#getting to drafts as i type this

[arachnaemboss]

  ... IS THAT CARMILLA WITH Valentino?

[laurasimonsdaughter]

“The first thing you need to know,” the stable master announced loudly to the gaggle of school children trailing behind her, “is that these are not unicorns.���

Eleven-year-olds tended to be loud. Their silent scepticism was deafening.

“You cannot keep unicorns in captivity,” she continued. “These are all crossbreeds, mostly with specific breeds of horses.”

There was a small murmur of curiosity and a gangly arm shot up into the air.

“Yes?”

“Only mostly horses?”

It was always fun when some of them paid close attention. “Only mostly horses. I only deal with European breeds, and they tend to cross well with horses. See this here is a cross between a grey Thoroughbred and an English Unicorn. They’re large, and reasonably docile.” They also had that champagne sheen most showy folk preferred. “For people who come here looking for a steed, this is their best bet. Although I've only ever seen it done by people who personally broke them as yearlings.”

By now she definitely had the whole class’s full attention.

“But this French Licorne cross is actually half fallow deer.” She gestured to the pasture beyond the fence. “Look at them. Slight build, slender legs, built for speed and agility. They need a lot of space but they are beautiful to look at, and they’re relatively easy to tame for the pure of heart.” There was still something distinctly deer-like about them and they were all so beautifully cream coloured that they almost took on a silver hue.

“What’s those hairy ones?” a voice piped up.

“That’s a Unicorno/Shetland mix, from central Italy. Traditionally they tend to be crossed with Monterufolino, but they are hard to come by and make their coats even darker.” Unicorni were naturally built more like ponies, some with considerably shorter horns, and their coats were often a much darker gold, or even brown. They were less flighty than the French breeds though, even if they showed blatant favouritism towards certain caretakers. They would even pull a carriage if properly motivated.

“Do you have any bigger ones?”

The stable master turned around. “What was that?”

One of the boys was standing behind her with a determined look on his face. “Do you have any like that but bigger. With the beards and the furry hooves.”

“Feathering,” she corrected automatically and the boy nodded eagerly. She frowned. “What exactly do you mean?”

“There’s really big unicorns,” he pressed. “With wild manes and tails and split hooves like the French ones but hair like those ones!”

“Buddy,” she laughed, “what you’re describing there is a Scottish unicorn and let me tell you, they cannot even be crossbred into domestication.”

The little face fell.

“Any offspring of an Aon-adharcach will be as wild as they are no one can capture them with their horn still intact, not on your life. You go near one of them with a halter and it will skewer you.”

She smiled at the boy, who still looked rather taken aback, despite this proof of his favourites superiority.

“Tell you what. If you want to see something unhinged and imposing, I’ll take you to see the Eenhoorn/Friesian cross we’ve just got in from the Netherlands.”

[kettlefire]

As Good as Good Gets (DP X DC Snippet)

Richard "Dick" Grayson is the golden child. In the eyes of the public, and in the eyes of the league. Dick is a sweet, caring son, a man who went from being a sidekick to being a hero. The pipeline from Robin to Nightwing had many people applauding his dedication to keeping Gotham safe.

No one knew the full story, not truly. No one but Bruce Wayne himself. And maybe a certain butler. Many don't know that Dick only became Robin to stop him from hunting down and killing the man who killed his parents.

No one really knows about the harsh fights and arguments he has had with Bruce. The times when Dick would find himself cut off from the Wayne name for a week or so. No one knows that the first person Dick warmed up to was Alfred. Having been bribed with cookies.

Things weren't always this good, trusting, happy relationship between Bruce and Dick. It had been a rough ride, a complicated one. But that was okay, because it got better.

Dick stopped being so moody and angsty. He grew up, he learned, and he changed. He became an older brother, found people that needed him. Needed him in a way that the citizens of Gotham didn't need him.

His brothers like to call him annoying. A goody two shoes who Bruce trusted more than everyone else. They couldn't fathom how someone like Dick could be so stupid and bubbly at all times.

All times, except when shit hits the fans. Despite the name calling, despite coining Dick as the stupid Wayne. They all knew better. They knew that when it mattered, Dick Grayson always pulled through. He was a force to be reckoned with when needed.

The whole Wayne family was a force to be reckoned with when called for. It didn't have to be under the guise of costumes and vigilante acts. Whether he was Officer Grayson or Nightwing, Dick was a man with his morals and values.

One night on patrol as Officer Grayson, Dick found someone who needed that force. A force willing to protect and care for the innocent. The hurt. The damaged, yet still good.

It started like any other night. A call of shots fired by an empty warehouse. There was no sighting or knowledge of any rouges being there, so Dick took the call. Told the team he'll contact them if it seems more than just a civilian incident.

The warehouse was dark, reeked of copper and oil. It didn't take long for Dick to find the trail. The liquid he found looked like the person had been dragged before walking. There was a clear struggle, even with the mess and emptiness that was the warehouse.

That wasn't Dick's biggest concern. The concern lay in just how much blood there was. Too much for any normal person to lose and still manage to stumble through the warehouse.

It wasn't just blood. It wasn't that much, but Dick could spot the strangeness in the liquid. The mixed in green that had an eerily similar color and glow as a certain pit.

Without thinking, Dick followed the trail. Barely remembering to make contact with his family. Give them an update on what he found. Words telling him to stay put for backup went in one ear and out the other.

Something in Dick's gut was telling him he couldn't wait. He needed to find the source. Whoever was currently bleeding out in this warehouse. He silenced the comm, moving further through the dimly lit building.

Then Dick found it. Or more so, he found him. It was just a boy. A boy that reminded Dick too much of the youngest Wayne. A boy sat against a wall, looking pale and weak.

Red and green coated the front of the boy's shirt, arms wrapped tightly around his middle. An attempt to stem the bleeding. A puddle had already started to form beneath the boy, and Dick moved without thinking once again.

He quickly found himself kneeling beside the boy, hands carefully reaching out. Before Dick even touched him, the boy flinched. Eyelids suddenly opened, wide and terrified blue eyes landed on Dick's.

In just that one look, Dick knew what he had to do. The haunting, terrified, and pained look in the boy's eyes told Dick everything he needed to know. The boy was in danger. Someone had hurt this kid, and it was clear it wasn't the first time.

The boy struggled weakly against Dick's touch, terrified whimpers, and barely coherent pleas spilled from the kid's lips. It had Dick's heart aching, clear as day the poor kid has been through hell and back.

It took a lot of reassurance, gentle touches, and promises of help before the kid let Dick take a look at the bleeding wound. A promise on Dick's soul had been the final thing that earned him any semblance of trust. A strange promise, but Dick was willing to make it.

That concern turned to pure anger the moment Dick managed to pull the sticky shirt away from the wound. The sight of a Y-incision cut perfectly into the skin, stitches tight on the skin, but blood still leaking heavily from the wound.

It didn't take long for Dick to realize why. Despite the perfect surgical care of the wound, a good couple of stitches had broken. Leaving gaping spots for that red and green liquid to pour out of.

The boy was deathly silent, tears streaking down his cheek as wide blue eyes stayed trained on Dick. In that moment, Dick knew he had to help. Had to get the kid to safety, patch him up, and find out what kind of monster would do this.

It didn't matter if the kid was human or not. It didn't matter if the kid had special abilities or not. No one, absolutely no one, deserved to be vivisected.

The kid was shrouded in mystery, but that mystery only seemed to grow and become clearer when Bruce had entered the scene. The boy had tensed, eyes flashing a bright glowing green.

Lazarus pit green.

It set a pit of dread in Dick's gut. His mind brings forward memories of Jason. Jason, after his revival, after his dip in that cursed pit. The same flash that his brother would get if he got too angry. Too emotional.

As much as Dick wanted to focus on finding who did this, if it had any connection to Ra's al Ghul. He couldn't. Not when the kid tried to get up, to pull away as Bruce and the others made their way closer.

Right now, Dick only cared about making sure the boy was okay. Fixing those stitches, getting him a meal, and a warm bed.

He needed to get this kid someplace where he felt safe and secure. Comfortable and protected. Dick wasn't sure why. Maybe it was the promise he had made, but he wasn't letting anyone get to the kid.

That included his family. As strange as it seemed, Dick put himself between the others and the kid. Shooting them all a glare that they had only ever seen a handful of times.

Dick lifted the poor boy up in his arms, cradling the crying child close as he led the way out of the warehouse. Ignoring the questions or confusion coming from Bruce and the others. As Dick walked, feeling the trembling boy clinging to him, he made a rather obvious realization.

Maybe the eldest son really was more like Bruce than he expected. Just a few short moments the the boy, a boy that Dick didn't know his name, and he was ready to pull out adoption papers. To give the boy a safety he so desperately needs.

Give him the chance that Bruce had given him all those years ago.

[kinnbig]

✨ Simple Gif Colouring for Beginners ✨

I wrote up my basic gif colouring process for a friend recently, but a couple of people here mentioned they'd also find it helpful! so, as requested, this is a beginner-friendly walkthrough of the way I colour my gifs :) it's aimed at brand new gif makers with no prior experience with photoshop or photo editing.

when I first started gif making I found colouring and photoshop in general suuuper daunting, so I've tried to simplify everything here as much as possible. hopefully this will be relatively easy to follow and not too intimidating!

a couple of things to begin with:

I'm only talking about colouring here - this is not a full gif making tutorial. I've linked to some of my favourites of those here!

I personally like to make bright, 'clean' looking gifs with vibrant but natural colours, so that is the style of colouring this tutorial is geared towards. most of gif colouring is subjective and about personal taste - the only thing that I'd say is possible to get wrong is skin tones, which I talk about a lot in this guide.

as I mostly gif Thai dramas, most of the advice is geared towards colouring for East Asian/South East Asian skin tones - but the techniques should be fairly universally applicable (and here are some tutorials that talk about gif colouring for other skin tones).

I'm not an expert! I'm not claiming this is the best or the only way to colour gifs - it's just how I do it.

this post is very image-heavy. if the images aren't loading (or the gifs are running slowly or cutting/looping weirdly), then try viewing the post in its own tab (rather than on the your dash or someone's blog) and refreshing the page.

okay, full walkthrough beneath the cut!

contents:

1. intro a. natural gif colouring goals b. very very basic colour theory 2. super simple colouring (the essentials) a. curves b. selective colour (and skin tone correction) c. hue/saturation d. saving and reusing colouring e. another simple colouring example 3. other adjustment layers a. brightness/contrast b. levels c. vibrance d. colour balance e. channel mixer 4. troubleshooting a. curves b. saturation 5. fin!

1. intro

the colouring part of gif making can be super overwhelming, especially if (like me when I first started!) you're completely new to photoshop and/or have no experience with colour theory or photo/video editing.

if you're opening photoshop and making gifs for the first time, I highly recommend getting used to making a few basic, uncoloured gifs to begin with. just to practice, rather than post anywhere (though you can always come back and colour them later if you want) - but it'll make the rest of the process much easier if you're already beginning to get used to working in timeline mode of photoshop. give yourself a bit of time to practice and get a feel for things like how many frames you tend to like in a gif, where you like to crop them for the best loop, what kind of aspect ratio you like etc* - so that you're not trying to navigate all of that for the first time on top of everything else!

* frames: for me between 60-90 frames is ideal, but 40-120 frames is the absolute min-max I'd personally use in a normal gifset loops: for the smoothest loops, try to avoid cutting someone off mid-movement or mid-word if possible. aspect ratio: for full-size (540px) gifs, I tend to go for either 8:5 (slightly 'skinnier' gifs), 7:5, or 5:4 (particularly big, thick gifs lmao)

✨ natural gif colouring goals

part of what can be so daunting about starting gif making is not knowing where to start or what you want to achieve. this is definitely something that gets easier with practice - the more gifs you make, the more you'll get a feel for what kind of look you like and the more instinctively you'll know how to get there. it also helps to see if any gif makers you like have made "before and after colouring" posts - these can help with getting a sense of the kinds of changes made through gif colouring. here's one I made!

in general, I like to make my gifs bright and 'clean' looking, with vibrant but natural colours. these are the things I'm usually hoping to achieve with colouring:

brighten dark scenes

remove muddy, yellowish lighting or filters

saturate colours

correct any skin lightening filters or overexposure

make lighting and colours as consistent as possible between gifs within a single gifset, especially gifsets featuring gifs from multiple scenes/episodes/videos

this guide is focusing on natural colouring, but of course there are many cool ways to make stylised/unnaturally coloured gifs. imo you'll need to master these basics first, but if you want to learn how to do things like change the background colour of gifs or use gradients or other cool effects, then @usergif's resource directory has loads of super helpful tutorials!

✨ very very basic colour theory

[disclaimer! I don't know shit about fuck. I do not study light or art. this is just an explanation that makes sense to me exclusively for the purposes of gif making.]

the primary colours for light/digital screens are red, blue, and green. having all three colours in equal measures neutralises them (represented by the white section in the middle of the diagram).

so to neutralise a colour within a gif, you need to add more of the colour(s) that are lacking.

in practice this usually means: the scene you want to gif is very yellow! yellow is made of red and green light, so to neutralise it you need to add more blue into your gif.

it can also mean the reverse: if you desaturate the yellow tones in a gif, it will look much more blue.

looking at the colour balance sliders on photoshop can make it easier to visualise:

so making a gif more red also means making it less cyan.

removing green from a gif means adding magenta.

taking yellow out of a gif will make it more blue.

tl;dr:

neutralise yellows by adding blue (and vice versa)

neutralise reds by adding cyan (and vice versa)

neutralise green by adding magenta (and vice versa)

2. super simple colouring (the essentials)

starting with a nice sharpened gif in photoshop in timeline mode. (these are the sharpening settings I use!)

some scenes are much harder to colour than others - it helps to start out practising with scenes that are bright/well-lit and that don't have harsh unnaturally coloured lights/filters on. scenes with a lot of brown/orange also tend to be harder.

I usually save a base copy of my gif before I start colouring just in case I end up hating it, or find out later that it doesn't quite fit right into a set and need to redo it etc.

so here is my base gif!

it's an okay gif, but it has a bit of a yellow tint to it that I want to reduce.

colouring is easiest to do in adjustment layers, which can be found under layer -> new adjustment layer - or for me they are here:

there are lots of different types of adjustment layers that do lots of different things - but for me the absolute essentials for colouring are curves, selective colour, and hue/saturation.

I also use brightness/contrast, levels, exposure, vibrance, colour balance, and channel mixer sometimes, depending on the gif - but I use curves, selective colour, and hue/saturation on every single gif.

✨ curves layer

the first thing I always do is a curves layer. when you first open one it will look like this:

first I usually click the ‘auto’ button, just to see what happens. sometimes it makes a big difference (it usually brightens the gif a lot) - but on this gif it didn’t do much.

if it had made the gif look nicer then I would have kept it and added a second curves layer on top to do the rest of these steps.

the next step is selecting the white and black points with the little eyedropper tools.

the bottom eyedropper lets you pick a white point for the gif. click somewhere super light on the gif to see what happens - for this gif, I clicked on the lampshade on the left. if it looks weird, I just undo it and try somewhere else - it usually takes a few goes to find something that looks good.

here's what that did to the gif:

then I pick the top eyedropper and use it to pick a black point by clicking somewhere really dark, again playing around until I find a black point that looks good.

here's what the gif looks like after picking the white and black points:

this can take some experimenting, but you can make super easy drastic changes to your gif just with this. in this case, the curves layer took out a lot of that yellowy tint.

and this is what the curves graph looks like now:

you can click and drag those lines to make further changes if you want - I usually leave them alone though. the colours of the lines indicate which colours have been changed in the gif - for example, you can see from that steep blue line on the graph that blue has been added to neutralise those yellows.

next I usually do another curves layer and just press the ‘auto’ button again to see what happens. usually it brightens the gif a bit more, which I like.

‼️if nothing is working: usually with a bit of fucking about a curves layer works well - but sometimes you can’t find a good white and black point anywhere, and instead your gif turns wacky colours and nothing looks good. this happens more often with very heavily colour tinted scenes :( the troubleshooting section at the end goes over some options, including starting with a levels layer instead.

✨ selective colour (and skin tone correction)

skin tones are made up of a mixture of yellow and red.

removing yellow (or adding blue or red) to a gif will make the skin-tones too red - and removing red (or adding cyan or yellow) to a gif will make the skin-tones too yellow.

adding blue to this gif with the curves layer took out the yellowy tint, which I wanted - but it also took the yellows out of Kim's skin tone, which I don’t want. so I need to put yellow back into the skin tones specifically - without putting it back into the rest of the gif.

selective colour layers let you select an individual colour and adjust the levels of other colours within that colour. you can change how yellow the green shades are, or how much cyan is in the blues, for example.

I need to add yellow back into the red tones to correct the skin tones on this gif. this is the case for most gifs in my experience - the vast majority of the time, unless a scene is very heavily tinted in another colour, a curves layer will add blue/remove yellow.

in the 'colors' dropdown, select the 'reds' section and drag the 'yellow' slider higher - this will add more yellow into just the red shades within the gif.

the amount of yellow you need to add back into the reds depends on how much yellow was taken out of the gif initially - I just play around with the slider until it looks right. if you're not sure, it helps to have some neutrally-coloured (not white-washed!) reference photos of the people in your gif to compare to.

here's the result. Kim's skin is a lot less pink toned and much more natural looking:

✨ hue/saturation

this adjustment layer lets you adjust the hue and saturation of the gif as a whole, and also of each colour individually.

I don't use the hue or lightness sliders unless I'm trying to do something more complicated with the colouring.

clicking the dropdown menu that says 'master' lets you edit the saturation of each colour individually. this is useful if your gif is still super tinted in one colour.

I thought the yellows on this gif were still slightly too bright, so I switched to the yellow channel and desaturated them slightly. (remember if you do this then you need to go back to selective colour and add more yellow into the red skin tones to balance out the desaturation!)

then I increased the 'master' saturation of all the colours to +5:

I usually find the right amount of saturation is somewhere between +5 and +12, but it depends on the gif.

‼️if the gif feels undersaturated, but the saturation slider isn't helping/is making the colours worse, try a vibrance layer instead.

done!

✨ saving and reusing colouring

you can copy and paste adjustment layers between gifs to make your colouring even across each of your gifs for one scene - so if you're making a set of multiple gifs of the same scene, or you think you might want to gif the same scene again in the future, you can save it as a psd so you can reuse the colouring again later.

each gif's colouring will then still need tweaking - different cameras/angles/shots of the same scene can still start out with slightly different colouring.

I recommend uploading the gifs as a draft post on tumblr so you can see what they all look like next to each other and catch any inconsistencies.

✨ another one! (speedrun!)

HI KEN!

the white point for the curves layer was in the window behind them.

the curves layer removes the muddy yellow tint, but again it makes their skin tones (especially Ken's) very red toned, which is adjusted by the selective colour layer.

3. other adjustment layers

imo many many gifs can be coloured really nicely with just those three adjustment layers, but some need different adjustments.

✨ brightness/contrast

pretty self explanatory!

I personally usually avoid using the 'brightness' slider because I rarely like the effect - I only tend to use the 'contrast' one. 

the 'auto' button is sometimes useful though, especially if you’re struggling with the curves layer.

✨ levels

levels alters the white and black points of the gif, like curves - but unlike curves it doesn't also alter other colours.

use the sliders beneath the graph to alter how dark/light the gif is. you can slide the black slider further to the right to make the blacks darker, and the white slider to the left to make the whites lighter.

levels is a good place to start if your curves layer isn't working.

(I'm going to hit the image limit for this post lol so here are some screenshots of a table I made to demonstrate this rather than actual gifs. sorry!)

on both sides, I dragged the sliders up to where the big jumps are on the graph - this is usually a good place to start!

✨ vibrance

vibrance... makes the colours more vibrant. it's more subtle than saturation.

it's really helpful for gifs that feel grey. sometimes adjusting saturation just makes the greys kind of weirdly tinted, but a vibrance layer can fix that.

vibrance is much more subtle!

✨ colour balance

colour balance affects the overall balance of colours within a gif.

it's good for scenes with heavy tints.

I tend to stick to the 'midtones' dropdown, but you can also alter the colour balance within the shadows and highlights if you want.

✨ channel mixer

I avoided channel mixer for such a long time because it scared me. but it's great for scenes that are very heavily tinted in one colour.

basically, it works with the levels of red, green, and blue within a gif. you select an output colour and then play around with the levels of the colour you selected within each other colour.

kind of the reverse of selective colour?

so in the 'blue' channel, the levels of blue are at 100%, and the levels of red and green are at 0% - but you can impact how much blue is in the reds and greens and blues.

this tutorial explains it well - but imo the best way to get to grips with channel mixer is just to play around with it a bit (sorry)

(when I made this guide for my friend, I also made a slightly more complicated gif colouring walk-through that included using channel mixer. there isn't space to include it within this post, but if anyone is interested I could always upload it as an 'intermediate' gif colouring tutorial - lmk!)

4. troubleshooting

‼️curves

usually with a bit of fucking about a curves layer works well - but sometimes you can’t find a good white and black point anywhere, and instead your gif turns wacky colours and nothing looks good. this happens more often with very heavily colour tinted scenes :(

for example, with this base gif:

using many of the brightest points as a white point turn it wacky colours, like this:

yikes :(

some options for these cases:

try brightening the gif first with the 'auto' button on the curves layer or with a levels layer. having a brighter gif to start with can give you better options for picking a white point.

try finding an alternate, whiter/brighter white point. look for places the light reflects - on this gif, using the light on Porsche's cheekbone works well as the white point. it also helps to find places that would be white if the scene wasn't tinted - the lightest part of a white shirt is often a good place to start, for example.

skip the curves layer, and instead use a levels layer to alter your white/black points, and colour balance or channel mixer to balance the colours.

‼️over/undersaturation

if your gif (especially the skintones) is looking a little washed out or lifeless, it might be undersaturated. boost that saturation - or if that's not working, try a vibrance layer.

oversaturation is often easiest to spot in the mouths and ears of any people in a gif. if the mouths are looking unnaturally, vibrantly red, then you've gone too far with the saturation.

5. fin!

and done! I hope this was coherent helpful to somebody.

if there's anything that I've missed or that doesn't make sense pls feel free to shoot me an ask or a message and I'll do my best to help! I've also collated a bunch of additional reading/resources below.

happy gifmaking 🥰

✨ some links!

photoshop basics by @selenapastel

gifmaking for beginners by @hayaosmiyazaki

gifmaking guide for beginners by @saw-x

dreamy's gif tutorial by @scoupsy-remade (includes instructions on how to blur out burned-on subtitles or annoying video graphics)

beginner's guide to channel mixer by @aubrey-plaza

how to fix orange-washed characters by aubrey-plaza

colour correcting and fixing dark scenes by @kylos

does resampling matter? by usergif

how to put multiple gifs on one canvas by @fictionalheroine

watermarking using actions by @wonwooridul

resource directory by @usergif

[saturnniidae]

Hiccup should let Toothless stick his paws/claws in paint then give him a big sheet of paper to let him reach his full artistic potential

[clarkgriffon]

BUFFY THE VAMPIRE SLAYER 7x22 | “Chosen” 

[radioroxx]

never understand how ppl can have drafts . like at all. dont u guys also feel the urge to clear it out if ever theres something There

[odd-chips]

Here's a big post of some of my doodles of [Cap'n and crew] that I haven't posted yet! Couple are comics, couple are shitposts, you know how it goes.

(Also have some extra character tidbits beneath the cut!)

Cap'n (she/they) has become a Spongebob-adjacent "married to the job" type with sprinklings of "they are not immune to rose-tinted Company propaganda". Cartoonishly loyal to work, she's more upset about lying to the boss about her condition over actually becoming a monster on work time (though she isn't particularly a fan of being a monster, either).

Skeets (she/her) was already implied to be pretty optimistic and curious, but I've doubled down on this. She's constantly curious about entities and the state of her co-workers, asking questions and absorbing new information. She's also extremely lucky when it comes to encountering entities.

Mav (she/him), as implied by her nearly leaving Cap'n behind in the first comic, has become a "I won't hesitate, bitch" bitch. Split second decisions aren't an issue for her, she WILL shoot first and ask questions later. (She also now has a gambling addiction, haha. LOVES betting credits on things)

Kid (he/him) is now Irish. I will not elaborate. He's kind of literally the same otherwise. He's also in major inherited debt because of a Company-caused clerical error, but don't worry about it.

Uh. That's about it, I suppose!

[c-kiddo]

loev the idea of caduceus being home for a bit and being able to actually rest and recover and have good meals cooked with his family and perhaps gain a bit of weight finally and be healthier ,but likewith a grandpa body-type and then he just has this floppy stomach and twig arms and no ass still (tone tag compliment and affectionate and full of so much love). example:

[id in alt text]

[icewindandboringhorror]

Little bright colored outfit with a fun vest ~

(shoes from ebay like 10 years ago. everything else is thrifted)

[serpentface]

Full ref outline of the main White Calf characters, a dysfunctional noble family and two monks, all tied with the titular sacrificial wild oxen calf.

Left to right: Couya Haidamane, Faiza Haidamane, Janeys Haidamane, Hibrides Haidamane (née Uryashta), Brakul 'Red-Dog', Palo Apolynnon, Tigran Otto.

Design notes and very brief character summaries below the cut

Couya Haidamane

Odonii priestess, assigned to the sacrificial white calf, pretty sure that God has chosen her as Its emissary. Half sister to Faiza and Janeys. Constantly three seconds away from killing Janeys with a rock. Friends with Hibrides.

Has an awkward demeanor, doesn't talk much, borderline humorless, both intentionally and inadvertently intimidates those around her, regarded as strange and unsettling, very much in her own head most of the time.

32 years old.

Wardi and Titen-Wardi, born and raised in the city of Wardin.

5’9’, yellow-brown eyes, light brown hair, lanky muscular build

Usually wears a men’s styled robe.

Wears a standard issue Odonii's veil and headband.

Almost always carrying her pistol with no sheath, and usually positions it to be prominently exposed.

Often wears her hair unbraided, which is somewhat unconventional.

Terminal resting bitch face and signature cold, dead eyed stare.

Has a mole on the left side of the face, above the lip.

Routine bloodletting scars on the side of her left index finger.

Doesn't wear jewelry unless she has to.

Faiza Haidamane

Senior Odonii priestess, personal friend of the king and a de-facto leader of the pilgrimage, sister of Janeys and half sister to Faiza. Just desperately trying to make sure everything goes alright.

Skilled with diplomacy, shrewd and pragmatic, charismatic and confident, has a bit of a martyr complex about protecting those around her and enjoys power.

35 years old.

Wardi and Titen-Wardi, born and raised in the city of Wardin.

5’6’’, gray eyes, brown hair, wiry build

Hair is almost always braided and worn down the front.

Wears a standard issue Odonii's veil and headband.

Likes to keep her arms bare, and usually wears her cloak around the waist outside of blazing sun or very cold conditions.

Wears a lapis lazuli necklace

Has a serpent pelatoche bracelet she wears on her left wrist, a gift from the king Stavis Amanti.

Really likes the color blue (blue clothing is typical wear for Odonii but it's a thing for her specifically)

Routine bloodletting scars on her lower left forearm.

Janeys Haidamane

Unaccomplished wealthy brat mercenary, is in command of 25 soldiers entirely due to nepotism via Faiza. Married to Hibrides and sworn brother/lover to Brakul.

Generally regarded as unpleasant and an all-around jackass, perpetually anxious and spiteful, superstitious and intensely religious, low self esteem.

34 years old.

Wardi and Titen-Wardi, born and raised in the city of Wardin.

5’6’’, gray eyes, brown hair, wiry and stocky build

Upper arms, thighs, chest and back are covered in razor scars inflicted by Brakul.

He and Brakul have a matching scar through their left eyebrow.

Routine bloodletting scars on his palms and left thumb.

Hair is usually worn slicked back with (obnoxiously scented) oil. When untreated, it’s wavy and falls in a part down the middle.

Has sideburns and a thin beard on his chin. This is the full extent of facial hair he can grow.

Almost always wearing at least one pelatoche charm, usually as a cloak clasp.

He and Faiza look very alike and can pass for twins.

He and Couya share a signature dead eyed stare

Hibrides Uryashta

Daughter of an Erubinnos chancellor, brought along with the wives of noblemen attending the pilgrimage. Miserably married to Janeys. Has a strained platonic emotional affair with Brakul. Friends with Couya.

Shy and somewhat lonely, very nervous about her presentation, very intelligent, frequently condescending, puts up a serious and tough front but is very sensitive. Heavily germaphobic.

5’2’’, hazel eyes, dark brown hair, delicate build

Yuroma-Wardi, born and raised in the city of Erubinnos.

29 years old.

Always well protected from the sun, rarely seen outside without a hat or veil.

Her hair is kept in very long braids, worn down the back.

Wears closed toed high heeled shoes, which keep the wearer away from dirty city streets.

Usually bedecked in jewelry, especially fond of pearls. Has a particularly fine odatochent necklace.

Really likes wading birds and ducks, a lot of her clothes have bird motifs.

Routine bloodletting scars on her right thumb.

Brakul 'Red-Dog' (actual full title- Brakul virsum Kuligan et Borunil an Briyonis ne-Taig an Bict-Urbinnas)

Originally of the Bict-Urbinnas people and considered a 'heathen' by most compatriots, mercenary with a passion for riding sports. Mostly present on the pilgrimage due to nepotism by proxy. Illegitimate father of Hibrides' children, sworn brother/lover of Janeys.

Usually quiet and placid, calculating and thoughtful, prone to startlingly intense emotional outbursts and fits of melancholy and just really fucking annoying self-pity.

37 years old.

Bict-Urbinnas, born and raised in southeastern Greathill in the Erubin River Valley.

6’2’’, brown eyes, light red-brown hair, heavyset muscular build.

Doesn’t particularly like cloaks, and usually wears a less common tunic over his robes.

Has tattoos- clan identifiers on his face and family history on his upper arms, a purely decorative dog over his heart.

Usually keeps his arms covered in public to minimize annoying questions about aforementioned tattoos

Face and forehead is frequently sunburnt, a problem of his own creation (he doesn’t like hats)

Usually wears riding boots and spurs.

Head shaved close to the scalp

His upper arms, shoulders, chest, back and thighs are covered in razor scars inflicted by Janeys. The dog tattoo is avoided.

Matching eyebrow scarification with Janeys.

Palo Apolynnon

Newly initiated Galenii monk, son of glass traders from Godsmouth, assigned with Tigran to the sacrificial white calf.

Thoughtful and analytical, somewhat catty and vain, suspicious of others and slow to trust. He's going through several personal crises that have him under a lot of stress, and has a fairly pleasant (if guarded) personality under normal circumstances.

23 years old.

Kos-Wardi, childhood spent in the imperial city of Godsmouth with a few years in Kosov.

5’10’’, brown eyes, light ash-brown hair, very skinny, lanky build

Has dark purplish-gray patches on his skin from use of hidije in his youth, an (ineffective) alchemical treatment for epilepsy

Only wears his sunglasses in particularly bright conditions/around water (having picked up on sunlight on water being a trigger)

Large forehead and long face.

Benefits socially from not being visually identifiable as a eunuch, though his facial hair has stopped growing.

Usually keeps his hair in a single braid, wrapped around the front (somewhat unconventional)

Has one iron ring per ear, showing he is a 1 year Galenii initiate.

Usually wearing a standard issue Galenii robes, cloak, and sash.

Tigran Otto

Galenii monk since the age of 11, son of immigrant Ubiyan laborers, assigned with Palo to the sacrificial white calf.

Nervous, cowardly, impulsive, a fast and excessive talker, superstitious, very book-smart but devastatingly foolish in action.

19 years old.

Ubiyan, born in a farming village on the Brilla river, has lived in the city of Wardin since the age of 11.

4’11’’, brown eyes, brown hair, short and heavyset build

Perpetually sweaty

He has five iron rings per ear, a sign of a fully initiated Galenii.

His features are considered soft and androgynous, and he is easily visually identified as a eunuch.

Keeps his head shaved to stubble.

Usually wearing a standard issue Galenii robes, cloak, and sash.

Wears a Galenii ceremonial dagger and routinely takes it out to fidget with it.

[martuzzio]

https://vaulthunters.gg/how-to-play

Go play Vault Hunters. It's free and very fun [waves bamboo-shaped sword in your direction menacingly]

[wonder-worker]

Wild how we know that Elizabeth Woodville was officially appointed to royal councils in her own right during her husband’s reign and fortified the Tower of London in preparation of a siege while 8-months pregnant and had forces gathering at Westminster “in the queen’s name” in 1483 – only for NONE of these things to be even included, let alone explored, in the vast majority of scholarship and historical novels involving her.

[samarecharm]

tiny.

[mammomlette]

People don’t talk about MC needing to wear a magical ring to not accidentally yk cause NATURAL DISASTERS with their powers??? Not only accidentally but without realising???

Diavolo or smthn is asking too much of MC or being a bit too annoying and their other hand slowly drifts towards the ring and they hold onto it while maintaining dead eye contact. Like continue to piss me off hoe I’ll blink and blow a hole in your castle idk

Obv they never do it (or do they?) but the threat is there and it’s a risk dia (or whoever but I’m using dia) can’t take

[lotrmusical]

i love you trans people. i love determining who we are for ourselves, creating and reinventing ourselves based around what we want rather than what we get told we're supposed to do. being trans is the coolest thing ever and every trans person is made of beauty and brightness and bravery and we all deserve a whole world of love