#female character stand-in
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I think kripke should be in extensive therapy and i personally don’t want jared on that set i just hope things work out for the best however.
#like given recent revelations#it’s true . kripke does treat male rape and sa like it’s a huge fucking joke because at the end of the day he too believes the men can’t#be raped/ assaulted narrative#that’s it’s just not the same for them and it’s a form of breaking balls or whatever#the boys might be a good show#in terms of compelling characters but it’s extremely disturbing and feeds into specific narratives as well especially about +#emotionally intelligent men#spn#like hughie is the heart of the show in every way that matters but#terrible things keep happening to him and it’s never truly addressed and he’s referred to as a “gaping wet pussy the implications +#of which I don’t even want to explore because it’s too horrifying#kripke’s thematic is that he takes a male character who’s the main character and he’s an emotionally intelligent and all around good guy#female character stand-in#and punishes them for having more “feminine traits despite being a Man . and thinks it’s funny. thinks they deserve it even#their ability to emphathise with people etc)#it’s frankly very horrifying to see. of course hughie can’t catch a break#he’s just a narrative device .#kripke is dense as hell#he's a bully . is the thing.
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i just know that the gabrielle de lioncourt discourse on this website is going to be fucking catastrophic
#iwtv#the vampire chronicles#interview with the vampire#gabrielle de lioncourt#i legitimately can’t wait#no matter how they execute the character there’s going to be so much discourse#like you think it’s bad now wait until the show fans get a complex and flawed female/gnc character#who has a simultaneously neglectful/abandoning AND incestuous relationship with her son#and i haven’t even started on the potential gender debates#anyway as usual i’ll be there standing with my cancelled wife#spouse?
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Hello! I was looking for some standing poses yesterday, using all three sites, and I ended up just having to kind of blindly scroll through the “General poses” DA folder and clicking on the “more like this!” deviations in the side bar. I ended up snagging a pose or two from you and a cluster from JoonPubStock, I think her name is.
I was specifically looking for poses I could use for costume design/ideation, where I could draw a fairly neutral front-ish pose that still had a little personality in like, how the hips were canted, arms folded, head tilt, etc, that I could draw and then come up with clothes ideas on like, layered tracing paper or something. Character design lineup/paper doll kinda thing. I think I ended up using one of your OG Sailor Moon poses as a jumping off point, since they are more static, though they had a little too much anime sass for me to use for my character. :(
Next time you’re doing file maintenance stuff, could I request adding “standing” to the list of pose types/subfolders/tags? And, if it’s not too much trouble for the next round of website iterations, being able to filter using multiple tags at once? Like, being able to specify that I want to look at single, female, slim, standing images instead of having to look through each category individually.
Thank you so much for all the work you and your team do, as well as the network of pose artists you collaborate with! And thank you for offering so much of it for free, and for the other tools you’ve developed and shared. As an unemployed, disabled, non-university-student artist, these resources are really, really valuable. I appreciate you!!
I hear you but there's a few challenges with this because *most* poses are standing. It's the same reason I don't tag myself as a model because it's mostly me. But maybe I can still help by directing you to something like my Character Reference Sheet Pack or maybe even some of the standing poses in the free Anniversary Pack. There's also the old 3D model packs which might be *too stiff* for this but could be a jumping off point. The farther back you scroll on in the DA archive the more static the poses will get because I didn't have a camera good enough to catch much movement or action. Here's a few from Shoots 1-25 that might be helpful for the type of thing you're looking to do. I am SO helpful the stock is useful! 🥰 Hope this helps and Happy Drawing!
#ask adorkastock#character reference sheet#basic poses#<- maybe a good tag?#simple poses#casual#generic standing human female poses
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My latest completed commission may have been a bit ambitious... because I went wild with it. But I certainly relished in doing so :') Combining my favorite ship with my favorite-ever Disney movie is, uh... a dangerous concoction :'D
The commissioner specifically requested for Azula as Mulan, Sokka as Shang, and Xin Long (my OC dragon from Gladiator) as Mushu. The rest of the cast was up to me to choose, and I pretty much went wild rewatching this movie and picking out some of my favorite moments to recreate them in my style, with these characters. I came up with a lot of correlating characters between both ATLA and 1998's Mulan, but I couldn't hope to draw EVERYTHING, unfortunately. Still, if you want my reasoning for the cast correlation... check out the Read More! Beyond that, feel free to reach out to me if you'd like to commission me, or if you want to join my Patreon!
The Herbalist as Mulan's grandmother might feel arbitrary but she honestly felt like the ATLA elderly lady with the most similar personality to Grandma Fa. Fickle, with a unique connection with a seemingly perfectly ordinary animal, old and sassy? Figured it fit! So for once, the Herbalist is Azula's grandma! xD strange notion, I know, Azulon/Herbalist is not a ship I ever thought I'd accidentally put out in the world but there have been wilder ships than that in this fandom...
Momo became Cri-Kee, I wasn't 100% sold on it but when I considered that Avatar features soooo many hybrid animals... I figured he could be a hybrid cricket-lemur. Weird, I know, but eh? Better than nothing xD
Aang as Chien-Po was a no-brainer. He's the only character I settled on instantly, never even considered anyone else for the role. Their personalities line up really well, and Chien-Po's tendency to be OP and resolve things that are outside of other people's reach sounded like he was prime Avatar material! So, while their dietary preferences are an obvious difference between them, I decided to go for it nonetheless considering all their other similarities!
Kino (another Gladiator OC) is Ling, and he actually did give me a ton of trouble to choose. I considered many characters for the role right up until I realized that Kino's personality actually lines up fairly well with Ling's, down to being a class clown type (who ABSOLUTELY would have cut gym class!) and breaking out in song about the hypothetical woman he'd like to fight for? Yeeeeah that's right up his alley xD but there's another reason why I picked Kino...
... And that is my likely unexpected choice for Yao:
ZUKO.
ZUKO IS YAO.
YES.
I'M NOT EVEN SORRY.
(For the uninitiated, Aang, Zuko and Kino are best friends in Gladiator, very often together, and they make a really good team, so that's the extra reason why Kino became the obvious choice for Ling aside from having really similar personalities, definitely closer personalities than, say, Jet, for instance.)
People have likened Zuko to Shang a LOT since ATLA aired. This is the main reason why I'm even making this huge note! I suspect it's primarily because of the aesthetic, let's be real here, and because he becomes Aang's teacher, but people have exaggerated Zuko's alleged similarities with Shang, or taken them out of proportion, in many ways. I actually remember an AMV ages ago with "Be a Man" and it was Zuko "training the Gaang"?? It... didn't feel right to me. Obviously, someone might rebuff with "well, how does Sokka make MORE sense than that, though?" And believe it or not, I have arguments for that... (when do I not...?)
Not only is this what the commissioner specifically requested (and it obviously lines up with the ship we love!), but let's examine the actual reasons why Sokka as Shang adds up:
Sokka actually had to train a bunch of toddlers who weren't paying any attention to him. You know. Kind of how Shang had to train the unruly soldiers who weren't getting anything right. Sokka has a positive relationship with his dad (Zuko, ofc, does not). Shang also has a positive relationship with his dad! And not only this, but there's a military component to both relationships, specifically with Shang wanting to follow on his father's footsteps and aid him in the war... so much like someone else I know, who jumped at every opportunity to rejoin his father in the war, even wishing to join him as a child until Hakoda tasked him with protecting their Tribe instead (kinda like Shang is tasked with training soldiers rather than joining a battlefield).
And the final cherry-on-top that I'd loooove to hear Zuko fans try to argue against... is sexism :') didn't Sokka get characterized as a sexist guy for four episodes, which made people decide that this was his main character trait even if it went away that quickly? Um, yes, that happened. Shang literally sings the memorable song that's a crazy ode to masculinity, including the rather sexist line of "did they send me daughters when I asked for sons". Shang outright abandons Mulan once they discover that she was a woman all along (while, admittedly, choosing to abandon her rather than KILL HER, which as we saw from Chi-Fu, he was NOT supposed to spare her!)...
So, is this REALLY what Zuko fans, who willfully believe their boy is a feminist king (... why? beats me...) are trying to compare their unproblematic blorbo to? :'D Me? I have no problem linking Sokka with Shang due to Sokka's beginnings and due to the fact that both Shang and Sokka have similar growth when it comes to accepting femininity is as valid as masculinity, and as they both learn to respect women as fighters and potential heroes! (I simply do not believe Sokka's ENTIRE tenure in ATLA was about that, though, and that's what I continue to clash with the fandom over...) So... all this is why I've reasoned that Sokka is a VERY solid choice for Shang, in fact, better than Zuko could hope to be.
... but this isn't all.
Maybe some might accept my arguments for Sokka-Shang. And then, they might ask:
WHY ZUKO AS YAO, THO??
... And the truth is it took me long to see it, myself, but HOLY SHIT, DOES IT FIT!
What is the primary thing we remember about Yao in Mulan? This guy is constantly itching for a fight, to prove himself, surely riddled with insecurities that he exteriorizes through overcompensation of masculinity. He's funny as fuck, but he's taking himself 100% seriously as a manly man all the time, and he's always ready for violence. But there's one more thing...
He treats Mulan as his RIVAL.
And more often than not? SHE SCREWS HIM OVER. Intentionally or not.
What does that sound like? Why, yes, it sounds a LOT like Azula and Zuko's sibling relationship!
The fact that Yao is a temperamental dude who lashes out easily at things (oh, something he has in common with Zuko!), that he specifically resents Mulan (in this case, Azula, just as Zuko does!) and is either constantly looking to defeat her and prove his superiority over her (... wait, just as Zuko with Azula??), that he has a black eye perpetually across the movie, and it's his LEFT EYE (just as Zuko's scar is on his left eye! :'D), that he's friends with a pacifist he has basically nothing in common with, personality-wise (just like Zuko and Aang!), and that he pretty much has a REDEMPTION ARC in which he goes from a bitter, asshole rival to Mulan to treating her as a friend and ally, to the point where he was disappointed to leave her behind and THEN joined her at once when she says she has a plan? :') I have always been critical of Zuko's redemption arc, goes without saying. But if ANY of these characters redeemed himself in any significant way, it certainly seems to be Yao to me, and with people gushing NON-STOP about Zuko's redemption? Why, he ought to be the character who goes from bitter rival to loyal friend, right?
So. I'm not even sorry. Zuko is Yao. And I'd dare say that he should be flattered by the comparison, even, because Yao ends up being cool as FUCK!
I don't really talk about this much nowadays, but Mulan was my favorite Disney movie growing up, it ABSOLUTELY had a formative influence on me as a little girl, and Mulan was my favorite female character for a looooong time. Thus, any excuse to rewatch this movie makes me happy as heck. With the wisdom of age I know, of course, that it's not perfect, it's not what China wants, it's not the most thoughtful depiction of Chinese culture or the most faithful adaptation of Mulan's poem (... but I'd also dare bring up that the 2009 Chinese adaptation ISN'T all that faithful either...), but it has a kind of magic in it, a solid storytelling flow, so many memorable moments one after the next, that I could hardly choose which scenes to depict... Disney has never again seen the storytelling heights it reached with Mulan in 1998. I don't even care if that's a controversial opinion in any way... this is their best animated feature for me, and nobody can change my mind.
So... depicting Azula, my beloved, in all these scenarios as this character I adored and idolized as a child, was so damn fulfilling for me. While some might think that, personality-wise, these two ladies don't have much in common, the fact that Mulan is sent to a matchmaker who basically tells her she looks good but is going to be the worst wife ever...? Our girl Azula, with all those insecurities about being unloveable and a monster, probably would relate big time to that.
Mulan is also an INTELLIGENT soldier rather than a brawny one, which is how she starts to make progress in the army, it's how she manages to overcome the huns with that avalanche... and Azula's primary difference with most other antagonists in ATLA is that she's smart as fuck. She is very strong, no doubt, but a LOT of that strength comes from her intelligence, from assessing situations in unique ways, from planning and strategizing. The way Mulan finds the most unexpected solutions that still pay off reminds me a lot of how Azula achieves unexpected feats through rather unorthodox means, capable of taking over a city with basically no bloodshed while her nation has spent 100 years trying and failing to do so through major army incursions and who knows how much senseless violence. Obviously, I'm not saying what Azula did is GOOD and it's kind of dumb that we always have to point that out... I'm merely comparing the magnitude of the feats, and the fact that they both come from ladies who use strategy and intelligence to achieve their goals rather than muscle and physical power.
And while anyone would rage at me for the comparison between Fa Zhou (her dad) and Ozai, the truth is the dynamic between them CAN be compared, if loosely: Mulan literally goes to war to keep her father safe. Azula goes to war under her father's orders. Hell, she makes herself BAIT in the Eclipse to make sure the Gaang won't get to her dad?? While it's very much possible to say that both characters have different personalities and attitudes in life... I'd also bring up that their contexts are evidently completely different. I wouldn't say for certain that Azula, had she been raised outside a Royal Family, would be EXACTLY like Mulan... but they might have more similar traits than one might expect. Ultimately, though... I love them both. And this opportunity to swap their places was pretty much a dream come true!
Alright, that was plenty of rambling xD ultimately, I had a blast doing this commission, as I'm sure is obvious by now. So! If anyone wants to commission me, feel free to check out my prices right here and hit me up if you're interested!
#sokkla#sokka#azula#mulan au#xin long#zuko#aang#kino#the herbalist#momo#if you squint he's there okay he is just too damn complicated as a hybrid cricket-lemur alright#Xin Long is scale-less because he was too small and it was gonna look weird so for once he was a little less tricky :'D#I wish I could've had MORE epic scenes really this movie is a goddamn GEM#goldmine of glorious moments#it's just wonderful#I usually get sick of things as I work too much with them...#... Sokkla and Mulan are clearly a glorious exception to that rule#I wish I could've put in scenes with other correlating characters#Combustion Man was gonna be Shan-Yu#Chi-Fu was gonna be Long Feng#I can't remember who I had in mind for the emperor anymore#wasn't Kuei because he had to be old but welp#and yes it's too bad it's too sad there are not enough female characters here for the rest of the ATLA female cast...#but while I BRIEFLY considered making Toph one of the trio (Yao ofc)#the naked scene convinced me of the opposite quickly#... Toph would not succeed at convincing anyone that she was born a man she would straight up not even try#she'd just beat everyone up and scare them into shutting up#and while I'd LOVE to see that... it absolutely takes out the stakes from Azula being discovered as a woman pretending to be a man :'D#how tf would you kick one girl out while keeping the other one in the army#when the other one should be bold enough to stand on a rock in her birthday suit showing herself off in front of everyone
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Don't get me wrong, I love painland because they're the land of pain payneland dearly & I'm currently writing *multiple* fics about them.
But if I hear one more person saying shit about Crystal and saying she was gross for what she had with Charles I'll fucking scream.
#suddenly teenagers aren't allowed to experiment???#Charles and Edwin are obviously endgame y'all#her and Charles' dynamic weren't so bad.#y'all just like to fetishize gays and hate stuff that stands in your way#no one hates monty for trying to be with Edwin#just saying#because she's a complex poc female character people don't give her much grace as much as they do to other characters#“oh i just felt yucky about her I'm allowed to feel that way!”#I'll rip your face off#let's take a moment to think about WHY do you feel yucky about her?#what made y'all hate her so much?#let's take a moment to think about stuff okay?#crystal is my queen#crystal palace they could never make me hate you#dead boy detectives#crystal palace surname von hoverkraft#crystal palace#crystal palace von hoverkraft#cryland#painland#payneland#charles x edwin#please don't kill me#dead boy detectives agency#the dead boy detectives#charles dead boy detectives
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one down side of the invincible fandom being REALLYYY SMALL is that one part of it has super awesome and talented people who adore the development of characters throughout the series, working through grief and relationship conflicts, and people who enjoy the aspects of cool alien cultures from different planets like the city of talescria, or literally ANYONE who just likes superheroes, and then theres dudebros…
“Prime mark on dat demon time…⛓️🔥” “OMNI-GOAT!!!!” “Homelander vs Omni man deathbattle….whos winning? 🤫” “amber mid..” SILENCE WRETCHED WITCH! BEGONE WITH YOU!
#invincible#i cant stand them 💔#also they ALWAYS hate on female characters for absolutely no reason#OFF WITH THEM IMMEDIATELY!
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Reading The Art of Revenge of the Sith and
Um what
Why would you leave any of this out
#George Lucas you're a stupid stupid man#ik a lot of this was in the film I'm pissed at the things that weren't#star wars#revenge of the sith#ROTS#sw rots#star wars prequels#sw#padme amidala#padmé amidala#padme naberrie#padmé naberrie#Anakin skywalker#darth vader#sw prequels#star wars art#me when i'm in a robbing female characters of their agency and plotline competition and my opponent is George lucas#(he invented the competition nobody stands a chance)#the art of star wars episode iii#episode iii#i hate how lucas is allergic to his concept artists' good ideas#star wars episode iii#star wars revenge of the sith#breha organa#queen breha
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Vi is such a fantastic character because she's buff, and she's allowed to be buff. Like she's not "girl buff" with giant tits and a giant ass and then just vaguely defined arm muscles (and I mean "girl buff" as in how television depicts women who are supposed to be muscular, like superheros and soldiers and athletes.) She's a great character for a bunch of other reasons, too, but I'm tired of the media being too scared to give female characters genuine muscles (and combat skills that aren't completely reliant on just speed or agility instead of strength—or their ability to seduce men and catch them off-guard enough to beat them.)
#this isnt to say theres anything wrong with fighting styles being reliant on speed or agility#but im tired of people peddling the idea that its more “realistic” if female characters/heroes fight that way#bc im sorry but i think we can stand to be a little less realistic#since these shows/movies are set in worlds where there is magic and aliens and whatever#also im not talking specifically about arcane anymore im just ranting lmao#thank you for coming to my ted talk#thats it#arcane#vi#vi arcane#arcane league of legends
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every time someone mischaracterises jay ferin as the therapist friend a fairy loses its wings btw. put some respect on her emotionally-constipated ass.
#there's a whole ongoing bit where she either a. forces chip to do feelings talks for her or b. says the most awkward shit ever#like someone opens up to her she's like “wow that was a lot. anyway.”#jay “well i'm just a girl so” ferin. jay the answer is gun ferin.#i get this is a common issue with fandom treatment of female characters but COME THE FUCK ON. IT'S A CANON CHARACTER TRAIT.#and it adds so much depth to the times she DOES try to help or comfort people like in 81/82 where she goes up to chip about gill like#“i'm kind of shit at this emotional stuff but i'm going to do my best for you damnit”. AND SHE FUCKING TRIES. BECAUSE SHE LOVES THEM.#also her getting tipsy and spewing the most insane shit and going teehee ^_^ was that awkward sorry ^_^ and falling over. so fucking funny.#jay ferin#jrwi#im so normal about these fictional characters <- lie#i talk about this all the time in my dms im finally making a post about it I CANT STAND IT ANYMOREE
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I won’t fall for someone who can’t misbehave
summary: Aemond is betrothed to the sweetest girl in the Seven Kingdoms. She is smiley, soft and kind-hearted. Until she isn’t. (or, alternatively: “No one took your side when you were a kid. But I’m doing it now.”) pairing: Aemond Targaryen and F!Reader (her House is not specified) words: 9000 +
warnings: slow (!) burn, attempted harassment, Aemond is in pain 70% of the time (headache and all that) and has no clue how to act around someone he’s in love with. author's note: I’m working on 3 fics at the moment, and it’s taking forever to finish (yay for my poor time management skills!), so I whipped up something short(er). Rhaenyra is the queen here but I barely mention the blacks (not out of spite, I just thought it wouldn’t add anything to the story). also, I don’t think women would be allowed to misbehave like that... I don’t care ;)
Aemond knew of the preplanned betrothal even though everyone around him was ridiculously mysterious about the subject matter. He’s been made aware of the upcoming visit of some noble family, and the preparations were quite extensive. Then he overheard Baela telling Jace that the expected guests will bring their daughter. The middle one. It wasn’t very hard for Aemond to put two and two together. His wedding was long overdue, and Alicent was eager for him to make his choice. But he dreaded the mere thought of it.
Aemond’s never been very good at courting women, but mostly due to the lack of trying. He’s used to them looking at him with fear and suspicion as if he’s some kind of wild animal ready to attack at any minute. Getting sidelong glances did hurt him growing up, but with time Aemond learned to benefit from it, using his fearsome image as a shield. No one ever dared to try and break it to see what was underneath. But now he is faced with the inevitable change that’s approaching his life at the speed of a storm wave. To him, taking off the eyepatch won’t be nearly as excruciating as giving into the vulnerability of letting someone in, opening up to someone. He’s never been afraid of much but that? That was terrifying.
The anticipation made Aemond nervous. He knew he should probably ask around and try to gain any information about his soon-to-be wife, but it felt wrong. Not knowing felt even worse. No matter how good of a fighter he was, fighting the uncertainty seemed like a challenge. Aemond spent his nights tossing and turning, wrapped up in blankets as insomnia was clinging to his body. He tried to busy himself with training, but his usual easy victories brought him no satisfaction. He’s been winning for so long maybe it was time for him to lose. Except not to his training partners but to a stranger, who in time will get a permanent place in his life.
His rides with Vhagar, which usually brought him peace, now had the opposite effect. The old dragon acted annoyed and disgruntled for no reason, huffing and grumbling at every turn as if she could sense his own frustration. You can’t tame your emotions yet I’m supposed to listen to your commands? Silly boy. If Vhagar could speak, she would probably tell him that, Aemond thought. And he blamed himself even more.
Somewhere in the midst of it all, the headache came back. As usual, it started with a feeling of pounding heaviness in the back of his head, which then spread further: into his temples, forehead and down the hateful scar. Within a couple of days, the pain gets so bad, he has to grit his teeth to keep a straight face, and he's barely able to shove a few bits of food down his throat. But it’s a topic he never brings up, it’s a humiliating secret that’s just between him and his mother. When he lost his eye, for the first month the pain was close to unbearable. The maester kept telling him that it was caused by the healing of skin tissues and assured that the intolerable feeling would go away. It never did. His scar was something he learned to cover up, and the bright red stripe faded slightly with time, but the pain lingered. Aemond opted to think that it only contributed to him becoming more resilient, yet that argument didn’t withstand the test of time. The pain receded for some short periods, but then it would always come back, and he could never get used to that, no matter how hard he tried.
He can only hope it will get better by the time the guests arrive. But the gods seem deaf to his prayers, and the night before the event he doesn’t get a wink of sleep. He goes through his day in a daze, skipping the training session to hide in the library instead, although he can’t bring himself to focus and read more than a single page. When the time comes for him to walk into the dining hall, it’s the last thing he wants to do but he forces himself to go. Festive ornaments, tables laden with the finest dishes, bright-colored clothing of everyone around him blend and blur into each other. He takes deep breaths and counts his steps, gathering all his strength to sit down and not wince at the movement.
All it takes is one look at him for Alicent to understand what’s going on.
“Aemond,” she approaches him, whispering. “What’s wrong? Is it the headache again?”
Aemond doesn’t want to admit it, but he lacks the energy to deny it either so he just nods. She gives him a regretful look, gently squeezing his shoulder.
“Should I call for the maester? Maybe he will be able to come up with something to ease the pain.”
“I don’t think we have time to fuss over me,” he declines with a pain-stained voice. “I was under the impression that we’re expecting someone to join us today.”
Alicent sighs. She knows better than to fight his stubbornness, but she hates how helpless it makes her feel. Aemond hates that feeling, too.
“Please don’t tell me you require motivation,” Aegon’s voice is loud as it is but right now it sounds deafening, and Aemond sharply exhales. His brother flops on a nearby chair, bringing his ignorant attitude with him.
“Undoubtedly you’ve interacted with women before,” he chuckles, completely unaware of Aemond’s suffering. “Try not to scare her with your creepy stare, and maybe she won’t run away.”
Alicent briefly closes her eyes in annoyance. She glances around, making sure not to attract any attention, and then grabs Aegon by the chin, forcing him to look at her.
“Enough with pestering, I need you to behave yourself,” her voice is tinged with irritation. “Just for one evening. Can you do that?”
Aegon’s body stiffens up, the smug look disappearing from his face.
“As you wish, mother,” he mutters, and she lets go of him. Alicent shoots another glance at Aemond before leaving. Aegon gives his brother a side-eye but says nothing.
Aemond is exhausted, anxiety bubbling in his chest, and he thinks he has a few more minutes to compose himself yet that time passes in the blink of an eye. Before he knows it, the guards at the door make the announcement, and he sees a group of unfamiliar faces. None of them are of his age, though, and for a moment that realization brings him some comfort. But then he notices a female figure in the distance as she’s approaching the entrance.
When she walks in, the music goes quiet, and Aemond hears people gasping. It seems like every man in the room has his gaze on her. And she certainly is a sight for sore eyes. She moves with a gracious pace, the silky fabric of her dress flowing downward with every step. It’s not too revealing, but it hugs her body in all the right places. Her hair is up, and he can see the waves of her collarbones peaking through. A half-smile is plastered on her face, but she doesn’t seem to be nervous. If he was to take a guess, he would've said she was tired. But she won’t let it show, keeping her head high and being seemingly unaware of the attention she got. Maybe she’s used to it just like he is, Aemond thinks. Although people usually glare at him for a completely different reason.
“Someone is about to get a piece of cake,” Aegon elbows him lightly, his voice low.
“Someone needs to shut up,” Aemond snarls, earning a laugh from his brother. That catches her attention, and her gaze lands on Aemond. When their eyes meet, her face softens, smile growing wider. He tries his best to force a wan smile in return, but his stomach turns in discomfort. He can already imagine how people will react: a stunning woman like her with a man like him, what a tragedy. That thought stings, his anxiety growing stronger. The headache gets worse, and he tightens his grip on a cup of wine that he hasn’t even tasted yet. Aemond can’t help but wonder if she knew she would have to marry him. If it does bother her as much as it bothers him.
The members of her family are greeted as guests, with no mention of a possible betrothal. Her name is the only one he catches — and then silently repeats it a few times. Y/N, Y/N, Y/N, the sound of it breaking through his clouded mind. She’s seated next to him, as expected, and he notes that her dress compliments her eye color. Aemond is thinking of a way to start a conversation, but she beats him to it:
“You gave us such a warm welcome, but I must admit, I am surprised by the scale of it. I hope it wasn’t too much of an inconvenience?”
When her words reach his ears, the buzzing in his head stops, and Aemond turns to her, astonished by his own reaction. It’s not the naivety of her question, nor the friendly tone of it. It’s just her voice. Melodic and mellow, it feels soothing among the loud noises they’re surrounded with.
“I assure you, your family was simply welcomed with the respect you deserve,” he answers pensively. His throat is sore, but he can’t steel himself to take a sip of wine, afraid that it will make him sick. He wants her to speak again.
Aemond asks about her family, letting her lead the conversation. She is easy to talk to and she gives just the right amount of information before jumping to another topic. At any other time, he would’ve really enjoyed the flow of it, yet now he is growing weary. The headache is still there, but her voice does bring him some relief. That is until she abruptly stops.
“Are you feeling alright?” she sounds worried, and the same emotion is written on her face. Aemond tries to blink away his exhaustion.
“I apologize if I’m not exactly the best at keeping you company. It’s been a long day,” he knows he should’ve come up with a better excuse. He feels like he can hardly function at this point.
She keeps her attention on him for a few more seconds. Then she moves her eyes to the other end of the table, where her family is seated. She makes eye contact with her father and gives him a big yawn. It’s obviously and comically fake but it works: her family finds an excuse to leave earlier. Aemond knows that now he also got a chance to escape soon after. He feels a pang of guilt knowing that he’s the reason their conversation was cut short, but she doesn’t make a big deal out of it.
“We shall continue on the morrow when we are both well rested,” she smiles reassuringly at him before leaving.
Aemond seriously doubts that he’ll get any rest as his head feels like it’s gripped in an iron vise again. The next morning he drags himself out of bed later than usual, the pain now dull but present nonetheless. He sits with his face in his hands, breathing in and out, until he’s almost numb. The almost leaves a sour feeling in his mouth — or maybe it’s the nausea, he doesn’t know nor does he care. He’s been handling this for years, he can survive another day.
Aemond decides that since he is to be wed, he should make an effort for it to work. He thinks about his duty, his mother, about Y/N, who traveled all the way to King’s Landing for a man she’s never met before. Aemond thinks of everyone but himself because there’s only so much he can do without draining himself completely.
He missed the breakfast already but hopes to find Y/N within the perimeter of the castle and rushes out of the bedroom. He’s passing by Helaena’s chambers when he hears someone laughing. And it’s not his sister. Aemond debates if he can deal with kids right now, but chooses to give it a chance and quietly walks in. Helaena has embroidery in her hands but seems more focused on a sight in front of her, and he follows her gaze. Y/N is sitting on the floor with her back to the door, Jaehaerys and Jaehaera are on either side of her, their cheeks plump and pink, tiny fingers grabbing her dress. She’s reading to them, and it’s a tale they’ve heard many times before, yet the kids are listening attentively, occasionally making noises of excitement. Aemond doesn’t need to speak gibberish to know that they are fascinated by the melody of her voice and the playful tone she uses to make the story more engaging. He leans on the door frame, his body relaxing at the sound. Jaehaera puts her head on Y/N’s shoulder and eagerly turns the page, making her laugh again.
“You are an impatient little thing,” Y/N giggles.
“That she is,” Helaena agrees, and when Y/N turns to her, she is surprised to see that Aemond joined them.
“Pardon me, I didn’t hear you coming in,” she stands up in a hurry, both kids are instantly glued to her. “Your sister was kind enough to keep me company.”
“I asked her to come by after breakfast, and they haven’t left her side ever since,” Helaena explains, sounding very pleased.
“Would you mind if I steal this new friend of yours?” Aemond asks while keeping his eye on Y/N, waiting for her reaction. Her face flushes but he sees no indication of discontent. Aemond grudgingly admits to himself that it brings him something akin to joy. But it fades, absorbed by his numbness.
“Make sure to be on time for dinner,” his sister nods, calling for the nanny to take the kids.
It takes a little bit of persuasion but eventually Jaehaerys and Jaehaera let Y/N go, and she follows Aemond out of the room. She mentions that Helaena wanted to show her the library, and Aemond agrees to take her there. Along the way, he strikes up a conversation in attempt to compensate for their last one. As she’s telling him about her morning, her voice seeps into his mind like honey, and Aemond tries to concentrate to take the right turns and not trip on the stairs.
When they walk into the library, she pauses, looking around in awe. This woman makes men turn around after her, yet she is so easily impressed by the simplest things, Aemond thinks. The prince wonders if she can ever be impressed by him.
“This is where you study?” she is admiring endless rows of shelves, and Aemond gives her an affirmative “hmm”.
“How many of these have you read?”
“Quiet a few,” he is modest as ever, and she shoots him a curious look.
“I wonder what are your preferred subjects.”
“History and philosophy,” he doesn’t mean to sound so terse, but whatever interactions with women he’s had before, that experience obviously didn't turn him into a lady’s man.
“Would you be so kind to share your favorite books with me?” when she glances at him, there is a sparkle in her eyes. It looks like she’s actually interested to know more, as if she does want to know him. His immediate response, however, is to distance himself, and he takes a step back.
“I am afraid there are not enough hours in the day to name them all,” Aemond opposes, hands clasped behind his back.
“Please, take pity on me, I need something to help me pass the time,” she presses the matter further but does so very gently. “Name just a couple.”
He gives into her pleading tone and reluctantly agrees but they don’t stop at just a couple. They end up spending the day roaming in the library, lost in the labyrinth of shelves and books. She’s never too pushy with her questions, she’s making small jokes, she doesn't take offense at his cold demeanor. Behind his mask of feigned indifference, Aemond feels like someone is hammering at his left temple, and the pain echoes through his whole body. But he doesn’t dare to leave her hanging for the second day in a row.
The prince is too preoccupied with his internal struggle to notice that she's growing worried about him again, and by the time they come back for dinner, her face expresses an alarming concern.
“I must apologize if I tired you out with my relentless chatting,” she says, almost whispering, when they are seated.
“You did not, no need to fret,” Aemond states. I must apologize that you are to marry a man who can’t curb the pain that’s spilling out of him, he thinks.
Food is tasteless in his mouth. She is sitting on his right, and Aemond’s body can’t adjust to the foreign feeling of someone being in his close proximity. He is so accustomed to being on his own, he doesn't know how to unlearn that.
Throughout the whole dinner, Aemond can feel his mother’s gaze on him. Later that evening, when a maid brings him a cup filled with the milk of the poppy, he decides against taking it. He regrets it the very next day.
When Aemond tries to lift his head off the pillow, he feels like his skull is full of rocks. They’re rolling from side to side as the pain rumbles, and for a few minutes he can't hear anything else around him. That’s why, when Aemond opens his eye, he’s startled at the sight of his mother standing in the doorway.
“I did knock but got no response,” she gives him a look that’s a mix of concern and suspicion. She suspects that he’s unwell again and it concerns her. He wishes she never knew of that burden of his.
Aemond moves up in his bed, clenching his jaw. He knows his mother well enough to realize she must’ve had a reason for this early visit. Alicent proves him right when she speaks.
“The queen went into labor a couple of hours ago.”
He absentmindedly hums, not knowing how to react. His mother continues, with a hint of hesitance.
“There will be a feast when the baby is born. We thought... Rhaenyra and I, we thought it would also make for an occasion to do the announcement. About your betrothal.”
Her words come as no surprise to Aemond. It is what’s expected of him, it’s about his duty and his responsibilities, but this time he doesn’t want to think of that. He wants to be left alone, to drown in the layers of blankets, to go back to his short-lived slumber.
“The day Y/N arrived, I asked the queen to postpone the announcement. To give you some time to get to know each other,” Alicent takes a few steps towards his bed. “It seems like you’re getting along quite well?”
“I could think of no better woman than her,” Aemond admits and it is true. What he doesn’t say is that he can also think of a dozen other men who would be more deserving of her, more than he is.
Alicent catches the discreet sadness in his words but doesn’t know what caused it. She eyes her son with undisguised empathy.
“Her father implied that she is content with the betrothal, too. I thought you’d be happy to know,” Alicent gives him a lax smile. “I shall let you go back to sleep,” she adds and leaves.
Aemond knows he’ll get no sleep now. He repeats the well-known routine of deep breaths with the minimum movements, scraping up the remains of his strength before leaving the room. He goes straight to Y/N’s chambers, wondering if his mother visited her, too, and how that visit went.
To his surprise, she is nowhere to be found. A maid informs him that she left the room a few hours ago. He can’t find her in the library and she isn’t in Helaena’s chambers, either. He searches for her in the courtyard and then goes back to roam through the corridors, peering into every room on his way. He’s lost in his thoughts until he hears Y/N calling his name. Aemond turns around — and there she is, at the other end of the hall.
“I’ve been looking for you,” she skips towards the prince, beaming. He could never imagine anyone being this happy at the sight of him. She stops when they are only a couple of meters apart, her smile glowing.
“We must’ve passed each other, because I’ve been looking for you, too,” he confesses. She seems very pleased with herself though he isn’t sure why.
“I think the weather calls for a walk,” she blithely suggests. “Would you like to accompany me?” — as the words leave her mouth, she reaches out a hand to him. For a moment Aemond is looking at her baffled, and then hesitantly takes her hand. Her skin is soft, fingers warm, and she intertwines them with his own. That gesture comes so naturally as if they’ve done it before, yet Aemond clearly hasn’t. The feeling of holding someone’s hand is unusual to him. But it seems enjoyable.
By the time they get to the garden, Aemond finds that her hand fits perfectly in his. He is blushing profusely. He also notices that his headache receded a little and he can’t help but think that she was the reason for that.
“Your mother came to me this morning,” she informs him as they are walking hand in hand. “I assume she talked to you, too?”
“She did,” Aemond confirms. “Am I right to guess we had the same conversation?”
“Well, mine was about uniting two great Houses,” she mimics a man’s voice, and Aemond grasps that Otto was there as well. “Your grandfather gave a very convincing speech.”
“He had a lot of practice while being the Hand of the King. Maybe he misses having an audience,” the prince chuckles and she laughs.
Aemond holds a pause and then adds. “Forgive me if I’m being too blunt but I wonder if the conversation was of unpleasant nature to you.”
“It was not,” she slows her steps. “I know what’s expected of me and I will perform my duty. But if I’m being honest...,” she turns to him, and the tenderness of her gaze tugs at his heart. “I am glad that it’s you,” Aemond feels a flare of an unknown emotion deep in his chest. “We’ll make a pretty good team. Wouldn’t you agree?”
Aemond lets out a breath he didn’t know he was holding. He looks down at their hands and then back at her.
“It seems so,” he tells her, a slight smile in the corner of his lips. There is a moment of comfortable silence as they make a short stop in the shade of the trees.
“But I shall give you a warning,” she says with a mischievous grin. “My siblings take any celebration very seriously. Every single relative of ours will come to the wedding, and most of them won’t shy away from enjoying a cup of wine... Or two.”
“Can any of them outdrink Aegon?” he jokes, and she bursts into laughter.
Aemond gets carried away by their conversation once again, losing track of time. While she’s listing her relatives, adding innocuous remarks about each of them, the prince is enthralled by the warmth that radiates off her. Her presence alone calms the storm of his insecurities, lulling his fears to sleep. She does that so effortlessly, it’s almost intimidating. But there’s a certain thrill to it, too — the thrill of being close to her, sharing laughs and stories, and Aemond clings to that feeling.
He enjoys the moment while it lasts; until his headache predictably creeps up on him a few hours later. He can’t tell if she senses that something is wrong but she’s the one to suggest returning to the castle. Aemond gladly accepts it.
On the way back they are greeted by one of the guards who notifies them that the queen gave birth to a girl. She lightly squeezes Aemond’s hand.
“Tomorrow is a big day then,” — and the prince knows exactly what she means. The fragile bond that they only started to get the hang of will soon become public knowledge. It won’t be their secret anymore but rather an over-discussed gossip.
“There is still time for you to plan an escape,” Aemond jests half-heartedly.
She looks puzzled for a second, but then shakes her head.
“Only if you’re planning one. We are in this together, remember?” her thumb brushes over his. “It’s all about teamwork.”
Aemond savors the last fleeting minutes of their day. He barely touches the food at dinner, the pain in his head intensifying but he pushes through. When the time comes for them to part, he doesn’t want to. That feeling is alien to him and the prince is clueless about its nature. But he knows that with her any misery will be bearable.
When Aemond walks into his chambers, he notices a little jar on the bed table. It’s the one that the maester used to bring him the ointments in, and the prince sighs. The maester doesn’t grasp the extent of the problem but occasionally would suggest a thing or two to help with the pain. They’ve tried using cold packs, then the warm ones, tried massaging his temples, then drinking cinnamon tea, then adding some ginger that’s known as a remedy for reducing inflammation... Nothing has worked so far.
But he should make an effort.
Aemond barely glances inside the jar and tosses away a piece of paper with the instructions scribbled on it. The prince already knows it all too well: he applies a thick layer of whatever that concoction is on his scar, involuntarily wincing at the cooling sensation. It smells of herbs and feels oily but absorbs into the skin pretty fast.
For some reason, his mind goes back to his mother’s words — “I thought you'd be happy to know.” Aemond is unsure what happiness means. The happiest day of his life is forever chained with the worst one, smeared with blood and pain that he's been carrying through the years.
But now that he met Y/N, he questions if there’s more to life than what he's been through so far.
While he is laying in bed, Aemond wonders if can consider her his friend. If she will ever be more than just a friend to him.
And then, before he knows it, the prince is fast asleep. He wakes up feeling like a new man. At first, he mistakes that feeling for the remnants of his dreams that he was enveloped with at night. He shakes off his drowsiness and looks at the ceiling, catching a glint of sunlight that seeped through the curtains. That's when Aemond realizes that the pain is gone.
He sits up, bewildered, waiting for any sign of discomfort yet nothing happens. He waits for a couple of minutes — and then for up to thirty, but his head is clear and doesn’t ache at all. His eye shifts to the jar on the bed table, and Aemond makes a note to extend his gratitude to the maester later. Suddenly the upcoming festivities don't seem so torturous anymore.
He doesn’t get a chance to see her throughout the day as everyone is preparing for the feast. When Aemond walks into the hall of the Iron Throne, he takes in the decorated surroundings. Unlike the last time he was here, now he wants to remember every detail, knowing that this evening would be of great importance.
The room fills with people, but Aemond patiently waits for her alone. He spots her the second she steps in. Her dress is violet, the material bright and luminous, and it puts her into the spotlight yet again since she's the only one wearing that color. As soon as she takes her place at the table next to Aemond, her hand finds his. He's getting used to that way too fast. It’s hard not to.
The first round of toasts goes to honor Visenya, the newborn daughter of the Queen. Rhaenyra willingly tolerates the sweet talk, generous with her smiles and appreciation. At some point, when the timing seems right or maybe when her cheeks are already aching, she gives a nod to Alicent, and Aemond knows what it means. As she starts her speech, he ruefully releases Y/N’s hand.
But right when they are standing up, with everyone around cheering and staring, she lightly presses her body against his, and Aemond feels how tense her back is. That’s when it dawns on him that she’s well aware of the attention but she doesn’t really like it. Instinctively, he puts his fingers on her waist, his touch respectful and delicate. She breathes out and briefly rests the back of her head against his shoulder. For a moment it feels like it’s just the two of them.
That feeling doesn't go away.
Usually, he’s not the one to take part in dancing, but he does so for her. Aemond feels out of practice and he can’t tell if that's what makes his head spin or if he’s getting tipsy from the intimacy of their dance. Her moves are elegant, well-rehearsed, her body follows the rhythm of the music with ease. He doesn’t remember when was the last time that silly activity brought him so much elation. Did it ever?
Time flows by in a blur, and they eventually take a pause after going into a fit of giggles at the sight of Lord Velaryon trying to improvise a move and failing, only to amuse his loving wife. Y/N suggests going out for a while and Aemond is keen on following her but then his mother catches up to them, her hand and her gaze are on him in an instant, pulling him away.
“Aemond, you’ve been dancing,” she can’t hide her bewilderment, a timid smile on her face.
“Should I not? Seems like a suitable occasion,” Aemond chaffs with a tilt of his head.
“It is, indeed,” she doesn’t let him go just yet, and he discerns the hidden meaning of her words, the apprehension she fails to conceal. Aemond wants to grant her some respite, at least for the rest of the day, so he tells her with plain-spoken sincerity:
“I can assure you, this isn’t a cause for your distress.”
But then he quickly finds a cause for his when he doesn’t see Y/N around. He goes searching for her in the crowd, then leaves the room altogether, coming out into the hallway.
Aemond hears her before he sees her — and she isn’t alone. It takes no effort to recognize the second voice, which belongs to no other than Jason Lannister. As the prince rounds the corner, they come into sight, and Aemond has a very bad feeling.
He missed the start of their dialogue, and the look on her face is unreadable. She’s oblivious to Aemond’s presence and he decides to watch them. He tells himself that he’ll never allow her to get into trouble. There is something very tempting in having a chance to save her from anything; as if he feels the need to prove himself to her. He tries not to entertain that thought.
“... It’s not too late to change that, don’t you think,” Ser Lannister purrs, his tone sickly sweet but arrogant.
“It is. Which I have no regrets about, ser,” when she talks to him there's not a hint of friendliness in her voice.
“Your approach may be short-sighted. The proposition of mine wasn’t of a frivolous kind,” he’s circling her, the manner of his movement is borderline predatory.
“I believe you will soon find a lady to welcome your advances but I would very much prefer to drop this conversation,” she recapitulates.
Aemond tenses up, feeling like this is the moment for him to step in. Then he looks at her and realizes that something is off. Her face expression changes — but it’s not a look of fear. By the rising of her chest, he detects that her breathing sped up, eyes are shooting daggers at the man in front of her. She’s looking, for the lack of a better word, positively furious.
But Ser Lannister, apparently, is not very good at reading signs as he comes improperly close to her.
“I can be very persuasive,” his fingers fall on her back — and then go lower. “I think you should appreciate the attention while I’m this generous and...”
He doesn’t finish his sentence. In about two seconds his face is suddenly slammed into the nearby wall, the hand he put on her is now twisted behind his back. Y/N uses her free hand to push right between his shoulder blades, pressing him into the stony surface.
To say that Aemond is shocked would be an understatement.
Right at this moment, she looks like a different person. This side of her he’s not acquainted with but it only adds to her appeal. The change is barely perceptible: she’s still maintaining her posture, keeping up the face of a woman who knows her worth. But Aemond catches a flaming spark of defiance that threatens to shutter her restraint. He can sense her anger from far away despite her doing her best to contain it.
“I do not know what kind of attention you are used to, but you’re forgetting your manners. Next time you dare lay your hand on me, I will not hesitate to break it,” her voice doesn’t lose its usual softness, but now has an added layer to it. It sounds sharper, bolder. It sounds like she’s not afraid of anything.
She lets Ser Lannister go, taking a few steps back and smoothing her dress. He is frozen at first, but then slowly turns to her.
“You didn’t... You did not just do that,” there’s a visible red mark on his cheek that will undoubtedly turn into a bruise.
“Did what, ser?” her tone is laced with coldness.
The man looks at her in disbelief, his face is a parade of emotions — from shock to annoyance to anger.
“You will not get away with this,” he scowls, nettled.
“You are telling me that you’re considering letting everyone know you were overpowered by a woman? Sounds hard to believe,” she seems unfazed.
His mouth opens and closes a few times before he roars:
“You, insidious wre—!”
This time Aemond is the one to interrupt the man. “I suggest you watch your tone when speaking to my betrothed.”
She flinches at his voice, turning to face him, and Aemond slackens his pace a little.
“Shouldn’t she watch hers? She’s talking to a lord,” Ser Lannister exclaims lamely, his arrogance instantly toned down a notch.
“And I see no wrongdoing on her part. Care to explain what got you into this situation?”
“It was a... a simple misunderstanding,” his excuse is so pathetic that it makes the prince sneer.
“And what was the matter in question?” Aemond comes closer to the man which makes ser Lannister evidently uncomfortable. He carefully contemplates his next move.
“I only wanted to extend my congratulations on her betrothal,” the man fakes a smile. “Mayhaps I expressed myself poorly.”
“You should opt to choose your words more wisely next time,” Aemond looks down on him. “Perhaps you are needed somewhere else?”
“I shall rejoin the celebration then,” ser Lannister eagerly agrees and bows out way too quickly.
Aemond can barely wait for the man to get out of sight before turning to her. Even though the prince witnessed the whole thing, he can’t stop himself from asking:
“Did he harm you?”
“He didn’t get a chance,” she mumbles, avoiding his gaze. She looks so embarrassed, he wants to offer her some comfort but isn’t sure how.
"Dare I say we’ve got enough interactions for one evening?" Aemond tries to lighten the mood yet she only offers him a half-hearted smile.
“I will escort you to your chambers,” the prince suggests, and before she can argue he adds, “I know you can stand up for yourself if needed. But I insist.”
She doesn’t move an inch.
“...You are not mad at me?” she’s looking at him with doe-eyed sincerity, clearly upset. Aemond is mad at himself.
“I am thinking about cutting his arm off,” he says under his breath, but she catches it.
“Aemond, there’s no need!” she gasps and he sees a glimpse of a smile on her lips.
“I will have to disagree,” he starts but then she grasps his elbow and Aemond’s hand — finally — clings to her again.
“I don’t want you to get in trouble because of me,” she confesses.
“And I don’t want you to get hurt,” his fingers caress her arm through the lace material. Her cheeks heat up and Aemond finds it adorable.
“I think I... I was the one who did some damage,” she complains.
“You must imagine my surprise,” Aemond drawls, teasing.
“Oh, Gods,” a quiet groan leaves her mouth. “That was not very ladylike of me.”
She covers her face with the other hand, her grip on his arm loosening. Aemond dithers before gently brushing her palm away from her face.
“You did the right thing and you have nothing to be ashamed of,” he enunciates each word. “He only sets an example of unseemly behavior.”
“I’m afraid I wasn’t too far off,” she remarks, her voice relenting.
“Hmm, you are certainly not to be truffled with,” he retorts, earning a faint laugh from her as they start walking, arm in arm.
“May I inquire how did you... master that very handy skill?” Aemond ventures to ask. That image of her — brave and unapologetic in her anger — will be forever engraved in his memory. Aemond is apprehensive about voicing his curiosity, uncertain of her reaction but when she answers:
“My father taught me that,” her tone is surprisingly impish.
“And how did you manage to talk him into it?”
“Talking didn’t help much, actually,” she grins. “And then I broke my brother’s nose and my father decided he should find a way to guide my enthusiasm.”
“How old were you?”
“Nine,” she looks so satisfied with herself, Aemond can’t hold back a small laugh.
She joins him and they fall into the comfort of each other’s company. But then her smile wilts.
“There was a time when I was the youngest child and my siblings... They weren’t very nice back then,” she blurts out. Aemond feels his heart sinking.
“What did they do?”
“Oh, it wasn’t that bad, honestly, they were only teasing. It’s just um,” she’s looking for the right words or maybe for an acceptable explanation, but there isn’t any. “It was very tiresome mostly. I could never understand the reason for them being mean.”
Aemond is yet to tell her the story of him losing his eye, and the memory pops back into his head in a flash. He knows exactly what she feels, his own sense of helplessness fresh in his memory. And it still stings the same, and Aemond loathes that.
While he revisits the past, unwillingly slowing his pace, she spots the change in his demeanor within seconds. She sees his facial features congealing, his fingers clenching, and she comes to the only conclusion she can make.
“Is it the headache?” her voice is suddenly quiet, and Aemond comes to an abrupt stop. The question catches him off guard, words stuck in his throat and his mouth agape. He doesn’t know how to react nor does he understand how could she possibly know that.
She is quick to clear up his confusion. “I noticed not long after we met and then your mother confirmed my suspicions. I am sorry that I didn’t ask you directly, I thought... I didn't want to sound intrusive,” she explains coyly.
“By asking about my health?” he finds his voice again. “I am to become your husband, you are free to ask such questions.”
“We’ve only known each other for about a day back then. Surely, you’re allowed to take more time than that to open up to someone,” she kindly points out.
A day. Up until now the only person who’s known about his pain was his mother, and for years no one else ever questioned his well-being. And it took her a day to notice that something was wrong.
“Did the ointment help?” she asks hopefully. For a second he thinks he heard her wrong but the shadow of concern on her face tells him otherwise.
“That was your doing?” he can’t hide his amazement, and it elicits a laugh from her, sonorous and dulcet. Aemond likes the sound of it, he really does.
“I’ve been fortunate to obtain the knowledge required,” she informs him.
“And what kind of witchcraft is it?”
“It is not,” she playfully elbows him. “It was something my grandsire taught me. He used to have an ache of a similar nature. No one could understand the cause of it, and it only got worse with age. But my grandmother refused to sit idly by and one day she found a way to ease his pain,” she has a dreamy expression on her face but it melts into a wistful one. He guesses that both of her grandparents passed away.
“After her death, he wouldn’t let anyone help him. It took me months to persuade him and eventually he let me on her secret,” her smile is bittersweet. “Then he died, and I never thought the recipe would come in handy ever again.”
Aemond hates seeing her wallow in sadness. He puts his palm on top of her hand in an attempt to offer some consolation. If there was a way to free her of that grief, to take at least some of it upon himself, he would’ve done it in a heartbeat. But his touch is enough to bring back the cheerfulness in her voice.
“I should mention that your maester did help, too, although he was reluctant at first,” she reveals.
"And I presume that it also took some convincing?" Aemond thinks of the maester’s face that always looks like he is surrounded by imbeciles.
“I shamelessly boosted his ego,” she wrinkles her nose. “Told him there was no way anyone would ever be as skilled as he is, and that my attempt was merely a gesture of goodwill.”
“But it wasn’t just that,” Aemond cordially protests.
They already reached her chambers but he doesn’t want to let go of her hand. He wants to tell her that meeting her was like taking a breath of fresh air after being held underwater, like finding a source of light in the pitch darkness of the night or feeling the warmth in the dead of winter. Aemond wants her to know that she’s been a saving grace for him, but he’s somehow at a loss for words, his thoughts jumbling together.
“It was way more than that and I...,” never in his life had he gotten this tongue-tied and flustered. Yet she treats him with the same kindness and with no sign of prejudice, listening closely and keeping her eyes on him. Her gaze is disarming enough to make him say the first thing that comes to mind.
“I must admit, you exceeded my expectations,” Aemond breathes out.
It immediately feels like the worst, the dullest choice of words possible, and he wants to sink into the ground right this second. But then he sees her natural smile, genuine and bright, blossoming on her face again.
“I am glad to be of service, my prince,” she murmurs the last part, and his heart skips a bit.
He didn’t register the moment she came a bit closer, but she isn’t shying away from shortening the distance. There’s something enamoring about her trusting nature but that’s not what draws him in. For the first time, he experiences an unfamiliar feeling that tightens his chest, makes his breathing rapid. His gaze slips over her face, down from her radiant eyes to her smile, framed by the lips that look as soft as freshly bloomed flowers. The feeling melts into an urge — he only needs to take a step, to lean his head forward just a bit and...
Aemond inhales deeply. He thinks they are in no rush, he thinks it would’ve been disrespectful and naive. He’s mostly afraid to misread the situation, to scare her away.
But he wants to make his intentions clear. Aemond runs his thumb over her knuckles, brushing them one by one. And then he takes her hand to his lips, planting a kiss on it. He allows himself just this flicker of bravery before straightening up and releasing her hand. When he looks at her, her gaze is directed at him already. It feels like a particular question is hanging in the air; they let it dissolve for now.
“I shall bid you goodnight,” her eyes linger on him for a second before she turns away.
As Aemond watches her go, he is certain he wants them to be more than just friends. Lucerys’s name day comes in a about month, and by that time Aemond’s routine has changed drastically. It might look the same: he wakes up with the sun, flies with Vhagar, he trains regularly, he spends his free time reading — except now Y/N is a part of his every activity.
She’s never nosy or clingy; he is the one seeking her company at all times. She’s an early riser, too, and they are always the first ones at the breakfast table: he asks her about her dreams, they make plans, they poke fun at Aegon, who is perpetually sleepy, and she can effortlessly hold any other conversation with his family which only makes him ever so pleased.
She watches him train with genuine curiosity, she never looks away nor flinches, even when he gets too competitive and rough. Her attention is flattering — and it’s all on him, and it feels unusual at first, but becomes empowering and he bathes in it.
When he takes her to meet Vhagar, she is terribly nervous. Aemond jokes that meeting his old dragon will pose no challenge after she handled Ser Lannister. It gives her enough confidence to pat Vhagar’s snout as the beast observes her calmly. Aemond assures her that the dragon will never go against his wishes. What he wants to say is that Vhagar senses how he feels about her.
They spend evenings in the library, both absorbed in reading but always sitting close by, their arms and shoulders coming into contact more often than not. He sometimes can’t help but get distracted which leads to him forgetting about his book, instead secretly watching her, his glance full of adoration.
For a while, he’s oblivious to how inseparable they’ve become until Helaena tells him one day, while Y/N is playing with Jaehaerys and Jaehaera in his sister’s chambers. When Helaena mentions it ever so nonchalantly — “You two seem joined at the hip!”, it startles him. But that moment doesn’t turn into an awkward one — instead, Aemond realizes that he's not scared anymore.
“I will steal her away from time to time,” Helaena says, as cheery as ever.
“Bold of you to assume I will let you,” he chuckles, his gaze not leaving his betrothed.
“I think she’ll have the last word,” his sister retorts with a cunning smile.
Aemond doesn’t think twice before admitting. “She will never say no.”
“My point exactly.” The Queen plans a great hunt to celebrate her secondborn son, and a feast is being held in no time. Aemond detests those pompous events yet Y/N seems too enthusiastic about the idea, and he begrudgingly agrees to participate. He has no wish to burden her with his weighted resentment toward Luke but, as usual, she sees right through him. She asks him if he has any reservations about the upcoming celebration, and that’s when he decides to tell her. Aemond doesn’t want her to pity him nor does he want to upset her so he keeps the story brief: he claimed the dragon, his siblings didn’t like it, things escalated way too quickly and they haven’t been on good terms ever since.
She heeds his every word, then bluntly asks. “Must you really go?”
He ponders before answering with a sigh. “It would be rude not to. I should pay my respect.”
“I wish he had the courtesy to do the same for you,” she frowns.
“It would be a little too late for an apology,” Aemond shrugs even though her caring tone moves him deeply.
“I still think you deserve one,” she says like it’s the most obvious, logical thing in the world. He wonders how obvious the reddening of his cheeks is.
“I do not wish to dwell in the past when so many great things lay ahead of me,” and he only means her. Having a future with her is his greatest blessing.
She bestows him with her softest smile. “I guess we should make the best out of the situation we are in. Maybe you will have some fun hunting.” Aemond doesn’t know what was her definition of fun, but his definitely doesn’t involve babysitting Aegon. Yet that’s what he ends up doing as they get separated from the group of hunters and his brother gets so drunk, he can barely stay in the saddle. He babbles and whines and Aemond is on the verge of praying for a miracle when the two of them finally stumble upon a boar. The younger prince catches the animal without a struggle.
“Oh, must be good to be a boar. Wild and free!” Aegon grumbles on their way back to the camp.
“I just slit his throat. I doubt you would want to switch places with him.”
“I didn’t say I want to switch places,” he shakes his head so vigorously, he almost falls down. Aemond moves his horse closer, grabbing Aegon by the shoulder to steady him.
“Although switching places with you sounds tempting,” he sneers.
“And why would you ever want that?” Aemond raised his brow questioningly.
“You got yourself a pretty wife-to-be,” Aegon chants and whistles.
“Are you asking for me to tie you to that boar? That can be arranged,” Aemond deadpans.
“ 'tis won’t be necessary,” Aegon's quick to object. “Whatever she sees in you, those qualities are not in my possession,” his frown turns into a grin and he winks at his brother.
Aemond lightly chuckles. “You’ll get no argument from me.” Leaving her is not an easy task for Aemond but coming back to her might be the second-best thing in the entire world. And the first one, obviously, is being with her.
When they return to the camp, he helps Aegon down, impatiently looking around, and as his eye lands on her, his breathing hitches.
She’s standing next to the hunting tent, surrounded by a group of ladies, Helaena by her side and they’re both laughing as his sister unsuccessfully tries to finish her sentence. Y/N has a violet in her hair, strands of it falling down her shoulders, her smile bright against the fading evening sun. She helps Helaena to articulate whatever she's talking about, the ladies around them cackling.
Aemond admires his betrothed from afar, savoring the moment.
It amuses him that her softness is a choice, that she chooses to be open-minded and kind, even though the world around her is armed to the teeth, and she does know how to fight back. And yet, that’s not what motivates her. Instead, she’s an image of benevolence and generosity, always understanding and forgiving, hence why people are so naturally drawn to her. And he is no exception.
Aemond gets distracted when a couple of servants approach him and he instructs them to take the boar’s carcass away.
“You had a successful hunt, dear prince,” when Aemond hears the question, he rolls his eye. Turning around, he sees Tyland Lannister with a smile so forged his face might crack in half.
“As usual,” Aemond answers indifferently. “Never took you for a hunter.”
“I cannot appreciate cruelty,” Lannister forces out. “And I am afraid I will not be able to negotiate my way out of a bear’s grip. So I am here merely to control my brother’s primal impulses.”
The mentioning of Jason makes Aemond cautious.
“Developing some self-control may be beneficial for him,” the prince mutters.
Tyland goes blanch white, taking the hint. “I was wondering if I should address the delicate issue of my brother’s sympathy toward your—”
“You should not,” Aemond cuts him off. “Would be better to address his manners but it’s the thing you must sort out amongst yourselves,” with that, he turns away to find Y/N again.
Except she isn’t there.
The ladies moved closer to the tent but she and Helaena are the only ones missing. It takes him a second to realize that the women look alarmed, glancing at the tent. Or rather inside of it.
Aemond all but runs there, going over the worst scenarios in his head. When he gets in and sees Y/N in the company of Ser Lannister, he thinks he’s never been angrier in his life. If Aemond was a dragon, the lord would’ve been burned to a pulp as of right now.
Jason keeps his distance and his face expresses nothing but regret yet it looks like it’s already too late as she is glaring at him with a sharp glint in her eyes. And in the next moment, she loses her temper.
“...What am I missing exactly?” she asks Jason, her voice unexpectedly loud, and it draws the attention of some nearby men. She doesn’t care.
“You’ve been eager to win me over, but I am yet to find a single reason why would any woman find your company endearing,” she takes a step toward the lord and he shrivels under the weight of her words.
“Is it the winery that your servants built for you? Is it your herd of fine horses? You talk so much about your stable, one may think your betrothed is to marry a stallion,” her smile is mirthless. Aemond hears a faint groan behind his back and recognizes Tyland’s scared tone.
“But what are your accomplishments?” the tent gets deadly quiet as she continues. “Do you consider your persevering courtship to be one of them? Or your harassing of my parents, my relatives and even my maids with your never-ending propositions, no matter how many times were they all rejected? Or mayhaps ambushing me in the hallway counts as an achievement for you?”
Out of the corner of his eye, Aemond sees Helaena and Aegon, both looking stunned. Pretty much everyone around him has the same expression at the sight of Y/N. The prince, on the other hand, has never been more proud of anyone.
She looks at Jason as if she wants to bore a hole in him, her voice getting lower but harsher.
“You want to know what prince Aemond did? None of the above.”
Aemond feels his heart freeze at the mention of his name. She is yet to see him but when she speaks, it feels like she’s seen enough.
“The man I am about to marry has been nothing but kind, respectful and loving, fulfilling my every wish, granting me the comfort of his company and his loyalty. The man with the sharpest mind and the kindest heart — both of which you’re clearly lacking,” she casts Jason a disdainful glance. “So from where I am standing, it looks like I’m the luckiest woman in the Seven Kingdoms.”
When she feels a hand on her waist, she isn’t surprised and welcomes the touch with no hesitation, knowing full well who is standing beside her. She swiftly turns to Aemond, their eyes locking.
“I would like it if we left earlier, my prince.”
“As you wish,” Aemond wishes he could marry her right now.
Disregarding everyone’s attention, he leads her out and asks the coachman to fetch their carriage. When they are away from prying eyes, her confidence wavers a little. It only fuels Aemond’s ire.
“Give me just a second,” he can’t help himself.
Aemond goes back to the tent — and right to the Lannisters, one of them is already scolding the other. Tyland stops his lecturing when he notices Aemond, but the prince doesn’t let him make a sound.
“That was the second time your brother couldn’t hold his tongue,” Aemond ignores Jason and walks up close to the other man. “If you care about his well-being in the slightest, make sure there will be no third time.”
“Aemond, let us not make another scene. You must think how that will look like...”
Aemond stares Tyland dead in the eyes and promises:
“I will gut him like a boar. Imagine how that will look like.”
Without saying another word, the prince storms off.
Y/N already got into the carriage, fidgeting with the hem of the dress as she falls deep into her thoughts.
“Ser Lannister will not bother you anymore,” Aemond says, sitting next to her.
“I sure hope so,” she mumbles, looking down at the wrinkled fabric.
“Whatever he said, you should not let it get to you. I do appreciate the gesture,” way more than he cares to admit, “but there’s no need to go through the trouble of standing up for me,” Aemond barely finishes the sentence when she retorts:
“I will.”
She looks at him, her eyes burning with blazing certainty.
“No one took your side when you were a kid. But I’m doing it now,” she states as her palm covers his, the touch is as warming as her glance.
Aemond thinks he is the luckiest man in the Seven Kingdoms. He runs out of luck so fast, he must’ve jinxed it. They are nearing the castle when the pain on the back of his head stings so unexpectedly, he winces, his eyebrows furrowing. She notices it immediately and insists he should take a rest when they arrive.
“Mayhaps you have some of the ointment left?” she wonders, leading him to his chambers. Aemond rarely allows people to coddle him but he accepts her care freely. He is also aware that the near-miraculous balm that she makes is long gone because he hasn't had a headache in a while.
When she finds out, she looks devastated.
“It must steep for a few hours, I can’t make it right away,” her enthusiasm brittles. She glances at him in a dither, mulling over something, while he lights the fireplace.
“There is another way that I know of,” she slowly suggests. “But you will need to lie down."
“Quite a vulnerable position you want to put me in,” Aemond lightheartedly jests but brings himself at her disposal with no second thoughts.
She sits on his bed right next to him, the bend of her hips an inch away from his arm.
“Close your eye,” she asks calmly and he obliges.
Aemond senses that she leans over him and he struggles not to hold his breath at the realization of how close she is. Then he feels the tips of her fingers on his face, the touch is so light and gentle, it makes him shiver. The pattern of her movements first contours his face, then goes up to his forehead, then slowly glides onto his temples. She massages them delicately in a circular motion.
“It was probably all the noise that caused this,” she presumes.
“Or maybe the fact that the man makes my blood boil,” Aemond says, although his anger is completely gone by now.
“He is pissed I didn't choose him,” she laughs quietly.
“Choose him?” her words peak his interest. “You had a choice in the matter?”
“My father said he would hate it if I marry someone I didn’t like,” her thumbs are following the lines of his cheekbones, then run under his chin, then all the way up to his hairline, right next to his ears.
“May I ask what was your decision process?” Aemond selects his words very carefully. What he really wants to ask is why would anyone pick him, out of all people.
“I’ve heard you claimed the biggest dragon in the world at the age of ten,” he can’t see her smile but he can hear it. “That was impressive enough.”
Aemond takes a peek at her through his lashes. “That can’t be the only thing you’ve heard.”
“I can distinguish valuable information from pointless rumors,” she notes imperturbably.
“I bet those rumors included the stories of me being the scariest man in the realm...”
Her fingers cover his mouth and he stumbles.
“I decided I would be the judge of that,” she says firmly.
“And what is your verdict?” he can't stop himself from asking, his pulse speeding up.
She doesn’t think for a second.
“All the people who were spreading those vile tales clearly have never met you. There isn’t a single bad thing I can think of when it comes to you.”
Aemond shouldn’t take it to heart but that’s precisely where it hits, her voice cracking his shield, her eyes telling him she will never regret knowing him, caring for him. He thinks this is what true happiness is — being with someone who will choose you every time.
Her fingers graze over the strip of his eyepatch and she pauses her movement. She isn’t breaking eye contact, waiting for his reaction, for his permission or refusal. Aemond gulps, helpless under her gaze, and doesn't stop her.
She picks up the leather strip slowly, as if she wants to give him a chance to change his mind. Aemond watches her, his body still, heart rate booming in his ears. She removes the eyepatch and looks straight at the sapphire that gleams brightly in the warm lighting. And then she smiles.
“What do you see?” he exhales.
“Nothing scary, that’s for sure,” her gaze doesn’t leave his face, her index finger tracing the scar, barely touching his skin.
“Nothing I don’t admire,” her voice is a little above a whisper.
“Nothing I wouldn’t love.”
His heart is beating so fast, it feels caged and ready to jump out at any second. Aemond forgets about the headache as if it never existed. In this state of bliss, he contemplates making a very emotional decision. But she makes one instead.
She lowers her face closer to his and all of a sudden he feels a touch so light, it’s almost like a petal brushes over his skin. It’s her lips. She kisses his face — his scar — moving tenderly from the high point of his cheek to the area under the sapphire and then right above what’s left of his eyelid.
When their eyes meet again, Aemond can only think of one thing.
He surges upward, his lips colliding with hers — she responds in an instant. His chest feels like it’s on fire as kissing her is the most overwhelming feeling in the world, but he doesn’t want to stop, ever. Her fingers gently slide down to his neck and Aemond uses his arm for support as he sits up without breaking the kiss. He then pulls her closer, one of his hands on her lower back and the other nestled under her jaw.
She softly sighs into his mouth — and it might be his new favorite sound. She tastes like berries, her lips getting more eager, fiery, addictive, and he is dizzy with joy and longing, trying to memorize each second. The pacing of the kiss grows heated and intoxicating as they melt into each other perfectly. They only part when both are out of air, their lips tingling, swollen and craving to continue.
“I must admit,” she tries to catch her breath, she can’t stop smiling, her hands caressing his face, “you exceeded my expectations.”
Aemond laughs, cheerful and carefree, his nose bumping into hers.
“It’s all about teamwork, as I’ve heard,” he plants a quick peck on the corner of her mouth — and on the other one. And then they are kissing again, desperately drawn to each other. He’s lost in the sound of her voice, in the feeling of her lips on his.
His love for her is all-consuming. Her love for him is healing.
Turns out, letting her in doesn’t make him lose. With her by his side, he always feels like a winner.
✧ the title is a quote from Hozier’s song ✧ I originally took inspiration from this post that lists the possible consequences of losing an eye. I also can’t help but mention the extensive research that @adderess did, which only adds to that heartbreaking yet very realistic concept. ✧ I have a playlist for Aemond 🎵 I didn’t add any music in this fic BUT I’ve listened to “Mr Sandman” a lot, especially the instrumental version. 💕 my masterlist
English is not my first language, so feel free to message me if you spot any major mistakes!
#aemond targaryen fanfic#I hardly believe anyone will read ALL that but I'm giving it a go#LISTEN my other fic is about Aemond getting his ass kicked#and there's lots of blood and family drama#so I wanted to start with smth light okay???#is he *too soft*? well not when it comes to the Lannisters lmao#but pls let the man be soft for once#also my mental health needed a break from describing fights and torture so here we go#ALSO will I ever stop writing female characters who can stand up for themselves? probably not#hotd fanfiction#my stuff#aemond x y/n#aemond targaryen x y/n#aemond one eye#aemond targaryen fanfiction#aemond targaryen fanfics#aemond targaryen fics#aemond one eye x y/n#aemond targaryen hotd#hotd fics#house of the dragon fanfiction#hotd fanfics#aemond targaryen
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You there. Eris Morn fan. You have 30 seconds to formulate a post about Eris that does not involve Drifter ... if you fail this simple challenge I will teleport into your home and confiscate every device on which you may connect to tumblr dot com, instantly improving the condition of the tags. Good luck.
#destiny 2#eris morn#you guys cannot stand a female character you can't relate to a male character at every step. tbqh.
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strange behaviour from the arcane fandom when a woman that has relations with another woman goes down a darker path and people condemn her whereas if she was a man in love with another man this would be lapppped up as “toxic yaoi”. please get a grip
#i’m tired#i’m so tired#people will do anything to erase lesbians from media#not even just when i think about the treatment of mel from a vast majority of jayce / viktor shippers … weird fucking behaviour#if cait was a man and vi remained a woman nobody would bat an eye#if they were both men nobody would bat an eye#her whole arc is reference to how privileged people will fall to facism at the smallest drop of suffering#that the lower classes experience like. what are you not fucking getting#i’m trying to think of examples here but people looooove kylo ren and he takes on a sort of dictator’s role#though not in a similar fashion#it’s just tiring to read all of the time#nobody can stand nuanced female characters but everyone sits and laps up similarly or WORSE toxic male characters#get a fucking grip#tbd.#also the mel issue is separate it’s just on the brain#because apparently two men cannot have a close bond without wanting to fuck and devour each other :/#but women are always written as besties. ok#i’m#also not saying don’t ship jayvik. but you see the issue here right#a canonical lesbian relationship is thrown to be shredded#and jayvik takes favour yet again ??? MEL IS RIGHT THERE TOO ….. not that it’s any betterrrr#but you see. you get my point ???? THE CANON IS THERE. ACKNOWLEDGE ITTTTTTR
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#v important#the person who made the original tiktok made it in response to ppl getting unironically angry about the nanami x princess tiana thing#but its funny how this crops up in so many fandoms + online spaces#how ive witnessed people shit on jess margo and hailey#how nbs cant stand it when the male mc of whatever media they like is parterned with or shows interest in a black female character#y'all are sick in the mind#misogynoir#tiktok
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Arya and Dany stans: *discuss the likelihood that they'll have a positive relationship given their parallels, foreshadowing, status as key characters, and being two of George's favorite characters*
Stansas: Is this Sansa shade?
I think it's hilarious that Stansas got mad at me for (accurately) pointing out that they accuse Arya and Dany stans of being motivated by Sansa hate simply because...we get along and like both of them lol. The idea of them getting along is about their characters and has nothing to do with Sansa. Just because they pit Dany and Arya against each other for Sansa's sake doesn't mean we're motivated by the same thing. Are there some conversations that bring up Sansa + Arya's strained relationship? Absolutely, that isn't baseless in the books considering they're written as foils and George has already said they have issues they need to work out. The "Stark sisters 4ever" fantasy they have is just that, and it's funny we never see this same energy for Arya being turned into a prop for her sister 🤔. Sisterhood didn't stop Sansa from siding with Joffrey, telling Cersei that Arya was a traitor (even though she had no idea where Arya was), or calling Arya unsatisfactory when she thought that she was dead so why are we supposed to pretend it's an all-important factor when discussing Arya's potential relationships with other characters?
#arya stark#daenerys targeryan#anti sansa stans#fandom forever talking about how the sisters writing is misogynistic but when we acknowledge that conflict it's an issue#yes Arya loves her sister but that doesn't mean all of their issues are going to magically disappear when they reunite and this is somethin#we were explicitly told by the author! guess we're supposed to just ignore what he said cause it doesn't fit fanon though#this idea that we're constantly thinking about Sansa and forming our opinions to spite her is so insane I can't#we can't even like two female characters without it being turned into a conspiracy theory 😭#the real issue is that they can't stand that we talk about Arya as her own character and not just a prop for Sansa#cause where's this energy for the Stansas and /supposed/ Arya stans who come together to hate on Dany??#or for the ones who erase Arya's entire story and mold her into a prop whose only purpose is to serve Sansa?
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nina salazar-roberts is such a beautiful case study in comphet and I genuinely think her arc deserves so more appreciation
#female main character who does NOT end up with a guy?? whose arc is about defining her worth around her relationships with men and realizing#she is so much more as a person outside of that#who loves and adores her friends and values every one of her friendships with them with the care and intensity of a romantic relationship??#whose self worth isnt tied to being The Best because she just wants to express herself for HER and make art with her friends#because she loves them and sees the beauty in making something with the people you love even if she isnt the star#and finds the balance between caring about her relationships and having an identity outside of them#of course the fandom hates her. yall can't stand any female character who has a personality outside of her love interest#people who call her bland or selfish or whatever annoy me so much. she's a TEENAGE GIRL figuring out who she wants to be jfc#and is just trying her best and cares so fucking much about the people around her#i love her so much and am so glad she exists as a main character#hsmtmts#nini salazar roberts#olivia rodrigo#also i think liv embodies so much of her in her music#all american bitch. scared of my guitar. enough for you#she's just such a relatable depiction of the messy teenage girl experience
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Torian Cadera (SWTOR)
Aric Jorgan (SWTOR)
Alain Richter (LOVE & LEGENDS LOVESTRUCK)
Fenris (DRAGON AGE 2)
Danse (FO4)
Laurent (PERFUMARE WIP)
Blade (SHOH WIP)
AND on the same BUT Outwardly Emotional corner we got:
Astraeus (ASTORIA LOVESTRUCK)
Jaal ama Darav (MASS EFFECT ANDROMEDA) okay exception is that he was not brought up that way but i wanna add him here so
Elliott (STARDEW VALLEY) dunno abt his youth but i think?
Uses sarcasm to hide feelings gang
Garrus Vakarian (MASS EFFECT TRILOGY)
M (WAYHAVEN CHRONICLES)
#swtor#torian cadera#paladin danse#...he s on the sarcastic side but.Yup#i was gonna add jumin han AND Lucifer but idc abt them anymore <3#aric jorgan#fenris#su.txt#astraeus#jaal ama darav#odd that even after playing romance club for so long i cant pick a name that stands out...#btw this is just their romance paths#EVEN sadder is i know no female characters like this.....fuckin tragic!#interactive fiction#dragon age#fallout 4#shepherds of haven#dragon age 2#mass effect andromeda#alain Richter#love and legends#astoria fate's kiss#lovestruck#stardew valley#sdv elliott
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