#freaking out about what that means for my own personal politics

[compacflt]

wow very cool. as a european i am learning a lot about the us navy and defense and everything from your blog haha! idk if you've answered this before but what made you wanna work in defense?

Russia invading ukraine on my birthday lol. though i was always interested in military history/military fiction even as a kid. that was just the watershed moment for me personally

i don’t want to work IN defense though. I want to write ABOUT defense. still not sure what that looks like exactly for me. move to DC definitely. maybe get a position at one of the twenty trillion trade publications there are around here. Or comms job, govt job, journalism job… not sure. hopefully i will figure it out ! would love to write fiction for a living but im realistic enough to know that’s an oxymoron

(Also, side note, i am very flattered, & i know i say this somewhat often but i feel the need to repeat it every once in a while… please don’t take anything i say on this blog / ESPECIALLY in my writing as fact. i misrepresent stuff and get stuff wrong all the time, sometimes on purpose for story reasons. I try my best but i simply lack experience & worldview and have spent functionally zero time being an Adult or having to deal with Adult topics [still do not know what a 401k is!]. for instance if you even mention the words “security clearance” or “congressional confirmation hearing” in the general vicinity of my fics, the plot, nay, the entire CONCEPT, goes up in flames, as i discuss in this post. i really appreciate this comment don’t get me wrong But there are definitely better/more accurate places to learn about these topics than a 20y.o. A&D intern who is only just beginning their career & is still confused about many of the basics of real life. I have a lot of growing up still left to do & you really don’t have to listen to me)

[minawritesfanfic]

You are who you eat

Dexter Morgan x Reader

Word count: 2k

Summary: After finding out about Dexter’s after hour hobby you start to investigate him while teasing him from afar that you know what he is.

Part 2

Previous | Next

☆ ★ ✮ ★ ☆

Finding a reason to go up to homicide was easy I had an email come in from the sergeant but I also couldn’t be bothered to deliver the brand new computers to homicide yesterday like I was supposed to. I carried the box out of the tiny office, normally I would’ve struggled to carry something this heavy but hauling around dead bodies was unsurprising a great work out. I used my elbow to press the button for the elevator and waited for it to come down, I heard someone come up behind me and turned to see my mystery man. Boy does he have great timing, I glanced down at his ID and under his photo was his name, Dexter Morgan. Got you, I gave him a polite smile turning around as I heard the familiar ding of the elevator and stepped inside. He stepped inside as well tucking his hands into his pockets, it felt odd being so close to someone and knowing except who they are without them knowing a thing.

His expression was calm but I could tell from the slight fidgeting he wasn’t as calm as he let on. Like freak out by last nights encounter, I mean I would be too. If someone caught me just as I was killing someone and there was a high chance they saw my face, I would be shitting my pants and looking over my shoulder for days. Though I have no plans of exposing his secret because that would mean bringing into the question why I was at the car dealership, why I hadn’t reported it then, or of I didn’t mention that part what was I doing at Ann Cohen’s house that late at night anyways. No excuse I could come up would lose their suspicion so it just seemed far better to not involve myself in it at all, if anything it would be easier to just deal with this Dexter person on my own.

The elevator dinged again as we arrived on the next floor, and we both stepped out with our left foot as if we were synchronized together. Our eyes met again and we awkwardly walked out one after another, I let him step ahead of me and watched as he disappeared into the tiny room in the back of the department whilst I began distributing the laptops to each officer and collecting their old ones. I hadn’t been asked to do that but I figured if I didn’t do it now I would likely be sent to do it anyway, and I didn’t have a reason to come up here twice in a day so it’s not like I needed it as an excuse. Doing it now simply saved me from unnecessary work later on, as I got to the last laptop I found myself at Sergeant Doakes desk. My final task in the homicide department for today, hopefully at least.

“Good morning Sergeant, I got your email what can I do for you?” I said as I handed him the new laptop.

“Morning, I heard you were the person to ask about getting into some encrypted files?”

“I am indeed, you can just give me the device and I’ll get tight to it. Is there a deadline or can I do this at my own pace?”

“No deadline as I’m not sure if they will be anything helpful on there, but please make it a priority.” He pulled a silver Dell mini 9, I set it on top of the others in the box making a mental note to look at it later.

“Alright I’ll get it back to you as soon as I can then, if that’s all I should probably go deal with these.” I said raising the box slightly bringing attention to it.

“Thank you, please get back to me as soon as you can.”

With all my task completed I adjust grip on the box and took one last look around the department before turning to leave, my eyes drifted Dexter’s little hiding spot. I was surprised to see him already looking at me, his eye remained trained on me even as I turned away and walked out the department. A odd chill went down my spine as I recalled the look in his eyes it was empty and unreadable, I had definitely crossed a line today. There was no need to make him suspicious of me just yet, I still had plenty left to learn about him. I stepped inside the elevator and rode it back down to my floor and walked back to my office, and quickly started on my next task.

I decided to ignored the laptop for now and followed through with other requests in the building first, I felt it was better to run around now instead of constantly going back and forth. That way I could work on the things I needed to in the office uninterrupted, so I set off to step up a new computer for the deputy chief, helped track down a suspect using their phone for narcotics, and updating the missing persons website to showcase the recent disappearances. I spent the first half of my day running around and was happy to sit and work in my office until 4pm came around, I sat back in my chair and just took a few moments to breathe. I hadn’t made any significant progress with the laptop and honestly it was starting to frustrate me, I didn’t expect this to be easy but whoever encrypted these files sure as hell knew what they were doing. So instead of frustrating myself further I I decided to find out just who Dexter Morgan was, looking him up in the system I saw he had no priors in the system and seemed to be a relatively stand up citizen, too good of one to be honest. I knew it was a facade, considering I heard him say so, you can’t be a serial killer and not have a facade. I found that you had a sister Debra Morgan, I recognized her name from the news about the ice truck killer, but most importantly I found your house.

At first I considered talking to his sister and befriending her but I needed to stay out of sight for now, it I raise your attention any more than I already have it would be long before I might end up on your table as well. Of course that doesn’t mean I wasn’t going to bother him from a distance, I needed some sort of distraction while I went through his place so I had a friend of mine give him a little surprise. I stepped through the open door of your apartment, I glanced around looking at the layout and simple decor.

“Dexter, you left the door open again honey. I thought we talked about that.” I said as I stepping further inside and found a repair man tiding his tools on the floor. “Oh hello, have you seen Dexter?”

“No, manager let me in. Someone reported a leak.” He said not even bothering to look up at me.

“Oh yeah, I told him to get things checked out I’m glad he followed through. Was everything okay?”

“Yeah, everything’s in order. You can rest assured there’s no leaks in your boyfriend’s apartment.” He finished packing and began to leave.

“That’s great to hear, you have a wonderful day sir.” He gave me an awkward smile and shook his head as he left.

I shit the door behind him and looked around, so this was Dexter’s apartment. I immediately put on gloves, after my research I realized he was In forensics so leaving behind my finger prints wasn’t ideal. I started by checking the books making sure there was nothing inside or under them, then I checked his desk. I rummaged through the drawers and found nothing but the usual clutter, I decided to check his computer since I was more likely to find something there. I debugged my way through the login screen and got into his computer, on the surface there was again nothing but I kept digging until found it. His search history which stupidly he never clears, I found that he had used a lot of police resources from the comfort of his home. Don’t you know that’s illegal Dexter? Thankfully some of the searches showed the names he looked up, I borrowed one of his pens and a sticky note then began writing down as many of the names I could and the days he searched them. If my theory was right these were likely murderers as well who will all turn up missing shortly after dexter searched them. Once I was done there I ventured into the rest of the house and found it all to be normal, minus the obnoxious chest in his closet which I thought was odd but I didn’t have my lock pick to get into it. There wasn’t much left for me to do so I figured I should probably leave incase Dexter also decides to visit home on his lunch break.

★ ✮ ★

Dexter had been on edge all morning, looking over his shoulder just waiting for the coworkers to swoop in and arrest him. As illogical as the thought was, there was no evidence for whoever saw him to back up their claims. Even if they searched his apartment they would find nothing, but an accusation like that doesn’t go away even if it’s proven false. People would still be suspicious and Dexter certainly didn’t need any more prying eyes when he already had Doakes tailing him everywhere he went. He barely managed to get him off his back last night by popping one of his tires, though hope Doakes truly bought his ‘addiction’ and would leave him alone thinking he was in recovery. Still even though no one came knocking at his door during the night to arrest him, which truthfully only made him more anxious but he tried to rationalize it and soothe his anxiety. Maybe they didn’t see his face, they definitely didn’t know his name, maybe they hadn’t seen much of anything, maybe this maybe that. Nothing was certain and Dexter did not like that, he had been careful to live by Harry’s code and the number one rule was to not get caught yet here he was. With a heavy heart Dexter stepped into his tiny slice of the homicide department and was greeted by Masuka.

“Oh hey Dex, there’s something on your desk waiting for you. It looks like someone has a secret admirer.” He said with his signature laugh.

Dexter quirked a brow and saw it, a brightly colored cupcake with a pin stuck in it that said ‘eat me’. He furrowed his brows and ripped the cupcake in half with his thumbs and found a note inside, ‘Roger was a scumbag, wasn’t he? Your secret admirer’. Dexter felt his blood run cold as he fell back into his seat, whoever it was that saw him knew it was him. He didn’t like this not one bit, he needed to find out who sent this.

“Hey Masuka, any idea who sent me this?”

“I can’t tell you that, the point of a secret admirer is that its a secret.” Dexter frowned but didn’t push it, there were other ways to find out.

Dexter was wrong, terribly wrong, whoever this ‘secret admirer’ was had connections with people all throughout the building. He had been asking all around the station all day but everyone he asked was adamant on not exposing their identity, it was like some sick game and he was losing it. His nerves were eased because at least it seems like they aren’t going to expose him for his dark secret for now, but Dexter didn’t like the uncertainty of not knowing if they ever would. This isn’t what he should be worried about right now, he needed to get ahead of this bay harbor butcher thing before they tied it back to him. It was only a matter of time until Lundy would catch on, but he also needed to work things out with Rita and convince her he was committed to his ‘recovery’. There was a lot more on his plate than he was comfortable with, Dexter felt as if he was starting to drown, if things continued the way they were he was certain he would go insane.

☆ ★ ✮ ★ ☆

[rebo-chan]

Something I was thinking about lately is Tsuna's daddy issues. Specifically this frame.

Like that's such a loaded thing to think about. He's got so much resentment built up. Obviously, there's no direct connection to any of Tsuna's issues made but I think a few fun things can be said from this. In general, Tsuna clearly didn't have a father figure in his life which sorta results in him leaning on Reborn pretty often. Tsuna doesn't have a very stable self-esteem with him going from confident to "Aah, Gokuderas going to become disillusioned with me now that all my flaws have been pointed out." GOKUDERA. His FIRST SUBORDINATE. The guy who literally has been LOYAL FROM DAY ONE. Not that we consider them canon, but this happens also during the filler arcs where Daemon points out that Tsuna's not worth following to Gokudera and it seems to make Tsuna a little antsy. He DOES NOT THINK THE PEOPLE HE LOVES ARE GOING TO STAY WITH HIM, THIS IS LITERALLY RUINING MY LIFE. What Daddy Issues DO TO A MF. But that's a post for another day. But okay, back to Reborn, Reborn proves himself to be immovable from Tsuna's life. The story points out that Tsuna very much has two fathers. The one who won't leave and the one who is always gone. Tsuna really leans on Reborn throughout the series. "Reborn, what do I do?" Is a common thing he says, until Reborn is literally swept away from him against his will in Future arc where he's forced to think that he's half a person in Reborns absence. Meanwhile, we have Iemitsu who Tsuna has resentment built up towards, does not respect, and is forced to acknowledge in order to win his fight. Throughout the rainbow arc battle, they try to point out that Iemitsu is trying to teach Tsuna something here and unless I'm confused (someone feel free to tell me?) it's not really clear WHAT that is. And I've always thought that was neat, because it's obviously coming from Tsuna's inability to respect Iemitsu enough to want to learn anything from him. Yet when Reborn comes in, hell he doesn't even recognize him in his Adult form, but he politely listens and takes his advice seriously. In the grand scheme of the series, Reborn is a good teacher and father figure in his life. When Tsuna is made to feel like that he can't do anything in Reborn's absence during Future, Reborn takes a step back in that arc and lets him learn to survive without his guidance. (Notice how the training almost entirely disappears after Future.) He lets him learn how to be a person without him, only stepping in to help when Tsuna really needs it. When he's unable to light his flame, with Spanner, or when he's freaking out about the Irie reveal, the list really goes on. There's a scene I recall I believe when Yuni asks to join their group, Tsuna still turns to ask Reborn what to do, and Reborn redirects him by asking him what he wants to do. That it was his call as a boss. And Tsuna ends up making the decision to help her off his own accord.

It's with Reborn's guidance that Tsuna ends up learning to be his own person, it's this guidance that allows him to make the decision and gather everyone on his own accord when it was Reborn's turn to be shaky and give up. Where Tsuna tells him that he's got this under control, without his guidance. To just watch him. "you've always knew I could win before." It's this arc where Reborn's pride in Tsuna shines. Multiple times. "Surprise me again, Tsuna." And he does. It's in Reborn's second absence where Tsuna feels himself get shaky again, feels the old feelings of poor self image crop up, that Reborn comes back. Because Reborn is not Iemitsu, and he wasn't someone who left him in that house alone forever. Because he's still young and has much to learn before he's ready to do this on his own. It's at this he feels a little embarrassed about how glad he is that Reborn came back, but then recalls the "mean words" that Reborn said before leaving. It's here that Reborn tells him it's a good thing he hasn't changed much. Another sliver of guidance that Tsuna takes in from the figure in his life that won't leave him alone in that house.

[sunshineandspencer]

A kind of look

A/N: Trying to act normal while my brain is in the realm of Spencer-Ville is impossible. The spirits possessed me, have a oneshot. 

Pairing: Spencer Reid x Fem!BAU!Reader.

Summary: Apparently Spencer has been looking at her a little different recently. 

Word Count: 898

Warnings: nothing really just fluff

“He’s looking at you.”

“What, Spence? Yeah, I know.”

“No. I mean he’s looking at you.”

They’d been saying this recently, Emily and Morgan. Making little comments that didn’t quite make sense, and trying to convince her of something that obviously isn’t real. 

Somehow, drunkenly, she’d told Penelope about her crush on Spencer. Which resulted in her telling Derek, and him telling Emily, until it became one big family affair to try and get them together. 

Even Kevin, who she barely even knew in the first place, made a passing comment about how cute they are together. 

It’s aggravating, she wants to throttle them, but obviously that’s not allowed. 

Most recently, Emily has been trying to convince her that Spencer looks at her differently. Which sounds completely insane. 

Spencer Reid looks at her the same way he always has, politely and just a little to the right of her eyes. It’s adorable and endearing, making her want to smother him with affection until he drowns in it. But unfortunately he just doesn’t feel the same. 

No matter what Emily tries to tell her. 

Granted, she has felt his eyes on her for quite a while now, but that’s pretty normal. 

He zones out staring at people sometimes, has freaked out a lot of LEOs that way. So she doesn’t take it personal when he zones out in her direction, getting lost in his own beautifully massive brain. 

It’s completely normal, and when she turns around to indulge Emily’s insanity, she’ll see it. 

When their eyes met, she was immediately made aware of the fact that it was, in fact, very different. To the point where she’s pretty sure she’s forgotten how to breathe. 

His eyes almost seemed to be blurred at the edges, gazing at her so gently that she felt like she would break if he looked away from her.

So this is what they meant, Christ, it’s suffocating. But in a way that makes her want to go and ask him to help her breathe. 

And when Spencer finally realises that he’s staring into her eyes rather than admiring her from afar, he stiffens. Eyes darting away to focus across at his computer monitor, scrambling for something to hold onto and sending his pencil hold flying. 

Only drawing more attention to himself as he dove to the floor, searching for pencils and a way out. 

Just as he thought the worst was over, hunched on his hands and knees under his desk, holding his hands to his burning face, he felt someone poke his shoulder. 

Hands falling away, hoping it was just Morgan come to tease him. And then nearly choking at her being crouched down with him. Tripping over her name as he forced it out. 

“Wha- what are you doing down here?”

Smiling softly, she held up a handful of pencils that she’d collected from around the room. The blush on both their faces being an equal match. 

“Helping? Sorry if I freaked you out just then.”

“No!” He lurched for her and found her shoulders, clinging tightly as she met his gaze. “You could never freak me out! I just.. wasn’t expecting you to look back at me.. that’s all.”

Oh yeah, she’s completely smitten by this man. Gently easing his hands from her shoulders so that his imbalance on his knees doesn’t take them both out. He’s called the human bambi for a reason, and it’s not just because he’s cute. 

Tilting her head gently, she shuffled a little closer until they were both under the desk. All conversation is suddenly being muffled around them, they’re in their own little bubble where nothing else matters. That bright smile of hers pulling at her lips in a way that makes his knees weak. 

Not ideal when they’re the thing he’s currently supporting himself with. 

“And.. why were you looking at me, Spence?”

“Because you’re beautiful.”

He didn’t even need to think about it, which is what made her utterly melt. If it weren’t the middle of the day, and she couldn’t already feel Emily’s judging eyes on her ass, she would’ve dragged him down to stay under his desk forever. 

Instead, she leant in and pecked his cheek, grinning when she pulled back and he was looking at her again. 

Jesus, she’s never felt more beautiful than when he’s looking at her. Hopefully she’s playing off her nerves well, because she feels like she’s going to implode. 

“Takes one to know one gorgeous. Get back to work.. you can ask me out later.”

She got up first, crawling out from under the desk and practically skipping back to Emily. Whereas Spencer was stuck for a long time, hand to his cheek and daft smile on his face. 

Until Morgan said his name and he moved before he could think. Smacking his head onto the table in his rush to clamber back to being vertical. 

The rush of standing up so fast and having his cheek kissed sending him a little dizzy.

“Y-Yeah?”

“We’ve got a case, let’s get to the jet so you can make your ‘love me’ eyes at your girl.”

Spluttering something that didn’t even manage to come out as words, he just had to follow along. Wondering just how long it would have to be to class the time as later, already knowing exactly where he’s going to take her.

Want more?! Good!

[warping-realities]

What She Wants

I know I promised the previous one would be the last one for a while but I had a video that I not use in one of the last stories and ended up creating a shorter one just so as not to waste it. I hope you like it.

Cherisse was pissed off. At her old schoolmates and at herself. The five-year reunion was coming up next weekend, and she was gonna have to show up all alone. She never really gave a damn about this kind of stuff, always focused on her career. But then, why the hell did she lie about having a boyfriend? She knew why—those bitches Brenda and Destiny with their pathetic little housewife lives and their useless husbands loved to say that because she was a bodybuilder, no guy would wanna date her. I mean, what kind of dude would go out with a woman bigger than him? That thought made her wanna scream, but those bitches had a point. Even the male bodybuilders ended up choosing curvier, less muscular women, which really pissed her off. The fact that she was so close to becoming a big star in the bodybuilding scene should’ve been enough to ease her doubts, but it wasn’t. In reality, she was so fed up with everything that she dropped her apartment key on the floor of the hallway in the tiny building she lived in, thanks to her job as a Personal Trainer. At least for now, since she had contracts lined up with several big brands by the time she stepped on Olympia stage in a few months, which was what she should’ve been worrying about. Frustrated and angry, she picked up the key from the floor and stood up, only to see David, her neighbor, walking by. The blond thin and extremely cute guy worked at a nearby coffee shop and was always super polite to her, even though any flirting attempts on him had been shot down.

She knew she couldn’t make him like her or… could she? Remembering the times she got shot down by the guy, combined with the frustration about the upcoming event and the possibility of being ridiculed by her old classmates… all of that lit a fire inside her that made her decide to take action. She’d been warned a bunch of times not to mess with her gift, that it could spiral out of control and come with a high price, but she was tired of being the good girl, tired of being humiliated. It was time to think about herself. She will get what she wanted.

….

After a long day at the coffee shop, all David wanted was to flop down on the couch in his tiny one-bedroom apartment and chill, and maybe, just maybe, look for a hookup on Grindr. After throwing on a tank top and some shorts, he was about to head out of his room when he heard a noise—there was someone else in the apartment. Creeping up to the door, he was freaked out and jumped.

“Cherisse, what the hell! What are you doing here? What you want?

“What I want, David? I want my boyfriend!” The muscular black woman replied, grinning like the Cheshire Cat.

“What? What the hell are you talking about?”

“Yeah, I want my boyfriend, David. My boyfriend who loves me and would do anything for me!”

“Cherisse… you’re out of your min…” David started to say, cutting himself off as a weird sensation flooded his body, like he was about to choke, making him gasp for air. Then he was shocked to hear his own voice while his mouth moved on its own.

“But that’s what you already have, babe.”

“Not enough! I want my boyfriend, bigger, more muscular, and stronger than me.”

The choking feeling hit him again, this time harder, along with a dizzy spell that made David wobble for a second. After a few seconds, he seemed to recover. With his giant biceps and powerful pecs on display, he looked a few inches shorter, with shaved hair and a square face, wich smiled to Cherisse.

“Stronger and more muscular for sure, and two inches taller!”

“No, I want more! I want my bodybuilder boyfriend, way bigger than me, my boyfriend with beautiful dark hair and a darker skin.”

In an instant, the bodybuilder David underwent a transformation, turning into a caramel-skinned version with brown eyes and well-kept dark hair and beard, maybe of Latin descent.

“Much better! Take off those shorts and pose for me, David!”

He obeyed, stripping down to just his underwear and flexing his powerful muscles for his girlfriend to see.

“Yummy, but I still want more.” She commented licking her lips without noticing the change in her voice and vocabulary. “I want my boyfriend with delicious choclate skin as dark as mine. My professional bodybuilder boyfriend, Mr. Olympia material boyfriend. My boyfriend who fulfills all my needs and will accompany me to my school reunion, and make all the jealous bitches shut up they skunk mouths. Now come, come to me, my love,” she said, as the uncontrolled power took over completely.

As the muscular giant, who minutes ago had been a gay dude just looking for a casual hookup, walked from the bedroom door towards her, with each step he took, he grew larger while his skin darkened to a chocolate tone. His pecs looked like two slabs of meat, his abs lost some definition, but his arms swelled to the size of tree trunks. As sweat dripped down his body, his black wavy hair transformed into small curls in a stylish cut with shaved sides, while his underwear turned into gym shorts, and the tiny apartment room morphed into a spacious mansion living room.

While all this was happening and the power dominated Cherisse’s mind, she didn’t notice that her short hair, which had fallen out due to steroid use started to grow back in beautifull well manteined curls while her voice gained an airy melodious tone. As the former David grew bigger, she shrank, her powerful muscles becoming smaller but defined, while her glutes became curvier and her breasts softer. Then, as the monstrous off-season bodybuilder stood smiling in front of her, her clothes evaporated, leaving her in a tiny bikini that showcased all her perfect curves. Finnaly the whirlwind of power seemed to reach its peak before fading away forever while the reality reset.

The smile on the behemoth's face quickly vanished when he noticed his girlfriend posing in the middle of their living room.

“Can I ask what the hell you’re doing, Cherisse?”

“Babe… I… I thought you’d be back later.”

“I decided to surprise my girlfriend, and guess who’s getting surprised? Don’t tell me you’re back to that ridiculous idea of competing in Bikini Fitness. I’ve already been clear with you about that. You don’t need to work, especially not by exposing your body; I’m the one who takes care of all my wife’s needs.”

“Wife? What do you mean?”

“Well, that was the surprise I was gonna pull on you, but it looks like…”

“Stop being silly, I was rehearsing, yeah, but it was just for you, my love.”

“Now you’re talking like my future wife,” he replied, with his smile returning.

….

That weekend, Cherisse was bursting with joy. As her boyfriend parked the car, she rushed over to meet her old school friends, Brenda and Destiny, in the garden of the beautiful restaurant they class picked for the high school reunion. After some kisses, hugs, and excited squeals, Brenda looked at her curiously.

“Is that on your finger what I think it is?”

“Yup!!! He proposed to me!!”

“So, we’re finally gonna meet your boyfriend… sorry, your fiancé?”

“Yeah, look over there,” Cherisse said, making her friends look at the handsome specimen of a man strutting confidently towards them—300 pounds of pure muscle covered in a beutifull chocolate skin, wearing a light gray suit with a vest and a shirt whose last buttons could never stay closed, showing off a gorgeous chest. All of this was topped off by a rugged face that could make knees weak.

“Girls, this is Deshaun, my fiancé,” she said, knowing the others would be dying of envy.

Later, as her friends walked in, Deshaun pulled her close.

“Are you happy, my love? I know how important this reunion was for you.”

“Happy? I’m totally fucking ecstatic, babe. I showed those bitches who’s the best. I’ve got the best house, the best body, and the best man. What more could I want?”

[nathaniacolver]

i feel like tumblr NEEDS to know about Dr. Ally Louks, and the term "Olfactory Ethics"

(long post incoming)

storytime/timeline:

on november 27, 2024, an excited English Literature PhD recipient posted a picture of herself with her thesis, titled:

"Olfactory Ethics: The Politics of Smell in Modern and Contemporary Prose"

as you can see (on the bottom row, above), the tweet has been viewed over 119 MILLION times, and has received over 250k likes. unfortunately, within days (most of the replies dating december 1st), she had garnered what seems like every possible insecure man with a twitter account to post their vitriol and rage concerning the fact that a woman is clearly more well-researched than them. regardless, she tanked it ALL with kindness and with a smile:

AND I MEAN VITRIOL (queen of making boundaries clear):

(inserting reading break for the timeline's space's sake):

here's her abstract:

and in case the abstract wasn't clear, she has since (date: december 16th) taken the time to re-summarize her thesis for the layman (yes that is a link! click it! 3min read!)

she has repeatedly shown just the perfect amount of kindness and understanding for those who are simply Not Comprehending (mostly december 1st):

(the chatGPT hate in the next one is my favorite:)

has upheld an incredibly high moral standard of how she interacts with the situation (december 2nd):

ONE OF MY FAVORITE THINGS: regardless of this crap, she made it clear that as a professor, her FIRST priority at the end of the semester would be taking care of them (december 3rd)

(CAN SHE GET MORE BASEDDDDDDDDDD)

she stays both 1) educating the masses, and 2) engaging with pop culture as much as a normal person would (december 9th-17th):

she also supports a free palestine (WHO IS SURPRISED. NOT ME.) ((december 15th))

here's the BEST FREAKING THING ABOUT THIS. since this all has happened, RANDOM TWITTER USERS, UNKNOWINGLY, have REPEATEDLY proven her thesis to be true,

again,

and again,

AND AGAIN.

EVEN CARDI B DO YOU HEAR MEEEEEEEE

COMBATING MISOGYNOIR WITH HER OWN BARE HANDSSSSS

oh she knows she's mother

here's some more she never saw/commented on (INCLUDING SOME FROM TODAY. IT IS STILL GOING ON. EVERY SINGLE DAY LIKE CLOCKWORK SOMEONE POSTS SOMETHING THAT PROVES HER POINTS ABOUT OLFACTORY ETHICS):

THE WICKED MOVIE REFERENCE HELLO

apparently, OTHER academics are mad at her for being so famous and influential, but she stays unbothered (december 16th, and TODAY, december 19th):

and she's partially getting her post-doc on how people's sense of smell has been altered (december 1st):

and the best part is!

all of these screenshots i've collected are only a SAMPLE, illustrating dr. louks' indomitably kind and ethical character.

anyway. i want ALL of y'all to start saying, out loud, "olfactory ethics", or even better, "dr. louks was RIGHT" (something something women's names are erased something) every time you see something that plays into her thesis. never let her influence die. THINK THROUGH what you're REALLY saying when you comment on the smell of something, or how your perception has been shaped by society. USE THIS PHOTO IF YOU HAVE TO:

follow her on twitter (@DrAllyLouks) or bluesky (idk her handle, if someone tells me i'll edit it in)

AND SAY HER NAME!! DR. ALLY LOUKS

[somewhereincairparavel]

˚➳❥“Can I put makeup on you, Dada?➳❥

Jason Grace as a girl dad! Hcs list

Warning: aged up Jason Grace! (duh), just cuteness overload tbh

-He would so be a girl dad. I can see him having atleast 3 girls lol

- ugh he's the attentive and spending quality time dad- all he ever wanted from his own father was time. So no matter what, he's always paying his kid attention, it doesn't matter if it's the most insignificant thing ever, hes going to listen to his children's yapping

- he'd let his kids give him design ideas for his temple diorama project, and he'd actually use their ideas by changing it up a bit 🥹 he just wants his kids to feel included and important.

- a very patient dad. Wouldn't yell or raise his voice at his children no matter what. I feel like he himself hated being yelled at it when he was a child, and he'd hate to do it to other people, let alone his own children.

- but he's pretty strict when it comes to his children being good people and having strictly healthy morals. He doesn't care if his kids get bad grades or don't excel talent wise, just don't be a bad person and be nice to people.

- he ain't raising no ungrateful brat. Hes been happy his whole life recieving less than the bare minimum, so he knows ungratefulness when he sees it.

- definitely cried when his kids were in their "neglecting-their-parents-and-being-moody" teenager phase :( he'd think he had done something wrong and immediately have nagging thoughts that he turned out like his own dad 🥺

- his kids would be so hella polite, and I mean, elegant "please and thank you" royalty kind of polite.

- would so take his daughters on a piggyback ride and little flying trips 🥹

- he'd pretend to be an airplane while having them on his back and goes "jason grace airlines, ready for take off!" And all that cute shit ughh

- would tell his children so many dang stories, we know that this is technically canon with jason telling his grandkids stories in his vision- like he doesn't care how busy he is or if he had an argument with his kids that day, they are still getting spoiled with bedtime stories. Nobody's going to come between that.

- speaking of arguments, I feel like jason is super hard to anger, so if does get mad at his children then it's probably because they risked their lives, or got themselves hurt physically emotionally or mentally that really drives him over the edge.

- when it comes to disciplining his children, he does it sternly but gently at the same time. He doesn't overwhelm them with harshness, but gets his point across clearly

- kind of overbearing but in a sweet and endearing way I swear. Like his children would get a minor paper cut that even they don't care about but he'd freak out and hug tf out them while asking them if they're okay atleast 3 times.

- speaking of which. Hugs. Such a good fucking hugger. He gives his children bear hugs every day. - he's the "no you can't go to class before giving me a hug I don't care if you're late" type of dad

- He doesn't care if his children are like 45, like you're still my precious little girl, you always are and always will be. (He'd say this trust)

- is very verbal with his affection. Hes been brought up in a very intimidating and cold environment where people couldn't even hug properly without it being awkward, so he'll not be ashamed to be openly affectionate. Hes had enough coldness for 15 years

- overall just a big sweetheart of a dad that his children adore with all their heart and vice versa 🥹💙

[vaguely-concerned]

it probably says something either sad or deeply unfortunate about me as a person, but I'm darkly amused to see some people react to the reveal of the ultimate permeability of souls in tlt as a triumphant thing -- the "you can't take 'loved' away!!!" side of it all -- when my first reaction was such an immediate wave of 'oh, oh so this is why this series is horror, I truly understand now' distress haha. ngl the final confirmation of the self not being inviolable in the deepest way freaks me the fuck out far more than any moment of body horror in the series has managed. (these two elements are of course the two sides of one thematic coin; it's about the horror of our bodies and minds and selves not being inviolable things, and about the effect of violence on them on so many different levels. violence psychological and interpersonal, physical, subtextually sexual, emotional, medical, political, a whole unlovely smörgåsbord of indignity and violation a person can be exposed to, and on a broader scale the spectrum of violence colonialism wields). The world and other people being capable of leaving indelible marks on us for good or ill through their presence in our lives is of course a pretty self-evident demonstrable truth in the real world, but somehow having it be proven metaphysically just uh. Fucks me up! 

It also drives home to me just how perfectly Muir has captured the dilemma at the heart of human connection and intimacy: the fact that the thing that gives us life and meaning is also capable of harming us so deeply. the same thing that can be so beautiful — even in a bittersweet, violently transformative form like with the creation of Paul — when done mutually and consensually and compassionately, is the same process that means someone like John can touch someone else's soul and 'after he's put his fingers on something, you'll never find anyone else's fingerprints on it; too much noise'. I think the text itself — the whole series, because to me this is what it is ultimately about, this tension between individuation/self vs. love/connection/enmeshment — is far more ambivalent in its treatment of it than saying it’s inherently a good thing or inherently a bad thing. The only thing it says for sure is that it is always a thing, that thinking you’re ever getting away from it is the height of futility, and that through being alive (or even through being dead lol) it is something you have to engage with in some way no matter what. Contact with other people is deeply necessary — without it we sicken and die. it can be the most beautiful and meaningful thing in a human life, and the most unspeakably horrific. All of these people are searching for some way to be whole, whether in total self-contained sufficiency on their own or in melding with someone else as their ‘other half’, and stumbling around in the dark they reach for each other and score deep wounds into the thing they’re trying to touch even when they don’t mean to. Taken to horrific extremes with the form of lyctorhood John guided his disciples to when they were ‘children — playing in the reflections of stars in a pool of water, thinking it was space’, because while people hurt each other all the time with differing levels of intentionality behind it, what John did was deliberate. It weaponizes the misapprehension of what closeness must be and destroys everyone involved in the process… and all because it leaves John the one sun their ruined lives have left to orbit around, because that’s the closest thing his soul will allow to connection. He doesn’t understand that to truly touch something you have to truly let it touch you back, and then wonders why he’s never satisfied.   

‘The horrors of love’ has been memed to death, I know, but… yeah. That is what it is, isn’t it.

[phantomrose96]

(A Breach of Trust)

[I am putting the rest of the ask under a ReadMore because it IS long [and now super-long with my responses added] but I am biting and chewing this ask I am biting everything it has to say I love this ask I have things to say]

But yes responding to this first chunk! First THANK YOU second I loved writing just the inherent comedy of each chapter being like "[Scene 1] Ritsu spitting blood: I have to save my brother. He's dying. [Scene 2] *Happy domestic montage of Mob petting a kitten and maybe drinking some hot chocolate*" It was a great way to keep some emotional balance in each chapter and also. Funny.

I was crawling the wallllls getting to the makeshift reveal. I think it was about 5 years between coming up with it and getting to the reveal. So I just had to bite my tongue and dodge any suspicion in Makeshift's direction leveraged in the ABoT discord (ABoT discord! BTW! If you want)

I ended up making this to channel the energy somewhere

[Rest of ask under the cut!]

i was nervous for a hot second early on (around when reigen first takes mob in) that it was gonna be the kind of story that would get frustrating because "oh if the characters literally just told each other anything it would all be fine" but i didn't end up feeling that way at all? like yeah a lot of the plot relies on characters not knowing things and technically a lot could have been solved if idk all the characters decided to meet up and sit in a circle to politely explain everything to each other but it never feels like that should happen. even besides them all generally having reasons for lying or not explaining things or not talking to each other it's like. all their decisions feel very natural even when they're bad or unreasonable, and also crucially when the characters do learn things or w/e it usually doesn't fix things (ie when reigen learns mob's real identity and tells mob the truth and it kind of fixes some problems but also adds a host of new ones). in general despite it being a story that hinges on all the characters making bad decisions it rarely gets aggravating bc all the choices they make are understandable and make sense for them -- it doesn't feel like anything is happening simply because the plot demands it. everything is constantly getting worse but that's because the characters are making it worse it's not just Happening. and then the characters have to confront and deal with the consequences of all their actions and learn from them and it's very satisfying

YEAH!!! YEAH YOU GET IT!!!!!!

It is VERY important to me that the story in ABoT is character-driven. There should virtually be no "it happened because the plot demanded it." If it happened, it happened because a character's choice caused it. And if a character made a choice, it was due to their own motivations and not because the plot demanded it.

So, YES, there is this scenario where so much of what is happening comes as the result of each character having, at most, a 20% understanding of what's going on. But the withholding of information, CRITICALLY, cannot be because of Idiot Plot reasons.

Reigen "could" just ring up the Kageyama's and send Mob home, cutting short the first like 2/3 of his and Mob's arc. But he doesn't. And not because he's an idiot. He tried. Mob freaked out. And that was a good enough reason to just delay this until tomorrow, surely. But we watch as Reigen gets to experience was feels like genuine accomplishment, genuine joy, genuine meaning, by helping this kid experience life again. From the very start that's what Reigen wanted--to feel like he mattered. At the beginning this is what drives him to take up the Tetsugami case, despite knowing it can get him killed. (Because maybe Reigen can do something, this time. It's not just another doomed marriage or unsolvable missing person. Maybe he can make a difference. Maybe he can matter.)

And it manifests in what looks like heroics, but in the case with Mob, it drives Reigen to stall... more and more. He knows on some fundamental level it's wrong to be keeping Mob this long, but he can justify it in how this IS what Mob wanted.

And the same extends to the other characters... Tetsuo doesn't tell Reigen about Shigeo Kageyama's link to the Mogami case because he can't bear to admit HE was probably Shigeo's captor. Mob keeps secrets about Mogami because Mob knows he "killed" Reigen's "friend." Ritsu withholds information because it's the only power he has, and giving up information allows other people to stop him. Gimcrack and Slipshod keep quiet about Mob's location because their free lunch would end if they told.

And when these characters make bad decisions instead, it is CRITICALLY important to me that those decisions were the organic result of that character's complexes, goals, misunderstandings, and absent information. It's a train wreck and God Dammit I do everything in my power to ensure each character is their own conductor.

and the Themes. okay first of all i am a huge fan of stories that are like "no, heroic sacrifices are Not the answer, please stay alive so you can actually get better and fix your mistakes and be there for the people you care about", so obviously i adored that. i loved reigen confronting ritsu about this and urging him to stay alive, and i'm also obsessed with how reigen immediately Does Not Take His Own Advice. reigen's self-sacrifice plan makes a lot of sense with his character and given the circumstances it's definitely understandable why he and teru would be willing, however reluctantly, to resort to that, but of course it's not that actual solution because that's the whole point. (shout out to mogami being the one to save him. congrats on accidentally doing one (1) good thing.) reigen, ritsu, mob irt to being imprisoned rather than death -- none of them can just sacrifice themselves and expect that to fix everything and everyone to be fine without them, because that's not how this works. (also i can't wait to see ritsu inevitably be pissed at reigen about him trying to do exactly what he talked ritsu out of and reigen having no excuse except "yes i know, i am a hypocrite, please do as i say not as i do.") the story is dark but it's also so full of hope -- you can live, you can heal, you can move forward from all of this, no matter what you've done or what's happened to you.

YES!!! ANOTHER RESOUNDING YES!!!!

I've talked in the ABoT discord about how Reigen's sacrifice didn't work because it couldn't work. Because, if Reigen intentionally killed himself in order to end Mogami too, and Mob was saved and went home, then that means you DO save what you care about by sacrificing yourself. Which would be fine in other stories, but not this one.

ABoT's message has pretty loudly been "you don't save things by sacrificing yourself. you save them by living long enough to fix what you've broken." And even when Reigen is the one SAYING this to Ritsu... he doesn't believe it for himself. And he does not get to get away with not believing it for himself.

In earlier planning stages of the Reigen sacrifice scene, my plan was to have Reigen's knife slip before he could slice his throat (palms sweaty, grip slipped, parallel to what happened in the struggle-for-the-knife in the original chapter 8 Reigen-vs-Tetsugami scene).

But I thought about that and I said "No, actually." If Reigen fails because his palm slips, that suggests this COULD have succeeded, and Reigen just botched it is all.

So instead, the scorching fire around them (the blaze Reigen set) has dehydrated him to the point that his sweating has stopped. He is salty dusty skin and dry lips and his grip on the knife handle is perfect (anti-parallel to the first struggle for the knife scene). His execution is perfect. Reigen sacrifices himself perfectly.

...And then it's Mogami, who is well-practiced at controlling a maimed possessed body, who snatches back control and cauterizes the wound shut. Mogami (the antagonist of this story) cannot be defeated by self-sacrifice.

There is no "if only Reigen did it right" ambiguity. There is an absolute statement about where the themes stand.

(And yes, I'm sure Ritsu will have only positive emotions about what Reigen tried to do once this is made clear to him. :))

one of the other themes i found most interesting was the theme of lies and people trying to act like something they're not, and how that factors in to all the characters' stories. of course mogami is right there (and the parallels between him and reigen in how they both lie to mob for different reasons are super interesting) but i was particularly thinking a lot about reigen, teru, and ritsu and the different sorts of false lives they live -- reigen the con man playing the part of the confident, powerful psychic, constantly lying about his abilities and his accomplishments; teru keeping up the appearance of being totally in control and untouchable, surrounding himself with friends he can't stand and a girlfriend he doesn't care about; ritsu trying to maintain his reputation as the perfect, model student and constructing increasingly elaborate lies to convince his parents that he's doing fine.

i was thinking especially abt the parallels between reigen and teru -- their identities as liars are both emphasized, literally having teru saying "i was lying. i lied to you. i'm a liar" and reigen saying "i lied to you. i've been lying the whole time. i'm a liar" in the same chapter. both of them have grown accustomed to being alone and having a life that's more an expertly crafted facade than anything with substance, but both find in their respective kageyama brothers someone who they genuinely care about -- and they both doom these relationships from the beginning because they can't let go of the facade they're used to keeping up and their desire to feel important/superior. teru continues to be the same smug, uncaring asshole he's designed himself to be even after he starts to see ritsu as a friend, and because of this ritsu remains antagonistic towards and distrusting of him; reigen pretends to be the "21st century's greatest psychic" with mob even when he's starting to care about mob and want him as a permanent fixture in his life, causing things to fall apart when he reveals the truth. they both say the right things to point mob/ritsu in the right direction, but the way they act does the opposite: teru tells ritsu the dangers of what he's doing and reigen tells mob that they should call his family or the police, but at the end of the day, no matter their good intentions, teru likes feeling superior to ritsu and reigen likes having mob depend on him, and so they're not actually going to do anything that would upset that balance. (and, of course, they reassure themselves with the knowledge that it's not their fault, ritsu and mob just won't listen to them! which isn't technically untrue, but nonetheless frames the situation in a way that ignores their own role in it.)

Aaaaaaaaaaaa honestly I don't even think I have anything to add here because your analysis is already so 🤌🤌🤌. They are Liars they are Liars living through a Mask they are Liars who Say one thing and Do another they are Liars who convince themselves this Lie is fine.

all the characters are so good but my favorite has to be ritsu his whole storyline is fantastic. from the start i was enjoying the fic a lot but it was when it started to really get into ritsu's story and his whole deal that i started being like "oh yeah this is the good shit." seeing him go further and further down his self-destructive spiral, constantly digging himself deeper as he hurts himself and the people around him more and more, is so fascinating and painful. and then seeing him get better and start actually wanting to live as he talks to reigen and later teru! and then in the confrontation with mogami when he decides once and for all that he wants to live and remember and try to find a way to fix his mistakes rather than forgetting them or giving in to them! just. he is thirteen years old and he just has all this rage and grief that he's been holding onto and repressing for so long and he finally gets the chance to do something with it, something he can do to find his brother at the low low price of bleeding himself dry, and so he throws himself into that, tearing himself to pieces and not caring who else gets hurt in the process, until he reaches rock bottom, what should be the point of no return -- but it isn't, because teru saves him, because reigen convinces him to try to stay alive, because mob is waiting for him, because he has people who care about him and he's just a desperate, hurting kid and no matter how badly he's fucked up he can still come back from it. just Such a compelling and painful and beautiful character arc

Thank you for stating exactly the reason I loved writing Ritsu's arc so much 😭😭😭😭😭😭😭🥺❤️

When I was about 13, I got really into Naruto and I really liked Sasuke's character. Even seeing him now makes some inner part of me point and go "It's Sasuke!" Brooding, stoic, over-achieving, entrenched in family trauma, is swayed over to the darkside because of the rage and grief he's been sitting on.

And because it's Ninja Fantasy World, Sasuke gets to do this and be really cool the whole time.

Ritsu is... actually just a 13-year-old, with psychic powers which he didn't even want after his brother vanished. He IS smart and he IS a model student and he IS powerful but... he's scared. He's scared, and he's 13. He NEEDS to be smarter than everyone (he's not, and he knows this, and it's scary) and more powerful than everyone (he's not, he knows, he's scared), because he knows that anyone with power over him can control him. And he's at his wit's end being controlled.

So he needs to be COMPLETELY in control and have COMPLETE power. And every instance that proves to him he's actually weak, actually clueless, actually being taken advantage of drives him to panic.

And he finds antagonism on all sides... Teru who loves to pick apart and mock Ritsu for every weakness he has. The spirit horde who eat him within an inch of his life. Isa trying to shut him down. His parents trying to control him.

No one is helping him with his grief... No one is finding his brother... No one is saving him... He does not want to keep living like this. And "no longer living" isn't even an option with how heavily his parents rely on him.

So what does he do. He's so alone. He doesn't have a single soul on his side. Every day is torment. ...And then he has this opportunity that shows up like "if you hurt yourself real bad, kill yourself doing it maybe, you can solve the very thing that ruined your life"

So of course he does it. He grabs onto it like a hot stove or a live wire because he's been wanting to hurt himself, and now he can do it in pursuit of the very thing which will save his brother and fix everything. The risk of dying isn't even a risk. It's an escape. He can do this and he can BECOME more powerful and he can GAIN control and he can USE and MANIPULATE whoever he wants (namely the people who've proven again and again they'll hold him down and force obedience out of him).

Of course he spirals. Of course he hurts people...

And then he finds rock-bottom. Teru chews him out and abandons him. Ritsu flips on Gimcrack and exorcises him out of paranoia (Teru turned on him, Gimcrack probably betrayed him too.) He NEARLY kills Reigen under that same absolute fit of paranoia and fear. ...And then he finds his brother. His brother. Alive.

And grabbing his brother shreds his hand. It does not fix him. It does not save him. It maims him.

And now Ritsu is nothing. Not powerful. Not in control. Not certain. He's someone who just hurts people. He's someone who destroys. He drives everyone away and they're RIGHT to leave him because of how horrible he's been. He can't save his brother, and his brother won't save him. ...So Ritsu wanders back to Reigen. The only person who seems to have a semblance of direction in this whole thing. Broken and beaten, Ritsu joins Reigen because he does not know what else to do.

But there is an up from rock-bottom. As much as Reigen and Ritsu are just The Worst to each other, it's actually that childishness in Reigen that starts to work on Ritsu... This is not a typical adult, using adult-speak and adult-authority to make Ritsu comply. Ritsu can't even fall into his typical masked-up behavior against an adult because Reigen is a fucking nuisance and an irritant and Ritsu, for all his "maturity", riles easily.

This is... really just Some Fucking Guy. A loser, at best. But it's someone Ritsu's brother cared about, and who Ritsu knows gave kindness to Mob where Ritsu couldn't. And it's someone who isn't forcing Ritsu to do anything. Reigen is, in fact, letting Ritsu make these decisions to change on his own. Teru comes back with an apology. Ritsu is staring at the chance to do better, and the chance for some future that doesn't involve killing himself.

And he gets to make that decision against Mogami.

And--here's the thing--Mogami was WITH Ritsu for so much of Ritsu's spiral. He knows what sort of kid Ritsu is. So he "knows" Ritsu will accept what Mogami has to offer...

But when "makeshift" vanished was exactly when Mogami got Mob back, aka exactly when Ritsu went to Reigen. Mogami did not get to see Ritsu's healing. So he got to be blindsided by Ritsu's ultimate decision.

and ritsu's dynamic with teru is just. so good i adored every single scene they had together. first of all they are so fucking funny. they're just these two psychic middle schoolers who both suck so bad and just cannot stop trying to murder each other on the soccer field and i love that for them. ritsu's terrible decision-making reaches new heights every day and teru's just standing there watching him and being right about everything in the most annoying way possible. literally the worsties ever <3

I have, consistently, referred to them as "the two worst middle schoolers ever". Like "you're a horde ghost and you're stuck doing the bidding of the two worst middle schoolers ever."

With huge consistency, the scenes I find funniest end up being Ritsu Teru scenes. Because they are, in fact, The Worst.

but more importantly on a serious note i am obsessed with the complicated mess that is their relationship and the way it and the reader's perception of it change as the story goes on. when they first meet things are seemingly pretty straightforward (mostly. i have thoughts which i will talk abt in a second): teru is the one causing the conflict between them by being shitty, and ritsu's just responding to it relatively reasonably. ritsu's the protagonist, the good guy, whereas teru is a morally gray asshole. them working together is a matter of necessity, with ritsu only going along with it because he needs teru's skill and power on his side and teru presumably having his own secret, self-serving motivations. standard stuff; we all know how this goes.

except then the story keeps going, and it gradually becomes apparent that things are far from this simple. it slowly becomes clear that despite teru's arrogance and callousness, he does have ethical standards and lines he won't cross -- whereas ritsu gets more and more unfettered as time goes on. it also gradually becomes obvious that teru does genuinely care about ritsu and see him as a friend (probably the closest thing to a genuine friend teru has), even if teru himself is pretty shitty at being a friend -- leading to the incredibly striking moment when ritsu himself realizes this, and his main takeaway is just that he has power over teru. by the time they have their second soccer field fight, teru has proven himself the more morally upstanding one, which is pretty wild considering the first thing we ever see him do is beat the shit out of a near-defenseless thirteen-year-old for annoying him. of course, he still isn't supposed to be fully in the right -- one thing i really appreciated about the story in general was that the conflicts between characters are rarely as simple as "this character was Right and this one was Wrong," but rather a matter of all the characters making mistakes at one time or another and then having to deal with the consequences and make amends. ritsu and teru's relationship is a prime example of that with how "ritsu made his own decisions and those decisions were Very Bad" and "teru treated ritsu poorly and never actually did the work to make himself someone ritsu could actually trust or would want to listen to" are facts that coexist and both get addressed. the second fight is a masterpiece of a scene in basically every way, but one of my favorite aspects is how teru is desperately trying to reach out to ritsu but is hit with the truth that it's too late for that, that he should have been doing this the whole time, that all this is partially his fault. and in this scene, he fully accepts that, gives in and decides that ritsu is right: it's too late to make amends, it's too late to save ritsu. but it doesn't end there, because this is not a story in which things are simply unfixable, and so instead teru comes back, decides to make the hard choice and try to fix things instead of turning his back on ritsu for good. during the fight, teru says he wants to help ritsu, to sacrifice for him, and ritsu scoffs at him and rejects the idea -- but then teru actually does it. he puts his money where his mouth is and reaches out to ritsu and offers his own psychic energy to save ritsu's life, along with apologizing to him and offering his help to find mob. like i dunno what else to say that's not just summarizing every scene they have together but god i love their dynamic and its arc. i really hope they manage to become actual friends now because god knows they could both use more (read: any) of those. the text exchange they have at the end of the most recent chapter is delightful i love that they bond by insulting reigen i think that's great for them.

Yes yes yes yesssss. It definitely felt like the most ambitious thing early on in ABoT, where I had early-story Ritsu and early-story Teru, and I wanted, somehow, to pull off "they basically swap moral grounds by their second fight."

It's easy enough to just SAY "Ritsu spirals and does progressively worse things. Teru starts to take objection to these more and more until he's the one who thinks this whole thing has gone too far."

And, harkening back to earlier, this kind of plotline has to be deeply rooted in their characters. There is no "Ritsu becomes evil just because" and there is no "Teru becomes good just because."

So they needed to be consistent in their own characters, but evolving under the pressures of the story. Ritsu I talked a lot about early up, how deeply he fears not having control, how much repressed frustration he has over the ways everyone in his life has failed him. And he's never allowed to speak up, or god forbid lash out, because it is his JOB to be the surviving child. Perfect, mature, composed.

Ritsu takes this WILD leap into something insanely dangerous which he has no understanding of, nor power in. Teru IS his first big painful wake-up call with how summarily Teru curbstomps him. Ritsu goes home desperately wanting to quit.

He pushes through it, afraid and knowing he has so little power and control. Then there's Teru, exacerbating this. Because he loves to point out how weak, clueless, and not in control Ritsu is. He jabs and he teases and he chews Ritsu out and he knocks Ritsu down because Teru cannot pass up the chance to prove he's better.

So... of course Ritsu eats up the first opportunity he's given to improve his power over Teru. Gimcrack offers to train him--Gimcrack who's far more supportive of Ritsu than Teru ever is--so of course Ritsu accepts. Every single tick of power in Ritsu's direction is security. And Ritsu is consistently rewarded. He learns to manipulate, and it rewards him with control. He pushes Teru away and it rewards him with independence. He lets the whole horde possess him and it rewards him with power.

And then there's Mezato in all this, threatening to rip away his control. But he can beat that out easily with possession. And if he possesses people, why should he care? Possession feels nice, to him. That's not even a fraction of a fraction of the pain he's been through. He can do this to other people, because possession is POWER.

And, ahhh, possession was such a great thematic vehicle to spin the Ritsu-Teru face-heel-heel-face turn around.

The first cracks we see in Teru's demeanor are all, subtly or not, around possession. When Ritsu almost blasts the possessed woman (Ritsu, panicked, uncertain how to handle things) Teru tackles him and screams at him. (Killing a possessed woman? Teru oh Teru why might that terrify you?)

So Teru DOES have morals. He does have limits. But of course, his first exercise of this is tackling and SCREAMING at Ritsu for fucking up. Just another tick mark in Ritsu's check list of feeling powerless and antagonized.

And the next time, when Ritsu offhandedly mentions he's had his parents possessed for the night while he and Teru were at the meat warehouse... well it's out of focus, since Ritsu is our POV character and he doesn't notice, but Teru freezes. Teru questions this. Teru, instead of letting Gimcrack phase him through the wall (and he was resistant to letting Gimcrack touch him to phase him in in the first place) Teru instead blasts a hole through the warehouse wall.

But... Teru has a plan. When Isa catches Ritsu in the call center, Teru confiscates Ritsu's spirits and (behind his back) blackmails them into never accepting a command from Ritsu to possess someone. (Teru is also a control-freak, and rather than try to talk to Ritsu directly about not possessing people, he just uses manipulation and threats to make it happen).

So now, Teru can relax, surely :). He invites Ritsu along for the movie. He's mocking and insufferable and cruel to Ritsu but, hey :), that's just Teru proving his place in the hierarchy. He... actually does want Ritsu there. He actually does help Ritsu (cauterizes his wound without asking). (It's still power-plays. Still power-plays all the way down which Ritsu hates.)

And Teru... incorrectly... starts to entertain this idea that Ritsu also thinks what they have is friendship. And after the ice cream thing, is when Ritsu leans into Gimcrack's offer to learn how to start being manipulative like Teru is.

So Teru notices NOTHING is wrong for a long time, because now Ritsu is faking it. He doesn't notice until it is much too late. And, frankly, it was ALWAYS too late for Teru to take the moral high road. And some part of Teru realizes this because what he sees in Ritsu, he realizes, is what it looked like to watch Teru from the outside. Teru was ALLOWED to be manipulative and horrible because Teru, himself, always knew he would stop before crossing a real moral line. (Not that Ritsu knew this.) And now he's staring at Ritsu, a true threat who won't listen to reason and who CANNOT reliably be expected to back down before a line is crossed.

And... to THROW this in Teru's face in the FORM of Ritsu letting every spirit from his own horde possess Ritsu during the fight, giving Ritsu the upper hand.

I always knew, for this second fight, the tables would need to be a lot more evenly matched, with Ritsu coming out ahead more often than not. But I also don't like "some character is morally questionable now, and for some reason that's made them stronger than the master character who pulverized them earlier."

But POSSESSION. The motif that all this conflict is hanging upon, used as a boon on Ritsu's side to smash Teru into the ground, to physically and MENTALLY rattle him to the point that he's lagging on Ritsu's attacks and incapable of subduing Ritsu until Teru puts aside his psychic powers all together...

AND JUST... Teru all the while being forced to realize he IS not blameless in this. That every horrible, callous remark he made to Ritsu was not directing Ritsu to the right path or proving himself cool and powerful. They were all instead only cementing Ritsu's hatred of him.

And Teru does not want to accept this at first. He wants to think he did the right thing, ultimately, and it was RITSU who rejected him. And this is where the scene with Slipshod comes into play. Slipshod, who is shown again and again being good at pressing people's buttons. Slipshod is the one bully bigger than Teru in all this, and behind his dumb demeanor is he really really good at knowing how to get a rise out of people. He does it to Reigen while possessing Mezato. He does it to Ritsu while possessing his mother. And he does it to Teru, for fun, because he loves to rub Teru's face in the mess he created.

Which, on the plus side, was the wake up call Teru needed to recognize how consistently horrible HE had been. How much of Ritsu's spiral (and now, imminent death) happened because Teru gleefully pushed him toward it.

Teru's one and only friend.

After Teru swore off friends and loved ones, because they can be used to hurt him.

So it is a big moment, and a big decision Teru makes, when he chooses Ritsu. chooses apologizing. chooses making himself vulnerable (VERY LITERALLY, with how the power transfusion drains Teru to nothing). Teru chooses to care.

And ultimately, it's not even that Teru went from the bad moralless one, to the moral one. He always had these morals. He had these uncrossable lines since day one. But he hid it behind his horrible antagonistic demeanor and the cracks did not come through until he realized he lost control of Ritsu. Teru's ACTUAL heel-face turn comes in him realizing how awful his demeanor was and making amends for that.

i'm actually not done talking about them though because it's finally time for that tangent about teru and ritsu's first fight on the soccer field now because i just reread it while writing that last section and it's so interesting actually. like okay, like i said before it does set teru up as the problem -- in that scene teru is very much the aggressor; he's being a complete asshole for no goddamn reason, with absolutely no compunctions about beating the crap out of some random kid, and ritsu is the scrappy underdog determined to fight back despite not really having the means to. but then there are the moments hinting at more complexity to teru -- him literally stopping the fight to teach ritsu to use his barrier, giving ritsu the makeup after the fight, and of course his decision to spare ritsu in the end. and then on ritsu's side, he almost actually kills teru -- the only reason he doesn't is that teru manages to break free. (awful awful au idea: ritsu actually does kill teru here. would that be fucked up or what) something that stood out to me when rereading it is that despite teru repeatedly saying he'll kill ritsu, and ritsu's internal monologue being very convinced that he's in mortal danger, teru's reaction to ritsu actually almost killing him -- "you really are trying to kill me. we're done", etc -- seems to imply that his threats were more him just talking a big game, expecting ritsu to give in and surrender eventually, and he didn't actually intend to kill him until ritsu gave him an actual reason to. especially interesting to me is the bit where teru asks ritsu if he really meant to kill him, because ritsu's narration and teru's actual actions are kind of at odds -- ritsu tells teru he meant to do it because he thinks him scaring teru is what's making teru hesitate, and that he needs to make teru think he's dangerous in order to get him to leave ritsu alone, but teru's actual response is the opposite, attacking ritsu more fiercely because "there's no reason for [him] to hold back". in general the scene very cleverly sets up the core difference between them: teru is pretty awful but does have firm moral standards, whereas ritsu is desperate and willing to do just about anything if he thinks it's the only option. also the parallels and contrasts with the second soccer field scene are excellent -- the role reversal with the strangling but also how when ritsu does it both the initial act of starting to strangle teru and the fact that he doesn't end up killing teru are both unintentional on ritsu's part, but when teru does it it's a very intentional choice both to do it and to not go through with it; "we're done" said by teru the first time when he's preparing to kill ritsu and then the second time after he's decided not to. have i mentioned that this fic is good because this fic is good. i'm running out of ways to say that

YES!!!!!! ANOTHER RESOUNDING YESYES YES.

I have slightly pre-emptively answered this question by mentioning it above but Teru demonstrates this hypocritical "rules for thee but not for me" because, internally, Teru knows HE will always stop before the line is crossed.

BUT RITSU DOES NOT KNOW THIS. THERE IS NO REASONABLE EXPECTATION FOR RITSU TO KNOW THIS.

So Ritsu, and we the audience, do NOT know this during the first soccer fight. Teru is going to kill Ritsu is a very reasonable conclusion to draw from the way Teru goes all out on Ritsu. Ritsu is terrified. Out of his depth. He's panicking. This kid is going to kill me and he has every reason to believe it.

We don't know, unless (like you) you look at the smaller details, that Teru is not intending to kill Ritsu. He's talking big. He's trying to force submission in Ritsu. He's not trying to kill.

But Ritsu does go for the kill. Because it is the single break he gets and it's perhaps his only chance to survive (he thinks), and he does, IN FACT go for the kill.

Teru breaks free and he does... even give Ritsu the chance to clarify if that was an intended kill-shot. Teru is giving the chance for Ritsu to essentially say "Sorry, accident, don't escalate to trying to kill me." But Ritsu misreads the room, like you point out, and this is when Teru gets serious.

Strangulation, in the first fight and in the last fight. Exactly as you say. Accidental, by Ritsu, the first time, and accidental in letting Teru live. Intentional, by Teru, the second time, and intentional in letting Ritsu live.

"WE'RE DONE" ECHOED. TWICE. In their first fight and their last. With entirely different meanings.

okay those were my big points but i also had a bunch of smaller thoughts so here's just. a list: - i just think it's really funny that teru saves ritsu by punching him in the chest with psychic power on not one but two occasions. literally their dynamic in a nutshell. (also. the way during the time at the mall ritsu responds by being like "did you cauterize me" really gets to me for some reason. he sounds so offended. like you can't just cauterize someone's wound maybe he liked bleeding all over the place you don't know!) (actually wait that thought is also very funny considering what happens with mogami and reigen later. you really can't just cauterize someone's wounds that's very rude. they worked hard to be that grievously injured) - okay so the burger scene. first of all generally a great scene second of all obviously it's a parallel to the scene with mob and the milk (reigen saying "have mine too" and all that) but also i love the parallels to the scene with isa in the coffee shop (also a great scene btw. have i mentioned this fic is good). they're both scenes in which ritsu has a loud emotional breakdown in a public restaurant (love that that happens twice. ritsu honey can you maybe not) with a major focus on ritsu's insistence on letting himself suffer and refusing any kindness he's shown, but they show ritsu at very different points in his story and have very different outcomes -- isa can't manage to get through to ritsu, but reigen can. ritsu refuses the croissant till the end, but he eats the burger. (sorry to add another side note but i love that that was a very serious sentence i just typed about a very emotional character arc.) also the symbolism in the fact that in the coffee shop scene, ritsu's explosion of psychic powers freezes and then spills his hot chocolate, rendering it undrinkable, but then in the burger scene when he blows up the ceiling the dust explicitly doesn't get on the food, so he can still eat it. good shit - i'm trying to avoid going through every single line or joke i liked one by one but i will say. the "this--" "reigen." "reigen" jokes were both incredibly funny on their own but the fact that they're like 30 chapters apart is what really kills me. the dedication. i saw the second one and was thinking "didn't that joke happen before. when was that. wait was that literally all the way back with tetsuo". countless plot events and several irl years may pass but reigen will never catch a break - the "FUCK OFF" tag reigen made being the one that they exorcise mogami with. perfect - love that ritsu is indirectly responsible for teru's girlfriend breaking up with him (good for mei honestly. sure teru wasn't actually cheating but his ass deserved to get dumped) and i like to imagine that teru never lets this fact go. he's not particularly upset about the breakup but he WILL bring up that ritsu ruined his relationship at every possible opportunity purely to annoy him

I THINK YOU MAY PERHAPS BE THE FIRST PERSON TO RECOGNIZE THE DOUBLE-CAUTERIZATION, and the intentional joke in Ritsu, the first time, declaring "Don’t… perform psychic medical procedures on me without my permission, okay?!" Like sorry bud, this is not the last unauthorized psychic medical cauterization Teru's gonna perform on you.

But not every unauthorized medical cauterization can be a win. Turns out when Mogami does it it's kinda mean >:(. But also necessary, for a not-dead Reigen, so actually thanks Mogami.

ABSOLUTELY THE "HAVE MINE TOO" INTENTIONAL PARALLEL BETWEEN THE MILK SCENE AND THE BURGER SCENE. I'm always glad when someone notices the repeat phrasing that ends both those scenes.

And aaghhhhh I could write a whole other essay about the symbolism that food plays with Ritsu's plotline, but in the smallest nutshell how it tends to represent someone reaching out with care and how often Ritsu rejects it. One public restaurant psychic outburst rendered the offered food unconsumable and the other one intentionally points out the way the food (burger) avoided the destruction :')

THANK YOU YES. "This--" "Reigen." "Reigen." as a repeat joke tickles me so much. Just Some Guy energy. Could've played the most pivotal role all night but he'll still end up somewhere next day where someone needs to figure out who he is. Reigen is here too, btw. His name is Reigen, btw.

Fuck Off tag was delightful... It started as an inside joke for a very early comic that @sandflakedraws drew (and then later redrew), of the (chapter 5 or 6) Reigen Tetsugami confrontation. The ineffective tag Reigen sticks to Tetsugami's cheek has, in katakana, "fuck off" written on it. Hilarious enough joke for me, years later, to incorporate it into the story.

Re: the girlfriend thing. I've joked before "if I had a nickel every time evil spirit possession was mistaken for an affair in ABoT I'd have 2 nickels. Which isn't a lot but it's weird it happened twice." But yeah, Ritsu, you asshole. You cost your bro his girlfriend.

i could just keep going but at this rate i'm going to be going back through the entire fic and just talking about every single scene so i should probably stop before this gets any longer. basically what i wanna say though is that the fic was very good, thank you for writing it, it has given me brainworms. once again i am so sorry for the length of this ask

THANK YOU!!! I think I just spent like 2 hours writing this response because, as you can see, I REALLY LIKE talking about this stuff haha!!

[possamble]

Do you have any headcanons or thoughts about Falin having a crush on Marcille pre-canon? Especially during her later years at the school/the years she was with Laios.

Just full on "awkward and slightly gnc teenage lesbian has a massive crush on the touchy-feely girly girl straight best friend" tropes everywhere. Even better bc it's the "best friend is also the popular girl while lesbian is the slightly ostracized quiet one" dynamic in school. Falin gets so so so good at not having a heart attack every time Marcille gets in her personal space. But she's so resigned to never saying anything bc why would a girl as blinding as Marcille ever like her back. She also doesn't make an effort to get over it either, she's just content to be trapped in that stable dynamic of silently being in love with Marcille while getting to enjoy CLEARLY being Marcille's favourite person. She gets so used to it that it's almost just background noise most of the time-- it would have to be, unless she wanted to be freaking out 24/7 bc Marcille is so goddamn affectionate.

Her feelings also definitely change throughout the time that they're in school together-- at first it was this "whooaaah pretty older girl" puppy crush that you can clearly see developing in the flashbacks we get (I think she doesn't even like... realize her fixation on Marcille is romantic at all until years after it starts, when she's 12-14 ish and all the other girls around her are talking about crushes). But then they get closer, over the years Marcille starts getting really attached and letting down her guard, and Falin gets to see the ridiculous side of her. She gets to calm her down from her tantrums when experiments don't work out, or help her clean up when something explodes in her face. I feel like the progression of her feelings from "schoolgirl infatuation" to "unrequited love" probably almost exactly corresponds to how slowly Marcille goes from trying to keep Falin at a polite but friendly distance (like she does with everyone else) to her facade completely eroding as she becomes her cheerful and ridiculous self again for the first time since her father died.

That's probably the saddest part: Falin knows that she's clearly Marcille's favourite person on the surface level, but she doesn't quite fully grasp the enormity of what that means to Marcille. She doesn't get that she's the person who made the world colorful again for Marcille, that she is the first person outside of Marcille's family to really and truly make her laugh. She just thinks she's the beloved but dinky little short-lived sidekick, one of many that Marcille has had and will have.

Part of it is that, despite Marcille becoming such a clingy and affectionate best friend, I think her initial demeanour already did its damage. You see Falin being super adventurous and weird at first, bringing Marcille berries and other stuff, only to be rebuffed by Marcille exasperatedly saying she's working or looking kind of put off by it. And by the time you see her a little older, shes already quieter and better at masking -- and I'm not saying that that's entirely Marcille's fault (being the weird girl at an all girls academy for almost the entirety of her teenhood must have been brutal, my god) but she definitely learned that she's a potential nuisance to Marcille if she doesn't tone herself down. She learned that Marcille most likely sees her as a weird little kid following her around bc she has no other friends. And for the most part, she was never given any reason to unlearn any of that.

And that all very very smoothly transitions into Marcille being her "first love that was never meant to be anyway" when she leaves the academy. Chapter closed in her mind: she loved and pined from a distance and that was that. Every now and then she'll see another woman with Marcille's build or her shade of hair and be like ":( I miss her..." But then just kinda move on with her day. Same with when she's going through her own spellbook and finds a note that Marcille left her/correction that she made-- she'll smile fondly and reminisce about how much Marcille doted on her, and then move on.

Sometimes she thinks about contacting Marcille but convinces herself that it's too late (she spent too many months focusing on getting Laios healthy again and didn't mean to go no contact, but ah well). It's only when she has a practical reason to be reaching out that would also benefit Marcille ("Marcille is studying dungeons and we need a trustworthy mage to go with us to the dungeons") that she feels like she's allowed/that it wouldn't just be 100% a nuisance.

I almost think she didn't expect Marcille to reply at all, only to get a telegraph (or some in-universe equivalent of express mail, maybe magical pigeon carrier) that's like. EN ROUTE TO ISLAND. LETTER TO FOLLOW. and she freaks out like AAAA LAIOS SHE SAID YES WE HAVE TO CLEAN UP NOW.

I do think getting a response accidentally sparks a little hope in her, judging by the way she acts in the chp 57 flashback-- she's pouty that Marcille sees her as a kid, gets really worked up about being presentable, and then tries to play it cool when she actually meets Marcille (as if she didn't freak out and force Laios to shave while rambling a mile a minute about Marcille). She's an adult now, really and truly, and she's seen and survived things that her 18 yr old self would have never even imagined-- then all of a sudden, the person she was in love with since she was ten years old appears, and she's so desperate to be seen as mature and competent. She's trying soooo hard to impress Marcille with her newfound combat and dungeoneering experience...

Only to fall right back into their old dynamic. RIP. At least she gets the girl eventually, even if it takes dying twice and being the core catalyst behind an almost-apocalypse.

[historicity-was-already-taken]

pixeljade: #it IS very much a complex issue and I feel like saying that has been pissing off a lot of folks on both sides #one fact i would add to the table is that the current actions against palestine DO constitute a genocide by definition #its a word i hear pro-Israel people get very upset by because they think it is inherently comparing this to the holocaust #but its not. some people DO and thats its own discussion. but calling it a “genocide” is simply accurate and undeniable

Speaking as someone who was that pro-Israel person in her teens and very early 20s, the reactions you're describing are 800% cognitive dissonance freak outs. Most of these people, like me, received either directly or indirectly from their Elders in the Jewish community a very trauma-induced and deeply emotional information about the history of this situation, which boils down to: "They tried to kill us all once and they didn't now we finally have returned to the Promised Land, the only place we have to shield ourselves against It Happening Again. Israel's detractors hate that Jews can defend themselves now, and if any of them, including the Palestinians, were to have their way, they'd see us all dead. We must defend ourselves at all costs, and not let anyone ever put us in existential danger as a people ever again."

And then to have some rando 19 year old who knows jack shit about your or your community or your community's trauma to get up in your face and start screaming at you about genocide? It's only going to trigger that intergenerational trauma, and cause the party being screamed at to dig deeper into their defensive, cognitive-dissonance fueled response. Which, if we were to boil that response down to a thought process, looks like "This person hates me and all Jews. They think we're a hive mind who don't deserve to live. Thank G-d for Israel."

What's complex, is that not everything in that trauma response is wrong, and not everything the dumbass 19 yo who has no interest in unpacking their own learned anti-Semitism was wrong.

Israel's actions towards Palestinian Arabs since 1948 does fit several definitions of genocide and/or ethnic cleansing. And many of the Westerners who scream about it the loudest are fairly openly anti-Semitic.

Now, as someone with big Holocaust intergenerational trauma in her family, I am sympathetic to the Jewish kid in this scenario. But cognitive dissonance is just that: the domain of a child. Adults understand that cognitive dissonance is a little voice in our head telling us "Hey comrade our discomfort with this is a little much. Maybe this is a learning opportunity?"

I mean, that's what I did. But it's difficult. Its uncomfortable, and that scares people. It's much easier to believe that "They call it the Naqba because they hate us and think our survival and access to national self-determination is a disaster,"* than it is to understand that "They call it the Naqba because it was the near total dispossession and ethnic cleansing of Palestinian Arab populations from their generational homes and properties."

And again, everything I'm saying here is a result of my journey from a hardcore Zionist-in-the-contemporary-sense child (though always left in terms of domestic US Politics), to a grown Holocaust historian who understands that Israel is no better and no worse than all the other nation states (for new readers, I understand the nation-state as a political entity, the logical end point of which is genocide and/or ethnic cleansing), and openly criticizes it on those grounds.

*A rabbi in a youth group I belonged to told me this almost verbatim when I was 15. And when you're 15 and somebody tells you they love you you're gonna believe them.

[transmigrationisunderrated]

So, I've been having this stupid overelaborate idea for a binggeyuan au for a hot minute now and I'd like to get it off my chest

Basically, Bingge goes out to find his kind shizun, as Bingge does, and finds Shen Yuan.

In the trip, he loses Xin Mo, so he's stuck in the modern era with (anti) fan Shen Yuan. He doesn't fully clock Shen Yuan as the kind Shizun from the other world at first but he has his suspicions.

Meanwhile, on Shen Yuan's end, he was going to go out and pester Airplane about his writing when he opened his door, saw Luo fucking Binghe passed out on his doorstep, saw a weird computer screen pop up in his vision, and panicked. Yup, the system is here too and it's attached itself to both Shen Yuan and Airplane.

Airplane is assigned the role of 'narrator' by the system, allowing him minor invulnerability and the ability to track the story. Airplane is freaking out because if this is anything like the stories he writes for himself, they're fucked, and if it's anything like the stories he writes for money, they're fucked, literally.

He's particularly worried about his only friend/greatest critic because Shen Yuan and Luo Binghe are both marked as the protagonist and antagonist. The cumplane duo can discuss this with each other but they're forbidden from sharing it with anyone else.

Shen Yuan is worried because, "How can I compete with the Luo Binghe, you dumbfuck author!" and Airplane is worried because, "Cucumber bro, my idea of a good story is a tragedy!" "I'll say." "No, bro, I'm serious, I mean a tragedy!"

Shen Yuan's life starts to fall apart; his eldest brother dies, his parents distance themselves from him, his chronic disability starts giving him more trouble than usual, generally shitty life stuff that would work to leave a protagonist sad and miserable. Add the fact that the PIDW world is starting to blend into their world and Shen Yuan is going through it.

Oh, but that's not even the peak of the iceberg. Luo Bingge figured out that Shen Yuan is somehow the same person as the kind Shizun and is clinging to him. However, Bingge is a wee bit fucked up and he wants exactly what he wants, not some off brand of it. Thus, he starts nudging Shen Yuan to act a bit more like the Shen Qingqiu he encountered, convincing him to grow his hair out, convincing him to wear more green, buys him fans.

Shen Yuan finds himself falling for Bingge, despite his own panic, denial, and concern. When Bingge shyly confuses his admiration for Shen Yuan despite his struggles, they end up spending a wonderful night together.

Airplane is suspect of his friend's relationship; he wrote Bingge after all and he knows how he'd write a tragedy about Bingge and someone who truly loved him.

He's... he's not wrong.

Bingge expects Shen Yuan to fall to his beck and call, to be yet another wife, unwilling (and unable) to give the same care and attention back.

When Shen Yuan is not perfectly subservient and docile for Bingge, he starts seeing a woman, to make Shen Yuan jealous. See!!!! Bingge totally doesn't need you!!!!

Shen Yuan is. He's coping. He knew what kind of person Luo Bingge is. One papapa and ship them into the harem to never be seen again. Shen Yuan doesn't know why he expected different. However, he does respect himself more than that and politely asks that Bingge not sleep with him while he's seeing this girl. Which. Is the opposite of what Bingge wanted or expected. "Yuan-gege! Don't you want this lord anymore? Is he not desirable? How dare you ignore this lord!"

So now Shen Yuan is moping because he thinks Bingge only loved him because he looks like another and that he's just another bitch in the ditch.

Luo Bingge is pouting because his tried and true methods of seduction aren't working on his new kind Shizun and instead attracting all the wrong people! He doesn't want to be swarmed by many women, he wants Shi- Shen Yuan!

Airplane, watching Shen Yuan and Luo Bingge fall deeper into miscommunication and bitter, hurt feelings: oh. Oh no.

When the PIDW world bursts into their own, featuring a convenient hole into the Endless Abyss, Shen Yuan and Bingge are caught in the middle of it and with it, a pretty nasty argument.

Shen Yuan accuses Bingge of planning a hostile takeover and Bingge accuses Shen Yuan of trying to hold him back.

One thing leads to another and Bingge accidentally pushes Shen Yuan into the abyss.

Whoops.

[blueteller]

Greetings oh wise one! I come asking for advice/analysis.

How would you describe the type of chaos Cale starts? Like, is there a play by play of Cale’s usual migraine inducing shenanigans?

"Oh wise one" - that's a new one haha! I'll try my best for you~! 💖

In the past, I made short joke posts on Cale's typical step-by-step MO, like: "scam, loot, destroy", or "fight with overwhelming advantage, run, smack them in the back". And while those steps are hilarious and quite accurate – since you've asked for an analysis, let's dive a little deeper into the subject.

First of all, why is Cale's personal brand of chaos so enjoyable? Simple; it's because it's always targeted at people who 100% deserve it. Civilian casualties? Not an option with Cale in charge. This man takes his 10+ years zero casualties record completely seriously.

And no, there are no exceptions to this. While at first it might seem impossible – for example there were times when Cale and his group attacked buildings with servants in them or destroyed whole ships with crew on board – and it can make you wonder, weren't any innocent workers there? But no. If you look closely, any time there were any civilians involved (any people who weren't onto the whole murder and torture thing the bad guys were doing), Cale made sure to either capture, evacuate, or leave them alone. From the first heist with Choi Han when they freed Raon, to the Unranked Monster battle at Puzzle City, or heck even robbing the Sekka estate, they always made sure to not kill the civilians. Even with the battle ship, I'm 100% certain there were only armed people on board, prepared to be the ones who would murder civilians without hesitation. Cale left no chances of innocent people getting hurt.

That's what makes his MO so wonderful. Because Cale only screws over those who deserve it. Of course, Cale doesn't see it like that. From his perspective, what he's doing is "vicious", so he must be the bad guy. And while his MO is definitely ruthless… It only matches the weight of the crime of his opponents. Cale only gets involved and makes a s***show when he is really pissed off. And by pissed off, I specifically mean innocent people getting hurt. Because that's what it all comes down to, really. He can delude himself and claim he's doing it for profit, but there's nothing wrong with profiting off well done work. He never cheats his allies off their right rewards, either. Despite him being so chaotic with his actions, he... never actually does anything that crosses the line.

(Yeah you could try and argue that torture crosses the line, but uh… At least Cale never ordered torture for personal pleasure? The first time it was to help a child heal from their trauma, and every other times since it was to extract information from particularly nasty and stubborn murder cultists. It might be morally grey of me, but I don't believe it was wrong of him. That's a matter of personal opinion of course.)

So, the starting point is always Cale facing people who pissed him off through messing with innocents in some way.

It can't be some petty political squabble either, Cale doesn't mess with those – remember how he reacted when the King of Whipper Kingdom wanted to agree and give up 100,000 citizens of his country to Adin, just to save his own skin? Raon offered to loot the king's safe… and Cale totally could have done that out of pettiness? But Cale left it alone, because it never came to that. So yeah, Cale only messes with those who already hurt people on a large scale, not just crooks or cowards. Even the bandits who messed with the Super Rock Villa entrance, he just had the leader beat up and made them work for him – he even had them formally employed and educated. Which honestly, probably improved their living conditions drastically, now that I think about it. …Cale is such a freaking softie, I swear.

But we're going off track – Cale and his specific brand of "migraine inducing chaos", that's the main topic here.

First, Cale always gets information. Who are his opponents? What have they done? What kind of powers they have? What dirt does he have on them? Where is their money located? Stuff like that.

Next, there's the planning & preparation phase. However, we rarely see that part because of the "no repetition rule" of storytelling. The only time we ever see characters make plans and explain them to their allies is when things are about to go south. In case of TCF, we only ever find out what kind of plan Cale has is when either 1) it's already ongoing 2) something went wrong and Cale wonders how it happened, for example when Cale set up the trap for the White Star in the Dark Elf city.

Then, with a solid plan and allies all prepared, Cale infiltrates the combat zone. Be it Real Arm uniform, priest get-up, pretending to work for some unnamed scary higher-up; you get the idea. Even during open-field battles like the Maple Castle, Cale made sure to have multiple hidden assets and key players disguised. It's a very important part of his MO; making sure he and his allies are as safe as they can possibly be.

Once everybody deals with their designated obstacles, be it simple head smashing or straight up scamming his opponents, Cale loots stuff. Sometimes the looting comes before the combat for the element of surprise, but usually combat happens as a distraction for looting anyway. Naturally, this is the part Cale enjoys the most, because according to Cale's logic, nothing feels as good as pissing off the people who pissed you off first. Not to mention how money is extremely useful, and Cale whole deal is that he always makes sure to take full advantage of anything and everything he finds useful – be it people or treasures. Classic Cale behavior, really.

After the looting stage, here comes the destruction! This part gotta be Raon's favorite, as he's usually in charge of it. Considering how his first destruction spree happened without Cale's input – the cave he was trapped in – I think it's a natural draconic trait lol. Everything that cannot be looted and can be still useful to the enemies must be demolished, that's the rule. After all, the revenge can only be complete when the enemies are left totally furious and powerless.

As for clean-up… pfff, what clean-up? Cale doesn't do clean up! That's the job for the janitor- I mean his dear Hyung-nim 🤣 I bet it's Cale second favorite part about making a huge mess; that he doesn't have to clean it up himself thanks to Alberu hahaha

So, a general play-by-play of Cale's chaotic shenanigans goes something like this:

Cale finds out there are troublemakers "messing up his slacker life", aka. people are getting hurt and his soft, squishy heart cannot ignore it

he gathers his team, info and gets down to planning

cue in hilarious scamming and Mission Impossible flavored undercover shenanigans

looting for fun and profit

destruction mostly for fun but also profit

when things go awry, Cale gets to overuse his Ancient Powers and spill blood like chocolate fountain spills chocolate at fancy events, it's just the same never-ending cycle really 🤣

retreat if necessary, but that rarely happens (I think couple of times throughout the whole series, really)

the enemies are left furious and/or utterly defeated

Cale's fam is left generally more worried over Cale being reckless again, than whatever epic chaos is going on around them, causing lots of delightful misunderstandings and comedic moments as a result

Alberu Crossman gets a headache once again

…aaaand that about sums it up! 💖

[cosmerelists]

Cosmere Characters Meet Non-Cosmere Sanderson Characters

As requested by anon. :)

Namely, Sanderson characters from non-Cosmere works I've actually read, aka Skyward and Frugal Wizard.

1. Ryan Chu (Frugal Wizard) and Amaram (Stormlight)

Ryan: What DOES Sanderson have against handsome, highly competent people? Amaram: I don't know. He just hates us. Ryan: Are we too good at our jobs? Amaram: Are we too handsome? Ryan: Too good with the ladies? Amaram: Too effective in battle? Ryan: Is it that we maybe slightly screw over his precious main character while working on something greater? Amaram: He's SUCH an unforgiving author.

2. Jorgen & Spensa (Skyward) and Vin & Elend (Mistborn)

Vin (narrowing her eyes at Jorgen): You look like a man from a highly wealthy, politically influential background who has a strained relationship with his father, especially after you fall in love with a badass, combative woman from the "wrong" side of society who has special powers needed to save the day. Spensa (narrowing her eyes at Vin): And I'm getting the sense that you had to fight really hard for everything in your life but never gave up, and that you didn't like your man initially because he seemed wealthy and stuck up but eventually you realized that he matched your freak pretty exactly. Jorgen: Oh wow, we definitely need to set up a double date! Elend: Did we just become best friends?

3. Cobb (Skyward) and Harmony (Mistborn)

Cobb: ...and it's honestly horrible, constantly loading children into that munitions chamber to be spent into empty shells. Harmony: I know what you mean. Every time I cannot act, I have to call upon Wax to be my gun once again. Cobb: And then they go out... Harmony: And then he goes out... Cobb: And they die! Harmony: And he kills tons of people! Cobb: ... Harmony: ... Cobb: I think you got your metaphor backwards there, friend. Harmony: I think it's you.

4. John (Frugal Wizard) and Painter (Yumi)

John: [holds out his hand for a fist bump] John: Fellow loser protagonist? My man. Painter: I-I'M NOT FIST BUMPING TO THAT

5. Kimmalyn (Skyward) and Adolin (Stormlight)

Adolin: It can be tough to be the most emotionally intelligent person in the cast, huh? Kimmalyn: Tough? I dunno about that! I like being able to help my friends! Adolin: I mean, me too! Adolin: But we're both so friendly and mostly upbeat that I think people sometimes forget we have our own problems. Kimmalyn: Yeah...I missed some shots that haunted me for a long time... Adolin: And I stabbed a guy through the eye in an alley. Kimmalyn: Well, bless your stars!

6. Sefawynn (Frugal Wizard) and Demoux (Mistborn/Stormlight)

Demoux: Off-worlders giving you a hard time? Sefawynn: I'm sorry? Demoux: People from other worlds? Coming to your planet and messing everything up? Sound familiar? Sefawynn: My husband is from another world. Sefawynn: I would not say that he "messed things up." He helped save us. Demoux: [Crumping up a Seventeenth Shard pamphlet in frustration] How great for you.

7. Spensa (Skyward) and Jasnah (Stormlight Archive)

Jasnah: So these "Cytonic" abilities of yours give you access to the "Nowhere." Spensa: That's right. Why? Jasnah: Which is some kind of extra-dimensional space that exists alongside your "normal" space where time is strange and timeless creatures exist? Spensa: The Delvers, yeah. Jasnah: You are basically a sci-fi Eslecaller. Spensa: ... Spensa: A what?

8. M-Bot (Skyward) and Nightblood (Warbreaker/Stormlight)

M-Bot: Hiiii! Nightblood: Hello!!! M-Bot: I can already tell that you're a kindred spirit. Nightblood: Yeah!! M-Bot: Do you want to read my ongoing work "The Greater Argument for Human Origination Chaos" (GAFHOC)? Nightblood: Well I don't think I can read, but you can tell me about? M-Bot: My main thesis is that "humans are weird." Nightblood: ...And evil? M-Bot: No, gotta go with "weird." Weird creatures, humans. Nice. Squishy sometimes. But weird. Nightblood: Mmmm...I think you're missing the "evil" part. Nightblood: I was created to destroy evil, you know! M-Bot: I was created to document mushrooms! Maybe! Nightblood: Does the "M" stand for Mushrooms? M-Bot: Yes! Or possibly "massacre" according to Spensa. Nightblood: Ooooh, I like "massacre." Massacre is cooler than mushrooms! M-Bot: Uh, you haven't seen my very cool mushrooms. Nightblood: Well, let's see them. M-Bot: I love having a friend!

[rollercoasterwords]

ok personal top 5 least favorite responses 2 lambpost:

1. terfs going ‘woman moment’ -> your politics are rooted in a fundamental reinvestment in the very sex binaries that undergird patriarchal power & your analysis of this post is shallow & mean-spirited. immediate block

2. ‘get therapy LOL’ -> health itself is a social construct as is mental health & therapy is not a neutral institution. your assumption that anything deemed strange/abnormal/uncomfortable must be the result of an emotional state in need of ‘fixing’ indicates a lack of critical self-reflection as to how and within what institutional confines your own ideas about what is ‘normal’ & ‘healthy’ have developed

3. ‘wait is this deep & meaningful or is it weird & horny i can’t tell’ -> your inability to reconcile the fact that the erotic can be meaningful & the grotesque sexual paired with your assumption that art must have a single, fundamental True meaning is tiresome

4. ‘oh yeah well i’m NOT the priest’s favorite sacrificial lamb because i bite & kick & fight back’ etc etc -> ok. why r u on the priest’s favorite sacrificial lamb post then

5. ‘clearly the Actual Meaning of this post is X & anyone interacting w it in a different way is a freak/brain damaged/incapable of critical thought/etc’ -> do u enjoy the pedestal u have built for urself. does it make u feel special.

personal top 5 favorite responses 2 lambpost:

1. this comic by @honeyedheartss -> beautiful & i am always thinking abt it <3

2. these tags by @unclemagnemite -> genuinely a fresh & fun interpretation i had not considered which added something new 2 my own experience of a post i wrote. also very funny

3. people making webweave posts w supernatural & succession characters -> this is what social media is meant for. also ur so right that character is definitely the priest’s favorite sacrificial lamb…

4. this fanart by @penaltyboxboxbox -> idk who that man is or why he’s the favorite sacrificial lamb but i think it’s so cool how his guts r out

5. this comment on tiktok -> let’s all hold hands & become alpha wolfs. together <3

[mitsua]

in headcannon format, can you do Lucifer, Satan, and Belphegor with an MC who’s always really cold towards them but also have a soft spot for children? Like if Belphegor asks for a favor they’ll bluntly say that he should do it on his own but if Luke even looks at a plush they’ll buy it in a heartbeat and be so happy and gentle towards him

They don’t hate the brothers, they just. Really like taking care of kids and refuse to do the same for adults

Hello!! First of all, I'm so sorry for the delay.

This request sounds pretty interesting to me and I just had to try my best and make their headcanons a little more longer! Hope it's what you looked for <3

With an MC who's cold towards them but have a soft spot for children

Warnings: bratty behaviour from Belphegor, slightly cold reader I suppose?

Series: Obey me! SWD? Genre: littleee to no angst, mostly fluff

Words' count: 1.13k MC's. . . GN!

Since the beginning he could see you could stand your ground whenever you wanted to, if not, 'how you could have helped him and his brother's with that whole ordeal back on the attic incident days?'

He got to know you were a though and brave human. Then how is it that you're all smiles and cute laugh while spending time with Luke the chihuahua?

After he's seen that behaviour of yours towards no one but Luke, it gets difficult to act indifferently when he gets you to stand in front of him looking as serious as ever.

But that's it, you've never done anything cute or smile towards him really, so? It should mean nothing, if that chihuahua got a better joke that really made you laugh well, then that's that, yes.

He comes up with a plan.

He tries to recreate a similar occassion as the one you gladly offered help to Luke when you saw him baking at the HoL by himself just for fun. He wrecks his library a mess and sighs loudly and frustratedly to see if you'd offer help too. You do out of politeness though, but as his pride gets in the way and brushes it off as 'something that he'll get done in no time', you don't budge further and immediately retire. This freaks him out, he thought you'd pry a little more—but then again, he's only seen you do something for someone when it involved Luke, as he's never got the opportunity to watch you with other looking children—so maybe he should even be grateful you offered to help once.

He tries to pay no mind to those thoughts of you being kind towards other creatures and or people, but at least he now knows—if you ever offert to help again, he'll fight strongly to say 'yes'.

He'll try his best to slowly but surely try and get more reactions out of you, mostly because of his love for you, but his pride may get in the way more than one time again...

He respects you, mostly because you were the one who helped him through his inner battle about his hatred towards Lucifer and his very own self.

He's also researched about common human boundaries and came across a page that read about how they may change when your relation with the person goes further and you develop trust and fondness towards them.

Then he makes his job as a detective and tries to set up (not really 'cause they're mostly usual activities to do in the HoL) some scenarios to try and get a reaction from you that might mean you're relation has gotten stronger and maybe get you to smile like the time he sneaked a peek when Luke came to the house and saw you all giggly. The best reaction he got out of you was when he showed you a book about little demon creatures and the steps to take proper care of them. Your lips curled upwards a little and he saw tenderness in your eyes.

He understood, you liked children the best. Something he can't say he does too, but acknowledges some people do like more kids than others.

He gets frustrated often even after his discovery trying to get you to open up to him or even to get you to laugh about anything at all. He gets he's not the funniest out of his brothers, but he feels the necessity to, since a growing love has been looming over too long now in his heart—and the thought that he's done nothing more than given you his pact after all you did for him and his brothers haunts him.

Later then, he might settle to watch you enjoy your time from affar with Luke or even trying to blend with you two with the excuse of trying to learn more recipes.

For him you were reliable, you helped him get with his family after all he did, except—always with a stoic face.

That surely weirded him out at first because he remembered humans used to be smiling all the time he spent with Lilith in their world.

After a while he forgot his first impressions of you and moved along. Until one day he feels extremely tired to do a chore Lucifer tasked him to and asked if you could do it instead.

You were not new to his tricks and how he'd get his way to not repay you—and you had no interest in gaining another thing to do either, so you disagreed and told him to do it himself, 'as a demon he surely had many other ways to get what he wanted'. Of course this got him in a worst mood and grumpily went to run the errand.

Later on, after that messy event, he found himself observing you a little more. He noticed your behaviour towards his brothers and if you ever got the opportunity—towards any adult too.

'Why?' more possibly was his first question. Then he watched you take Luke around your city on a free weekend you agreed to gave Simeon, Luke and himself a tour around. Surprisingly, Simeon and Belphegor spent more time together walking behind Luke and you, who seemed to be having the time of your lives. He really didn't want to make a fuss about it but after you bought a plushie Luke had eyed a second too long without second thoughts, he started ranting about his observations to Simeon, who—to his not amusement—had been thinking the same. 'So you liked children the most? Why? They're little brats that don't know how to behave and whine too much. Hmm, why does he feel he's heard some of this being directed towards him in the past? But even if that was true, if he did behave like a child sometimes why wouldn't you treat him the same as you treat Luke?' Once your trip is over, watch out 'cause he'll definitely be way more troublesome and start asking snarkily why don't you treat him like you treat children after he asks for a favor and you decline. Of course you wouldn't mind, but at some time you'll grow tired of it and better explain yourself for him to stop being so annoying.

When you finish your explanation, he'll stop his rude behaviour and instead start to pout.

Don't worry, even if he has to put up with some nuisances to see you act so kind and smile just like you do, he'll eat up any remark or joke about it to enjoy the moment with you, and who knows, maybe even might end up liking children just like you too? After all, you taught him how to love humans once again.

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