#feeling like he no longer has anyone?

[sherlocking-out-loud]

about buddie, I think we're heading for divorce arc 2.0 turbo mode - where it's Buck's time to ask Eddie if he ever stopped to think about Christopher. and it will be ugly and heartbreaking to watch them fight. and they may not even be on speaking terms when this season ends. maybe Eddie feels such shame for having failed as a father and for disappointing Buck, that he just shuts down and isolates himself, feeling unworthy of forgiveness.

so, I'd love it if in this season (maybe even in the finale) we'd have a parallel with 5x13. Eddie would be sitting on the floor, cell phone in hand, browsing through hundreds of photos he has accumulated of Buck with Chris, and Buck with himself, at work and outside of it. one after the other, happy and funny memories of their time together over the years. maybe in between shots of him looking and the pictures with a terribly sad expression (and Ryan would nail this so hard), we could have little montages of the moments from those photos, a buddie best off, so to speak. and then Eddie just breaks down. he cries and cries and cries, but this time?... this time, he's all alone.

roll credits, enter hiatus.

[screechingfromthevoid]

Orym is giving very "I have fallen in love again and that feels like a betrayal to my dead husband" energy.

He's also giving "I care so much about my friends and I have to protect them but the love I have for one is so strong that it's distracting me AND it's not fair to the others"

Like there is so much love contained in the Orym and also so much guilt.

[lunarharp]

What led to this (orufrey comic, cw an uncomfortable/creepy scene)

[designernishiki]

it’s kinda funny to me how that dumb scene in kiwami 1 of majima getting shot and left for dead in the harbor was basically just added as a half-assed way to explain majima not being around for a bit of the plot, but they accidentally(?) just made it seem like start of a chain reaction where majima ended up feeling slighted and heartbroken after being abandoned like that and then lashed out about it via smashing a big truck into the building kiryu was in. and yeah that isn’t inherently a romantic thing as-is but then they go and add the part where majima grabs a hostess and performatively hits on her as in-kiryu’s-face as possible, she says she’s already in love with someone, and majima lets her go immediately, no questions asked, making a big fucking point of it just to say see THAT kiryu? I appreciate when people are HONEST about their FEELINGS. people who won’t just BACKSTAB someone who CARES about them to save themselves. is that so crazy kiryu?? huh??? anyway make it up to me get down here and fight me right fucking now

[spilledmilkfkdies]

Sometimes I think about that scene where Ogron and Gantlos (ft Roxy) are reacting to the winx transforming like "Same old song and dance" and "Speak for yourself slut I like it aCTUALLY" or whatever, depends on the dub- Then Believix gets "earned", forcing the wizards to sit through a second sequence. And y'know. It's followed by Duman doing fucking

Probably doesn't mean anything except I've decided that it actually does. Not only did he hear Gantlos mentioning he finds it amusing, he also had his own conversation with Anagan that included a "Why don't you ever give us a twirl". Duman remained unconvinced until the winx made them watch another sequence so he just "This one goes out to y'all <3"d it up *does a lil spin* and you best believe Anagan is nearly pissing himself offscreen as it happens

This was me gaslighting myself into thinking the wizards are more interesting than they are for today mwah time for lunch

[doll-elvis]

I’m just having one of those days…

(crying over a man I never met because I miss him)

[squorttle-pox]

please. i need alastor with his hair up so we can see the side of his head. second set of ears or smooth flesh prairie?

[sleepy-bear-tm]

There's a storm brewing at Garreg Mach...

[irenespring]

Me: I'm going to get back into writing fanfiction for a fun creative writing outlet, while I work on other humanities and social sciences in classwork :) Also me: Has now read at least one official medical study, multiple interest/support group and government reports, and several online testimonials re: House's possible amputation vs. non-narcotic pain treatments sans amputation, and now has a pretty good mental chart going of decidedly STEM things.

I have been tricked into researching STEM. Creative writing has betrayed me.

[carnivalcarriondiscarded]

thinking so so hard about LaughingStock and how that'd go down. disastrously, probably

[technicalthinker]

tony gilroy please make cassian andor bi in season 2 challenge i have five whole dollars i can bribe you with just make cassian andor bi in season 2 of hit-show andor tony gilroy can you hear me i have a request about cassian andor and wonder if you can make him bi in-

[moinsbienquekaworu]

Devastating news: my brother is a normal person. It doesn't run in the family, I'm just a weird freak for no reason

[the-priestess-of-dawn]

I went looking and couldn't find any record of me ever actually posting this on tumblr, oops, but a couple years back I wrote this thread on twitter about how Emmeryn's sacrifice absolutely is not supposed to teach Chrom (or Robin, for that matter) that "sacrifice is necessary" or anything like that and mmmm for reasons I am getting Upset about it again so asdfghjkl I'll actually share the Rant with my tumblr followers this time.

[embraceyourdestiny]

i feel like nomura not knowing what to do with kairi's character has a very meta explanation of kairi doesnt even know who she is and nomura lives / writes his characters so thoroughly that the quandary hes having is because shes having it too. we really live our characters when we're imaging their life and i myself have felt the total confusion, the heartbreak, the love, the fury, the betrayal, the anger of some characters as emotions completely separate from mine so it makes sense for him to be "stuck" / not utilizing her until now because he didnt know where she fit in because kairi didnt know her place in the universe either

[roobylavender]

considering what you have spoken about regarding selina do you also get frustrated with like…i cant quite explain it but sometimes especially in more recent years shes been posed or positioned like some sort of damsel that needs a big strong man to save her and like im not saying she should be portrayed with the “hollywood level feminism” for lack of a better term im just think about how old versions of selina would have hated that. like im just thinking of anytime in the reeves movie where bruce grabs her or forces her mouth shut or even when he didnt allow her to kill falcone and im just thinking she should claw the fuck out of him for that. i just miss a version of selina who wouldnt allow anyone to walk all over her personal autonomy like that

oh absolutely! in fact this is specifically why i can't stand loeb's take on her character lol (and as we both know that was a significant point of reference for the reeves film). it's really jarring to transition from her volume one and two canon to the long halloween / dark victory / when in rome. i think a lot of people tend to latch onto these books because tim sale's art is to die for and it's obv hard not to enjoy a good murder mystery. in that aspect they're still books i can enjoy in isolation. but i find it very difficult to enjoy them as a selina fan specifically because in every single one it's like she's looking for solace and security in a man and i'm not sure why. like what was so bad about her original backstory of having a deadbeat dad (whether you ascribe to the volume one or volume two version of him) and why did she need to go looking for her "real" father in carmine falcone. why did she need to seek out temporary boytoy relief in italy. why did she dream about being saved by bruce. none of it really has a reason other than to create a "lack" in her for the sake of it being there, because she'd never needed a man like that before in her post-crisis narrative. as you mentioned it was quite to the contrary and she was fiercely independent and protective of her own peace, esp from men. when she felt empty or without a connection or lifeline to someone real, it was mostly about people like maggie or holly or arizona. her people

what i think it ultimately comes down to are two things: the first thing is the diminishment of her post-crisis origins. after all, it's convenient to ignore how distrustful selina is of people, and of men with power at their leisure to abuse specifically, when her post-crisis origins are no longer relevant to her personal characterization. although selina's status as a sex worker is more prominent now, it was more or less completely swept under the rug for the bulk of volume two. loeb also refused to engage with it in any capacity. it only really resurfaced with the conclusion to volume two because it drew direct parallels to how we initially found her in volume one, and then brubaker expanded on it once again in his take on the character, which was notably juxtaposed against a pre-existing romance with bruce and brings me to the second thing. i've already waxed about this at length so this may very well be recap but i really don't think selina's lack of control over her personal autonomy can be divorced of the modern portrayal of the romance. when selina looking for security and understanding and comfort in bruce is what drives the romance forward there's not much room to maintain her original values and guarded demeanor, if not her outright defensiveness and hostility. a lot of people look at the extensive trauma selina has experienced and argue that she deserves to be in a relationship with someone who allows her to let those walls down. this isn't incorrect in theory. but it does repeatedly ignore who she is. it's kind of like the point i was making about bruce yesterday. exploring the inherently abusive nature of robin or of bruce's right to his children in light of that fact is interesting to do, but the actual execution has rarely managed to take into account who bruce actually is

for however nice it might be for selina to let her walls down romantically and look for solace in bruce—and i say this mostly for the sake of argument, personally i would argue against its necessity—it's realistically not something she's actually going to do. at least not as willfully as she's been portrayed to. realistically she's going to make it extremely hard, which if anything is precisely the appeal. i love it when selina gives bruce a hard time. i love that it's not supposed to be easy or maybe even a possibility for him to win her over bc there's so much about his own ideological stances that's flawed and in opposition to her own. she doesn't have to be any less unrelenting in her principles and worldview for that romance between them to be compelling bc at the end of the day the entire crux of it is that against all odds bruce cares. for however wrong he thinks she might be in a given moment or in her stance against the government, he knows who she is and how hard she's fought and what she's survived and it makes him sympathetic to her because she's real. she's a wonderful character through which to explore the logical limits of bruce's self-righteousness and categorization of crime, as well as a wonderful mirror to hold up to his face as he starts to ask himself whether what he's doing is really the only means of keeping the city safe. and the novelty of it all is that you don't have to sacrifice her character for any of that to be true. writers have simply deluded themselves into believing that they have to and that's why we are where we are today

[that-was-anticlimactic]

okay no but thinking about ritsu with tourette’s, right? and this boy is like… the king of suppression because he feels like he needs to be the perfect student and son and all that jazz and he’s also so embarrassed by the fact that he can’t control his body. so he suppresses like there’s no tomorrow and it hurts so much but he does it anyways. he lets himself tic at home, but even then he’s so used to suppression he forces it to be mild so his family thinks it’s better than it is. he lets loose more in his room by himself, but even then he sometimes has trouble doing it. he frequently has tic attacks in his room:/

anyways so let’s say one day mob and reigen and serizawa and teru and tome and shou and dimple are all at spirits and such, right? and like ritsu has student council stuff or something idk anyways and serizawa asks reigen where he gets his fidget toys because one of his classmates has ts and has been searching but can’t find any they like. and before reigen can respond, mob speaks up and is like “oh you should ask ritsu” and everyone just. stares at him because reigen has like a box of fidget toys in his office and an individual stress ball for each person and ritsu has quite literally never used them. and they’re like “why?” so mob is like “he has some fidget toys in his room—he doesn’t really take them places. i don’t know why he doesn’t. they really help his ts”. and everyone just stares x2

so eventually, reigen is like “ritsu has ts???” and mob just cocks his head and says “yes??? did you guys not know this?” and absolutely NONE of them knew he had ts because ritsu is THAT good at suppressing and if he’s in a position where he can’t suppress, he finds a way to leave so he’s alone. and like mob didn’t fully realize that ritsu was suppressing because he lives with ritsu and sometimes hears it from his room and sees it at dinner and he notices the little signs that other people don’t see unless they know and he’s like “you… really didn’t know??? does he not tic around you guys?” and then everyone comes to the realization that ritsu is HARDCORE suppressing

anyways i think it’d be sweet if reigen sat down and talked with him and ritsu is super stand-offish at first and snappy and then reigen says something like “we’d rather have you as you are—you don’t need to try to be the perfect ritsu because you’re already the perfect ritsu” or something along those lines. and ritsu starts having a breakdown and like it takes awhile for him to be comfortable ticcing in public. he starts small with the spirits and such gang and then slowly lets it happen during school and stuff and everyone is just. so proud of him. he’s less tense all the time and it helps him be more vocal about when he’s in pain and needs help and he starts to actually use his fidget toys and. yeah. feelings.