#full-frame mirrorless camera

[toya-matsuzawa]

13.カメラを始める際、単焦点レンズが最適な理由/Why a single focal length lens is the best way to begin your photographic journey.

カメラを始める際、単焦点レンズはフォトグラファーとしてのスキルを磨くのに理想的な選択肢です。この記事では、なぜ単焦点レンズが最適なのか、私の経験をもとにNikonZシリーズを例に挙げてご紹介します。 When beginning with a camera, a single focal length lens is an ideal choice to hone your skills as a photographer. In this article, I will show you why a single focal length lens is the best choice, using the Nikon Z series as an example based on my experience. 綺麗に��るなら単焦点/Single focal length for…

[metropolitant]

NIKON Z6III: THE ULTIMATE FULL-FRAME MID-RANGE CAMERA

[grandstores]

Nikon Full Frame Mirrorless Camera for Photography - Grand Stores

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[shampoo1234ghgdc]

SROPX MINI Full HD 1080P CCTV WiFi IP Camera with Night Vision, Motion Detection Sports and Action Camera  (Black, 12 MP)3174 Ratings & 8 ReviewsSpecial price₹799₹2,49968% off

[skmalik0089]

Canon EOS R6 Full-Frame Mirrorless Camera with 4K Video, Full-Frame CMOS Senor, DIGIC X Image Processor, Dual UHS-II SD Memory Card Slots, and Up to 12 fps with Mechanical Shutter, Body Only, Black

High Image Quality featuring a New 20 Megapixel Full-frame CMOS Sensor.

DIGIC X Image Processor with an ISO range of 100-102400; Expandable to 204800.

High-speed continuous shooting of up to 12 fps with Mechanical Shutter and up to 20 fps electronic (silent) shutter.

Dual pixel CMOS AF covering approx. 100% area with 1,053 AF areas.

Subject tracking of people and animals using deep learning technology.

Video capture resolution: 4K UHD 2160p 

[karingottschalk]

Panasonic North America on the Lumix S5 II for Videographers. And Cinematographers For That Matter

Panasonic North America on the Lumix S5 II for Videographers. And Cinematographers For That Matter

[oscconfessions]

Happy Star and Exclamation Mark are smooching behind the scenes.

Now, you may be thinking something along the lines of "TheFourFan on Tumblr.com, what the fuck.", which I don't blame you for thinking, without context, I too would assume this was some sort of joke. But I must inform you all of the things I witnessed Sunday evening at 8:24 P.M.

Let me set the scene for a moment: I was relaxing in my room, watching Happy Star's Guide to Object Shows on my phone and Animatic Battle on my Kindle Fire at the exact same time because I'm chronically online and have an extreme addiction to object shows. I had been doing that for the past 13 hours, just mindlessly consuming as much OSC content as one human could ever possibly conceive to satiate my burning passion for object shows.

However, my OSC watching streak was abruptly broken when Happy Star and Exclamation Mark leaped out of both of my screens and began to passionately make out right then and there on my carpeted floors, directly in front of me and my Four, X, Paintbrush, and Airy plushies. It was incredibly sloppy and I'm 99% sure there was some crazy tongue action going on. They were so gay that my room became instantly tinted with the colors of the gay flag. They were so gay that the massive rainbow pride flag hanging on my wall immediately became a straight flag, as Happy Star and Exclamation Mark had completely absorbed all the gayness out of it during their homosexual make out session. They were so gay that homophobia went extinct.

I pulled out my Panasonic Lumix S5M2X Full Frame Mirrorless Camera with 20-60mm Lens Demo and recorded their make out session as proof that my crosship was actually canon and I wasn't crazy. The footage was 2 hours, 56 minutes, 18 seconds, and 55 milliseconds long. I was about to upload the video to Tumblr but then the camera INSTANTLY exploded, killing everyone on planet Earth. I'm currently writing this in the hfjONE waiting room as we speak.

I swear this all happened guys trust me bro

.

[residentshitcunt]

The funniest thing for me personally, coming out of all the James Somerton shit, is the camera choises that he made. I've seen a couple of his more recent videos, there is nothing there that requires spending more than a couple of grand max on a complete camera rig. If what you do is sit in front of a stationary background in controlled lighting and talk at the camera, you can make that work with fucking 8-bit footage (I wouldn't for the sake of flexibility, but it's very doable), keeping in mind it's gonna compress down to a garbage-fire bitrate for streaming. And you go from a Ursa Mini Pro G2 to an FX6? When you're supposedly running out of money? Everything about an FX6 is more money. You need FF glass, you probably want AF lenses, probably mirrorless ones too (no sigma 18-35 1.8 for full frame), and for what, slightly better low light performance (not an issue on a professional set, most cine cams shoot at low EI values) and AF, which again isn't an issue shooting with cine lenses because they don't have fucking AF motors. "I wAnT tO sHoOt AnAmOrPhIc" buy a flare filter and crop your footage and spend the money you saved hiring people to do what actually needs to be done to make a good film, which doesn't involve blowing your budget on camera gear.

[libraford]

I will NOT throw $3000ish on a new mirrorless full frame camera just because I have a little bit saved....

...but I WILL wait two years for the newer model to come out and the price drops. >____>

[sirfrogsworth]

For a few months I have been searching for my "endgame" speakers. Something in the realm of affordability that I could get and they would be my speakers for the rest of my life.

I used to do this as a hypothetical exercise even though there wasn't really any chance I could afford endgame speakers. But the research and getting into the details and tech and nerdery was relaxing for me.

Now there is a chance I could actually save money in the near future. And the only fancy things I've ever really wanted are a full-frame mirrorless camera and no-compromise speakers.

No "best bang for the buck" options.

No "these are great... for the price."

I want speakers where I would say, "Anything better would just be overpriced diminishing returns."

That's the dream.

I don't think those goals are too frivolous or unreasonable. I guess also a new computer whenever mine becomes obsolete. But I don't think that will be for a long time.

In any case, I'm pretty sure these Arendal 1723s might be my forever speakers.

They tick pretty much every box. I needed something a certain size that could handle certain frequencies and could be easily calibrated.

And I think the white satin is very classy.

There may come a day when I can actually start saving money for things. And I imagine these could take a long time to save for. I'd want to put a sum away for emergencies and then a percentage of that for my forever speakers.

I am hoping I can just save and save so I don't have to worry about money ever again. I'll probably have to figure out what people do with saved money. I've never even had a savings account before. And for the last 20 years or so, I don't think I've had more than $2000 at any one time.

In fact, I wasn't allowed to.

That said, I am trying not to get my hopes up. This is still a hypothetical exercise and I am not spending money before I have it. I won't get a decision for 4 months and while my chances are good... shit happens. I am also preparing for the possibility of appeals and whatnot. I am not going to count on it as a certainty.

But yeah, look at that pretty speaker. Isn't it neat?

[michaelwriston]

Hey Micheal what camera would you reccomend to some one starting out taking photos & what’s your set up?

Hey!

I'm a firm believer in buying an inexpensive DSLR or mirrorless setup with interchangeable lenses. You don't have to break the bank on a starter setup — just focus on buying a camera with a robust selection of first- and third-party lenses.

My usual advice is to start simple and only upgrade gear once you run into a physical or technical limitation that stops you from realizing your vision. For example, if you're not getting the shallow depth of field you want with your current lens and body, then maybe it's time to consider buying a lens with a larger maximum aperture (e.g., f/1.8 or f/1.4).

I started out with a Nikon D50 and a Nikkor 50mm f/1.8. That served me well for nearly five years, before I started running into technical limitations with the sensor that made shooting night photos difficult. That's when I switched to shooting medium format film for a spell, before ultimately settling on a full-frame Canon digital body. All-in-all, that experimentation period took about 17 years (I'm still not done).

That said, shop used for your first camera. Places like KEH or MPB have a great selection of tested and used gear. I personally shop from MPB. Here are a few great beginner full-frame camera bodies. I'll break out lenses later on in this post.

Why full frame? I think you get superior image quality, better depth of field, better image resolution for printing, and phenomenal dynamic range.

Canon EOS 5D Mark III ($714)

Nikon D750 ($774)

Canon 6D Mark II ($884)

Nikon D810 ($819)

Anyone of these are going to get the job done and then some.

The world of lenses is complicated and varied. You'll have “prime purists” that will tell you to eschew zoom lenses and only shoot prime (a lens with no zoom capabilities). You'll have people that say longer telephotos are all you need. The truth is, you'll find your niche the more you shoot. I prefer prime lenses for their simplicity (and the less I have to think about, the better).

I'll break these out by purpose.

Portraiture

Canon EF 85mm f/1.8 ($259)

Canon EF 50mm f/1.8 ($134)

Nikkor 85mm f/1.8 ($184)

Nikkor 50mm f/1.8 ($78)

Landscapes

Canon EF 24mm f/2.8 IS ($294)

Nikkor AF 24mm f/2.8 ($134)

Multipurpose

Canon EF-S 18-55mm f/3.5-f/5.6 IS STM ($54)

Nikon AF-P DX Nikkor 18-55mm f/3.5-5.6G ($73)

I could go on and on, but this is enough to get you a start in the right direction.

If I were to put together a beginner kit with the above options, I would snatch up the Canon 5D Mark III with the Canon 50mm f/1.8 and the Canon EF 24mm f/2.8 IS. Total cost before taxes and shipping would be $1,142. You would have an incredibly flexible kit that lends itself to portraiture, landscapes, and street work, all for the same price as a new “prosumer” kit with only one lens from Amazon or other big box stores. If you don't know which direction you want to go, or you want to save on cost, there's nothing wrong with swapping out the two primes and grabbing the 18-55mm kit lens for next to nothing. That will at least let you dabble with different focal lengths and see what suits you.

I'm happy to answer any other questions here!

P.S. I shoot with a Canon EOS 6D Mark I and usually have a Sigma 35mm f/1.4 lens mounted on it for street portrait/street landscape work. My other carry-around camera is a Ricoh GR III.

[monsterkong]

Chasing Dreams and Starry Skies: How a Vintage Camera Setup Changed My Life

🎞️ The A7 and a New Beginning

In 2014, the photography world was abuzz with excitement over the release of the original A7. As someone who had always been intrigued by photography, I knew this was a camera I had to own. I managed to find one second-hand for about $600—a small price to pay for what would become the catalyst for a life-changing journey.

What made the A7 so special wasn’t just its mirrorless technology; it was the fact that I could pair it with vintage lenses. I picked up some Minolta lenses from the 80s—24mm, 50mm, and 35mm, all f/1.4. With an adapter, these lenses fit perfectly on my A7, giving me a full-frame setup that was both powerful and affordable. It wasn’t just about capturing images; it was about connecting with the history and craftsmanship of photography.

💫 Falling in Love with Astrophotography

My journey into photography took a significant turn when I discovered astrophotography. I remember scrolling through 500px and Pinterest, completely mesmerized by the images of the Milky Way. These were scenes I had never seen with my own eyes, and the idea that a camera could capture such beauty was mind-blowing.

I decided to try my hand at astrophotography, though my first attempt was far from perfect. England’s light pollution was a formidable opponent, and the reservoir where I set up my camera didn’t provide the dark skies I needed. The horizon was orange, the sky was a peculiar shade of purple, and while there were a few stars, it wasn’t the image I had envisioned. But that first experience sparked something in me—a passion that would only grow stronger with time.

🎓 A Crossroads: From Design to Photography

At the time, I was studying design at university, and my final year project was an ambitious one—a bicycle light for city use. I was so invested in this project that I quit my job to focus on developing the product. But as time went on, I realized just how difficult it was to launch a tech product. Crowdfunding wasn’t bringing in the money I needed, and after about a year, I began to lose faith in the project.

Finding yourself at a crossroads is never easy, especially when your passion and your career are on the line. I had to make a choice—return to the safety of a design job or take a leap of faith into photography, a field I was passionate about but had little experience in. After much consideration, I chose photography.

📈 The Instagram Era: A New Frontier

By 2018, Instagram was becoming the go-to platform for photographers. The early days of Instagram were filled with opportunities—post a photo, and if it got picked up by a feature page, you could wake up to thousands of new followers. It was an exciting time to be in the photography world, and I was eager to carve out my own space.

But the road wasn’t easy. I had to navigate the challenges of building a career in photography, from learning the ins and outs of the industry to finding my unique voice. Every challenge was a lesson, and every lesson brought me closer to where I wanted to be.

Today, I’m proud of the journey I’ve taken, the risks I’ve embraced, and the passion that continues to fuel my love for photography. And while the path was never straightforward, it was always worth it. Here’s to the journey, the stars, and the stories yet to be told. 🌟

[grandstores]

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At Grand Stores, we're committed to helping you make the most of your travel adventures. With our selection of essential travel accessories, you can travel with confidence, knowing that you have everything you need for a memorable journey. Shop online today at https://shop.grandstores.ae/ and start planning your next adventure in style!

[bestmytv]

Looking for the Best Camera for Video? These Are the Top Choices for 2025!

In 2025, the world of videography continues to evolve, with cameras becoming more powerful, portable, and capable of capturing breathtaking footage. Whether you're a professional filmmaker, a content creator, or an amateur enthusiast, choosing the right camera for video is essential. With so many options on the market, it can be overwhelming to determine which one is best suited to your needs.

This guide will walk you through the best cameras for video in 2025, from cutting-edge mirrorless models to professional-grade cinema cameras. We’ll explore the standout features, performance, and price points of each, so you can make an informed decision and start shooting high-quality videos.

1. Why Choosing the Right Camera Matters

When it comes to videography, not all cameras are created equal. The best camera for video needs to offer crisp image quality, smooth frame rates, and advanced video-centric features like high dynamic range, autofocus, and stability. It’s important to know what to look for, whether it’s 4K/8K resolution, fast autofocus, or professional-grade audio options.

Key factors to consider:

Resolution: The higher the resolution, the sharper the footage.

Frame Rate: Higher frame rates ensure smoother motion, especially for action shots.

Low-Light Performance: Cameras with great ISO performance will excel in darker environments.

Stabilization: In-body or lens stabilization can make or break handheld shots.

Lens Compatibility: Choosing a system with versatile lenses is crucial for different shooting needs.

2. Sony Alpha 1 – The All-in-One Powerhouse

Sony continues to dominate the camera market, and in 2025, the Sony Alpha 1 is still one of the best cameras for video enthusiasts and professionals alike. With 8K recording capabilities at 30 fps, this mirrorless camera is a beast in terms of video performance. Its Real-time Eye AF for video ensures that subjects stay sharp even in fast-moving environments.

Key features:

8K 30fps and 4K 120fps video recording.

15-stop dynamic range for rich details in highlights and shadows.

Full-frame sensor for superior low-light performance.

Dual CFexpress card slots for extended recording times.

3. Canon EOS R5C – The Hybrid Marvel

For those who want a camera that excels in both photography and video, the Canon EOS R5C is a top choice in 2025. It offers cinema-grade video performance with 8K RAW recording and comes with advanced cooling for extended video shoots. The R5C bridges the gap between Canon's cinema line and its mirrorless systems, making it perfect for hybrid shooters.

Key features:

8K RAW at 30fps and 4K 120fps.

Dual Pixel CMOS AF for incredibly fast autofocus.

C-Log 3 for extended dynamic range in post-production.

Compact and lightweight design ideal for on-the-go shoots.

4. Panasonic Lumix GH7 – The Best for Content Creators

For content creators who need a more budget-friendly option that doesn’t compromise on quality, the Panasonic Lumix GH7 is a go-to camera. Known for its Micro Four Thirds sensor, the GH7 offers excellent video performance in a compact form factor. It’s perfect for vloggers, YouTubers, and those who need a camera that can shoot high-quality video without the bulk of larger systems.

Key features:

6K video recording at 30fps.

5-axis in-body stabilization for smooth handheld shots.

10-bit 4:2:2 internal recording for professional-grade video quality.

Versatile, lightweight design ideal for travel and vlogging.

5. Blackmagic URSA Mini Pro 12K – The Cinema King

When it comes to professional cinema cameras, the Blackmagic URSA Mini Pro 12K is a game-changer in 2025. Offering 12K resolution, this camera provides an unmatched level of detail for film and high-end production work. With RAW recording and color science, it’s the ideal choice for filmmakers who need the best in image quality and post-production flexibility.

Key features:

12K Super 35 sensor with 14 stops of dynamic range.

Built-in ND filters for shooting in various lighting conditions.

Dual CFast and SD card slots for extended recording.

Blackmagic RAW format for ultimate flexibility in post.

6. Fujifilm X-H2 – The Stylish Performer

For videographers who love Fujifilm’s color science, the Fujifilm X-H2 is a standout model in 2025. It offers 8K video recording in a stylish and retro-inspired design, making it a great choice for videographers and photographers alike. With its APS-C sensor, the X-H2 delivers excellent detail while remaining compact.

Key features:

8K video recording at 30fps and 4K at 120fps.

F-Log2 for a higher dynamic range.

Film Simulation modes for unique color profiles straight out of the camera.

In-body stabilization for steady handheld footage.