even be crossbred into domestication.”

The little face fell.

“Any offspring of an Aon-adharcach will be as wild as they are no one can capture them with their horn still intact, not on your life. You go near one of them with a halter and it will skewer you.”

She smiled at the boy, who still looked rather taken aback, despite this proof of his favourites superiority.

“Tell you what. If you want to see something unhinged and imposing, I’ll take you to see the Eenhoorn/Friesian cross we’ve just got in from the Netherlands.”

[kettlefire]

As Good as Good Gets (DP X DC Snippet)

Richard "Dick" Grayson is the golden child. In the eyes of the public, and in the eyes of the league. Dick is a sweet, caring son, a man who went from being a sidekick to being a hero. The pipeline from Robin to Nightwing had many people applauding his dedication to keeping Gotham safe.

No one knew the full story, not truly. No one but Bruce Wayne himself. And maybe a certain butler. Many don't know that Dick only became Robin to stop him from hunting down and killing the man who killed his parents.

No one really knows about the harsh fights and arguments he has had with Bruce. The times when Dick would find himself cut off from the Wayne name for a week or so. No one knows that the first person Dick warmed up to was Alfred. Having been bribed with cookies.

Things weren't always this good, trusting, happy relationship between Bruce and Dick. It had been a rough ride, a complicated one. But that was okay, because it got better.

Dick stopped being so moody and angsty. He grew up, he learned, and he changed. He became an older brother, found people that needed him. Needed him in a way that the citizens of Gotham didn't need him.

His brothers like to call him annoying. A goody two shoes who Bruce trusted more than everyone else. They couldn't fathom how someone like Dick could be so stupid and bubbly at all times.

All times, except when shit hits the fans. Despite the name calling, despite coining Dick as the stupid Wayne. They all knew better. They knew that when it mattered, Dick Grayson always pulled through. He was a force to be reckoned with when needed.

The whole Wayne family was a force to be reckoned with when called for. It didn't have to be under the guise of costumes and vigilante acts. Whether he was Officer Grayson or Nightwing, Dick was a man with his morals and values.

One night on patrol as Officer Grayson, Dick found someone who needed that force. A force willing to protect and care for the innocent. The hurt. The damaged, yet still good.

It started like any other night. A call of shots fired by an empty warehouse. There was no sighting or knowledge of any rouges being there, so Dick took the call. Told the team he'll contact them if it seems more than just a civilian incident.

The warehouse was dark, reeked of copper and oil. It didn't take long for Dick to find the trail. The liquid he found looked like the person had been dragged before walking. There was a clear struggle, even with the mess and emptiness that was the warehouse.

That wasn't Dick's biggest concern. The concern lay in just how much blood there was. Too much for any normal person to lose and still manage to stumble through the warehouse.

It wasn't just blood. It wasn't that much, but Dick could spot the strangeness in the liquid. The mixed in green that had an eerily similar color and glow as a certain pit.

Without thinking, Dick followed the trail. Barely remembering to make contact with his family. Give them an update on what he found. Words telling him to stay put for backup went in one ear and out the other.

Something in Dick's gut was telling him he couldn't wait. He needed to find the source. Whoever was currently bleeding out in this warehouse. He silenced the comm, moving further through the dimly lit building.

Then Dick found it. Or more so, he found him. It was just a boy. A boy that reminded Dick too much of the youngest Wayne. A boy sat against a wall, looking pale and weak.

Red and green coated the front of the boy's shirt, arms wrapped tightly around his middle. An attempt to stem the bleeding. A puddle had already started to form beneath the boy, and Dick moved without thinking once again.

He quickly found himself kneeling beside the boy, hands carefully reaching out. Before Dick even touched him, the boy flinched. Eyelids suddenly opened, wide and terrified blue eyes landed on Dick's.

In just that one look, Dick knew what he had to do. The haunting, terrified, and pained look in the boy's eyes told Dick everything he needed to know. The boy was in danger. Someone had hurt this kid, and it was clear it wasn't the first time.

The boy struggled weakly against Dick's touch, terrified whimpers, and barely coherent pleas spilled from the kid's lips. It had Dick's heart aching, clear as day the poor kid has been through hell and back.

It took a lot of reassurance, gentle touches, and promises of help before the kid let Dick take a look at the bleeding wound. A promise on Dick's soul had been the final thing that earned him any semblance of trust. A strange promise, but Dick was willing to make it.

That concern turned to pure anger the moment Dick managed to pull the sticky shirt away from the wound. The sight of a Y-incision cut perfectly into the skin, stitches tight on the skin, but blood still leaking heavily from the wound.

It didn't take long for Dick to realize why. Despite the perfect surgical care of the wound, a good couple of stitches had broken. Leaving gaping spots for that red and green liquid to pour out of.

The boy was deathly silent, tears streaking down his cheek as wide blue eyes stayed trained on Dick. In that moment, Dick knew he had to help. Had to get the kid to safety, patch him up, and find out what kind of monster would do this.

It didn't matter if the kid was human or not. It didn't matter if the kid had special abilities or not. No one, absolutely no one, deserved to be vivisected.

The kid was shrouded in mystery, but that mystery only seemed to grow and become clearer when Bruce had entered the scene. The boy had tensed, eyes flashing a bright glowing green.

Lazarus pit green.

It set a pit of dread in Dick's gut. His mind brings forward memories of Jason. Jason, after his revival, after his dip in that cursed pit. The same flash that his brother would get if he got too angry. Too emotional.

As much as Dick wanted to focus on finding who did this, if it had any connection to Ra's al Ghul. He couldn't. Not when the kid tried to get up, to pull away as Bruce and the others made their way closer.

Right now, Dick only cared about making sure the boy was okay. Fixing those stitches, getting him a meal, and a warm bed.

He needed to get this kid someplace where he felt safe and secure. Comfortable and protected. Dick wasn't sure why. Maybe it was the promise he had made, but he wasn't letting anyone get to the kid.

That included his family. As strange as it seemed, Dick put himself between the others and the kid. Shooting them all a glare that they had only ever seen a handful of times.

Dick lifted the poor boy up in his arms, cradling the crying child close as he led the way out of the warehouse. Ignoring the questions or confusion coming from Bruce and the others. As Dick walked, feeling the trembling boy clinging to him, he made a rather obvious realization.

Maybe the eldest son really was more like Bruce than he expected. Just a few short moments the the boy, a boy that Dick didn't know his name, and he was ready to pull out adoption papers. To give the boy a safety he so desperately needs.

Give him the chance that Bruce had given him all those years ago.

[kinnbig]

✨ Simple Gif Colouring for Beginners ✨

I wrote up my basic gif colouring process for a friend recently, but a couple of people here mentioned they'd also find it helpful! so, as requested, this is a beginner-friendly walkthrough of the way I colour my gifs :) it's aimed at brand new gif makers with no prior experience with photoshop or photo editing.

when I first started gif making I found colouring and photoshop in general suuuper daunting, so I've tried to simplify everything here as much as possible. hopefully this will be relatively easy to follow and not too intimidating!

a couple of things to begin with:

I'm only talking about colouring here - this is not a full gif making tutorial. I've linked to some of my favourites of those here!

I personally like to make bright, 'clean' looking gifs with vibrant but natural colours, so that is the style of colouring this tutorial is geared towards. most of gif colouring is subjective and about personal taste - the only thing that I'd say is possible to get wrong is skin tones, which I talk about a lot in this guide.

as I mostly gif Thai dramas, most of the advice is geared towards colouring for East Asian/South East Asian skin tones - but the techniques should be fairly universally applicable (and here are some tutorials that talk about gif colouring for other skin tones).

I'm not an expert! I'm not claiming this is the best or the only way to colour gifs - it's just how I do it.

this post is very image-heavy. if the images aren't loading (or the gifs are running slowly or cutting/looping weirdly), then try viewing the post in its own tab (rather than on the your dash or someone's blog) and refreshing the page.

okay, full walkthrough beneath the cut!

contents:

1. intro a. natural gif colouring goals b. very very basic colour theory 2. super simple colouring (the essentials) a. curves b. selective colour (and skin tone correction) c. hue/saturation d. saving and reusing colouring e. another simple colouring example 3. other adjustment layers a. brightness/contrast b. levels c. vibrance d. colour balance e. channel mixer 4. troubleshooting a. curves b. saturation 5. fin!

1. intro

the colouring part of gif making can be super overwhelming, especially if (like me when I first started!) you're completely new to photoshop and/or have no experience with colour theory or photo/video editing.

if you're opening photoshop and making gifs for the first time, I highly recommend getting used to making a few basic, uncoloured gifs to begin with. just to practice, rather than post anywhere (though you can always come back and colour them later if you want) - but it'll make the rest of the process much easier if you're already beginning to get used to working in timeline mode of photoshop. give yourself a bit of time to practice and get a feel for things like how many frames you tend to like in a gif, where you like to crop them for the best loop, what kind of aspect ratio you like etc* - so that you're not trying to navigate all of that for the first time on top of everything else!

* frames: for me between 60-90 frames is ideal, but 40-120 frames is the absolute min-max I'd personally use in a normal gifset loops: for the smoothest loops, try to avoid cutting someone off mid-movement or mid-word if possible. aspect ratio: for full-size (540px) gifs, I tend to go for either 8:5 (slightly 'skinnier' gifs), 7:5, or 5:4 (particularly big, thick gifs lmao)

✨ natural gif colouring goals

part of what can be so daunting about starting gif making is not knowing where to start or what you want to achieve. this is definitely something that gets easier with practice - the more gifs you make, the more you'll get a feel for what kind of look you like and the more instinctively you'll know how to get there. it also helps to see if any gif makers you like have made "before and after colouring" posts - these can help with getting a sense of the kinds of changes made through gif colouring. here's one I made!

in general, I like to make my gifs bright and 'clean' looking, with vibrant but natural colours. these are the things I'm usually hoping to achieve with colouring:

brighten dark scenes

remove muddy, yellowish lighting or filters

saturate colours

correct any skin lightening filters or overexposure

make lighting and colours as consistent as possible between gifs within a single gifset, especially gifsets featuring gifs from multiple scenes/episodes/videos

this guide is focusing on natural colouring, but of course there are many cool ways to make stylised/unnaturally coloured gifs. imo you'll need to master these basics first, but if you want to learn how to do things like change the background colour of gifs or use gradients or other cool effects, then @usergif's resource directory has loads of super helpful tutorials!

✨ very very basic colour theory

[disclaimer! I don't know shit about fuck. I do not study light or art. this is just an explanation that makes sense to me exclusively for the purposes of gif making.]

the primary colours for light/digital screens are red, blue, and green. having all three colours in equal measures neutralises them (represented by the white section in the middle of the diagram).

so to neutralise a colour within a gif, you need to add more of the colour(s) that are lacking.

in practice this usually means: the scene you want to gif is very yellow! yellow is made of red and green light, so to neutralise it you need to add more blue into your gif.

it can also mean the reverse: if you desaturate the yellow tones in a gif, it will look much more blue.

looking at the colour balance sliders on photoshop can make it easier to visualise:

so making a gif more red also means making it less cyan.

removing green from a gif means adding magenta.

taking yellow out of a gif will make it more blue.

tl;dr:

neutralise yellows by adding blue (and vice versa)

neutralise reds by adding cyan (and vice versa)

neutralise green by adding magenta (and vice versa)

2. super simple colouring (the essentials)

starting with a nice sharpened gif in photoshop in timeline mode. (these are the sharpening settings I use!)

some scenes are much harder to colour than others - it helps to start out practising with scenes that are bright/well-lit and that don't have harsh unnaturally coloured lights/filters on. scenes with a lot of brown/orange also tend to be harder.

I usually save a base copy of my gif before I start colouring just in case I end up hating it, or find out later that it doesn't quite fit right into a set and need to redo it etc.

so here is my base gif!

it's an okay gif, but it has a bit of a yellow tint to it that I want to reduce.

colouring is easiest to do in adjustment layers, which can be found under layer -> new adjustment layer - or for me they are here:

there are lots of different types of adjustment layers that do lots of different things - but for me the absolute essentials for colouring are curves, selective colour, and hue/saturation.

I also use brightness/contrast, levels, exposure, vibrance, colour balance, and channel mixer sometimes, depending on the gif - but I use curves, selective colour, and hue/saturation on every single gif.

✨ curves layer

the first thing I always do is a curves layer. when you first open one it will look like this:

first I usually click the ‘auto’ button, just to see what happens. sometimes it makes a big difference (it usually brightens the gif a lot) - but on this gif it didn’t do much.

if it had made the gif look nicer then I would have kept it and added a second curves layer on top to do the rest of these steps.

the next step is selecting the white and black points with the little eyedropper tools.

the bottom eyedropper lets you pick a white point for the gif. click somewhere super light on the gif to see what happens - for this gif, I clicked on the lampshade on the left. if it looks weird, I just undo it and try somewhere else - it usually takes a few goes to find something that looks good.

here's what that did to the gif:

then I pick the top eyedropper and use it to pick a black point by clicking somewhere really dark, again playing around until I find a black point that looks good.

here's what the gif looks like after picking the white and black points:

this can take some experimenting, but you can make super easy drastic changes to your gif just with this. in this case, the curves layer took out a lot of that yellowy tint.

and this is what the curves graph looks like now:

you can click and drag those lines to make further changes if you want - I usually leave them alone though. the colours of the lines indicate which colours have been changed in the gif - for example, you can see from that steep blue line on the graph that blue has been added to neutralise those yellows.

next I usually do another curves layer and just press the ‘auto’ button again to see what happens. usually it brightens the gif a bit more, which I like.

‼️if nothing is working: usually with a bit of fucking about a curves layer works well - but sometimes you can’t find a good white and black point anywhere, and instead your gif turns wacky colours and nothing looks good. this happens more often with very heavily colour tinted scenes :( the troubleshooting section at the end goes over some options, including starting with a levels layer instead.

✨ selective colour (and skin tone correction)

skin tones are made up of a mixture of yellow and red.

removing yellow (or adding blue or red) to a gif will make the skin-tones too red - and removing red (or adding cyan or yellow) to a gif will make the skin-tones too yellow.

adding blue to this gif with the curves layer took out the yellowy tint, which I wanted - but it also took the yellows out of Kim's skin tone, which I don’t want. so I need to put yellow back into the skin tones specifically - without putting it back into the rest of the gif.

selective colour layers let you select an individual colour and adjust the levels of other colours within that colour. you can change how yellow the green shades are, or how much cyan is in the blues, for example.

I need to add yellow back into the red tones to correct the skin tones on this gif. this is the case for most gifs in my experience - the vast majority of the time, unless a scene is very heavily tinted in another colour, a curves layer will add blue/remove yellow.

in the 'colors' dropdown, select the 'reds' section and drag the 'yellow' slider higher - this will add more yellow into just the red shades within the gif.

the amount of yellow you need to add back into the reds depends on how much yellow was taken out of the gif initially - I just play around with the slider until it looks right. if you're not sure, it helps to have some neutrally-coloured (not white-washed!) reference photos of the people in your gif to compare to.

here's the result. Kim's skin is a lot less pink toned and much more natural looking:

✨ hue/saturation

this adjustment layer lets you adjust the hue and saturation of the gif as a whole, and also of each colour individually.

I don't use the hue or lightness sliders unless I'm trying to do something more complicated with the colouring.

clicking the dropdown menu that says 'master' lets you edit the saturation of each colour individually. this is useful if your gif is still super tinted in one colour.

I thought the yellows on this gif were still slightly too bright, so I switched to the yellow channel and desaturated them slightly. (remember if you do this then you need to go back to selective colour and add more yellow into the red skin tones to balance out the desaturation!)

then I increased the 'master' saturation of all the colours to +5:

I usually find the right amount of saturation is somewhere between +5 and +12, but it depends on the gif.

‼️if the gif feels undersaturated, but the saturation slider isn't helping/is making the colours worse, try a vibrance layer instead.

done!

✨ saving and reusing colouring

you can copy and paste adjustment layers between gifs to make your colouring even across each of your gifs for one scene - so if you're making a set of multiple gifs of the same scene, or you think you might want to gif the same scene again in the future, you can save it as a psd so you can reuse the colouring again later.

each gif's colouring will then still need tweaking - different cameras/angles/shots of the same scene can still start out with slightly different colouring.

I recommend uploading the gifs as a draft post on tumblr so you can see what they all look like next to each other and catch any inconsistencies.

✨ another one! (speedrun!)

HI KEN!

the white point for the curves layer was in the window behind them.

the curves layer removes the muddy yellow tint, but again it makes their skin tones (especially Ken's) very red toned, which is adjusted by the selective colour layer.

3. other adjustment layers

imo many many gifs can be coloured really nicely with just those three adjustment layers, but some need different adjustments.

✨ brightness/contrast

pretty self explanatory!

I personally usually avoid using the 'brightness' slider because I rarely like the effect - I only tend to use the 'contrast' one. 

the 'auto' button is sometimes useful though, especially if you’re struggling with the curves layer.

✨ levels

levels alters the white and black points of the gif, like curves - but unlike curves it doesn't also alter other colours.

use the sliders beneath the graph to alter how dark/light the gif is. you can slide the black slider further to the right to make the blacks darker, and the white slider to the left to make the whites lighter.

levels is a good place to start if your curves layer isn't working.

(I'm going to hit the image limit for this post lol so here are some screenshots of a table I made to demonstrate this rather than actual gifs. sorry!)

on both sides, I dragged the sliders up to where the big jumps are on the graph - this is usually a good place to start!

✨ vibrance

vibrance... makes the colours more vibrant. it's more subtle than saturation.

it's really helpful for gifs that feel grey. sometimes adjusting saturation just makes the greys kind of weirdly tinted, but a vibrance layer can fix that.

vibrance is much more subtle!

✨ colour balance

colour balance affects the overall balance of colours within a gif.

it's good for scenes with heavy tints.

I tend to stick to the 'midtones' dropdown, but you can also alter the colour balance within the shadows and highlights if you want.

✨ channel mixer

I avoided channel mixer for such a long time because it scared me. but it's great for scenes that are very heavily tinted in one colour.

basically, it works with the levels of red, green, and blue within a gif. you select an output colour and then play around with the levels of the colour you selected within each other colour.

kind of the reverse of selective colour?

so in the 'blue' channel, the levels of blue are at 100%, and the levels of red and green are at 0% - but you can impact how much blue is in the reds and greens and blues.

this tutorial explains it well - but imo the best way to get to grips with channel mixer is just to play around with it a bit (sorry)

(when I made this guide for my friend, I also made a slightly more complicated gif colouring walk-through that included using channel mixer. there isn't space to include it within this post, but if anyone is interested I could always upload it as an 'intermediate' gif colouring tutorial - lmk!)

4. troubleshooting

‼️curves

usually with a bit of fucking about a curves layer works well - but sometimes you can’t find a good white and black point anywhere, and instead your gif turns wacky colours and nothing looks good. this happens more often with very heavily colour tinted scenes :(

for example, with this base gif:

using many of the brightest points as a white point turn it wacky colours, like this:

yikes :(

some options for these cases:

try brightening the gif first with the 'auto' button on the curves layer or with a levels layer. having a brighter gif to start with can give you better options for picking a white point.

try finding an alternate, whiter/brighter white point. look for places the light reflects - on this gif, using the light on Porsche's cheekbone works well as the white point. it also helps to find places that would be white if the scene wasn't tinted - the lightest part of a white shirt is often a good place to start, for example.

skip the curves layer, and instead use a levels layer to alter your white/black points, and colour balance or channel mixer to balance the colours.

‼️over/undersaturation

if your gif (especially the skintones) is looking a little washed out or lifeless, it might be undersaturated. boost that saturation - or if that's not working, try a vibrance layer.

oversaturation is often easiest to spot in the mouths and ears of any people in a gif. if the mouths are looking unnaturally, vibrantly red, then you've gone too far with the saturation.

5. fin!

and done! I hope this was coherent helpful to somebody.

if there's anything that I've missed or that doesn't make sense pls feel free to shoot me an ask or a message and I'll do my best to help! I've also collated a bunch of additional reading/resources below.

happy gifmaking 🥰

✨ some links!

photoshop basics by @selenapastel

gifmaking for beginners by @hayaosmiyazaki

gifmaking guide for beginners by @saw-x

dreamy's gif tutorial by @scoupsy-remade (includes instructions on how to blur out burned-on subtitles or annoying video graphics)

beginner's guide to channel mixer by @aubrey-plaza

how to fix orange-washed characters by aubrey-plaza

colour correcting and fixing dark scenes by @kylos

does resampling matter? by usergif

how to put multiple gifs on one canvas by @fictionalheroine

watermarking using actions by @wonwooridul

resource directory by @usergif

[saturnniidae]

Hiccup should let Toothless stick his paws/claws in paint then give him a big sheet of paper to let him reach his full artistic potential

[radioroxx]

never understand how ppl can have drafts . like at all. dont u guys also feel the urge to clear it out if ever theres something There

[c-kiddo]

loev the idea of caduceus being home for a bit and being able to actually rest and recover and have good meals cooked with his family and perhaps gain a bit of weight finally and be healthier ,but likewith a grandpa body-type and then he just has this floppy stomach and twig arms and no ass still (tone tag compliment and affectionate and full of so much love). example:

[id in alt text]

[odd-chips]

Here's a big post of some of my doodles of [Cap'n and crew] that I haven't posted yet! Couple are comics, couple are shitposts, you know how it goes.

(Also have some extra character tidbits beneath the cut!)

Cap'n (she/they) has become a Spongebob-adjacent "married to the job" type with sprinklings of "they are not immune to rose-tinted Company propaganda". Cartoonishly loyal to work, she's more upset about lying to the boss about her condition over actually becoming a monster on work time (though she isn't particularly a fan of being a monster, either).

Skeets (she/her) was already implied to be pretty optimistic and curious, but I've doubled down on this. She's constantly curious about entities and the state of her co-workers, asking questions and absorbing new information. She's also extremely lucky when it comes to encountering entities.

Mav (she/him), as implied by her nearly leaving Cap'n behind in the first comic, has become a "I won't hesitate, bitch" bitch. Split second decisions aren't an issue for her, she WILL shoot first and ask questions later. (She also now has a gambling addiction, haha. LOVES betting credits on things)

Kid (he/him) is now Irish. I will not elaborate. He's kind of literally the same otherwise. He's also in major inherited debt because of a Company-caused clerical error, but don't worry about it.

Uh. That's about it, I suppose!

[martuzzio]

https://vaulthunters.gg/how-to-play

Go play Vault Hunters. It's free and very fun [waves bamboo-shaped sword in your direction menacingly]

[samarecharm]

tiny.

[mammomlette]

People don’t talk about MC needing to wear a magical ring to not accidentally yk cause NATURAL DISASTERS with their powers??? Not only accidentally but without realising???

Diavolo or smthn is asking too much of MC or being a bit too annoying and their other hand slowly drifts towards the ring and they hold onto it while maintaining dead eye contact. Like continue to piss me off hoe I’ll blink and blow a hole in your castle idk

Obv they never do it (or do they?) but the threat is there and it’s a risk dia (or whoever but I’m using dia) can’t take

[wonder-worker]

Wild how we know that Elizabeth Woodville was officially appointed to royal councils in her own right during her husband’s reign and fortified the Tower of London in preparation of a siege while 8-months pregnant and had forces gathering at Westminster “in the queen’s name” in 1483 – only for NONE of these things to be even included, let alone explored, in the vast majority of scholarship and historical novels involving her.

[lotrmusical]

i love you trans people. i love determining who we are for ourselves, creating and reinventing ourselves based around what we want rather than what we get told we're supposed to do. being trans is the coolest thing ever and every trans person is made of beauty and brightness and bravery and we all deserve a whole world of love

[moonshynecybin]

hmmm idk if this is anything, but rosquez as romcom co stars that keep getting cast together even though they hateee each other but the chemistry is too good?

this is fun because like. it keeps some of my favorite little rosquez saw traps and wraps them up for me like a little treat. forced proximity public pda and EXTREME media scrutiny kind of their bread and butter tbh. make them crazy make them kiss im watching like tashi in the hotel scene in challengers

like marc as a young tom cruise esque (sorry. SORRY. im sorryyyyy) action star who does all of his own stunts loves the physicality of acting loves getting to pretend to do crazy stuff and be a HEROOOO but still kind of plays the same exact character every time. BIG smile always standing on apple boxes to make himself seem taller as he attempts to generate chemistry with whatever actress is his badly written love interest of the day (marc would be SO good in the mission impossible movies im sorry he WOULD be like. can i parachute off of a motorcycle into a ravine please please please youre NOTHING. santi is his extremely stressed stunt coordinator. lmao.) versus vale who came up doing indie movies as a teen in the 90s (his lil face would DOMINATE gay cinephile gifset tumblr) before launching himself to super stardom with a string of successful comedies and sort of settling into that because its easy... secretly frustrated no one will let him bust out his drama chops... BIG chip on his shoulder here a la leaving honda for yamaha etc

so eventually both of them are getting a little tired of being pigeon holed. and decide 2 book a serious ass gay romantic drama. they are tired of being hailed as the kings of fiction for the masses and they want to win at acting!! they get into the chemistry read (marc is still pretty young i think) and its. insane. INSTANT. james dean and marlon brando levels of ARE YOU TWO FUCKING?? but they literally just met. and marc has been a fan of vale's forever but not just the comedies also his earlier dramatic stuff (apocalyptic little gay crush) and they have similar taste in movies and vale is sooooo funny and it is OFF to the races. like. i cannot emphasize this enough they are fucking the WHOLE time. every scene in this movie its just leaping off the screen... they go in to film and its like that BTS clip of the americans where the director was having matthew rhys and keri russell do a sex scene and theyre suspiciously comfortable pretending to 69 and he turns to his assistant and just goes. oh yeah these guys have fucked. they are wayyyy to comfy hitching the other's pussy into their face lmao. just fucking going for it. the director is like hey guys. can you tone it down a little. marc biggggg smile okayyyyyy :3

and the movie comes out and they attend the premiere all smiley and bouncy and feeling really good about the project and then, theyy watch it. and its like. uh oh! not a lot of acting happening there ! um. best performance of either of their careers and they both look at it an can identify all the points they werent acting like evil little signal flares.... and vale shuts marc out HARD yadayadayada the Usual Rosquez Breakup Ensues.... until they both get cast in a revival of the brokeback mountain stage play and shit pops off in the most nuclear explosion of horny heartbreak to ever hit the STAGE…

[mikesoup]

this sucks so bad i need to [remembers suicide jokes are not conducive to my mental health] travel back in time and fucking murder pam

[ancha-aus]

RealAgeAU Drabble - Dawn

I am back because i got home from work and I got no chill! :D @spotaus

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Okay. So why this one? Because i realised it was a while since i wrote a drabble from Horror's point of view and that is criminal and it is a great excuse for me to showcase some stuff from the quiet and very observing sockets of Horror! (also gives me an excuse to not think about the drabble order i got now and that thought i messed it up a bit which I need to think of a solution for)

Ready? Let's go!

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Horror makes sure to carefully close the door to the greenhouse. It is still early but he is used to those.

He enjoys the cool fresh air as he walks towards the house, small basket filled with fresh monster food. Horror is happy he got permission from Crop to harvest the plants in there for their meals.

He quietly opens the door and listens for a moment. He saw Cross leave the farm a little while ago to do his own morning workouts and by the sounds of it the other three are still asleep.

Which is good because he needs his own sleep. Horror knows very well that Dust is the one to wake up with Nightmare if something bothers him in his sleep.

He found the two of them awake and reading a book one too many times for Horror to believe they just had an allnighter.

Horror likes being up early. Maybe strange for him but he got used to it in his old universe. The best time to check his traps and search for food had been in the very early morning, or very late night depending on how you look at it, as most people would be asleep.

It is a leftover habit and he just kept going with it when he joined Nightmare's gang.

He puts the food away in all the right places and goes about getting the ingredients for todays breakfast. He notices the fresh milk and eggs and the choice is obvious. Some pancakes would be great.

He starts preparing the ingredients as he takes the time to measure it all. The milk makes him chuckle.

Watching Cross realises there was a cow had been funny. Finding Cross in a tree shaking with a cow under it had been hilarious. Crop ahd been apologetic as he explained that his cow, Betty (Killer had mutters "of course it is claled betty") was aparently mischievious.

Horror had his doubts but Cross swore that the cow would know when he left the farmhouse. That the cow would stand at the edge of her field and stare at him.

Cross did not go to the east side of the farm anymore. aparently that was Betty's territory in his mind.

Nightmare liked petting Betty however so you have your ups and downs.

Horror mixes the ingredients slowly but surely. Thinking about Nightmare, "Shouldn't you still be in bed?"

silence before a soft mutter "Not tired anymore."

Horror chuckles as he shoots Nightmare a look. He looks fully awake and adorable in his new wool sweater. Horror grins "God powers?"

Nightmare shrugs "I mean probably. I never needed sleep before. that is still new." They hadn't really noticed anything that could be connected to Nightmare's godhood at the moment. Maybe it had gone domant, at least that was Cross's guess. Dust just thinks Nightmare's magic is now focussed on healing instead of weird god shenenigans.

Speaking of healing! Horror gives him a stern look "bandages?"

Nightmare rolls his eye lights but mutters his answer "All still in place and good. Killer replaced them after the bath last night,"

Horror nods. With that secured he relaxes abit "Want to help?"

Nightmare is already by his side and stands on his tiptoes. Horror chuckles as he gives him a look "Need a chair?" he would offer a stepstool but the chair is more stable for him.

Nightmare looks at the counter annoyed before nodding his agreement. Horror grabs a chair and puts it near the counter. Nightmare climbs it easily.

Horror really wants to pick him up but they do have the rule that inside Nightmare should walk around himself to carefully train his spine. It is still much to early to already start carrying him. Horror knows that if any of them start they won't stop.

Nightmare reaches for the ingredients, some fruits for inside the pancakes, before pausing and staring at his sweater.

Nightmare has been very careful with his new gifted clothes. Horror himself is also very careful with the set of clothes Dust got him.

Horror frowns at the food he is making. He really hopes he can quickly find soemthing to do here to earn money. At the moment only Dust has something and it is starting to show, even Killer seems to be getting annoyed with himself over it.

Until now Horror and Cross helped around on Crop's farm. Which he was happy to do as it only seemed fair as a way to repay Crop for letting them stay. Horror has also been learning the basics about farming, farmland and farmwork from Crop. It is still a lot and not everything sticks in his skull, probably falling out of that hole. But he is getting better at it. He hopes with this Crop can maybe get the news out that both of them are more than willing to help around with heavy duty work and get a bit of cash flow.

Killer... Killer has a very specific set of skills. Sadly not specifically useful on a farm. Even if he is great with the animals and can herd pretty much anything, which is very useful but well. Most people won't let you near their animals unless they trust you and Killer is Killer.

Horror just feels bad that Dust is pretty much still Ngihtmare's main caretaker, got the rough end with the backstory they settled on, and has to deal with work to get cash. Only to spend all of it on them all.

Horror can see it is starting to wear him down. He just hopes they can figure out how to balance everything better.

It is another reason he loves these mornings. Because morning time means Dust, and Killer, both sleep in and Horror gets time to supervise their babybones. Horror adores the time wiht Nightmare. Especially when alone because then others don't watch them nervously the whole time.

It is exhausting to be seen as something dangerous even if he knows it is true. It is why they mean so much to him, they never treated him like that. None of them did.

A glance confirms that Nightmare has carefuly rolled up the sleeves and is taking extra care with cutting the fruits, using one of the duller knives which won't be able to cut bone. Horror turns back to getting everything else ready. He has to concentrate to push his intent into the food. He wants them to enjoy and like it. Feel the things he can't say to them.

Horror knows what he wants and feels but also knows none of them are ready to hear it. Horror has known that from the moment he realised what he felt was. The curse of being the only emotional stable one.

He still remembers all the way back near the start of them meeting and chuckles to himself. they did not get along at all.

Nightmare immediantly looks up "What is funny?" he looks adorably confused.

Horror thinks for a moment "Remember when you brought me in?"

Nightmare blinks before giving a slow nod "Yeah... I had hoped you would calm Killer and Dust."

Horror chuckles "Can't believe you thought i could do that."

Ngihtmare shrugs as he finishes up his task and just sits normally on the chair "I mean... It worked." his hands find the glass of juise Horror got him.

Horror pauses for a moment before nodding. Nightmare is kinda right with that one. It hadn't worked right away but he made it work. Mostly because he had had a lot of motivation.

Nightmare, still a fully active god at that point, had offered him that he would slowly but surely fix the food problem in his universe in trade for his service, something about it being too severe for him to be able to instantly fix but if Horror worked for him he would work on it. Horror had figured Nightmare had known about his little weird immortality situation with his own universe's core and accepted.

Turns out he just wanted him to fix whatever had been going on with Killer and Dust. Because they would fight. Constantly. And those two got very close to killing each other a few times.

Horror had eventually managed to somehow form a connection and bond with Killer. It had been rather easy and Horror was able to become friends with him over coworkers. Eventually find him not just annoying but funny. And later think fondly of his antics.

Dust took longer. Which had been a combination of Dust just being an introvert and not looking for connections or at least not in the way that made that clear to Horror. And well Horror heard bits and pieces of what Dust had done and had honestly been disgusted with the idea that Dust just murdered his whole universe and his own brother. Just to fight one human? Just to end a timeloop?

It was well after he managed to get them to stop, or at least contain the damage of, their fighting. Well after he started working for Nightmare more permanently that Horror realised how the multiverse worked.

And how fucking unfair it was.

Because aparently? stupid fate or some shit? That decided how your universe worked. His would always have ended up with a famine and starvation. Killer would always lose control and be controlled, abused and used by the human. Cross would always be the end of his universe. Dust... Dust would always have to kill his universe. No matter what he tried or solution he tried.

It wasn't until later Horror learned that Dust had tried everything. Multiple times. That Dust had learned to play multiple musical instruments in the time of resets. That he had learned to cook, and tinker. He master chemistry. Everything in the hopes it could give him a solution.

But the fates had already decided his ending, much like for all of them there was only one ending possible for them. And in the end locked him in a dead AU make by his own hands when no other options was left. Just like all of them had been.

Horror has to admit it took him a long time to get Dust to admit those things to him. Msotly because Horror had been standoffish before and that he accidentally gave Killer advice to treat Dust like one of the many stray cats he interact with.

He hadn't specifically said that. horror had just told Killer that maybe Dust would like Killer more, or at all, if Killer learned to respect his boundaries. Horror had mentioned how Killer could learn each cat's limits so why not Dust?

Worst part was that it actually worked.

Horror rubs his face "I give him cat advice." his voice sounds pained. Dust had been so mad at them both.

Nightmare nods "I remember. Dust left for three weeks." he snorts "which really is very catlike..." more thoughtful "And then you two got mad at me for not telling you where he went." He blinks and shrugs as he drinks from his orange juice.

Horror ignores the cat comment as he looks at Nightmare "Why didn't you tell us?" Dust had actually been recruited to help Nightmare with the balance. Something Horror only started to do after helping Killer and Dust be less homicidal.

Nightmare blinks at him wiht those wide sockets "I didn't want to force any of you... If you wanted to leave..." he speaks softer and softer "I wasn't going to stop you if you wanted to leave... if you didn't want to stay..."

Horror frowns and picks Nightmare up. He embraces him and hums "I am sorry we left..."

Nightmare shrugs as he pushes clsoer to him "You came back..."

hah... yeah they did. Much like Dust did all that time ago. He was gone for a few weeks before returning after killing Ink bringing back one of his fucking sketchbooks as proof. Obviously killing Ink does little in the long run but it was quite the powermove. Dust had glared at them daring to say anything. Killer of course had muttered something about Dust bringing back a kill much like a cat.

Horror is still not sure how he managed to stop Dust from Killing Killer that day.

Horror puts Nightmare at the table and gets a small yogurt and fruit snack ready for him. Just so he can eat a tiny bit. See how his magic will handle food today. Nightmare starts eating it when offered and that is a good sign. Means his magic is actually sending out the signal that it needs food today.

Horror goes back to flipping pancakes. Horror tries to stay in the here and now but his injury makes his mind likely to wander. and with already having been thinking about them.

He still remembers one of the early missions, after Horror learned about fates cruel games. Dust had still acted the same but Horror had tried to be more friendly. He had been close to giving up on it as clearly it wasn't working as Dust was still standoffish. Only for Dust to pull him out of the way of an attack from Ink, getting hit instead.

Later Horror had demanded why he did that and Dust had just shrugged. He hadn't had an answer for him. It confused Horror to no end. Horror was immortal because of that fact that his magic had been used in the core and bonded to that. Meaning as long as the core in his universe was fine he would return to life.

The gang had known this and Horror knew that Dust knew this. And yet. Dust had heard all of that and looked at the large monster Horror had become saw soemthing worth protecting. Something that needed protection.

Horror thinks he fell a little bit in love that day.

Much like how one day Horror just realised he couldn't stand the idea of not being near Killer or never seeing him again. That even if Killer could be annoying that he didn't wish him any pain or harm.

How it warmed his soul that Killer, and Cross later, would hide behidn him. Seeing him as someone safe that would protect them. See him as someone trustworthy.

Cross, so eager to please and desperate for affection and affirmation. but once he relaxed so smart and funny. Loyal and always ready to help...

But now is not the time to try and see what any of them thought or felt. They are dealing wiht a lot at the moment and they need to concentrate with trying to make staying here work.

The front door opens and Cross walks in quietly. He sneaks a glance at them and smiles when Horror catching him looking. Cross waves to Nightmare "Hey guys. All good?"

Horror nods "Nightmare helped." he flips another pancake as Nightmare drinks his juice with a smug little smile.

Cross grins "Good to hear. I will quickly get cleaned up and help. Dust and Killer?"

Nightmare hums "Still asleep." and he sips his juice again.

Cross nods "Good to know. be back in a bit" and he goes towards the bathroom. The pipes groan softly as Cross no doubt turns on the shower.

Horror finishes the last pancake and gets to wrok on getting the drinks and coffee ready.

Another day for them to figure out how this will work. Horror is just happy they are all here, everything else can wait as long as they stick together.

*-------------------------*

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