#genesis 4:10

[scout-sms]

From the Fourth Chapter of

the Book of Genesis

part one

// ptolemaea - ethel cain // entry #66

// cain slaying abel - pier francesco mola

// entry #80 // entry #83

// genesis 4:10 kjv

// entry #86 // entry #83

[mybeautifulchristianjourney]

Music For The Soul

by Alexander MacLaren

The Two Voices

The voice of thy brothers blood crieth unto Me from the ground. - Genesis 4:10

Speaketh better things than that of Abel. - Hebrews 11:24

We have the blood that speaks of man’s hate, and the other blood that speaks of God’s love. The former was shed simply because the milk of brotherly affection was all curdled into hate through the working of jealousy and of envy. So that first dismal story rises up on the very threshold of history as a solemn revelation of the possibilities of diabolical and murderous hatred that lie in all human relationships and in all men’s hearts; and speaks to every one of us the warning that we shall not cherish the tiny seeds of jealousy and envy of a brother’s good, which may ripen and fructify into the devilish fruit of murder, as it did there.

Christ’s death was also caused by man’s sins, by the antagonism which was raised in man by His very beauty and purity. Eternal goodness came into the world, and the world hated the light, because its deeds were evil.

But we have to go deeper than that. The blood of Abel proclaimed man’s hate, the blood of Christ proclaims God’s infinite love. For He died, not because men hated Him, but because He loved men. He did not die because Pharisees and Scribes, with all the others who were roused in antagonism against Him, carried out their schemes, but He died because He would. It was not their hostility that nailed Him to the Cross, it was His purpose to save. It was not because men willed it that He perished from the life of earth, but because He would give Himself for us. And so, whilst from that old dim incident far away there, low down on the horizon of history, there streams out, as it were, a baleful light that speaks of man’s sin and hatred, from this other there rays out a celestial brightness, which proclaims the infinite love of the Father who gave His Son, and the infinite love of the Son who gave Himself. The one is reeking with hatred, the other is fragrant with love. The one shows the depths of possible evil in men’s hearts, and how all human affection may be embittered and turned to its opposite; the other shows how the infinite lovingkindness of God lives on and on, like the patient sunshine upon the glaciers, notwithstanding all the coldness and the alienation of man’s nature, and how that infinite and wondrous love shrinks not from even the death which the hate it would win to love can inflict. "The blood of sprinkling speaketh better things than that of Abel," in that against the blackness of man’s hate it lifts the sevenfold lustre of the infinite love of God.

[c0rpsedemon]

the thing about the queer media tournament that really gets me is that last i checked there wasn't a single mxtx work on it. like not even the untamed made it in and don't get me wrong the og mo dao zu shi books are huge but cql is def more popular among tumblr circles. idk it just really rubs me the wrong way how every single piece of western media that ppl have ever gotten a lil bit aggressive abt shipping with is there and then for east asian media there's utena and madoka magica and the handmaiden and last i checked that was pretty much it. and then for the rest of the world there's next to/nothing but idk enough to really make judgements there.

[genesisgijinka]

Previous||Next First

All around me are familiar faces-

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[yeats-infection]

this happened today

[dust-n-roses]

✨ the men of prog ✨

man with an open heart

model man

waiting man

lucky man

silent man

banjo man

man on the corner

man of our times

man in the moon

(21st century) schizoid man

working man

cinderella man

digital man

new world man

[walkswithmyfather]

1. “David and Saul finished talking, and soon David and Jonathan became best friends. Jonathan thought as much of David as he did of himself. From that time on, Saul kept David in his service and would not let David go back to his own family. Jonathan liked David so much that they promised to always be loyal friends. Jonathan took off the robe that he was wearing and gave it to David. He also gave him his military clothes, his sword, his bow and arrows, and his belt. David was a success in everything that Saul sent him to do, and Saul made him a high officer in his army. That pleased everyone, including Saul's other officers.” —1 Samuel 18:1‭-‬5 (CEV)

2. “You are better having a friend than to be all alone, because then you will get more enjoyment out of what you earn. If you fall, your friend can help you up. But if you fall without having a friend nearby, you are really in trouble.” —Ecclesiastes 4:9‭-‬10 (CEV)

3. “As one piece of iron sharpens another, so friends keep each other sharp.” —Proverbs 27:17 (ERV)

4. “A friend is there to help, in any situation, and relatives are born to share our troubles.” —Proverbs 17:17 (CEV)

5. “Then the Lord God said, “I see that it is not good for the man to be alone. I will make the companion he needs, one just right for him.”—Genesis 2:18 (ERV)

Ever since the beginning of the Word, it has been Gods plan that we not go through life alone. Jesus Himself had His Disciples, close friends to support Him through tough times. He said, “Servants don't know what their master is doing, and so I don't speak to you as my servants. I speak to you as my friends, and I have told you everything my Father has told me.” (John 15:15, CEV)

A good friend is a blessing from God. Amen! 🙌

[freebiblestudies]

Lesson 046: The Promise Reiterated

Genesis 46:3-4 - So He said, “I am God, the God of your father; do not fear to go down to Egypt, for I will make of you a great nation there.  I will go down with you to Egypt, and I will also surely bring you up again; and Joseph will put his hand on your eyes.”

“I will make of you a great nation.”  God made this promise to Jacob, now named Israel.  Does this promise seem familiar to you?”

Let’s read together Genesis 12:2; Genesis 21:18; and Genesis 26:2-4.

God made the same promise to Israel’s grandfather Abraham and Israel’s father Isaac.  Why did God reiterate this promise to Isaac?

Let’s read together Ezekiel 14:20; Ezekiel 18:20-24; Jeremiah 31:33-34; John 3:16; and Galatians 3:29.

God had a personal relationship with Abraham and made a covenant with him.  God also had a personal relationship with Isaac and made a covenant with him.  God had a personal relationship with Joseph and made a covenant with him.

We cannot be saved on the strength of someone else’s relation with Jesus.  We have to choose to follow Jesus of our own volition.  

We are not automatically part of Abraham’s, Isaac’s, and Israel’s covenant with God.  We have to opt in. 

Will you choose Jesus Christ as your Lord and Savior?

[saltfield]

Nimrod

Likened to the bourgeoisie,

Peddler of the trinket truths,

He screams the most absurdity,

Founded on a pebble's root.

.

A tower set, to name himself,

Higher than the very God,

Beyond the reach of wave or sea,

While drowning in tyrannic sod.

.

We are the vast and mighty men,

Conquerors of dragon kind,

Saved from death to bite the hand,

As babblers of weakened mind.

.

We are the vast and mighty men,

Beyond the God who swept our dust,

To worship flesh who came before,

We are the flood's own impetus.

.

I am mighty, I am grand,

Proud of muddy bricks of man,

So weak to trust, strong in my lies,

Leading others to their demise.

.

Vengeance for the Devil's feast,

Heaven must approve my power,

The greatest height from mankind's least,

My Babylon became so dour.

.

A trinket peddler he lies at ends,

Words asunder, soul long defiled,

Noahic floods buried his sins,

His shovel beckoned, hate unbridled.

[drshermaines-wisdomnuggets]

"YES, GOD CAN STILL USE YOU!"

Ephesians 2:10, “For we are His workmanship [His own master work, a work of art], created in Christ Jesus [reborn from above – spiritually transformed, renewed, READY TO BE USED] for good words, which God prepared [for us] beforehand [taking paths which He set], so that we would walk in them [living the good life which He prearranged and made ready for us].” (AMP) When David first arrived at…

[bojackson54]

Action Equals Faith; Faith Always Equals Action

Newton’s law of motion says that for whenever an object exerts force on another object, the second object exerts an equal and opposite reaction upon the first. (https://www1.grc.nasa.gov/beginners-guide-to-aeronautics/newtons-laws-of-motion/ ) Perhaps you never thought of it, but there is also a spiritual law of motion: for every particle of faith, there is a corresponding action. One cannot…

[touchofgoddotworld]

The Lord's Law for the Lost and for the Rescued (257) - August 3 2024

Choose your Podcast App to Play this episode Romans 3:20 (AMPC) states that [the real function of] the Law is to make men recognize and be conscious of sin [not mere perception, but an acquaintance with sin which works toward repentance, faith, and holy character]. For the born-again believer in Christ, Romans 6:14 shows they are no longer under the Law as slaves, but under grace as subjects of…

[gospelborn]

To Obey Is Better (1 Sam 15)

To Obey Is Better (1 Sam 15)

The following is an unedited sermon manuscript; for an explanation of my sermon manuscripts, click here. You may be an ambassador to England or FranceYou may like to gamble, you might like to danceYou may be the heavyweight champion of the worldYou may be a socialite with a long string of pearls But you’re gonna have to serve somebody…it may be the devil or it may be the Lord, but you’re gonna…

[hellsitegenetics]

Blast the Book of Genesis, Chapter 1 from the Bible so we can finally know what was the first creature God created.

[1:1] In the beginning when God created the heavens and the earth,

[1:2] the earth was a formless void and darkness covered the face of the deep, while a wind from God swept over the face of the waters.

[1:3] Then God said, "Let there be light"; and there was light.

[1:4] And God saw that the light was good; and God separated the light from the darkness.

[1:5] God called the light Day, and the darkness he called Night. And there was evening and there was morning, the first day.

[1:6] And God said, "Let there be a dome in the midst of the waters, and let it separate the waters from the waters."

[1:7] So God made the dome and separated the waters that were under the dome from the waters that were above the dome. And it was so.

[1:8] God called the dome Sky. And there was evening and there was morning, the second day.

[1:9] And God said, "Let the waters under the sky be gathered together into one place, and let the dry land appear." And it was so.

[1:10] God called the dry land Earth, and the waters that were gathered together he called Seas. And God saw that it was good.

[1:11] Then God said, "Let the earth put forth vegetation: plants yielding seed, and fruit trees of every kind on earth that bear fruit with the seed in it." And it was so.

[1:12] The earth brought forth vegetation: plants yielding seed of every kind, and trees of every kind bearing fruit with the seed in it. And God saw that it was good.

[1:13] And there was evening and there was morning, the third day.

[1:14] And God said, "Let there be lights in the dome of the sky to separate the day from the night; and let them be for signs and for seasons and for days and years,

[1:15] and let them be lights in the dome of the sky to give light upon the earth." And it was so.

[1:16] God made the two great lights - the greater light to rule the day and the lesser light to rule the night - and the stars.

[1:17] God set them in the dome of the sky to give light upon the earth,

[1:18] to rule over the day and over the night, and to separate the light from the darkness. And God saw that it was good.

[1:19] And there was evening and there was morning, the fourth day.

[1:20] And God said, "Let the waters bring forth swarms of living creatures, and let birds fly above the earth across the dome of the sky."

[1:21] So God created the great sea monsters and every living creature that moves, of every kind, with which the waters swarm, and every winged bird of every kind. And God saw that it was good.

[1:22] God blessed them, saying, "Be fruitful and multiply and fill the waters in the seas, and let birds multiply on the earth."

[1:23] And there was evening and there was morning, the fifth day.

[1:24] And God said, "Let the earth bring forth living creatures of every kind: cattle and creeping things and wild animals of the earth of every kind." And it was so.

[1:25] God made the wild animals of the earth of every kind, and the cattle of every kind, and everything that creeps upon the ground of every kind. And God saw that it was good.

[1:26] Then God said, "Let us make humankind in our image, according to our likeness; and let them have dominion over the fish of the sea, and over the birds of the air, and over the cattle, and over all the wild animals of the earth, and over every creeping thing that creeps upon the earth."

[1:27] So God created humankind in his image, in the image of God he created them; male and female he created them.

[1:28] God blessed them, and God said to them, "Be fruitful and multiply, and fill the earth and subdue it; and have dominion over the fish of the sea and over the birds of the air and over every living thing that moves upon the earth."

[1:29] God said, "See, I have given you every plant yielding seed that is upon the face of all the earth, and every tree with seed in its fruit; you shall have them for food.

[1:30] And to every beast of the earth, and to every bird of the air, and to everything that creeps on the earth, everything that has the breath of life, I have given every green plant for food." And it was so.

[1:31] God saw everything that he had made, and indeed, it was very good. And there was evening and there was morning, the sixth day.

String identified:

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[1:12] T at gt t gtat: at g , a t ag t t t t. A G a tat t a g.

[1:13] A t a g a t a g, t t a.

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[1:22] G t, ag, " t a t a t at t a, a t t t at."

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[1:26] T G a, "t a a ag, accg t ; a t t a t t a, a t t a, a t catt, a a t aa t at, a cg tg tat c t at."

[1:27] G cat a ag, t ag G cat t; a a a cat t.

[1:28] G t, a G a t t, " t a t, a t at a t; a a t t a a t t a a g tg tat t at."

[1:29] G a, ", a g at g tat t ac a t at, a t t t t; a a t .

[1:30] A t at t at, a t t a, a t tg tat c t at, tg tat a t at , a g g at ." A t a .

[1:31] G a tg tat a a, a , t a g. A t a g a t a g, t t a.

Closest match: Naumovozyma dairenensis CBS 421 chromosome 11, complete genome Common name: Budding yeast

(I could not find an image of this organism, so here is an image of Naumovozyma castellii instead.)

[yourfavoritehouseplant]

I watched James Somerton's final video, and all I got was this 6 page document

As soon as I learned his final unreleased video was on Revolutionary Girl Utena, I knew I had to hate watch it. I didn't know that I'd spend the following 4 hours making a comprehensive doc on everything I hated about it. But here we are.

The TLDR (is this too long to be a TLDR?)

The intro section, as well as Part 2, are directly plagiarized from wikipedia. The rest is unclear.

He makes a “haha this show is so weird right guys” joke 10 different times

He reads Anthy as so emotionally stunted she literally has to be taught how to think for herself, and believes that being the rose bride makes her feel good

He says that his reading is ‘vastly different” from the rest of the community, before boldly stating that this is because he sees it as a “deeply allegorical and symbolic story”

He sees the sexual abuse as “not to be taken literally”

Insists that the show be separated into parts that are strictly literal and strictly allegorical for the entirety of parts 3 and 4, before making the contradictory move of analyzing characters as allegories during part 5

The only characters that get dedicated sections are Akio and Dios, who he doesn’t believe are the same person. 

He says Dios gets his powers by “deflowering women”

He calls Akio, known child predator, a chaotic bisexual

Uses 14 year old SA survivor Anthy’s passive personality to make a joke about her being a bottom

His final point is that Utena was the real prince all along

There are no citations

Anyway, full version for people who hate themselves under the cut. With time codes, because I cite my sources.

Part 1: Intro

This entire section is almost exclusively quoted from the Wikipedia article for Revolutionary Girl Utena. Words have been changed, but the order at which certain topics come up is not. Highlights include:

0:56 In his introduction of Be-Papas, lists the founding members in literally the exact same order as Wikipedia.

1:40-2:00 His list of Be-Papas previous works is lifted entirely from wikipedia, only with the words changed. This leads to a strange moment at 1:52 where he claims Be-papas ‘lent their talents to’ Neon Genesis Evangelion, a show which started production at least a year before Be-papas was founded. On the wikipedia article for Utena, this is instead referring to the previous work of Shinya Hasegawa and Yōji Enokido

4:23 he uses a quote by Yūichirō Oguro describing the production as a “tug of war”. He seems to have lifted this in its entirety from Wikipedia, as he does not cite the actual source it is from (the box set companion book, btw)

As for James Somerton originals, at 0:44 he claims that out of all magical girl series,”none to my knowledge have been more discussed and dissected than the 1997 series Revolutionary Girl Utena” He will go back on this at 5:05, where he states that “Sailor Moon takes the lion’s share of discussion” in regard to influential magical girl anime

Part 2: Part 1

(At least I know I’m not funny, unlike James Somerton)

Speaking of which. Here is every single time he makes a “wow this show is sooooo weird you guys” joke: 6:00, 8:50, 10:40, 10:58, 13:46, 17:07, 24:16, 30:34, 41:19, 48:01

Here’s every time the punchline to the joke is the existence of Nanami, a character who he otherwise completely disregards: 10:56, 12:05, 16:22, 42:40

6:16 Claims that the “Apocalypse saga” and “Akio Ohtori saga’ are two names for the same several episodes, depending on the release. This is untrue. Instead, different releases either only have the Apocalypse saga, or split the episodes into an Akio Ohtori saga and then the Apocalypse saga. 

7:58 Claims Utena intervening on Anthy’s behalf begins the first duel. While this happens in the movie, Touga intervenes in the scene he uses clips from (like literally right after the shot he uses in the video). Utena only gets drawn into the duels when Wakaba’s love note to Saionji is posted. Youtuber Noralities’ Utena video also gets this wrong, which makes me wonder if this was copied.

9:09 Claims Akio’s “End of the World” moniker is actually more closely translated to “Apocalypse”. In reality, the translation moves away from a more apocalyptic reading, with 世界の果て (Sekai no hate) apparently translating closer to “the furthest reach of a known world” or “edge of the world”. (Love the implications of this translation, but I digress)

9:10 As can be assumed from the previous point, this means I can’t find any sources that point to them not using the title “apocalypse” for religious reasons

10:10 Uses Anthy’s extreme passivity under her Rose bride persona to make a top/bottom joke. I’m gonna repeat this in case you’re just skimming. He uses a trait that likely stems from years of abuse, (possibly exaggerated by the persona Anthy uses to manipulate people), and uses it to call her a bottom. 

He also just doesn’t seem to understand how the whole point of Utena constantly telling Anthy that she's just a normal girl who should make more friends is framed as Utena imposing her will on Anthy, just as much as the previous Engaged have done. 

11:54 Apologies in advance for my most “um, actually!” point yet, but technically his statement that Anthy stops being host to the Sword of Dios is wrong. Akio literally pulls a sword out of her chest in the final duel. It's a more evil-looking sword of Dios, granted.

13:02 !!! CANTARELLA SCENE ALERT !!! He interprets it as them fighting over Akio?? Which like. I will allow people to have their own interpretations of vague and symbolic scenes. I will. I swear. This is not technically incorrect. It just makes me want to eat my own intestines.

14:44 Bad Anthy take #1: He states Anthy “is emotionally stunted to the point where she needs people to make decisions for her because she does not know how to think for herself” This ignores several moments of Anthy clearly making her own choices throughout the show, including the suicide attempt Somerton mentions about a minute prior. This also strips Anthy of what little agency she has throughout the story, usually exerted through messing with Utena or Nanami. (The fact that she repeatedly makes choices that contribute to her own abuse is, in my opinion, one of the most interesting parts of her character, and it's a shame that Summerton’s ‘reading’ of the story completely disregards that)

Additionally, he once again reads Utena ‘urging Anthy to think for herself” in the first arc as an unambiguously good move, and not as something critiqued in the show.

14:52 Summerton reads the Swords of hatred as symbolizing men’s hatred specifically. Again, I’m trying not to completely disregard differing interpretations to a show like Utena, but this feels very simplistic, especially considering the harm we see aimed towards Anthy by other women

16:42 Here he claims that his reading of the story seems to be “vastly different” from the bulk of Utena discourse. What is this reading? That the show shouldn’t be read literally. Or, in his words, “[we can interpret] Revolutionary Girl Utena as a deeply allegorical and symbolic story about the struggles of coming of age amidst widespread institutional corruption in a high school and which describes a passive culture of inaction in regard to brazen instances of domestic exploitation in which there is not only a question about the caporeality of the events transpiring but also which events can be taken for granted and which events are meant to signify abstract sociological institutions.” The idea that he believes this is in any way a new reading of the material honestly baffles me.

Part 3: Part 2

17:48 through 18:50 differently quotes the Wikipedia article for postmodernism. He even makes a joke at 17:55 about Wikipedia. Please kill me. 

The first three themes he lists at 19:11 are just the three main themes listed on the Revolutionary Girl Utena Wikipedia page. What was that about a “vastly different” reading, James?

You’re gonna have to take my word for it, but this section is so short because it's just him talking about the various ways the story can’t be taken literally. He does, ironically, call this a hot take.

Part 4: Part 3

Here’s where the reading falls apart folks

At 23:15, he states that some things in Utena are allegorically coded, while others are to be taken literally. This is true. However, he seems to take this to mean that some parts of the show are Strictly Literal, while others are Strictly Allegorical for things going on in the Literal World. 

This is apparently why he prefers the Anime to the Movie, where there basically is no separation between the Literal and Allegorical

This take is bizarre to me for several reasons, but here is my favorite. At several points, he mentions how Revolutionary Girl Utena is a work of Magical Realism. Magical Realism is literally defined by its blending of the “literal” and “allegorical”, the mix of fantastical elements in a mundane, realistic setting. This idea of the impossibility of a blurred line, that Utena must either have lore where the magic is all real and means nothing, or dedicated allegory segments quarantined from the rest of the story, is contrary to the very idea of Magical Realism.

I can’t help but wonder if Somerton took his mentions of Magical realism from a previous work, due to how little it is consistent with his final argument. Either way, this section suggests a great lack of creativity in his analysis, a shame for such a creative work.

24:36: Shiori slander, for those who care

After this he gets really worked up about people assuming symbolism in everything, even when the author ‘doesn’t make it clear something is symbolic’. He shuts down a reading of a shot in the Lord of the Rings. Miley Cyrus is there? Very The Curtains Were Blue of him. 

28:22 Claims that Wakaba is the key to telling where the Strictly Literal segments end and the Strictly Allegorical segments begin. He states that, under this lens, deeply personal moments of character suffering such as all of the sexual abuse and Anthy’s suicide attempt (which he literally cites) should be read as symbolic and be “approached with uncertainty rather than confusion”. (28:24-29:13)

This also somewhat falls apart when you consider Wakaba is the jeep in the movie's car chase

And then he rants about people not liking his Attack on Titan video for a bit. Since its potential symbolism also doesn't follow hard enough rules to be symbolism. Once again, the separation of “fact vs allegory” I haven’t watched AOT, so that's all I’ll say.

Part 5: Part 4

Thank god this part is short. Much like Dios’ on-screen presence.

32:55 Makes the extremely bold claim that Dios is not Akio. As in, never even became Akio. because Dios is Strictly Allegorical.

Just to be a pedant, this is pretty explicitly disproven in the show

Confusingly, both earlier and later he will address these two as the same character. 

33:04 he also explains the root of Akio’s name in a tone that suggests this is supplemental information and not like. Literally something he explains out loud in the show?

Part 6: Part 5

This section is nearly entirely about Akio Ohtori. I would like to note that him and Dios are the only characters with dedicated segments.

38:30 The part where he states that Dios gets his powers from deflowering women.

38:46 Claims, once again, that Akio’s abuse of Anthy “may not be literal”. 

38:59 “the instance of exploitation here is used because assault has deep roots as indicating that akio's gender is the source of his imbalance”  THE ASSAULT IS ABOUT AKIO NOW???

39:45 Bad Anthy take #2: “Anthy’s conformity to the Rose bride is based around the fact that she feels good being subservient because this is the only thing in her life that has ever brought her any kind of positive reward”. This is a direct quote. Anyway, I can’t think of any instances in the show where Anthy’s subservience gives her a positive reward, except maybe when she’s intentionally using it to manipulate others. As for her feeling good being the rose bride. She tries to commit suicide. Dude.

Side tangent, but isn’t this exactly what Akio says during the final 2 episodes? That Anthy enjoys being a witch? Is the main villain, who consistently says things during that very episode that are blatantly false, our source of information for this take? I guess so, since this is the dedicated Akio section.

At 40:20 he decides to introduce the concept of Anthy, Akio, and Utena as stand-ins for wider concepts, which is antithetical to his approach in analysis beforehand

Part 7: Part 6

42:40 he finally acknowledges that he’s been spending too much time talking about Akio, and literally no time on characters like Nanami

46:10 states that Utena’s exclusive motivation “is to protect Anthy from the predatorial intentions of the other dualists”, which disregards the fact, which she states herself, that she was largely participating in the duels and protecting Anthy to feel like a prince

48:04 The part where he says that Akio has ‘chaotic Bi vibes’ in regards to him sleeping with Touga, who is 17 and implied to be a long-term victim

Part 8: Part 7

54:01: His concluding point is that Utena was the real prince all along. 

In true Somerton fashion, the video then ends over a scrolling wall of patrons, with not a single citation in sight.

[turnleftaticela]

The Manics are the band that’s most important to me but they’re not my favorite band. Musically I probably wouldn’t even put them in my top 5