#genuinely a joy to read

[burningarsenic]

GET OUT OF MY HEADDDDDDD

I read the Perseverance fanfic and its stuck in my head now congratulations

Idk whats going on with this man idk if hes the harbinger from the symbol and at this point im too scared to find out, but hey no ones ever gonna stop me from putting a halo over a possible cult messiah

GO READ PERSEVERANCE NOWWWWWWWWWWW NOW NOW NOW

Version without all the visual bullshit i added:

Perseverance AU and fanfic by @pastelaspirations

Turns out inspiration struck way quicker than i thought it would. I thoroughly enjoyed reading your masterpiece :)

[teaboot]

tranny freak :)

[theerurishipper]

Honestly, I do love Dick as Nightwing and Bruce and Dick's complicated relationship, but sometimes I like the old days when things were sweet and simple you know? When it was just them and Alfred and they all had fun with each other. Like when they blew off boring parties to go on patrol by using Dick's bedtime as an excuse. When Bruce let Dick go off on his own and said he was allowed "a little escapade" and ruffled his hair. When Alfred always brought coffee and "turkey sandwiches with Swiss cheese" to the Batcave while Dick and Bruce happily talked about their nightlife escapades. When Dick would make Bruce laugh regularly.

When they discussed Hamlet while riding in the Batmobile. When Alfred picked Dick up from school and dropped him off on dates and helped him go behind Bruce's back on cases. When Dick and Bruce would play fight with each other. When Dick made Batman's meetings with Gordon "more optimistic." When Bruce was being a helicopter parent and wanting to know why Dick would want to go to a public school. When Dick would sneak off with Clark when Bruce wanted him to stay back to finish his homework, and Clark did it for him before Bruce noticed. When Bruce teased Dick about his failed date, and they talked about it and their love lives. When Bruce apparently told stories about Joker to Dick during rides in the Batmobile. When Dick was actually the one who named the aforementioned Batmobile. When they would banter even in between a serious case. When Dick would cling onto Bruce to annoy him. When Dick was contemplating how alone he felt, and Bruce just showed up to catch him and do a routine on the trapeze with him. When Bruce would call Dick "kiddo." When Dick even called him stuff like "Bruce-ter." When Bruce used to call Dick "chum." I miss those days.

Yeah a lot of these are from Robin: Year One but that's just because it's the one I remember most. But there's a lot of them just having a good time and it doesn't feel like we see a lot of that anymore.

[beatlesmenrock]

it’s time for another beatles dump

[violetrains]

i love you tinker bell i love you silvermist i love you rosetta i love you iridessa i love you fawn i love you vidia i love you clank and bobble i love you terrence i love you queen clarion i love you fairy mary i love you pixie hollow i love you neverland i love you pixie dust i love you lost things i love you cute little fairy dresses made of flower petals and leaves i love you pompoms on tinker bell's shoes i love you music box with the ballerina that belongs to wendy darling i love you nature magic powers i love you tinkerfairy inventions i love you animal companions i love you fairy humor i love you fairy lore i love you tinker bell soundtrack i love you credits at the end with the cute illustrations i love you disney fairies movies i love you tales of pixie hollow books i love you tinker bell franchise

[poorly-drawn-mdzs]

your drawings literally makes my day !! thank you so much <3 hope you have a great summer winter spring autumn - ❣️

Getting myself ready for the best Summerwinter Springautumn!

[winteriron-trash]

rdj the (whitewashed) electric boogaloo

This is a reminder to everyone who's excited about RDJ's casting as Doctor Doom that this casting is whitewashing. Victor Von Doom is a Romani character and has been a Romani character since his introduction in the 1960s. (Fantastic Four Annual #2 [1964]) Not only that, but his Roma identity and the persecution he and his family faced due to it is integral to his character, it is what forms his identity. (Books of Doom by Ed Brubaker) Even if on the off chance this casting is meant to not be Victor but instead be some variant of Tony or whomever else becoming Doctor Doom, it is damaging to the character to rob him of that important cultural background. Doctor Doom does not exist without that history. Fans have been pushing hard to cast Doom as a Romani actor for years, especially since the MCU has whitewashed other Romani characters. (Wanda, Pietro, etc) This casting is not a celebration moment, it's fucking heartbreaking that the MCU repeatedly ignores the important and nuanced cultural backstories of characters.

I know I can't change anybody's mind on whether or not you want to be excited about RDJ's return to the MCU. But I do think at the very least you should be mad that the MCU is baiting us all and destroying nuanced and interesting characters for the sake of self-referential easter eggs and nostalgia bait. Because that's what it is. Feel how you'd like to feel about RDJ's return, but personally, this is soul-sucking. I had such a deep love for the MCU as a teenager, it was obviously something incredibly formative to me, especially Tony Stark. This isn't recreating what I fell in love with the MCU for. This is turning a well-planned and artistic storyline of adaptations into cheap cash grabs and fan service. Because, I think we're past the point of being able to call the MCU an adaptation of anything. They can use existing characters' names and powers, but to say they're being properly adapted is laughable.

This is not an adaptation of Doctor Doom. This is RDJ the Electric Boogaloo because Marvel's fear of losing the interest of dedicated MCU fans overrides their willingness to tell stories that are genuine to the characters. I don't know what there is to be excited about that. The MCU has lost its authenticity and aside from a few projects, feels heartless. Every movie is a copy of a copy. This announcement isn't something celebratory, it feels like a death knell of a cinematic universe that's so desperate to cling to relevancy it's resorting to nostalgia for a character/actor who hasn't even been dead for a decade. We're not getting anything new, we're just rinsing and repeating the same song and dance.

I get it. I love Tony Stark, his death destroyed me and I to this day, rue the ending he got in Endgame. It misunderstood his arc and it robbed him of a satisfying conclusion. But the solution to that isn't dragging the corpse out of the grave five years later to whitewash an existing character with rich and interesting nuance, just to forcibly tie his existence in the MCU to Tony. Whether he is a variant or not. Why would you want someone else's fave's legacy to be destroyed simply so your fave's legacy can go on? Hell, if we were really all so hellbent on the return of RDJ and/or Tony to the MCU, we have the multiverse for a reason. There were other ways to do it that didn't whitewash and ruin someone else. This just. Isn't something to be happy about.

[vse-kar-vem]

"i love you, i love you, i love you." (fanart for @fruitybashir's holidate!!! <333)

[steakout-05]

i might get some hate for this depending on where this post goes but i think lesboys are so valid and the discourse about them is so ridiculous. like you guys shouldn't have to deal with all that and it frustrates me that people throw hissy fits over an identity that literally does not affect them at all.

"but men cant be lesbians-" wrong. butch lesbians and trans men have a really closely connected history with each other that practically intersects and you should really do some research on that before you make blanket statements, not to mention that gender and sexuality is weird and wobbly and fluid and a very personal experience. it means a different thing to each person. being a man can be something completely different and saying stuff like this ignores people like demiboys, demigirls, genderfluid and genderflux people etc. these people will really preach "demolish the gender binary!! love is love!!" until someone's relationship with gender and sexuality is a little too freaky for them to handle and be challenged by lmaoo

"ohhh but what about the cishet men who say they're lesbians to prey on women-" YEAH WHAT ABOUT THEM????? THIS AIN'T ABOUT THEM BRO!!!!! this argument also REEKS of terfy "trans women are just predatory men!!!111!!1" rhetoric and it grosses me out. yeah some men are gross and do try to pull this but that does not negate someone's entire identity completely just because of a few bad actors, you know that right? actual black and white behaviour.

queer discourse is silly and i don't know why it's a thing. just let people exist. it isn't that hard. we have worse things to worry about than whether someone calls themselves a lesboy or not. i think we need to unplug our ears and yank our heads out of the sand and remember that the queer community is what it is because of our unique and amazing diversity. arguing over labels like school children isn't gonna help that. damn.

[moregraceful]

my hot take as a person with an english degree and a library degree is that some of the dorkiest fiction and poetry ever committed to paper in the english language came out of the iowa writer's workshop so it is at best goofy and at worst completely futile to argue that your average amazon unlimited writer is having a more deleterious effect on literacy and literature.

[paeonie-s]

this truly was our ochako academia

[khaotunq]

"i don't know this fandom but i read this because i like your writing"

i am ON tHE FloOR.

[silusvesuius]

this tree from my new drawing looking goated afffffff 👑👑

[wellfine]

did you ever make any art of yamato by chance? if so, where would i be able to find him?

I haven't really! The only time I've ever drawn him was for a stream to celebrate 10k Twitter followers about a year ago, but I wasn't really that happy with the drawing. You can find it here though.

I know I need to draw him again but time runs away from me 😔 But maybe now I will!

[yellowocaballero]

i simply must ask- what makes an OP character (protag or otherwise) *work* for you, vs what doesnt?

Hi! This is a very astute and good question.

It's tension.

When a character is in a fight scene, the basic question and source of the tension is "Will they win?". Logically, they're probably going to win, they're the hero - but there should be a push and pull within the fight, where the audience pinballs between "he's going to win!/oh no, he might lose!".

You can't do that with an OP character. There's never any question. He's going to win. So the tension has to come from someplace else. You have to ask a different question.

The question can vary. "Will he win under his self-imposed constraints?" (e.g., your OP character is a pacifist and wants to win without shooting his gun). "Will he win without going Sicko Mode, which is bad and distresses all of us?" (e.g., your OP character is only OP when he unleashes the Demon Self, which is bad for him). "Will he win without revealing his identity or secret? (e.g., your OP character has to win a fight without using his OP powers, because otherwise he'll face social repercussions).

Alternatively/in addition, you change the type of conflict. If your character is guaranteed to succeed at every physical fight, then the primary/'real' conflict should be on an emotional, intellectual, or psychological level. The story can no longer be about the physical fights. They have to be won through intellect or cleverness. The path towards victory has to be through intelligence, kindness, self-actualization, etc.

But absolutely most importantly: watching the OP character be OP should be fun. It should make us pump our fists in the air and go 'fuck yeah!'. It should be thrilling, exciting, and a spectacle. We know the detective is going to catch the bad guy - we're watching for the how. We know the clever protag is going to pull one over on the bad guy through sleight of hand and trickery, we're watching for the reveal of what exactly they did. Don't neglect the joys of watching Mr. OP be delightfully OP. But that is the payoff, and we need sufficient buildup to get there. Watching Mr. OP go sicko mode is the joy, but it's not the path. It's no longer about the if they're going to win, it's about the how. And that should be fun to watch.

My friend @lazuliquetzal has good commentary on this, as usual: that when we say "a character needs to have flaws to be interesting", what we really mean is "a story should not bend itself to accommodate a character". A character without flaws is fine, actually. But the story shouldn't backflip to give them everything they want. This is all really simple. For some reason people act as if this is extremely hard.

TL;DR: Watch Mob Psycho 100 and then sit and figure out why Mob Psycho 100 is one of the best anime of all time. Between One Punch Man and Mob Psycho 100, ONE understands how to do this.

[just-an-enby-lemon]

The one thing I consider very important is that, since I see RQG!Wilde less as Wilde himself and more as an Wildean characther, no matter how ppl describe it in my head RQG Wilde doesn't sit he only flings himself into the furniture like all those dramatic bitches in Dorian Gray.

Wich also adds points over him flinging himself in the tunnels floor when the party was under Poet's Corner after having an existencial crisis wich has to have concerned Azu a bit (Zolf at this point is used to the fact Wilde is unable to sit normally)