#first divider by me

[cwrcent]

𓉸 ﹒ 𝑊ill you be my…. ⏑ ㅅ ⏑ @florichae

[yuwuta]

you ask yuuta if he wants a bite of your food and when he says yes you offer your plate to him, but he’s just sat there looking at you with his dumb big bambi boy eyes and his mouth slightly open and he will not look away or blink or close his mouth until you lift your fork to his lips to feed him and then he grins like shit’s sweet and hums about how good the food is like nothing happened like he’s not ridiculously attractive. gonna chew on steel

[cainternn]

saw the 4 panel art trend from twitter and had to do it with rin

[rueclfer]

evergreen

𖤓 touya todoroki smau series

it's been five years since touya stepped foot onto these campgrounds. he's older now, and maybe a little bit more mature, but the woods are just as loud and the summer nights are just as hot. you're here too, and it feels like he's seventeen again, but this time, there's nowhere to run from his feelings.

𖤓 childhood friends x lovers

𖤓 cw + notables: alcohol, weed, cussing, crude language, potential suggestiveness, tomfoolery, no y/n face claims, g/n reader, time stamps are irrelevant, will include written parts

𖤓 on going

i. meet the counselors ii. meet the campers part iii. part iv. part v. part vi. part vii.

[peach-pot]

ok my turn

[introspectivememories]

sorry but do you ever think about the fact that the bernard we have today is a direct amalgamation of everything that happened in his past and i know that sound like such an obvious statement to say but it actually kills me to know that you can draw a direct line from who he is today all the way back to that sixteen year old boy who watched his best friend bleed out. like it is the defining moment in his life. it fundamentally shaped who he is and the person he's become. he is the bernard we know and love not despite the grieves shooting but because of it. because the gangs all got together and shot up his school. because tim walked out of that room with nothing but a baseball bat. because his darla got shot. because he watched her gasp and cry as she died. because he watched the blood coagulate around the wound. because he sat there and held her hand as her life drained out of her. because he walked into school that day with a joke he knew would make her laugh and her nose would scrunch up and she'd snort a little and tim would roll his eyes at him and call him ridiculous and instead he walked out with a bloody white shirt, blood under his fingernails, and two friends less. because, even now, almost half a decade out from the shooting, he thinks that if he closes his eyes, he will always be that stupid, scared little sixteen year old, holding the cooling body of dead best friend.

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother

[h-jini]

ꪮ౿　　u　　do　　the　　dishes

i'll　　carry　　the　　load　　♡̶

[sallykie]

Current mood: hallucinating a version of httyd3 that doesn't suck.

[ryssbelle]

The perks of being tall: sending your friends to air jail

Wait until Clay meets Legsly or the skyscraper troll XD

Bonus

[huellitaa]

honey, was it enough?... ♡ 🎀🍂🧸 ྀ𓂃 ࣪˖

[djevelbl]

CHAT. CHAT WHAT DO I DO

[thedeadthree]

-ˋˏ .·:·. ⊱ 𝐓𝐇𝐈𝐑𝐓𝐘 𝐃𝐀𝐘𝐒 𝐎𝐅 𝐕𝐄𝐈𝐋𝐆𝐔𝐀𝐑𝐃 𝐛𝐲 @pavus — day one: 𝐧𝐚𝐦𝐞.

— 𝐈𝐑𝐔𝐋𝐀𝐍𝐍𝐄 𝐈𝐍𝐆𝐄𝐋𝐋𝐕𝐀𝐑 . 𝐕𝐄𝐓𝐇𝐀𝐑𝐈 𝐃𝐄 𝐑𝐈𝐕𝐀 . 𝐂𝐀𝐒𝐒𝐈𝐀 𝐓𝐇𝐎𝐑𝐍𝐄.

𝐓𝐇𝐈𝐒 𝐈𝐒 𝐓𝐇𝐄𝐃𝐀𝐒. 𝐄𝐍𝐉𝐎𝐘 𝐈𝐓 𝐖𝐇𝐈𝐋𝐄 𝐈𝐓 𝐋𝐀𝐒𝐓𝐒.

— 𝐓𝐀𝐆𝐋𝐈𝐒𝐓 (mutuals can opt in/out via 𝐭𝐡𝐢𝐬 𝐩𝐨𝐬𝐭 <3):

@loriane-elmuerto, @carrionsflower, @auricfog, @girliefailure, @sunsofdawn

@risingsh0t, @griffin-wood, @lilywatt, @full---ofstarlight, @grapecaseschoices

@tommyarashikage, @shadowsofrose, @shadowglens, @weisshaupts, @queennymeria

@deadrlngers, @d-esmond, @courtana, @gothimp, @wlwaerith

@unholymilf, @aezyrraeshh, @socially-awkward-skeleton, @shellibisshe, @florbelles

@celticwoman, @neonshrike, @cloudofbutterflies92, @adelaidedrubman, @carlosoliveiraa

@pinkfey, @spookyrares, @yharnams, @aceghosts, @confidentandgood

@theelderhazelnut, @leviiackrman, @ellierenae, @anoras, @lavampira

@dialdrunk, @full---ofstarlight, @imogenkol

[guardian-angle22]

TK & Carlos -> gentle commands

[leelarots]

I call this one 'playing Doctor'

he's watching the sunrise after escaping the toymaker

looks better if you view it from a distance or blur your eyes

[sentfrmabove]

why i stopped listening to subliminals, and started persisting.

me and subliminals have had a very push and pull relationship over the years. in short, they didn’t work for me. but this had nothing to do with the subliminals themselves, and everything to do with my self concept.

how subliminals work in the first place is basically just trying to rework your reality from the inside out; the affirmations shift your thought patterns from ones of lack, to ones of abundance.

for me, the only problem was the very act of listening to the subliminal. because when you’re looking for a sub, you’re looking to gain something. which, implies lack. if you had brown eyes, but desired green eyes, you listen to subs for green eyes. because you don’t have them.

but with the law of assumption, there is no other step. you just have.

and now that i’ve stopped putting power into an outside source, and started being stubborn in persisting, i’ve gotten more results than ever before.

things i’ve manifested in the past few weeks have been,

over 150 dollars worth of clothes. ( online + irl shopping )

ordering my 100+ dollar amazon cart.

the hello kitty skincare set.

makeup.

getting a’s on my english nd algebra exams. ( plus making a-b honor roll )

general wealth and abundance.

feeling the most comfortable and assured as i have in a while.