#fuck google tumblr will tell me-

[hugh-lauries-bald-spot]

re: Acadian: it's been a decade+ since I learned this stuff in history classes, but if memory serves, basically Acadian culture developed out of French settlements in the Maritime provinces ("Acadia" being a colony at one point). so, distinct from Québécois culture. and as governmental rule changed with English domination, there was the Great Expulsion, where tons of Acadians were forceably resettled. a good many ended up in Louisiana, and "Cajun" comes from the mixing of Creoles and les Acadiens (highlighting so you can see the sonic morphology). there are still Acadian communities in the Maritimes tho (I think mostly in New Brunswick?)

whatever people are saying about your accent may well be BS, but the "3 different answers" to what Acadian even is may be because Acadian culture has these diverging histories

ahhh merci merci!! thats interesting and much more clear cause no matter how many sites i read i was basically given "its sorta france 400 years ago, the maritimes now, and quebecish" and those are such wildly different accents that i was even more lost than before! i've never been to the maritime provinces, but i hear if you only speak quebecois french good fucking luck speaking acadian.

and i was looking at different sort of pronunciation differences in acadian french (mainly the 'ou' versus 'o' sounds) and whatever the bally hell ive got going on and ive concluded: yeah the person who told me i speak acadian french didnt know what it meant or not fully

most people say my french isnt distinctly from anywhere, theres a bit of mix and match pronunciation from france and quebec and my beloved anglicismes <3 it definitely leans more quebecois tho

thank you for taking the time to explain that, its very helpful /gen!!

[anominous-user]

Double Indemnity, Veritas Ratio and Aventurine

This was originally a part of my compilation post as a short analysis on the Double Indemnity references, linking to this great thread by Manya on Twitter. However, I've recently watched the movie and found that the parallels run much deeper than just the mission name and the light cone itself, plus as the short synopsis I've read online. Since there isn't really an in-depth attempt at an analysis on the film in relation to the way Aventurine and Ratio present themselves throughout Penacony, I thought I'd take a stab at doing just that. I will also be bringing up things from Manya's thread as well as another thread that has some extra points.

Disclaimer that I... don't do analyses very often. Or write, in general — I'm someone who likes to illustrate their thoughts (in the artistic sense) more than write. There's just something about these two that makes me want to rip into them so badly, so here we are. If there's anything you'd like to add or correct me on, feel free to let me know in the replies or reblogs, or asks. This ended up being a rather extensive deep dive into the movie and its influences on the pairing, so please keep that in mind when pressing Read More.

There are two distinct layers on display in Ratio and Aventurine's relationship throughout Penacony, which are references to the two most important relationships in the movie — where they act like they hate/don’t know each other, and where they trust each other.

SPOILER WARNING for the entire movie, by the way. You can watch the film for free here on archive.org, as well as follow along with the screenplay here. I will also be taking dialogue and such from the screenplay, and cite quotes from the original novel in its own dedicated section. SPOILER WARNING for the Cat Among Pigeons Trailblaze mission, as well.

CONTENT WARNING FOR MENTIONS OF SUICIDE. YOU HAVE BEEN WARNED.

To start, Double Indemnity (1944) is a film noir by Billy Wilder (and co-written by Raymond Chandler) based on the novel of the same name by James M. Cain (1927). There are stark differences between the movie adaptation and the original novel which I will get into later on in this post, albeit in a smaller section, as this analysis is mainly focused on the movie adaptation. I will talk about the basics (summaries for the movie and the game, specifically the Penacony mission in tandem with Ratio and Aventurine) before diving into the character and scene parallels, among other things.

—

[THE NAME]

The term "double indemnity" is a clause in which if there’s a case of accidental death of a statistically rare variety, the insurance company has to pay out multiple of the original amount. This excludes deaths by murder, suicide, gross negligence, and natural causes.

The part of the mission in Cat Among Pigeons where Ratio and Aventurine meet with Sunday is named after the movie. And before we get further into things, let's get this part out of the way: The Chinese name used in the mission is the CN title of the movie, so there's no liberties taken with the localization — this makes it clear that it’s a nod to the movie and not localization doing its own thing like with the mission name for Heaven Is A Place On Earth (EN) / This Side of Paradise (人间天堂) (CN).

—

[SUMMARY OF THE 1944 MOVIE]

Here I summarised the important parts that will eventually be relevant in the analysis related to the game.

Insurance salesman Walter Neff, wounded from a gunshot, enters his office and confesses his crime on a dictaphone to his boss Barton Keyes, the claims manager. Much earlier, he had met Phyllis Dietrichson, the wife of Mr. Dietrichson and former nurse. Neff had initially wanted to meet Mr. Dietrichson because of car insurance. Phyllis claims her husband is mean to her and that his life insurance goes to his daughter Lola. With Neff seduced by Phyllis, they eventually brew up a scheme to murder Mr. Dietrichson in such a way that they activate the "double indemnity" clause, and the plan goes off almost perfectly. Initially, the death is labeled a suicide by the president of the company, Norton. 

Keyes finds the whole situation suspicious, and starts to suspect Phyllis may have had an accomplice. The label on the death goes from accidental, to suicide, to then murder. When it’s ruled that the husband had no idea of the accidental policy, the company refuses to pay. Neff befriends Phyllis’ stepdaughter Lola, and after finding out Phyllis may have played a part in the death of her father’s previous wife, Neff begins to fear for Lola and himself, as the life insurance would go all towards her, not Phyllis.

After the plan begins to unravel as a witness is found, it comes out that Lola’s boyfriend Nino Zachette has been visiting Phyllis every night after the murder. Neff goes to confront Phyllis, intending to kill her. Phyllis has her own plans, and ends up shooting him, but is unable to fire any more shots once she realises she did love him. Neff kills her in two shots. Soon after telling Zachette not to go inside the house, Neff drives to his office to record the confession. When Keyes arrives, Neff tells him he will go to Mexico, but he collapses before he could get out of the building.

—

[THE PENACONY MISSION TIMELINE]

I won’t be summarising the entirety of Aventurine and Ratio’s endeavours from the beginning of their relationship to their final conversation in Heaven Is A Place On Earth the same way as I summarised the plot of the movie, so I will instead present a timeline. Bolded parts means they are important and have clear parallels, and texts that are in [brackets] and italics stand for the names of either the light cone, or the mission names.

[Final Victor] Their first meeting. Ratio’s ideals are turned on its head as he finally meets his match.

Several missions happen in-between their first encounter and the Penacony project. They come to grow so close and trusting with each other that they can guess, understand each other’s thoughts, way of thinking and minds even in high stakes missions. Enough to pull off the Prisoner’s Dilemma (Aventurine’s E1) and Stag Hunt Game (Aventurine’s E6) and come out on top.

Aventurine turns towards Ratio for assisting him in the Penacony project. Ratio's involvement in the project is implied to be done without the knowledge of Jade, Topaz, and the IPC in general, as he was only sent to Penacony to represent the Intelligentsia Guild, and the two other Stonehearts never mention Ratio.

Aventurine and Ratio cook up the plan to deceive Sunday before ever setting foot on Penacony. Aventurine does not tell Ratio the entirety of his plan.

Aventurine convinces Topaz and Jade to trust him with their Cornerstones. Aventurine also breaks his own Cornerstone and hides it along with the jade within a bag of gift money.

[The Youth Who Chase Dreams] They enter Penacony in the Reverie Hotel. Aventurine is taken to the side by Sunday and has all his valuables taken, which includes the gift money that contains the broken aventurine stone, the jade, and the case containing the topaz.

Aventurine and Ratio speak in a “private” room about how Aventurine messed up the plan. After faking an argument to the all-seeing eyes of Sunday, Ratio leaves in a huff.

Ratio, wearing his alabaster head, is seen around Golden Hour in the (Dusk) Auction House by March 7th.

[Double Indemnity] Ratio meets up with Sunday and “exposes” Aventurine to him. Sunday buys his “betrayal”, and is now in possession of the topaz and jade. Note that this is in truth Ratio betraying Sunday all along.

Ratio meets up with Aventurine again at the bar. Ratio tells Aventurine Sunday wants to see him again.

They go to Dewlight Pavilion and solve a bunch of puzzles to prove their worth to Sunday.

They meet up with Sunday. Sunday forces Aventurine to tell the truth using his Harmony powers. Ratio cannot watch on. It ends with Aventurine taking the gift money with his Cornerstone.

[Heaven Is A Place On Earth] They are in Golden Hour. Ratio tries to pry Aventurine about his plan, but Aventurine reins him in to stop breaking character. Ratio gives him the Mundanite’s Insight before leaving. This is their final conversation before Aventurine’s grandest death.

Now how exactly does the word “double indemnity” relate to their mission in-game? What is their payout? For the IPC, this would be Penacony itself — Aventurine, as the IPC ambassador, handing in the Jade Cornerstone as well as orchestrating a huge show for everybody to witness his death, means the IPC have a reason to reclaim the former prison frontier. As for Ratio, his payout would be information on Penacony’s Stellaron, although whether or not this was actually something he sought out is debatable. And Aventurine? It’s highly implied that he seeks an audience with Diamond, and breaking the Aventurine Cornerstone is a one way trip to getting into hot water with Diamond. With Aventurine’s self-destructive behaviour, however, it would also make sense to say that death would be his potential payout, had he taken that path in the realm of IX.

Compared to the movie, the timeline happens in reverse and opposite in some aspects. I will get into it later. As for the intended parallels, these are pretty clear and cut:

Veritas Ratio - Walter Neff

Aventurine - Phyllis Dietrichson

Sunday - Mr. Dietrichson

There is one other character who I feel also is represented in Ratio, but I won’t bring them up until later down the line.

For the sake of this analysis, I won’t be exploring Sunday’s parallel to Mr. Dietrichson, as there isn’t much on Dietrichson’s character in the first place in both the movie and the novel. He just kind of exists to be a bastard that is killed off at the halfway point. Plus, the analysis is specifically hyper focused on the other two.

—

[SO, WHAT’S THE PLAN?]

To make things less confusing in the long run whenever I mention the words “scheme” and “plan”, I will be going through the details of Phyllis and Neff’s scheme, and Aventurine and Ratio’s plan respectively. Anything that happens after either pair separate from another isn’t going to be included. Written in a way for the plans to have gone perfectly with no outside problems.

Phyllis and Neff —> Mr. Dietrichson

Goal: Activate the double indemnity clause by killing Mr. Dietrichson and making it look like a freak train accident

Payout: Twice or more of the face value of the life insurance ($100,000)

Main Actor: Walter Neff    |    Accomplice: Phyllis Dietrichson

During the entire time until the payout, Phyllis and Neff have to make sure to any outsiders that they look like complete strangers instead of lovers in an affair.

Step-by-step:

Neff convinces Mr. Dietrichson to sign the policy with the clause without him suspecting foul play, preferably with a third party to act as an alibi. This is done discreetly, making Mr. Dietrichson not read the policy closely and being told to just sign.

Neff and Phyllis talk to each other about small details through the phone (specified to be never at Phyllis’ own house and never when Neff was in his office) and in the marketplace only, to make their meetings look accidental. They shouldn’t be seen nor tracked together, after all.

Phyllis asks Mr. Dietrichson to take the train. She will be the one driving him to the train station.

On the night of the murder, after making sure his alibi is airtight, Neff sneaks into their residence and hides in their car in the second row seating, behind the front row passenger seat. He wears the same colour of clothes as Mr. Dietrichson.

Phyllis and Mr. Dietrichson get inside the car — Phyllis in the driver’s seat and Mr. Dietrichson in the passenger seat. Phyllis drives. On the way to the train station, she makes a detour into an alley. She honks the horn three times.

After the third honk, Neff breaks Mr. Dietrichson’s neck. The body is then hidden in the second row seating under a rug.

They drive to the train station. Phyllis helps Neff, now posing as Mr. Dietrichson, onto the train. The train leaves the station.

Neff makes it to the observation platform of the parlour car and drops onto the train tracks when nobody else is there.

Phyllis is at the dump beside the tracks. She makes the car blink twice as a signal.

The two drag Mr. Dietrichson’s corpse onto the tracks.

They leave.

When Phyllis eventually gets questioned by the insurance company, she pretends she has no idea what they are talking about and eventually storms off.

Phyllis and Neff continue to lay low until the insurance company pays out.

Profit!

Actual Result: The actual murder plan goes almost smoothly, with a bonus of Mr. Dietrichson having broken a leg. But with him not filing a claim for the broken leg, a witness at the observation platform, and Zachette visiting Phyllis every night after the murder, Keyes works out the murder scheme on his own, but pins the blame on Phyllis and Zachette, not Neff.

Now for Aventurine and Ratio. You can skip this section if you understand how deep their act goes, but to those who need a refresher, here’s a thorough explanation:

Aventurine and Ratio —> Sunday

Goal: Collect the aventurine stone without Sunday knowing, ruin the dream (and create the grandest death)

Payout: Penacony for the IPC, information on the Stellaron for Ratio, a meeting with Diamond / death for Aventurine

Main Actor: Aventurine    |    Accomplice: Veritas Ratio

From the moment they step onto Penacony, they are under Sunday’s ever present and watchful eyes. “Privacy” is a foreign word to The Family. They have to act like they don’t like each other’s company the entire time and feed Sunday information through indirect means so that the eventual “betrayal” by Ratio seems truthful to Sunday. Despite what it looks like, they are closer than one would ever think, and Ratio would never sell out a person purely for information.

Step-by-step:

After Sunday takes away the bag of gift money and box, Aventurine and Ratio talk in a room in the Reverie Hotel.

Aventurine establishes the Cornerstones’ importance, and how he lost the gift money and the case containing the Cornerstones to Sunday. Ratio turns to leave, saying “some idiot ruined everything”, meaning the Cornerstones were vital to their plan. (Note that Ratio is not wearing his alabaster head while saying it to said “idiot”.)

Aventurine then proceeds to downplay the importance of the Cornerstones, stating they are “nothing more than a few rocks” and “who cares if they are gone”. This lets Sunday know that something suspicious may be going on for him to act like it’s nothing, and the mention of multiple stones, and leaves him to look up what a Cornerstone is to the Ten Stonehearts of the IPC.

Ratio points out his absurd choice of outfit, mentioning the Attini Peacock and their song.

Ratio implies that without the aventurine stone, he is useless to the IPC. He also establishes that Aventurine is from Sigonia(-IV), and points out the mark on his neck. To Sunday, this means that Aventurine is shackled to the IPC, and how Aventurine may possibly go through extreme lengths to get the stone back, because a death sentence always looms above him.

Aventurine claims Ratio had done his homework on his background, which can be taken that this is their very first time working together. (It isn’t, and it only takes one look to know that Aventurine is an Avgin because of his unique eyes, so this comment does not make sense even in a “sincere” way, a running theme for the interaction.)

Ratio mentions how the true goal is to reclaim Penacony for the IPC, establishing their ulterior motive for attending the banquet.

Ratio asks if Aventurine went to pre-school in Sigonia after saying trust was reliant on cooperation. Aventurine mentions how he didn’t go to school and how he doesn’t have any parents. He even brings up how friends are weapons of the Avgins. This tells Sunday that the Avgins supposedly are good at manipulation and potentially sees Ratio possibly betraying Aventurine due to his carelessness with his “friends”. Sunday would also then research about the Avgins in general (and research about Sigonia-IV comes straight from the Intelligentsia Guild.)

Ratio goes to Dewlight Pavilion in Sunday’s Mansion and exposes a part of Aventurine’s “plan”. When being handed the suitcase, Ratio opens it up due to his apparent high status in the IPC. He tells Sunday that the Cornerstone in the suitcase is a topaz, not an aventurine, and that the real aventurine stone is in the bag of gift money. This is a double betrayal — on Aventurine (who knows) and Sunday (who doesn’t). Note that while Ratio is not officially an IPC member in name — the Intelligentsia Guild (which is run by the IPC head of the Technology Department Yabuli) frequently collaborates with the IPC. Either Aventurine had given him access to the box, or Ratio’s status in general is ambiguous enough for Sunday not to question him further. He then explains parts of Aventurine’s gamble to Sunday in order to sell the betrayal. Note that Ratio does not ever mention Aventurine’s race to Sunday.

Ratio brings Aventurine to Sunday. Aventurine offers help in the investigation of Robin's death, requesting the gift money and the box in return.

Sunday objects to the trade offer. Aventurine then asks for just the bag. A classic car insurance sales tactic. Sunday then interrogates Aventurine, and uses everything Ratio and Aventurine brought up in the Reverie Hotel conversation and their interactions in the Mansion, as well as aspects that Ratio had brought up to Sunday himself.

Aventurine feigns defeat and ignorance enough so that Sunday willingly lets him go with the gift bag. After all is said and done, Aventurine leaves with the gift money, where the Aventurine Cornerstone is stored all along.

Ratio and Aventurine continue to pretend they dislike each other until they go their separate ways for their respective goals and plans. Aventurine would go on to orchestrate his own demise at the hands of Acheron, and Ratio… lurks in the shadows like the owl he is.

Profit!

Actual Result: The plan goes perfectly, even with minor hiccups like Ratio coming close to breaking character several times and Aventurine being sentenced to execution by Sunday.

This is how Sunday uses the information he gathered against Aventurine:

• Sunday going on a tirade about the way Aventurine dresses and how he’s not one to take risks — Ratio’s comment about Aventurine’s outfit being peacock-esque and how he’s “short of a feather or two”. • “Do you own a Cornerstone?” — Ratio talked about the aventurine stone. • “Did you hand over the Cornerstone to The Family when you entered Penacony?” — Aventurine mentioned the box containing the Cornerstones. • “Does the Cornerstone you handed over to The Family belong to you?” — Aventurine specifically pluralized the word Cornerstone and “a bunch of rocks” when talking to Ratio. • “Is your Cornerstone in this room right now?” — The box in the room supposedly contained Aventurine’s own cornerstone, when Aventurine mentioned multiple stones. • “Are you an Avgin from Sigonia?” —Aventurine mentioned that he’s an Avgin, and Ratio brought up Sigonia. • “Do the Avgins have any ability to read, control, and manipulate one’s own or another’s minds?” — Aventurine’s comment on how friends are weapons, as well as Sunday’s own research on the Avgins, leading him to find out about the negative stereotypes associated with them. • “Do you love your family more than yourself?” — His lost parents. “All the Avgins were killed in a massacre. Am I right?” — Based on Sunday’s research into his background. • “Are you your clan’s sole survivor?” — Same as the last point. “Do you hate and wish to destroy this world with your own hands?” — Ratio mentioned the IPC’s goal to regain Penacony, and Aventurine’s whole shtick is “all or nothing”. • “Can you swear that at this very moment, the aventurine stone is safe and sound in this box?” — Repeat.

As seen here, both duos have convoluted plans that involve the deception of one or more parties while also pretending that the relationship between each other isn’t as close as in reality. Unless you knew both of them personally and their histories, there was no way you could tell that they have something else going on. 

On to the next point: Comparing Aventurine and Ratio with Phyllis and Neff.

—

[NEFF & PHYLLIS — RATIO & AVENTURINE]

With the short summaries of the movie and the mission out of the way, let’s look at Phyllis and Neff as characters and how Aventurine and Ratio are similar or opposite to them.

Starting off with Aventurine and Phyllis. Here is where they are the most similar:

Phyllis is blonde and described as a provocative woman. Aventurine is also a blond and eyes Ratio provocatively in the Final Victor light cone.

Phyllis was put under surveillance after Keyes starts figuring out that the so-called accidental death/suicide may have been a murder after all. Similarly, Aventurine was watched by Sunday the entire time in Penacony.

Phyllis never tells Neff how she's seeing another man on the side to possibly kill him too (as well as how she was responsible for the death of her husband‘s previous wife). Aventurine also didn't tell Ratio the entirety of his plan of his own death.

Phyllis puts on a somewhat helpless act at first but is incredibly capable of making things go her way, having everything seemingly wrapped around her finger. Aventurine — even when putting on a facade that masks his true motives — always comes out at the top.

Now the differences between Aventurine and Phyllis:

Phyllis does not care about her family and has no issue with killing her husband, his previous wife, and possibly her daughter Lola. Opposite of that, Aventurine is a family man… with no family left, as well as feeling an insane level of survivor’s guilt.

Really, Phyllis just… does not care at all about anyone but herself and the money. Aventurine, while he uses every trick in the book to get out on top, does care about the way Jade and Topaz had entrusted him with their Cornerstones, in spite of the stones being worth their lives. 

Phyllis also uses other people to her advantage to get what she wants, often behind other people's backs, with the way she treats Neff and Zachette. Aventurine does as well (what with him making deals with the Trailblazer while also making a deal with Black Swan that involves the Trailblazer). The difference here is Phyllis uses her allure deliberately to seduce men while Aventurine simply uses others as pawns while also allowing others to do the same to himself.

Phyllis makes no attempt at compromising the policy when questioned by Norton. Aventurine ends up compromising by only taking the gift money (which is exactly what he needs).

The wig that Barbara Stanwyck (the actress of Phyllis) wore was chosen to make her look as “sleazy” as possible, make her look insincere and a fraud, a manipulator. A sort of cheapness. Aventurine’s flashy peacock-esque outfit can be sort of seen as something similar, except the outfit isn’t cheap.

Moving on to Ratio’s similarities to Neff… There isn’t much to extrapolate here as Ratio is more of a side character in the grand scheme of Penacony, however this is what I’ve figured out.

Neff has dark hair. Ratio has dark purple hair.

Neff almost never refers to Phyllis by her name when speaking with her, only as “baby”. The few times he refers to her as Phyllis or Mrs. Dietrichson is during their first conversations and when he has to act like he doesn’t know her. Ratio never calls Aventurine by his name when he’s around him — only as “gambler”, sometimes “damned” or “dear” (EN-only) gambler. Only in the Aventurine's Keeping Up With Star Rail episode does Ratio repeatedly say his name, and yet he still calls him by monikers like “gambler” or, bafflingly, a “system of chaos devoid of logic”.

Both Neff and Ratio committed two betrayals: Neff on Mr. Dietrichson and Keyes, and Ratio on Sunday and Aventurine. With the former cases it was to reach the end of the trolley line, and with the latter it was on a man who had put his trust in him.

As for the differences…

Neff is described as someone who’s not smart by his peers. Ratio is someone who is repeatedly idolised and put on a pedestal by other people.

Neff is excellent at pretending to not know nor care for Phyllis whenever he speaks about her with Keyes or when he and she are in a place that could land them in hot water (the office, the mansion when there are witnesses). His acting is on the same level as Phyllis. With Ratio it’s… complicated. While he does pull off the hater act well, he straight up isn’t great at pretending not to care about Aventurine’s wellbeing.

Instead of getting his gunshot wound treated in the hospital like a normal person, Neff makes the absolutely brilliant decision of driving to his office and talking to a dictaphone for hours. Needless to say, this is something a medical doctor like Ratio would never do.

Now here's the thing. Though it's very easy to just look at Phyllis and Neff in the movie and go "okay, Aventurine is Phyllis and Ratio is Neff — end of story" and leave it at that, I find that they both take from the two leads in different ways. Let me explain. Beginning with Aventurine and Neff…

Neff is the one who hatches the plan and encourages Phyllis to go through and claim the double indemnity clause in the first place. He is also the key player of his own risky plan, having to fake being the husband to enter the train as well as fake the death. Aventurine puts himself at great risk just by being in Sunday’s presence, and hoping that Sunday wouldn’t figure out that the green stone he had uncovered wasn’t the aventurine stone.

Adding onto the last point, Neff had fantasised about pulling off the perfect murder for a long time — the catalyst was simply him meeting Phyllis. Aventurine presumably sought out Ratio alone for his plan against Sunday.

Neff makes a roulette wheel analogy and talks about a pile of blue and yellow poker chips (the latter in the script only). I don‘t even have to explain why this is relevant here. (Aventurine’s Ultimate features a roulette wheel and the motif is on his belt, thigh strap, and back, too. And of course, Aventurine is all about his chips.)

Neff has certain ways to hide when he’s nervous, which include hiding his hands in his pockets when they were shaking, putting on glasses so people couldn’t see his eyes. Aventurine hides his left hand behind his back when he’s nervous: Future Aventurine says that "they don't know the other hand is below the table, clutching [his] chips for dear life", and in multiple occasions such as the Final Victor LC, his character trailer, and even in his boss form in the overworld you can see that Aventurine hides his left hand behind his back. And he is also seen with his glasses on sometimes.

Neff says a bunch of stuff to make sure that Phyllis acts her part and does not act out of character (i.e. during their interactions at the market), like how Aventurine repeatedly tries to get Ratio back on track from his subpar acting.

Neff is always one step ahead of the game, and the only reason the plan blows up in his face is due to outside forces that he could not have foreseen (a witness, Keyes figuring out the plan, the broken leg). Aventurine meanwhile plays 5D chess and even with the odds against him, he uses everything he can to come out on the top (i. e. getting Acheron to kill him in the dream).

Even after coming home on the night of the murder, Neff still felt that everything could have gone wrong. Aventurine, with his blessed luck, occasionally wavers and fears everything could go wrong whenever he takes a gamble.

Neff was not put under surveillance by Keyes due to him being extensive with his alibi. After witnessing Robin’s death with eyewitnesses at the scene, the Family had accepted Aventurine’s alibi, though he would be under watch from the Bloodhounds according to Ratio.

Neff talks about the entire murder scheme to the dictaphone. Aventurine during Cat Among Pigeons also retells his plan, albeit in a more convoluted manner, what with his future self and all.

Continuing with Ratio and Phyllis, even with their personalities and motivations being quite different, they do have a few commonalities.

Phyllis was a nurse. Ratio is a medical doctor.

Her name is Greek of origin. Veritas Ratio, though his name is Latin, has Greco-Roman influences throughout his entire character.

The very first scene Phyllis appears in has her wearing a bath towel around her torso. Ratio loves to take baths to clear his mind.

Phyllis was instructed by Neff to be at the market every morning at eleven buying things. Ratio is seen in an auction house with his alabaster head on so no one could recognize him.

Phyllis mostly acts as an accomplice to the scheme, being the one to convince her husband to take the train instead. She is also generally seen only when Neff is involved. Ratio plays the same role as well, only really appearing in the story in relation to Aventurine as well as being the accomplice in Aventurine’s own death. Even him standing in the auction house randomly can be explained by the theory that he and Aventurine had attempted to destabilise Penacony’s economy through a pump and dump scheme.

With these pointers out of the way, let’s take a closer look at select scenes from the film and their relation to the mission and the pair. 

—

[THE PHONE CALL — THE REVERIE HOTEL]

Before the murder, there is a scene with a phone call between Phyllis and Neff discussing the plan while Keyes is in the same room as Neff. Neff has to make sure that Keyes doesn’t think of anything of the phone call, so he acts like he’s calling a “Margie”, and says a bunch of stuff that sounds innocent out of context (“Can’t I call you back, ‘Margie’?” “What color did you pick out?” “Navy blue. I like that fine”), but are actually hinting at the real plan all along (the suit that Mr. Dietrichson wears.)

In a roundabout way, the conversation between Ratio and Aventurine in the Reverie Hotel can be seen as the opposite of that scene — with the two talking about their supposed plan out loud on Penacony ground, a place where the Family (and in turn, Sunday) has eyes everywhere. Despite being in a “private” room, they still act like they hate each other while airing out details that really do not make sense to air out if they really did meet the first time in Penacony (which they didn’t — they’ve been on several missions beforehand). It’s almost like they want a secret third person to know what they were doing, instead of trying to be hushed up about it. The TVs in the room that Sunday can look through based on Inherently Unjust Destiny — A Moment Among The Stars, the Bloodhound statue that disappears upon being inspected, the owl clock on the left which side eyes Ratio and Aventurine, all point to that Sunday is watching their every move, listening to every word.

Rewinding back to before the phone call, in one of the encounters at the marketplace where they “accidentally” run into each other, Phyllis talks about how the trip was off. How her husband wouldn’t get on the train, which was vital for their plan, because of a broken leg. All this, while pretending to be strangers by the passersby. You could say that the part where Ratio almost leaves because Aventurine had “ruined the plan” is the opposite of this, as the husband breaking his leg was something they couldn’t account for, while Aventurine “being short of a few feathers” was entirely part of the plan.

—

[QUESTIONING PHYLLIS — THE INTERROGATION]

This section is going to be a little longer as I will cover two scenes in the movie in a more detailed manner — Mr. Dietrichson signing the policy, and Phyllis being questioned — and how they are represented in the Sunday-Aventurine interrogation and the prior conversation between Ratio and Sunday in multitudes of ways.

Going about their plan, Neff has to make sure that Mr. Dietrichson signs the policy with the double indemnity clause without him knowing the details, all the while having Phyllis (and Lola) in the same room. He and Phyllis have to pretend that they don’t know each other, and that this is just the standard accidental insurance process, instead of signing what would be his downfall. To sell it, he gets Mr. Dietrichson to sign two “copies” of the form, except with Mr. Dietrichson’s second signature, he’s duped into signing the accident insurance policy with the respective clause.

You can tie this to how Ratio goes to Sunday in order to “expose” the lie that the suitcase didn’t actually contain the Aventurine Cornerstone, as well as there being more than one Cornerstone involved in the scheme. Ratio must make sure that Sunday truly believes that he dislikes Aventurine’s company, while also making sure that Sunday doesn’t figure out the actual aventurine stone is broken and hidden in the gift bag. The scheme turns out to be successful, as Sunday retrieves the two Cornerstones, but not the aventurine stone, and truly does think that the green stone he has in his possession is the aventurine.

This whole scene with Sunday is also reminiscent of the interrogation scene in the middle of the movie, where Phyllis was questioned by the boss (Norton) who was deducing that Mr. Dietrichson's death was a suicide, not accidental death. Neff, Phyllis, Keyes and Norton were all in the same room, and Neff and Phyllis had to act like they never knew the other. Phyllis acts like she knows nothing about what Norton insinuates about her husband and eventually, Phyllis explodes in anger and storms out the room, even slamming the door. Her act is very believable to any outsider.

Now back to the Ratio and Sunday conversation. One glaring difference between the movie and here is that his acting isn’t great compared to either Phyllis nor Neff. It never was throughout the Penacony mission. He even comes very close to breaking character several times, and is even defending Aventurine in a somewhat aggressive manner during his one-on-one conversation with Sunday, as in he literally tells Sunday to see a shrink. It’s very different from the way he was acting in Herta Space Station — like Ratio cares about Aventurine too much to keep his hands off.

It's also worth pointing out that Neff doesn't speak a word when Phyllis was being interrogated. Similarly, Ratio is silent throughout the entire scene with Sunday and Aventurine, with his only “line” being a “hm”. When Aventurine calls him a wretch to his face, all he does is look to the side. In fact, he can only look at Aventurine when the other isn’t staring back. Almost like him uttering a single word would give them away. Or his acting is terrible when it has to do with Aventurine, as he has no issue doing the same thing in Crown of the Mundane and Divine (Mundane Troubles).

So, Sunday finds out about the Cornerstones and reveals them to Aventurine, and reasons that he cannot give them back to him because Aventurine had lied. Note that in that same scene, Aventurine attempted to use the two murders that had occurred beforehand against Sunday to retrieve his own cornerstone. Similarly, when it was revealed that Mr. Dietrichson did not know about the accident policy and that the so-called “accidental death” was not, in fact, accidental, the insurance company refused to pay out the money.

Unlike the movie, this was all planned, however. The double-crossing by Ratio, the gift money being the only thing required for Aventurine’s real plan. All of it was an act of betrayal against Sunday, in the same manner as the meticulous planning as Mr. Dietrichson’s murder — To sign the policy, get him to take the train, kill him on the way, and to have Neff pose as the husband on the train until the time is right to get off and lay the body on the tracks. A key difference is that they could not have expected their scheme to be busted wide open due to forces outside of their control, while Ratio and Aventurine went straight down the line for the both of them no matter what.

From here on out, we can conclude that the way Ratio and Aventurine present themselves in Penacony to onlookers is in line with Neff and Phyllis.

—

[“GOODBYE, BABY” — FINAL VICTOR]

And now for the (in)famous light cone, Final Victor. The thing that truly kickstarted the Ratio and Aventurine ship in the fanbase, and the partnership between the two in general. It’s a direct reference to the final confrontation between Neff and Phyllis in the movie.

I’ll fire through all the similarities between the two scenes.

During the respective scenes, Aventurine and Phyllis both outsmart their partner one way or the other: Aventurine with his one-sided game of Russian Roulette, and Phyllis hiding her gun underneath the cushions until Neff turned away.

The guns are owned by Phyllis and Aventurine, not Neff and Ratio.

Phyllis couldn’t bring herself to fire any more shots after she realised she truly did love Neff. Ratio could do nothing but watch as Aventurine did what he did — he couldn’t even pull away if the LC animation is anything to go by him struggling as Aventurine firmly keeps the gun to his chest.

Neff says he doesn’t buy (believe) that Phyllis loved him. She then goes “I’m not asking you to buy […]”. The LC description has Aventurine ask Ratio “You don’t believe me?”, while in the LC animation Ratio straight up says “You expect me to believe you?” and Aventurine answering “Why not, doctor/professor?”

The visual composition of the LC and the scene are nearly identical, from the lighting to the posing to the way Aventurine looks at Ratio — Aventurine and Ratio are even wearing different outfits to fit the scene better. The background in the LC is also like the blinders in the movie, just horizontal.

In the shot where Phyllis’ face is more visible, the way she looks at Neff is strikingly like the way provocatively looks at Ratio. Even their eyes have a visible shine — Phyllis’ eyes brightly shining the moment she realised she really fell in love with Neff, and Aventurine having just a little light return to his eyes in that specific moment.

And now the differences!

Neff holds the gun in his right hand. Aventurine makes Ratio hold his gun in his left.

Neff is the one who takes the gun from Phyllis‘ hand. Aventurine is the one who places the gun in Ratio’s hand and fires it.

Three gunshots are fired. In the movie, Phyllis shoots the first shot and Neff the second and third. Aventurine unloads the gun and leaves only one bullet for this game of Russian Roulette. He pulls the trigger three times, but they all turn out to be blanks.

Phyllis does not break her façade of not smiling until the very last moment where she gets shot. Aventurine is smiling the entire time according to the light cone description, whilst in the animation, it’s only when he guides the gun to his chest that he puts it on.

So, you know how Neff meets Phyllis and it all goes off the rails from there. The way Neff goes from a decent guy to willingly involve himself in a murder scheme, having his morals corrupted by Phyllis. His world having been turned upside down the moment he lays eyes on Phyllis in that first meeting. Doesn’t that sound like something that happened with the Final Victor LC? Ratio, a man all about logic and rationality — a scholar with eight PhDs to his name — all of that is flipped on its head the moment Aventurine pulls out his gun in their first meeting and forces Ratio to play a game of Russian roulette with him. Aventurine casually gambles using his own life like it’s nothing and seemingly without fear (barring his hidden left hand). All or nothing — and yet Aventurine comes out alive after three blanks. Poetic, considering there’s a consumable in the game called “All or Nothing” which features a broken chess piece and a poker chip bound together by a tie. The poker chip obviously represents the gambler, but the chess piece specifically stands for Ratio because he plays chess in his character trailer, his Keeping Up With Star Rail episode and his introduction is centred around him playing chess with himself. Plus, the design of the chess piece has golden accents, similar to his own chess set. In the end, Aventurine will always be the final victor.

Furthermore, Neff had deduced that Phyllis wanted to kill her husband and initially wanted no part in it, but in a subsequent visit it was his own idea that they trigger the double indemnity clause for more money. As the movie progresses though, he starts to have his doubts (thanks in part to him befriending Lola) and makes the move to kill Phyllis when everything starts to come to light. It’s strikingly similar to how Ratio initially wanted no part in whatever Aventurine had in mind when they first met, but in the subsequent missions where they were paired up, he willingly goes along with Aventurine's risky plans, and they come to trust each other. Enough so that Aventurine and Ratio can go to Penacony all on their own and put on an act, knowing that nobody in the IPC other than them can enter the Dreamscape. The mutual respect grew over time, instead of burning passionately before quickly fizzling out like in the movie.

Basically, in one scene, three shots (blanks) start a relationship, and in the other, it ends a relationship. In the anan magazine interview with Aventurine, he says himself that “form[ing] an alliance with just one bullet” with Ratio was one of his personal achievements. The moment itself was so impactful for both parties that it was immortalised and turned into a light cone.

—

[THE ENDING — GOLDEN HOUR]

The ending of Double Indemnity that made it into the final cut has Neff continue his confession on the dictaphone until he realised that he wasn’t alone in the room. Keyes had come inside at some point, but none had said a thing, only listening to a dead man speak of his crime. When Neff sees Keyes, they talk for a moment, Neff says he plans on fleeing to Mexico. Keyes does not think he will make it. He tries to leave, only to collapse at the front of the elevator, Keyes following just behind him. Neff attempts to light a cigar but is too weak to do so, so Keyes does it for him.

Parts of the ending can still be attributed to the interrogation scene between Sunday and Aventurine, so I’ll make this quick before moving on to the conversation in Heaven Is A Place On Earth, Ratio and Aventurine’s final conversation together. Once Sunday mentions how quickly Aventurine gave up the suitcase, he inflicts the Harmony’s consecration on him, which forces Aventurine to confess everything that Sunday asks of. In a way, it’s the opposite of what happens in the movie — where Neff willingly tells the truth about the murder to his coworker. Aventurine does not like Sunday, and Neff is close to Keyes. Ratio also does not speak, similarly to how Keyes didn’t speak and stood silently off to the side.

Post-interrogation in Golden Hour, Ratio worriedly prods at Aventurine and asks him about his plan. He then gives him the Mundanite’s Insight with the Doctor’s Advice inside when Aventurine tells him to leave. Throughout Heaven Is A Place On Earth, Aventurine gets weaker and his head starts to buzz, until he falls to the ground before he can hand in the final gems. Similarly, Neff progressively grows weaker as he records his confession. Keyes says he’s going to call a doctor and Neff says he’s planning to go to Mexico. And when Neff collapses near the elevator, they talk one final time and Keyes lights Neff’s cigar as the other was too weak to do so himself.

—

[OPPOSITE TIMELINES AND DEVELOPMENTS]

Remember how I said the way certain events happen in the movie and the game are mostly opposite and reverse of one another? 

The Final Victor LC is the first meeting of Ratio and Aventurine, and Neff killing Phyllis is their final meeting.

Between that first and last meeting between Phyllis and Neff’s whirlwind romance, their relationship becomes strained which ultimately leads to Neff not trusting whatever Phyllis has to say at the end point of the movie. As for Ratio and Aventurine, the exact opposite had happened, to the point where Ratio trusts Aventurine enough to go along with his plans even if they went against his own ideals. The basis of the mission involved Veritas Ratio, whose full name includes the Latin word for “truth”, lying the entire time on Penacony.

Aventurine is sentenced to the gallows by Sunday after his unwilling interrogation. The movie starts and ends with Neff willingly confessing everything to Keyes.

It bears repeating, but I have to make it so clear that the trust between Ratio and Aventurine runs incredibly deep. Being able to predict what your partner says and thinks and plans in a mission as critical as the Penacony project is not something first-time co-workers can pull off flawlessly. All the while having to put on masks that prevent you from speaking sincerely towards one another lest you rat yourselves out. You have no way of contacting outside reinforcements from within Penacony, as the rest of the IPC are barred from entering. To be able to play everybody for fools while said fools believe you yourselves have handed your case on a silver platter requires a lot — trust, knowledge of the other, past experience, and so on. With Phyllis and Neff, the trust they had had been snuffed out when Neff grew closer to Lola and found out what kind of person Phyllis truly was on the inside. Phyllis did not trust nor love Neff enough and was going behind his back to meet with Zachette to possibly take Neff and Lola out. And the whole reason Neff wanted to perpetrate the murder was due to him being initially taken by Phyllis' appearance, which single handedly got the ball rolling on the crime.

Now then, how come trust is one of the defining aspects of Aventurine and Ratio’s relationship, when Phyllis and Neff’s trust eventually lead to both their deaths at the hands of the other? Sure, this can be explained away with the opposite theory, but there’s one other relationship involving Neff which I haven’t brought up in excruciating detail yet. The other side of Ratio and Aventurine’s relationship.

—

[NEFF & KEYES — AVENTURINE & RATIO]

Here is where it gets more interesting — while Phyllis and Neff are at the centre point of the movie, there is another character to whom Neff has a close relationship with — Keyes. It’s also the only relationship with no pretences, at least, until the whole murder thing happened and Neff had to hide his involvement from Keyes. Watching the movie, I couldn't help but feel there was something more to the two than meets the eye. I knew that queer readings of the film existed, but I didn't think too much of them until now. And though Aventurine and Ratio parallel Phyllis and Neff respectively, the fact that they also have traits of their opposite means that it wouldn’t be completely out of the question if parts of their relationship were also influenced by Keyes and Neff on a deeper and personal level. Let me explain.

Keyes and Neff were intimate friends for eleven years and have shown mutual respect and trust towards one another. They understood each other on a level not seen with Phyllis and Neff. Even after hearing Neff confess his crimes through the dictaphone (and eventually standing in the same room while Neff confessed), he still cared for the other man, and stayed with him when Neff collapsed at the front door. The only reason Keyes hadn’t deduced that it was Neff who was behind the murder was because he had his absolute trust in him. Keyes is also Neff’s boss, and they are always seen exchanging playful banter when they are on screen together. Neff even says the words “I love you, too” twice in the movie — first at the beginning and second at the end, as the final line. There’s also the persistent theme of Neff lighting Keyes’ cigarettes (which happens in every scene where they are face-to-face), except in the end where it’s Keyes who lights Neff’s.

Doesn’t that sound familiar? Mutual respect, caring too much about the other person, the immense amount of trust… Ratio says he’s even the manager of the Penacony project (which may or may not be a lie), and despite their banter being laced with them acting as “enemies”, you can tell that in Dewlight Pavilion pre-Sunday confrontation that Aventurine genuinely likes Ratio’s company and believes him to be a reliable person. From the way he acts carefree in his words to the thoughts in his head, as seen in the mission descriptions for Double Indemnity. Their interactions in that specific mission are possibly the closest thing to their normal way of speaking that we get to see on Penacony.

Not to mention, this is the way Neff describes Keyes. He even says (not in the script) “you never fooled me with your song and dance, not for a second.” Apart from the line about the cigar ashes, doesn’t this ring a bell to a certain doctor? “Jerk” with a heart of gold?

After solving the puzzle with the statues, Ratio jokingly offers Aventurine to join the Genius Society. Aventurine then goes "Really? I thought you’ve given up on that already", and then Ratio says it was, in fact, a joke. Solving the puzzle through brute force has Ratio telling Aventurine that the Council of Mundanites (which Ratio himself is a part of) should consider him a member. In the movie, where the scene with the phone call with Neff and Phyllis reiterating details of their plan happens, Keyes actually offered Neff a better job (specifically a desk job, as Keyes’ assistant). The two pairs saw the other as smart, equals, and were invested in each other’s careers one way or another.

Because of all this, the character parallels for this side of the relationship are as follows:

Aventurine - Walter Neff

Veritas Ratio - Barton Keyes

With the way I’ve talked about how Aventurine and Ratio take from both leads in terms, it does fit to say that Aventurine is Neff, and Ratio is Keyes in this layer of their relationship. Since we’re on the topic of Keyes, let me also go through some similarities with him and Ratio specifically.

Keyes says the words “dimwitted amateurs” in his first on-screen conversation with Neff. You can’t have Dr. Ratio without him talking about idiocy in some way.

Keyes almost only appears in the movie in relation to Neff, and barring a single interaction in Neff’s house, is also only seen in the office. Same with Phyllis, Ratio also only ever appears regarding Aventurine.

Keyes genuinely wanted the best for Neff, even offering to celebrate with him when he thought the case truly had been busted wide open by forces when Zachette entered the picture. You could say the same for Ratio, as he hoped that Aventurine wouldn’t dwell on the past according to his response on Aventurine’s Interview, as well as telling him to “stay alive/live on (CN)” and wishing him the best of luck in his Doctor’s Advice note.

Whether or not you believe that there was more going on with Neff and Keyes is up to you, but what matters is that the two were very close. Just like Ratio and Aventurine.

—

[THE ORIGINAL FILM ENDING]

Something that I hadn’t seen brought up is the original ending of Double Indemnity, where Neff is executed in a gas chamber while Keyes watches on, shocked, and afterwards leaves somberly. The ending was taken out because they were worried about the Hays Code, but I felt it was important to bring it up, because in a way, you can kind of see the Sunday interrogation scene as Sunday sending Aventurine to his death in seventeen system hours. And Ratio doesn’t speak at all in that scene, and Keyes doesn’t either according to the script.

Another thing that’s noteworthy is that Wilder himself said “the story was about the two guys” in Conversations with Wilder. The two guys in question are Keyes and Neff.

—

[THE NOVEL]

With the original film ending covered, now it is time to bring up the novel by James M. Cain. I bought the book just to read about the differences between the adaptation and the original source material, and to list a few more similarities and opposites I could gather. For this section alone, due to the changes in the (last) names of certain characters, I will be referring to Walter Huff (Neff in the movie) as Walter, and Mr. Dietrichson as Nirdlinger. The plot is pretty much the same as the movie’s apart from a couple of changes so there isn’t a need to recount everything.

From my two read-throughs of the novel, these are the following passages that stood out to me the most. Starting with Aventurine:

Walter, as a top businessman of the company, knows how to sway a deal and to get what he truly wants with what the other gives him. Aventurine is the same, reliant on his intuition, experience and whatever information he has on the table to claim the win. Him luring out Sparkle in Heaven Is A Place On Earth and his conversation with Acheron in the Nihility is indicative of that.

• "But you sell as many people as I do, you don't go by what they say. You feel it, how the deal is going. And after a while I knew this woman didn't care anything about the Automobile Club. Maybe the husband did, but she didn't. There was something else, and this was nothing but a stall. I figured it would be some kind of a proposition to split the commission, maybe so she could get a ten-spot out of it without the husband knowing. There's plenty of that going on. And I was just wondering what I would say to her." 

Phyllis, like in the movie, had been hiding her true intentions of talking to Walter in their first conversations, always saying things that she didn’t actually mean. In a similar vein, Aventurine consistently says stuff but almost never truly means any of it, which is all part of his façade.

• "And I could feel it again, that she wasn't saying what she meant. It was the same as it was the first afternoon I met her, that there was something else, besides what she was telling me. And I couldn't shake it off, that I had to call it on her."

When discussing the murder plan with Phyllis, Walter makes this comment, kind of like how Aventurine seems to operate in a way where he has a plan, but is ready to improvise and think fast when needed.

• "And then it's one of those things where you've got to watch for your chance, and you can't plan it in advance, and know where you're going to come out to the last decimal point."

Remember the roulette wheel line from the movie? In the novel, the gambling metaphor that Walter makes about the insurance business goes on for two paragraphs, mentioning a gambling wheel, stack of chips, a place with a big casino and the little ivory ball, even about a bet on the table. Walter also talks about how he thinks of tricks at night after being in the business for so long, and how he could game the system. Needless to say, insanely reminiscent of Aventurine.

• "You think I’m nuts? All right, maybe I am. But you spend fifteen years in the business I’m in, and maybe a little better than that, it’s the friend of the widow, the orphan, and the needy in time of trouble? It’s not. It’s the biggest gambling wheel in the world. It don’t look like it, but it is, from the way they figure the percentage on the oo to the look on their face when they cash your chips. You bet that your house will burn down, they bet it won’t, that’s all. What fools you is that you didn’t want your house to burn down when you made the bet, and so you forget it’s a bet. To them, a bet is a bet, and a hedge bet don’t look any different than any other bet. But there comes a time, maybe, when you do want your house to burn down, when the money is worth more than the house. And right there is where the trouble starts." • "Alright, I’m an agent. I’m a croupier in that game. I know all their tricks, I lie awake thinking up tricks, so I’ll be ready for them when they come at me. And then one night I think up a trick, and get to thinking I could crook the wheel myself if I could only put a plant out there to put down my bet." • "I had seen so many houses burned down, so many cars wrecked, so many corpses with blue holes in their temples, so many awful things that people had pulled to crook the wheel, that that stuff didn’t seem real to me anymore. If you don’t understand that, go to Monte Carlo or some other place where there’s a big casino, sit at a table, and watch the face of the man that spins the little ivory ball. After you’ve watched it a while, ask yourself how much he would care if you went out and plugged yourself in the head. His eyes might drop when he heard the shot, but it wouldn’t be from the worry whether you lived or died. It would be to make sure you didn’t leave a bet on the table, that he would have to cash for your estate. No, he wouldn’t care."

Returning home from the murder, Walter attempted to pray, but was unable to do it. Some time passed and after speaking to Phyllis, he prayed. Aventurine presumably hadn’t done the prayer ever since the day of the massacre, and the first time he does it again, he does it with his child self.

• "I went to the dining room and took a drink. I took another drink. I started mumbling to myself, trying to get so I could talk. I had to have something to mumble. I thought of the Lord's Prayer. I mumbled that, a couple of times. I tried to mumble it another time, and couldn't remember how it went." • "That night I did something I hadn’t done in years. I prayed."

Phyllis in the book is much more inclined towards death than her movie version, even thinking of herself as a personification of death. She’s killed ten other people (including infants) prior to the events of the novel. Something to keep in mind as Aventurine had mentioned several times that he attempted to kill himself in the dream, plus his leadup to his “grandest death”. Just like Phyllis, he’s even killed at least a few people before, though the circumstances of that were less on his own volition and more so for the sake of his survival (i.e. the death game in the maze involving the 34 other slaves where he was the winner and another time where he murdered his own master). Instead of Phyllis playing the active role of Death towards everybody else, Aventurine himself dances with Death with every gamble, every time his luck comes into play. Danse Macabre.

• "But there’s something in me, I don’t know what. Maybe I’m crazy. But there’s something in me that loves Death. I think of myself as Death, sometimes." • "Walter, The time has come. For me to meet my bridegroom [Death]. The only one I ever loved."

Moving on to Ratio:

Walter says several times that it’s hard to get along with Keyes, and how he says nice things after getting you all worked up. A hard-headed man to get along with, but damn good at his job. Sound like someone familiar?

• "That would be like Keyes, that even when he wanted to say something nice to you, he had to make you sore first."  • "It makes your head ache to be around him, but he’s the best claim man on the Coast, and he was the one I was afraid of."

Keyes sees Walter as smarter than half the fools in the company. Ratio can only stand the company of Aventurine in regards to the IPC.

• "Walter, I'm not beefing with you. I know you said he ought to be investigated. I've got your memo right here on my desk. That's what I wanted to tell you. If other departments of this company would show half the sense that you show—" • "Oh, he confessed. He's taking a plea tomorrow morning, and that ends it. But my point is, that if you, just by looking at that man, could have your suspicions, why couldn't they—! Oh well, what's the use? I just wanted you to know it."

After going on a rant about the H.S. Nirdlinger case (Phyllis’ husband) and how Norton is doing a horrible job, he ends it by saying that it’s sheer stupidity. “Supreme idiocy”, anybody?

• "You can’t take many body blows like this and last. Holy smoke. Fifty thousand bucks, and all from dumbness. Just sheer, willful, stupidity!"

Phyllis’ former occupation as a nurse is more elaborated on, including her specialization — pulmonary diseases. One of Ratio’s crowning achievements is curing lithogenesis, the “King of Diseases”.

• "She’s one of the best nurses in the city of Los Angeles. […] She’s a nurse, and she specialized in pulmonary diseases. She would know the time of crisis, almost to a minute, as well as any doctor would."

As for the murder scheme, they talk about it a lot more explicitly in the novel. Specifically, Walter mentions how a single person cannot get away with it and that it requires more people to be involved. How everything is known to the party committing the crime, but not the victim. And most importantly: Audacity.

"Say, this is a beauty, if I do say it myself. I didn't spend all this time in the business for nothing, did I? Listen, he knows all about this policy, and yet he don't know a thing about it. He applies for it, in writing, and yet he don't apply for it. He pays me for it with his own check, and yet he don't pay me. He has an accident happen to him and yet he don't have an accident happen to him. He gets on the train, and yet he don't get on it."

"The first is, help. One person can't get away with it, that is unless they're going to admit it and plead the unwritten law or something. It takes more than one. The second is, the time, the place, the way, all known in advance—to us, but not him. The third is, audacity. That's the one that all amateur murderers forget. They know the first two, sometimes, but that third, only a professional knows. There comes a time in any murder when the only thing that can see you through is audacity, and I can't tell you why."

"And if we want to get away with it, we've got to do it the way they do it, […]" "Be bold?" "Be bold. It's the only way."

"I still don't know—what we're going to do." "You'll know. You'll know in plenty of time."

"We were right up with it, the moment of audacity that has to be be part of any successful murder."

It fits the situation that Aventurine and Ratio find themselves in extremely well: For the first point— Aventurine would not be able to get away with simply airing out details by himself, as that would immediately cast suspicion on him. Having another person accompany him who not only isn’t really a part of the IPC in name (as the IPC and The Family have a strenuous relationship) but would probably be able to get closer to Sunday because of that means they can simply bounce off each other without risking as much suspicion with a one-man army. Which is exactly what Ratio and Aventurine do in the conversations they have on Penacony. Secondly — they knew how Sunday operates: as a control freak, he leaves no stone unturned, which is how he became Head of the Oak Family, so their acting required them to give off the impression that a. they hated each other, b. Ratio would go against Aventurine’s wishes and expose him in return for knowledge, c. there were only the two Cornerstones that were hidden. This would give Sunday the illusion of control, and lead to Sunday to lower his guard long enough for Aventurine to take the gift money in the end. The pair knew this in advance, but not Sunday. And thirdly — the plan hinged on a high-level of risk. From breaking the Aventurine Cornerstone, to hoping that Sunday wouldn’t find it in the gift bag, to not telling Ratio what the true plan is (meaning Ratio had to figure it out on his own later on), to Sunday even buying Ratio’s story, it was practically the only way they could go about it. “Charming audacity”, indeed.

An interesting aspect about the novel is that the ending of the novel is divergent from the movie’s final cut and the original ending: Phyllis and Walter commit suicide during a ferry ride to Mexico. The main reason this was changed for the movie was because of the Hays Code, and they wouldn’t allow a double suicide to be screened without reprecussions for criminals. There’s also a bunch of other aspects that differentiate the novel from the movie (no narration-confession as the confession happens in a hospital, less characterization for Keyes and instead a bigger focus on Lola and her boyfriend, the focus on the murderous aspect of Walter and Phyllis’ relationship instead of actual romance, Walter falling in love with Lola (with an unfortunately large age gap attached), etc.)

As for the ending, this wouldn’t even be the first romance media reference related to Aventurine and Ratio where both the leads die, with the other being The Happy Prince and San Junipero (in relation to the EN-only Heaven Is A Place On Earth reference), which I normally would chalk up as a coincidence, though with the opposite line-of-thought I have going on here (and the fact that it’s three out of four media references where the couple die at the end…), I think it’s reasonable to say that Ratio and Aventurine will get that happy ending. Subverting expectations, hopefully.

—

[THE HAYS CODE — LGBT CENSORSHIP IN CHINA]

I’ve brought up the Hays code twice now in the previous two sections, but I haven’t actually explained what exactly it entails.

The Hays Code (also known as the Motion Picture Production Code) is a set of rules and guidelines imposed on all American films from around 1934 to 1968, intended to make films less scandalous, morally acceptable and more “safe” for the general audiences. Some of the “Don’ts” and “Be Carefuls” include but are not limited to…

(Don’t) Pointed profanity

(Don’t) Inference of sex perversion (which includes homosexuality)

(Don’t) Nudity

(Be Careful) Sympathy for criminals

(Be Careful) Use of firearms

(Be Careful) Man and woman in bed together

What does this have to do with a Chinese gacha game released in 2023? If you know a little bit about miHoYo’s past, you would know that pre-censorship laws being upheld to a much stronger and stricter degree, they had no problem showcasing their gay couples in Guns Girl Z (Honkai Gakuen 2/GGZ) and Honkai Impact 3rd, with the main three being Bronya/Seele, Kiana/Mei (admittedly the latter one is a more recent example, from 2023), and Sakura/Kallen. Ever since the Bronya and Seele kiss, censorship in regards to LGBT content ramped up, causing the kiss to be removed on the CN side, and they had to lay low with the way they present two same-sex characters who are meant to be together. They can’t explicitly say that two female or male characters are romantically involved, but they can lace their dynamics with references for those “in the know” — Subtext. Just enough to imply something more but not too much that they get censored to hell and back.

So what I’m getting at is this: The trouble that Double Indemnity had to go through in order to be made while also keeping the dialogue of Phyllis and Neff as flirtatious as they could under the Hays Code among other things is quite similar to the way Ratio and Aventurine are presented as of now. We never see them interact outside of Penacony (at least up until 2.2, when this post was drafted), so we can only infer those interactions specifically until they actually talk without the fear of being found out by Sunday. But, there’s still some small moments scattered here and there, such as when Aventurine goes near Ratio in the Dewlight Pavilion Sandpit, he exclaims that “the view here is breathtaking” (he can only see Ratio’s chest from that distance) and that Ratio could “easily squash [him] with just a pinch”. Ratio then goes “If that is your wish, I will do so without a moment’s hesitation.” Not to mention the (in)famous “Doctor, you’re huge!” quote.

It’s not a coincidence that Ratio and Aventurine have three explicit references to romance media (Double Indemnity, Spellbound, Oscar Wilde’s The Happy Prince), possibly even four if you take the EN-only Heaven Is A Place On Earth as a reference to Black Mirror’s San Junipero. It’s not a coincidence that the storylines or characters of said references parallel the pairing, from surface-level to deep cuts. It’s not a coincidence that the CN voice actors were asked to “tone it down” by the voice director when it came to their chemistry. It’s not a coincidence that Aventurine has only flirted with (three) men throughout Penacony, even referring to a Bloodhound NPC as a “hunk of a man” inside his thoughts, all the while ignoring Himeko and Robin when it came to their looks — women who are known across the cosmos with a myriad of adoring fans. There are so many other so-called “coincidences” related to the two that you could make an iceberg just based on versions 2.0-2.2 as well as content miHoYo themselves have put out on social media. They absolutely knew what they were doing, and were trying to get their point across through subtle means — the extent they went to with the Double Indemnity reference while also keeping it under wraps from a “surface” level point of view is proof of this — the implications are there if you take the time to look for them, and are simply hard to ignore or deny once you do find them.

—

[CONCLUSION]

This was supposed to be short considering the other analyses I’ve seen were also pretty short in comparison, but I couldn’t get the movie out of my head and ended up getting carried away in the brainrot. I hope you could follow along with my line of thinking, even with the absurd length of this post, and the thirty-image limit. I tried to supplement context with some links to videos and wiki pages among other sources wherever I can to get around it.

I will end it with this though — the love in the movie turned out to be fake and a farce, going off track from what was a passionate romance in the beginning because of the murder scheme. Meanwhile, the whole reason why Ratio and Aventurine can pull off whatever they want is because of their immense trust in one another. What was initially shown to be distrust in the Final Victor LC grew into something more, for Ratio, someone who would have never put faith into mere chance and probability before this, put his trust in Aventurine, of all people.

TL;DR — (I get it, it’s over ten thousand words.)

Not only is the relationship between Neff and Phyllis represented in the deception and acting side of Ratio and Aventurine, but the real and trusting side is shown in Neff and Keyes. They have a fascinating, multi-layered dynamic that is extremely fun to pick apart once you realise what’s going on underneath the bickering and “hatred” they display.

Many thanks to Manya again for making the original thread on the movie. I wouldn’t be here comparing the game and movie myself if it weren’t for that.

By the way, I really do believe that Shaoji totally watched this movie at least once and really wanted that Double Indemnity AU for his OCs. I know exactly how it feels.

—

Other points I'd like to mention that didn't fit anywhere else in the main analysis and/or don’t hold much significance, have nothing to do with the Penacony mission, or may even be considered reaching (...if some of the other points weren’t). Just some potentially interesting side bits.

Phyllis honks three times to signal Neff to go for the kill. That, and the three gunshots in the confrontation. Aventurine is all about the number three.

The height difference Aventurine and Ratio have going on is close to Phyllis and Neff’s.

Phyllis had killed her husband’s previous wife and went on to marry Mr. Dietrichson, pretty much taking the wife’s place. Aventurine killed his previous master, and had taken certain attributes from him like his wristwatch and the rings on his hand and the “all or nothing” mantra.

When calling Ratio a wretch (bastard), Aventurine smiles for a moment. This is exclusive to the EN, KR and JP voiceovers, as in CN, he does not smile at all. (Most definitely a quirk from the AI they use for lip syncing, but the smile is something that’s been pointed out quite a few times so I thought I’d mention it here.)

Sunday specifically says in the CN version that he knew of Aventurine's plans the moment Aventurine left the mansion, meaning that he realized he had been played the fool the moment Ratio and Aventurine talked in Golden Hour

In the description for the "All or Nothing" consumable, teenage Aventurine says this specific line: "Temptation is a virtue for mortals, whereas hesitation proves to be a fatal flaw for gamblers." According to Ratio, this is Aventurine's motto - he says as such in Aventurine's Keeping Up With Star Rail episode. Note that in the anan interview he explicitly says he does not have a motto, and yet Ratio in the video says otherwise. They definitely have to know each other for a while for Ratio to even know this.

A big reason why Neff even pulled off the murder scheme in the first place was because he wanted to see if his good friend Keyes could figure it out, the Mundane Troubles Trailblaze Continuance showcases Ratio attempting to teach the Herta Space Station researches a lesson to not trust the Genius society as much as they did.

In Keyes’ first scene he’s exposing a worker for writing a policy on his truck that he claimed had burnt down on its own, when he was the one who burnt it down. Ratio gets into an Ace Attorney-style argument with the Trailblazer in Mundane Troubles.

Neff talks repeatedly about how it won’t be sloppy. Nothing weak. And how it’ll be perfect to Phyllis, and how she’s going to do it and he’s going to help her. Doing it right — “straight down the line”. Beautifully ironic, considering what happens in the movie, and even more ironic as Ratio and Aventurine’s scheme went exactly the way they wanted to in the end. Straight down the line.

[or-did-i-dont-didnt-send-it]

Fun fact: McLaren have scored 1102 points from 2021 to the first half of 2024.

Fun fact: 152 of those are Danny Ric. 264 of those are Oscar Piastri. 686 of those are Lando Norris, that’s well over half.

Fun fact: Lando had a 130 point advantage across ‘21-‘22 and has a 140 point advantage across ‘23-‘24 thus far.

Thank you and goodnight.

[bhaal-battle-beer-bard]

Astarion x Tav

📜🪶📜🪶💙🎻🫧🌹🌸🌹🫧🎻💙🪶📜🪶📜

request: for @aristenfromwarsaw

Fangtastic days of our lives

➹summary: a comforting day/evening in the life of Astarion and his love Aristen after post-game settling down, takes an unexpected turn as Astarion while enjoying his new found life and love, sees something of interest…

➹pairing: Spawn Astarion x F!Tav (Aristen by @aristenfromwarsaw)

➹content/tags: fluff, comfort, romance, smuty flirting, fun, slice of life, little tiny bit of angst and guilt

➹word count: 5,036

➹cameos: @evander-jane Devana Lysander @alpydk Ragnar @goromimii @pinkberrytea (by order)

➹a/n: another belated birthday present for @aristenfromwarsaw  Thank you very much for all the great photoshoots you always did for me, just like that. Such things really fill my heart with joy. I hope you like it. Thank you for trusting me with your Tav Aristen. I take writing other OCs really serious, because an OC is very personal thing and it is way harder to get them in character. I used the infos/backstory you gave me once about Aristen for the best I could.

📜🪶📜🪶💙🎻🫧🌹🌸🌹🫧🎻💙🪶📜🪶📜

Fangtastic days of our lives

Teak, mahogany, oakwood, dried tobacco with the hidden essence of vanilla. From somewhere the sweetness of honey and roasted nutmeg.

These were impressions of antique wood, boiling kettles, clanging beer mugs and laughing voices that filled the Elfsong tavern.

It was like a honey-colored, subterranean, starless sea.

A sea of ​​people, scents, voices and music.

A sea of ​​life that would envelop the coming evening when the sun would have completely disappeared, making way for the aurora again after the starry night.

Astarion was acutely aware of his surroundings. Perception meant survival.

But not today…not anymore.

He could simply explore and enjoy his surroundings while he waited for his beloved:

Aristen the storm sorceress and former daughter of Bhaal. She was able to walk in the sun and as a vampire spawn he had to wait until the sun had made the rays that were fatal to him disappear.

That didn't matter to Astarion. He was used to the night.

But he never wanted to go back to that cold, lonely life.

The Sorceress, along with the other companions, had freed him from slavery once and for all. But it was she alone who had given him back the vision of his eyes, of his entire senses. Astarion could sit in the tavern and just be, taking in the surroundings of life.

No more looking for victims. No more fear. Never again.

The Elfsong Tavern was full of life and he was part of it.

So after hundreds of years, Astarion could finally taste life again. See it. Hearing it with his pointy ears and feeling and smelling it warmly with the scent of pumpkin, butterscotch and spicy beer.

A quite pretty bard with white freckly tattoos on her face and braided crimson hair beneath her Tiefling horns played the lyre on the Elfsong stage. Astarion noticed dagger-shaped earrings on her pointed ears. The Avernus fire of her origins blazed in her blue eyes as she sang:

“Empty kisses, shallow words,

Fiery passion only hurts

When the sorrow takes an oblivion hint

Will you cure and begone with the wind…”

Astarion continued to look around while the sadly whispering voice reached his elf ears.

“I hope someone sings a song like that for me too. Such expressions of love really manage to make me weak,” sighed a tall black-haired woman, whose face bore at least as many tales of adventure as freckles.

"Me too. But I really hope that the ballad has a happy ending,” replied a long-haired beauty at her table. The human woman's wavy, light hair framed a gentle face with captivating blue eyes.

“Oh you heard that? Oh no! ", the adventuress, ashamed, put her hands on her head with her side-braided hair and covered cringing with embarrassment one of the green eyes. "I should stop talking loudly to myself."

The other woman laughed a little and her wavy hair swayed on the shoulders of the long, light dress with floral embroidery: “It’s all good. I won’t tell anyone else.”

She winked briefly.

“But tell me…” she took her hands away from her face with the little different eyes, “…you’re not from Baldur’s Gate either, right? You also speak with a different accent than me.”

"Correct. I come from the East..."

“What did she say? Sêlune guide me?”

Astarion was distracted by an almost desperate voice that sounded at least as concentrated and angry as it was beer-soaked.

He saw a barbarian sitting at the next table, holding his beer mug almost too tightly.

The raised dark blonde hair did not distract from the piercings and black war paint, which Lae'zel would certainly have approved of.

“Okay, can I memorize this Sêlune prayer or not?” he muttered to himself and downed the beer in one gulp.

Astarion had seen him before and that evening he had stared at Shadowheart the whole time. Was the barbarian building up – or drinking up - the courage to speak to Shadowheart next time?

The vampire was distracted from the barbarian when a pale woman walked past his table accompanied by a brown-haired man. He noticed them because they both had scars on their faces. But no, that wasn't it at all. Something else drew his attention to them...they smelled somehow, almost reeked of...swamp? No magic.

That same hidden scent of feymagic that came from the black haired adventuress with the freckles.

The woman's pale face was friendly, almost cheerful. She enjoyed the music and the sad ballad. Did she know the feelings and sad love that the Tiefling woman sang about?

Astarion was all the more struck by the face of the dark-clothed man with the scarred hands who accompanied her: he was rigid and joyless and his eyes had an almost malicious shimmer. He didn't seem to suit her. He walked rigidly like an aristocrat or a trained soldier, or was he rigid because of the blade - that was clearly visible to the Rogue - that he wore under his clothes?

The man's gaze fell on the bard's dagger earrings. But not only the brown-haired human looked at the earrings, but also a white-skinned, tall elf who walked behind him. Astarion didn't know what was more noticeable: his large deadly sword, the long white hair, the black tattoos on his face, or...or the earrings in the shape of a dagger that hung from his ears.

He nodded almost imperceptibly to the bard and she returned his nod briefly.

Frowning, Astarion averted his gaze and looked around the taproom.

Many of the guests listened attentively to the ballad. Couples in love held each other tightly and some wiped a tear from their face.

“…in the dark of the night I see your tears

Rubies glisten full of pain

Rage and misery

Don’t get lost in brandy, bergamot and rosemary”

The ballad finished gently and the bard stood up.

"Thanks! And now for the bard duet!”

With a wave of her hand, she invited her partner onto the stage.

Wild white hair adorned the scarred drow face. It looked like survival for Astarion.

She could be young and old at the same time, that's how it was always with the elves. Young pretty faces and centuries behind them. Sorrow, suffering, joy. Everything was possible.

The narrow waist with the subsequent curved hips and thighs with short pants was adorned with a weapon belt with a sword and a flute.

The skilled hand whirled out a shiny silver flute and the duo began to play:

„Two bards do the trick, because bards do it better

Drow or Tiefling, it doesn’t matter

Shiny white hair, or wagging tail

Their persuasion will never fail“

They quickly changed the melancholic mood and the silver flute had a captivating sound, as if it were a homage to a goddess.

“One plays the flute, the other smashes lutes

Buy us a drink and we’ll tell you who is who“

A Tiefling whose rosé colored hair matched her white pink frilly clothing cheered enthusiastically to the tavern song.

Astarion heard her applaud with a giggling laugh. Cute little laughs with a sweet smile upon her light face.

It was that kind of sweet laugh that told the vampire how innocent, unspoiled, kind and naive the person was.

Yes, the delicate Tiefling woman was a sweet, innocent thing, Astarion could tell that with just a sideways glance of his red eyes. The sweet and naive kind of girl that immediately fell for him. Who he easily ensnared and seduced for Cazador. Or was she one of the people he would have avoided because they were so naive...innocent, undeserving of it? He would probably have avoided her if possible because such a sweet, lovely person didn't deserve to fall victim to the vampires.

Astarion closed his eyes briefly and grimaced at the emerging memories that he immediately wanted to repress.

Thanks to his beloved Aristen, he no longer had to do this.

He was free.

Cazador dead.

All of Baldur's Gate saved, saved from the Empire of the Netherbrain and the Mind Flayers.

Yes, thanks to the blonde adventuress whose fate was forever intertwined with his and all her other companions, he had escaped his fate as a slave. Their courage and their determination, with the help of the other fighters, allowed him to defeat Cazador.

But not only that, the storm sorceress had also given him love and patience. And the confidence to be better than Cazador. He didn't need blood-soaked, soul-eating power to be safe, to be worth anything.

Astarion would never have to hurt innocent people against his will again.

All thanks to her.

And yet Aristen did not consider herself to be good, nor to be lovable.

She loathed herself for her actions as a born Bhaalspawn, which she only dimly remembered. No one could hate her more than she hates herself.

And perhaps it was even worse for her, imagining every day what atrocities she had committed in the name of the God of Murder instead of knowing for sure.

She didn't see herself as a lovable hero, a savior. Astarion wished so much that she could see herself through his eyes just once. Then she would finally forgive herself.

The problem was that the sarcastic vampire had never said that to her and perhaps never would. There would always be something gnawing inside him, at his battered heart, that would prevent him from casually revealing his innermost, deepest feelings. What if he did lose her to someone else one day?  If it would not be an arrow or observer to steal her from him? How could he then pretend that his vain heart had not been destroyed for all eternity?

Darkness crossed Astarion's face at all the thoughts and he shook his head with his white curls to drive them away.

Once again he let his gaze wander over the audience, while his pointy elven ears only casually listened to the singing of the bards. It was only thanks to his beloved Aristen that he was able to recognize the diversity of the guests gathered. To be recognized again.

It had once been a faceless mass. At some point, after all the years of slavery under Cazador, the people in the taverns had become nothing more than a uniform mush to him. Victims, cattle like sheep, to his master. Criminals who hurt him and whom he hurt in return and they became victims of the vampire lord.

Dark, blank faces.

Without eyes, without soul. Just like Astarion himself had felt.

But after Aristen came into his life - with the craziest tentacle adventure of his life - everything had gradually changed.

First he recognized her blue eyes, then her face. The smile of her lips plagued by guilt and bloody ghosts of the past. The same smile as his own.

Then he saw all the faces, the people, their stories and lives again.

He saw the colors. The differences and the similarities. He heard the voices, the laughter, the music. He noticed the scents and smells again. Astarion saw joy and life again.

A scent that stood out from the rest of the tavern's smells suddenly tickled Astarion's nose.

Orchid drifted discreetly from the front door.

A slightly tickling shiver ran over the tips of his elf ears, while Astarion was already peering towards the door with large, round eyes.

Like the true epiphany she was, a blonde woman made her way through the elven song. Her appearance truly stood out from the rest of the tavern's audience:

Her delicately pinned hair and a ladylike, sweeping blue dress made her truly look like a lady of name and rank.

Astarion smiled as he looked at Aristen's appearance.

She always made an effort to look chic and beautiful, no matter what the circumstances. Like a true lady who belonged in a ballroom and not a tavern.

A ballroom, not a bhaalroom.

But Aristen loved all facets of life and also sat in the meadow under a tree in the forest with her fancy dress on.

If Astarion had his way, then very soon she would be pressed into the grass beneath him with the dress rumpled.

He chuckled dirtyly to himself as he couldn't help but think of that thought. And before he even thought about the first visit to his grave together, he shook his head and pushed it all away from his white curls.

"Darling..." Astarion stood up after Aristen made her way to him, having spotted him with a smile beaming with joy, "...you give me all sorts of ideas as always."

“What do you mean?” the high elf asked in surprise and blinked in confusion because she couldn’t follow him.

“Nevermind little love,” Astarion grinned mischievously and briefly kissed her delicate hand in greeting. He gently stroked Aristen's hand again as he slowly lowered it.

“The sun has already set enough for you to go out, Astarion,” his lover informed him. She would pick him up when it was safe for him outside.

"I've already run errands from a few merchants," Aristen spoke as the two left the tavern.

"Nice. Then we can now buy the rest together. Have you got everything so far?” asked Astarion.

The blonde nodded as they stepped outside.

Astarion sucked the air outside the elfsong into his lungs. Had breathing changed since he became a vampire? After all, he was undead.

Astarion didn't know. He couldn't remember, it had been too long.

In addition, the past no longer counted - smiling, he glanced furtively at Aristen who was carrying the basket with the purchases - only the present and the future counted.

“Yes, I did the grocery shopping that wasn’t of interest to you,” the blonde laughed and winked knowingly. “There was wonderful blossom honey, I couldn't resist,” enthused the sorceress, rolling her eyes heavenly at the thought of it and licking her lips in anticipation of the taste of the honey.

“Then I can taste it from your lips and tongue,” Astarion whispered seductively.

"What?"

“Oh, nothing…” the pale elf just grinned again.

His pointed ears were suddenly tickled by the brush of her lips as she leaned in very close to him.

“I heard you very well, my dear,” she whispered to him, her blue eyes sparkling meaningfully at him after she leaned back and gave him a knowing smile.

The vampire laughed. It was a serious laugh. It went from its sonorous, seductive, dirty murmur to a deep rumble before dying out in a high-pitched spike.

“I saw such a beautiful pair of earrings in the window at the Glitter Gala,” sighed Aristen languidly after she continued the story.

“So why didn’t you buy it, darling?”

Aristen shook her head: “Because it’s not necessary. I prefer to save our money for important things. After all, magical artifacts are expensive and the most important thing is that we find something that makes you immune to the sun.”

Yes, that was the ambition and current mission of Aristen and Astarion: to find a way for the vampire spawn to walk in the sun again.

Their friends also kept their ears and eyes open.

Gale read every book that might contain useful information.

Shadowheart, as well as Lae'zel on her travels through the astral planes, always sent them messages when they heard about mysterious artifacts.

And Halsin and Jaheira also reached out to all their acquaintances from near and far.

"If you hadn't used so much of our gold to rebuild the city and help its people, then you could afford any jewelry you wanted," Astarion nudged her with his shoulder and winked knowingly. The slightly accusatory tone was just an act.

“You know I wanted to try to somehow make amends for my actions when I was under Bhaal's control. This will never work, I know that. I can't bring back the people I killed. But I can at least try to help those left behind. It's too little. It’s no consolation…but at least it’s something.”

There was sadness in the blonde's voice. The look in her blue eyes was sincere before they slid slightly to the ground.

Astarion didn't like that, so he decided to cover up the whole thing: "I don't know what you're doing with this penance and compensation anyway."

He casually folded his arms behind his head and sounded as indifferent as he could.

“But…” he grinned playfully at the blonde Sorceress, “we could visit The Counting House again with Minsc. Then we have enough money to play benefactors and buy jewelry and beautiful clothes.”

Aristen raised an eyebrow with an amused grin: "You want to volunteer to do something with Minsc, really?"

“Now that you mention it…argh…better not. You may find him amusing, but he's always bursting in to chatter about his hamster at the most inopportune times. The guard almost caught me picking the lock of the Tabernacle when he suddenly stood loudly behind me, screaming my name and his hug almost broke every bone in my body.”

“What did you want at the Stormshore Tabernacle outside of opening hours?” Aristen asked with a raised eyebrow.

“Oh, nothing!” Astarion quickly dismissed the topic. Too fast.

“What’s next on the list for today?”

“We really have to go to the Devil's Fee. It has finally opened since the devastating battle against the Netherbrain and the reprocessing. If there are special artifacts or information about them anywhere, it’s there!”

Astarion nodded eagerly and the two elves walked quickly through the streets of Baldur's Gate.

"Oh no! No no no!” Helsik shouted from afar as her eyes saw Aristen.

The Sorceress blinked in confusion at the violent reaction and she looked around to see if anyone else was behind her, as the shopkeeper thought she might be.

“Not you!”

"I? But…"

“Nothing but!” Helsik cut her off. “After last time, I already told you that it was too hot to be seen with you and that the store was off limits for now. After the fuss you caused with your little friend and the black-haired fuzzy head.”

Astarion grinned briefly. He knew exactly who the saleswoman was talking about. After all, they had learned of Bhaal's daughter's past and how she had been involved in the Grand Design.

“I have new business partners, so I don’t need loud attention, after all, hell operates quietly.”

“We don’t want to cause any problems, I swear!”

The vampire let his eyes wander over the lavish and devilishly mysterious display while Aristen soothed Helsik.

“We just want to buy an artifact or information. Nothing improper, nothing complicated, nothing dangerous. Just good old Mammon.”

“Child, you will never have as much gold as I want from you so that I can burn my fingers again because of you.”

"Are you sure? I'll pay any price...whether it's gold or otherwise. We're just looking for a way to break the vampire curse of being vulnerable to the sun. Please."

Helsik laughed briefly, compassionately, not maliciously: “Deary, at the Devil’s Fee we don’t break curses, it’s more about the other way. That should be clear to you from the name.”

“My Love…” Astarion slowly tore his eyes away from the display cases and stood next to Aristen again, “…let me talk to her. I think I can convince them better with less…emotional involvement based on old stories.”

“Are you sure?” Aristen asked, unconvinced.

“Of course, baby…” he was already pushed the Sorceress toward the exit, “…you go do the other errands in the meantime and leave this to me.”

Aristen left the devilish business and made her way to the large square of the lower city wall. She visited the arms dealers and her thoughts continued to dwell on the fact that if even devils couldn't find a way to free Astarion from his curse, who would?

She would never give up hope. Anyway, Helsik was probably right: if it was about help, then hell wouldn't be a good negotiating partner.

Maybe they should trust in nature, magic and clerics. The gods may not have heard Astarion then, but perhaps they could now request divine intervention?

The vampire could walk in the light of the Moon Maiden, perhaps Dame Aylin and Shadowheart could ask even more of Sêlune. Maybe she could expand her moonlight.

Perhaps…

“STOP IMMEDIATELY!”

Aristen was snapped out of her thoughts and the blacksmith who was stationed across from Sorcerous Sundries just handed her back Astarion's freshly sharpened dagger.

“COME BACK IMMEDIATELY!”

From the direction of the Devil's fee came rumbling, loud voices and, above all, lightning and sparks.

“Stop the criminal scum!” shouted a city guard. “Subject, let him stand still!”

“Where for?”

“That way!”

“Or rather there?”

“I thought I saw something in that direction…”

“Then I here, you there,” the steel armored guards rumbled.

The clatter of steel armor slowly faded from the blonde Sorceress's ears, but a perfume that differed from her own scent of orchid and rose reached her nose.

Aristen smelled cherries, musk, palmarosa, black pepper and…

“Does this belong to you, little mouse?”

…sulfur.

Raphael's slightly tanned complexion stood before her. His brown hair was done to perfection with meticulous work, as were his clothes. Large, sparkling brown eyes regarded her, both sublime and mischievous.

The devil in human disguise had the white-haired vampire in tow, holding him by the collar like a naughty schoolboy.

"Raphael..."

“So you still know my name. Ah…very good. Tell the wizard of yours that too. Hopefully he’s still looking for my crown?”

Aristen nodded: “We defeat the brain. The crown will then be at your disposal. That’s how it was settled.”

“Excuse me…” the vampire groused

The devil released Astarion, who grumbled and moved his shoulders.

“Stealing from a shop that has connections straight to hell, very very naughty.”

As was his style, Raphael moved his hands theatrically while his voice whispered mellifluously. The reprimand was more than just played as amusing.

“Anyway, you were there in vain. There is nothing to buy there that could solve the vampire's little “problem”. Otherwise they would all be walking around here freely in the sunlight. Or not?”

The devil made a sweeping gesture and looked around ostentatiously before laughing.

“I'll talk to Helsik and smooth things over, after all you don't sleep well in unmade beds like in clover. But tell your magician that it is my crown. When he finds it, he has agreed to hand it over to me immediately. Not to Mystra and he certainly shouldn’t get the foolish idea of ​​using it himself.”

“He is not my magician,” Aristen clarified briefly, “Gale belongs to no one but himself. Mystra also has nothing to command him.”

“Does he see it that way too? Or does he like to be walked on a leash? He always just does what others tell him. After all, his own decisions are the stupidest I've ever seen...and I've literally seen it all."

“You mean as stupid as wanting to rule the crown of Karsus?”

“Haha…careful, little mouse,” laughed Raphael. “Just make sure I get the crown as quickly as possible.”

“When Gale finds it, you get the crown. That was the deal. We stick to that. But you'll have to be patient. It wasn't intended that the crown and the stones would be lost again, but it was hard to prevent it when the Netherbrain fell into the sea during the fight."

“I'm surprised you're so relaxed about this. You can't put me on a leash as easily as you can put the vampire spawn on a leash. Or was it rather the other way around and you Astarion put the former Bhaalspawn on a docile short leash?”

Mischief sparkled in the brown eyes of the human-shaped Cambion. There was a subtle, biting, malicious provocation in his words, which he spoke with a sonorous purr, as always.

Astarion's face contorted a little and the vampire barely suppressed a roll of his ruby-colored eyes. For a moment he seemed like a disgruntled cat.

"I think I liked you better when you just rhymed all the time," Astarion replied sassy.

Raphael laughed briefly, unimpressed: “Whatever. Less dawdling and making long fingers, but more diving for the crown,” reprimanded the devil with a raised eyebrow.

The devil wrinkled his nose slightly at the vampire spawn before turning back to Aristen and giving her his full attention.

“By the way, greetings from your fiery friend Karlach and her rapier-wielding colleague Wyll Ravengard.”

“Why are you ordering greetings from Karlach and Wyll? Have you met them?”

“Well, those two made themselves quite a name all around Avernus,” Raphael smiled in his smug way, “furthermore, I greatly welcome their actions against Zariel’s forces.”

He made one of his swinging hand movements with his manicured fingers: “I would like to invite you all to my House of Hope to linger, relax and chat. So you can catch up. You know, the Crown of Karsus is the key that grants you access. And until that happens…fare thee well, little mouse. I hope I will see you soon, knocking on the door of my house.”

As was his style, Raphael bowed expansively and his scent of leather, cedar, lily, rose, oud, vanilla and sandalwood disappeared into a swirl of sparks and sulphur.

“He hasn’t forgotten his flair for great performances. I don't know whether I should admire it or whether he's starting to get on my nerves with it," Astarion sighed briefly before straightening his shoulders and straightening his doublet with a quick tug.

"Anyways..." the vampire turned to another topic, "...I think it would be a good idea if we get out of the immediate area while the city guards are wandering around here."

The elf touched Aristen's elbow to encourage her to leave.

“What did you want to take from the store anyway, in the first place?” Aristen wanted to know from Astarion, curious and skeptical.

“Well…” he started to press and scratched the back of his white curls, “…I saw something…”

"And what was so terribly interesting that you would risk to be arrested by the Flaming Fist?"

“Well...it reminded me of you...and...I thought you should have it. But Helsik is really a cutthroat bitch with exorbitant prices.”

Aristen smiled good-naturedly: “Oh Astarion…”

“However…here…”

The vampire held out a white silk scarf to the storm sorceress.

Aristen's eyes widened. You could see from the shimmer and the way the fabric fell that it wasn't just silk that was woven there. It was definitely the weave itself and more that was at work there. Depending on how it fell and how you moved it, a golden blue shimmered.

“The scarf reminded me of the one you told me about. You know, the scarf with your name on it that you were found wearing as a baby in the Bhaal Temple. It’s one of the few memories you have left.”

The vampire took out a borealis blue thread from his pocket and began to embroider “Aristen” into the scarf.

“I wanted you to have something that you could never lose, that could never be destroyed, that had your name on it. Because if something ever happened again that made you forget...that made you forget yourself, at least you would always have your name with you. Then you know that you are Aristen. Not the daughter of the murder god. Not the chosen one of Bhaal. No Bhaalspawn. Just you. You are Aristen.”

The vampire began to embroider an “&” sign into the scarf.

“And well…” Astarion began to shuffle uncomfortably again and focused entirely on his work so that he didn’t have to look his lover in the eyes, “…if you ever forget something again, then you’ll know that we belong together. I don't want you to ever forget me. And so you also always carry my name with you.”

The vampire finished his work and the white scarf now embroidered with new memories read: "Aristen & Astarion"

“There is nothing in the world that would ever make me forget you, Astarion,” the high elf spoke softly.

She closed the distance between the two of them and kissed Astarion. The elf slowly closed his eyes as their lips met. His cool, hers warm. He felt her breathing life into him as they kissed.

"Thank you so much," the blonde said after they pulled away from each other, "you can't imagine how much this means to me. I love you, Astarion."

Aristen held the silky, white and blue scarf in her hands, stroked the pale elf's blue embroidery and smiled. "I think this used to be the color of your eyes too."

She smiled softly, as soft as the silky fabric of the scarf felt on her soft hands. Hands too soft for the crimes they had probably committed earlier in the name of Bhaal. In a previous life.

Aristen raised her eyes, which were also blue, and caught Astarion by surprise. Speechless.

That rarely happened.

Very rarely did the vampire find himself without words.

“Ah, I…” he took a breath to say something, but he lacked a suitable response, so he could only hold his breath, taken aback.

The gentle look in his lover's eyes and her words had triggered something in Astarion that he still couldn't handle: affection, sincere love.

Towards him and in his own heart.

The white-haired vampire exhaled and smiled just as gently at his beloved Aristen.

He reached out his cool hand to her and placed it against her rosy cheek. The blonde nestled herself a little in the vampire's hand and her gaze lingered lovingly in Astarion's now ruby-colored eyes.

“You never stop surprising me,” his whispering voice sounded sincere and just as genuine was the smile he continued to give her.

It was a smile that acknowledged how happy he was, partly surprised, partly just realizing that he wasn't really surprised anymore. And perhaps that was what surprised Astarion the most.

It was a day like any other.

A day like any other.

One day in the rest of their life.

Their life together.

And it was beautiful.

And he would never want it any other way.

📜🪶📜🪶💙🎻🫧🌹🌸🌹🫧🎻💙🪶📜🪶📜

➹a/n: i just gave my own Tav Saulus a little cameo guest appearance  😉 in the style of AU I also inserted aristenfromwarsaws other OC Devana, like a little, what are all the other tavs doing when not being the main character

the great Tavs of my lovely mutuals also did a tiny cameo:

Nala Hartwick of @evander-jane

Thomas Rosewood and Nana of @alpydk

Lovely Vierith of @goromimii jamming with my Saulus, best bardic duo

Mavka of @pinkberrytea

I hope I did the slice of life good justice and you all could taste, feel, smell, hear the life through all the description of scents, etc.

[front-facing-pokemon]

[death-rebirth-senshi]

I FUCKING HATE TWO FACTOR AUTHENTICATION BRO

[luciluck2046]

Someone: "Whacha doing now?"

Me: "Creating accounts for socials that I will never use like Twitter, Instagram and TikTok."

Someone: "WHY WOULD YOU DO THAT!?!?"

Me: "So no one will ever be @luciluck2046 and that's gonna be me >:3"

Someone: "Huh that's actually kinda normal-"

Me:*goes feral* "NEVER SAY I'M NORMAL 3:<"

[shinythingsarecool]

personally, I think I should be able to bedazzle my blank google doc so maybe it'll be less intimidating and I CAN ACTUALLY FUCKING WRITE SOMETHING

[puraiuddo]

saw the absolutely most unhinged tumblr ad and if i had to see it so do you

[bleachbleachbleach]

Just dropping by to say I love your blog a lot!!❤️❤️❤️ you are doing the lords work lol someday I try hard to find good questions to send you that I think you'd like to think about--but all I ever come up with is "since it's canon that after the tybw and 10 year time skip and they have tv--who would actually have a tv, and what do think they'd watch, or would they try to make their own weird version of a tv station/show? Would ichigo be able to get it on his home tv, like, he's just wanting one day and then there's yumichika, renji, ikkaku and shuuhei on the lowest budget drama in all 3 worlds"

Just want yall to know I love and appreciate all the work you do!!❤️❤️❤️

Aww, thank you! I'm glad you enjoy it! <333 You are one of our OG dash blorbos and it makes me really happy that we continue to blorbo it up together. <3

This seems like an excellent opportunity to bring back

which is further elaborated in this post. (I’d forgotten everything except the C-SPAN gif, which is a total disservice to House Hunters Interdimensional—I feel so ashamed!)

As far as who has TVs, I think all the division offices have one, because they were part of a military tech rollout. They have yet to really catch on individually, though. In the commercial district, there’s a TV store with a whole wall of them out front, and people tend to simple congregate in the streets to watch whatever’s on, as though it were a live playhouse. The difference is that it’s 24-hour programming, and when it’s not airing Central 46 C-SPAN it’s fueled by camera-happy insomniacs.

I used to live in a city that had a local access channel that a friend of mine swore by, which was a single-camera one-man puppet show performing the entire story of the Bible. Soul Society definitely has one of those, except it performs the full history of Soul Society. It’s actually incredibly well-researched and is the love labor of Some Guy who was granted access to and spent a lifetime absorbing the Kuchiki records. Byakuya has signed off on the show, but owing to its low production value, he did not consent to use of the Kuchiki name anywhere but in the credits roll.

There’s also a shopping channel that is essentially a slideshow of the existing SC catalogue, intercut with footage of straight-faced SC staffers describing the items. This show is incredibly popular, because it reaps the benefits of dual audiences: 1) People who want to buy stuff from the shopping channel, and 2) people who watch it because they think it’s a hilarious, dry-witted mockumentary-style social satire. (It is not.)

Similarly, there’s a fairly ambitious show that compiles "Lights and Sirens" style reporting from the top 13 most popular border checkpoints in Rukongai, filmed by bored shinigami sitting in firetowers. This show typically has the affect of John Trudell as Randy Peone in Smoke Signals’ KREZ Radio. (This would be my favorite show, she said, surprising no one.)

Yumichika, Renji, Ikkaku, and Hisagi DEFINITELY made a no-budget drama that was going for a found footage aesthetic but in actuality has the aesthetic of "Hisagi with a camcorder." Even though it’s supposed to be a hard-hitting crime thriller set in the universe of Detective Byakuya (but not centered on Byakuya), there are often entire sequences of, like, Yumichika doing tai chi on a dramatic outcropping in silhouette, sunset behind him, and the other three offering hushed commentary like nature documentarians.

[bat-the-misfit]

oh no

[bogos-bint3d]

Oooooooo you wanna find me great incredible Undyne centric content that I haven't seen before and will be consumed by ooooooooooo

[notquiteaghost]

in the last few years searching the internet HAS gotten genuinely more difficult because google gave up on being useful in favour of making themselves more money and also they probably don't teach this shit in schools anymore huh but. sometimes. sometimes i see people reply to smth saying "what is this about???" and that information is not actually out their reach even remotely. like the corporations are trying to make finding information more difficult but Finding Out Things is still a skill. and you can learn it. right now, you can learn it

[areyoudoingthis]

my mother texted me while i was with a friend and i called her on purpose while my friend was nearby so he could offer emotional support and she had the cheek to get rude and dictate that she would call me later because i was busy even tho I said i was free to talk then jesus fucking christ who does she think she is

[bobtheacorn]

If anon is throwing rocks at your window in the middle of the night, I am bringing you baked goods of your choice at a decent hour. Actually it rules that you're proship. Keep up the good work (minding your own business, not being a bully, not falling for reactionary nonsense, thinking for yourself, having common sense, and so on and so forth)

Genuinely, THANK U I appreciate that!! I'm doing my best!! I'm just tryin'a write my silly lil fanfics and vibe and everybody else should be allowed to do the same.

[fawningoveradream]

“Americans Who Fought Putin Share ‘Horrifying’ War Surprises”- Article published by the Daily Beast. 

- Author: National Security Reporter, Shannon Vavra || Published: June 30, 2023 at 11:44PM EDT || Updated: July 01, 2023 at 3:10AM EDT

Link to Article: https://www.thedailybeast.com/former-us-troops-reveal-most-horrifying-surprises-of-russias-war-in-ukraine