#flow improvers

[imperialchem]

Application of Drag Reducing Agent in Water and Wastewater Treatment

Introduction:

In the realm of water and wastewater treatment, technological advancements play a pivotal role in enhancing efficiency and minimizing environmental impact.  One such groundbreaking innovation is the application of Drag Reducing Agents (DRAs), which revolutionize fluid dynamics and offer substantial benefits in various industrial processes.  As a leading industry player, Imperial Oilfield Chemicals Private Limited (ICPL) takes pride in its role as a Drag Reducing Agent manufacturer and supplier, contributing to sustainable water management practices.  In this blog post, we delve into the crucial aspects of drag reducing agents, their applications in water and wastewater treatment, and how ICPL's DRA systems are making a significant impact.

Understanding Drag Reducing Agents:

Drag Reducing Agents, also known as flow improvers or drag reducers, are chemical substances designed to alter the flow behavior of liquids.  They work by reducing the frictional resistance encountered by fluids as they move through pipelines, resulting in improved flow rates and reduced pumping energy requirements.  The application of DRAs is particularly relevant in industries where the efficient transportation of fluids is paramount, such as oil and gas, water distribution, and wastewater treatment.

The Significance of Drag Reducing Agents in Water and Wastewater Treatment:

1.         Enhanced Flow Dynamics:

In water and wastewater treatment plants, the seamless flow of liquids is crucial for the overall effectiveness of the processes involved.  The incorporation of drag reducing agents facilitates a smoother flow, reducing turbulence and optimizing the movement of fluids through pipelines.  This results in enhanced operational efficiency and cost savings.

2.         Energy Conservation:

The reduction in frictional resistance achieved by drag reducing agents leads to a substantial decrease in the energy required to pump water or wastewater.  This not only translates to cost savings for the facility but also aligns with the global emphasis on sustainable practices by minimizing energy consumption and, consequently, reducing carbon footprints.

ICPL's Contribution to Drag Reducing Agent Technology:

As a Drag Reducing Agent manufacturer based in Vadodara, Gujarat, ICPL has been at the forefront of developing cutting-edge DRA systems.  Our commitment to quality and innovation has positioned us as a reliable Drag Reducing Agent supplier in India, catering to diverse industries with tailor-made solutions.  Our DRA systems are engineered to address the unique challenges of water and wastewater treatment, ensuring optimal performance and maximum efficiency.

1.         Comprehensive Solutions:

ICPL's range of drag reducing agents is formulated to meet the specific needs of water and wastewater treatment facilities.  Whether it's optimizing the flow in water distribution networks or streamlining processes in wastewater treatment plants, our DRAs are designed to deliver consistent and reliable results.

2.         Manufacturing Excellence:

Our state-of-the-art manufacturing facility in Gujarat adheres to the highest industry standards, ensuring that our drag reducing agents are of superior quality.  We take pride in being a Drag Reducing Agent manufacturer in Vadodara, contributing to the region's industrial landscape with advanced chemical solutions.

3.         Global Reach:

Recognizing the global significance of water and wastewater management, ICPL has emerged as a Drag Reducing Agent exporter in India.  Our products are now making a positive impact on water treatment processes worldwide, showcasing our commitment to sustainable water management practices on a global scale.

Applications of ICPL's Drag Reducing Agents in Water and Wastewater Treatment:

1.         Pumping Stations:

ICPL's DRAs are adept at optimizing the efficiency of pumping stations in water treatment facilities.  By reducing frictional losses, our drag reducing agents enable pumps to operate more effectively, requiring less energy and extending the lifespan of equipment.

2.         Water Distribution Networks:

Municipalities and water utilities benefit from the application of ICPL's DRAs in water distribution networks.  The improved flow dynamics result in reduced pressure drops, ensuring a steady and reliable water supply to consumers.

3.         Wastewater Treatment Plants:

In wastewater treatment plants, ICPL's drag reducing agents contribute to the streamlined movement of wastewater through pipelines.  This not only enhances the overall efficiency of the treatment process but also aids in minimizing operational costs.

Conclusion:

As water scarcity and environmental concerns continue to escalate, the need for innovative solutions in water and wastewater treatment becomes more pronounced.  Imperial Oilfield Chemicals Private Limited, as a prominent Drag Reducing Agent manufacturer and supplier, stands at the forefront of providing sustainable and efficient solutions.  Our DRA systems, manufactured in Vadodara, Gujarat, and exported globally, exemplify our commitment to advancing water and wastewater treatment technologies.

In conclusion, the application of drag reducing agents in water and wastewater treatment processes is a transformative step towards achieving sustainability and operational excellence.  ICPL's contribution to this field not only positions us as a leading Drag Reducing Agent manufacturer in India but also underscores our dedication to global environmental stewardship.  By embracing the power of drag reducing agents, industries can pave the way for a more efficient, cost-effective, and eco-friendly approach to water and wastewater management.

[bricreative]

These two will be the death of me

[seven-winged-liar]

RIP Freddie Mercury you would have loved the phrase 'serving cunt'

Partially inspired by this post (give it a couple notes <3)

[ropesbypatricia]

Keep your eyes off the prize

And let your fingers visualize 🤌

[familyabolisher]

haphazard assortment of thoughts on the unwanted guest:

firstly, it really does have to be said—crazy good, probably my favourite of all the tlt short pieces, and i say that as someone who lost my mind over as yet unsent for like a week. excellent conceit and excellent execution, just a really gorgeous piece of writing. the play format of course reminds me of what abigail says to harrow in htn—that the river bubble is a ‘play [she’s] directing’—the inside of one’s head as a stage in which other actors can intervene & whereby mileage can be gotten out of Symbolism as immediately “real,” tangible presences that the kind of realist baggage that a more quotidian prose form would usher in would probably falter in accomplishing. it’s a lot!! i think even if i wasn’t already a tazmuir writing style defender (contra the insistence that she’s yknow homestuck fanfiction serial numbers filed off hack) then this would have had me floored anyway. 

the play format also works in the way that muir’s general dexterity in form and willingness to really make use of craft as a technical space where discourse can be generated always works—i’m talking about the ‘fanfictiony’ voice in gtn which manages to say something both about fanfiction and about the text itself, the use of the dramatis personae as a space where atmosphere can be established and plot points hinted towards (thus blurring the lines between what is and is not diegesis), the drastic shifts in style between different close thirds, the shifting from third- to second- to epistolary first-person, the use of poetry both diegetic and not (the noniad, the epigraph poems…), the mimicry of the ‘voice’ of the king james bible in the nona epilogue—she never stays in one place for too long and she never seems to stick to one central style or form, and it really works in her favour. insofar as tlt as a whole is a very ‘patchwork’ kind of work, building itself up from its big big index of references and intertexts and memes with hugely variant levels of ‘prestige’ or legitimacy attached to them, the ‘patchwork’ use of form really works in muir’s favour. however i am also fuming because i was right in the middle of writing a tlt fic which jumps into a play format two-thirds of the way through and now my idea doesn’t look ORIGINAL but ANYWAY—

& i really do need to flag my good friend vee’s mercy/augustine fic, which makes use of a similar conceit and pulls it off masterfully—i am deeply jealous of vee’s talent and i think the unwanted guest makes this piece (from 2021!) shine even more, if anything.

i am DYING to see where muir is going with the use of hamlet, of all things—dulcie quoting it to palamedes immediately catapulted my mind back to abigail’s reference to ‘that undiscovered country’ in htn. obviously muir likes to drop contemporary (or contemporarily canonical) references and turns of phrase all over the place, but the attention drawn to the quote as diegetically referential (“I like that. Is it from something?” / “Yes. It’s complicated.”) has me wondering about a) the survival of ‘pre-res’ literatures ~over the river and like WHY and b) what a thematic interlocking of tlt and hamlet can do, here…….real aveheads remember cytherea ophelia theory where i tried to use ophelia as a point of reference for teasing out some arguments about cytherea and death and aesthetics and white femininity and whatnot. all of which is to say i need to sit with this hamlet reading a lot more but i love it, i am so here for it.

of course ‘kissing or feeding, we can’t be sure’ calls to mind ‘how meat loves meat,’ alecto biting harrow’s mouth by way of a kiss…and the general thematic throughline of, you know, certain practices of love as practices of consumption, naberius later being figured as the ‘meat’ in question contains echoes of this eroticism which ofc guides the contours of the necromancer/cavalier dynamic, eroticism as a currency of power, we know all of this stuff because it’s all over the text but i am just thumbs-upping it from the sidelines

the coffins had me thinking of utena’s black rose arc, which is a fun link to make considering the equivalent moment in the main body of nona is also referencing utena, ie. with the ‘rules’ of the duel being that cam has to get the handkerchief out of ianthe’s pocket as kind of an equivalent to skewering the rose. i feel like the tlt/utena overlap is pretty self-explanatory but it’s just fun to see the fingerprints all over lol

i think a lot of this was treading old ground thematically (erotics of consumption, dog motifs, we’ve seen it already!) but i will say that i did Yell Out Loud over ‘who's she got dawdling behind her but that creature—tugging visibly at her leash like an overeager dog.’ reminded of the other memorable use of ‘leash’—’even the devil bent for god to put a leash around her neck’—and, of course, the endless parade of commonalities between gideon & alecto. anyway there’s not really anything in this line that we didn’t already know about gid as a character, thematically speaking, but i point it out because it inflicted +100 psychic damage when i read it. gideon as a ‘creature’ is particularly slimy, & sort of puts me in mind of ianthe's tendency to talk about what appears to us as 'butch masculinity' (as opposed to the more effete masculinity of augustine or even babs) with a notably derogatory slant (the 'hurtful threats of sexual violence' line comes to mind); i don't know that i have much to say about it here specifically but it's an interesting one that i think informs the kirianthe dynamic pretty heavily (especially when held up against, like, harrianthe ... ianthe has a kind of respect for whatever harrow's gay and stupid gender is Doing (at least insofar as she can mould it to her own desires; i'm thinking of the dios apate forcefemme scene lol) in ways that i don't think she has for kiriona? but this is v off-topic, lol).

i have never been especially taken by dulcie as a character but i think this may finally have forced me to fold and admit that she’s great. her haters!!! her agonies!!! camilla would have to cook!! the balance between levity and sincerity was really well-managed. & i love the double meaning of “unwanted guest” as both palamedes intruding on ianthe’s mind palace and naberius setting up shop inside of her.

i need a week to sit with where this idea of the consumed soul as being literally ‘digested’ such that it can begin to ‘inhabit,’ however immaterially, the host body, or like to alter the characteristics of the host body such that to carry out such a consumption is to kind of kill yourself as well, slots in with lolita theory. or like, i need alecto right now. i am however reminded of chew, a short story that muir wrote in 2013, which also plays with these ideas of sexual assault as a forcing of a part of yourself meaningfully ‘into’ another person, and cannibalism as the reenactment of such a process, figured in the story as kind of a reclamation or at least an assertion of permanence—“I was always going to be in the ground with him in me,” she said. “I just wanted to make sure, that’s all. I just wanted to make sure.”—which the unwanted guest seems to kind of, play with in reverse? i don’t know, but i’m interested—as ever—in where muir wants to take these ideas of rape and consumption and absorption that she’s got in her hands.

i keep returning to…i hesitate to say ‘parallels’ because i think that imposes a narrative onus that i’m not actually that convinced by, but these, like, commonalities between babs and gideon. gideon is played off against so many people (cristabel, loveday, alecto being the big ones) that it feels kind of inane to add another person to the pile, but like…they’re the two who get got in canaan house, they’re both ironically ‘false’ cavaliers and expressions of the ‘truest’ or most paradigmatic form that cavalierhood ‘can’/’should’ take, they both have unconventionally gendered names (‘babs’ is a shortened form of ‘barbara,’ it is a typically feminine name imo) and (by our standards) somewhat unconventional genders (gideon is butch, babs effete)—and of course the unwanted guest places a lot of emphasis on the coercive ‘making’ of cavalierhood (the reference to babs being ‘fixed’ were he to have a disability! ianthe’s glib ‘society really is to blame’ comment—ironic, obviously, but not wholly untrue) not dissimilar to the emphasis that gtn puts on cytherea moulding gideon into the state she comes to be in at the end. babs and gideon as the two possessed corpses in nona, obviously. two wildly diverse but ultimately converging trajectories! a dialectical tension between their fundamental ‘opposition’ (as by-the-book cavalier vs whatever gideon is doing) and their fundamental ‘sameness’ whereby the dialectic is resolved in their mutual deaths. also just, of course, continuing the throughline that muir has had going for a while now, of gender/gendering as a set of coercive enforcements loyal to a hegemonic structuring of the world.

that’s all i’ve got, i think. just. really good everyone say thank you tazmuir

[divvy-div-art]

Initiation

[env0]

Rengoku Theme - Fire Breathing Fifth Form: Flicker and Flow

(turns out it's 13 minutes long and i sprained or rolled my ankle in the first hour of a 4 hour set.)

[alecz-obssesionz]

🔥I WANTED TO DRAW THIS POSE WITH THE HALLOWEST AU FOR SO GODDAMN LONG🔥

It's actually a remake of an old drawing I made of them but without the theme of this AU

[snowflake-sage]

sketchbook doodle from a bit ago !

[deiaiko]

#22.4 Result

Even though his team had more members, Khun did not anticipate the speedster in Agni's team who managed to steal the princesses' tags in just a few seconds. Basically leave half of his team's fishermen immobile right from the start.

Khun managed to stop Dan with lighthouse flow control, and Rak was able to steal Dan's black tag. Yet Agni managed to undo the flow control and free Dan before Rak could take back the tags that Dan had stolen.

Endorsi was then given Laure's tag and fought with Gyetang, while Anaak was given Shibisu's tag and fought Agni along with Rak. Ran didn't lose his tag and had been countering Novick since the start of the game. Surprisingly, they seemed to be on par with each other. Khun didn't know who won by the end, since he was too busy trying to catch Dan, who managed to steal Hatz's tag at one point. 

Suddenly, his lighthouse was no longer being interfered with by Agni, and only then he saw that Endorsi had joined hands to fight Agni after rendering Gyetang immobile. With Agni's attention diverted by three main powers, Khun was finally able to immobilize Dan. However, he only managed to retrieve one white tag, since all the other stolen tags were already handed over. He gave the white tag to Hatz to get him back into the game, but by that time Gyetang was also back on his feet, so they were sent to fight each other.

Ten minutes went by too fast. Khun slumped to the floor and finally took some deep breaths. Clearly, Agni's team didn't go easy on them, and he was lucky enough to keep his tag. 

"I see you've given your best." Agni said as he caught Ran in his arms before he fell face flat onto the floor. Ran must've swallowed the lightning pill halfway through the fight, and Khun didn't really know how to feel about that.

Khun looked up to the second floor balcony where Bam and Grace were talking. He could feel the corner of his lips pull up when he saw Bam looking bashful as Grace ruffled his hair.

"Gather up everyone," Agni called them, still holding Ran's limp body. He looked like he was about to pass out himself, though. Handling both princesses and Rak all by himself while still assisting his other team members was really impressive in Khun's opinion, even if it was only for ten minutes. 

Everyone, including Agni's team, sat down in a loose circle, exceptions being Ran who was laid down in front of Agni and being tended to, and Laure who was sleeping soundly on the floor behind Hatz. Most of the others looked worn out and some were even hiding a limp, but the moment Gyetang and Dan started to excitedly recount and compliment everyone, his team was easily drawn into the conversation.

Bam and Grace came to join them a moment later, bringing bottled water and a first aid kit. Grace offered to check on each one of them, which unsurprisingly started from Agni. Though Khun declined his offer when it was his turn. He didn't get any bone-shattering hits, so he was fine. Grace didn't look happy with it, but he moved on.

Meanwhile, Bam distributed the water, bandages and ointment. Then he decided to go sit near him and Rak, to Khun's delight. It felt like their missing puzzle piece was finally fitted back into place. 

"It's nice…to be with everyone again." Bam mumbled to himself, yet Khun heard him clearly. And so did their friends, who were looking at Bam wistfully.

Bam was holding his knees that were folded close to his chest, making him look small and closed up. Golden eyes were shadowed from view by his long bangs. It was like there was still an invisible wall that divided him from everyone else, keeping him unreachable. Khun itched to touch him, to get rid of that wall and pull Bam back to him, to what they used to have.

There was so much yet so little to talk about, and Khun felt himself hesitating, especially with this many eyes on Bam. He finally understood why Agni set the tag prizes as is.

Khun touched Bam's arm with his fist, and smiled tiredly when Bam turned his head at him. "It's good to have you back, Bam." 

Many emotions flashed in those golden eyes; disbelief, fear, sadness, hurt, longing, relief, joy. Even though he had heard the story from Bam, Khun still couldn't imagine how much suffering Bam had gone through during all those years they were apart. How lonely he must be, and there was nothing Khun could do to fix what had been done. But when Bam finally smiled back, crooked like he just fixed himself back together, Khun vowed that he'd never let anyone take anything away from Bam ever again.

Masterlist

Previous

Next

Let me know your thoughts in the reblogs <3

☕ Buy me coffee ☕

[quinnsanestuff]

i appreciate dragon ages willingness to give characters a silly hat

not enough pieces of fantasy media know the power of the humble silly hat

[imperialchem]

Finding the Best Oilfield Chemicals Manufacturer and Exporter in India: A Comprehensive Guide

If you're in the oil and gas industry, you know how crucial it is to use high-quality oilfield chemicals.  These chemicals help enhance the productivity and efficiency of your operations, ensuring that your business remains profitable.  However, finding the right Oilfield chemicals manufacturer and exporter in India can be a challenging task.  With so many companies to choose from, it's tough to know where to start.

In this blog, we'll provide you with a comprehensive guide to finding the best oilfield chemicals company in Vadodara, Gujarat.  We'll cover everything from the qualities to look for in a manufacturer to the benefits of working with a local supplier.

Qualities to Look for in an Oilfield Chemicals Manufacturer in India:

When searching for an oilfield chemicals manufacturer in India, there are several factors you should consider.  Here are a few qualities to look for in a reputable supplier:

Experience – Choose a company with extensive experience in the oil and gas industry.  This way, you can be confident that they have the knowledge and expertise to create high-quality chemicals that meet your specific needs.

Quality Assurance – The best oilfield chemicals companies in India have a robust quality assurance process in place to ensure that their products meet the highest standards.  Look for a company that follows strict quality control procedures, adheres to industry regulations, and has relevant certifications.

Product Range – Select a manufacturer with a broad range of oilfield chemicals to choose from.  This way, you can find all the chemicals you need in one place, saving you time and money.

Why Choose a Local Oilfield Chemicals Manufacturer in Vadodara, Gujarat.  While there are many oilfield chemicals manufacturers in India, working with a local company has several advantages, including:

Better Communication – When you work with a local oilfield chemicals manufacturer, you can communicate more effectively.  You can easily visit their facility, meet with their team, and discuss your requirements face-to-face.

Cost Savings – Local manufacturers can offer competitive prices because they don't have to factor in shipping costs or import taxes.  Additionally, they may offer discounts for bulk orders.

Faster Delivery – When you choose a local manufacturer, you can expect faster delivery times.  This way, you can receive your chemicals quickly, reducing downtime and increasing efficiency.

Conclusion:

In conclusion, finding the best oilfield chemicals manufacturer and exporter in India requires careful research and consideration.  Look for a company with extensive experience, a robust quality assurance process, and a broad product range.  Additionally, consider working with a local supplier in Vadodara, Gujarat, to benefit from better communication, cost savings, and faster delivery times.  By following these guidelines, you can find a reliable supplier that can help enhance the productivity and efficiency of your oil and gas operations.

[totallyjazzed]

FUCK YOU MULTIVERSE!

IF YOU'RE DUMB ENOUGH TO LIVE ON ANOTHER PLANE THIS WEEKEND, YOU'RE A BIG ENOUGH SHMUCK TO COME TO BIG MOM NORN'S TREE.

MONSTERS! ARMIES THAT DON'T STAY DOWN! OIL!

IF YOU THINK YOU'RE GOING TO FIND FREEDOM AT BIG NORN'S, YOU CAN KISS MY ASS!

IT'S OUR BELIEF THAT YOU'RE SUCH AN IMPERFECT MOTHERFUCKER THAT YOU'LL FALL TO OUR BULLSHIT, GUARANTEED!

IF YOU FIND A BETTER PLANE, SHOVE IT UP YOUR UGLY ASS, YOU HEARD US RIGHT, SHOVE IT UP YOUR UGLY ASS!

BRING YOUR TRADE, BRING YOUR TITLE, BRING YOUR WIFE, WE'LL COMPLEAT HER, THAT'S RIGHT, WE'LL COMPLEAT YOUR WIFE!

BECAUSE AT BIG MOM NORN'S, YOU'RE FUCKED SIX WAYS FROM SUNDAY!

TAKE A HIKE TO BIG MOM NORN'S!

HOME OF CHALLENGE PLANESWALKING, THAT'S RIGHT, CHALLENGE PLANESWALKING!

HOW DOES IT WORK? IF YOU CAN PLANESWALK SIX SPHERES INTO PHYREXIA AND NOT GET COMPLEATED, YOU GET TO KEEP YOUR FREE WILL!

DON'T WAIT, DON'T DELAY, DON'T FUCK WITH US OR WE'LL RIP YOUR NUTS OFF!

ONLY AT BIG MOM NORN'S, THE ONLY PRAETOR THAT TELLS YOU TO FUCK OFF!

HURRY UP ASSHOLE!

THIS EVENT ENDS THE MINUTE YOU GIVE US YOUR SPARK, AND IT BETTER NOT BOUNCE OR YOU'RE A DEAD MOTHERFUCKER!

GO TO HELL!

BIG MOM NORN'S TREE!

THE FAIR BALISICA' FILTHIEST AND EXCLUSIVE HOME OF THE MEANEST SONS OF BITCHES IN THE PLANE OF PHYREXIA, GUARANTEED!

[xysidhequeen]

No idea who needs to hear this. Because I've been writing, professionaly as my job for over a year and this only just clicked for me.

Dialogue does not have to be followed with 'X Said/Told/Yelled etc etc.' You can just move on to an action. IE: "Can't believe you did that!" X dropped to the floor, narrowly avoiding a sword that flew through the air where her throat had been seconds before.

I know for many writers this isn't some grand revelation but maybe it'll cause an epiphany for someone else.

[makail8xx]

₊⋆·˚🪷.‧ escapism˚ 🦢༉‧₊˚.

[americankimchi]

sorry i'm only 13 minutes in and i'm already starting to fray at the edges. what is this tell-dont-show ass exposition. "you were eight when you entered the order, and mourning your entire family who is DEAD your village BURNED TO THE GROUND before master sol brought you in" like what is this. what is this what is this what is this SHOW ME HER BACKSTORY IN A FLASHBACK WHAT'S THE POINT OF THESE CHARACTERS REPEATING HER TRAUMA TO HER LIKE THIS IF THEY ALL KNOW ABOUT IT??? LIKE WHAT IS THE POINT TO THIS. WHAT INFORMATION COULD THEY POSSIBLY BE TRYING TO TEASE FROM HER IN THIS WAY. IS THERE A QUESTION HERE OR ARE WE JUST DOING THIS FOR THE SAKE OF THE VIEWER.

"training you was difficult" i'm so sorry did i walk into a parent-teacher conference on accident. did i accidentally click on the wrong show. this interrogation sequence is so clunky please get me out of here. TAKE ME TO THE TEMPLE. TAKE ME TO THE TEMPLEEEEEEE THESE JEDI ARE A BUST WHERE MY ACTUAL MASTERS AT 😭😭😭😭😭