#gap couples

[hislittleraincloud]

Aww it looks like you have fans, my dear! https://x.com/astridsinclair_/status/1863612898360111464?s=46&t=sjzE9yJDPIIrx07d8gwl7g

They're always too scared to engage or ask questions. They just chatter amongst themselves about the Creepy Weird Guy Who Ships Wednesday and Donovan.

They don't understand because they don't have it in them to see what I can see in canon and run with the little loose bits I can find to explore relationship dynamics. It's the same thing anyone else does for the media that attracts their attention/devotion.

(Re: WEIRD shit happening again, AHAHAHAHAHA I AM ABOUT TO WRITE ABOUT THIS SCENE** ON MY SCREEN RIGHT NOW, OMG)

I was and probably still am going to write a love letter to the nature of Ortega and McShane's scenes together, and how intimate they are, and how it all served as the basis for Satisfying Afterburn.

It wasn't just the way Burton or Monteiro chose to film the Weems Office Alone Scene or the Swifty Cat Scene, it was the way Ortega chose to have Wednesday interact with McShane/Galpin. In most other interactions on screen, she is caustic with her barbs, particularly annoyed around her peers, but pretty defiant towards both Weems and Kinbott (the two authority figs she dealt with most on screen). She's standoffish and clearly looks like she'd rather be elsewhere when there are people around. She's a literal juvenile delinquent with a criminal record.

Yet, for some strange fuckin' reason, said delinquent absolutely cannot get enough of being around a cop/head cop of the town. And not only can she not get enough of being around this cop, she is always softer/more respectful and treated him more like an equal, since she gave off the vibes that she wanted to be treated as more than "just a kid/teenager" [who wants to be let in on a murder investigation that would be by the freaking way a direct conflict of interest for both of them, so there's that].

Ortega said that Wednesday really wanted to be an investigator, so who would be a better choice to stalk than one who is supposed to investigate. She has a genuine, observable interest in solving mysteries with someone who can stomach body parts strewn on a campsite as well as she can tolerate body parts in glass jars. Ortega's Wednesday also has a genuine, observable softness that she only brought out in Wednesday in her scenes with McShane/Galpin.

***The softness could be construed as manipulation. However, it was present not just in this beginning interaction, but it was continued, even in the throes of adversity when Donovan was harsh with her during Swifty Cat.

Am I crazy? Sure, but not about this. Watch the show again, paying particular attention to how Wednesday interacts with each individual. She is literally said and shown via duct tape, for example to hate people in her orbit/physical space and hates crowds/being around a lot of people.

Yet Galpin's the one whose space she keeps invading. In the above scene, in his crime scenes, multiple times in his office, in his suspected crime scenes, in his HOUSE and subsequently in his TRUCK. And THEN she teamed up with him in an elaborate sting operation to entrap an (albeit unknown to them as) innocent boy into confessing a crime he didn't commit. A sting operation that had to be planned after Wednesday had a long chat with Donovan, which we didn't see on screen. THEY WERE BOTH COMMITTED TO THAT 🤣🤣🤣 Christ, I'm wheezing over here.

That is what she actually preferred to fucking do, over anything to do with fucking Enid. She goddamn stated it outright after the Gates Mansion debacle for fuck's sake

"Now I am one step closer to solving this case. That is what is important."

"THAT" being her solving crimes for Donovan versus her stupid Girl's Night Out. EMPHASIS HERS 😭

Now I'm just all riled up. But that's good because I've been avoiding writing one scene that I gotta put in there so I can move it along and get it out there soon.

And dude, Wenovan Argument at the Gates Mansion is now on my screen. Am I cursed? What's going on? What is this? I need food.

[coldzonkprofessorturtle]

The art of the sleeping sapphic

[rayveneyed]

cw; suggestive / softcore smut, alcohol consumption (possibly dubcon), inappropriate workplace relationships, cisfem!reader

nanami kento is too old for fucking.

he tells you this at 1 am — in not quite as many words — a few too many somaeks in, lethargic and slow from the length of the workday. there’s enough alcohol in his system to have him silk-loose and soft, cursing more freely and allowing vulgarity (or what he considers vulgarity) to grace his ever-so-polite tongue.

you’ve never heard him like this before; you’ve never heard your straight laced coworker utter anything more than a family-friendly expletive (drat being a recurring character — old-fashioned, but endearing). but his shirt is unbuttoned at the collar and his hair is mussed, and the blush of intoxication is rising to his sharp cheekbones — and yes, he curses. it almost sounds elegant when he does it. rolling over his tongue in his poorly-lit living room, where he’d only bothered to turn one lamp on; gathering with his voice like balls of cotton wool deep in his chest.

you yourself have had one too many drinks — that is why you find warmth pooling in your stomach at the sound of his confession, at the sight of his face illuminated in honey-soft light. after all, you’d never let the barrier of strained, charged professionalism drop otherwise. you’d never accept kento’s sudden invite for a nightcap after a night already filled with drinking, surrounded by tipsy coworkers at a local izakaya; you’d never let him help you slip your heels off, deft fingers unbuckling the strap from your ankle and lingering just long enough for you to notice. you’d surely never sit so close to him on his fancy 1.5 million yen couch — and you’d never, ever entertain the comment he’d made, one that he never intended for you to hear in the first place.

“what was that?” you say, coy, as if the comment hadn’t twisted something horrid in your gut. (as if you weren’t imagining him flushed from top to bottom, panting against your neck. it’s the alcohol, you’re sure of it.) “you’re too old for all that crazy stuff? like what?”

his adam’s apple bobs. he’s sitting slumped low next to you, his head hanging backwards against the back of the couch and his gaze somewhere on the high ceilings above your head, like he can’t face you. pretty. handsome. “sorry. i was just thinking out loud.”

“i know.” you take a sip of your own somaek. “but we’re both adults here, right? i mean, i agree. i’m not as flexible as i was at 20.”

his laugh is more of a surprised huff — like he’s just as surprised as you are that your conversation has steered into such uncharted territory. perhaps he’s surprised that he’s even responding to it — but he does, rubbing at his eyes with his thumb and pointer finger. his thigh presses against yours through those infernal khaki slacks. “mm. me neither.”

you shoot him a cheeky grin. “you were getting folded like a pretzel, i presume?”

another laugh, tinged with incredulity this time. “mm. something like that.”

you both sit in silence for a moment. his apartment really is lovely — the kind of apartment you only get when you’re as diligent as nanami, putting aside money for years and steadily working his way up the hierarchal corporate ladder. high ceilings and a wall of floor-to-ceiling windows opposite his couch; a kitchen with a granite island; fancy furniture straight from an interior designer’s wet dream. it’s all neutral greys and browns, cozy and elegant and refined, and suddenly you wonder what his bedroom looks like. you take another sip of your drink.

“getting older’s not all that bad,” you say, almost offhandedly, speaking more to the tokyo skyline than your drinking companion. (you bet he has a double-king with fancy 500-count cotton bedsheets. probably some trinkets. man stuff like shavers and cuff links and aftershave.) “i like it slow anyways.”

a strange, choked sound leaves your drinking partner, and your eyes shoot over to him. you’re suddenly mortified at your careless blabbering — but drunk enough for your embarrassment to be eclipsed by a prideful ignorance. “huh? nanami-san, are you okay?”

he stares up at the ceiling once more. his throat bobs again. a slight blush has dusted the tops of his ears — but before you can linger in it, his eyes suddenly flicker to meet yours. you’re almost taken aback by it — the intensity with which his brown eyes suddenly bore into you, the sullenness and modesty from before pushed aside for something newer. something rawer. “…forgive me for my forwardness—”

“you’re forgiven.”

“—but, i…”

you swallow. he still hasn’t looked away. your breathing has stilted, stagnant and pressing, in your lungs. you fight the urge to press against the point where his thigh meets your own, already on the verge of squirming under his heady stare. “but…?”

straight-laced nanami kento breathes deeply, his chest moving with the force of it, and as his breath shudders out of him, he bites out: “i really want you, right now.”

your heartbeat rushes in your ears.

“but we’re coworkers,” kento continues, like he’s been sitting on it for a while — like he’s trying to convince himself as much as you. his hand — the one not clutching his glass, the one laying on top of his thigh, flexes. “it’s unprofessional — completely inappropriate. i should be written up for simply confessing this to you.”

“but we—” you swallow around a dry throat — all moisture in your body seemingly gathering between your legs, hot and thrumming and nowhere to go— “we’re not working right now.”

a beat of silence.

kento finally looks away from you, and you can breathe again. you grapple with the sudden influx of air in your lungs, the anxiety of misstepping broiling in the pit of your stomach. while you internally struggle with yourself, nanami sets his somaek on the coffee table, before slumping back again.

“i suppose we’re not.”

unsurprisingly, kento does not make the first move. he just sits there, one arm behind his head and the other laying limp at his side, his chin tilted towards the sky and his eyes shut as if to sleep. it’s not in a way that might be construed as arrogance — this isn’t your high school boyfriend sitting back and waiting for you to pull down his pants — it’s pure and utter indulgence. climb over him if you want. kiss him when you want. cross the imaginary line drawn in the sand when it suits you — regardless, he won’t ever touch unless you explicitly make it clear that you want him to. desire curdles in your stomach, almost painful, and it's all you can do to scrabble onto your knees beside him.

before your anxiety takes control of your faculties — before you allow your cowardice to seize your limbs — you swing a knee to the other side of his hips. you're straddling him, close enough that you're sure you're sharing the same air, and — fuck, he's much bigger than you'd anticipated. he doesn't have the wiry, lean stature of the average salaryman — somehow, between sleeping overnight in the office and drinking at izakayas almost nightly, kento's frame is sturdy and large, muscular. like he works out often. you don't know how he does it with the long hours he puts in, but your thighs almost ache with the stretch of his hips between them — and pressed right against you, right where you're sensitive and aching and perhaps a little too needy, is his clothed cock. the slacks do little to camouflage the shape or hardness of it — in fact, you swear you feel it twitch when you seat yourself against it.

kento's eyes flutter open. his cheekbones are slowly reddening, his glasses hooked low on his nose bridge. his arms twitch where they lay, like he was about to move to hold you and thought better of it. you wish he didn't think better of it. "hi."

you give a little smile, hopefully looking less like you're brimming with excitable energy than you actually are. his lips really are quite close to yours. if you just leaned forward... "hi."

they're not chapped, his lips, but not shining with lip balm. they're soft looking and slightly pink, naturally down-turned in a way that makes him seem grumpy most of the time. but they're quirked up in a little smile, now, and all you can think about is how they might feel against yours. your lip gloss has long since rubbed off, between drinking and eating and drinking again, but would the remnants of glitter smear against his lips? would he come away tasting cherries?

kento clears his throat.

"i have to be honest with you," he says. he adjusts his glasses smartly, the way he does at the office, the way that has all the your female coworkers swooning. "i'm… passed the age of doing things no strings attached — that is to say, if—”

heart suddenly swooping in your chest — delighted at being indulged, of having your affections returned — and brain whizzing along like a child who's had too much sugar, you connect your lips with little fanfare. you're perhaps too enthusiastic — prodding his mouth with your tongue as soon as he'll let you, leaning forward until your chests press together and you can almost feel his heart beating through his skin. his lips are soft, after all. soft but weathered, moving so pleasantly against yours — and then his hands squeeze at the plushness of your hips, his teeth take your bottom lip between them, and—

you're panting when you pull away. panting and flushed and hot all over, barely an inch between you for fear of distance. you’re hot where you’re connected, so filled with nervous, excitable energy you think you might wither; nanami’s grasp on you, steel-tight and warm, does little to help. it’s all you can do to give yourself a second to recuperate, chest heaving — and nanami seems just as bad off. the usually well-kept salaryman looks a mess underneath you, with his lips swollen, his eyes half-lidded, and his breathing uneven — even then, though, his eyes are far too intense for you to calm any.

“to be honest,” you say, "i’m — i’m a little too old for that, too, kento."

another small smile. the gap between you is filled once more. you both call in sick that morning.

[joelmillermylove]

Joel driving with you in the passenger side, you loved watching him drive, it was just so manly. Joel’s hand on your thigh as you Listen and sing to your favorite songs with the windows down and the cool breeze coming in. Every stop light he would lean over to give you a kiss and You would mess with his hair as he drives.

[galactaknightyaoi]

☀️ IT'S MY BIRTHDAY!! 🌙

This is my gift to myself :) I drew my favorite guys ever.

For a while I've been itching to draw the wedding outfits from this post again. I made them up on the fly as I was drawing, but I actually really like how they ended up turning out. They're super cute!! (though, yet again, you can't see almost any part of Dedede's outfit... 💔)

But then I couldn't get it out of my head to make a companion piece for it, with their mirror versions. And so. I did. What they have going on is a little bit messy, though...

Marriage or divorce!! Take your pick.

[snowssims]

Alright, finally I could get both parts of this uploaded. So, November 10th is when Fallout 4 released back in 2015, making it 9 whole years old today. I decided I'd try doing some conversions of stuff. These are conversions from the "Modern Domestic" set in the game, you get the two end tables and a chair, plus a loveseat add-on for the chair.

Details:

The loveseat is linked to the chair, and the end small end table is linked to the big, meaning you will need those meshes for the others to work. The end tables and chairs aren't linked in any way, however.

And yes, they're both in end tables, and stand at typical end table height. The two-tile one is cloned from a conversion of an awesims sideboard (to get the slots and all that right) idk where the original download is but I got it here.

The chair has two subsets while the tables have just one.

The cushions on the chair are in the same 28 colors from last time, the woods on both sets are an assortment of 7 natural colors, using color actions by Hafiseazale.

Textures are 512x512, Files are compressed

Polycounts -

Chair - F:956/V:1235

Loveseat Add-On - F:1422/V:1803

Big End Table - F:612/V:636

Small End Table - F:344/V:352

Download End Tables (sfs)

Download Chair/Loveseat (sfs)

vv(swatches + plain previews under cut)vv

Click to see the swatches properly

OH I almost forgot to mention, the end tables. They are about half the depth that they are in fo4, these things are massive by default. Like, they're too damn big in fo4 they're as thick as the shoulder span of an X-01, as I found out.

[positividadedomar]

WHAT A KISS 🥵

[lena-in-a-red-dress]

Musician Age Gap AU Pt 11

As soon as Alex and her family are safely in a car on the way to a hotel, Kara and Lena board Lena's jet back to the states. During the flight, Lena curls in on herself, picking nervously at her cuticles with a worried, guilty expression.

"Hey," Kara says, pulling Lena's gaze towards her. Her features remain heavy. "I'm not mad."

At that, Lena's face softens, but only enough to grimace with a soft huff. "You're not the one I'm worried about."

Kara must look confused, because Lena soon continues.

"As a rule, my mother knows who I spend my time with, and when." The guilt returns. "Except for you."

"So she didn't know I was in Capri with you..."

Lena confirms it with a shake of her head. "Nor why I went back to National City."

Well... this wouldn't be easy then. Dealing with a rabid press is one thing-- being at odds with one of the key players in keeping her family safe is another.

"I'm sorry," Lena murmurs. "I just... wanted to keep you mine. Just for a little while."

Kara shoots her a look. "I'm still not mad."

"You can be. If you want."

"I don't." She moves seats, switching to the bench Lena's on. She makes no attempt to still Lena's nervous picking, but simply spreads her legs enough for the outsides of their thighs to touch. Kara intends the physical contact to serve as reassurance, but she doesn't know if it works.

"I'm a big girl, Lena. I know I can back out whenever I want to. But I don't. Not yet."

A little bit of warmth cuts through Lena's anxious fog. "Yeah?"

"Yeah." Kara's heart beats a little faster, when a small smile answers her. Impulsively, she leans over to kiss Lena's cheek. She feels... giddy? Far more exhilirated she has any right to feel at her age. "Bring it."

----

Lillian Luthor is a slender, austere woman. Kara clocks her the moment the plane lands on the tarmac, tall and styled in her designer clothes and looks that only money and astronomically good genes could provide.

Only Kara witnesses the short beat Lena takes before stepping out of the plane, bracing herself for whatever follows. Kara keeps pace with her once they descend the ladder in single file. She may not be driving this bus, but she is no shrinking flower. In this, she is Lena's equal.

Not that the look Lillian gives her would have anyone believe.

"In the car," the woman orders. "Now."

Lena obeys without a word. Kara is a little slower to fall in line, but ultimately follows Lena's lead. Lillian climbs in behind them, leaving Jess and a woman Kara doesn't recognize to scramble on board last.

"The family is checked into the Lariat. So far no indication that they've been identified, but its still early."

"What about Kara?"

"What about you??" Lillian demands, tone scathing in its heat. "What were you thinking?"

Kara sees Lena wilt, and anger bubbles up in her throat. "Don't talk to her like that--"

"You have zero business here," Lillian fires back with steel in her voice.

"Mom!" Lena exclaims in Kara's defense. "It's not that big a deal--"

Ice blue eyes turn on Lena, freezing her to the spot. "It's a big enough deal that you saw fit to sneak behind my back, with a woman twice your age no less--"

"Mom!"

"Timeline, now."

Lena's shoulders sag, but says nothing. Looking to divert some of Lillian's ire, Kara moves to speak up. "We--"

"She already knows," Lena rolls her eyes.

"I do," her mother confirms. "But I'll hear it from you nonetheless."

Lena huffs. "Night two of the National City stop. Her niece left her phone backstage, and we exhanged numbers."

"Then?"

"Texting."

The exhange sounds like a repeat of one they've had many times before. Neither Jess nor the other woman-- who Kara assumes is Lillian's own assistant-- look at all nervous at the rapidfire crossing of words.

"Texting?" Lillian demands. "Or sexting?"

Kara bristles. "I don't see how that's any of your--"

"*Texting*, Mom, god!" Lena seethes. Her cheeks are bright red, from anger or embarassment or both. "Will you just--"

"Just *what* Lena?"

Lillian's voice is so sharp Kara can see the moment it cuts Lena down. Her jaw tightens, and when Kara sublty shifts to take her hand, Lena shifts away.

Satisfied that her daughter is suitably in line, Lillian turns to her assistant. "Mercy, have PR prepare a statement. The photos were misconstrued, they simply capture a couple of friends taking in the sights."

"Mom, no," Lena croaks. "I don't want-- who cares if people know that I'm gay--?"

"You are not gay!"

Lena flinches, features blanching as though Lillian had landed a physical blow. Only then does Lillian seem to realize that she's talking to an actual person. Her tone doesn't soften, exactly, but it doesn't sharpen any further.

"Your *brand* isn't," she amends, likely the closest thing to thing to an apology Lena would get.

"I thought Lena is the brand," Kara interjects.

Lillian's frigid gaze snaps to her. "She is."

"Her fans are more open-minded than you think--"

"Her fans don't buy tickets," Lillian informs her coolly. "Their parents do. And *they* are far less forgiving."

Kara looks towards Lena, who meets her gaze with a helpless one of her own. It's not untrue-- Esme hadn't bought her tickets, after all.

"Then what do we do?" Kara allows finally.

"Cut ties. Immediately." Lillian looks down her nose at Kara, her regard as condescending as though she were speaking to a teenager, not a women merely ten years her junior.

"No."

To Kara's surprise, Lena's response is faster than her own, and carries only the barest of trembles.

"Don't be foolish..."

"I'm not--"

"Do you love her?"

Lena freezes. Her gaze flicks to Kara. "It's only been a few weeks..."

"Precisely. Cut ties now, before--"

"But I want to," Lena finishes. This time, her gaze lingers on Kara's, a small smile warming her eyes. "I want to love her."

Lillian scoffs low in her throat. "You're too old to be play the love sick teenager. Or have you forgotten what happened last time?"

Kara watches Lena hold her mother's gaze, something heavy passing between them, inscrutable to anyone else. But Lena holds her ground, and surprisingly, Lillian is the one to back down.

"Then what would you suggest?"

"Like you said-- we give them something else to talk about." Lena swallows, but forges ahead. "I have some new material, I can perform it live in Paris."

Lillian purses her lips, but doesn't smack down the idea. She considers it, her gaze calculating. "And you two?"

"We do what we want," Lena delivers firmly. "No statement, no confirmation or denial. Let people see interpret it however they want. However they need."

Kara thinks of the young fans, isolated in their orientations or identities, seeing themselves reflected in their favorite artist. The gift that would be, the vote of confidence needed to dream of a future where what Lena and Kara share might be theirs.

Lillian shoots Kara a hard glare. "And you? It's your family in the crossfire if this idea goes to shit."

"Then it goes to shit, and we deal with it."

It might be selfish of her, but in all of their conversations, neither Alex or Kelly have suggested backing off. They spoke only of adapting, of overcoming, and Kara knows she has their unspoken support. And even now, being talked down to and chided, she feels happier sitting next to Lena in this moment than she has in years.

Lillian barely contains her snort of derision.

"Very well," she concedes, with a sharp note of criticism. Then she turns from them entirely to speak with Mercy in low tones.

Kara takes advantage of the moment to lean closer to Lena, murmuring in her ear.

"I want to go to Paris with you."

Lena blinks at her. "You don't have to--"

"Would you feel better if I were there?" Kara asks bluntly. Lena deflates a little, but this time in relief rather than shame.

"Yeah."

"Then let me come." Kara gives Lena's hand a squeeze, and is rewarded with a tired smile. "You're not alone in this."

"Okay," Lena says, her smile deepening into a challenge. "Let's bring it."

[dcbnam-aep]

ok im just here to say that young percy is so perfect like kudos to whoever organised casting for finding two little blonde boys with identical sad puppy dog eyes who look like they’re ready to (quite literally) bear the weight of the world on their shoulders.

[magicalbuzz]

Faye changing lives 👁️🫦👁️

(my edit; credit if used ✍🏽)

[the-chandrian]

My word of the day....Crave. Stay tuned for more.

[uncharted-territory1]

Just here to wish you goodnight

[biantianyang]

This beefleaf tweet has been stuck in my head for like a year

[joelmillermylove]

I just imagine being out with Joel and are friends. Him randomly whisper spicy things in my ear, Knowing it will make me blush and giggle. Then at dinner putting his hand on my thigh moving his hand dangerously high under the table making me shoot a look at him and him just smirking. 😏

[darth-grips]

People who age down Din for pre-ANH DinLuke fics because of the age gap.... I'm not saying anything about it per se, you can certainly do whatever you want forever but meanwhile HanLeia is sitting pretty with an even bigger age gap than DinLuke and everyone just ignores that LMFAO

[wintergreenoreo]

Lance begging Fernando to be the little spoon for just one night and when he finally agrees Lance snuggles and holds him like a little stuffed animal. Fernando huffs and groans about it but he secretly loves it especially the warmth that it gives him.