#for context DID tends to mask itself

[hungee-boy]

living life normally then youre reminded DID exists then you wake up

[sahonithereadwolf]

I went down another research hole the other night. Y'all might know about "Big Rock Candy Mountain" from O Brother, Where Art Thou...

But it, like most of the songs from that movie comes from a tradition of American folk songs. Big Rock Candy Mountains very specifically this tradition of hobo ballads. And, like setting aside the overtones of American colonialism that purvey all these sort of "there is a dreamland to the west for you to claim" songs, there is a cultural tradition of these. "Life is a struggle but there is a place where it's not if you can find it" is a very human sentiment.

There are plenty of medieval works on Cockaigne, which has a similar kinda tone to it. A land where the harsh realities of a blue collar or peasant class struggle can not exist.

But did you know about the secret gay lyrics of Big Rock Candy Mountain?

After Harry McClintoc recorded his version of this ballad, which he claimed he wrote in 1895 based off the stories he heard as a kid working on the railroad, a bunch of people took him to court because they claimed he stole and took parts of his song from a bunch of other hobo songs in the same traditions. Sweet Potato Mountain, Hobo's Heaven, An Appleknocker's Lament... As part of the court dispute, McClintock was told by the judge to perform the song. As art of the court record we have a last stanza which is not used in the cleaned up version used for records and "reputable venues". This was recorded as:

"The punk rolled up his big blue eyes And said to the jocker, "Sandy, I've hiked and hiked and wandered too, But I ain't seen any candy. I've hiked and hiked till my feet are sore And I'll be damned if I hike any more To be * * * * * * * * In the Big Rock Candy Mountains." Now NO ONE KNOWS what that last lyric is. However we can make some very educated inferences. This is about gay sex.

And it's not like "Big Rock Candy Mountains" is immune to commentary despite the more sanitized versions you'd see later from the likes of Burl Ives.

I'm thinking very specifically: "In The Big Rock Candy Mountains All the cops have wooden legs And the bulldogs all have rubber teeth" and

"In The Big Rock Candy Mountains The jails are made of tin And you can walk right out again As soon as you are in There ain't no short-handle shovels No axes, saws or picks I'm a-goin' to stay where you sleep all day Where they hung the jerk that invented work In The Big Rock Candy Mountains" Going back to the lyrics "The punk rolled up his big blue eyes"

Punk in this context and original use, especially in it's use in hobo culture refers to a younger man or boy being kept for sex and other menial task.

Which, you know, should put a whole new context to see how it's been used against other forms of youth culture. Hippies, greasers, punks,ect. And at least for me makes it's misuse feel even more slapdash and pathetic.

If you doubt this, it is quickly followed up by the term "Jocker" "And said to the jocker, 'Sandy," a slang term of the era referring to an aggressive and usually straight passing dom top, especially in the context of prison.

To be a little flippant, this is a twink grumbling to a daddy.

As I mentioned before, no one actually knows what that missing lyric is. Or at the very least it's never been made public.

But give it's proximity to "sore" and "more" a lot of guess tend to jump to the word "Whore".

Sam Eskin actually interviewed McClintock for Folkway Records and which, when asked about the lyrics said “the ambition of every hobo was to snare some kid to do his begging for him, among other things,”

This is something you see in a lot of early gay panic lit all the way up through the 80's. Especially as the moral authoritarianism of the Hayes code kicked in. But it also found itself in the early pulp lit where queerness could still exist (if behind a little mask and a performative, if dramatic, finger shake)

Queerness and homelessness were intertwined. Still are, both from my own personal experiences and if you look at the statistics. And it's not much of a leap to understand why. ---

But we do have some offered lyrics from other authors: "To be buggered sore like a hobo’s whore,” Is a popular one, which has it's origins from a 2002 folk music site called mudcat and waaaaay too British to read naturally if you ask me.

“And be cornholed till my ass is raw.” is another one you see passed around a lot. Which feels too forum humor.

George Milburn in 1930 offers "To be a homeguard with a lemonade card.” which is naive and sweet to say the least.

The fact is we still don't know this lyric, gay punchline (or at least gay panic) as it might be. All we know is that Big Rock Candy Mountain "Was never meant to be a parlor song" in McClintock's own words.

Well that and the insight it offers into social perceptions of queerness at the time and how it's shaped and shifted in the future.

What do you think this secret gay Big Rock Candy Mountain lyric is?

[omegapheromone]

Ok so, between the recent psa about miscecanis scent and reblog of the incels of omegaverse, I can’t stop thinking about how the two would correlate in a verse.

Like, “Chad alphas” could say you need to go buck wild on the Axe so other alphas know what’s “your property” (which becomes yet another omega-repellent because of scent sensitivity). Or even the opposite, where they don’t use anything, like no hygiene At All, because “omegas like the musk” but they just??? Smell like BO?????

But that’s not to say omegas/betas are exempt from this!!!!!! You’re telling me you don’t think some omega incels wouldn’t over-scent all of their bags and shit to like, “allure people in the halls”, but it’s just a Lot and it’s Everywhere. Or even an insecure beta who’s like “can anyone even smell me?????” And it’s like, Yes Buddy, I Promise You We Did Before And Can’t Stop Now

Also just????? The role of actual perfumes in omegaverse. I’m sure they’d exist for so many reasons, but I just wonder like, how they’d be marketed or even placed. Because you’re supposed to place perfume right where scent glands would be normally so I feel like people have a Problem with that while for others that’s The Point, you know?

Idk this just became a ramble. Any thoughts/insights are appreciated :’D

Chai your mind...... this is so good

Niceguy McFedora-type alpha that showers once a month because they think it's unnecessary because your "natural scent" is supposed to be strong to show the "weak and fragile omegas" what a strong and ~healthy~ alpha that will Definitely Treat Them Well you are. (He always has a personal space radius of at least 5 meters or more and doesn't connect the dots)

Or the *ndrewwww t*te type alphas making a point to go to the gym and Not Shower every time they go anywhere in public as some sort of a ridiculous show of dominance and thinking the nasty looks they get from people is because other alphas are feeling insecure and Betas are envious, obviously the Omegas are just pretending to hate it but actually they're all going into heat right now all because of his ~mUsKy AlPhA sCeNt~ (no sir, I know you live in delusion about owning a porsche but this is public transit and your stink is making everyone gag in disgust)

The desperate yet insecure folk of any gender and dynamic buying ridiculously expensive perfumes modelled after celebrities' natural scents (like that one headcanon post) because they think the scent is what made the celebrity famous/desirable/attractive and so if they smell like them then maybe they will also get courted...

And man I'd feel a little bad for the betas thinking they have no desirable scent and trying to "make up for it" because of how much importance society places on alpha&omega scents (that tend to be slightly stronger, sure, but It's not like betas don't have scents!!) And how little betas are talked about in the context of pheromones/scent

Also YEAH on the perfume thing!!!

My own headcanon sort of separates scents into their own cathegories of like, there's the natural scent that's associated with pheromones, it's not the same as body odour from sweat, but also the pheromones are slightly different/separate in that pheromones can affect the qualities of the scent but not the actual scent itself? And then there's obviously body odour, and then on top of that, I think perfumes are often used to either mask or even enchance one's own scent. They'd probably be especially affirming for any transdynamic folks! But also I can imagine some people feeling like their natural scent should be sort of "private" or they just don't want people to pay attention to it, esp if it's very unique? so they'll use fragrances to change it somewhat. Also for people with weaker scents, it could be an insecurity so they'll use perfume to feel more confident?

Oh and I wanna talk more about my headcanon about the pheromone-natural scent relationship! I think pheromones are what cause and are affected by emotional responses, almost like having a sort of... "aura" or "energy" people can read? But pheromones so it's an actual thing. but I also imagine it could affect the actual scent a lot too! I'll use my own peony+peach combo to explain since I know it best, but for example, if I was angry or annoyed, the pheromones would probably make the scent appear slightly "sour", like a sour candy or a flower that's slightly past its best bloom but still emits a really strong scent that starts to smell almost a little "stinging"? Or if I was really content and happy, it'd be like freshly-bloomed peopny blossoms and sweet, perfectly ripe peaches.

Probably in heat the scent would turn more "warm" and "heated" as well as stronger, too, like sitting in a garden of peonies eating a peach dessert during a heatwave in the summer? (Also I just like using that analogy for my own scent a lot. Sitting in a Peony garden and eating peaches. Except in heat it'd be more like a heatwave and much stronger/warmer) Like almost a little overwhelming, but not necessarily in the same way that overusing axe body spray is overwhelming, more like... a heat-scent becomes sort of really thick and warm? And that's why it's so noticeable? Like so ripe it would be "tempting" or something, idk.

For example if someone's scent was "pine forest", and they went into rut, I imagine it'd also increase in intensity a lot. Like... maybe the scent of pine sap really intensifies and gets really "thick"? Or maybe it'd be like... if it rains during a heatwave so the smell is extra strong but also really warm. And maybe someone with a scent like that would smell more like a cold winter forest when they're irritated (which would also be a wonderful way to describe personality through scent- people whose scents turn "cold" and "wintery" being more likely to have that sort of stoic, cold anger than the more explosive hot-headed type bursts of anger...) and when they're content, it'd be like a camping trip in good weather somewhere deep in the woods where you feel safe and relaxed in nature?

Idk man I just like thinking about scents and how scents change based on pheromones & emotions........

I also think perfume could be used to permanently amplify some aspects of specific emotional states in scent. I imagine customer service workers or salespeople using a perfume that maybe doesn't change their scent, but makes them always smell really happy, inviting and nice for better sales results and a better customer experience (especially since I imagine customer service is probably still absolute hell, even in omegaverse... not like they'd actually be feeling very happy to deal with some Karens all day)

Or for people who want others to stay out of their way (bouncers, gangsters, idfk depends on the canon I imagine), they'd maybe use a perfume that makes their own scent always appear a little aggressive/stern, not in the challenging kind of way, but just so people get the idea that it's probably better not to mess with them

But also certain professions having bans on those kinds of things, or even requiring full on scent blockers to be used (especially prevalent in the medical field I imagine)... just. Yeah lots of thoughts on this!

[saleemb]

SSO infection AU :3

(@samanthawd, making an another post because it's lonngg af) (CW// description of corpses and such >:3c) For context; ->Every time a "Najma" and/or "Al Fahr" is mentioned, they're just my OCs, I didn't proof read or anything i had to translate LMAO (from French to English) ->Imane (Jorvik's gazette girl) is the one who keep the journal ->The virus is from Aideen herself, found in a mysterious cave. ->Individuals with Kallters' blood can't be infected.

How it'd spread; I didn't have the will to search correctly, so it's mostly by body fluids, like the flu. Stages of the infections; ->Stage one; Got bitten or infected by contact with fluids from infected individuals (by saliva is the most common case) Experiment is still conscious and lucid, reacts as average as its species. Symptoms take a few days before appearing. ->Stage two;  Experiment starts losing its focus and has an even shorter attention span than the last test. No physical changes except a lack of sensations in the limbs as they start to get purple, black (rotting). It's apparently painful, but the experiment seems to lose consciousness at least 4 times a day. (might be infectious at stage 2, no one can confirm since there is no case reporting an infected from a stage 2 infected.) -> Stage three; IS NOW INFECTIOUS ! If the subject is lucky, it will not lose its limbs, instead, bones are now apparent, if not, the rotting will eat them alive until death( 10% of the infected fails to properly develop and dies from the rotting at stage 2). The apparent bones will remain as the patient will lose all its consciousness, driven by its will to make its body survive. It means feeding itself by any means. Recommended to kill the experiment at its stage before it becomes too powerful. CAUTION; Still infectious and most of the time HOSTILE, please don’t approach any infected alone and without weapons or a mask. ->Stage four; Hostile, will do anything to reach its final stage and find a pack, especially for infected horses. Humans tend to be more… “Lucid” at that state and, most of the experiments tried hiding while hunting for small animals, not being hostile to their cherished ones. ->Stage five; Some experiments survive (up to 10% can pass the fifth stage) to stage 4 rotting and hunting, making them evolve as they can reproduce (Split ?). Highly dangerous and unpredictable. Are always encountered in packs, BE EXTRA CAREFUL! AVOID ANY ENCOUNTER ! ------------------------------------------------------------------------------ Now a few entries i did in Imane's journal :3)) Lisa and Starshine ; The ones who discovered the first infected, Lisa is being brave about it, I’m not sure why, but she decided to take everything in charge, even if most of us aren’t really reassured by Lisa’s mental health. Starshine fell from a cliff a few days before finding the first infected. He’s injured, but fine. He reassures as much as he can, but I’m not sure he’ll survive this. His left rear hoof is still in bad shape.

Alex and Tin Can ; Take part in every exploration outside Valedale (our shelter) with the team… Tin Can always stay with us, in case something happens… We noticed that their thunder powers are very efficient to kill the infected ! Sad we didn’t get Sabine with us, her fire would’ve been so helpful… Linda and Meteor ; Meteor cheers up everyone with Tin Can, helps Linda and Rhiannon take care of the injured. She been searching a cure with the druids, without much success. Anne and Concorde ; Anne helped the exploration team thanks to her portals, she seems to enjoy the fact that Sabine is missing, and she’s in good shape. Hope she could talk more tho.

Katja and Mortifa ; Barrier helpers and helps to build walls with their ice powers. I’ve never seen a blind mare doing this well in combat… But as for her dark rider… Katja disappeared after everyone was safe in Valedale… No one knew where she was going. Probably trying to find the remains of Sabine and Khaan ? She’s really distressed, always on her nerves… She had at least 3 meltdowns, Jay started to get pissed off at her… I’m pretty sure they regret it. Katja’s fine, isn't she ? Herissa and Nihili (?) ; Nihili is still missing, but Herissa pleads, she still have the connection with her stallion… Najma and Alex decided to search for him. Herissa is a pain in the ass when Sabine isn’t here to put her back at her place… Except this… The girl’s fine, more than fine, she’s jumping everywhere and helps everyone (surprisingly) Jay (Jessica) and Acerbus ; Reported missing after a few days with us, supposedly with M. Sands. Sabine and Khaan ; Both found infected by Najma during an exploration in Jorvik City, DO NOT APPROACH ! Her magic is still active, that’s why Katja still hopes to cure her. Najma and Al Fahr ; (They’re my OCs :3) Al Fahr being a good endurance horse, confident in himself and his hooves,  and Najma being more than determined to find Sabine and bring her back makes them good leaders for the exploration team. Najma’s… acting odd since the infection started, I don’t know how to describe it but… Something’s off, she knows something that we don’t. Rania and Delingr ; Missing. Linda said we should search for her and her mothers… We already found Elaine, she reported that her wife is dead and Delingr brought Rania to security in the Wildwoods. I hope they’re both okay… Imane and Sahara ; Hi ! I’m the girl writing this journal ! Me and Sahara are fine, thanks to Najma and her magic… We were on the ferry for Fort Pinta when we saw our first infected ! Avalon ; He’s fine, his grumpy self… He leads very well the resistance and the druids in it, except for his brother of course. Evergray ; He sadly lost his right arm after  he fought Khaan to prevent the infection. He seems okay though, no symptoms, thanks to Linda and Elaine. M. Sands ; ??? (Linda and Najma are suspicious of him, i don’t know if i should write this…) ------------------------------------------------------------------------------ and voilà, sorry for the grammar :(

[redd-byrd]

AAAAAAAAAAA I LOVED IT SO MUCH

MY DAD WENT WITH ME AND HE ALSO LIKED IT

I’m so glad the theatre was almost empty, I was so excited that I was doing full-on hand-flapping, which I almost never do, and squeaking and giggling like a crazy person, I was stimming like crazy cuz I was so happy to be there

MASSIVE FNAF MOVIE SPOILERS BELOW THE CUT

And friendly reminder that this is my ✨OPINION✨

This will be long and very ramble-y so bear with me

OK SO FIRST OFF THE ANIMATRONICS

- I loved how they acted like kids??? Like you tend to forget the ghosts are actual children when looking at the games since they’re constantly all “murder monster-y” so I love that they got to act so childlike

- Kids’ drawings being a massive plot point was so cute, I actually didn’t mind how sudden Afton’s defeat was since like,,, they were only on his side in the first place bc the drawing showed that he was their friend, so it suddenly switching around made a little more sense. Probably could’ve been executed better but for what it was I think it was fine

- And of course THE DESIGNS!!!! Holy shit I loved how they looked!!! The prop team did an AMAZING job with both the animatronics and the background props!!!

- The interactions with Abby were adorable, I loved the fort scene because of how goofy it was to watch giant machines dressed like animals put that together

- Also I know we were all skeptical when the red glowing eyes were shown, but honestly the scenes where they DID glow would probably have looked good even if they didn’t change it, though I will say that the final look is really nice by itself

NEXT IS THE MAIN CAST

- Matthew Lillard did an INCREDIBLE JOB as William Afton, when my dad and I came out of the theatre he said that he had a feeling that Lillard would be the antagonist (mind you my dad knew nothing about the games or the movie), which really shows how well he does at playing horror villains and playing up that gut instinct

- I loved how creepy he was in the final fight scene, just creeping out of the shadows with those two glowing pinpricks was SO cool

- Also Afton being retconned to not be British anymore is so funny to me askdjhsjjdhdj

- Abby didn’t annoy me at all, I actually thought she was super cute!! Which is surprising bc I usually find kids annoying but I’d die for Abby

- When I say that I got WHIPLASH from the animatronics being nice to her and later Mike after she introduced them, I MEAN IT (in a good way)

- Mike taking Abby seriously and believing her when she said her “imaginary friends” are actually ghosts was a nice change of pace

- The group that broke in honestly didn’t need that much characterization since the main thing the plot needed was Max, so that was fine

- I am confused about why people aren’t more concerned about the murders that took place throughout the movie??? Like a missing poster in the background would’ve been fine, or maybe Mike reacting to Max being missing?? They don’t give much context on their relationship, I have no idea if they’re friends or if she’s just someone he hired and doesn’t have much emotional investment in, so maybe that wouldn’t work

- VANESSA MY BELOVED

- Vanessa was great, I love her character so much, but idk if I love her by herself or it it’s cuz she didn’t get much characterization in the game,,,, doesn’t really matter ig

ABOUT THE STORY

- Story was really fun, I love the unexpectedness of some of the scenes (dance scene, fort building, Freddy blade mask, etc) I thought it was so funky

- Afton using a separate identity to lure people to Freddy’s was cool, though I have no idea why he’d do that to other people. I can understand Mike, he likely knew about his brother through the last name, but why other people???

- I am a bit sad about Henry n Charlie Emily being left out, considering how big of a part they both play in the game lore, but idk if it’s explicitly said whether they exist within the movie universe or not, so we’ll see in the next movie ig

- THE SPRINGLOCK SCENE!!!!!!!! I loved it <3 idk how they didn’t go off after Afton was bouncing around in it earlier but when they did go off it was SO COOL!!!

- “I always come back” YES HE DOES!!!! LETS GOOOOOOOOOOO

- End scene of him bleeding out in the storage room hinting towards the full Springtrap character??? Loved it

- Also HELLO FREDBEAR??? GOLDEN FREDDY?? YELLOW BEAR???? WHAT

Extra info:

- No Markiplier was not in it, he was too busy with his own movie

- WAITER MATPAT?????

- Corey was awesome, I thought he was so funny for his short time on screen, esp the post credits scene

- THE FNAF 1 SONG MADE IT IN OH MY GOOOOOOOOD CONGRATS TO THELIVINGTOMBSTONE

Random plot holes or inconsistencies I found:

- Foxy had a scene where they forgot to switch the red eyes to the new glowing ones

- Despite the animatronics killing the group that broke in, spilling plenty of blood, they’re perfectly clean afterwards

- My dad found it weird that they didn’t show any part of the kids’ bodies in the suits, since it’s apparently known that they were stuffed inside (or maybe only Vanessa knew??). He thought an arm or a leg poking out would’ve worked. I said I think it’s either cuz the bodies were removed, are kinda mangled and pretzel-twisted to only be in the torso, or it’s just bc they didn’t think to do that lmao

- He was also confused on how Afton was able to jump around and move so easily in the springlock suit when the suit in the back snapped off the broom handle after a single jab. I said I think it’s bc it’s meant to be used to move around in and not harshly screwed with, or maybe it’s another plot reason

All in all, 8.5/10 movie. There were a few times when I was confused on why something happened or why someone behaved a certain way, but none of it was outright bad or boring. There also could’ve been more to the gore, definitely could’ve pushed the boundaries of the PG-13 rating, but it was good for what it was. It was fun, cute, and knew when to be serious :P

[system-of-a-feather]

So hey~ I have done an intro / hello message before, but I'm more so Lin 2.0, or I think the name I chose to make my "full" name (originally after being shitpost / bugged about "what is my secret full name" by our fiance but I unironically like it as a "full name) Qilin.

I primarily identify with my original "Lin" part, but I am a fused part between a deep innerworld gatekeeper and said original Lin part. As Lin 1.0 I had a lot of struggles with verbal speaking and now its more of a "challenge" than a "struggle".

I am also a mostly recovered CSA trauma holder and a middle (16~). I'm comfortable saying that outright, because honestly, my CSA has become (in a good way) largely irrelevant to my life as a part beyond it being context. That indifference doesn't change what I've been through and my experiences though.

I'm a local artsy kid who really just likes art and honestly, I found that I honestly really love living as a system. At this point, I think I consider myself a "new me" despite having not really changed much.

Riku's like my big sibling (for a lack of preferred sibling term) and Ray's my Boss TM. Chunn is apparently my counter balance as a part which I guess I can take.

I really like Vocaloid, Anime Art (not as into anime itself surprisingly), and Korean / Japanese Hiphop

If it comes up, I might participate in some trauma talk (but I might just keep it to my personal blog @/cheshire-qilin), because I really do feel - ironically, but totally understandably - voices and conversations around trauma in DID spaces tend to be either very limited and/or articulated only in an actively triggered state as conversations seem to be largely ran by ANP-leaning and masking parts. While being considered mostly recovered, being a trauma holding part is a part of my identity even though I don't really have PTSD symptoms to that trauma anymore. It's something I don't mind and kind of enjoy talking about, even if its become so negligible at this point that I dont really know what to say on it.

Anyhow, it seems like I am a tertiary host at least for now so hello~

[miztrixx]

KIMI GA SHINE - THE MASTER ANALYSIS - Chapter 1-1: The Path Home (SPOILERS FOR THE ENTIRE GAME)

Okay, you know what. Screw schedules and timings... they mess with my little neurodivergent brain. I'll just do this whenever I want to! Alright, so where we left off Joe was walking Sara home using some banter and humor to mask up the fact that he's walking her home because she has a stalker. The beginning of this scene has some more playful banter between Sara and Joe, once again showing their deep friendship as well as Sara's more relaxed side. We also get to see Joe be super happy about his date with Ryoko which I find just adorable.

The game in these beginning scenes help to set up Sara as a normal high-school girl who is just trying to get by in life and I think it does a good job of doing exactly that! In the Death Game, Sara is seen as this all-powerful angelic figure that is either a force for good or evil depending on the perspective, so it's nice to have scenes like this where we can see Sara in her most undisturbed state (although not as undisturbed as we see her in the Sara minisode. Don't worry, I'll get to the minisodes later on.) to see what she's really like and to contrast it against the participants' perceptions of her.

Shortly after this once we've finished investigating the streets (which only yields a small reaction from Joe when he sees the poster about strangers, obviously because of Sara's situation regarding the stalker), Joe teases Sara slightly by asking her if she wants to hold hands with him and then by asking her if it'd help things if she had a boyfriend. This is where Joe's little positive facade of simply bragging to Sara starts to crack and we can see his genuine and actual concern for Sara, which we learn is because of the stalker.

Also, something to note is how Sara doesn't really have a reaction to Joe asking her about getting a boyfriend. One thing about YTTD is how it focuses primarily on platonic relationships and connections rather then romantic ones. This may just be my bias seeping into the analysis, but I think Sara is somewhat aspec-coded, not just because of this line but also how her and Ranmaru's dynamic is explored later on down the line. Anyways, after this Joe tries to put back on the facade and exclaims that he did just come back to brag. There's choice dialogue where you can respond to him in different ways...

I feel like each of these responses highlights each key character trait of Joe: His relaxatory vibe and chill attitude, his humble and kind words and his light and humorous comedy. People tend to shit on YTTD for presenting the illusion of choice but I think the minor choice dialogues like this one are really well done because they help to build a LOT of the character in simply one scene where it would've taken three scenes if there was not a choice dialogue. But enough about Joe, cause now we're gonna talk about...

Kai. You really do feel bad for him in retrospect considering the context of the entire situation and everything he's gone through. In this small scene, he was trying to warn Sara, trying to stop her from going back home and being dragged into horrors beyond her comprehension. But, just like, in the art itself, Kai was always enshrouded in the darkness, hiding himself in the shadows. Kai's self-deprecation and how he doesn't see himself worthy of other's affection and time ended up leading to him being unable to protect the ones he loved and its so tragic and painful to watch in hindsight.

Another thing about this moment, and the one following it where Sara talks to Joe outside her house, is that it shows how scared Sara is in this situation and it's not even comparable to the situation that is the Death Game. It's another bit of humanisation of her character that allows us to contrast it with other people's perceptions of her.

[elliepassmore]

The Ornithologist's Field Guide to Love review

4/5 stars Recommended if you like: romantasy, romantic comedy, light academia, magic

Big thanks to Netgalley, Berkley Publishing, and the author for an ARC in exchange for an honest review!

My rating for this book sits somewhere between 4 and 4.5 stars, though it's hard for me to pinpoint exactly where. My rating is somewhat biased. I didn't see the publisher until after I'd requested the book and so didn't realize how heavily romance-oriented it was going to be (I thought it would be more like Emily Wilde's), and that's not really a genre I tend to read. That being said, once the book got going I began enjoying it, hence the rating still being relatively high.

It took me a while to get used to the narrative style of the book. For one, it's set in the Victorian Era and with that comes a lot of thinking about societal politeness and propriety, which doesn't interest me too much. Then there's quite a bit of emphasis on insta-lust and the feelings associated with that, albeit with a Victorian slant, though as mentioned I should've been more mindful of the drama. However, once things start getting on with the Birder of the Year competition, the pacing speeds up and I stopped noticing/being bothered by those two things. I'd say around the 10-15% mark.

The plot itself was interesting and actually contained more humorous moments than I was expecting. The ornithologists take the competition seriously, and it's clear Beth and Devon do as well, but there's quite a bit of tomfoolery occurring as each ornithologist tries to one up the other, and I found some of the situations to be quite funny. I also think that these moments really go to show how far ornithologists are willing to go in this world, which helps provide some context. There are also some behind-the-scenes machinations going on in the competition, and I did have a hard time trying to figure out the true motivation of the competition. There are really two different things going on, one of them funny and one of them more troublesome, that helped add some tension to the plot.

I like the concept of magical birds and the very extra people who study and trade in them. We have the chance to meet a bunch of different birds over the course of the book, ranging from deadly to pretty. Beth takes her job as an ornithologist seriously and is dedicated to studying and protecting birds from more unscrupulous forces. While he may seem like a scoundrel at first, Devon too is intensely interested in keeping birds safe. Conversely, it's made clear that a large swathe of the ornithologist community are less scrupulous and more interested in the fame and glory than in the birds themselves. It's no wonder the competition ends up being what it is.

Beth herself is the very definition of a Proper Victorian Lady. Beth can be quite shy, though she does her best to get along with people, usually with success (the scenes with the French fishermen might be some of my favorite in the book). Part of her shyness comes from being mocked as a child for being a 'weird know-it-all' who was, and is, obsessed with birds, though another part of it comes from her struggling to find the unspoken social rules others seem to follow (as I was reading I suspected she was autistic, and the author's note confirms that Beth is definitely ND, though Holton doesn't provide specifications). As a result, she's a bit of a people pleaser to start the book, though over the course of the competition she begins to stand up for herself and others more, and by the end is truly a force to be reckoned with.

Devon is both similar to Beth and her opposite. For one, he's much more devil-may-care and rakish, willing to be loud and gregarious when the need arises. However, this also masks someone who spent their later adolescent and early adult years feeling apart from others and lonely. In his own way, Devon can also be fairly shy and at times feels inadequate. That being said, it's clear he feels deeply and has a deep respect from the get-go for Beth. I think Devon's rakishness and sensitivity work well together.

The romance works well between the two main characters. Both of them have a deep love for the same academic subject and few people with whom they can let themselves relax and fully be themselves, both personally and academically. As academic prodigies they've had similar experiences in life and thus understand where each other is coming from and where their needs might be in the relationship. While I'd say the romance is definitely insta-love and insta-lust, Devon and Beth both have a wellspring of admiration and respect for one another, which I think is integral.

Overall, this was a surprisingly funny romantasy and I enjoyed the plot and characters. It isn't really a genre I read a lot, so it did take me some time to get used to the narrative style and the focus on romance vs. action + fantasy elements, but I did have a good time reading it.

[lady-laureline]

I want to get to the bottom of neurodivergent burnout. I feel like there are a lot of people that have no context to take it seriously in, so they don't.

As with a lot of these posts, writing this is my way of ironing out my own understanding - take it with a grain of salt, I'm not a professional. I've tried to keep it general but as I'm speaking from a late-diagnosed audhd experience, it will lean in that direction.

Also, depending on how much you relate, this may warrant a mental health trigger warning? There's self-talk that isn't very kind.

×××

The precursor to burnout is survival mode: a state in which the body doesn't allow itself to fully enter a state of rest, as it is perceived to be "unsafe" by the nervous system. Neurodivergent symptoms aren't always a cause for stress in and of themselves, but people displaying them quickly learn that symptomatic behaviour rubs others the wrong way, even if they lack the intuition to see why.

☁️ People don't like the way I behave.

×

This is compounded by miscommunication.

Say a divergent child says something that sounds neutral to them, but rude to everyone else. They might get reprimanded for hurting someone's feelings, but they don't see how what they said was hurtful. Say this child's requests for an explanation are seen as insolence instead of curiosity.

The adults might come away thinking the child needs more discipline. The child might come away knowing they did something wrong, but unsure as to what that was or how to avoid it in the future.

☁️ I can't trust myself to say good things, even if my intentions are good. If I say a bad thing, it's my fault even if I don't know why it's bad.

×

The more these situations crop up, the more the emotional takeaway morphs into low self-esteem and constant vigilance (to catch mistakes before they happen). As the child grows older and responsibilities increase, they are also faced with a more nuanced picture of society that they're already lagging behind - demanding more nuanced masking, which is already a separate workload - on top of battling those good old sensory issues.

To those who don't know what the fuss is about: you know when you have a fever and your skin is super sensitive? If you separate the tingliness from the discomfort, and then apply that discomfort to the rest of your senses, you'll get a pretty good idea of what sensory overwhelm is like. We don't all experience this the same way (for example, I'm generally fine with food textures but really sensitive to noise) or with the same frequency, but it tends to be both unpleasant and consistent.

These additional energy drains inevitably lead to feeling the effects of hard work without anywhere near the same results of our peers. The easiest explanation, and the assumption most uninformed make, is one of personal shortcomings. Laziness. Selfishness. A "bad attitude".

☁️ No matter how hard I try, it is not enough. I haven't earned my pain. I haven't earned my rest.

×

It's a frustrating experience, and all those feelings need to go somewhere. We learn skills such as silent crying to hide our "overreactions"; we use our anxiety as a driving force for productivity. Many disabled people have the dissociative method down pat. And then there's the assertive emotions.

Displaying anger out of bounds of the neurotypical context is a whole other kettle of fish. When the nervous system is cortisol city, things will boil over eventually. Any witness is likely to be unaware of the extent of the stressors that led up to this outburst, so it can seem to happen out of the blue. Plus, if the inciting incident appears insignificant to the onlooker, they'll probably think it's all a bit childish.

Say what you will about neurospicy social skills but we have a killer radar for cringe. Raise your hand if you smush down irritation on the regular. Better yet, raise your hand if you "never get angry".

☁️ My frustration is misplaced and out of proportion. If I show it, I lose the respect of people I care about.

×

Maybe we've been afraid to feel what we feel our whole lives, but there comes a point where something's got to give. We might even be making a conscious effort to get in touch with our emotions after years and years of ripping them down and sealing them away. It's a Pandora's box situation: once the seal is broken, there's no getting the horrors back inside.

That's usually the beginning of what is widely recognised as burnout. There is so much to sort through, life effectively gets put on hold, at least for those of us lucky enough not to crash and burn the moment we let go of the wheel.

Recovery isn't a matter of a little vacation time: it can take months or years, and it may not look like work but it very much is. The trauma runs deep and we have no choice but to get to the bottom of the trench if we don't want to be stuck in a permanent state of exhaustion. It can be isolating as there's not a lot of energy left for much else - overextend and your body will slap you back in line so fast your head will spin. And no, you do not get to choose what overextending yourself entails.

To anyone actually going through this, try not to keep yourself in check, at least when you're alone. Your psyche does not want to pretend anymore. Pretending has repercussions now.

×

It may come as a surprise that a lot of people don't take kindly to healing. A person in burnout recovery is (by necessity) less accessible, more self-centered, taking up more space and drawing new boundaries. Unmasking may reveal a person your friends don't understand like the contorted version of yourself they got to know. Furthermore - change, when seen as a threat, can cause people to lash out.

☁️ Healing is a punishable offense. It hurts those around me. They don't want me as I am, but they don't want me to change, either.

One of the things I've had difficulty accepting is that there are good, caring people in my life that don't deserve an explanation of what I'm going through. They might have a space in their hearts for the person they think that I am, but the capacity to truly get to know me isn't there, at least yet.

Once I'd been burned enough times, I made a decision to settle for nothing less than sincere interest as a prerequisite for any attempt to make myself understood. From there, it wasn't not far to the bittersweet realisation that the only person's permission I need to grow is my own.

×

I'm not sure how to wrap this up, which might mean future edits (there are always more edits), but the thought is complete enough to post.

I suppose there is no end to becoming one's own person, and even though the line between recovery and living can be blurry a lot of the time, existing with purpose is a decision each of us has to make.

I'm sending a telepathic hug to anyone who needs one right now. Take care of yourselves.

×××

The self-talk of some weird kid:

"People don't like the way I behave. I can't trust myself to say good things, even if my intentions are good. If I say a bad thing, it's my fault even if I don't know why it's bad. No matter how hard I try, it is not enough. I haven't earned my pain. I haven't earned my rest. My frustration is misplaced and out of proportion. If I show it, I lose the respect of people I care about. Healing is a punishable offense. It hurts those around me. They don't want me as I am, but they don't want me to change, either."

(I've included this depressing subconscious narrative because I think it's important to show how little unresolved rejections add up over time. One can put on a dazzling performance to meet social demands while believing all of that, and we desperately need community support that is informed and equipped to help them pick up the pieces once the show falls apart.)

[sonicasura]

I just realized something. Breath of the Wild/Tears of the Kingdom Link can also fit the Past/Present/Future Squad too. He was literally made to train to fight by the King Rhoam at age 4! And that same old man came back as a spirit just to send him off with little context to clean his majesty's screw up sooo...

Link (Breath of the Wild/Tears of the Kingdom)

The Past member of the group and oldest(slept for a 100 years). He was immediately thrust into his destiny at four years by Hyrule's King Rhoam. Link is plagued by both severe amnesia and feelings of failure. He's the only person with the most experience in elixir brewing, bears various blessings from Great Fairies to fallen champions alongside able to use the Sheikah Slate. Shortest amongst the three with the height of 4'11.

His dynamic is a bit different when it comes to Jim and Jak here! BTW, he woke up with his changed arm so don't worry about any TotK spoilers! Only abilities mentioned are from the gameplay demonstration done weeks ago!

Link is like the glue between his fellow traumatized heroes. Great around machines with Jak and an amazing cook alongside Jim. He's also the one to design various clothing for Daxter as having a massive wardrobe requires personal maintenance lest they break.

Link definitely indulged in Blinky's intrigue with machinery. Using his new mysterious arm to craft various devices whether it be from car parts or nature itself. His biggest project is a massive carriage like train capable of carrying the troll exodus with little issue.

Link tends to experience flashbacks despite being in Jim's world. These episodes are intense as his eyes will glaze over and the worst ones he'll unconsciously reenact. Multiple times someone had to restrain Link before he hurts himself or someone else.

Like with his OoT/MM iteration, the Champion's adventuring skills led to an abandoned yet functional Heartstone for the trolls to set up shop. Unlike his other incarnation, Link was more involved in the construction of the new Trollmarket. He did help build Tarrytown after all.

Link is quite protective of his fellow brothers in trauma and more likely to throw hands than his other incarnation. Feral gremlin that will make someone's life hell with everything at his disposal. Link literally bit Merlin on sight and Daxter manage to catch a picture of the glorious moment.

Gnome/Goblin whisperer. Everyone except for Jak and Daxter were flabbergasted seeing Link just eagerly chat with both species like lifelong friends. Blinky learns that the 'dangerous pests' tend to hoard priceless or forgotten treasures since the Champion gets these valuables as gifts daily.

You can't tell me Jim and Jak didn't try on Link's various outfits. That includes the Gerudo outfit used to sneak into Gerudo Town. Outcome? Jim could pass off as female and Jak gets extra food since it became clear he hasn't recovered from the malnourishment of prison life.

Once a warp gate to his Hyrule is open, Link definitely introduced both groups of friends. Blinky adopted Zelda off the bat and both research various stuff together. Everyone agrees she deserves to be a researcher than be stuck with the princess life.

Link absolutely learned to swear in every available language. He mostly tends to swear in Trollish, Precursian, Goblin and Gnome. Link definitely ate troll food than just learn how to cook it. If he can eat rocks and dubious food then you can bet your ass the Champion would devour stolen sock stew.

Jim might've gotten adopted by the Great Fairies. I quote 'He bears a spirit just like us, a fae caught in multiple worlds.' His armor issues are not only fixed but so is Merlin's spell. Imagine Jak, Daxter and Link's reaction when a full troll(Not Beast Jim design)comes out of the Fairy Spring then shifts to a human Jim. Yup, he can shift between all three now with a sunlight immunity bonus to boot.

Link's troll form involving the Glamour Mask is much different from his other incarnation. A Krubera/Gumm-Gumm hybrid whose light peach hide is adorn in burn like black markings, jagged bull horns, armored tail and shaggy mane of golden fur that covers his entire back. Scary looking? Yes but still a feral sweetheart.

Every Link craves a cuddle pile and he's no exception. Blinky has multiple framed photos of the kids fast asleep holding each other. Jim's full troll form is the designated pillow/bed especially if he lays on his back. Link and Jak sleep like a koala right on their larger brother's scruff.

When the events of TotK begin, he has a lot more backup for the approaching battle. Troll allies who can help fight the onslaught in the night and Spargan comrades to assist in the day. For once, Link feels completely ready to face this evil with his fellow brother figures.

And that's it! Until next time folks, I'll see you back at the crossroads because Spargus, Arcadia and Hyrule.

@paradoxical-hermitcrab

[crazycoke-addict]

I think I know who where playing in the FNAF VR Help Wanted 2

I've been watching gamers playing FNAF Vr Help Wanted 2 and like everybody else I'm trying to figure out who is the protagonist in this game. We have 3 likely candidates and they are Cassie, Vanessa and Cassie's father. Out of all the people, Cassie's father makes the most sense.

The first clue we have is the games itself. I've noticed that majority of the mini games feel very job related like food preparation for the chica one, it technician for the caurosel and breaker room, first aid etc. In the 1st vr help wanted, the mini games are well-balanced like in one game you can play a night gaurd than on another you're a child fending yourself from animatronics that have broke into your home. While in FNAF Vr help wanted, it's mostly job related.

I've noticed that gamers tend to have a difficult with games like arts and crafts or the beauty salon and I wonder if that was intentional by steel wool to have them feel like they are the main protagonist themselves but also they feel like a kinship to the main protagonist based off being an adult who works in order to support themselves and their family.

The second clue that I believe this is Cassie's father is the 1983 fall fest poster. I do think this also can give us a certain detail on who Cassie's father may be and that we have met him before. 1983 is an important year in the fnaf timeline. It's possible that Cassie's father was one of Michael's friends more specifically the one wearing the bonnie mask. There's a hidden easter egg in the princess quest mini game, you unlock a chest and a bonnie mask will appear. The player states that the mask looks familiar. I think the bonnie mask is to jog the player's memory on what they've done and how their actions have consequences.

Another thing I wanna point out that the bully who wore the Bonnie's mask could be Cassie's father is that they have similar colour schemes.

This may not mean anything. Another clue that I believe we could be playing Cassie's dad is the occupation itself. In Ruin, it is heavily implied that Cassie's dad was an It technician based off the faz wrench that she said it looks like something that her dad had. One of the things that I feel like people doubt that this is Cassie's dad is that the funtime animatronics are around. I don't think it's that far off to be honest, because the question we have to be answered is if the father was one of the bullies than how long where he and Michael were friends.

In sister location, we are playing as an It technician and there have been cases where there isn't just one but rather multiple it technician. Two of them died that we see. I know that we are also playing Michael Afton but because we are theorising that Cassie's father was one of the bullies whom were friends with Michael. Michael probably kept in touch and asked him to help him out because at this point may be he already has experience in technician. Also the funtime animatronics where in the public at one point so he could've went to the Circus Baby's entertainment when it was open for that day.

I can't explain FNAF 6, but there is a quote that Scrap baby and moon say and that is "what makes you so special". I believe if this was Cassie than Moon wouldn't exactly say this since it appeared that Cassie had a good time in daycare and that the daycare attendent did their job well and had a good relationship with both sun and moon. I think when Scrap baby says 'I recognise you' works in both context because Elizabeth Afton whom was possessing Baby would met Michael's friends when she was alive. I think her saying the lines, "what makes you so special" is that the person we are playing is an important person whom both Moon and Scrap Baby have meant many times but are never seen worthy by them. Cassie's father who is unknown character fits this description.

The last clue that I don't think we are playing Cassie is the condition that the glamrock animatronic are in when we play hard mode of their games. When Cassie meets them again, they are in ruin where they look more like skeletons. But in this game, they are in their shattered versions when Gregory destroyed them to get the equipments he needed to upgrade freddy in Security breach. It is most likely that Cassie's father saw them in this condition because they close the mall down after earthquake since in Ruin, it seems like they were cleaning out the Daycare area.

So those are my reasons on why we are playing Cassie's father in FNAF Vr Help Wanted 2.

[izzyliker]

some musings about ed, trauma, and ed-the-character as a system

Disclaimer: while I have an undergrad degree in psychology and sociology I am not a psychologist. I have years and years of first hand experience with living with C-PTSD and am married to someone with C-PTSD and who is also the host of an OSDD-1b (ie. one of the dissociative disorders that are associated with systems) system; and I am making this post from primarily a place of personal connection to the character, the way he’s presented, and the way we’re physically shown Ed’s childhood in flashbacks. People often discuss Ed from the context of him having “masks” and the Ed that sings songs and wears robes being “the real Ed” and I think that’s not a very good reading of the text (sorry) and this personal connection is probably why. 

First of all: Tumblr user uselessheretic wrote up an AMAZING post about Ed, trauma, and coping and really succinctly explained the changes in his personality from the IFS model perspective. Blackbeard, Edward, and the Kraken are not personas: they are versions of him with their own specific purposes. They exist for a REASON. None of them are “real” or “fake” and suggesting that Blackbeard and Kraken are “fake” or “performances” when held against Edward because they’re “violent” whereas Edward is “soft” and “gentle” has a whole bunch of terrible implications specifically because a lot of the time complex PTSD (ie. PTSD formed over time from repeated trauma as opposed to ye olde PTSD which is from a singular event with a start and end; eg. childhood abuse vs mass shooting survivor) DOES come with a distinct need to have some form of violence built in as a defense mechanism from abuse, aimed either at your abuser, other people, or yourself. The Kraken is that: Ed didn’t kill his dad, the Kraken did. By externalizing this act to a different person (or monster, in this case) entirely Ed could keep the emotional fallout from the act to the minimum: Ed didn’t kill anyone. His dad is gone. He might have loved his dad like children tend to, even when their parents are unsafe to be around, and he might’ve been genuinely distraught even though his dad was also the cause of his trauma. When the person who took care of the issue is NOT YOU you get to just focus on the conflict of “I’m relieved he’s gone [because he was abusive]” and “I’m upset he’s gone [because he’s my dad and I deserved better]” instead of also throwing in an additional “and also I killed him.” This reactive part doesn’t necessarily disappear and especially not just on its own. Ed, with the life he’s had, almost certainly never was in a place where he felt safe enough to “get rid of” the Kraken. That’s his built in security system. 

And this is where I have to discuss Ed as a system.

The C-PTSD is honestly not up for debate but I acknowledge that the show probably doesn’t mean for us to read him as a system. I cannot stop reading him that way, though, and the Kraken split is one of my main reasons for that. When Ed tells us the Kraken killed his dad I believe he genuinely thought that was the case. When he (the Kraken, and I’ll refer to these alters by those names from now on just for clarity) killed their dad the Kraken was sealed into a completely separate compartment by itself. Ed-as-a-collective remembers it but not consciously. It’s a memory that exists but can’t be readily accessed. When he is triggered by the fuckery presentation of the Kraken he physically falls to the ground from the sudden force of the memory. The way the monster blurs with young Ed, and the way he convulses on the ground completely dissociated from the rest of the world is so over the top dramatic in presentation it’s genuinely shocking to see from him. When we see him in the bathtub he’s not just vulnerable and crying and recovering from a flashback: he is still having it, and he’s not just vulnerable and seeking comfort, he’s regressing to a much more childish state than we have ever seen him or we ever see him again. This is Ed as close to his childhood self as he can get; this is him returning to not only the night the Kraken killed his dad, but probably several traumatic moments across several different points in time that he’s reliving at the same time. Like he’s not just having a breakdown: he’s having a complex trauma flashback, which are often not super clearly centered around a specific event as much as they are about feelings and vague memories blending with how you felt, what you saw, what you smelled, what you heard. This is happening AS HE IS TALKING TO STEDE. Ed is not there “in the moment” because he is being pulled between the past and the present in an extremely distressing way where there is no escape for him in either direction. He can’t ground himself in either world. Watching this scene over and over again it hits me so hard that when Ed says “I’m not a good person” he immediately goes on to say “I don’t have any friends” which is an extraordinarily childish thing to say in this context in the sense that that is what a lonely child in an unsafe living situation without anyone to reach out to would say. Edward, in the present, as he is, wants a friend and is lonely, but on a basic “he is having a flashback right now” level that is him speaking from the perspective and primal fears of his childhood self: Ed, the age slider, who has had contact with Kraken, the protector, for the first time in a very long time. When the Kraken was split (and I don’t know if that would’ve been long before the actual killing happened or if that was the moment it did happen; it’s possible the Kraken wasn’t even remotely the first person to be split to help Ed cope) it was split for a reason: to protect Ed. The Kraken has one task and that is to keep him safe. 

Footnote: it is not a given that a system will have an outwardly violent protector. Protectors form to meet the requirements of the traumatic situation in order to minimize the harm done psychologically and physically: if the situation requires a good fawner or mediator then one will form. If the situation requires someone who can ”want” the traumatic thing in question then one will form. If the situation requires someone who can fight back then one will form. Ed has very specific circumstances where the formation of one makes perfect sense. 

The Kraken is not a senseless violent person; he protects Ed. He does not lash out without reason. The Kraken kills Ed’s dad. He throws away the silk square. He throws Lucius overboard. He cuts off Izzy’s toe. These are all acts that are done to keep Ed safe, either physically or emotionally. The Kraken is not emotional, does not lash out, does not react. The Kraken plans and makes choices where Ed retreats and tries to hide. He is not a mask: when Izzy triggers the Kraken out he’s not forcing Ed to put on a mask, he is the last step in triggering a massive breakdown that had been building up for DAYS at that point. Ed’s been desperately pushing this off and he’s been doing… okay…. But the person that has been out was NOT the person who has been in charge previously: it was Ed, the childish alter, the one who wants to sing songs, the one who wants friends, who wants affection, who openly begs for it. That was NEVER going to be sustainable. He’s out and he’s raw and he should never have been left out alone for so long but Stede leaving with no warning has had him out without anyone else to take his place. This is his second “bathtub moment,” only this time nobody is there to give him the affection and understanding he needs. It’s not just Izzy: he can see how the crew looks at him like he’s lost his mind, and while Lucius tries to help him they are just not close enough for it to ever be feasible. Lucius didn’t promise to protect him and then follow through with it. Lucius didn’t take the only reminder of his childhood he carries with him, his traumatic childhood, the one he only accesses in flashbacks and tell him it’s beautiful. That he’s not ruined and broken for it. That was Stede. To Ed, Stede gave every indication that he was going to stay and be a safe person for Ed to trust and rely on. Would Ed even NEED the Kraken to keep him safe anymore, with Stede? It’s just been Ed, the age slider, the vulnerable child, the person who is the most susceptible to any harm, since probably right after they signed the act of grace. The rapid changes of his mind about wanting to stay vs. wanting to go to China are impulsive, they’re nonsensical, they’re clearly trauma responses to me: adapting to your current scenario quickly without processing it too much, just accepting it as a given, and then coming up with a fantastical escape (hello, the Kraken murdered my abusive dad). When Stede doesn’t show up the person who rows away isn’t Ed, it’s the Kraken. Ed would’ve waited until the British found him and took him back, but the Kraken knows this can’t happen so he takes them back to the Revenge. And then it’s Ed again. 

And it’s not just Ed and the Kraken. We actually see the Kraken only a very limited amount of times: when he kills his dad, when he throws away the silk square & Lucius, and when he cuts off Izzy’s toe. The Kraken is a last line of defense. Similarly, Ed is a highly emotional alter partially because he is the one with the most contact with the emotional parts of his trauma. He remembers. He wants affection. He cannot be left alone because if he is rejected or treated badly he is not built to handle it. He gets triggered out in times of emotional distress, and he’s the one crying and lashing out. Ed never got to grow up, and he’s insecure and emotional because he’s desperate for positive attention. When the French make fun of him at the dinner party it’s Ed that storms out, it’s Ed that finds Stede, it’s Ed who tells Stede he’s going to go back and shoot them all, and it’s Ed who Stede tells he’s going to take care of it, that he’s going to take care of him. They’re the protector and the protected, respectively. They’re highly specialized alters with purposes. 

So that leads us to Blackbeard. As uselessheretic identifies him as, when following the IFS model Blackbeard is the manager. He’s the person who takes care of day to day tasks. He’s the person we see the most. This is different from Blackbeard-the-persona, as in the fearsome pirate image he has crafted with Izzy: that Blackbeard is just a brand. Blackbeard the manager is the person we see the most. He’s brilliant, he’s violent, he enjoys maiming, he enjoys a good fuckery, he’s a hard worker and he’s funny and Stede enjoys being around him and he’s built himself from the ground up. He’s not held back by his trauma (because Ed’s holding onto pretty much all of it) and he’s able to enjoy violence (because the Kraken does what would, for him, be emotionally exhausting, traumatic murder and violence - I think one of the reasons that the trauma unfolding happens at all is because Blackbeard is trying to kill Stede [traumatic murder] AS the Kraken imagery occurs. This is a perfect storm). In some ways he seeks it out as the receiver: he wants Stede to stab him, and doesn’t seem to be averse to it in general. It’s just simply not that deep to him. They lost crew members? Sucks. Anyway, what’s for dinner? He’s practical but he’s not emotionless the way the Kraken is: Blackbeard is a much more “complete” person than the Kraken is. Ed and Blackbeard are people in that they have their own distinct personalities, and they are capable of the full range of the human emotional spectrum. Kraken isn’t, because he has a specific purpose that requires a certain amount of non-humanness, or else he wouldn’t be able to fulfill that purpose. 

But I think there is a fourth person as well: and that is the person that does whippies with Jack, who thinks Jack is just a pathetic guy and a harmless dude, really, who gets fooled by him, who is impulsive and reckless and rambunctious. I actually suspect that Blackbeard ISN’T who was originally in charge after Ed left home: I think this person was the one who had the reins for a long time, and split from Ed somewhere between the murder and before they left to work for Hornigold. I think he’s sort of a proto-Blackbeard in function: more immature, seemingly stuck in an eternal state of frat boy fun, and I think that’s because he IS stuck in that state. I don’t know how to analyze their relationship but I think there’s definitely something really complex there. He seems to trust Jack way more than Jack deserves but I don’t really know what to make of it. It’s a very naive way of looking at people; a childish desire to make friends combined with these desires to understand someone and see deeper within them. Blackbeard is the matured version: more confident, more sure of his authority, someone who knows what he’s doing, and who has a healthy amount of arrogance. This person… is not Blackbeard. This person is a total 180 from any version of him that Stede has ever met, and when he tells Stede “this is who I am” it’s not even remotely what we as the audience have observed previously. Blackbeard pre-Stede was moody, mysterious; impulsive and erratic according to Izzy, sure, but this is not that. This is something else entirely. 

The only way him saying that makes sense is if that is genuinely what he thinks in that moment: I don’t think there’s a tremendous amount of amnesia between switches but I think there is also next to no internal communication between alters and it seems like generally speaking they operate under the assumption that they ARE the same person. And that is a valid way for a system to identify: but this is different from that kind of a conscious choice. In this case there is no conscious statement; it’s an assumption that everyone feels this way, that “this is just how it sometimes is” is the same as “this is the REAL me,” etc. And there is no “real me” – that’s the point! They’re all equally real. Ed-as-a-collective has no solid grasp on his personality or selfhood because he’s completely blissfully unaware of the fact that there’s a good reason for that. Now the issue is that Ed would never have the language for any of this. As I said the amnesia between alters seems to mostly be limited to the Kraken, and when Izzy refers to his increasingly erratic moods I suspect he just means that Blackbeard as the host and the most normie alter is getting bored and depressed and just doing weird shit, though I wouldn’t be surprised if Izzy had come into contact with Ed the age slider and found the interaction(s) confusing and offputting. I don’t think Ed would process these alters as separate necessarily, and the other characters of course would have no idea. So to expect that Stede would need to take care of Ed is both unfair to Stede on the basis that he doesn’t KNOW and on the basis that Ed and Ed& cannot expect to externalize the caretaking onto someone else. Not because it’s unfair to Stede (although it kind of is) but because it’s fundamentally unsustainable on an internal level. The Kraken, as blunt of an instrument as he might be, is built to the exact needs that Ed needs to be taken care of, because that’s how he came to be. Stede is his own external person whose origin ISN’T Ed’s brain as it was when he was experiencing tremendous amounts of acute traumatic events. Ed is realizing this issue now that it’s already too late. 

The thing is that Stede did – and honestly it’s fucking remarkable considering that Stede generally has the emotional intelligence of a spoon – everything right every single time he came into contact with Ed-the-age-slider. I don’t know if it’s because Stede, someone who also has a bunch of childhood trauma, on some level knew that he was seeing a traumatic flashback unfold and KNEW what to do, or if he’s genuinely just fine tuned to understand Ed, but when Ed comes to him with tears in his eyes and tells him they laughed at him and that he’s going to shoot them Stede tells him to stand down, and then with voice soft as a gentle breeze tells him that he’s going to take care of it. I’ll do this for you. You’re hurt and you’re right to be hurt and I love you and I want you to feel safe and taken care of, and I’ll do it because I know how to do it and I want to keep you safe from the fallout. And Stede follows through. Ed stares at Stede with unbelieving eyes the whole time, and then the whole way back to the Revenge. This is a breaking point. This is the first crack in Ed’s shell. This is something that has only ever been done by Ed, or by Blackbeard, or by the Kraken when it was really, really bad. So to have someone else do it for him – no wonder he’s quiet for pretty much the rest of the night, save for like, ten words for the rest of the episode. 

And then Stede sees the memory of his childhood, the little square of silk, the physical reminder of his horrible, traumatic childhood he tries to shield himself from, and he touches it, and he might as well be touching Ed’s heart. He looks at it; the silk being a metaphor for the traumatized child who still exists acutely inside of Ed, the one who feels so many conflicting emotions about his trauma, who blames himself and everyone around him and who just wants to be loved and protected, who in that moment is still distressed and recovering from an intensely upsetting emotional moment; and he tells Ed that it’s beautiful. He goes out of his way to neaten it. He goes out of his way to put it on Ed, where he can see, and he tells Ed that he wears it well. That it’s a fine thing. And I can’t even… Ed, the traumatized child who almost certainly felt like he would just never matter, that his life would always be fear and loneliness, being told he’s worth something not only now, but as a child, too, that he was always lovable, enough so that he shouldn’t hide that part of himself out of fear of being rejected… not around Stede, at least. Not-she-which-burns-in-it wrote a breathtaking post about that specific scene and the body language of both of them and it really haunts me. 

And then in the bathtub Ed is inconsolable, we’re surrounded by mirrors, the cracks in his consciousness, where he’s drifting between flashbacks and real life, where he’s having tremendous issues differentiating reality from memory, and Stede comes in. And here’s what I always think about:

Stede doesn’t try to touch him. Stede sits a fair distance away but his body language is open and he’s obviously engaged and listening. Stede doesn’t accuse him of anything. When Ed admits to the plan Stede doesn’t yell at him, doesn’t leave, he just asks whether it will still happen. Ed tells him he doesn’t have friends, Stede tells him he’s his friend. The mirrors repeat. Ed is still having his flashback sequence. Stede doesn’t leave. He doesn’t push. He lets Ed lead the conversation. And near the end he offers out his arm and Ed reaches for it. It’s Ed’s choice. It’s Ed who has agency. It’s Ed who’s in charge, who gets to share what he wants, who gets to be as vulnerable as he wants, who gets to choose if he’s touched, how close he wants Stede to be. And Stede sits with him until he’s gathered himself, and then they leave together. 

And for me it’s like – at the beach he says “I can just be Ed, and what makes Ed happy is you” and of course on an obvious textual level it just means what it says: he’s just himself, without the need to maintain his image or to hold power or manage others. I just – I know you have to be fairly committed to this reading here but it haunts and vexes me to think about this subconscious admittance of the fact that this vulnerable person who holds probably all of the trauma is safe and happy with Stede to the point where he can be the one front, where he feels safe. That Stede will take care of him, that he can trust him, that he can let his guard down. And of course that backfires almost immediately. 

So like: I don’t know where exactly I was going with this, except just that… regardless of what specific trauma consequence you see him as having these “versions” are highly unlikely to be “fake” or masks. They’re either “parts” or they’re alters; I tend to go with the alter theory. I think Ed as a character is Very consistent with how a system in the 1700s might come across to people who simply do not have the language. And these parts, regardless of how you see them, do have specific roles and meanings and they exist for a reason. As the text keeps telling us Ed has a shit ton of trauma over his childhood and this has affected his emotional processing skills to a tremendous extent. The Kraken does not come across as a “mask” or something Ed is pretending to be: he is (imo) clearly something that already existed in this capacity, and he is completely different from Ed or Blackbeard in every single way, down to the way he moves, his facial expressions, how he carries himself, even his look. Kraken is – yeah, breakdown, but, more specifically, he’s a completely different person entirely, and that’s by necessity. He’s just as real as Blackbeard as Ed. I don’t think the Kraken is at all connected to the Blackbeard image, because I don’t think he would ever come out “casually.” He seems distinctly like a last resort trauma trigger solver, not a party trick. And in the same vein Blackbeard is not less authentic than Ed is: it’s just that Ed is completely saddled with all of the trauma that the person in charge cannot hold onto. This is a balance of juggling trauma and functionality with next to no outside help, and when Ed opened up to Stede to such an extent and imprinted on him with basically no safeguards it’s a sweet moment, but it’s a dangerous one as well. And it’s not a conclusion or a climax to their arc or Ed’s trauma processing: Ed has a lot of very, very complex trauma rooted in his psyche that he has been carrying around for decades. That is the literal first peeling back of trauma. It can be intensely retraumatizing to uncover a traumatic memory without proper safeguards, and Ed is incredibly lucky that Stede was so delicate and gentle with him, because that could’ve gone horribly wrong. Ed is not realizing he can be gentle; he’s realizing that he’d been repressing a memory of murdering his dad for decades, and quite possibly realizing that he’s been repressing enormous amounts of trauma in general. Like: this is a breakthrough moment but not in the sense fandom seems to often claim it is – this is not helping Ed realize he doesn’t have to be violent or that he can be vulnerable in general, it’s him deciding that Stede is safe for him to be around. That has next to nothing to do with Blackbeard or his personality or how he feels about violence, and is wholly disconnected from the Kraken because the Kraken is irrelevant to their day to day operations.

Idk! I love my complex meow meow. He’s out there. Be nice to him

[vampelune]

kamukomahina gender/body headcanons

a bit of a ramble about my body, gender, and general appearance headcanons for them bcuz someone sent me a curiouscat prompting this 3k words of hyperfixation nonsense

Komaeda:

- He has a naturally lithe body, with a thin waist, broad shoulders and hips, which give him an hourglass. and a rather andrognyous body, which is "lucky" for him, because I hc him as nonbinary and gender non-conforming

- Gender-wise, as I said, I think he's nonbinary. Usually I do view Nagito as AMAB but I indulge in transmasc Nagito from time to time depending on my preference and how much I wish to uh, well, project, lol. But either way I think he would use he/they pronouns in a western sense. In japanese, however, they don't use third person pronouns that other people refer to them with, and in canon he uses the first person pronoun "boku", which is a "soft" masculine pronoun, in comparison to the "hard" masculine pronoun, “ore” (which Hajime uses btw!) which fits quite nicely, in my opinion! Also, in Japanese, you can be 'fluid' with your first person pronouns depending on the situation, so I think he could use more neutral or feminine pronouns should he desire it, too, to play on his gender non-conformity.

- Komaeda is very secure in his gender, regardless of being AMAB or AFAB. He does not care about stigma, or discrimination, he does not care about being "accepted" by broader society. Broader society is sort of meaningless to him, the average person and their ideas about gender and presentation and effeminity mean NOTHING to him. Whether or not a random person the street genders him correctly or treats him with respect is sort of, pointless? Because to him, most ordinary people are pointless nobodies. Their thoughts do not matter to him. I think he is still prone to insecurity, however, when around his "betters" but I just struggle to think he would degrade himself in regards to gender. to him, it's the least of his problems. what he cares about is hope and talent. He could dress femininely or wear makeup or straight up crossdress and not mind it, really. He thinks people would find a problem with it are the problem, because why does it even matter? It speaks to the way Komaeda is detached from societal norms & "normal" people, he did not grow up in normal circumstances, so he doesn't interact with the world normally by any means. he can mask and act normally to the best of his ability, often unintentionally?, but he simply does not fit into broader society and doesn't seek to.

- Komaeda loses weight really easily, and doesn't gain weight that well. This is mainly due to his many illnesses but also the medications he's been put on. He has a low appetite and burns weight rather easily, even though I headcanon that he eats like garbage (mainly junk food & takeout, since he obviously cannot cook). This makes him overall, health wise, not very healthy, and stick thin because of it. A stiff breeze could knock him over, tbh.

- He has a lot of faded scars, self-inflicted or not.

- Pre-despair (in HPA) he is fairly healthy but still lithe, and progressively his body deteriorates through his 2 years of hopes peak before the Tragedy begins.

- During the Tragedy itself, his body is at it's worst. he is almost nothing but bone at times, barely kept together by a need to live so he can see hope triumph. His weight fluctuates but he's very unhealthy. He's not anorexic or on death's door, but he's not well off, either.

- After being put into the neo world program, right after waking up, he's very, very thin and gaunt. he was in a pod on feeding tubs for an indiscernible but at least probably a month's worth of time? So he's just very weak, like he could collapse if he moves too quickly.

- But a while after waking, he goes into remission, and starts to gain more healthy habits due to being rehabilitated and cared for by Hinata, and gains some weight, finally at a healthy, normal weight. I still think he would struggle with putting on too much weight, but I am slightly fond of the idea that he gets a bit of healthy pudge after a while. To him, it's so foreign being healthy, that he honestly think something's wrong with him at first.

Hinata:

- Hinata has a very... average body, true to form. His hips and waist aren't too pronounced but he has a loosely "hourglass" shape, too, just not as exaggerated as Komaeda's in comparison.

- Gender-wise, I am EXTREMELY fond of transmasc Hinata. While I think I portray AMAB Hinata more than transmasc Hinata (in art and writing), I still firmly prefer transmasc Hinata. The reason I think portray otherwise more is just out of comfortability, but I've been getting better at comfortably portraying FTM Hinata. I have some reasons I prefer it and think you can extrapolate it from canon, but let's get into that

- Hinata, in my eyes, has an arc and story that fits perfectly into him just. Being trans. His desire to be someone else, someone better, someone he can proud of, and the way he overcompensates for himself and has an extreme inferiority complex would easily lend to him having similar feelings about his gender. To me, Hinata is a trans man who overperforms his masculinity out of insecurity and a need to pass. I see him as someone who would strictly use "he/him" in a western sense, which is lended to by his use of the "ore" pronoun in canon, which is almost hypermasculine.

- Even if he were AMAB, I think it still works, I think he's still someone who's insecure and tries to assert himself more strongly and therefore performs masculinity in a way to appear more confident than he is.

(side note: I actually read a bit about queerness in Japan and how it relates to gender performance and the use of pronouns, and read a bit about how queer women in japan tend to use "boku" and "ore" to perform masculinity, which I find neat. “Ore” was also sometimes used exclusively to show anger and dominance, which is why it's categorized as a "rough" pronoun. I think Japanese language, gender, and expression, and how those all relate to one another, are extremely interesting and if you get the time you should read about it lol)

- Body-wise, pre-despair, I think Hinata would. not have top surgery, obviously. I think he has a fairly average but leaning a little on the hefty side chest (pre-op) and binds it, hence the '91 cm' (but also he still has 91 cm post-op because bazongas). I also just think he leans on the "twunk" side of things at this point, not buff but not stick thin or without muscle, just kind of average with average strength and all, though I think Hinata would've tried to do sports and stuff to find his talent so he's in shape :)

- My personal, kind of amusing, but also kind of... thematical? Headcanon, is that during the Kamukura project, he also underwent gender transition. to be honest, while it may not make sense in modern Japan, I think we can suspend our disbelief for fiction, and also make the argument that Hinata's "transition" into Kamukura CAN be read, in some part, as relatable or at least familiar to the trans experience. Iit is not out of the realm of possibility, either, to assume that because many bits of society in Danganronpa are advanced (specifically science, is extremely ahead of our understanding, almost sci-fi like at times) certain attitudes about gender and sexuality can be smoothed over more in a Japanese context.

(side note: I also think that science-wise, we can suspend our disbelief, and assume that top surgery and bottom surgery are much more advanced in this universe, given the almost unbelievable levels of science in Danganronpa, such as memory wipe, mind control, completely realistic virtual simulation, um literally everything about Kamukura which is body modification and brain modification to an extreme, etc. I think it's kind of fitting within these to assume that... Hinata/Kamukura could just, gain a functioning penis, lol)

Kamukura:

- Kamukura would have a. "Perfect" body. it's stated, I'm pretty sure, that they modified not only his brain but his body, because he needs to be able to perform every talent under their belt with ease, and his strength, instincts, technique, are all superhuman. So it's clear to me he'd have a buff body. toned muscles and all. He wouldn't really feel a need to keep it up, though, but I think since they're very... artificial (basically fucking steroids?) they wouldn't fade from a lack of keep-up.

- Kamukura also rarely ever is injured, but when he does, his body heals rather fast and can care for himself adequately, because again, his body is modified to a point of almost inhumanity.

- Gender wise, Kamukura genuinely does not care. however, I am not one to think that Kamukura is "a different person" from Hinata, rather, he is separate from Hinata, but an extension of Hinata as well, proven that he experiences some of his emotions even if subconsciously and without understanding them. he isn't a different personality or person developed in Hinata's body, but a very traumatizing, repressed, and manipulated version of Hinata given a new name, with memories repressed. He's like Theseus's ship in human form---if you get rid of everything that makes someone themselves and replace it, bit by bit, is it the same person? Technically, yes, but... truly? Who knows. 

Because of this, I think Kamukura would have a leaning toward masculine gender performance (in canon, in fact, he uses the soft masculine pronoun "boku" in stead of "ore" like Hinata) BUT I think he is still very nonbinary. In a western sense, i think he would use he/they pronouns, but not really care if someone mistook him for a woman, I suppose.

- His appearance, unironically, is very nonbinary or "he/they" to me because he's wearing a suit, the archetypal form of masculinity, but has extremely long hair, which is considered feminine, and speaks softly (dully). Of course, the bishounen "pretty boy" appearance isn't uncommon or considered less masculine in japan, I think, but there is still a different between soft masculinity and rough masculinity in japan, which lends itself to being interpreted sort of gender non-conforming by western audiences :)

- Kamukura, due to his apathy, struggles with self-maintaining, but as we all probably know i am extremely attached to KamuKoma and thus headcanon that Servant helps him, sort of like a royal servant would royalty in the old days, take care of himself by bathing him, brushing his hair out, grooming him, etc. partially out of duty, partially out of appreciation for Kamukura's body, and partially out of maintaining his sort of "perfect" look since Kamukura, especially post-Junko death, is perceived widely by the public as the new leader of the ultimate despair, even if he is ambivalent to such a title.

Post-DR3 Hinata/Kamukura combined:

As I rambled on about previously, I don't think that Kamukura and Hinata are separate people or personality, I really dislike the interpretation that they are like a "split personality" or operate like DID, because they do not "form" like DID, but also in canon, are not portrayed as separate people.

In post-dr3, Hinata instead says that he is both of them, because he is. Kamukura is Hinata, always was, but had been given a new, false identity, had been stripped of his previous self, his memories, his personality, and crafted into something new. but that did not "split" his brain into two people. It simply repressed who he once was, and made him someone he now was. But when Kamukura regains his memories, his past self, through the means of the new world program by restoring his own memories after SDR2 concludes and he wakes up, as well as doing the same for everyone else, he decides to be "Hajime Hinata" who he always was, but carrying and shouldering the weight of what "Izuru Kamukura" had been, become, and done. Hinata *is* Kamukura, he answers for Kamukura's wrongdoings, his crimes, as something he had done as a different person who's mind operated differently, due to being artificially suppressed, modified, into an apathetic tool for the scientists who made him, and later and aimless, bored individual who simply sought meaning he did not have in the unknown of what despair would be at it's climax. And if hope could overcome it.

As such, I think, when Hinata's self is brought back into the mix, and he now deals with Kamukura's apathy and boredom in part, but much less consuming and much less often, I think hinata is less staunchly "masculine", does not overperform it anymore, and is trying to understand what his past means to him, what his present is, and what his future will be. I think that Hinata would still primarily use he/him (or still use "ore" in Japanese, as it's also a means of his personality, which is a bit rough around the edges and blunt), but be more ambivalent to rigid gender expression, still finding comfort and idealness in masculinity, but not be made dysphoric or feel frightened, uncomfortable, with non-comformity or anything like that. being boyish, masculine, is what he enjoys, but he's comfortable in it now, doesn't need to prove himself or overperform it. He can explore nonconformity without feeling like his gender or masculinity is at threat, even if it's not his preference outright.

Body-wise, I think it's safe to say he retains Kamukura's muscle and all, but Kamukura didn't put much effort into the everyday machinations of being a human being in general, and Hinata is much more fond of food than him now, eats more often, and I enjoy the idea that he gains a little pudge and has a kind of "dad bod" almost, post-DR3? lol.

Both for Hinata and Kamukura I don't see their bodies as “bara” or overly buff, masculine, but a kind of comfortable middle ground between twunk and hunk, lmao. I think they're also averagely hairy, not overly so, very lightly. kind of well groomed, and all. Hinata, pre-despair, put not so much effort into his appearance but still some, especially in trying to pass. (In fact I think his hair cut looks like a home job, all choppy and stuff, which fits him in my opinion, something done by his own hands even if messy and imperfect, he still prefers to be in control of it. also fits the trans headcanon tehe).

Izuru put very little if any effort into himself, only the bare minimum necessary to function, but servant helped him upkeep it to a perfect standard. Hinata, post-dr3 now, finds himself putting you know, an average amount of care into himself and his body, enough to be healthy, but not overly critical and conscious of himself.

Komaeda i have always seen as someone who takes a good deal of care about himself, merely if to alleviate the "disgust" of his appearance and body, by practically preening himself. He is someone who is good at cleaning and seems to appreciate clean and well kept spaces, so I think he would have a similar attitude toward himself. even if he is insecure, and of course, struggles with mental health and may slip at times in his routine in keeping himself well-kept, I think he still maintains an appearance for the most part, at least in his later years (teen to young adult). An argument can be made that he cared less in his adolescence because he had much more apathy about the world, but when he gave himself a purpose with hope and talent, I think he would care for himself a little better, even if his was spiralling mentally.

His hair is always washed, it is just very curly and prone to mess, so it often looks like perpetual bedhead, even when he combs and brushes it. His skin is soft even if a little worn by his tendency for accidents & injury, it's still soft and almost luckily so, and he takes pride in moisturizing and cleaning himself. His skin is a little sickly, still, and I think that despite having blemishes, scars, etc. Komaeda manages to look pretty in a strange way, not conventionally beautiful, but almost ethereal? He's just *pretty*, there's no way to explain it, he is nice to look at even with all his "flaws" and imperfections. Even when he's sickly and bony, even when his cheeks are gaunt or his hands shaky and weak, when his hair is a tangled mess or his clothes are dirty, he's nice to look at in a way that's nonconventional, and it's sort of mesmerizing.

Hinata I think is very average but also in a way that's nice to look at it. He's not ground-breaking hot or conventionally attractive, he has a good body, a nice face, and hair you could play with a little if you wanted. I think what's appealing about him is his normalcy, he's not trying too hard or "gifted" gene wise, but he's just kinda nice to look at, he's enjoyable to be around, an understanding person, or at least tries to be even when he fails, and despite having flaws, insecurities, blunt, he is someone you're drawn to because he's one of those people that's just, easy to talk to? An emotional anchor, almost. The kind of guy everyone kind of knows and has talked to at least once, even if you're not friends with him personally, not because he's cool or popular or anything, but because he's a normal dude who's easy to trust and talk to.

Kamukura, on the other hand, is intimidating, appearance wise and personality wise. he looks, strange, anything but normal, his eyes are red and his hair is this dark cloud that envelops him. His face may still be that plain one Hinata has but faces can be changed by the surrounding attributes as well as expression and such is true for him, with his apathetic and cold expression as well as otherwordly characteristics, he comes off as much more beautiful in a dark way, kind of? In a way that's intimidating or a little daunting, but he's still very beautiful. mesmerizing.

okay, thats my ramble. ty.

[probably-haven]

Hello!! After seeing what you wrote about xiaoven fics I went to see what things you usually write and omg, your archon Venti headcanons????? I am absolutely in love. So if it isn't annoying, could you talk about xiaoven or Venti or Xiao or whatever ship or character you like? I don't care what you are going to say, I just want to know more about your thoughts ^^

I- is this... bestie, this is essentially a free ramble pass- kerujsgheskdfug. Trust me when I say that in no way is this, and in no way will it ever be annoying in the slightest- i literally- lets just say rambling off thoughts is kind of my specialty, especially when provided a topic to branch off of because otherwise I'm just- really indecisive about it so- iujskdh yeah- 100% definitely down to talk about Venti, Xiao, and/or Xiaoven XD. Also, yes- it may have been awhile since i last posted one(cuz again, indecisive about which direction to take part 5), but the Archon War Era Venti headcanons are still without a doubt my favorite posts I've made. It's just such an interesting topic with such endless potential that so few people actually think about or consider or even realize is there, so i always just get really psyched whenever i see someone interact with them lol.

.... this ended up being a bit of a mess: warning in advance

Anyway! onto the actual content!

- You see the thing about Xiaoven is that there's a lot of different ways that it could end up working out, and just personally my favorite way of portraying Xiaoven in my mind is as an unlabeled relationship because if anyone in genshin would give off that vibe its these two. And a number of other reasons.

- Firstly, I heavily headcanon Venti as being an aroace polyplatonic or perhaps heavily demiromantic. However, regardless of this I just don't think that Venti is really the kind of person to worry about how he should label his feelings, thinking it's silly to try to put them in one box or the other, especially with feelings and emotions being as fluid as they are in general. Plus it fits his whole God of Freedom vibe. I just- dont think he's the biggest fan of labels or social categorization in general.

- And secondly on the hand of Xiao... his defense mechanisms are very much ingrained in his personality. It's probably hard enough for him to not go into fight or flight(the answer is fight) at the slightest affection at first, at the slightest feeling of vulnerability. Even further down the line, with his fierce dedication to Liyue, I cant help but get the vibe that the moment he recognized that he was falling for Venti he would begin avoiding him, not only to avoid distraction from his duty, but to avoid corrupting him or losing him in general like he has with like basically every other person he gets close with(even believing that the cycle had repeated once more when he first heard of Morax's death)... now imagine Venti tryna slap a label on their relationship and tell me Xiao would have a positive reaction.

- The thing with Xiaoven.... honestly, i feel like theres more ways that it can go wrong than it can go right, but if they do manage to make their relationship work out, it's just simply beautiful in all terms of the word.

- Lets talk about killing. - During the Archon War, both were forced to kill a large number of people and gods alike- Venti out of a need to remain alive to protect Mondstadt, it's freedom, and the nameless bard's legacy by extent- and Xiao out of servitude to the god that was once his master

..... actually- break here- ive talked a lot about Venti on this blog but I havent actually spoken about Xiao all that much- so i should probably do that a bit first... do note though that my characterization of Xiao is pretty flexible actually- this is just- the possible characterization of him that i tend to favor as being the most- uh- "realistically complex"

-

Theres a line I saw this one time in a certain story: "He is a trained weapon. That's what he is, was, and always will be. You cannot change that so stop trying." And i just- think its a really interesting concept- that applies pretty well to Xiao now that i actually think about it. - the concept behind it is this: After spending more than a vast majority of his life killing or otherwise in battle, it's become a part of who he is, a normalcy that after centuries and centuries would be near impossible to get rid of or reverse, and even if it was possible, with his karmic debt constantly eating away at him its unlikely he has enough time left for that to happen. - it sounds like a cruel thing to say about him- but in context it's actually pretty layered and i think about it a lot. It's not as much a "he's a killer lol, that his whole personality" its more of a "The centuries of trauma he experienced have conditioned him into a constantly alert and battle ready mindset while also shaping his dehumanizing inferior-in-worth-but-superior-in-capability view of himself that would have likely been necessary to get through those time, and at this point he's been under that conditioning for long enough that it's essentially ingrained itself in his personality."

- the main idea is- it's a part of who he is, that needs to be accepted as who he is because its not something that he can just up and change. It's not all he is of course but his constant battle mode, as though always waiting to be ambushed or to be granted a new target to eradicate.

a couple character story quotes:

-"His past of service under the evil god had rid Xiao of his innocence and gentleness. All that remained within him was the means to kill and the weight of his sins. The only way he could be of service to mortals was in combat." -"Xiao does not feel any hatred. Having lived for over two thousand years, no single karmic debt constitutes anything more than a fleeting memory. No grudge can last a thousand years; nor is any debt so great that it cannot be paid off in this time. Xiao has spent many long years alone. But his battles have never been in vain." -"where did Xiao have to return to? He was merely leaving the battlefield." -"since Xiao wages a constant war against dark forces powerful enough to devour Liyue in its entirety, any bystanders who witness him in the heat of battle are likely to end up as collateral damage." -"The war he fights can never be won, and will never come to an end." -"Because ultimately, the one with whom Xiao wrestles is himself."

i feel like at some point this very nearly did consume his whole personality, almost turning him into nothing more than a being of slaughter under Morax's control, devoid of any "humanity" at all, consumed and corrupted by his karmic debt like his fellow yakshas before him. - until he experienced a moment of clarity- a song in the wind, the peaceful melody of a dihua flute. - and pulled back from the border of something he wouldnt have been able to return from, there a was a shift in his mind- a concept grown unfamiliar enough with time that it took him a great time to identify what it was; a curiosity. Something that there was no place for on the battlefield, something that by all means should have been completely useless to Xiao, and yet he held onto that curiosity, slowly regaining over time, a sense of who he was and who he could choose to be with each song that the wind chose to carry towards him every once in a blue moon.

and eventually that curiousity turned to longing. Longing "for a day to come when he will wear the mask and dance — not to conquer demons, but to the tune of that flute amid a sea of flowers"

...... uh- heh- if you couldn’t tell already i have a tendency to make my characterizations/analyses of characters more serious that i probably should. 

to summarize: Xiao is constantly toeing the line between his ingrained nature and his humanity- almost as though still trying to decide how much of that humanity he deserves to have, how much he is allowed to have, and how much is safe to have.

^looking back after writing this, i think the best way to explain it is that this is the view that i keep in mind/the lense that i tend to most enjoy looking through and refering back to while examining and/or analyzing his character, actions, story, lines, and overall personality.

idk- i kinda got off track but i just think its a really interesting interpretation to think about because it has some really interesting implications ig- it’s not the full extent of how i view him of course, but i kinda got ahead of myself and its long enough as is so ill just elaborate as i go- Lol i actually have in progress playlists for both him and venti and just- vibes- i could ramble about the playlists alone for hours explaining everything... It’s probably a problem- uh- ill keep going now lol.

anyways! stepping off the angst path for a brief break! Brought to you by their lines in the snow: both waiting for it to get thick enough, Venti for the purpose of a snowball fight and Xiao for the purpose of a tasty and nutritious breakfast.

but its actually something of note that Xiao doesnt actually need to eat so anything he does eat is usually out of obligation or enjoyment- so like.... snow.... like i dont blame him, but of all things- an adeptus who refuses to eat basically anything but almond tofu looks at the freezing-cold-floor-water that yeeted itself from above and decided at some point- damn- that seems more edible than basically ever single actually edible thing ever.... im gonna eat it- like- im glad if eating snow makes him happy but- at the same time...

He probably convinces Venti to eat snow too though and Venti wouldnt even resist I mean he’s wind and has probably consumed worse things in his time so- 2 anemo cryptids with glowing tattoos sitting in Dragonspine monching snow in the dead of night is an amusing thought to me.

- kay, now back to more serious-toned thoughts

One of the things about the ship that i really like is the different contradicting parallels between them:

A lot of how i view Xiao’s character is someone formed largely by the things he cant control and who was forced to accept that accepted that and learned to thrive in it as much as he can.  Venti on the other hand is surrounded by things he cant control and is ever adapting to control as much as he can while embracing whatever he cant as being part of the unpredictability of the world, seeing beauty in it. 

both of them have lost people and do what they do to honor their memory: Xiao continues to do what the Yakshas once did And Venti chooses to do what his friend couldn’t

Xiao’s power coming from himself  and Venti’s from others And both seem to appear to use their power for their own gain while truly helping others behind the scenes

both have killed a lot of people during the archon war Xiao views it as another necessary event out of his control and Venti would likely view it as a tragedy he chose to enact himself

and this is where we meet out balance

Xiao- contrary to how i think a lot of people view him as thinking of himself as a monster- seems canonically to have accepted this as part of his duty, as long as those he killed are not mortals. I dont think he enjoys it no- but someone has to do it and he’s just accepted that its a part of his duty Venti on the other hand-

See the beauty of the ship- as someone with an angst-centric mind- is this- these are two of the most traumatized mfers in the game 

Xiao is by far the one who needs the most help and who can serve to benefit most from the ship- but he is nowhere near self aware enough to recognize that there’s anything wrong or unhealthy about his mindset in the slightest-

whereas you have the contrast with Venti who sorted through most of his trauma with the nameless bard alone during the archon war and while the result appears more healthy- is still really not- but he’s not self aware of that either because i mean- who’s going to tell him? nobody even knows. 

however- venti is aware enough to notice flaws in Xiao’s mindset and “Venti” enough to want to help them through it-

Xiao- while not aware enough to recognize the flaws in Venti’s mindset, can recognize where it contrasts with his own, and is blunt enough to point it out- and then it’s out there to be mulled over- 

they’re so similar and yet so different and a feel just conversing between the two of them, being in each others precense, just being exposed to two mindsets that are so very different could do both of them a whole lot of good.

GEEE THAT BIT OF RAMBLING HAD LITTLE TO NO DIRECTION AT ALL- LET ME-- LET ME MAKE THIS START MAKING SENSE- WITH... DYNAMICS OR SOMETHING

I don’t think Xiao needs to sleep really- and i dont think that sleeping would do anything except make him uneasy at first- he’d probably just get nightmares after all he’s been through- but with Venti he would soon learn that it doesn’t have to be that way, lulled into the first peaceful sleep he’s had in... as long as he can remember.

anywho back to not making sense cuz im fickle and i think most questions about ships are best displayed through character interactions so like- a possible exchange thats cliche but cliches exist for a reason

Xiao: Why do you try so hard to help me, it isn’t easy. I know that much Venti, with the most adoring expression: Because you’re worth it, obviously Xiao: But surely there are others more deserving of- Venti: No Xiao, everyone is just as deserving as the next person, you included Xiao: Then why me above others? Venti: ehe, cuz ur my warrior of course [O//////O oh shit, hes right] Xiao: My contract is with Morax alone [gay panic but in broody yaksha]

it’s kinda difficult cuz neither of them really address their feelings.  I mean Venti does but he does it very indirectly and its rare that he ever does it with like- genuine directness- even spilling his backstory was in the form of a song- and told in the third person- so a lot of their interactions would often have some deeper meaning, especially with Venti being the bard he is. 

I come up with a lot of- errant thoughts about Xiaoven- but this is making me realize that a true analysis of their ship is rather difficult because it just encompasses so many dynamics so its hard to settle on just one and not go rambling about who knows what bouncing from one end of the ship to the other-  Because you truly can and thats the beauty of it

within one moment you can be having a heartfelt conversation about the archon war the impact of lost friends and times past, and the next moment Venti is trying to forcefeed Xiao an apple while Xiao screams about disrespecting the adepti and its just- so lovely

so while they have picnics with nothing but apples, dandelion wine, and almond tofu they can sit down and talk about the dreams Xiao once devoured, and the dandelion wine and apple cider that the first Ragnvindir invented from the plants that never could have grown in Old Mond. The foods that tasted of familiarity, or of the grilled ticker fish Pervases always used to eat, foods that tasted of friends and frankly family that had since passed, glaze lilies and cecilias and qingxin flowers scattered in the surroundings and woven into Xiao’s neat braids and Venti’s now messy ones, rebraided by the steady and inexperienced hands of one unused to gentle action. 

and then of course Venti steals Xiao’s tofu once the mood becomes too grim and replaces it with a bottle of wine that Xiao refers to as “vile poison,” a remark that fatally wounds Venti as he collapses on the floor, proclaiming how he can only be healed by a Yaksha’s kiss. Xiao ignores this of course and simply takes back his tofu with a slight smile on his face, but as Venti persists he soundlessly places a kiss on his own palm before intertwining their fingers and pulling him back up from where he was dramatically sprawled on the floor, grumbling about how such action was “unbecoming of an archon.” A sign of affection only Xiao would ever know about. But Venti is literally wind and I hc his senses work differently anyways so he definitely knows- plus Xiao’s face is red as the blood of his enemies and the way he is pointedly not looking at Venti at all really speaks volumes anyways. 

 -Venti playing epic battle music whenever Xiao goes into fights in what looks like a ridiculously extra performance to anyone else but is actually doing wonders to keep Xiao’s karma at bay

-Venti preaches the practice of “kissing wounds better” and Xiao is unfamiliar with this medical treatment but views it as unnecessary regardless because adepti have accelerated healing, doesn’t mean he’s going to stop him though. 

-Messages whispered on the wind

-Venti’s 1000 year sleep- an accident, not a fun time for the yaksha, and not a fun time for Venti once he woke up. Venti is actually more afraid of restful sleep than Xiao is, hence the sleeping in trees thing, but when Xiao is there, he can sleep restfully with faith that Xiao wont let another millennia slip through his fingertips. 

- Xiao tends to make excuses when doing things that aren’t necessary to his duty, like in his birthday voice line “Have this, it’s a butterfly i made from leaves... Okay. Take it. It’s an adepti amulet -- it staves off evil” because at the current point in his progress it helps him to feel like he’s allowed to do these things. Not wanting to put him off from progress, Venti never comments on his excuse but never fails to whisper a quick reminder of how proud he is of how far Xiao had come.

- Xiao’s karma saddens Venti greatly- not only because of how it effects Xiao but also because its a reminder that as much as Venti tries to honor the memory of those he’s killed, there will always be those who resent him for it, and when he took the option of living away from them, he truly can’t blame them. - And when he gets too wrapped up in thoughts, whether around this topic or similar ones or otherwise, eventually, he’ll hear the sound of a flute on the wind. It’s not divine by any means, but as his own wind connects him to the source, he gets the sentiment all the same. “What impact does one individual’s remaining wrath have on the present. You have done much to help the living in the present” the unspoken idea that Xiao has included himself in that statement, because now, with Venti’s help he’s beginning to learn just how to experience living for himself. 

- Venti’s form and Xiao’s mask are off limit topics though because if either mentions it the other will counter with the opposite and the mood will turn immediately bitter at the idea that both know that what they’re doing is destructive but neither are willing to change

- Venti who has different tells for negative feelings than most people because as much as he likes to pretend it is- this form isnt his, and Xiao who is able to identify those

- many fanfics and headcanons have Venti recognizing when Xiao is uncomfortable and getting him out of those situations. I see that and I love it but i raise you: - Venti taking Xiao to Mondstadt, careful that he doesn’t get to the point that he’s uncomfortable. And nothing goes wrong exactly, but Xiao notices the the way Venti’s cape is blowing in the wind, the way he’s holding his weight, barely on his feet so much as floating on the wind, connected with the ground only for the sake of appearance, all the while he looks just as happy go lucky as ever. And without a word, he grabs his hand and teleports them both out of Mondstadt.  - turns out it was just a slight thing that reminded him of the archon war (cuz i will die on the hill of him having more tragic backstory than just Decarabian), and he of course gives a sincere if not flustered thanks to Xiao, because he’s really not used to people noticing. 

- Venti trying to vent sneakily through fictional stories and Xiao is just like “Didn’t that basically happen to you” and Venti is just like “<_< shit”

- Venti once said affectionally that he wished he had met Xiao sooner and Xiao immediately and seriously shot it down by saying “If you had, I would have been forced to kill you” and both of them now stay up at night wondering who would have won that fight, not sure which result would have hurt more. (because honestly I have no idea who would win in that fight and that terrifies me- I like to think it would have been one of those legends that end with “and the fight persists to this day” or something along those lines)

- “How long have you been together?” “Adepti have no need for-” “1000+ years T^T how dare you deny our love” “O///O our...? ...useless”

- its disney- let me explain- i have this- i have this headcanon inspired by watching too many animatics- - so venti has a human form that isnt his- which he would have had to get used to moving in- and he’s a bard- - uh- anyway- as a third degree black belt in mixed martial arts, i can speak as an authority on this(not really an authority since i havent gone since quarantine but lets pretend). We have a thing referred to as the big three(most things do), and those things are martial arts, gymnastics, and dance. The idea is that they reflect really well off of each other and the best in any one category are good in all three. Timing, balance, form, discipline, technique, hand-eye coordination, grace, ease of motion, they all play a part- anyway-

- Venti taking Xiao’s prowess in martial arts and acrobatics and teaching him how to dance, and as someone who’s extremely skilled in the first two, the third comes easy to him, almost naturally. And it’s delicate and beautiful and lovely and it isn’t hurting anyone. And Venti points all these things out and more and despite how much Xiao insists that he feels ridiculous he truly does enjoy it and it goes a long way towards helping him form more healthy views of himself and his worth.  - Verr Goldett walked in on him once and made a joke about performing at the inn. unfortunately Venti was there and agreed on Xiao’s behalf before he could protest and- and it wasn’t as bad as Xiao thought it would be... he still wouldn’t do it again though without reason, but with good enough reasoning he could probably be convinced. 

- anyways point is he likes dancing to Venti’s songs and i just think that’s really cute - just picture the idea that all the animatics you see actually have the potential to be canon- ugh

- venti tries holding something out of Xiao’s reach since he’s taller and Xiao just fucking teleports 

- both need their space but when they dont, all they have to do is speak the other’s name and they’ll be there.

- and because i just had to.... love languages

- lets start with Xiao- i don’t think he’d view acts of service or quailty time as a love language tbh, and he blunt but really bad with words so affirmation is out, leaving gift giving and physical touch. However, he seems to view most material things as meaningless so- - Xiao who’s love language is in his fleeting touches, something he’s only recently grown comfortable with because of Venti, and now is giving back, which he knows he doesn’t have to do, but that he want’s to, though he’ll still continue to make excuses for each one. “you were shivering” “The inn is high up, you could have fallen..... I said what I said, you’d question an adeptus?”

- and as easy as it is to say words of affirmation for Venti- he does that for everyone- i want to say his is actually acts of service - its the acts of service that let him see just how much Xiao has progressed afterall, from teaching him to dance, to playing another song on the flute, to supplying him with the almond tofu he seems to enjoy so much. Every little thing he does helps Xiao to grow and he couldn’t be happier about that. 

-

- of course most of my headcanons for the ship do take place latter into the relationship because- y’know the less serious unhealthy vibes allow for greater range of thought, but i do still love to think about the serious implications so i kinda hopped back and forth. So sorry about how messy it is btw, i kinda- got carried away- it kinda got some kind of structure near the end tho so- maybe it’s okay. anyway- back to... lol something, we’ll see where thought forests lead. 

[raeynbowboi]

How to Play as Link in DnD 5e (2.0)

With the release of both Mythic Odysseys of Theros and now the new big expansion in Tasha’s Cauldron of Everything, I figured now would be a good time to reexamine Link with the context of new subclasses, class features, and game mechanics that weren’t around the last time that I built him. While I won’t do this for every character I’ve built before, characters who have new options made available with these updates will get a new rebuild for 2021. If you want to compare and contrast this build to the original, I will link that build right [here].

The Spirit of the Hero

Link’s a Hylian and that’s just a fancy way of saying elf. His best racial options are either the High Elf, the Wood Elf, or the Half-Elf. Half-elf’s extra skills are tempting, but as Link is never given any parents or an ancestral family tree, we can’t really justify him as a half-elf. We’ll call him a Wood Elf for the extra +2 to his Dexterity and the +1 to his Wisdom as well as that woodsy vibe. But if you wanna go for a Half-Elf for the power build, I won’t tell anyone.

Link’s alignment is tricky. On the one hand, he is shown kneeling before the monarchy, defeating the forces of evil and darkness, and doing odd jobs to help the common people he comes across. However, he can also start forest fires, break into people’s houses, smash pots, steal people’s life savings or personal belongings, and attack the chicken population until they attack back. I’d wager he’s Neutral Good if for no other reason than his morality is highly dependent on the player.

My first choice for Link’s background would be the Folk Hero for Animal Handling and Survival. However, Link’s background is so inconsistent, it’s easier to just list out the skills he tends to have and tell you to pick a background that has those skills, or create your own: Animal Handling, Athletics, Investigation, Nature, Perception, or Survival. There’s a case to be made for other skills as well. Acrobatics works a little and his jumps did involve sick flips in Majora’s Mask, but Link doesn’t tend to balance or platform jump very often. Link can play instruments fine and danced in the Subrosian Dance Hall in Oracle of Seasons for Performance proficiency, but he’s usually playing instruments to activate effects, not to actually perform for a crowd. Link shows some Stealth skills in Breath of the Wild, but this hasn’t been a longstanding skill of his, so I didn’t lump it in with his main skill list.

Becoming a Hero

When it comes to his build, Link has made some use of spells in the past, but he’s nowhere near the spellcaster that Zelda and Ganondorf are. Link is definitely more of a martial fighter who augments himself with a wide arsenal of magical items. So when it comes to picking Link’s class, we have a few things to keep in mind.

BARD

Link is a talented young man, and he has had magical instruments in a few games over the years, as well as dancing in Subrosia, among other things. While I don’t subscribe to the idea of Link being a bard myself, I understand why people would come to this conclusion, as Link isn’t really bad at anything... except talking. And lying. And looking threatening. Or haggling. Yeah kind of hard to depict Link as a CHA caster who isn’t proficient in any CHA skill checks. 

Spirits (UA) This doesn’t fit for every Link, but especially for Breath of the Wild where Link gets help from the spirits of his fallen comrades, the flavor of calling on the dead works for Link. For a non-BotW example, maybe Link can tell stories of his past lives, and the memories he shares with each of them.

Valor This college has the downside of being built as a cheerleader, while Link really should be built for solo-combat since that’s how he approaches most fights. But Valor is better than Swords and also gives Link proficiency with martial weapons and shields, while Swords does not.

FIGHTER

While there are many martial classes, the Fighter differentiates itself by being the most down-to-earth option. It’s not beholden to rage, or smites, hunting, or sneaking. It is the simple skill of the blade, and this is a skill Link has in spades. From the earliest games, Link has been a master of the sword, the shield, and the bow.

Battle Master Link is a strategic fighter. He looks for weak spots, and he exploits them the best he can. Of all the fighter subclasses, none is more clever than the Battle Master. Its many maneuvers resembles the numerous sword techniques Link has learned especially in the later games. Even in Smash, Link showcases how clever he is by being able to combine his arrows with his bombs and shoot a bomb arrow. To my knowledge, none of the other characters can combine their abilities like this in Smash.

Cavalier The subclass is poorly named, and was better in its initial name as the Knight, as that is really what this subclass is. It is the idea of the knight in shining armor. They can also be flavored as bodyguards, a traveling sellsword, or castle guards. So Link does not have to be glued to Epona to make use of this subclass. The main reason to want this subclass is the Warding Maneuver, as giving Link the chance to either block or reduce all damage he takes is going to seriously improve how well he can tank a hit, and help keep him in a fight longer.

PALADIN

More than any other class, the Paladin actually stands for something. They fight for a value or a belief. They swear their life to a cause and are prepared to die fighting for it. Link works on a lore level as a Paladin. Especially when he’s dedicated multiple lifetimes to the same cause. Across every timeline and game over screen, Link has always returned and stood in defiance against whatever evil may come. 

Ancients This oath makes Link sworn to the forces of nature, such as the Great Fairy, and protecting the balance and harmony of the light, life, and love against death, decay, and darkness. The Ancients Paladin is all about protecting the balance in the world and valiantly opposing evil wherever it might arise. It also has a druidic or fey aspect, which kind of works for Link.

Crown With this vow, Link serves the Hyrulian Royal Family. This makes Link the princess’ personal knight, and an agent of lawfulness, order, and peacekeeping in the land. While 5e has backed away from typecasting Paladins as Lawful Good, this is probably the most Lawful subclass one could pick, as it places the authority of the royal family above all else.

Glory Instead of being sworn to the light or the law, the Glory Paladin is the harbinger of the goddesses. They are flavored as legendary heroes of destiny, possibly being demigods or the personal errand boys of the setting’s pantheon. This subclass is clearly focused on being a frontline warrior, and the features make Link a true force on the battlefield.

RANGER

Anyone who’s played Legend of Zelda knows that Link is very good at surviving. The games don’t tell you how to navigate the wilderness, Link just has to figure it out for himself. What’s more, Link may be willing to venture into the wilderness, but he’ll be hard-pressed to find many NPCs that far outside of settlements or cities. Yet what they fear, he thrives in. And it’s no wonder that this is the class most peole would assume for Link.

Hunter This conclave is the slayer of all things that threaten civilization. They can choose to be better at chipping away at one enemy, counter attack bigger monsters, or mow through hordes of minions with more ease by taking out multiple at a time. Especially at higher levels, this conclave excels at ripping apart Ganon’s forces with nary a golden curl out of place.

ROGUE

The rogue doesn’t need to be a wanted criminal on the lamb. They can be a clever fighter with a variety of skills and a knack for evasion. That speaks a lot more to Link’s skill set than one might assume at first glance. It’s not a perfect fit for Link, but it’s really not that inaccurate either.

Inquisitive This roguish archetype is defined by being clever in combat, looking for weak points to exploit. They’re also much more observant, making them better at discovering clues or secret passages, or telling when they’re being misled. At higher levels, their ability to look for weaknesses can even increase their sneak attack damage. This especially fits some of the older games where boss fights were focused on using items to exploit the dungeon boss’ weaknesses, rather than hacking away at their health bar. In these older titles, Link was less of a straight up warrior and more of a clever trickster pulling off strategic victories.

Scout The Scout Rogue has heavy Ranger vibes, as they get free expertise in Nature and Survival, enhanced mobility, the ability to disengage from fights more easily, and at higher levels become masters of ambushes. This fits well with Link’s sneakier sniper playstyle that can be done in Breath of the Wild, as Link can take out entire camps without ever being seen.

Thief While Link is not a standard cutpurse, Link is a treasure hunter, a dungeon delver, and the jokes about him robbing the people of Hyrule and breaking into people’s homes doesn’t exactly help. The thief also gets to use more magical items, allowing Link to use things such as enchanted instruments without being a bard.

WARLOCK

Link usually isn’t the hero of his own volition. He often starts his journey with Triforce of Courage, a source of power gifted by his patrons. It’s honestly a weak connection, but it loosely works, so I’m including it. 

Celestial While this subclass is geared toward serving something other than a god, I don’t see any reason why a Celestial Warlock couldn’t serve the Triple Goddesses of Hyrule or even Hylia/Zelda directly.

Hexblade The most obviously martial warlock option, this is a good choice if you want to incorporate Fi into your character.

Link’s Toy Chest

Hero’s Sword - Longsword (+1-3) Mirror Shield - Repulsion Shield Hero’s Bow - Oathbow Gale Boomerang - Storm Boomerang Fire Rod - Wand of Fireballs (requires spellcasting) Mastersword - Sword of Zariel, Holy Avenger Longsword* Hylian Shield - Shield of the Hidden Lord  Goddess Bow - Ephixis, Bow of Nylea Golden Gauntlets - Gauntlets of Ogre Power Zora Tunic - Cloak of the Manta Ray Pegasus Boots - Boots of Speed Hover Boots - Boots of Levitation Hook Shot - Rope of Climbing

SIDEKICKS

Sidekicks are a new edition from Tasha’s that let Link bring allies on his hero’s journey. Experts are skill monkeys who focus on Help actions, Spellcasters dip into the INT, WIS, or CHA spell lists, and Warriors are trained to fight and don’t have to talk, so they can be animals.

Epona - Defender Warrior Riding Horse Navi - Expert or Healer Spellcaster Sprite Sidon - Attacker Warrior Merfolk Sheik - Expert Noble (Elf) Wolf Link - Attacker Warrior Wolf

Theros Piety

The Piety System from Theros lets us be devout to a god and earn features from worshiping them. As far as I’m aware, this is an optional feature, and not every DM will make use of these, but if you’re able to, here’s a handy guide. These gods really stood out as the clear choices for Link to go with.

Iroas - God of Victory

Domains: War Virtues: Achieve a great victory, Overcome slim odds honorably, Defeat a foe in single combat, Perform a great feat of strength or skill Sins: Being a coward in battle, Beat an honorable foe through deceit, harm innocents Piety Bonus: +3 Learn Compelled Duel spell +10 Learn Crusader’s Mantle spell +25 For 1 minute, creatures cannot gain advantage on you +50 Increase STR or CHA by 2 to a max of 22

Keranos - God of Storms

Domains: Knowledge, Tempest Virtues: Solve a riddle or puzzle, defeat an unwise enemy, plan ahead for an upcoming challenge, build or restore a temple to Keranos Sins: Jeopardize others through foolishness, ignore a wise course of action, fail to plan for a challenge, give in to anger or self-destruction

Piety Bonus: +3 Add 1d6 lightning damage to melee attack up to INT mod turns. +10 Reroll a failed INT or WIS saving throw +25 Advantage on Initiative rolls +50 Increase INT or WIS by 2 to a max of 22

Nylea - Goddess of the Wild

Domains: Nature Virtues: Help any wild animal, stop those who hunt for sport or profit, win an archery competition, slay an aberration, fiend, or undead Sins: Kill an animal without reason, Dedicate a building to or make a sacrifice for any god (including Nylea), protect a city from a natural disaster

Piety Bonus: +3 Learn Hunter’s Mark +10 Learn Speak with Animals +25 Attacking creatures must pass DC 15 WIS save or change targets. +50 Increase DEX or WIS by 2 to a max of 22

Cunning Tactician

Battle Master Fighter (12) Inquisitive Rogue (8) Fighting Style: Dueling Maneuvers: Brace, Disarming Strike, Feinting Attack, Parry, Precision Attack, Riposte, Sweeping Attack Tools: Thieves’ Tools, Mason’s Tools

While Link is brave and strong, he is most defined by his clever mind and unorthodox solutions to boss fights. With this class split, Link has prioritized strategy and tactics over everything else. While it leaves him a little squishier, Link is still a very capable warrior. As a Battle Master, he got a free tool proficiency. Mason’s Tools allows Link to find secret passageways in stone walls, which most dungeons tend to be made of. On top of that, with his Feinting Attack, Link can give himself advantage, meaning he can use Sneak Attack even in a 1v1 fight, which fits his solo adventurer playstyle.

One-Man Army

Battle Master Fighter (12) Hunter Ranger (8) Fighting Style: Dueling, Archery Maneuvers: Brace, Disarming Strike, Feinting Attack, Parry, Precision Attack, Riposte, Sweeping Attack Hunter’s Prey: Colossus Slayer, Multiattack Defense Tools: Mason’s Tools

I used this build once in a level 10 campaign. 6 levels of Fighter, 4 levels of Ranger with a +2 Longsword, and let me tell you something. This build creamed the competition, which was the other PCs at the table, who were also built as level 10 characters. Link nearly defeated his first opponent in a single round, dealing around 70 damage between his four attacks. When I say this is Link’s “power” build, I mean it. I didn’t even sweat when an adult blue dragon showed up after the tournament ended, that’s how much faith I had in Link’s ability to fight. I honestly forgot to even use Link’s battle maneuvers, he was just dealing so much damage that it slipped my mind. You could swap Battle Master for Cavalier, but for me, the Battle Master is more accurate to Link’s favor of techniques over basic hack-and-slash.

RANGER SPELLS

1 Absorb Elements, Ensnaring Strike, Hunter’s Mark 2 Cordon of Arrows, Healing Spirit

The Hero of Hyrule

Battle Master Fighter (12) Glory Paladin (8) Fighting Style: Archery, Dueling Maneuvers: Brace, Disarming Strike, Feinting Attack, Parry, Precision Attack, Riposte, Sweeping Attack Tools: Mason’s Tools

As a Glory Paladin, Link is driven by a desire to be a legendary hero, and at least in the UA version, the Glory Paladin served the gods, as Link does. Like the two builds above, Link balances the brute might of the Glory Paladin with the tactile diversity of the Battle Master.

PALADIN SPELLS

1 Cure Wounds, Divine Favor, Guiding Bolt, Heroism, Protection from Evil and Good, Searing Smite, Thunderous Smite, Wrathful Smite 2 Branding Smite, Enhance Ability, Find Steed, Magic Weapon, Warding Bond

Oaths and Promises

Glory Paladin (12) Celestial Warlock (8) Fighting Style: Dueling Pact: Blade Invocations: Eldritch Smite, Improved Pact Weapon, Maddening Hex, Relentless Hex

The builds from here on are more for the flavor than necessarily Link’s character. As a Blade Pact Paladock, Link becomes a CHA-focused martial with some extra spell slots that turn his smiting sword strikes into a bokoblin slurry machine. This build focuses Link more as a servant of the gods than anything else. Just make sure he has the Hex spell, but you can replace Maddening Hex with Agonizing Blast if you want to use the Master Sword laser beam at full potential.

PALADIN SPELLS

1 Divine Favor, Guiding Bolt, Heroism, Protection from Evil and Good, Searing Smite, Thunderous Smite, Wrathful Smite 2 Branding Smite, Enhance Ability, Find Steed, Magic Weapon, Warding Bond 3 Blinding Smite, Crusader’s Mantle, Elemental Weapon, Haste, Protection from Energy

WARLOCK SPELLS

C Blade Ward, Booming Blade, Sword Burst 1 Armor of Agathys, Cure Wounds, Hex 2 Lesser Restoration, Misty Step, Shatter 3 Spirit Shroud, Summon Fey 4 Galder’s Speedy Courier

To Serve and Protect

Battle Master Fighter (12) Crown Paladin (8) Fighting Style: Dueling, Interception Maneuvers:  Bait and Switch, Brace, Disarming Strike, Goading Strike, Parry, Riposte, Sweeping Attack Tools: Mason’s Tools

Link is Zelda’s knight, bodyguard, and servant. So this build prioritizes features that makes Link the loyal emissary of the Princess of Hyrule. As such, this build changes Link’s role to be more of a defender to the princess than a solo hero. This build assumes that the princess or someone else who needs to be protected is joining Link on his adventure.

PALADIN SPELLS

1 Command, Cure Wounds, Divine Favor, Heroism, Compelled Duel, Searing Smite, Thunderous Smite, Wrathful Smite 2 Branding Smite, Find Steed, Warding Bond, Zone of Truth

After all is said and done, I hope I gave everyone a lot to work with. Of course my suggestions are not law, and if nothing else, I hope it gives you an idea of how you want to build him. Last time I built Link, I gave one set build for him, but I still laid out other options. Recently though, I’ve been trying to show multiple builds at the end of my build posts to offer a wider idea of what building a character can look like. Happy 2021 everyone, and let’s hope this year goes smoother.

[dathen]

This episode dug up some really good nuggets about choice and complicity and ignorance, and how they all play into what tends to be vastly oversimplified dynamic--the relationship between Jon and the Distortion.

(please forgive my Pronoun Pretzels as I try to discuss both Helen the Distortion’s use of she/her and the Distortion as a centuries-old being that predates and includes both Michael and Helen)

This episode touched on the philosophy of whether refusing to help is enabling or complicit, and how much that is affected by lack of knowledge or willful ignorance.  No easy answer is offered; just like season 4′s parade of dilemmas and the varying life philosophies each character shows to answer them, the narrative doesn’t point to one ultimate answer.  The characters do, certainly--Helen and Jon both blame him for ending the world--but the story leaves it ambiguous.  If Melanie and Georgie are excused because they didn’t know, it asks, can Jon be blamed for not predicting his own torture?  Is Helen really as guilty or guiltless as Melanie and Georgie for refusing to help, despite knowing what was at stake and having the ability to prevent it?  

However, I’ve only seen discussion of one interpretation of these lines: that Helen is backhandedly accusing Jon of not helping her, and that her own unhelpfulness is merely karma for his failure.

An odd trend I’ve noticed in fan interpretations is assigning blame for all of Helen’s actions to Jon.  What starts as mourning for would-be friendship turns into an odd reframing of all her choices as indirectly his fault: “Oh, she’s trying to get Jon to feed on people, if only he had helped her it would be different.,” or after 157, “He’s going to lose Martin, he brought it on himself for not helping her when she came to him for help!” and so on.

To start, I think that what would have changed if Jon had been more accepting of Helen isn’t nearly as black and white as many interpretations portray.  Is it so clear that, hypothetically, if Jon had been softer with the Distortion after they switched to Helen, would she have cast off centuries of being the incarnation of lies and gaslighting and slow mental torture to Be Nice?  As much as I love having faith in the power of friendship, it leaves out two key factors: the nature of the Distortion, and Helen’s free will or lack thereof.  Just like Jon struggled with his own choice despite being told what to do, Helen would have had to choose, as well.  She even flat-out said it was her choice.

Meanwhile if the Distortion, as a manifestation of fear mingled with traces of its victims, is more bound to its nature than free will--it could all be a moot point.  Helen the Distortion came into being because Michael the Distortion strayed too far from the nature of the Spiral--it’s not too much of a stretch to guess it might change again if Helen chose to starve alongside Jon and Daisy rather than feed on fear.

Hypotheticals, Helen exults in this episode, another way the mind twists itself into knots.  

Helen bringing Melanie and Georgie into the discussion was a brilliant contrast.  Discussions about Georgie in s4 are all based on the same foundation: that she had every right to prioritize her own mental health over her friendship with Jon.  She saw that it would be harmful for her to stay involved, so she distanced herself.  However, I’ve never seen this same idea applied to Jon when Helen asked for his help.  He himself didn’t have answers.  He didn’t even know what or who he was, and was in a self-destructive spiral, fearing the loss of his own humanity and setting himself up for a suicide mission.  We have the saying “put your own oxygen mask on before helping someone else,” but Jon hasn’t had the chance to breathe the entire show.  

There’s also the context of Jon’s mental state when Helen asked for his help.  The psychological analysis (see link in reblog) of the effects of Jon’s month-long captivity with Nikola is a gruesome read, but is very important for considering his state of mind in late season 3.  Between this and all the trauma specifically related to a fear manifestation masquerading as one of its victims, Helen is just a walking trauma trigger to him at this point.  If it’s reasonable and understandable for Georgie to distance herself when Jon needed help in s4, it’s a thousand times more so for Jon in regards to Helen.  Blaming him for the choices Helen made afterwards make as much sense as blaming Georgie for anything Jon did.

Jon has a long and ugly history of breaking off pieces of himself to help others, even his enemies, even those he barely knows.  We’re so used to taking this for granted that the one time he doesn’t is taken as a sin.