#genderqueer!france

[pintsofguinnesmakeyoustrong]

watching queer eye with my ma and thinking that jonathan van ness somehow looks like both a beautiful old west milk maid whom is coveted by the whole village not only for her looks but her golden heart and the corrupt lawmaker to whom she is forcefully betrothed by her uncaring father. god i wish that were me.

[gor3sigil]

France has a government. A very conservative one. Our new prime minister has voted in the past AGAINST the ban of conversion therapy, AGAINST gay mariage, and FOR anti trans laws.

Oh boy. I don't feel so good.

[avesseloflanguage]

boy oh boy do i love finding out what my story's about 35 pages in. the layers. or something.

[aucoba]

"en français, le masculin fait neutre"

OK gars, ba utilise il pour moi alors stp merci supplément mozza pour la 12

[arctic-hands]

[Image Description: screenshot of a website that says "Trans [headless human-shaped figure with its arms outstretched] Missie". The categories in a pink bar are He/They, She/They, Kids He/They, Kids She/They, and a cut off category that appears to be "Literature"? The category He/They is selected, and the subsection Swimwear He/They is open, showing a white, flat-chested person seen from the neck down, wearing a pale pink fleece jacket that's open to reveal a tattoo of some word above the left nipple. This person seems to have been superimposed on an identically dressed (sans tattoo) person with darker skin, giving the initial impression it's one torso that is half Black and half white with two necks. There also appears to be an arm emerging from a marble wall to drape around the figure. Captioner's Note: Someone peer review this caption to make sure this is actually what's in the photo or if I need glasses, because this reads incredibly silly. End I.D.]

i cannot get over this website i just found. what liberal thought it was a good idea to categorise clothing by pronouns

[dao-the-starlight]

Alright, it's time....

Say hello to my main OLNF MC!!!!!

This is my baby Marceline Jeandel!!! σ(≧ε≦σ) ♡

I want to make a much more formal post about them in the future where I go more in depth into who they are but that'll wait until later because I want to talk about Marceline and I want to talk about them NOW!! So this'll just be a quick intro (under the read more)

So! At 10 years old little Marceline Jeandel moved to Golden Grove all the way from their birthplace, France! The move was a pretty daunting event, especially since they were travelling to a completely different continent, to Marceline it was as if they went to a different dimension entirely! But, Marceline had their Maman, their most loved and trusted figure in their life, if she was there then they'd be able to do anything

Marceline (in this step) is a young transgender boy with He/Him pronouns, their journey with their gender is one filled with quite a few twists, turns, and feelings that I won't delve into in full here, all you really need to know now is that they eventually figure out that they are genderqueer and primarily use they/them pronouns!

For the most part, Marceline is nonverbal in step one (in steps two, three, and four they're not necessarily nonverbal but they still talk very rarely). The reason for this is that they have a fairly severe form of Apraxia of Speech, a neurological disorder that essentially makes it extremely difficult if not impossible for the brain to send signals to the parts of the body that control speech, this renders Marceline unable to form coherent sentences and makes it so they can only really make random vocalizations and maaaybe say a word or two on good days. They are in speech therapy for this and are slowly but steadily getting better at forming proper speech but for now, they only really communicate through various vocalizations when it's needed. I will mention here as well that Marceline is also Autistic! I've done extremely thorough research into both of these conditions to make sure I'm representing both in a respectful way, I'm aware of the stereotypes a nonverbal autistic character can easily fall into and whenever I do anything Marceline related I always make sure I'm not running them right into any possible stereotypes

Lastly! Their relationship with the leads!

When it comes to romance, Marceline is paired with the one and only Qiu Lin, it was a crush at first sight for them, Marceline just couldn't resist the typical Qiu charm! For step one Marceline and Qiu are naturally very close but there is just a tad bit of a distance between the two simply due to the fact that because of their crush, Marceline holds Qiu on an extremely high pedestal and greatly admires them which ends up leading to Marceline never acting like they're on the same level as Qiu and letting them guide everything (basically, Marceline is accidentally feeding into Qiu's self-sacrificing behaviour, but don't worry! They grow out of it by step two I promise!!) Nevertheless, while the two go through many hardships they do end up on the other side as forever lovers <3

As for one Tamarack Baumann, she and Marceline are inseparable lemme tell you- From day one those two became the best of best friends and get along with each other better than anyone else. Their playful and carefree personalities and energy melded together perfectly which led to them almost immediately forming an unbreakable bond with one another that lasts all the way into adulthood. Whatever Tamarack needs Marceline will almost always be there, whether she needs a playmate, support, personal cheerleader, partner in crime, and whatever else Marceline will always be there. The only time there's ever any tension between the dynamic duo is if Tamarack's bossiness gets the better of her and annoys Marceline, but the two are always quick to apologize and make amends (and this pretty much stops being a problem entirely by step two as they both for the most part grow out of these habits)

And I believe that's all the main stuff you need to know about Marceline! Now I can actually talk about them more!! Thank you so much for taking a look at my MC and have a wonderful day!

P.S. Dividers by @cafekitsune

[intersexfairy]

shoutout to cisgender transexuals, transvestites, gnc people, and genderqueers. no matter what anyone says, you belong in the trans community. trans- terms first described people who expressed their gender in a way that "contradicted" their AGAB, even if they are that gender. that's you!

the word transexual wasn't a mistake. it describes a real experience genderqueer people can have. and all trans- terminology came from the terms transexual and transvestite. so many beautiful words exist because of you! you've been part of this community since it's (verbal) inception. you've existed since the dawn of gender.

also, Magnus Hirschfield, a gay (and likely polyamorous) Jewish physician and sexologist, coined the terms transsexual and transvestite. he was targeted by the Nazis and fled to France to escape the persecution. he died there at the age of 67. and the books of his institute, Institut für Sexualwissenschaft, are the books being burned in that infamous photo of Nazi book burnings. this is the same institute that performed the very first gender/sex reassignment surgeries.

so not only is trans terminology a gift to the trans community from a queer Jewish man who dedicated his life to supporting us and finding ways for us to affirm who we are... these terms were born of love and activism, not the hate and ignorance so many ascribe to them. branding them as offensive and outdated is an insult to queer people, both past and present. so many people have suffered just for existing as who they are and fighting for our rights.

don't let anyone tell you the trans community isn't your home. don't let people forsake our history and elders. you are always welcome here, i promise.

[dresshistorynerd]

I had the idea of writing about some historical queer figures I find interesting and drawing them for this pride month as a little project of mine. I will see how many I'll have time to do, I have in mind at least four other historical people, but knowing myself, I'm not holding my breath for all of them. Julie d'Aubigny she been one of my favorite historical figures for years so I decided to start with her.

Historical Queer Figures - Julie d'Aubigny

Julie d'Aubigny, also known as Mademoiselle Maupin and La Maupin, was a French opera singer and fencer in the late 1600s. She was infamous for having sapphic relationships, being aggressive and dramatic, having androgynous presentation by occasionally dressing in men's clothing in public and being a fencer and duelist. Trans and genderqueer readings of her are very possible, but because none of the accounts of her (at least those I've read) suggests she ever used any other than feminine first names or terms or she/her pronouns about herself, I will use she/her pronouns when talking about her.

The French court absolutely loved to gossip and people were constantly making up libel about the people they didn't like, and Julie had a lot of enemies and was very controversial figure. During the 18th and 19th centuries she was written about a lot in these highly sensationalized Encyclopedias, where the rumors from her lifetime got increasingly wilder and sensational. She was accused for example of seducing noble women in court balls, burning down a convent and murder. There's not much primary sources left or available from her actual lifetime so distinguishing truth from fiction is not an easy task in her case. Kaz Rowe did great job in their youtube video about her to try to actually find out where the stories of her life comes from. They go through some great context too about the rumor industry in the French court at the time so I highly recommend checking it out.

CW: very brief mentions of child sexual abuse and self-harming

The Timeline of Most Concrete Events

Let's first go through the things that have at least a bit more backing than a rumor started 100 years after her death. Julie d'Aubigny was born between 1670 and 1673. Her father was Gaston d'Aubigny, the secretary of Louis of Lorraine, count d’Armagnac, who was Master of Horses to King Loius XIV, and her mother is unknown. She was probably brought to the Versailles court in 1682, where she got a full education including academic subjects, riding and fencing, usually only thought for boys. She was married off to a Sieur de Maupin (first name unknown) probably around 1687, when she would have been 14 to 17 years old. He apparently got a position from a southern province as a tax collector. The stories about her claim she remained in Paris, but I don't think there's evidence of this, though what we do know of her adult life does suggest she was estranged from her husband and lived apart from him. Nevertheless, she did end up in Marseilles, where she first appeared on stage in Marseilles Opéra between 1687 and 1690. She didn't have education in music, but her good looks and beautiful voice landed her the role.

Her first appearances in the Paris Opéra are listed to 1690, so that is probably when she had her debut there. She became a very talked about figure and she gained both friends and enemies in the opera and the court. She performed in the Paris Opéra for probably four years, after which she went to Brussels, Bavaria, where she performed with the Opéra du Quai au Foin at least during 1697 and early 1698, after which she returned to France to perform again with the Paris Opéra.

It was the period when her career peaked and she got a lot of leading female roles. Those roles in French opera were at the time soprano roles, but Julie's natural voice range was lower, contralto. (There's a whole thing where at the time she was described as mezzo-soprano, but the music historian consensus is that her range matches contralto in modern terms as opera was sang on lower cords across the board at the time. (I understand nothing about music theory so I just hope I managed to explain this correctly)) She excelled in secondary female roles of goddesses and warrior women. For the leading roles she had to sing on higher notes than was natural to her and the naive and dainty personalities of those roles clashed with her own personality. Some later retellings of her life claim she performed male roles for female singers (which was common practice, and these roles were often those of young boys), but all known records of her roles are female roles. In 1702 on the leading composers of the Paris Opéra, André Campra, wrote her a leading lady role in Tamcréde, which is often credited to have the first leading female role for contralto. But her perhaps most famous role was as Médée in Medus, which was considered to be a very difficult role. Apparently the original leading singer had fallen ill before the debut so Julie was quickly trained in her stead, but succeeded well and got a lot of praise for the role.

In 1703 Julie started an affair with Madame la Marquise de Florensac, who was said to have been the most beautiful woman in France. This is the affair of hers of which there's most evidence. De Florensac was married and had children, but she was also rumored to have many affairs. Julie lived quietly together with her for two years. They were described by a contemporary to have lived in perfect harmony, always spending time together and only appearing in public when necessarily. Julie deputed in her last role in 1705 and ended her career after De Floransac died of sudden fever. Nothing concrete is known about the rest of her life, not even how or when she died, but she is usually speculated to have died in 1707.

Parsing History from Fantasy

Chronologically the rumor that places earliest in her life was that she had "an affair" with count d’Armagnac (age 46 at the time), before she got married in the same year so as a 14 to 17 year old. There doesn't seem to be any actual evidence of this and even if that really happened, it wouldn't have been an affair, it would have been grooming and sexual violence. Related to it is the rumor that the count arranged her marriage and sent her husband away, but kept her in the court with him. Then she "got bored" of the count and ran away with an assistant sword-master, Séranne, to southern France. They got money by performing fencing matches in fairs and taverns while they were traveling till they got to Marseilles, where she first appeared in opera.

The stories of her in this period are generally written in a super nasty tone, and she (as supposed 14 yo) is written as the seductress and the adult men are written as the victims of her fiery temper and fitfulness. All these stories seem pretty unlikely though. The rumor about the count seems (unfortunately) most possible, but accounts from 18th and 19th century about these early events in her life don't seem to be based on any information from her lifetime. I find it most likely that the writers in 18th and 19th centuries were filling out the blanks we don't know from her life and painting her as this (in their eyes) degenerate seductress from an early age. An alternative possible explanation could have been that she indeed accompanied her husband to south, perhaps near Marseilles, where she then performed with the Marseilles Opéra. Many sources claim though that she performed with her maiden name there, which would be odd if she was living with her husband. I don't know where that claim comes originally, but it could be false of course. Although the generally proposed year of her marriage could also be false, which would explain why she at first performed with her maiden name, and later in Paris and always after that with her husband's name. That would not explain how she ended up going to Marseilles though.

The next and perhaps the most infamous and coolest story of her sets somewhere shortly before 1690. In that story she fell in love with a girl in Marseilles and the girls parents sent her to a convent to avoid a scandal. Julie went to the convent with the premise of wanting to become a novice. They tried to frame the girl's death by putting a dead nun's body into the girls bed and setting it on fire and then went on the run for couple of months. While on the run Julie was sentenced to death in absentia, but after returning to Paris and rekindling her relationship with count d'Armagnac, he got the king to pardon her. As amazing as this story is, it's very likely not true. It seems quite unlikely that the 15 to 19 year old Julie would have done that, but even more unlikely that she'd just get all her charges dropped and these crimes wouldn't have hindered at all her career, which hadn't even properly begun yet. The first surviving description of this incident comes from a letter of her contemporary court lady, Madame Dunoyer, who was basically an early gossip columnist and despised her. Her story doesn't mention Julie at all, but talks about a nun, who tried to frame her own death in a similar manner to escape with her male lover (which still sounds very unlikely story). The first surviving description that attaches that story to Julie, comes year after her death from the very suspect writings of a known liar, Cardinal Debois, who did personally know and hate Julie. He claimed that Dumenil, who was an actor in Paris Opéra the same time as Julie, related him the story, while also acknowledging he probably did it because he too hated her. So very likely not a true story, but possibly something that was rumored during her lifetime already.

In the stories of her, after escaping from the convent and before going to Paris, she traveled again in male attire and met Louis Joseph d'Albert de Luynes von Grimberghen, commonly known as count d'Albert. He was an interesting character in his own right, roughly her age, and like her, his real story is a little hard to parse from the legend (though in his case, he was a nobleman so there's also a lot of actual records of his life). In the story though, he thought she was a man, they had some disagreement, a fight broke out, she won, injured him and nursed him back to health. And then they had a brief affair before d'Albert went to war again. They were lifelong friends, so this is not entirely made up. It's entirely possible they had a brief affair (and according to many stories an on and off type of affair that was re-kindled at many points in their lives) and there was rumors about it even in her lifetime, but the story of this first meeting seems to lack validity.

Next in her stories she met Gabriel-Vincent Thévenard, who was another famous singer and her contemporary, either right before or right after she arrived in Paris. They became lovers and after Thévenard auditioned and got accepted into the Paris Opéra, he helped to get Julie accepted too. It is true that as far as we know, they both debuted in 1690. They were also said to have been life long friends and again it's possible they were lovers at some point, but the details of their meeting are difficult to know.

There are many stories about her antics of both of her times in the Paris Opéra. In those stories she fought duels, assaulted Dumenil with a cane, robbed Dumenil, had fights with men after they insulted her or another women or harassed other women, tried to kill herself after her love was not reciprocated, threatened to shoot a duchess in the head, threatened to slit Cardinal Debois' throat, bit Thévenard in the ear on stage and had affairs with men and women. According to Cardinal Debois the feud between Dumenil and Julie started because Dumenil was interested in her but she rejected him. The Cardinal was a liar but it does sound pretty believable. So if it's true and he spread in retaliation a lie that she burned down a convent, her beating him up or beating him up, stealing his valuables and returning them to him by humiliating him in front of other actors, would align well with everything else told about her personality. Maybe her retaliation wasn't exactly as in the stories, but if the other things about Dumenil were true, I'm sure she retaliated in some way. Same applies to her threatening the Cardinal's life. He wrote about it, but he was a liar, but, but because he was a liar who lied about her, it sounds like something she might do. Madame Dunoyer wrote about her threatening the Duchess of Luxembourg apparently because of jealousy over count d'Albert. The duchess was d'Albert's mistress at one point and apparently he even fought a duel over her in 1700. So there is some validity to this rumor, though the circumstances were perfect to fabricate that kind of rumor. I haven't found as much backing to other rumors, but many of them sound possible or at least maybe rooted in some reality and exaggerated.

The rumored explanation for why she left the Paris Opéra around 1694 was that she went into a court ball in men's clothing, kissed a woman on the dance floor and got challenge to a duel by three noblemen. They went outside and she won, but because dueling was illegal, she had to flee to Bavaria, and later when she returned, she was supposedly pardoned by the king again. In the more sensational versions of the story she killed the noblemen. This whole story is very unlikely. Even count d'Albert was imprisoned for engaging in an illegal duel (the one in 1700). He got eventually pardoned, but he was a nobleman and basically a war hero. The first surviving accounts of this story come much after her dead and it sounds more like a very exaggerated version of the other stories of her. There's many more plausible reason why she would have left to Bavaria. If her contemporaries descriptions of her behavior were even half true, those could have been scandal enough. Or if the rumors of her burning down a convent were circling that time already, that alone could have been damaging enough to her career that she thought it best to leave for a while.

In Bavaria, she's rumored to have another scandal. She supposedly became lover of the Max Emanuel, Elector of Bavaria, but she was too dramatic and after she stabbed herself with a real knife during a performance, the Elector decided she was too much, demanded her to leave Bavaria and gave her money for it. She supposedly threw the money to the feet of the messenger and left. The first surviving account of this story comes again from Madame Dunoyer, the details of which have changed, but were always quite exaggerated and unbelievable. Still the core events might be true, it's possible she was the Elector's lover for a while and it's also possible she stabbed herself on stage for real, being very dramatic as she was.

Was she queer?

There are enough accounts of her attraction and relationships with women from people who actually knew her, that I do find it very likely that she was sapphic. Cardinal Debois even implied she was exclusive interested in women or at least heavily preferred them, though other accounts by the people who knew her did talk about her attraction to men too. Her dressing in men's clothing is also mentioned enough times by her contemporaries that I do believe it. Because gender was so heavily tied to clothing and sexuality and fashion was less about what you wanted to wear and more about what you wanted others to think about you, I think she probably had some gender feelings. Even her aggressive and assertive behavior was very much seen as crossing gender boundaries. There's no more evidence of her feelings on gender than her androgynous presentation, so it's mostly speculation.

In conclusion, she was definitely a flavor of queer.

Julie circa 1700 in opera costume.

The most notable source I used:

Julie D'Aubigny: the 17th Century Sapphic Swordfighting Opera Singer, video by Kaz Rowe - I mentioned this before but it bears repeating

Research page by Jim Burrows - This was great since there's gathered multiple sources on le Maupin, historical and more recent, some of which are hard to access fully otherwise

Julie d'Aubigny: La Maupin and Early French Opera, LAPL blog post - It repeats most of the rumors of questionable origin about her as truth, but the sections about her career, which have more backing than just rumors, are really helpful

Mademoiselle De Maupin; Biographical sketches & anecdotes, The Dublin University Magazine - One of those questionable biographies of her from 1854, really only good as a source of what the rumors were after her death

Chevalier, Louis-Joseph, prince de Grimberghen, essay by Neil Jeffares - Biography of count d'Albert, which includes a lot of unsourced rumors about both le Maupin and d'Albert, but recounts his life events in great detail, and references to each claim show which parts are sourced well

[gor3sigil]

Mes zines sur la transmasculinité sont disponibles en français !

Je ne sais pas s'il y a beaucoup de personnes trans francophones ici, mais sait-on jamais mdr

J'ai publié deux zines sur la transmasculinité et les ai traduit et adapté en français ! Ils sont disponible gratuitement sur ma boutique itch.io:

Le zine s'appelle "A Travers Vitres Teintées et Ecrans Brisés" et c'est un partage avant tout cathartique de mon expérience en tant que personne transmasc non-binaire, de la poésie et de la prose avec des dessins. Vous pouvez les visionner directement sur navigateur, télécharger les PDF standards et également des PDF imprimables et pliables pour faire les zines chez vous et/ou les partager, si le cœur vous en dit !

Je prépare un troisième numéro, qui sera aussi disponible en anglais et en français (ce sera une constante de toute façon), et qui sera sur les trouble psy ET la transidentité, et le traitement des personnes malades mentales et trans (qui est souvent, on va pas se le cacher, vraiment pas terrible).

Tout est basé sur mon expérience et évidemment elle n'est pas universelle, mais je suis content de pouvoir partager un peu de mon vécu, en espérant que ça aidera certaines personnes à se sentir vue et moins seules.

Merci d'avance et bonne lecture !

[art-that-fucks-you-up-tournament]

who’s excited for stats so far?? i bet none of you are but i’m inflicting them anyway! ...under a cut.

so far, though, we have 198 separate submissions across 166 works!

so far the longest submission piece is 551 words long! wow! there are also another 3 submissions that are over 300 words long, and one piece has 797 words across 7 submissions! the shortest submission, to contrast, is 5 words long! that’s also great!

there are currently 4 artists that have had 3 pieces of art each submitted, and 8 artists that have had 2 pieces. that means there’s currently 137 other artists! oh sorry, while i was drafting this post we got a fourth submission for one of the four.

how about things anyone can go look at? there are currently 7 pieces of public art that have been submitted! four of them are from canada (and 3 are from the calgary specifically), one is in the netherlands, one is in spain, and one is in new york. the fourth canadian one also has copies in spain, japan, and arkansas. there are also 3 submitted buildings! two are in spain, and one is in thailand!

gender! we’ve got 122 pieces from male artists, and 32 pieces by female artists! yes that doesn’t add up to 166, the other 12 are either multiple artists, unknown artists, or i felt like a creeper trying to trawl through their tumblr/website and it wasn’t in their bio. sadly, we don’t have any openly trans, nb, or otherwise genderqueer artists submitted (where openly is “i could find it in the same 5 second google search to determine nationalities”)

even more niche stats! the largest submission (that isn’t a building, a cave, or public art) is 2.15 m (7 ft 1 in) x 34.14 m (112.0 ft) and weighs 4 tons! close behind it is another that's approximately 3.7m x 25.2m (12ft x 72.9ft) but weighs significantly less! i did not feel like mathing which had more square footage. the smallest submission (that is, a physical piece in real life, digital art can be insanely small) is 5.9 x 6 cm (2 5/16 x 2 3/8 in.)!

how about locations? excluding the multiple copies ones, there are 32 pieces located in the united states, 9 in spain, 8 in france, 6 in canada, 5 in england, 4 in italy, 3 each in russia, australia and mexico, 2 each in the netherlands, wales, scotland, and ireland, and 1 each in israel, finland, germany, portugal, poland, japan, austria, ecuador, thailand, latvia, singapore, belgium, and argentina! i know that doesn’t add up but there’s a lot of pieces in private collections, owned by the artist, or we just couldn’t find their location, sadly.

artist nationalities get a lot more variable! i did my best to look up every artist i could and include their birth country and the country they did their works in! except john singer sargent because he just didn’t want to settle down and i didn’t want to give him like six different countries. 

starting off, we have 43 submissions by american artists! 18 by french artists, 17 by english, 8 each by canadians and italians, 6 each by russians and spaniards, 5 each by chinese, irish, and germans, 4 each by dutch, mexican and belgians, 3 by latvians, 2 each by finnish, polish, scottish, malay, serbian, and armenians, and 1 each by portuguese, japanese, austrian, ecuadorian, thai, swiss, argentine, cuban, kazhak, colombian, danish, and iranian! 

i do not currently have stats for jewish artists for you, because i forgot to write it down my first time through wiki, and now i have to go through all ~140 articles and websites again. relatedly: there are 8 works by known-to-be-gay artists, but i’m already running into wikipedia going “well he sure did a lot of male nudes but he also might have had relationships with women” and i am feeling uncomfortable poking through people’s private lives so... i hope you don’t mind it i stop... counting..... i mean if they’re open about it i’ll write it down still.

how about the ages of works? there are 4 things from before the 1400s, 3 from the 1400s, 6 from the 1500s, 3 from the 1600s, and 2 from the 1700s! 5 from 1800-1850, 4 from 1850-1880, 10 from the 1880s, and 9 from the 1890s! 9 from the 1900s (that is, 1900-1909), 5 from the 1910s, 5 from the 1920s, 4 from the 1930s, 4 from the 1940s, and 6 from the 1950s! 3 from the 60s, 4 from the 70s, 7 from the 80s, 15 from the 90s, 12 from the new oughts, 17 from the 2010s, and 13 from the 2020s! and three ongoing projects!

and to wrap things up: there are 101 paintings, 12 sculptures, 17 what i’m calling installations (they’re often mixed media or unusual media, i would give examples but i feel like i would bias submissions), 6 photographs, 2 pieces of textile art, and 21 digital arts, drawings, or comics!

[peridot-tears]

Quick & Sloppy Analysis of Blue Eye Samurai

Mizu is from a time period before western ideas of gender took hold in Japan. A lot of the discourse around Mizu's gender seems to stem from what people think transgender identity is in a 21st century, western context.

They were born as a woman but had to live as a man. The rub over whether or not this makes them trans seems to come from these two points.

Many people transition because they have always known they were another gender born into a body that does not reflect that gender. If they were forced to live as another gender, that doesn't count as trans.

Many people are transgender because their sex and gender are different. Mizu was physically born in the body of a woman, but functions in society as a man. Regardless of how they came to be, they are, by gender, a man.

Mizu themself did find happiness as a woman, but had it snatched away from her by a man's insecurity over being bested by his wife. Mizu found comfort living as a boy under their Swordfather's care, but felt shame for hiding his true sex from him.

I think these two periods of their life are not about which slot in society they fit in, because obviously they don't fit perfectly in either, but acceptance by the people they choose to love instead. Mizu was forced by filial duty and love for their mother to become a wife, but fell in love with Mikio when he began to accept her as she was -- until he didn't. Master Eiji accepted Mizu as a boy, and raised him as he is. He stopped Mizu from confessing his sex not because he couldn't accept it, but because it didn't matter. The most telling scene to me is when Mizu says that they must be a demon, and Master Eiji tells him, Yes, perhaps they are, but that is only one part of a whole.

The show is social commentary on our expectations for people of certain classes, genders, and racial makeup. One of the biggest themes of this show is about the limits of living as a woman during the Edo Period, and the creators refer to them as "she," as she is based off of their daughter.

But we are free to interpret Mizu's gender as we wish. The whole point of their existence is that there is a question of culture and identity in our modern, globalized age, and instead of a yes or no answer, we are given a whole person and the story of their life in a completely different culture and era to draw our own conclusions.

The debate over Mizu also reminds me a lot of how westerners will point to certain historical figures throughout history as examples of genderqueer identity having always been a thing. Chevalier d'Éon of France and Bíawacheeitchish (Woman Chief) of the Crow Nation come to mind. How they identified may not fit the 21st Century English-language phrases we apply to them, but the idea is still that they lived outside of the social expectations of people born in their bodies.

Sidebar:

Mizu's reveal as someone born into the body of a woman surprised me, actually! As someone who grew up on East Asian media (primarily C-drama and anime and K-pop, with full cultural context for the former but only what I learn from my friends for the latter two), I'm very used to androgynous characters! My whole thought process throughout the first few episodes was, "Wow, they really took C-drama tropes and put them in an American show!"

Even after the reveal, I was like, "Oh, they took the other trope!" where in C-dramas, male characters played by female actresses turn out to be female characters disguised as men in order to roam with more freedom.

This whole show felt like I was watching a C-drama turned into a western cartoon, and because one of the creators is Japanese American, it made me realize how many tropes must've carried over from our Chinese and Japanese storytelling, and our cultures' influence on each other.

[smallsdotcom]

[ . . . ] ARMY FANDOM BREAKDOWN

while main BTS stans refer to themselves as ARMY and are often viewed to stanning all eight members, there are however several solo stans or fans who bias one member more than the others. Y/N has referred to her fans as GRLANDRITES. this comes from a combination of her stage name GRLZILLA + ALEXANDRITE, a gem that is labeled as one of the ugliest in the worlds.

NICKNAMES : uglies, little shits, gems, worms

LIGHTSTICK : ARMY BOMB

GRLANDRITES EMOJI : 🪱

OO. FAN DEMOGRAPHICS

AGE RANGE : while ARMY come in all ages, your fans are mostly in the age range of early teens to late 30s.

GENDER : when you originally debuted in 2013, bighit had it so you were geared to bring male k-pop stans into the fandoms. and up until around 2016, most of your fans were male. beginning at around 2018 you have gained a plethora of more female and nonbinary / genderqueer fans. this spike has remained constant in recent years from 2020-2022 and while you still have male fans, your female fans have outnumbered them.

REGIONS : you are most popular in east asia, north america, oceania, and europe. your largest fanbases are found in korea, america, japan, england, france, germany, australia, new zealand, and scotland.

OTHER FANDOMS THEY ARE CLOSE TO : ixluvs ( exile her ) revluvs ( red velvet ) moas ( tomorrow by together ) engene ( enhypen ) fearnot ( le sserafim ) carats ( seventeen )

OO. FAN REPUTATION

ANTISOCIAL : it’s a known fact that you are antisocial. it’s often seen during interviews and when how very rarely you are seen out when in korea. this trait is often shared with a number of your stans as many have voiced that the reason why they stan you is because of how you don’t talk much in interviews, always avoiding talking on red carpets, and how you don’t leave your home.

COMPETITIVE : this is trait shared with the rest of the ARMY fandom. GRLANDRITES are often competitive when it comes to voting for you specifically especially in the BEST FEMALE category. it’s not often you get placed into that category so when you do, your stans work harder than the devil himself to make sure you win.

OBSERVANT : your stans have became observant when BTS started becoming extremely popular. this trait is often used when they watch videos of you during interviews. some of your longer stans mostly have this trait as they can tell by your body language if someone is making you uncomfortable or not.

CREATIVE : GRLANDRITES are probably some of the most creative people you will ever meet. they have been known to create several different types of art works and projects dedicated to you. when GRLHOOD was released, one specific stan did a whole series of painting dedicated to the mixtape. you found out about this and even bought the pieces and they can still be seen hanging up in your apartment today.

HUMOROUS : your stans love making jokes. especially at your expense. they are the ones who started the “disappointed y/n look” meme back in 2018. if you do something meme worthy, they are the first ones to turn it into either a meme or sound on tiktok.

OO. FAN FAVORITES

ANTHEMS : i doll, girl in the mirror, dead man runnin’

FAVORITE ALBUMS : grlhood, wings, most beautiful moments in life pt.2, love yourself: her

FAVORITE ERAS : i need u, run, spring day, fake love, on

FAVORITE TITLE TRACKS : i need u, fake love, idol, on, run bts

FAVORITE B SIDES : borderline, egoist, dead man runnin’, pied piper, save me, left right, breathe, dracula, whalien 52

FAVORITE COVERS : come back home ( seo taiji and boys ) speechless ( aladdin ) paradise lost ( gain ) watermelon sugar ( harry styles ) talk ( khalid )

OO. FAN TRIVIA

GRLANDRITES do not get along with jungkook stans for some reason and can always been seen fighting with them on twitter

their nickname “worm” comes from when some fans asked you if you would still love them even if they were worms and you just replied with “but you guys are already worms, aren’t you?”

GRLANDRITES have a good relationship with exile her’s fandom, IXLUVS.

a notable moment for GRLANDRITES was when one of your long time stans since debut was getting married and her fiancé had invited you. you flew back to korea just to attend the wedding and even sang as a song that you had written just for the couple.

in 2017, a fan bought you a star and named it GRLZILLA. you then bought a star that looked to be right next to yours in 2019 and named it GRLANDRITE.

[duckprintspress]

Meet Aether Beyond the Binary Contributors Flore Picard and Alec J. Marsh

We are 57% of the way to our funding goal for AETHER BEYOND THE BINARY, with 19 days to go!! This awesome anthology featuring non-binary and genderqueer characters in aetherpunk settings has been in the works for a year, and we’re optimistic that we’ll reach our funding target so that we can publish the book as an e-book, trade paperback, and hardcover. Slow and steady, race winning, you know the deal. 😀 Things have definitely slowed down, as is normal for this stage of the campaign, so just a note that we’d always appreciate your help with spread the word about this project so that more people will know it exists! You can find our “main” posts about the campaign on different platforms using these links:

Bluesky

Dreamwidth

Facebook

Instagram

LinkedIn

Mastodon

Patreon (public post)

Pillowfort

Tiktok

Tumblr

WordPress

Thanks in advance!!

You can learn all about the campaign, the book, the merch, and the authors, by visiting our Kickstarter campaign page!

And, today we’re introducing two more contributing authors: Flore Picard and Alec J. Marsh!

The Light Organ by Flore Picard

About Flore Picard: I’m a linguist and translator who lives in France and I have been itching to write since I learned how to. I started writing (fan)fiction more regularly when I was procrastinating on my PhD dissertation, and I haven’t looked back since. I’m also an artist who loves drawing both fanart and original art, and I have a passion for patterns and systems, for the beauty at the edge of chaos and the complexity of being human. I tend to write about queer and disabled characters finding themselves and each other and learning to take up space in the world.

Links: Instagram | Twitter

This is Flore’s first publication with Duck Prints Press.

Title: The Light Organ

Tags: angst with a happy ending, capitalism is the real villain, coming out, disabled character, emotional hurt/comfort, family, fraught family dynamics, illusion, in the closet, magic use, mechanic, musician, non-binary, parenthood, present tense, science fiction with magic, teenager, third person limited point of view, transphobia (mentions of) (past)

Excerpt:

“No, no, no—the organ, the light ring—it’s all about the imagination, not the mechanics,” Kas exclaims, gesturing widely to encompass the aether pool behind the glass.

“I’m just here for the tubes,” the tech—Gilbert—says flatly.

His face betrays no emotions, not even annoyance. Kas almost wishes he would yell or be rude, if only for the sake of feeling like they’re having an actual conversation, but Gilbert has always been polite. He just never seems to care.

“Fine,” Kas gives up. “We’ve got glitches. They started about a week ago. It could be a leaking tube, I’m not sure.”

“What kind of glitches?”

“It’s as if… as if the story stops responding to me. I know how that sounds, but I swear that’s what happens. It doesn’t last more than a few seconds, but it’s getting worse. Earlier, I powered everything up to tune it and it kept flickering.”

“Flickering,” Gilbert repeats, mumbling into his neatly trimmed beard.

Kas grabs a cane in each hand and makes their way to the organ’s seat. “I can show you.”

You’re Gonna Get Older by Alec J. Marsh

About Alec J. Marsh: Alec lives in the Pacific Northwest, where they write romantic adult fantasy and self-indulgent fanfiction. They make candles inspired by their favorite characters.

Links: Etsy | Instagram | Twitter

Alec is one of the editors for Aether Beyond the Binary and has also published multiple titles with Duck Prints Press. His novella To Drive the Hundred Miles (modern, f/m, trans male lead) was recently successfully crowdfunded and orders fulfilled. His two erotica stories Heart’s Scaffold (sci-fi, m/m) and Study Hall (modern academia, m/m) are part of the Contributor Short Story Bundle add-on.

Title: You’re Gonna Get Older

Tags: arranged marriage, christian, coming of age, coming out, cults, fraught family dynamics, friends, in the closet, lesbian, midwest, misgendering, non-binary, north dakota, past tense, post-apocalyptic, relationship of convenience, religion, song fic, teenager, third person limited pov, trans man, trans woman, transphobia

Excerpt:

There was a radio in the room, an old two-way they had found on their last visit and hidden in an empty supply closet. It was still there. They slid open the battery pack and snapped in a fresh battery from their aether lantern. Chips of the meteor had been encased in metal tubing to mimic the lithium batteries of the Before, but they were precious and had to be used sparingly. Stardancer knew better than to use precious energy on something this frivolous.

They popped the battery cover in place and pressed the power button. It crackled to life. They cradled it like it was made from glass. The dials made a tak-tak-tak noise as Stardancer scrolled through channels. Music came through softly. It faded in and out, cut through with static, but it was music, and not the kind made on an acoustic guitar. They adjusted the antenna and turned up the volume.

It was like nothing they had heard before, fast paced with a heavy beat. Even over the fuzzy AM connection, it was invigorating. They wanted to dance. They wanted to sing along with words they had never heard before. The singer screamed their triumph, and Stardancer felt invincible.

There's no time like right now to become a backer and help us reach 100% funded! Check it out!

[manchineel-bean]

May I so very humbly ask thee for hc’s for the goodest boi (loui <3)? 👁️👁️

*like I tell the other kind folk round’ here, don’t feel forced and/or rushed to answer this 🩴*

Loui!!! Pelican boi! Birthday: Unknown date in 1699 (Uses April 30 as birthday). Formation of Louisiana Territory. 325 years old (as of 2024). Parent: Kingdom of France Human name: Louis Beaufoy Human age: approx 27 yrs old Sexuality: Pansexual Gender: Genderqueer (uses all pronouns) Description: 5'1. One blue, one gold eye, both flecked with white. Very dark brown long curly hair (down to mid back. Sometimes worn as dreads). Dark brown skin with star shaped freckles. Languages: English, Spanish, ASL, Cajun French, Louisiana Creole, French, Cajun English. Some understanding of Portuguese, and Tagalog.   Scars/deformities/disorders: Alligator bite scar on forearm. Large scars on shoulders (from many hurricanes and floods), Limp from bombing of the levees at Caernarfon. Deaf in left ear from 1982 Pan am flight 759Animal/Unusual attributes: Lion and Pelican feature. Lion ears, tail and teeth. Pelican wings, tail feathers, ankle feathers, scales on feet . Freckles can glow due to old and current flag having a star.

Silly facts: Plays the trumpet and cajun accordion. Supreme cook of the south. Owns a potted magnolia and has named it Maggie. Really good at making beads and jewelry. Own a Catahoula Leopard Dog named Dizzy, he's such a good boy. https://louisiana-anthology.org/texts/bonham/bonham--flags_of_louisiana.html

^^Old flags of Louisiana :] Thats it. Buh bye

[justruse]

Facts about Ellis, please🫠?

here you go, anon!!

6'3" (191 cm) in height, also the tallest RO.

As mentioned in the intro post, he is a doctor. He also almost exclusively works the night shift.

Is genderqueer and uses he/they pronouns interchangeably.

Has a very muddled? accent, like if someone was trying to imitate a generalized American accent. When he gets excited though, you can definitely hear a very mild French accent peeking through.

Has the messiest handwriting ever, like unreadable cursive. Really living up to the doctor handwriting stereotype

Had a rather large family growing up and was especially close to his two older brothers and his mother.

Generally a very enthusiastic and friendly person, intelligent too.

Prone to rambling and has an odd way of putting things (when you first meet Ellie, you'll know what I'm talking about).

Out of sight, out of mind type of person, very avoidant when approaching or talking about their personal problems and trauma.

Their love language is quality time.

Favorite colors are baby blue and maroon.

A cat person who settled for fish.

Wearing glasses is NOT an aesthetic choice. He's farsighted.

Some Biographical ✨ Facts

Born on June 3 in the early 17th century, Ellie is over 350 years old.

Most of his childhood was spent in Scotland before his family fled to France due to the on-going conflict between England, Scotland, and Ireland. His family was made up of farmers.

Was fortunate to be able to apprentice under a scrivener in his young adulthood. It would be a few decades after he was turned before Ellie apprenticed under a surgeon.

Turned at 30.

Immigrated to Canada in the late 19th century, and immigrated to the United States in the 1950s.