#genuinely don't understand it at all lmao

[spitdrunken]

HIAHA I LOVE HOW YOU WRITE MR SCARLETELLA CAN YOU WRITE MORE. so odd and unsettling and obscene m just giggling with delight

HIIII thank you so much for the high praise <3 this has kind of a different vibe from the last one but plays with similar-esque concepts!!!! this is 'weird and obscene' LMAO

Notes: Suggestive, mild body horror, bolded = dialogue in the Other World's language.

==========================

How do you touch a man without a physical form? Or, you suppose, 'man' isn't quite the correct term. 'Apparition' would perhaps best describe him. Though he can reach out to you and make you feel the illusion of touch, you can't actually make contact with him. Your hand passes through him as if he were nothing but air.

You don't think he minds. It's always a bit hard to tell, with him. Mr. Scarletella ususally just stares you down with a dead look, communication relatively limited. But you would like to touch him! So you experiment a little, an action for which no mutually intelligible word exists. Still, he doesn't move as you poke and prod at different parts of his body, coming up short every single time.

You crouch down before poking at his ankle, just in case. When you look up, your heart stops for just a moment. Mr. Scarletella's neck is snapped back, folded in on itself in order to observe you. Vacant-seeming eyes are trained on your every movement. The sight makes you feel squeamish. "God... Not do," you tell him. "Head look hurt. Not funny." There's no other way you can think of to put it. You get up and stick your hand down, waving your hand in the other direction at the side of his head. He seems to understands what you mean, as his skull snaps back in its usual direction. You circle around him. "Sorry. Not want upset you." He says, although you know he'll never really listen or learn, not when it comes to these things. "Me like you. You like me." As if you'd ever forget. You beckon him. Rather than simply leaning down, his form flickers, distorting, before reappearing in the desired position. There's just one place you haven't touched yet. Once again, you extend your hand, the tips of your fingers brushing against the top of his umbrella. The surface is smooth to the touch and wets your skin, accompanied by a small burst of static ringing in your ears. It takes a moment for the significance to register. "Oh! I can touch your umbrella!" You say, forgetting the Other World's language in excitement over your discovery. Even though it's relatively small. You can't touch Mr. Scarletella himself, but the umbrella appears to be 'realer' than the rest of him. ...Actually, maybe the umbrella is a part of his body? He's not human, after all. He doesn't have to exist according to your logic. Your brow furrows. The puzzle pieces of language move in your mind, until they're slotted together semi-coherently. You point at his arm. "Arm you." Then, you do the same for his leg. "Leg you." You wave your arm up and down. "Body you." Finally, you lift your hand in the direction of the umbrella. "Object you? Me can touch object. Touch you?" Mr. Scarletella's smile widens. It reveals a little bit of the void that stretches on behind his lips. "I see. Correct. Object me. Object is..." After which he lowers his umbrella and says a word you haven't heard before. You try to repeat it, and he says it once again, pointing the umbrella in your direction. "Touch umbrella. I want."

It's definitely... Weird. It's genuinely like touching an umbrella. Cold and smooth and slightly wet. But Mr. Scarletella wanted you to do it, and you're kind of intrigued yourself, so you do it. Because there's clearly something happening. As you trace your fingers over the outer canopy, making sure to at least touch every panel a little bit, his visible form starts to flicker and fade. When you apply a bit more pressure, move a little faster, parts of him start to distort and change colour. His arm appears a little dislodged from his shoulder, static rising in the background.

When you pinch one of the metal tips in between your fingers and rub it, he lets out a laugh that is far more high-pitched than you would've expected it to sound like. Clearly, there's some kind of link between the umbrella and the rest of himself. Though you can't envision what it must be like, he's feeling something. Your hand pauses. In the blink of an eye, Mr. Scarletella has materialised even closer to you, nose close enough to touch yours, if it could. The inky darkness of his pupils makes up most of what you can see.

"Me like. Like like like like." He sounds breathy despite not breathing. "Touch more. Again. Me want you."

[hadesoftheladies]

What is that supposed to say?

That het marriage and femininity are patriarchal institutions.

What information is that supposed to convey?

That het marriage and femininity are patriarchal institutions.

What reaction or realization do you expect people to have from this sentence?

That het marriage and femininity are patriarchal institutions.

From your last paragraph, one can infer that you think the patriarchy is akin to nazism, so you hopefully think it's bad.

I've explicitly stated that it's bad.

You see what I mean? You don't say ANYTHING.

I think you mean that I don't say anything you like, lmao.

You point fingers at the thing you want people to hate, and blame people who don't agree with you.

I do want people to hate the violent systemic oppression of women, yes. And lol, I haven't blamed anyone. There you go misrepresenting and mischaracterizing what i've explained explicitly. Instead of doing research on any of the terms I've used, you've just called me a bad person and bad women's advocate and made straw men. You don't even understand the feminist concepts I'm talking about and you're trying to explain why they're wrong?

You say you don't think heterosexuality is bad, but hetero marriage is part of the patriarchy? Which is akin to nazism?

Yes? In the same way that water isn't soup, but soup has water. Hetero marriage is an institution of the patriarchy. That's a fact. Please look up what an institution means in a sociological/political sense. There is nothing wrong about being attracted to the opposite sex, but het marriage is a sociopolitical institution that furthers and perpetuates the systemic oppression of women.

I really wish you a good life, but you are thoroughly frustrating to talk to and have shown yourself to be staunchly anti-intellectual and prone to bad-faith arguments. If you have any genuine questions about my actual stance instead of this misogynistic bully you've made me out to be, I welcome them in a PM. I have no interest to "show you up" on a public space. We can continue this privately and I always appreciate engaging with curious people.

However, if all you have are more of these deliberate mischaracterizations of me, I won't be responding here on out. You can paint me however you wish to your side of the internet.

what women hear when I criticize femininity: this woman is so stupid and should be treated like the baby she is by not allowing her to make decisions

what I actually mean: the desire for male validation is beneath you

what women hear when I criticize dating/marrying men: these dumb hoes are too dick-addicted to make proper decisions

what I actually mean: the desire for male validation is beneath you

[lord-squiggletits]

Onyx Prime = Shockwave time travel plot is such shitty writing I could and WILL (eventually) write multiple essays about it it's so fucking bad.

[zonatcannibalism]

Im really enjoying the Agatha show for now, but wanda maximoff, kate bishop and billy kaplan are my favorite comic book characters of all time and if they treat billy the way they treated wanda in doctor strange 2 and kate in the hawkeye show i will go there and personally assassinate whoever did it

[bacchuschucklefuck]

Can you expand on what you mean by Baron being "too cool" to really fit a horror monster? It's a very interesting concept and I'd love to hear your thoughts. Is it that they're too active/involved/tangible and it detracts from their scariness?

I feel like I should preface this with a wall of disclaimers lmao 1/I am a hardcore, down-to-the-marrow, avid, deeply sincere horror enthusiast, esp. horror creatures. this usually means my mileage is vastly different from the average populace's, and my scaredy bone has been disintegrated by longterm exposure. most things in a piece of horror media won't scare me! so I practically never use that on its own as the scale to talk abt horror experiences, but when something does scare me it's always a special occasion to be treasured. 2/canon d20 is never really meant to be horror horror, and for good reasons: it doesn't fit the company's output, it takes a kind of carelessness in production estimation that is always a huge risk, it's often vulnerable in a way that kinda goes against how TTRPGs usually facilitates vulnerability, and for most people it's just! stressful! d20, even with the "horror-themed" seasons, generally just plays with horror tropes and stays focused in its goal of being a comedy improv tabletop theater show. 3/fantasy high's chosen system is DnD, which as I've mentioned before is before all a combat-based game system, which means the magic circle of play is drawn based on stats that facilitate and prioritize combat. want or not this affects every interaction you have in the game, and given fantasy high's concept from the ground up (everyone's going to school of DnD stuff to get better at DnD) it's doubly relevant. 4/This Is Fine I have no quarrel with this. my meters are internal, I do not ask this show to be anything it doesn't advertise itself to be, and what it is is fucking great! I like it! when I expand on this ask's question it will be like a physicist going insane in a lab. that's the mindset we're going in with.

disclaimers done. my stance on horror as a genre is that it's a utility genre rather than a content genre or a demographic genre; it is the discard of narratives. it's the trash pile. horror, above being scary, is about being ugly and messy, it's the cracks on the ground any story inevitably steps over to stay a genre that isn't horror. the genre's been around long enough to develop a codex and a general language that medias and makers and enthusiasts of the genre can use to talk about and build onto, but if you go into individual pieces there's really no unifying Horror Story. one person's beautiful life can be another's horror story, it's just how it is.

this makes The Monster a deeply intriguing piece of the genre. thing is a monster is in a decent percentage of any story - it's just when the antagonist force steps into something past a certain line traced out in the story's world. monstrousness is in pretty much every western fantasy story, it's in any story with a hero and something to vanquish or win; more than anything it's a proxy of that thing up there. the line in a narrative's world. the monster is the guard of the unknown lands, where heroic, civilized people don't tread.

what does this mean in the context of horror? the genre is about that perceived lawlessness, that "unknown land" so to say. we're in the monster's home. that's the literary context that we often walk into a horror piece with; the monster knows more than you about where you are. it may not understand you, but it holds more information than you, and with that it moves swifter than you, has more covered than you, and is more assured in its existence in this context than you. it's a struggle to catch up to it, it's nigh impossible to get one over it, and you're never sure it'll 100% work, because you just don't have the information necessary to.

with that framing you can kinda see where I'm coming from here: horror's often about the breaking of rules. I always think a monster's most effective when it breaks well-established rules of both existence and visual storytelling. think Possum (2018) or Undertale's Omega Flowey or the Xenomorph Queen - unique change in medium, unique change in graphic, unique change in design language, etc. in that sense I actually really like how canon baron plays out: they don't really function like anything else in the fantasy high universe, the bad kids have not managed to kill them when they've felled literal gods, their domain in fhjy literally introduces new mechanics to encompass their existence! from an experience design standpoint they slap mad shit. BUT! I can't help finding their character, like as a character riz (and the other bad kids, eventually) interact with, to be very... coherent? in design. this is kinda hard for me to articulate in words, it's more often a sense you get once you've looked at enough of these scrumptious fuckers, their general design and the way they show up is just kinda too clean, so to say. always kinda newly made? fresh unboxed. it, once again, makes sense for their lore - they are looking for more about themself from riz - and their function - they're an antagonist in a game experience, they're meant to be interacted with in a way that produces results and meshes with the existing magic circle - but that shininess takes away from the implied history they should have dominion over and the person they're haunting doesn't.

from another angle there is kinda something there about how put-together canon baron is as a concept; the domain they call home is riz's deep-seeded fears, extremely vulnerable things he's drawn borders around to quarantine and refused to walk into. things that from his perspective would irreversibly shatter certain pleasant fictions his world is built on top of. canon baron, While Extremely Cool, I feel is kinda too neat to connect with and signify the apocalyticized mess that'd result from this paradigm shift. the part where they're in riz's briefcase and looking through every mirror is Very Cool And Fucked Up! but ultimately the show draws a line around them as well, by making game-physical, tangible spaces they're in (the mirrors and the haunted mordred manor) and put riz and the bad kids there only when they need to confront stuff. riz is meaningfully narratively away from baron's unknown land for most of fantasy high.

with that and all of my disclaimers in mind my conclusion here is if canon baron wants to be a Horror Monster they'd have to cross way more lines. be a Lot more invasive. hence (holds up my class swap baron like a long cat)

[psychicthepsychic-daily]

hood is the ceo of “other people have it worse” /HJ

[volivolition]

suggestion do you have... any wants? like obviously you do but like? suggestion my guy my ourple boy. both the easiest and hardest to write. you need a skill to say something to move conversation along but it doesn't fit any skill in particular? about 80% of the time you can have suggestion say it and it will make sense. but like actually characterizing him... how do i define you dude... what makes your character tick... urgh. i dont get you yet. im trying to understand but you are difficult.

[the-vibing-ghoul]

some people will be all about mental health awareness and leftist ideals of at least tolerating the mentally ill who show ''ugly'' symptoms until it's someone they know and ''care'' about having a bad day and acting like it in a way they don't find appealing

[jichanxo]

how it started:

how it's going:

[raelyn-dreams]

Sometimes I feel like people will read one (1) story and base all their perceptions of a unit/character off of that which. Just doesn't really work imo, ESPECIALLY in the Reminisce stories.

Of course you won't like Shu if you only read Marionette. Of course you won't like Keito if you only read Meteor Impact. Of course you won't like Eichi if you only read Three Magicians (or literally any other reminisce story). Because they all play an antagonistic role.

You're seeing the absolute worst parts of them, their lowest points, when they're at their most desperate and ruthless. And that can be a good thing!!! I would not have the same understanding of any of these characters if I had NOT read those stories, and I'm grateful that I can fully know them better now! But I feel like sometimes, people run with it way too far, and refuse to acknowledge any change from them, even when all three of these examples have apologized and genuinely attempted to better themselves.

That's definitely not to say you have to read all the stories for a unit/character before forming any opinion on them (I freely admit that I could tell you almost nothing about Eden or current fine's development). However, be aware that your opinion may be influenced by certain stories, and that it is very likely you are missing some context for why a certain character acts the way they do.

Therefore, please stay open-minded, or at the very least, honest and polite!

[abba-enthusiast]

KILLING BITING MAIMING COMMITING ACTS OF UNSPEAKABLE VIOLENCE

[bedforddanes75]

my issue with terminology discourse isnt that i think everyone's stupid and sensitive it's that literally nobody explains the meanings of things and then get pissy when people dont know what things mean

[eury--dice]

crowley and aziraphale bond through humanity. they are -- should be -- fundamentally, diametrically opposed on all things relating to the divine plan. (they aren’t, really, though aziraphale would say they are.) the drinking, the bookshop, arguing about what’s moral or holy, are all things that demons and angels do as affectations of human life. but crowley and aziraphale live the experiences of humanity. and so there is nothing ambiguous about what they share, as long as what they share is human. a brunch at the ritz can’t be dressed up as something else -- sharing food between two divine beings is collaboration, plain and simple, whether it is beelzebub and gabriel or crowley and aziraphale. demons, angels, all these beings don’t have to feel things in the way that humans do. they don’t have to express love as humans do. it doesn’t have to come down to getting wet and staring into each other’s eyes and vavoom, kiss, all done. love can be something different, divine, unutterable. but in a last-ditch moment, a pure act of desperation, crowley kisses aziraphale. the devotion is not new, the partnership is not new, but it is a declaration all the same, a statement that aziraphale cannot misinterpret: there is nothing ineffable between us. we don’t need to do this the way humans do, crass and tactile and unmistakable. but i will. if you won’t listen to me on divine grounds i will declare it to you on human ones. a kiss is undeniable. it shifts the tone from theoretical, theological, to something intimate. they could have been partners. they could have been a team. this, this romance -- this is what they could have, as plain as it appears.

[blitz0hno]

Me pondering: kids are capable of going through and understanding complex problems and their feelings should be taken seriously when it counts.

Me practically: who are all these annoying fucking kids in the milgram fandom and why are they posting the worst takes and most irrelevant bullshit I've ever seen ever???

I think these are valid to coexist.

[llycaons]

tgcf art is fun bc xl generally looks really nice and hc generally looks really mean. they just. complement each other lol. that's true love

[felixvanhuss]

Oh yeah, does anyone want to see my Fallen London oc? (I have 2 FL ocs, this is just the one I've drawn lol)

Their name is Vic Moore and I am sorry to the Tumblr poll I ran, but I did not like how they looked with tits larger than this lol. They use they/them pronouns and are a huge idiot (affectionate) They do know a thing or two about the Shapeling Arts so maybe their tits change in size idk

OH! The outfit was almost entirely designed by my sister @capn-merca because she's better at costume stuff than I am